The devil resides on a fence post,
covered in honeysuckle and black berry vines
Across the dirt road in front of my house
He squats there,
atop that post
With his beautiful grin and blue eyes
He has demples when he smiles,
and hair the colour of hay
His voice,
is that of silken sin
Offering up a drunkenness that the finest of whiskys can't give
He drowns me in satin,
posing promises never kept
He bruises peaches,
and feeds on flames
Beckoning my flesh,
with the sharpest of silver blades~A

The title means: Truth( Razor  Blades) For Beautiful Creature ( Of The Mind)

To explain what this poem is about, when I use the words Razor Blades,  I actually mean Truth and when I use the words Beautiful Creature I mean The Mind.  This poem is not about Suicide. It is about a girl who finally starts to remember painful memories of her past when she was a little girl. Her mind at the time couldn't handle or process what was happening to her so lies were put place to protect her fragile mind. When she is older and more capable of handing the truth her mind decides it's time to start the painful process of remembering and dealing with these memories.



It's beautiful this creature and me
we sit in silence grasping air
and appease the darkness willingly
the deepness of the tone goes on
Hearing small noises like a ancient drum
the ethereal voice creeps in
your good deed will soon arise
shoot out, shoot up, then compromise
the steady drum rolls on then stalls
what will creature bring to me?
a thought, a spark, a memory
a place to crawl in when my tide is high
or razorblades instead of lies

Places, Places everyone
the prisoners enlightenment has just begun
creature beckons my soul to arise
stand up and  open your once silent eyes
beautiful creature what have you done?
I have brought razor blades of truth sweet ***
What cruel truth will creature tell?
the ones you buried in your yourself
Whose thoughts and memories are these I ask?
my dear ghostly girl they are your past
for this is the hour of your reason
nothing here is out of season
fiery and fierce your will must be
do not be tempted by its misery
these growing pains must be held
they hold the keys to unlock your cell
beautiful creature how much will this hurt?
gut wrenching and painful
so a little a first

What Walt Whitman Knew About Democracy


For the great American poet, the peculiar qualities of grass suggested a way to resolve the tension between the individual and the group.


When Walt Whitman began conceiving his great volume of poetry, “Leaves of Grass,” in the 1850s, American democracy was in serious danger over the issue of slavery. As we celebrate National Poetry Month this month, the problems facing our democracy are different, but Whitman still has a great deal to teach us about democratic life, because he saw that we are perpetually in danger of succumbing to two antidemocratic forces. The first is hatred between Americans, which Whitman saw erupt into civil war in 1861.

The second danger lies in the hunger for kings. The European literature and culture that preceded Whitman and surrounded him when he wrote “Leaves of Grass” was largely what he called “feudal”: It revolved around the elect, the special, the few. Whitman understood human fascination with kings and aristocrats, and he sometimes tried to debunk it. But mostly he asked his readers to shift their interest away from feudalism to the beauties of democracy and the challenge of sustaining and expanding it.

Whitman offers one metaphor for the grass after another, and one feels that he could go on forever.

This challenge is what inspired him to find his central poetic image for democracy, the grass: “A child said, What is the grass? fetching it to me with full hands.” Whitman says that he can’t and won’t offer a literal answer to the question. Instead he spins into an astonishing array of “guesses.” The grass “is the flag of my disposition, out of hopeful green stuff woven”; it’s “the handkerchief of the Lord…Bearing the owner’s name somewhere in the corners, that we may see and remark and say Whose?”

To Whitman, “the grass is itself a child…the produced babe of the vegetation.” “Tenderly will I use you, curling grass,” he writes. “It may be that you are from old people and from women, and from offspring taken soon out of their mothers’ laps / And here you are the mothers’ laps.” He offers one metaphor for the grass after another, and one feels that he could go on forever.



But mainly Whitman’s grass signifies American equality: “I guess it is a uniform hieroglyphic,/And it means,/Sprouting alike in broad zones and narrow zones,/Growing among black folks as among white,/Kanuck, Tuckahoe, Congressman, Cuff,/I give them the same, I receive them the same.” Whatever our race and origin, whatever our station in life, we’re all blades of grass. But by joining together we become part of a resplendent field of green, stretching gloriously on every side.

Whitman found a magnificent metaphor for democratic America and its people. Like snowflakes, no two grass blades are alike. Each one has its own being, a certain kind of chlorophyll-based individuality. Yet step back and you’ll see that the blades are all more like each other than not. Americans, too, are at least as much alike as we are different, and probably more so. America is where we can be ourselves and yet share deep kinship with our neighbors.

And who are our neighbors? Kanuck, Congressman, Tuckahoe, Cuff—Canadian, legislator, Virginia planter, Black man, all of the teeming blades of grass that we see around us. When you stand back far enough, you can’t see any of the individual blades, but look closer and there they are—vibrant and unique, no two alike. We say “e pluribus unum,” from many one. But who could have envisioned what that would look like and how it would feel before Whitman came along?


MORE IN IDEAS


The grass is Whitman’s answer to the problem that bedeviled his contemporary Ralph Waldo Emerson: how to resolve the tension between the individual and the group. Emerson is sometimes hopeful that the two can cohere. When you speak your deep and true thoughts, no matter how controversial, he believed that in time the mass of men and women will come around to you. Each will say, ‘this is my music, this is myself,” Emerson says in “The American Scholar.” But mostly he is skeptical, believing that society is almost inevitably the enemy of genius and individuality.

Whitman’s image of the grass suggests that the one and the many can merge, and that discovery allows him to imagine a world without significant hierarchy. Can any one blade of grass be all that much more important than any other? When you make the grass the national flag, as it were, you get to love and appreciate all the people who surround you. You become part of a community of equals. You can feel at home.

We can look at those we pass and say not ‘That is another’ but ‘That too is me. That too I am.’

In “Leaves of Grass,” soon after he offers his master metaphor Whitman rises up to view American democracy from overhead. The poem’s famous catalogues of people doing what they do every day are quite simple: “On the piazza walk five friendly matrons with twined arms;/ The crew of the fish-smack pack repeated layers of halibut in the hold,/The Missourian crosses the plains, toting his wares and his cattle,/The fare-collector goes through the train—he gives notice by the jingling of loose change.”

This is your family, these are your sisters and brothers, Whitman effectively says. In general, we walk the streets with a sense of isolation. But if we can move away from our addictions to hierarchy and exclusive individuality, and embrace Whitman’s trope of the grass, our experience of day-to-day life can be different. We can look at those we pass and say not “That is another” but “That too is me. That too I am.” Or so Whitman hopes.

Of course, the benefits that Whitman promises do not come for free, or simply by reading his poem. We’ve got to meet his vision halfway, by being amiable, friendly, humane and nonhierarchical. This repudiation of hierarchy is not so easy; it’s not clear that even Whitman himself pulls it off. Isn’t he trying to be a great poet, the first truly American bard? But his effort matters. He knew that democracy is always vulnerable, that the best hope for human happiness could disappear from the earth. But Whitman would not let that happen without a fight.

—Mr. Edmundson is a professor of English at the University of Virginia. This essay is adapted from his new book “Song of Ourselves: Walt Whitman and the Fight for Democracy,” published this week by Harvard University Press.

Copyright ©2020 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8
Appeared in the April 17, 2021, print edition as 'What Whitman Knew About Democracy.'

This feels
Like the color,
Purple.

My tiny dancer
Shock blonde
And cinnamon sugar
Watching Saturday morning cartoons
Curled up in bed.

The grey daze before dawn.
Like goose down and
Razor blades

I’m enthralled.
Captured
Raptured
Rising from the dead
Of long, wrong dreams
Inside my head.

Could this be?
Could this be?
Could this be?
Love?
Or just a
Weak approximation of.

‘Cause the world seems to stop
Whenever she’s near
And everything becomes
Perfectly clear.

I perfectly understand that I
Can’t get enough
Of my
Fingers in her hair.

I can’t get enough
Of her
Artificial air.

Yes, this feels,
Like the color,
Purple
Like goose down
And razor blades.

it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache

Filter the perfect shade of the forenoon sun,
Not too bright, not too dull.
For with ease and carefree thoughts,
You let the sunbeam-drizzling fairies play
As the beauty reflected in your retinas.

Capture this scenic view:
Where the burnt chestnut colored oaks
And mudstained sweetheart sundress of yours
Dance in three-four beats of waltz.
The Crayola strokes of the skies
And the watercolor streaks of daydreams and nightmares
Paint the canvas of your disquited thoughts.
This is the peripheral view from your suncrashed irises and corners,
This is your world.

Let your knees down to your sore feet
Be engulfed by the chasms of the bewildered grass,
As the smile makes it way to your plump spring lips;
Callused fingers from guitar strings
Twirl and twist the blades,
Cutting through flesh
And green and red and blue and yellow,
All sorts of color came spilling from your playful bruise.

From this panoramic view of yours
Of a wonder wonderland,
Where the ticks of clock
Follow the sunflower throughout time and forever,
This is the beauty of that stem:
A key to escapism
To a well-dreamt lovely world.

I Used To Use Blades, I Used To Have Blades Of Three
Blades To Bleed, Blades To Hurt, Agony, Fiery Pain
They Were My Life, In My Dreams, I Screamed A Plea
Nothing Was Happy, No Sunshine, Only Drizzling Rain

There Was Not Future For Me, Nothing, No Hope
It Hurt To Wake Up, It Burnt In The Shower
I Thought I Would Live In The Hospital
No Life To Live, No One To Love Me In Return

Then It Stopped, Bad Thoughts Vanished
Banished From My Mind, All I Could Think Of Was Him
His Name Was And Is Blade, Not My Blades Of Three
But A Bright Shining Light In The Dark, Hopeful

His Name Is Blade, Mister Manders To Me
My Love, My Life, My Hope, My Future
Warmth, Light, Beauty, He Is Mine
And I Am His, He Is My Saviour From The Darkness

Reach for the blade. Its the only thing that can make you feel anything now.
        Now that everyone has destroyed what's left of you...
             How you will ever be the same again...

Draw it across and watch as the red flows behind it
         Again and again, again and again, again and again
             Till there is nothing but red
                  Dripping
                         Falling
                               Bleeding

At first its anger, hatred, betrayal
    Then it becomes less and less
         More of a habit
              Till you feel nothing at all
                       And all you want are the scars and to try to feel, try to be in control of something

It is always  easier to start than it is to stop

Sittin' on the dock of the bay,
Watching the sun slip, Simon-says, slide away,
Cheeks blushing flushing from orange ray-guns,
Drinking blush rosé to oil our eyes
For the subtle story the sky shortly will reveal,
For the subtle story the sky shortly will revel.

Grievous judgement to make,
Thinkin' skills possessed to praise,
When but yesterday I easy confessed,
When at the Blue Canoe (another poem),
I did not.

(The clouds were magnificent. No, I cannot write a poem about the cloud colors. Their shape shifting inexhaustible.  Mine eyes high on their creativity.  I'm just not good enough a poet to tamper with that sky.)

If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.

No impulse. We pledged that tonight, ours,
One hour of sunset over Silver Beach.
Brought the wine, forgot the pillows,
So Abraham & Isaaca went prepared to sacrifice
All feelings in their butts for the greater glory
Of love and one of nature's great poetic challenges..

The conundrum~miracle of every sunset
O'er bay, lake or ocean, is its special,
Only-In-Nature unique way of customizing
Its descent just for you.

No matter where one observes,
No matter where you worship,
Wherever your temple, mosque or church situé,
Tennessee, Rhode Island, the Philippines,
Germany, Colombia, even in the ole U.K.,
(yes, you, know it, yes you)
The very same setting sun we all see,
Sends a magic dazzle gold orange path invitation
To the exact spot you are voyeuring,
One sun, all destinations equal before human.

How can that be?

Trepidation and tremblingly,
The clouds.

She leans on me, a perfect fit,
My back resting against a pylon,
So we see the clouds
With common exactitude,
But it is a quiet time, silence only shared.
Images stored silently within ourselves,
For we see the formation, man, woman,
Precisely and exactly, totally differently.

The clouds.
An armada moving imperial and imperiously
At a stately speed, saying I am awesome, fear me.
The largest cloud bank is an aircraft carrier,
Miles long, painted horizon blue-grey unsurprisingly.

The small white wisps, fast destroyers, stealthy submarines,
Moving fast to protect the mother ship,
Running random to confuse enemy radar and the
Pathetic, limited, human eye.

The colors.
Here I fail willingly, unashamedly.
So many sunsets, so many hearts,
All different, all the same.
Lacking knowledge, I cannot tender,
I cannot offer you tenderness to love
Enough,
The variety of oranges, gold, varietals interspersed
With pinks singeing the cornea,
And mock myself for all my meager brain yields is
Good Humor creamsicle...a delicious irony

You who write after midnight
Of razor blades, pills and shotguns,
And not marked two decades even, on this planet,
You want hard,
Write a poem about a sunset in ways never done before.

You, who are wracked with despair
Speak to the man with no job for months
And mouths to feed and a life insurance policy.
Speak to me.

I want to tell you to get over yourself,
But you reject that old saw.
Ok.
Get onto to yourself.

I have walked the hallways of deep despair,
Heard the bells ring between periods that signal only the next
Hell,
And to this day, still do,
But still I try to write external of sunsets and greater glories.

How many lives depend on you? Are you proud of your weakness?
Do you hate me yet for acknowledging out loud,
We are both cowards?

I have five mouths to feed,
Before I parse a morsel.
One less than two times three,
What do you have but to
Grow yourself?

Yeah coward.
Too yellow to write about a
Yellow sunset, cause that is hard in a way incomprehensible
Until tried.
Or the passing of your mother who could not speak clearly
But you, thru her eyes knew that she had poems to yet recite.
Run away like I did ashamed with frustrated failure.
Why should I coddle, give you easy soft?
.
If you come here to share, well and good.
If you come here to find comfort, good.
So gaze upon these words and feel
The love that only experience has earned.

What do you know of heartbreak?
Imprisoned for decades in a loveless life,
I walked by the water nightly, so tempted
To stay, to not pass by but pass on,
Yes, the same waters where I CinemaScoped
Yesterday's sunset, and walked away.

You can read about it if you look,
Look me up, look here, the story is in my poems, but always,
Look up!

So do something hard, something external.
Fail but love yourself more for just having tried.
Then try something else.

The saddest poem ever wrote
Was not yours, where you titillate with daring words
Razors, pills etc.,
The saddest poem ever writ
Was this one, a meager vanity to capture a
Sunset that keeps trying every day to
Surpass
Supersede
Its previous glorious failure,
Like we should too.
Keep trying

Now, I shall rest,
For I know that soon I shall see, feel, think,
Of something new that will make me eager to
Write a new poem.


August 3~5, 2013
Written and posted here one year ago today. Strangely, it fits my mood exactly, again, today, 2014. Edited for clarity here and there...

*If you courage enough to
Call yourself poet, then
It is audacity, not blood,
Warming your extremities,
So foolishly try, always be prepared to fail.

I am starting to live a life filled with razor blades again.
They are everywhere,
on the window sill,
on the night stand,
on top of the drawers.

My room constantly oozes red blood;
it would be so easy.
It hardly hurts anymore,
one flick of the wrist and it would be over.

No more dark days,
pain filled nights,
broken heart.

I could just

rest.

I wouldn't have to take sleeping pills anymore,
or ask God not to think of you.
I wouldn't have to feel as if I were drowning;

razor blades;

*I could just rest.

She accidentally looked back into eternity and it is telling her things. Constantly questioning whether it could have been on purpose. She wishes it had told her about the day that she went missing for too long. She is still missing. Missing so many things that happen and those as close as possible. She is missing them too.

She existed to be this close to missing everyone forever. Everyone missing her forever. Missing her orange kisses and purple thoughts. He left messages in blue in her thoughts. To see if it could make a shady spot in the bright yellow sun.  This is where they would sit and possibly lay down. There were so many shimmering waves in the grass that loose clothing rippled. Her dress was waving to clouds being emptied by the sunshine.

If they were to lay in bent grass blades could it be the last time. The last time the blades bent back and the feeling of beauty penetrating hearts couldn’t let go. The last thing they could ever want. No turning back. Time is bending the blanket.

Time decided to take some space to itself. To get back to nature and living with things we cannot stop. Life kept being left in the street with holes made in it by fear and hatred that is white. Life kept being told by whiteness that is was not real.

In this space that time took to itself the institution of white needed to become colorful like rainbows and hadn’t documented in its constitution that it needs to become different shapes and sounds that may be hard for it to resonate with while investing in such militant social systems of oppression overflowed from slavery in order to become a space other than time allows for a short duration yet brutally eternal and ending now as today unfolds and life proves it is real as time rips it apart openly and its institution of white judges itself into the panic of being so insensitive that vengeance has no other shapes, colors or sounds to choose other than violet revolt.

Violet made handprints in clay as a small child while reserving words for family that were taken from her. She smiled into the abyss of pleading that is too late for forgiveness. A silence of the white institution that could no longer be a burden in space for time to want anything to do with it ever again. Violet was intimate with the space that time took to itself. She nourished it with colors, intelligence, senses, shapes, love, merciless unforgiving power and purple thoughts were always encouraged.

Violet’s orange kisses burned into the early morning making the institution of whiteness a kind of blue. All that was left of it was confused and squinting at the colors of its new shape. It was demanding to know how long the spell had been on them and what to do now. Violent explained in senses and climate changing shapes of darkness and bright red lava and flashing pink clouds that there is no now.

part 2

I hope you like my shape of communication. I hope you can appreciate the brutality of the beauty in decomposing the unnecessary manifestation of apocalypse. The writer wants you to know its him. The narrator wants you to know its her. The sentence is time taking space to itself. Grammar is more of a blue than purple. The shape is the sense of confusion which is also the ****** of realizing eternity. The details are up to your imagination not mine or the author or writer or {[(black/white)[(black women/white women) + during slavery and after] + (Americans) (to make the *** trade of slavery possible) (political intellectually engineered institution)] [(mixed race) (native)(black African) (the rest of the world not isolating themselves in the social construction of whiteness)]} = having to create my own language because I don’t exist like I need to in the institution of whiteness (I have to feel it more than it feels me) that has a completely different meaning and purpose of imagined structure or patterns or symbols that outnumbers mathematics that are statistical boundaries invested in with the language that power is behind it somewhere that can only be found by using it.

Its uncomfortable for me to write the things I feel without feeling the need to prove their value to you. To build a relationship and undo it before we get to comfortable with each other. I know that you will never forget this during all your desperate imagination of reading and life. A thread that is undeniable through shapes colors and sounds but grammarless rhythm with more sensual texture than colonial organization and its friend decolonization making love instead of war most of the time.

So this again is why time has taken space to itself. The shapes of objectification in our solar system layering our consciousness with objectifying existence in space unimaginably vast and then gone all of the sudden. Actually assumptions are our specialty so we are intimate with them and emotive beyond anything real.

Vibrations sound like waves and look like shapes. She surfed on the shape of waves. She lives on the shape of waves balancing them with focus and intent. Of course she is going to use the most obscene language of the oppressor to react and demand the same brutal trauma is being redirected by her with exponential adaptivity as aggressively as colonialism on the institution of whiteness that changes little details of its shape to suit its foundation as the need for free labor based on her skin color and also the genes of her skin color to by association allow enslavement of light skin hims.  

Section 3

The flowers sat at the drum set to communicate spring. Some felt uncomfortable and decided to advocate for the drums.

“The drums are symbolic not just the symbols. Why should the symbols get the credit as being symbolic?”

As a gesture of listening, acceptance, and understanding. Guns turned to hyacinth flowers with jasmine bullets. The fragrance took violence over with a brutal ferociousness no one knew flowers had.

That same sunny day I became 6 shades darker in the growing power of the sun. That morning the same perspectives of my identity changed twice. In the morning the institution of whiteness (IOW) declared a false sense of solidarity with how I looked to them. That evening they ignored me like that never happened. They were squinting with confusion and nodding at each other.

The IOW was making a habit out of black identity. Settling with the concept that being black is having holes from their police and being silenced on streets or in the passenger seats of cars with their families. The IOW was making it a custom to advertise being black as dying.

A Rwandan orchid blossomed right at that moment. The IOW abruptly spit out their coffee and stood up together in disbelief. The sheer unexpected beauty became an unbearable pressure on their hearts.

The heart? Since this Orchid blossomed the shape of the IOS did not allow anyone but themselves to have a heart. This realization that the others had hearts was a serious need for a group huddle.

“These others with hearts we must assimilate with them as soon as possible!”

It might have been the deep fragrance of hyacinth and Jasmine, she thought aloud, or maybe the purple thoughts, but then again Violet played a huge part in paving the way for the blossoming Orchid. Cushioned by bent grass blades and a timeless blanket they intertwined in the shade of the bright yellow sun.

Dear Crystal ****,
I loved you
I put so much trust in you
I spent every hour of every day confiding in you
I told you my deepest fears
I let you know how broken i was
and you ******* took advantage of me
You took everything i owned
you stole my family from under me
you robbed me of all my money
We never had a healthy relationship

From the first night i met you
you beat me into a ****** pulp
You made me hate everyone
You turned me into a monster just like you..

You dug your claws into me
You slit my skin with your razors of control
But you just brushed it off and kept destroying me
I tried so many times to leave you
I tried so hard to cut you off
But the attemps just failed

You flooded my mind with thoughts of you
You gave me flashbacks of when we were together
I heard your voice screaming when all i wanted to do was forget about you
You controlled every aspect of my mind
my body
And my life

Then one day i couldnt take it anymore
Your abuse was to muc for me
You had me on my knees begging for a saving grace
I cried
I screamed
I begged god for the light
I wanted to die
I stood on the edge of bridges
I stared at knives and blades
I felt like i couldnt continue with you
and like i definitly count continue without you..

Then one dark august night
God awnsered my prayers
He wrapped his arms around me and rocked me to sleep after so many weeks without closing my eyes
I slept for almost 4 days
Waking only to use the restroom and to shove any food i could find in my face
You slowly left my system

You didnt go peacefully of course
You paniced
You clawed
You begged me not to do this
but i didnt listen

I stayed true to myself
I finally left you...

Things wernt smooth at first
I felt lost
I was confused about everything involving life
I didnt know who i was
I thought i would for sure go running back to you
But i gave it time

I pushed through the hot and cold flashes
Ignored the hallucinations and the fevers
It was pure hell on earth
But the torture was worth every second because leaving you was the best decition i have ever made for myself

Tomarrow is 30 days free from your shackles
Life still is a constant struggle
But honestly
I would not expect any different after breaking free from the cage of satan and into the sunlight of heaven

I now hae so many things to be greatful for
I have a roof over my head
I bed to sleep in thats not jail or a hospital.
I am a cherished member of y family again
I found love unexpectedly with a man who makes me feel like the most beautiful woman on earth
I have my goals and morals back
I see a future for myself
and most of all..
I am thankful i am breathing because you almost killed me

Someone once said
"Dope heads never quit, they only take extended breaks"
Well, i am proud to say i never am allowing you back into my life

So thank you ****
Even though you shattered every part of my soul
I now have a brand new outlook on life
I also never would have asked my now fiance for a ride home if you had never made me so sick i was in the emergency room
I dont regret you
Because i learned so much about myself and life from you

But now i can finally say...
I ******* hate you and i will never be with you again

Sincerally:
One greatful proud, life loving forever ex tweaker <3

He would ride up to the field
God had lain so purposefully for him
Along the final bight of an earthen track.
Narrow, which climbed, as with him
It swerved. He believed in God then.

Fenced off, blades became thick as
A dare, a moment—before confession
Or asking out his girl, the one whose
Crescent eyes in smile moonlit clefts
In his time. He would see her moving

Her body like His girl, exhaling His
Name, as if He was her only breath.
Through oceanic grasses she would
Flow in his ear, all the warm hadal
Mist of her. Aging wood throbbing

From gusts of wind on the fence. Deep
Enclosure of slender stalks and stems
Swaying by the rhythm of an ancient
Reverie. Crickets and junebugs, early
Fireflies lilting, sung to him tunes of

Indecipherable freedom. But not once
Did he cross, not once did he ever
Disturb a nature obeying the music.
Only the torrid yearning he allowed
To slip through the separation, knowing

There it was reunited, home among
The barely heard hum of the grasses
Oneiric and bare. Years later, when
The fence had disappeared, he once
Walked through and was overcome

By an emptiness thrashing against
Emptiness. In a single gust, scented of
His desinence, those years passed again
And he thought. Even if I’d crossed,
Had joined—not disturbed. Even if.

The title means: Truth( Razor  Blades) For Beautiful Creature ( Of The Mind)

To explain what this poem is about, when I use the words Razor Blades,  I actually mean Truth and when I use the words Beautiful Creature I mean The Mind.  This poem is not about Suicide. It is about a girl who finally starts to remember painful memories of her past when she was a little girl. Her mind at the time couldn't handle or process what was happening to her so lies were put place to protect her fragile mind. When she is older and more capable of handing the truth her mind decides it's time to start the painful process of remembering and dealing with these memories.



It's beautiful this creature and me
we sit in silence grasping air
and appease the darkness willingly
the deepness of the tone goes on
Hearing small noises like a ancient drum
the ethereal voice creeps in
your good deed will soon arise
shoot out, shoot up, then compromise
the steady drum rolls on then stalls
what will creature bring to me?
a thought, a spark, a memory
a place to crawl in when my tide is high
or razorblades instead of lies

Places, Places everyone
the prisoners enlightenment has just begun
creature beckons my soul to arise
stand up and  open your once silent eyes
beautiful creature what have you done?
I have brought razor blades of truth sweet ***
What cruel truth will creature tell?
the ones you buried in your yourself
Whose thoughts and memories are these I ask?
my dear ghostly girl they are your past
for this is the hour of your reason
nothing here is out of season
fiery and fierce your will must be
do not be tempted by its misery
these growing pains must be held
they hold the keys to unlock your cell
beautiful creature how much will this hurt?
gut wrenching and painful
so a little a first

i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di

You say doctors will
make the best poets.
They will search your emotions
by the skin; cutting open to reveal
and revel
with surgical precison.
They will play with
heavy drugs and blades--
nothing shall hide beneath
the armors of bone and muscle.
They know the anatomy
of the heart too well.
They will find the things
you have hidden in your chest.

I say
doctors will never be poets.
They are too mechanical,
too fast with their edges
and ridges.
They cannot see the pain
as pain but merely as an anomaly.
That sadness is black bile
not melancholia.
They cannot sing to you
but only clammer in medical jargon.

Poets will use their imperfect words,
and perfect rhymes
to find the secrets of your rib cage
with ease.
They will find every flaw
of your broken body
and make it the best story
you've never heard.

Doctors,
they will put love to define as
a momentary rush of adrenaline,
an arrythmia for another human
caused due to an imbalance of the heart rhythm.

Poets will tell you
that love is the first jolt
of life for them.
They will say love is a state of euphoria
that takes those irregular rhythms to perfect symphonies.

Doctors say that
veins carry blood
devout of oxygen.
I say that they carry your broken emotions
to their feelings factory
to mend it within its beautiful catacombs.

All those doctors
will find and fix you
with perfect solutions.

And these poets
will do their best
to be your perfect solution.

Blades of smoke pass through my hair,
Cutting; oxidising; as the smoke is slowly rising
through the tower of my power as I vainly gasp for air.

Cyanide, it seems, can comfort me a while,
as I'm breathing; screaming and repeating
smoky words into the floor's mute bathroom tile.

But my power is all gone; all wrong.
Oxidise: Cyanide.
Once more into my lungs.

The was a girl who had 3 blades
And trusted them with her life
She used them as her shades
Coz she needed them to thrive

She had rollerblades
The only fast thing she could find
She tried running with them from the world
But they were not fast enough

She had a blade to sharpen her pencil
And tried to use it to draw her future
But everytime the drawing was complete
Her tormented past came and erased it

Then she had a blade to sharpen her wrists
Coz all the other blades failed

My Teenage years;
Teenage years with people saying 'sit down and shut up'
Teenage years with no one caring
Teenage years with physical abuse
Teenage years with razor blades
Teenage years with no mother
Teenage years with bottles of pills
Teenage years with ****** assualt
Teenage years with suicide attempts
Teenage years with no reason to live
Teenage years spent pining for what was lost.



© Copyright Tyler Atherton

Some blades sting
as they slice through skin;
laced with backhanded
compliments, a withering glance,
and the steady hand of
an executioner, they aim
to demolish, stick by stick
of explosive hatred.

Some blades have poisoned tips,
dipped in a brew so wicked
that it lurks from vein to vein
and blacks you out, strikes you
from existence by hijacking your senses
and drowning them with intense,
heady emotions like loneliness, and fear,
and fiery anger.

Some blades are disguised as a handshake,
one that grips and cracks your bones into splinters,
shards of what once was dignity
and pride. A grip that convinces you
to admit that you are nothing, that you are
less than, that you are inferior.

And then there is the blade,
tipped like a pen,
upon which I ****** myself. This
blade, unlike the others,
is choice and stupidity and release.
It is a forfeit, a crushing defeat
that the writers succumb to. It is this
blade, ink pouring from our pumping aortas
to our gnarled, stained fingertips
that dance across a page, that charm
our own minds with the drowsy lullabies
and delusions of omnipotence so that
we can spill the deepest, blackest pits
of our shriveled peach hearts
and spit them out into the universe.
A million voices collide and create the void
where we all end, where we all begin, and
forge the path of self-destruction it takes
to fish out a handful of temperate words,
biblical verses, even historic epics
to release ourselves of our woes
and of every singular thought.

Some blades are caused by the average,
the ones who would not ****** a dagger
through their chest, not even
for the truth.
But our blade, the wicked fiend,
sweeps through every bone and ligament
until she reaps what is due;
the words you're reading,
my thoughts scattered out
for you.

A razor is my nemesis, because the blades do not behave
Gouging cuts into my skin, that is the path they pave
But it is unavoidable, I have become a bathroom slave
To rid myself of excess hair, from a shave that I don't crave

Ever since the birth of man, it goes back many years
A growth around your lip and chin, extending to your ears
It may go down particularly well, among the bents and queers !
I'd rather have a smoother face, to avoid Ducky's and Dears

Why do men want ****** hair, why do they want a beard
Bits of stubble sticking out, a design that's rough and weird
A Goatee isn't very good, it's cattle that's not reared
You wouldn't get tickled or scratched, if beards had not appeared

Okay some guys might look alright, when they are neat and trim
Scruffy ones they just look bad, and some are rather grim
I don't want hairs growing on my legs, or any other limb
Nice smooth skin is my preference, and it's not a passing whim

There is just one problem, something I would love to ditch
Hair removal is a pain, and it's an evolution glitch
When the morning comes along, I have that same old itch
Having to shave is immanent, and a *******

How many ****** shaves, does a man have to endure
Eventually your skin goes dry, from this old daily chore
You get cut far too often, I don't want it anymore
Razor blades no longer work, and that's a shaving flaw

Girls complain about their periods, it must be so frustrating
With all that blood just seeping out, when you are menstruating
You wouldn't like it daily, there is a period of waiting
It only happens once a month, so it's not as irritating

I'd rather shave twelve times a year, without anymore hair traces
No cuts and grazes for a month, in many different places
Unscrupulous razor companies, would have no more hairs and graces
Hairy smiles would be wiped off, from their stupid corporate faces

A close shave does not exist, I think it's a fare bet
That manufactures cut your throat, with electric dry and wet
All the claims of the best, that a man can get
Sharp shavers are a fabrication, and that includes Gillette

The cheaper brands are just as bad, shops own brand or BIC
You may as well tape a knife, to a piece of stick
Are potato peelers any sharper, would they be a valid pick
Would chipped skin be as bad, or just get on your wick

One shave is not sufficient, you have to do it twice
There's always bits left behind, which isn't very nice
I would've tried the No No, an expensive hair device
Razor blades and shavers, have such a high tagged price

It makes me cross and angry, because there is no reward
When buying beauty products, which they say you can afford
Why cant you have a body switch, or a desired level cord
So you can turn of your hair, and sod Wilkinson Sword

Excess hair I do not want, except for on my head
Is stress the cause of going thin, when it begins to shed
Would it not be better, coming of your face instead
Shaving would then be reduced, and not something to dread

Many men go through the curse, of losing it on top
The older that you become, your head hairs for the chop
A full crown is all I want, why take away my mop
I didn't want a bad harvest, by losing half my crop

The only place I wanted it, I've lost my style and flair
Why does a bald patch appear, why does your bonce go bare
Is it my comeuppance, with the creation of a glare
All I want from follicles, is my head full of hair

If you want to have a beard, then that is fare enough
Don't be mistaken for a *****, by looking like a scruff
I don't want a hairy face, or stubble that is rough
Or a weird beard with scraggy parts, or any yuk *** fluff

Some men just let beards grow, and maybe that's just crazy
It's not as though they look sweet, or as pretty as a daisy
Personal hygiene may not count, if they are always lazy
To me it isn't fashionable, it makes you look old and hazy

Who wants to be a yeti, but perhaps it is too late
And wild men roaming in the woods, is evolutions own cruel fate
No matter how much I shave, it's the scratchy bits I hate
Wasted shaves when hair returns, why does it lay in wait

How much has man evolved, how much as man progressed
Personally I think the state of hair, has radically regressed
It's based on my own experience, so perhaps I am obsessed ?
Who wants a hairy monkey, when your naked and undressed ?

There is a smooth advantage, when you are misbehaving
A kiss feels much more sensual, without the crazy paving
This is all that drives me, although it is enslaving
Even with the nice things, I'm not craving for a shaving

Was made of blood stained blades and tear stained cheeks,
Bated breaths trapped between warning footfalls,
The silent echo of your helpless shrieks.

Children locked in church bathrooms, circus freaks,
Disgraced, oh how laughter mentally mauls,
Was made of blood stained blades and tear stained cheeks.

We were called horrible things, worthless, weak,
They drowned it out, those noisy know-it-alls,
The silent echo of your helpless shrieks.

And oh, the way my thoughts, they used to leak,
Like poisoned water, roaring waterfalls,
Was made of blood stained blades and tear stained cheeks.

But you, so fierce despite being so meek,
Pushing down all your words, you used to crawl,
The silent echo of your helpless shrieks.

Today, I fight the words I didn’t speak,
And I’m sorry, I sat by, watched you fall.
Was made of blood stained blades and tear stained cheeks,
The silent echo of your helpless shrieks.

Rapunzel, Rapunzel, let down your
hair, as her golden locks came slithering
down, a secret hidden.

Razor wire underneath, as it wrapped
around. Controlled from above, it cut
and shredded poor Flyn surrounded by
blonde blades, a smile from above.

A look of fear as her hair twisted tighter,
a thousand cuts, tortured by the girl in
the tower.

Never was it to keep love out, because all
that love has been a mirage of beauty,
hidden was her sin. She preferred to unleash
pain and death to those who thought she
was a prisoner within.

The girl in the tower not as fair as the tale
had once said. Hidden from those that she
wishes to do harm, the bushes fed by the
blood and bodies buried in shallow graves
around.

She was beauty that hid a darkness within,
her hair of blonde hiding death within,
nourished by the blood of those lacerated,
with the blades within.

Rapunzel, Rapunzel in a tower so high, to
keep you hidden from the world, for inside
the beauty is a secret, that is locked in this
tower, forever hidden protecting those from
the fairy tale lie.
.

Throwing themselves beneath the mechanized yard-work goliath,
Salvia flowers bow their heads, heralding my passing
Stooping to remove their violet hats,
Thrown to the ground, trampled underfoot by passing metal,
A muddled **** of
half-death, half-birth
Floral genitalia broken into fragments, shards of color
Yet always they bow
Stooping, self-subjugating, submissive, servile, stretched
to their absolute maximum, fibrous tendrils ripping from the bed of grass

Until they flutter gently
Half-mocking their half-living counterparts
Still rooted firmly in the mulchy beds.

As you fanned me
and fed me grapes,
you let the sweat drip
down your lobe.
On a night as wet
as this, slip off
your robe, expose.

my fingertips scaled
your knuckles,
fumbling the thing
you held out to me,
burning so brightly.

All before you stopped
to talk to someone
more important
than me.
You moved so candidly.

You sat down at the bench
In a dress all black and
backless.
I've seen it in a dream.

With the moonlight flowing
down the river, your neck,
and spilling onto the banks,
your shoulder blades,
your hand crept across the keys
like the most beautiful spider
I had ever seen.

quite stealthily,
the big fat yellow bootay
cruised
by the very intent,
young brave lad
so carefully
sharpening
his
blades,

oh,
so,
quietly.

oh,
so,
slowly....

a skill she had
perfected these many months
on the run.

and what fun months
they were.

she slid by
oh.
so,
very,
silently,

then a nice
distance away
she turned
her big fat yellow bootay
around.

and.......