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There is snow on the ground,
And the valleys are cold,
And a midnight profound
Blackly squats o'er the wold;
But a light on the hilltops half-seen hints of feastings un-hallowed and old.

There is death in the clouds,
There is fear in the night,
For the dead in their shrouds
Hail the sin's turning flight.
And chant wild in the woods as they dance round a Yule- altar fungous and white.

To no gale of Earth's kind
Sways the forest of oak,
Where the sick boughs entwined
By mad mistletoes choke,
For these pow'rs are the pow'rs of the dark, from the graves of the lost Druid-folk.
There is snow on the ground,
And the valleys are cold,
And a midnight profound
Blackly squats o'er the wold;
But a light on the hilltops half-seen hints of
feastings unhallowed and old.

There is death in the clouds,
There is fear in the night,
For the dead in their shrouds
Hail the sun's turning flight.
And chant wild in the woods as they dance
round a Yule-altar fungous and white.

To no gale of Earth's kind
Sways the forest of oak,
Where the thick boughs entwined
By mad mistletoes choke,
For these pow'rs are the pow'rs of the dark,
from the graves of the lost Druid-folk.

And mayst thou to such deeds
Be an abbot and priest,
Singing cannibal greeds
At each devil-wrought feast,
And to all the incredulous world
shewing dimly the sign of the beast.
Don Moore Feb 2016
Part one – The Hedgerow watcher.

He is almost obscured by the Elder branch, which laden with fragrant summer flower heads, casts a shadow on his cloudy features. Nearby, small birds chatter in a hawthorn bush, completely unaware of the figure sitting in quiet deliberation; only his eyes move beneath his darken brows, as he ponders the small animal traffic in the verdant river valley below.

And were you to be hurried, or impatient, and not look too carefully, you would never perceive him at all, so well hidden is he. You would have more chance, if you caught a glimpse of him sideways through the corner of your eye, and even then there is the possibility, you would not believe what you had seen...

His eyes light with golden flecks, as the late evening summer sun, ensnares sparkles off the languid river surface and directs them upwards into the unhurriedly darkening duck egg blue sky. He watches intently as a young female Fern bear snouts her way through and across the lush emerald green grasses just inches away from the river bank, where water voles play, creating tiny V shaped furrows across the shallow stream surface as they cruise the nearly mirror like silver face.

He notices’ that he can see the smoothly pebbled bottom and the rainbow spotted  coloured sides of the almost motionless trout as they hang fins fluttering awaiting the last daytime midges to perhaps drop down and furnish them with one last gulp of dinner.

Native birds flit from branch to branch on the overhanging trees o’er softly trickling water, their tiny songs much muted by the distance, and up above a Buzzard floats on browned wing his eyes trained downwards to impale a darting field vole, which seeks his own dinner of scurrying iridescent Beetle.

A flurry, as a black and red Moorhen jumps onto a small sandy beach at the corner of a turn, long wide toes and even longer legs, carry it up under the curve of bank, as it returns to its night time roost in haste.
A flash of instant Kingfisher cobalt blue and a small fisherwoman arrives upon a twig, her anxious beady eyes blackly spearing the dashing minnows, which with silver sides, play amongst the reeds and gently waving flags.

Part Two - Reynard the sly.

A ripple runs across his hairy back, as upon the delicious breeze, he catches hint of reddish skulking, sulking trickster near, and then from edge of pupil gold, catches merest glimpse of tail held low, as Reynard makes his courtly bow. Neither twitch nor tremor, the watcher makes as deviously this prince appears, his fetid stench announcing him to creatures far and near.

Then slowly as he cowers, the Fox glides by and down the steepest sides, to hope of careless rodent or of bird on nest, that might bring him windfall of instant feast that he may carry for his cubs that play at home beneath the staunchest tree, a woodland Oak of stout and height. They chase their tails in this perfect evening light, but learn of fear and flight, as horn does play upon a Sunday Morn, and colours bright which chase and catch them with some baying dog, not far removed from their much scary plight.

And all along the bottom of the wall, as laid by hand, a hedge pig snuffles for a slug or snail, his attention close upon the leafy mould, and then a surprising squeak as rippling back with reddish fur and chest of white, a family of the weasel exit stone built home and hurry for their evening hunt of beetle, vole or mouse. They disappear amongst the tallest grasses as a damp mound of freshly risen earth ejects the black velvet mole, which sniffs the air before he enters home and tracks the juicy worm back to his lair.

Little by little, so slow in fact, that you would not suspect, the watcher turns his face and looks with wonder to wooded river far, where branches bent create a vault, for shining, winding river run, and there in this, the darkest greenest place he spies a glint of hope as Dragonfly darts its wings a blur, and Mayfly dances beneath its many cathedral branches.
And further still above the trees a line of deepest blue meets lighter blue as sea and sky become no more than one, and smell of salt in distant climes come hither across this idyllic vista...

Part Three – Watcher revealed.

Dog Rose crawls its way across the bushes of the hedge, mixed with twinning convolvulus of purple hue, light green stalked, white capped cow parsley, groups in fading sun, with ragged Robin and dark pink Campion standing proud along with other flowers. Behind the silent Watcher lies a different guise of manmade meadow topped with crop of corn, which yellow in the fading sun, has bread like smell, significant of fresh warm loaves, and Man the farmer, is carrying all his toil, for the harvest of his many labours.

And in amongst this very yield, wild life is binding shoot and ear, as weeds are flourishing with the golden head, but make a pretty sight instead, for walking couple, who do not fear to tread, where woman glides as though a cloud, and pulled along upon her path, a little man who wishes he, was all alone, but must follow in his mother’s stately wake.

Towards the hedge she makes her way, and life goes still and much less vivid, but Watcher never makes his move, whilst beyond the wall the light is dropping further still, he rests his hand on object dear, but still refrains from moving forth.

And just before the barrier itself, she turns her stride and looking north, then moves away along a path, which chosen now will pass all sight, of secret ancient valley. The little man he cannot see what lies beyond his ken, and worries if he misses this, which might be very grand and maybe just beyond this very land. He tugs and pulls his Mother’s calloused palm, and as she continues on her elected special way, for she is old and cannot see, this wonder all around.

The lady now cuts back towards the way she came, and like a ship with boat in tow, she cuts a swathe through sea of golden grasses, and when perchance the little man would look behind to see, if there were aught that he had missed, of life beyond the that wall.

And then, as if on cue, the watcher stands, for he is proud with legs astride upon that hedge, no longer still but raising up, as he does stretch towards the sky, and then with no delay but still with yearning, he lifts up to his lips his instrument of all his learning.

The boy’s eyes are all of shock, for he has seen the Watcher well, half man, half goat, with shortest curling horns upon his almost woolly head, and listens in near rapture as Pan the woodland God, plays a merry breathy tune upon his pipes of river ****. The song is fierce and strong and as the boy pulls hard to stop his mother's walk; he looks away, in hope that he may, in attracting her closer assessment of the apparition, which he has spied in gay abandon, will be more than just a fancy of his dream.
But when he turns his head to take a further glimpse of this sudden ghost, who would be dancing, playing away along a valleys edge, he catches nothing, but the song of bird but which whilst trilling strong, is nowhere near as long as tune in moment gone.

Then in the middle distance church bells as the practice for the Sunday first begins, with peeling clap and stinging ring, and then as if he fears, that he shall never ever see again this horned guise of natural thing. He peers more closely yet again, but all is gone, and though he will return on summer nights, when man not boy he seeks a God, he never ever meets again, the edge to freedom and a God glorious not but never ever vain.
Ted Scheck Nov 2014
You would think that
Light is always bright,
Shining, Luminescent,
Searing, burning, illuminating,
Perpetual dawn rolling across
Earth's lopsided expanses.
You would think.

Light and Darkness
Were once perfectly melded-
Minded-
Molded together, in the
Time before time,
In the cusp of God's hands
Pressing together and
Held apart in infinite
Pressure and density and love.
They were one yet separate,
Filling the mindless firmament between
The Left and Right Hand of God,
Before He created Earth.

You know the Beginning:
When the Heavens came into
Being
(So that the minds
Of men and women could
Acknowledge their existence)
And then the Earth was
Created

God moved His hands
(And Spoke through Them)
The earth, formless, void:
The Light in God's Hands
Marveled at the Living Light,
The Source of all things
Whom the light had dreamed about,
In its cupola that it thought to be
Infinite, but was somehow, beyond;
God, it seemed, had more,
A Higher Purpose for The Light

And The Darkness, seeing his
Brother distracted and occupied,
And uncomprehending the why
And how of God’s Light and
The Light (his brother?) standing
Close, so close, in perfect
Conversation, and why?
Why was not The Darkness a
Part of His Conversation?

Darkness, in the infinitesimal moments
After Creation had begun,
Turned his back on God and
Saw what was beneath him.
He
Streaked blackly down to the new
Thing God had made simply
By Speaking.

“What is The Darkness doing,
God?”
The Light asked, confused
For the first time.
“I don’t understand.”
God spoke, a gentle,
Soothing whisper.
LOOK FOR YOURSELF,
LIGHT.
And The Light looked,
Shining the barest part of
Himself down, so that
The Darkness could see.

The Darkness saw itself
Hovering over the waters.
The round globe that
God created was covered,
Filled with something
Mysterious and liquid
And like itself, Dark,
Deep, and brooding.

Dark and Void
Were now one.
Away from the Presence
Of God.
The Darkness had never
Flown, or streaked, or
Zipped like lightning before.
And Darkness saw that it was
GOOD.

Now Darkness was doing it.
Darkness was all OVER this
Planet-thing. Darkness had
The WHOLE
THING COVERED.
And Darkness saw that it
Wasn't moving. It had never
Been so big, so
EXPANSIVE before.
It circled the entire planet,
A giant ring of Itself,
For thousands and thousands
Of miles. Looking at the deep
Dark wet stuff,
Darkness saw its face
For the first time.
Not GOOD, Darkness thought
To Himself.
GREAT.
But before The Darkness
Could get a longer
(And much more detailed)
Look, becoming more and more
Connected with the Void…

Four of God's Words
Split the whole of existence
In TWO

'LET THERE BE LIGHT'

The Light of Creation
Exploded outward and
Simultaneously
Imploded inward
Scalding Darkness' eyeballs black
And God took The Darkness
In His Hand and Threw
Him to the other side
Of Earth,
12 hours
And 12,500 miles away.

God favored the "Light"
And called it "Good"
Darkness wanted to hear that
Spoken about himself.
But God further divided
And delineated them
By changing their natures.

The Light, now powered by a nearby
***** Yellow Star
Almost a hundred million
Miles away
(So as to not cook or
Freeze them to death)
God explained cryptically
Who is THEM
(The Light wondered)
There are OTHERS
Besides God?
And us?

But when God was doing His
Business, and it involved you,
YOU PAID ATTENTION

SOL IS EARTH’S STAR
YOU ARE NOW A SOURCE
OF LIFE. YOU WILL RULE
THE FACE OF THE PLANET
HALF OF AN EARTH DAY.
And God's Pure Light
Was now intimately linked with,
Among other things, the creatures
That God was even now filling the
Seas and the Land.
The Light’s new name was
"Day"

The Darkness changed simply
By God Willing It.
The Darkness liked his new name,
Closer to Light's old one
(Night)
And Night thought he might be
Happier, after all, since
God placed so much
MORE of him, far, far out
In the Heavens, in the
Unfathomably
(Though fathomable to him)
Empty spaces between the
Stars that gave birth to
Day every single itself.

But God punished The Darkness
For being Prideful, and marveling
At the beauty of his face
So God banished The Darkness
To reside alongside, and
Even, with, the Void
Who had been cast down
An Eternity before, waiting,
Waiting for just such a planet
To come along, so that Void
Could rule the air
(Like a Prince,
Deposed to his
New kingdom).

The Dark had never before
Felt something so different,
So ‘Off-Natured’ from God
Almighty.
Night was afraid, so Night
Kept his head down and
Out of sight and
Did his job.
The Light shone through
A tiny yellow orb, and
This light bathed the planet
In a veil of brightness.
Night was only one
Aspect of The Darkness, like
A Cousin created to do a
Very specific job, which
Left The Darkness to explore
Earth and the Surrounding
Heavens.

The Light had other aspects,
A nickname, if you will:
“Daylight” and
Daylight, in spite of
All he could see
(But Daylight praised God for this,
And knew God was the Source of All Things)
And all the creatures and
The Man and The Woman
Saw,
Daylight missed his brother,
The Dark.
But the Stars would only shine
Him in the Way God Intended,
And not a little brighter more.
So Daylight did his job, too.

One itself, as Day again
Chased Night away
(Always on Night's heels,
But never EVER catching him!)
Day was shining on a patch
Of water that seemed familiar.
But the water was, well,
Watery, and diffuse, and it
Slowed down Light's usually
Terminal Velocity, and bent and
Diffracted and distracted his
Straight-line nature. Light asked
God to tell Night he was sorry.

YOU’VE A VOICE
YOURSELF, DAY.
TELL NIGHT YOURSELF.

Thank You, Light of Heaven,
Day said, feeling the Star
Sol going into a brief and
Exciting supernova,
A thin yet ultimately powerful
Ray of Sol’s tremendous
Energy shining down
On that little familiar patch
Of water.

Day shouldered its
Way through thick clumps of
Seaweed (now dead) and down,
Ever down,
Deeper than any light had
Ever penetrated the Dark
Ocean.
Down, the light went, down,
To its breaking point,
Where Daylight was barely
Discernible as itself.
It got to the place
Where He ended,
And his brother began.
With its last photon of energy,
Daylight gave itself to
His long-lost Twin.
"I'm sorry, Dark"
A patch of exceptionally black
Darkness wobbled a nod.
(Me too, Light)
It seemed to say.
"I miss you, brother,” sobbed
The Light.
And God have Light his request,
Allowing him to shine just
A little more brightly,
And the Light gave of himself
To his Brother Darkness.
“God, may I please
Keep this little light
Of mine
To remind me of
My Brother Daylight?

Dark was no longer so very
Lonely
As God put a bit of
Himself
In the strange, strange
Creatures who lived with
And in total
Darkness.
And the Dark
Loved those creatures
So much so that when
You
(Or I)
Capture a Dark
Creature,
It cannot,
Will not
Survive the Light
On the Surface
Of the Ocean
Fernando Pessoa Oct 2013
Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate.
I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me.
I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.
And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing.
And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything.
If only I could think! If only I could feel!
carminayasmin Aug 2018
bathing myself in this thirsting quench
and now I’ve come to see you
as a drug. a pill.
but not prescribed.
     
Staring blackly at me
on my bedside table
                  and it’s teasing me.
teasing me with the sugar cane
that erupts when it skims my tounge -
I drool.

alluring my own deception  with your
succulent crescendo
that unravels it’s way down my whole
     voice until there’s none left.
And its just the way it sets me so ablaze
that I cremate casually  in your
immaculate ignite.

                       Knuckles clench to restrain that
                 sentiment that nostalgia
             that world that lies behind your door I always see myself
            linger through ghostly.



I’ve never been
29 August
my urge my battle to stop myself from you
I shall go away
To the brown hills, the quiet ones,
The vast, the mountainous, the rolling,
Sun-fired and drowsy!

My horse snuffs delicately
At the strange wind;
He settles to a swinging trot; his hoofs ***** the dust.
The road winds, straightens,
Slashes a marsh,
Shoulders out a bridge,
Then --
Again the hills.
Unchanged, innumerable,
Bowing huge, round backs;
Holding secret, immense converse:
In gusty voices,
Fruitful, fecund, toiling
Like yoked black oxen.

The clouds pass like great, slow thoughts
And vanish
In the intense blue.

My horse lopes; the saddle creaks and sways.
A thousand glittering spears of sun slant from on high.
The immensity, the spaces,
Are like the spaces
Between star and star.

The hills sleep.
If I put my hand on one,
I would feel the vast heave of its breath.
I would start away before it awakened
And shook the world from its shoulders.
A cicada's cry deepens the hot silence.
The hills open
To show a ***** of poppies,
Ardent, noble, heroic,
A flare, a great flame of orange;
Giving sleepy, brittle scent
That stings the lungs.
A creeping wind slips through them like a ferret; they bow and dance,
answering Beauty's voice . . .

The horse whinnies. I dismount
And tie him to the grey worn fence.
I set myself against the javelins of grass and sun;
And climb the rounded breast,
That flows like a sea-wave.
The summit crackles with heat, there is no shelter, no hollow from
the flagellating glare.

I lie down and look at the sky, shading my eyes.
My body becomes strange, the sun takes it and changes it, it does not feel,
it is like the body of another.
The air blazes. The air is diamond.
Small noises move among the grass . . .

Blackly,
A hawk mounts, mounts in the inane
Seeking the star-road,
Seeking the end . . .
But there is no end.

Here, in this light, there is no end. . .
K Balachandran May 2012
In to the mystery of the night, i wander
the tangled tarantula garden
canopied with prophesies of light,

Lit windows are making
overtures to desires
night unleashes at these hours,
hear the buzz in the air
its time to make love,
darkness forgets  hurt and embraces light.

i walk alone,
but an enchanting witch wait
for me somewhere in a garden bench,
to take me by my  hand to her secret haunt
filled with thick smoke of ****
where she will remove the drapes
to let me see the truth.

On her quill and cactus bed,
she would make me understand,
how far is pleasure from pain
why darkness stalks light,
a jilted lover, walking a few steps behind,

I've heard her, once whisper
to wind in her husky voice
"A  life written off by those
who measure out life with coffee spoons,
as spent in vein; this life of mine,
could have its secret treasures,
no charlatan could ever guess about
a serpent's diamonds
very few get to see,
its dangerous to pry, i forgive their ignorance"

Words induced by her dark power
has layers of meaning
but to many it was just meaningless jabbering,
just magic mushroom blabber

She nibbled and nicked my earlobes,
in between intoxicating purrs,
told me the meaning of caterwauls,

"Its not pain, its not pain,
once you get in to the stream
you only want to drain,
in to the vast blue ocean"


I recognize now,  it's Walpurgis night,
as i walk in search of my witch,
i see dancers around bonfire,
revelers totally out of their minds,
carouse at the heart of the night.
And i see them all, witches in marine blue dresses,
enchantresses in blackly black,
coquettish red or groovy green,
I wait for her to appear,
the only one in resplendent white.
Walpurgis night : (Walpurgisnacht in German)The Night from 30 April to 1st May when witches were supposed to hold a celebration in the middle ages(Witches Sabbath in 15 & 16 century)
Third Eye Candy Oct 2012
fed the birds.
fed the birds a
book about
my dead  
weight.
fed the
birds a heavy.
fed them from
my thin
hands. The words
that live.
The birds ate.
The birds ate words that
lived and always
lived
in
separate
houses. if...
and i mean if
and only if
they
could afford
it.
if these
clever pagans
ever had
a dime.
they found
it boring rich
folk to
death.

i fed the birds
my indigenous
nomads. they dined
in high style...
dined black and
fancy
on
shabby
addicts, as they
hopped
trains . i fed the birds
my
swarthy tribe.
and they supped.
i fed the birds
a monologue
with trains of
thought
the words i fed
them... the vagabonds...
hopped
trains.

of thought.

I fed
the birds.
i fed the birds just
outside.
i sat
and fed them
black light and Harmalade
fed them blackly
fed them with
piano keys;  the black
ones, the ones
that radiate
i fed

i watched them. watched
them fancy peck. and peck
and fancy
pluck.
i watched. they dined
on serene defeat
by technicality.
it was surreal
to watch a blackbird
pluck from black
keys - peck
a morsel of glum
from

the black rays, yes.

the black rays with
opposable thumbs
and a
lifeline. the only one i
know forbidding gypsies
with three eyes.
an open
palm.
a paranoid  
black radish
white dwarf star
with piano keys
for black rays
of

nimbus, yes

mine is the hand that bites the hand
that writes the book
it wants
to ban, that ain't
a fan

not at all. just an appendage. a pen dirge ? What ?

i  fed the flock lots

I fed
the black ones -
with dolls'
eyes...

tucked
under
wing.

i fed them, yes.

a book
about the size
of any welcome
malcontent.

i fed
them sorrows
and ellipses with
adjacent lawns.
wutherings in
stately manors, squatting
on either side
of memory
lane, like
a bourbon and
coke had
practically crawled
across shards
of hard
things to break,
with a drink
in your
hand

and crawled, well blended

down the hatch
of enormous, well appointed
gothic frogs, that -
were mostly refurbished toads
with odd columns.

i fed
the birds,
broke out the
Good
Chi
na

hang the tantrums !  

yes
One should expect
a rich metaphor to want to
watch you
eat it's every
word
or
by extension;
lick the toad with 15 rooms,
three stories, unfit for children
and a full staff
of Adjectives,
highly trained
to

short-sheet the Bedlam, and fluff the pillories.

one should sip the liqueur
off the floor, inside the huge
and tipsy
gorgon
and be thankful
for the dank
and

the solid gold flyswatters.

they're complementary. take one
as you leave out
thinking
" toads, eat flies.... so it follows...."
apropos of nothing, on the
' Good China ',

now in the belly of birds, well fed
an unwell.

a book about
my dead-weight's
dream
to eat fewer
flies and
more
steak.

to grow wings.

yes.
Caety Lanel Jan 2013
Behind closed eyes 
And shuttered dreams 
And barred windows 
I see the color green 
For the sea I write 

Behind iron bars 
And deathly individuality 
And ghostly thought 
I see the color white 
For the air I write 

Behind four pointed snowflakes 
And glistening ice pools 
And a hatchet clinging to the 
Frosted waves 
I see the color red 
For the fire I write 

Behind the open air 
And the dank walls 
And the endless earth 
I see the color of hope 
Blackly shining
Gods, what a black, fierce day! The clouds were iron,
Wrenched to strange, rugged shapes; the red sun winked
Over the rough crest of the hairy wood
In angry scorn; the grey road twisted, kinked,
Like a sick serpent, seeming to environ
The trees with magic. All the wood was still --

Cracked, crannied pines bent like malicious cripples
Before the gusty wind; they seemed to nose,
Nudge, poke each other, cackling with ill mirth --
Enchantment's days were over -- sh! -- Suppose
That crouching log there, where the white light stipples
Should -- break its quiet! WAS THAT CRIMSON -- EARTH?

It smirched the ground like a lewd whisper, "Danger!" --
I hunched my cloak about me -- then, appalled,
Turned ice and fire by turns -- for -- someone stirred
The brown, dry needles sharply! Terror crawled
Along my spine, as forth there stepped -- a Stranger!
And all the pines crooned like a drowsy bird!

His stock was black. His great shoe-buckles glistened.
His fur cuffs ended in a sheen of rings.
And underneath his coat a case bulged blackly --
He swept his ****** in a rush of wings!
Then took the fiddle out, and, as I listened,
Tightened and tuned the yellowed strings, hung slackly.

Ping! Pang! The clear notes swooped and curved and darted,
Rising like gulls. Then, with a finger skinny,
He rubbed the bow with rosin, said, "Your pardon
Signor! -- Maestro Nicolo Paganini
They used to call me! Tchk! -- The cold grips *******
A poor musician's fingers!" -- His lips parted.

A tortured soul screamed suddenly and loud,
From the brown, quivering case! Then, faster, faster,
Dancing in flame-like whorls, wild, beating, screaming,
The music wailed unutterable disaster;
Heartbroken murmurs from pale lips once proud,
Dead, choking moans from hearts once nobly dreaming.

Till all resolved in anguish -- died away
Upon one minor chord, and was resumed
In anguish; fell again to a low cry,
Then rose triumphant where the white fires fumed,
Terrible, marching, trampling, reeling, gay,
Hurling mad, broken legions down to die

Through everlasting hells -- The tears were salt
Upon my fingers -- Then, I saw, behind
The fury of the player, all the trees
Crouched like violinists, boughs crooked, jerking, blind,
Sweeping mad bows to music without fault,
Grey cheeks to greyer fiddles, withered knees.

Gasping, I fled! -- but still that devilish tune
Stunned ears and brain alike -- till clouds of dust
Blotted the picture, and the noise grew dim --
Shaking, I reached the town -- and turned -- in trust --
Wind-smitten, dread, against the sky-line's rim,
Black, dragon branches whipped below a moon!
Sa Sa Ra Nov 2012
I just want them too truly
To know they are as and more
Dearly too when we are all as my
3 here re see Eve'd as I already knew
U had come too re a shore the lonely sailor
With One One Another Ahoy!!!

~The Promise Be Shore Surely!!!~~

~Love of my life baby girl V~~Star'Sis!!
Come Darling Coming!!!
Still and More
Shall be!!
Mote
IT
B
!
.
.
Air All Was As Crisp Still Clear
Moon o'V very bright fully too

Towards the Dead of Line's
'tween be of a day by
Tip Tipper of Nite
locally See Sea's
longitudinally
onward thee
tracking
surely
so..
x
\/
x
\/
x
\/
.
.
X
Then the waters did part as quick
As Glass Shattered into that house

Midwife Be Thy Holy Need
Pop Quickly Spotting
Pop On Top One
Pop on Top
too lil' me
seeing
see
E
Y
E
Then just as sudden as the quick
The winds did there kick kick blew

As Blackly Be But Stars
Dimmer Too For
This Moon Of
Wooing
Thee
BE

I
N

Too All Mighty's
So Whispy of Whispering's
Windy's Cloud's Streak
Speak's Th'Eye's Sky's
Here's Holy's
Hearing's
Love
Is
.
.
O
N
L
Y
By Moon So Overly Fleet Flew
Fastly Flying All Heavenly Hands
Took Competent Handling of All Decks

Twas not this no not the one for a mutiny
All the Blood Bearing Beings before had overly
So much of scutiny too Wards of The Captain Too
They felt as his captive's Too A Madness Of Missions

*more: Coming ha ha Guess Guess!! Bless Bless!
This was a text I sent to my daughter I decided to poem-alize,
Which started trending and with so much other deep work,
With many on Hello Poetry they start speaking their way out!!!
In this case 'Ur trending babe!!!' is her birth story...***not quite yet born!!!
Below copy of the pom-alized text!!


~To the Dearest I know really; but too all should know truly!!!~

And at least here truly,
I can say, suggest and or;

***** a slight reminder,
Your worth, as much as all;

Beings here creatures great,
and small depend on this Earth;

I tell here more truly even to me,
much of the dearly you do clearly;

Truly again very much more than all of this!!!

http://hellopoetry.com/poem/to-the-dearest-i-know-really-but-too-all-should-know-truly/
Eloisa Sep 2021
I departed poorly
with my blackly bitter summer,
And ordered life in bright colors.
It gave me autumn
dressed in blazing orange and red.
Delivered to me in dreamful
and magical tints of gold.
I didn’t even notice the autumn rain.
Smelling the fragrance of the breeze,
I heard beautiful music from the rustling leaves.
Now, my heart began beating a familiar rhyme.
Love will gather my wistful, unspoken thoughts,
With new songs of harmony
from these autumn leaves.
I still have a lot of these colors.
I still have a lot of LOVE to give.
I’ve known love like I’ve known fall for so long.
Lawrence Hall Feb 2017
A Burner on the Bridge

A burner on the bridge.  A human burns,
Trapped in technology and beer and fire
We hear the cold dispatch, the desperate call
To go, to see, to mend, if possible
We drive.  The flashers, blue and red, rotate
In the startled faces of those we pass
At speed, Hail Mary speed, surreal speed
Time, motion, space, and light obscure the night

In a pattern tail lights wink dim, then bright
Stalled traffic makes a long glowworm in reds
Boats, trailers, trucks, tankers, Volkswagens, Fords,
People in shorts drift around, slug Cokes, laugh
Unshaven men smoke cigarettes and swear
Blue-haired killers in Chrysler New Yorkers
Blink blankly through bifocals in the glare
Of flashers and flashlights, flares and taillights.
A burner on the bridge.  A Human burns.

We drive slowly through the curious crowds
Who mill about and stare and point and laugh
They consider a charred corpse fair reward
For being delayed on their trip home from the lake
When they ‘rive home they’ll hoist stories and yip:
“I was there; I seen it, man; it was gross!”
But some already are anxious to go
They honk, and pop a top, and cuss the cops.
A burner on the bridge.  A human burns.

Below the bridge, old, silent water lurks
Oozing warmly, fetidly, in its drift
Slithering blackly in the warm spring night
A silent observer of fire and death
A carrier of beer cans and debris,
Radiator coolant, plastic, and blood
Concrete pylons pounded into the mud
Where once were trees.  And now the water sees
A burner on the bridge.  A human burns.

The bridge is an altar.  The wreckages
Are vessels sacred to our gods, the dead
Are sacrifices to our gods, an incense of death
Our offering is broken flesh, and blood:
“The is my body, burnt on this spring night;
This is my blood, shed on the center stripe.
A burner on the bridge.  A human burns.

A shapeless hat among the smoking ash,
Old clothes, a shoe, cans of beer, fishing lures:
The sad trifles and trinkets of the dead
Now, firemen in their yellow rubber suits
Climb slowly through the tortured, broken steels
And gently stow a man into a bag
Ashes and smoke, green radiator fluid
The old river flows, wherever it goes.
A burner on the bridge.  A human burned.

Hours later: coffee at the Dairy Queen
High school baseball players yelp cheerfully as
They wreck fast cars in a video game.
Under the fluorescents, the flashers seem
Still to turn, endlessly turn, in the night
Hamburgers, possibly char-broiled, are gulped
Sloppily, laughingly, as cleated feet
And deep-fried breath cheer a video death.
A burner on the bridge.  A human burned.

A burner on the bridge.  A human burned.
Wade Redfearn Oct 2017
Oh those bodies
on the museum walls
Tennessee Valley bodies and Los Alamos bodies
shining blackly like the stripe of a credit card.

The price of bread fixed at five cents
and we all eat it in slices.
Your name is your labour and
your labour your name.

I have disappeared into a country that doesn’t know me
and I am tearing it up with my teeth.

Oh those bodies
that were once slaves.
Were they pictured any other way
but in idyll or whipped dry?
The dusty Union regiments at Baton Rouge
have made a postcard of one scourged back;
they share it around and die for it.

I have a few postcards, too.
It is strange to see any man kneeling.

Oh those bodies
Cornbread bodies and bodies like a corn snake
crushed among the broad leaves of tobacco;
The ones in bone corsets and the ones
in reed baskets, floating downstream.
The ones in rosy marble and wrought bronze
the ones whose striped backs are coming out in wings
feathers pink and wet
like a new-hatched chick or a stillbirth.

Your body
is a tight machine of grief
packed into homespun like a fist
and relaxes in sepia as it never did in life,
a babe slung underarm and the food
only from cans; they keep the dust out.
Oh those bodies that tend the home, larder and ledger,
and reach for the high cabinets
and keep reaching.

The old voices are back at work.
I am not the one they are speaking to
but I hear them all the same.
They spread out a catalogue of wares
on a sisal blanket in the dark
and every price sounds fair, every garment lovely
unless you made it.

The country workman in bronze now and forever
with his rolled shirtsleeves; his body
raises a hammer and his bicep, mid-shiver
is always striking something, always building
Heaven, and Manhattan, from the foundations.
Stained glass his union flag
and Union Army blood he forgot or never knew.
The thin white arms of Andersonville,
meeting two generations hence, in his arms,
the dark scarred shoulders of the South.

Who brought forth upon the continent this new nation,
and who brought forth the ironclad Monitor
and who put into song the Maple Leaf Rag or Swanee River
and who put that soil there from which the cotton still grows
and who made your dress?
Who owes the debt and who records it?

You and I.

Oh those bodies swathed in light.
Oh those bodies becoming angels.
Bodies bound blackly
and bodies forgetting
which is what bodies do with injury:
they absorb, and they forget.
Just ask me.
My life was steeped in darkness
Twisted trees blackly cracked the grey sky
I didn't know there could be such brightness
Until I found that place
That place of colour
And light
And fun
And love
I wanted it
I'd always wanted it
Without even knowing what I wanted
I tried to bring brightness to my twisted world
I strived for so long and so hard
But they couldn't understand
And the brightness was lost to all
Only then did I understand
I was the darkness
The darkness was me
And that was okay
Because the world needs darkness
But it also needs brightness
So I returned to darkness
And let the brightness shine without my corruption
But a little brightness shone in me
Inspired by The Nightmare Before Christmas. Please comment, I love to read interpretations of my work.
Max Neumann Jul 2020
ivories that are made of letters
grey skin, blackred hair, word babies
gigantic mirror, blackly glowing
psychedelic nature like 1968

apartment in the projects
hallways full of dust and spiders
uncle is smoking the daylight away
his walls covered with bulletholes

red and tired eyes, no smiling
uncle's wife killed in a car crash
dead goons are torturing him now
the memory of her dead body, stuck

past encounters like smoke in the air
red frost covers uncle's body, glaciers
a button to turn back time, fantasies
melting hours for god's sacrifices
Today is a sad day.
CA Guilfoyle Aug 2013
I could no longer see the sky, stars all blackly veiled, senses numbed
in the gathering storm, a smokey room void of living breath
choked the night air, gasping
consternation of a dark wilderness
a sad vanishing note, played
unrecognizable
irinia Jun 2014
Something black somewhere      in the vistas of his heart.

Tulips from Tates teazed Henry in the mood
to be a tulip and desire no more
but water, but light, but air.
Yet his nerves rattled blackly, unsubdued,
&suffocation; called, dream-whiskey'd pour
sirening. Rosy there

too fly my Phil&Ellen; roses, pal.
Flesh-coloured men&women; come&punt;
under my windows. I rave
or grunt against it, from a flowerless land.
For timeless hours wind most, or not at all. I wind
my clock before I shave.

Soon it will fall dark. Soon you'll see stars
you fevered after, child, man, & did nothing -
compass love to the pencil-torch!
As still as his cadaver, Henry mars
this surface of an earth or other, feet south
eyes bleared west, waking to march.

from  *The Dream Songs
John Berryman (1914-1972) was an American poet.
Justin S Wampler May 2015
He paints the insides of his nostrils
with whiteout and glue,
and takes a deep breath.

Scotty colors his teeth in with a sharpie
standing before the bathroom mirror,
he exhales and smiles blackly.

The whiteness of his eyes irritates him,
so he sprays them with double-you-dee-forty
and they roll in his head smoothly and reddened.

His beautiful hands catch his eye
and he grabs a thumbnail with his incisors,
pausing to glance into his intentions.

When Scott sees himself reflected,
his head jerks and the nail is ripped from his skin
as his pained grimace turns into an insane grin.

As he becomes beautiful again.
Solus Apr 2018
Have you ever danced in the street?
Barefoot, in the moonlight,
And as you dance,
The stars are your spotlight.
The ground is cold and hard to touch,
But tonight is your last night.
So don't look back... or down
They are there, all around you.
Learn to trust in what cannot be seen
And you will see the imperceivable.
Blackly staring into at the unknown,
beings of past generations welcome,
Those who's Era is over.
for those important to us who have passed on
-- Nov 2017
Ear, to burrow in quaking chests,
pounding pink whilst sirens called and
loud whistles of graveyards
outkeep the unkempt—men, in their shawls
of brown hung thinly like spider-silk
or like apt shadows, swung deep
and knit their brow low.

Tongue, to pinching Khor,
dragged down winding crawling asphalt,
where men marched and limped on to
the serpents and salt-seas which lead them
guffawing, down and blackly sombre—
charred palate quelled creaking groans of iced-marrow;
but it bit back in fury and in mute litanies.

Nose, to pyre in cotton-burnt glory,
red-cent’s ****** odour sent all, sent many,
to swoon Mr. Moon from silver times
and to slice dawn thick with orange rind—
the kind that stung the flesh beneath
your bruised fingernails as a child, as you peeled.

Teeth, to grate and whitely brace
for cold and plunging lines that blighted
everything in vertigo’s favor. There was them,
there was me, and there was you—
but, skulls you see
were calcium's concern, as Earth, not the mother,
consumed all, and condensed became

         life and breath
     to
stone and mineral.
Sometimes the earth whom we wish held us warmly, will be the one to crush and splinter our bones indiscriminately.
Single crow
Beach crow
Shimmer
Green
Rusted
Channel- marker
Crow
Among waves
Crow
As breeze ruffles
Your feathers
Blackly
Crow
Thomas Wood Dec 2019
Childe Roland
to the last tower came.
His mail was a twisting
matted beard.

His sidearm appeared
more of a gesture.
A Stanley knife
and selected verse.

He muttered blackly in his mirth;
Fi, fie, foh, fum.
I smell the blood
of a million men.
Heather Mar 2018
If
When the purple clouds envelope the blue wide world
If everybody is just made
Of doll parts
And given plastic eyes
To look alive
If the snow falls blackly
And the trees turn their backs
Might as well go down in history
Evan Stephens Aug 2021
Blackly digging in the ten o'clock hour -
the rain already came and went -
the District is dying of moon-steam,
a summer that chokes even the princes of air.

I am mortally alone. My chaperone,
a brimming glass, turns a blind eye
to my piling thirst. Pylons of shadow
gather in the alley like barren trees.

My monstrous shirt clings to me,
accentuating the beer-pounds.
I pray for a swift end to this grit-grind,
a legacy of revolving abandonment.

Numb, dulled, I stare out at the sparse
traffic cleaving to the bitumen, red lights
& bare legs floating by in the wheeling hour,
tone poems of pale flesh and sad laughter.

This is very close to the bottom:
the scotch that scrapes my tongue clean,
the freshly washed glass, the beckoning bed
that promises only dead dreams,
                                                          pillows of sand.
Shelby Jun 2017
still frozen from the rain
grey shadows fall on my face
The streetlight's glare waning
drops cold as steel on my forehead
sullen and somber
shivering, syncopated steps
on stones bleeding blackly
under soaring clouds that live
where the former only dreams
for an instant we embrace
and stare darkly into our souls

— The End —