1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.

Are you lonesome, little bird?
Can't fly away now;
Limping with hurt.
With that broken wing of yours;
So fragile, so weak.
You need someone to lift you up
Oh, little bird.  
Hold you closely, fix you're hurt.
Fix that wing, you poor cute bird.  
Help you fly away again, little bird.

Oh, are you hurt now, little bird?
Lost and alone, in this cruel world.
Chirping on the forest floor; Waiting for that savior.
Oh, I'll come and find you, little bird.
I'll pick you up;
My precious bird.  
Finding you out there,
Hold you gently.

I'll help you fly away again, little bird.
Adopt you as mine now,
Without a word.
I'll fly you away now, my little bird.
No more crying,
My baby bird.
To other shores of unspoken hurt.
-April4.12

I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le

illusions abound

what's not an illusion?

is all in life an illusion?

is life really nothing
  but a man sitting at a computer
  typing his existence into existence?

could he type himself into
  whatever existence he wanted?
could he dare to type
  the thing he feared the most?
   the lack of existence?
    and whether such a state
     was type-ably reachable?

he wouldn't dare
the sentence would elude him
but it would gnaw at his mind
  it would sit and wait
   and then jump out
    and try to be typed
     but the man wouldn't let it
like a caged bird
  a self-destructive bird
   one who literally would vanish
    if it flew from the cage

if that bird knew its potential fate
  would it still want out?
would the caged bird still sing
  if it knew what awaited outside?
   not just doom
    but complete annihilation

SHOULD the caged bird still sing?
should it accept its fate?
should it reject its fate
  and try to escape?

what would the caged bird do?
what should the caged bird do?
and if the caged bird is nothing
  but a part of the man
should the man listen
  to the caged bird at all?

what about the other thoughts?
  the thoughts like cheetahs
   sprinting through savannahs
  like dolphins
   leaping from the sea
  like digital aliens
   quantum leaping across the universe
more free
  than that bird
   could ever hope to be

should those thoughts have more say?
or should the caged bird win out?

will the caged bird win out
  if it's such a strong willed beast
telling that man to try
  to be bold
   to type that sentence
    into existence
     (or non-existence)
  just to see what happens

the heart would speed up
  man's heart does speed up
the thought would jump forward
  man's thought does jump forward
the fingers would begin
   a slow deliberate march
    across the keys
  man's fingers begin to march

the breath catches
the bird sings
the cheetah halts
the dolphin floats
the aliens know
  and yet they watch
all stops
all waits

the fingers tapping at the keyboard
  now the arena of the whole universe
as the man types
  one key at a time

as he's always typed his existence
  INTO existence

and wondered

if he could type his existence
  OU

The Bird is never still
Flying from one topic to the other
Her chatter loud and uncensored
Her friends twittering at her to be quieter
The Bird has many friends
But Birds always sleep alone
And cold
With their hollow bones

The Fox is the Bird's friend
The Fox is tricky
Weaving in and out of conversations
Gorgeous
And sleek
The Fox makes rabbits fall in love with her so she'll have plenty to eat
The Bird and the Fox are unconventional friends
Friends no one would think would click
But the Bird will chatter and chatter and the Fox will quietly sit
Listening to everything
Retaining information

The Chameleon is the Fox's and the Bird's mutual friend
When with the Fox they match their red
When with the Bird they match their blue
And so on
So no one really knows the Chameleon's true colors
Whoever you are
They'll match you
Blending in
A social camaflouge
That they think keeps them safe

And when together they are quite
A sight
Wandering loudly
Through the night
They are a strange group
And when together they're tight
Exchanging advice
Or judging each other

But never outright


You'll never catch the bird
But be careful if you do
If not gentle with your touch
Her bones will crack right in front of you

The Fox puts on a face
Bearing teeth and changing mates
But under all that glossy fur
She's scared that you won't want her

If you catch the Chameleon off guard
You might be surprised
What you see is never what you get
But if you look real hard
The chameleon will freeze and fall down to their knees
please, please, just like me

......

No, it wasn’t happening for the first time

I don’t know whether anyone wrote ‘Tattered sky’ in a poem before. Maybe it was me. I haven’t met a poet in whose life memory and forgetting are so mixed up. Even if I wrote, maybe I had forgotten it..

Still, I am sure I am the first poet to write ‘tattered sky in the lake’ for the first time in the world. Otherwise, ask those crows pecking it to tatters. Or ask the kingfishers who fly in that tattered sky.

It is not the first time it is happening, you know?

I have cried in keka and kakali meters. I have begged in kalakanchi. I have lied in kalyani. I have laughed and guffawed  in anushtup and sardula vikriditham. I have masturbated in slathakakali, and ****** in anna nada, and let it flow innathonnatha. I have dozed in manjari and died in maakandamanjari. I have gone mad in mandakranta, and have lost myself in meters i don’t know the names of.

Two nuns who went to Aluva river sands to pay annual obeisance to the dead to Jesus

One day, while going via Aluva, i saw two nuns. They were two poor women going to Aluva river sands to pay to Jesus the annual obeisance to the dead.  One among them had the looks of my mother, and the other, that of my girl friend at the church compound. Even when i recited aloud VG Thampi’s lines ‘I am Jesus, unfinished’ they didn’t listen to it. They were not in any way related to me. Then, i was a handicapped Jesus.

It is not the first time it is happening, you know?

I have cried in keka and kakali meters. I have begged in kalakanchi. I have lied in kalyani. I have laughed and guffawed  in anushtup and sardula vikriditham. I have masturbated in slathakakali, and ****** in anna nada, and let it flow innathonnatha. I have dozed in manjari and died in maakandamanjari. I have gone mad in mandakranta, and have lost myself in meters i don’t know the names of.

My name was Shemeer then

In the hospital at NAD, my job was to sleep in the place of that fat insomniac doctor. My name then was Shemeer. I can’t prove through my writing how well I performed my job snoring loudly all the way.  I don’t think anyone would have worked like this so totally oblivious of oneself. My sleep was not in the least affected by the rounded ******* of doctor’s jasmine vine of a wife, or by the odour (i wanted to say smell) which was capable of bringing the dead back to life. Moreover, his two candle-like daughters used to play hopscotch on my bed sheet, which was my work place.  But what to say? They dismissed me from my job for opening my eyes a wee bit on a day at dusk. I heard a shriek. That too, a familiar one. They had brought Madhavi Chothi to the hospital when her asthma got worse. True, i did open my eyes. I am Shemeer, the one who was dismissed from his job for the first time in history, for having startled awake from sleep.

It is not the first time it is happening, you know?

I have cried in keka and kakali meters. I have begged in kalakanchi. I have lied in kalyani. I have laughed and guffawed  in anushtup and sardula vikriditham. I have masturbated in slathakakali, and ****** in anna nada, and let it flow innathonnatha. I have dozed in manjari and died in maakandamanjari. I have gone mad in mandakranta, and have lost myself in meters i don’t know the names of.

One could have adjusted at least a day..**

Something that smelt of breast milk. I think my name was Shinto or so at that time. I was an altar boy who had lost his belief in names after having cognac from a bar in Chicago. There was a little bird too. From that day, i developed the habit of calling even a crow a little bird. Whatever it maybe, there was a little bird. And that bird was building a nest. The bird brings the twigs, strands of hay, a bit of a flex sheet broken at the edge of a word. The bird brings a red wire, the bird brings. It was beginning to take life in the address ‘The Little Bird, Nest, Tree PO ‘. A day. A week. An year. Yes, it took a long, long time. Bird, nest, tree.. tree, nest, bird.. The moment i asked ‘Hey little bird, don’t you have kids?’,  it flew away. Here it comes with its little ones to occupy its home. Yes, that very day. On that day, just after those who won the tender contract, had cut that tree down. This was too much. They could have adjusted at least a day..

It is not the first time it is happening..

it sat on the chain link fence
fenced outwards in aired

blue bird striped
stressed on points

on points red bird
blue bird bounced

against bodies blue
bird pushed red bird

demon bird
my bird
on the street
off the fence
away from cars

stay for winter.

I feel like a caged bird.
A caged bird surrounded by walls in a room with no windows to look out of.
I feel like a caged bird with no mate or friend nor love one to call on
I feel like a caged bird. Caged bird that can not fly because there isn’t any light nor bird call to follow or relie on.
I feel like a caged bird oh dear lord let me free for I’m a caged bird that needs to be lead to his distiny

During the half term break
from school
Janice said
come see my new canary

Gran bought it for me
and so you went with her
through the Square
and across Bath Terrace

and into the block of flats
where she lived
with her gran and bird
and she was excited

and talked and talked
of the new canary
what do you call him?
you asked

Yellow
she said
because its yellow
and the name fits

and when you got
to her flat
her gran opened the door
and Janice said

I've brought Benedict
to see the new bird
her gran said
ok

and let you in
and Janice took you
into the sitting room
and there in a bird cage

was the new bird
sitting there
on a perch
making whistling noises

some say they talk
if you teach them
Janice said
and I'm going to teach it

to say things
and won't that be good?
providing you don't
teach it silly things

her gran said
my cousin had one
and he taught it
all kinds of bad words

which made
his mother mad
what kind of words?
Janice asked

never you mind
what words
her gran said
if I catch you teaching

this bird bad words
I'll tan your backside
I won't Gran
Janice said

just teach it
sensible words
well mind you do
her gran said

now how about
some lemonade and cake?
yes please
you both said

and her gran went off
to get the lemonade
and cake
and Janice put

her finger
through the bars
of the cage
and talked to the bird

but the bird
shuffled away from her
on the perch
and was quiet

still she talked to it
and but her finger in
as far as she could
but it just walked as

far from her
as it could go
staring at her
with it stark eyes

not very friendly is it?
you said
maybe it doesn't like
your red beret

maybe red frightens it?
so she took off
her red beret
and the bird came closer

and began chirping away
and it kind of pecked
at her finger
not roughly

but inquisitively
as if to find out
what it was
then it shuffled off again

and then went
and pecked at some
food from a feeder
at the side

of the cage
maybe I could get it out
sometime
and let it sit

on my finger
like I've seen done
on TV
Janice said

what if it flies away?
you asked
I'll keep the door
and windows closed

she said
and she opened
the cage door
and put her hand in

to get the bird
but the bird
moved away from her
and flapped its wings

what are you doing?
her gran said
entering the room
Janice took her hand out

of the cage
and shut the door
just wanted to let it
sit on my finger

Janice said
her gran put the tray
with lemonade
and pieces of cake

on the table
and came over
to the bird cage
you might have frightened it

then it might die
she peered in
at the canary
which was perched there

staring back at her
now don't you
do that again
do you hear?

yes Gran
Janice said sheepishly
her eyes lowered
nice bird

you said
maybe it's shy
at the moment
I guess after

a little while
it'll get friendly
do you think so?
Janice said

sure it will
you replied
her gran smiled
and walked off

back to the kitchen again
and you and Janice
ate the cake
and drank the lemonade

and you both watched
the canary as it chirped
and walked
along the perch

and there
on the side chair
was Janice's red beret
and she asked

what words
do I teach?
but you said
I couldn't say.

Another Mother,
please
don't bother
The Bird buddy
such anger
management
for the human,
we are_
((Free birds))
Locked the
Queen Parliament
All humans\//
are the caged ones
(Tweets) fanatically
insane feet
Bird Fever
twiddle dee*
her satin sheets
(fiddle me)
Mr. Brando bird can see??
Bird front
breasted docks
Cardinal Pope
flocks of Coo
Moo clocks
Commando Crumbs
Crows feet heavy
metal big bro beat
Angry tears of a clown
The  tweet's on twitter
Rap brother
Big! brother Nomad

named Conrad_?
The kiss it never
felt like this

(Ann Margaritas))
Polly crackers
and French Brie
Terrible two
tweets/ angry-fits
All she does is sit
High flight buns
poppy seeds
I'm a free bird.
Please, no cages
******* wages.
Conrad Birdie
the
army got
you now.
Diamonds
bird created
Rubies
Billy Crystal
bye, birdie.
  Got stuffy
Pyshco bird
shower but_
She eats like a bird
zombie pantry.
Those breadcrumbs
4 seasons
Bird  feet seedy
The Gordon Fisherman

Starfish in her girdle;
Angry dogs of beagles
Jewish Bagels from
Brooklyn cream
cheese and lox
What a  bird **** puddle.
That security guard he
pecks and nibble
The bicycle she still
peddles at Peddlers
A whole bird village
Pa. Ha Ha
Papas and the mamas
There slowing me down
turtles imagine
me and you I do.
I think about you every
Rooftop twittering  
I need a lighter
No birdy littering
Wheres my bird waiter
Dorothy Rainbow
lorikeet
Brother, we
don't need to
escalate
Robin Red Breast
The Ladybirds braveheart
Solomon Island
movie part
The Rainbow
Lorikeet
She swept him off
another tweet
Down to the rainforest
Purple Prince
looked at her feet
girls so bitter
Her coffee
Freely and lightly
He went over to her
and said
Your coffee is
for the birds' sweetie
She said tweet tweet
You'll never be my bird
Angry is the word

Another heart for her,
Love Doves
summer rules her
weather
The winter door locked
Don't bother the others
Bird buddy parody
He can't go
*****
Artsy daisy
for the human,
we are_
((Free birds))
Locked Dove keys
Someone got lazy
Forst Hills Queen's
Chastity Lock by her clock
All humans the champions
the caged ones
(Tweets) fanatically
insane feet
Her Flamingo sheets
The rain in Spain
Bird front near the docks
Cardinal Pope stay mainly
flocks of angry birds
Of the plain

Feathered brain
flew South on the
Chattanooga train
He's gone with
the Scarlet wind
Angry chicken neck
Angry tears of a clown
The  tweet's on twitter
angry singer
Rap brother
Big! brother

named the champions__?
Ballerina steps
group Queen
Bird at the least
she naps
Polly Pigeon toes
He hooknose nest
Please, no cages
and her bird
**** wages.
Conrad birdie Hootie
****** in
Springtime attention.

Ancient times mythical
keys and hot
heavenly seeds
Jewish Bagels Canarsie
Brooklyn cream
cheese and lox
What a  bird **** puddle.
That security guard Big Bird
Sesame Street all John's
imagine

The bird beats Abby road
What bird crap to
kiss a toad
Wheres my bird waiter
Key West alligators
Robin Red Breast
Solomon fantasy Island
No man no God
Word is the (God) bird
He flew me hard
Running like a chicken
without a bird head
The rainforest
looked at her feet
Please the lock
Dove keys

Her coffee
Bird Bed breakfast
Stay leave the seeds
Blueberry Blue Jay
He went over
to her
and said

Your coffee is
for the birds' just pay
She flew her big nest

She locked his keys
Those bird prayers
really work
she is here to stay

There was a Bird
Flying high, free and alive
And there was the Hunter
Traps set, cage ready

With no fail the bird gets captured
Caged and brought home
Left unsure, scared not knowing what's to happen
The bird longs for the sky
The Hunter longs for the Bird
He feeds the Bird, takes care of the Bird
And yet the Bird still longs

Time passes, the Hunter lets free of the Bird
Knowing that the Bird will never be truly happy caged
The Bird happy and free, flies
Not caged anymore it flies
And yet it doesn't leave the Hunter
The Bird that long for freedom has been forever caged with the hunter
Always caring, always loving
Caged in the warmth of the Hunter

*Are you the Bird or the Hunter

Our story's beginnings are rather plain
Set in a town built on the mundane.
In this town, there lived a boy
Devoid of ambition, love, or joy.

He sleepwalked through his days
Aimless and alone.
Drowning in a melancholy haze
He longed for something lovely to call his own.

Now, I shan't tell you the young man's name
For fear he'd hang his head in shame
But his story you should know.
For it's not the name that marked this boy
But the places he would go.  

One day, an idea dawned
To take a day trip out of town.
The boy made a map
And a line was drawn
To the path he would walk down.

He followed the map with surprising ease
Over the hills and through the trees.
Though the boy was thrilled
He couldn't wrap his mind
Around the treasure
He would soon find.

The path came to an end
Without the map's warning
Causing the boy's plans to upend
Before it was even midmorning.
But the boy was in awe
Despite the offset.
He knew what he saw
He would not soon forget.
In the middle of the golden field
Stood a tall ivory castle.
His chronic disenchantment healed
The boy vowed to see inside
Whatever the hassle.

So he searched for a door
Until he could search no more.
He attempted to climb
With no regard for time.
He searched for a ****
Or a lock
Or a key.
Only when he was about to give up
Did the answer break free.

Against all reason
The castle began to glow.
When the transformation came to completion
A strange voice let him know.

"Come in," coaxed the disembodied voice
Honeyed and assured.
Feeling as if he had no choice
Inside, the boy was lured.

"My, you are a rude one," the voice began to chide.
"A lady invites you into her home, and without a word, you come inside?
I'm not expecting you to write me a sonnet, but at least have a bit of tact!
If we're being honest, boy, I believe your manners lack."

Sure this was some sort of stunt
The boy calmly shook his head.
"Forgive me, Miss, for being so blunt
But I believe the fault is yours instead.
You expect me to believe I was propositioned
By a castle that spoke?
I am certain one of my peers commissioned
Some sort of pricey joke.
I'm sorry, Castle Lady Dear
But I must be on my way.
I'm afraid I can't stay here
Perhaps we'll finish another day.
It's truly nothing personal
I simply have a hunch
That if I stick around for now
I'll miss my mother's lunch."

The boy turned on his heel
Not saying any more.
He soon let out a pitiful squeal
When he found there was no longer a door.

The Castle Lady countered his squeal
With a sinister cackle.
"Did you really believe you could leave me here
Without it becoming a debacle?
I'm sorry, dear
But for now
To this place, you are shackled."

Heart suddenly stricken with fear
The boy's eyes filled with tears
And he began to cry.
"Please let me go!" he cried out.
"I am far too young to die!"

Much to the boy's chagrin
The Castle Lady only laughed again.
"Goodness me, my dear!
You must be some sort of fool!
I do not plan to **** you here.
How could I ever be so cruel?"

Angered by the castle woman's taunts
The boy's eye began to twitch.
"If you won't **** me, what do you want?
Let me go, you witch!"

Unphased by his outburst
The Castle Lady simply tsked.
"Are you sure the witch is me
When you're the one being so mean?
I know what a statement this might be
But I believe you're the meanest boy I've seen.
But you can relax
For I've had my fun.
I simply have a favor to ask
Before you turn and run."

Against all logic
And stranger-danger talks
The notion of adventure
Overpowered his urge to balk.
"What is it?" he asked the Castle Lady
As curiosity struck.
When the Castle Lady responded
He could not believe his luck.

"Resting in one of my rooms
Is an awe-inspiring prize.
It holds power and beauty few men ever get to witness
With their own two eyes.
In fact, it holds too much power
So much that it's making me sick.
Only the brightest of young men can bear it
And you're the one I've picked."

The boy's heart raced.
For that prize, he yearned.
Still, he said:
"There must be some mistake.
Are you sure this is a prize I've earned?"

Overtaken by laughter
The Castle Lady began to roar.
"I am not that sick, dear boy!
Of course I am sure!
I can not make any mistake
No matter how small.
Didn't your mother teach you
That divine beings know all?
Now, you are an imaginative lad
With the charisma to match.
I'd dare say you are the best equipped child
Out of the local batch."

The boy couldn't help but crack a grin
Flattered by the Castle Lady's assessment.
"I suppose you must be right, then.
Now where do I get my present?"

"It is not a difficult journey at all," the Castle Lady replied.
"Just walk a bit down this here hall
And look to your left side."

Suddenly, the room filled with bright light
To help him find his way around.
In saying the journey was not difficult, the Castle Lady was right
As another glowing doorway
Was soon found.

"Very good, you clever boy!" the Castle Lady cried.
"Just give your fingers a quick snap
And take a step inside."

Proudly, the boy followed her advice.
The snap of his fingers reverberated
Sounding quite nice.
Secretly, the simple action
Gave him a small thrill
For he was the only child in his town
Who had such a skill.

Just as the lady promised
The door opened right away.
Thus, he took that fateful step inside
As she said he may.

Alas, it seemed the boy had been cheated by his wanderlust.
The only thing inside the room
Was a wooden box
Coated in dust.

All sense of wonder gone
The boy was certain it was a trick.
"You horrid con!
What in here is making you sick?"

Unamused, the Castle Lady sighed.
This was not the first time a child had thought she lied.
"You're jumping to conclusions, boy.
I'm not that sly a fox.
If you want to find the treasure
Look inside the box."

Begrudgingly, the boy obliged
Lifting up the top.
In the moment he saw what was inside
The whole world seemed to stop.

The boy's jaw dropped
As the box glowed
As if it contained all of heaven's rumored light.
It was true that he was unlikely
To ever again see such a wonderful sight.

"Well?" the Castle Lady inquired.
"Would you like to keep it?
You have all the qualities required
It's only fair that you reap it."

"Of course I'd like to keep it," said the boy.
"But what should I do?
What power do I have
To take care of this box
Any better than you?"

"The box can do anything," said the Castle Lady.
"Perhaps that's why I can not have it.
Still, you need not engage in special care and keeping
Or develop any new habits.

The box can do whatever you wish
Cure disease and famine
Or make your family rich.
I can not tell you what to do
Just use your own discretion.
Besides, it wouldn't truly be yours to use
If you did so under my direction.
So simply take it home
And do with it what you will
But before you choose to roam
I have one more message for you still."

Holding the box to him
The boy lifted an ear
Regarding her as a friend.
"What is it, Castle Lady?
Please say what needs to be said!"

When she spoke again
The boy could swear her voice contained a smile.
"When you leave me, the castle will come to an end
And this part of me will be dead.
Though I'd love for you to stay a while
So we could become better acquainted
I'm afraid that would be against the rules
And the prophecy would be tainted.
So, clever boy
For now, I'll bid you adieu.
You deserve to be given joy
And I hope that is what the box will do."

No sooner than she spoke
Did the castle vanish
In a puff of smoke.
Once again, the boy stood in the field.
In his hands rested the box
The closed lid keeping its powers concealed.
Somewhere between satisfied and sad.

He gave her a eulogy
However unorthodox.
"Goodbye, Castle Lady Dear, I enjoyed our little talks.
Maybe we'll meet in another world...
Oh, and thank you for the box!"
Having said all he needed to say
The boy knew he should be leaving soon.
He turned to walk the other way.
Walking home, his fingers snapped a tune.

It wasn't long before the whole town
Knew about his treasured box.
The boy made sure all his friend knew.
In school, he stopped all of the clocks.

He provided his class with great delight.
As a school day
Melted away
Into a Friday night.
The grown-ups none the wiser
He pulled off the perfect crime.
Forever the improvisor
He also did away with bedtime.

He gave his family money
As the Castle Lady said he could.
Though his old bullies looked at him funny
His clothes had never looked so good.

He gave himself popularity
A Labrador puppy
A brand new bike.
The ones who teased him
Spoke apologetically
And there wasn't a single girl
By whom he wasn't liked.

It wasn't long, however
Before the fun began to fade.
As much power as he had, he never intended
To share his gift with his whole grade.

"Can you tell me
If my pet goldfish is really watching from above?"
"Can you please help me
Make my parents fall back in love?"
"Can you make it so that
My grandpa isn't sick anymore?"
"Can you invent a robot
To help me do my chores?"
"Can you make sure
That my family keeps our home?"
"Oh-- and while you're at it
Help me write my girlfriend a nice poem?"

Alas, the boy paid no mind
To their wants and needs.
He had left his charitable days behind
In favor of his newfound greed.
Though his box could do anything
It really wasn't his job.
No matter what happiness to others it might bring
Of his power, he'd feel robbed.

He didn't know that at night
His friends went home to cry
Asking their nonexistent treasured boxes
"If he can have something special
Why can't I?"

Life went on like this
Until one day, he was greeted by a bird.
It landed on his shoulder
And hissed,
"You'll never guess what I heard."

The boy was quite frightened
Both by the bird's familiar voice
And what it said.
Still, his eyes brightened
When he shouted
"Castle Lady?
I thought that you were dead!"

"Too bad," the bird crowed.
"For I'm very much alive.
And I figure you should know
I won't allow you to continue to connive."

At her choice of words
The boy sputtered.
"What do you mean, bird?"
He nervously stuttered.

The Bird Lady stared at him
With beady black eyes.
"I mean, I saw what you've done with your gift
And I was unpleasantly surprised.
You didn't disrupt any tradition.
I told you to do what you would.
It was just that I had the premonition
That you'd use your power for good.
You're no better than any of your classmates
You silly sap!
Did it ever occur to you
That you were only picked
Because you can snap?
When my last life came to an end
You thanked me for the box
And ran home to your mother.
My spirit would have been able to rest
If you had used the box to help others.
I am older than most earthly things
And some sights I've seen are hellish.
This in mind
It's beyond me
Why you'd choose to be so selfish.
See, this box was once mine
Changing owners as it does
And when it fell into my hands I wished
To be anything but the girl I was.
From then on, I've been trapped
In the form of many objects
And, whenever I try to go from this world to the next
Fate always interjects.
I'm the keeper of this box
Until it falls into the hands of someone good enough
And I'm here to say, dear boy
I'm afraid you must give it up."

Without warning
The boy broke down
Dropping to his knees.
For the first time since that fateful day
His sense of superiority ceased
And truth began to reign.
Head in his hands, he grieved
For those he had caused pain.

The Bird Lady remained by his side
Trying her hardest to soothe.
"Now, clever boy, you need not cry
But the box does need to move.
Now, I need you to calm down and listen to me
And let me make myself clear.
I need you to go to the sea
And that's the last wish you will make here."

Suddenly, the boy understood.
When it was far too late, he used his powers for good.
So he wished for the ocean, heeding the Bird Lady's advice.
The two of them were at the beach
Before he could think twice.

"Very good," the Bird Lady praised.
"All you have to do now is let go.
Don't worry, my dear boy
When the box finds its forever home
I'll be sure to let you know."

The boy nodded.
With shaking hands, he looked down.
Taking a deep breath, he dropped the box
And all his wrongdoings drowned.

"Thank you very much," the Bird Lady chirped.
"Now, relax, and let your conscience be cleared.
You can go home
And I'll take it from here.
One last thing
I should tell you, my friend.
All this can be fixed
If you just have an ear to lend.
No matter how heartfelt
Apologies only take you so far.
What you should do now
Is fix your regrets with actions
To show them what a lovely boy you are."

With that
The Bird Lady dove
Picking up the box with her magnificent beak.
The boy returned home
With redemption to seek.

All these years later
Our nameless boy is now a man.
He's ordinary, yes
But ordinary is good enough.
He doesn't look down on others
Or even try to act tough.
Though he's no longer a heartthrob
One girl remained by his side.
When she is there
He never has to hide.
When a friend has a problem
He is there to listen.
And, though he holds no glowing box
His eyes still glisten.


Meanwhile, our Lady's soul
Now rests within a spaniel dog.
Though the box still has no permanant owner
She doesn't think it will be long.
Though that might seem unlikely
Divine beings do know all
Though everyone makes mistakes
Both big and small.
She may chastise others
For poor choices and self-control
But in the end, she knows the box only needs one thing:
To be cared for by a beautiful soul.

Sing me a tune, song bird
Drown out my thoughts, song bird
I don't want to hear, song bird
I don't want to think, song bird
If you were loud enough
I won't be able to hear myself
I won't be able to scare myself
I won't be able to hurt myself
Song bird, sing louder
Sing louder
Sing louder
Song bird, don't let them hear
They cannot hear, song bird
I can't let them hear song bird
Song bird, don't let them stop me
I do not want to be stopped

-c.s.

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“‘Tis some visitor,” I muttered, “tapping at my chamber door –
Only this, and nothing more.”
  
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; – vainly I had sought to borrow
From my books surcease of sorrow – sorrow for the lost Lenore –
For the rare and radiant maiden whom the angels name Lenore –
Nameless here for evermore.
  
And the silken sad uncertain rustling of each purple curtain
Thrilled me – filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
“‘Tis some visitor entreating entrance at my chamber door –
Some late visitor entreating entrance at my chamber door; –
This it is, and nothing more.”
  
Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you” – here I opened wide the door; –
Darkness there, and nothing more.
  
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!” –
Merely this, and nothing more.
  
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore –
Let my heart be still a moment and this mystery explore; –
‘Tis the wind and nothing more.”
  
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door –
Perched upon a bust of Pallas just above my chamber door –
Perched, and sat, and nothing more.
  
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore –
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven, “Nevermore.”
  
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door –
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”
  
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered – not a feather then he fluttered –  
Till I scarcely more than muttered, “other friends have flown before –
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said, “Nevermore.”
  
Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore –
Till the dirges of his Hope that melancholy burden bore
Of ‘Never – nevermore’.”
  
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore –
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking “Nevermore.”
  
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my *****’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamplight gloated o’er,
But whose velvet violet lining with the lamplight gloating o’er,
She shall press, ah, nevermore!
  
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee – by these angels he hath sent thee
Respite – respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven, “Nevermore.”
  
“Prophet!” said I, “thing of evil! – prophet still, if bird or devil! –
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted –
On this home by horror haunted – tell me truly, I implore –
Is there – is there balm in Gilead? – tell me – tell me, I implore!”
Quoth the Raven, “Nevermore.”
  
“Prophet!” said I, “thing of evil – prophet still, if bird or devil!
By that Heaven that bends above us – by that God we both adore –
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore –
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven, “Nevermore.”
  
“Be that word our sign in parting, bird or fiend,” I shrieked, upstarting –
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! – quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven, “Nevermore.”
  
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamplight o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted – nevermore!

Birds have their homes.
This bird made this world,
Its own home.

When other birds struggled
To make friends beyond their homes,
This bird made followers and comrades,
Transformed them
The perseverent leaders of a challenging mission

It put its foot on Argentina and
Set its victorious fight in Cuba.
Availed losses in Congo
Voiced and breathed every millisecond
Struggled recklessly for a mission,
Freedom, peace & prosperity of all its fellow birds
Beyond borders.

The most superior of the superior birds
With an infinite and complex strings of cunningness
Put an end to this bird in Bolivia.

At the end, the bird failed
Fell a prey for other selfish birds.
As a root that fell and
Buried itself in the soil with an infinite power.
To give hope and shelter,
To all those who come under it,
For the near future and coming generations

The bird died!
But its mission ignited the phoenix flames
In its bird comrades.
Got them to fight for
Every drop of Injustice, Imperialism and hatred
That came racing towards them
As an inescapable bullet

Their hearts raised in spirit
When every drop of its thought
Hit them more fierce than
The world’s most powerful atomic bomb.

The bird died.
But its ideals for the mission
Rekindled the fires in their heart.

Being born an ordinary bird,
Fighting for the most demanded & toughest mission,
Its thought and principles
Set new leaders to fight the unattainable mission
Now, looking the most possible
Within an attaining distance

The bird lived its life,
An ordinary and the most challenging one.
But transformed a phoenix,
When it left the world.
And created more of
Daring Phoenix warriors;
Attain a world filled with peace and happiness.

Flap Flap goes the Flappy Bird

Was this the right choice?
Seeing warnings on twitter
Thinking they're all quitters
Thinking you're better
But in reality, you're just as equal as them.

But as the day passes...
Flap Flap goes the Flappy Bird

Seeing your friends play, you start multiplying
Not even touching a pipe and dying
You're on the floor, you're crying
Pressing start over and over again and trying
Knowing your high score is low and start lying
because you know you ****.

But as the day passes...
Flap Flap goes the Flappy Bird

Questions going through your mind
"Why did I die?"
"Did I really touch a pipe?"
"Why do iPhone users only have day while Android have both day and night?"
"Why is it slower on other phones?"
"How do you get past 20?"
"Why do I keep dying?"
"Why do Android users have other colors?"
But the question you should be asking is...
"Am I going mad?"

But as the day passes...
Flap Flap goes the Flappy Bird

Now, the resolution.
Stop the addiction.
Press that "x"
You know its for the greater good.
I know YOU feel the ANGER whenever you die.
You don't wanna risk throwing your phone for that.
Take my advice. DO IT.
Before it ruins your life.

But as the day passes...
You can't.
You can't.
You can't.

Its too late.
Flappy Bird is now part of life.
Even though the anger
The anger that feels like your chest being stabbed by a knife
Hurts you so much
Deep inside you get a little happy...
Knowing somewhere in the world someone trying the same game
Got less than you.
Less than 3, 2, or 1.
And because of this you want to beat more people who **** more than you.

And this should be an achievement
You, state your name, got YOUR own high score.
YOU did it
YOU made it to one pipe or even more.
And if you didn't
Well ***** for you

But as the day passes...
Flap Flap goes the Flappy Bird

The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.

The caged bird sings
with fearful trill
of the things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing

The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.

Upon the dark night, striking three;
A tick representing each step in time,
but time overwhelmed by a trinity
of peace, and a plan greater than one's wildest dreams.

As the trees clap their praises unto a summer wind, and
waves flood the skies with their roaring rumbles of exaltation,
a bird sings unto the dark night her song, unique, sweet, and free-spirited

Another beauty upon the night, a tulip,
blossoming, not fully grown, in admiration of this free spirit, the bird.
The tulip observes from a distance the song the bird sings

A praise, a never ending thankfulness
"Thank You for the trees,
Thank You for the waves,
And thank You for me," the bird sings.

In awe of the song bird, the tulip longs to grow, to blossom, to fly, to sing;
Oh, the joy, the praise, the song she'll bring
when fully grown to exemplify her thanks to the three

But, Hold! The clock ticking three, a breath He takes.
The songs of beauty the bird once sang
are silenced more than a whisper

Oh, dear, wilting Tulip; she wonders,
"Why?" she misunderstands, "Why has the bird's song been hushed?"
Oh, so joyful with praise, the songs she sang,
but now unto another Audience, unheard by the flower;

However, the sun rises, the flower realizes,
A new day is upon her. The trees clap their praises unto a summer wind, and
Waves flood the skies with their roaring rumbles of exaltation,
Just like any other day.

Partaking in full bloom overnight, grown, she hears the call of three:
You're unique, sweet, and your free-spirit will sing,
for the steps of time past quicker than the steady rhythm of that clock ticking

Fly free, song bird,
Your legacy will only grow sweeter with time
As the bloom of a tulip smiles and praises the One unto which your song once thrived.

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my *****’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

Janice undid
the budgie’s cage
and put in
her slim finger

and the bird hopped on
and she pulled out
her finger with the bird
still there not moving

not flying through the air
see
she said
she will not go

you stood watching
with your back
to the door
hands on

the wooden panel
she spoke to the bird
it cocked its head
she muttered

nonsense sounds
the bird moved
its wings
but didn’t attempt

to fly
just stared her
in the eye
I often get her out

to feel freedom
Janice said
moving around the room
the bird balancing

itself as she moved  
what if the bird flew away?
you asked
it won’t

she said
but what if it did?
you said
Janice moved her head

to one side
in imitation
of the bird
her red beret

still in place
ah then
Gran would tan my hide
redder than my beret

she said
the bird walked
along her finger
but it won’t go

Janice said
and walked
to the open window
and held the bird there

the bird looked out
winking an eye
or so seeming
and looked away

but some time
you said
it might take flight
Janice walked

across the room
to the cage
and put the bird back
and closed the door

with a soft click
she smiled
maybe
she said

maybe
you moved away
from the door
and her gran came in

with sandwiches
on a large white plate
and put them
on the table

has Janice shown you
the budgie?
her gran asked
yes

you said
Janice looked at you
eyebrows raised
she didn’t open the cage

and get it out did she?
Janice looked away
no no
you said

she just pointed it out
and we spoke to her
o good
because she has

the terrible habit
of taking it out
when my backs turned
and one of these days

it will fly away
Gran moved back
to the kitchen
to fetch the other

tea things
Janice said
you lied for me
well I didn’t want

you to get into trouble
you said
Janice pulled a face
lies can land us

in Hell
she said
well it’s either Hell
or a good tanning

you said
she smiled
and sat at the table
and you sat beside her

hearing her gran
in the kitchen
with cups and saucers
and the kettle

whistling loud and clear
Janice’s hand
touched yours  
and she whispered

in your ear
( so gran
wouldn’t hear)
you are a dear.

Oh, why doth a caged bird sing?
Such blissful tunes contrast somber winter's gray,
a myriad of wonder and saccharine kisses
so sweet to hear, so poignant a feel
Oh, tell me why, why doth the caged bird sing
when e'er there naught be good to sing of?

"You are safe here,"
coos cruel crow keeper coolly
"from the owl and the hawk and their mal' ways."
his tones are sharp as swords
so ill and keen as bitter thorns.
Oh why doth the caged bird sing?

"Why, oh why doth ye caged bird sing?"
calls the mockingbird sweetly, returning the caged bird's song
"out of lonesome, sir" sighs the caged bird
and so he ascends on swift, heaven-fit wings
and releases the caged bird, and the two sing as one
now as two free birds shall sing a-merry

The free bird leaps
        on the back of the wind
    and floats downstream
till the current ends
and dips his wings
   in the orange sun rays
     and dares to claim the sky.

       But a bird that stalks
        down his narrow cage
         can seldom see through
          his bars of rage
             his wings are clipped and
               his feet are tied
        so he opens his throat to sing.

                 The caged bird sings
                    with fearful trill
                of the things unknown
                  but longed for still
                and his tune is heard
                  on the distant hill
                 for the caged bird
                 sings of freedom

The free bird thinks of another breeze
an the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.

                                                                                       But a caged bird stands on the grave of dreams
                                                                                        his shadow shouts on a nightmare scream
                                                                                    his wings are clipped and his feet are tied
                                                                               so he opens his throat to sing

                                                          The caged bird sings
                                                   with a fearful trill
                                                             of things unknown
                                                       but longed for still
                                                                     and his tune is heard
                                                    on the distant hill
                                                              for the caged bird
                                                             sings of freedom.

(written to be read as spoken-word)
There is a bird inside my rib-cage,
I swallowed it whole four years ago.
Its weight drags my feet further and further into the earth below
And its screeches never cease.
Sometimes I worry that it will **** me
And other times I wish it would.
Occasionally,
it would scratch at my lungs and bruise my ribs with its flailing,
It doesn’t do that anymore though,
Sometimes I wish it would.
The talons reminded me that I was still here.
But now the bird simply lies inside my chest making it difficult to breathe.
There is no longer fury in its wings, only the burnt out embers of what used to be.
I fear that the bird has died and that his little bones are the only part of him left to weigh me down.

I dream about freeing the bird, cutting open my lungs and letting his dark feathers seep away,
Tearing skin from bone and bone from bird.
That would surely **** me, but at least the bird could be free.

(lines added later)
I have written this poem a thousand times and I will write it a thousand more
Because I want it to be perfect
I will say to you a thousand times that perfection is unattainable
and yet I will try a thousand times to attain it.
That is the curse of the bird
I’m beginning to conquer my bird,
But like a long had pet, it is difficult to let go
A close friend, a pretty drug, it’s difficult to put down
But when I do,
The entire universe will know
Because I will sing without feathers I my throat,
Because I will paint without darkness in my eyes,
And because I will wake up in the morning to see the sun rise
And I will walk for miles because I want to
And I smile and smile and smile
Until my face forgets the shape of a frown

1

Out of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d alone, bare-headed, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories, sad brother—from the fitful risings and fallings I heard,
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist,
From the thousand responses of my heart, never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither—ere all eludes me, hurriedly,
A man—yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them,
A reminiscence sing.

2

Once, Paumanok,
When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass was growing,
Up this sea-shore, in some briers,
Two guests from Alabama—two together,
And their nest, and four light-green eggs, spotted with brown,
And every day the he-bird, to and fro, near at hand,
And every day the she-bird, crouch’d on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing them,
Cautiously peering, absorbing, translating.

3

Shine! shine! shine!
Pour down your warmth, great Sun!
While we bask—we two together.

Two together!
Winds blow South, or winds blow North,
Day come white, or night come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.

4

Till of a sudden,
May-be ****’d, unknown to her mate,
One forenoon the she-bird crouch’d not on the nest,
Nor return’d that afternoon, nor the next,
Nor ever appear’d again.

And thenceforward, all summer, in the sound of the sea,
And at night, under the full of the moon, in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals, the remaining one, the he-bird,
The solitary guest from Alabama.

5

Blow! blow! blow!
Blow up, sea-winds, along Paumanok’s shore!
I wait and I wait, till you blow my mate to me.

6

Yes, when the stars glisten’d,
All night long, on the prong of a moss-scallop’d stake,
Down, almost amid the slapping waves,
Sat the lone singer, wonderful, causing tears.

He call’d on his mate;
He pour’d forth the meanings which I, of all men, know.

Yes, my brother, I know;
The rest might not—but I have treasur’d every note;
For once, and more than once, dimly, down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen’d long and long.

Listen’d, to keep, to sing—now translating the notes,
Following you, my brother.

7

Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind, embracing and lapping, every one close,
But my love soothes not me, not me.

Low hangs the moon—it rose late;
O it is lagging—O I think it is heavy with love, with love.

O madly the sea pushes, pushes upon the land,
With love—with love.

O night! do I not see my love fluttering out there among the breakers?
What is that little black thing I see there in the white?

Loud! loud! loud!
Loud I call to you, my love!

High and clear I shoot my voice over the waves;
Surely you must know who is here, is here;
You must know who I am, my love.

Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon, do not keep her from me any longer.

Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again, if you only would;
For I am almost sure I see her dimly whichever way I look.

O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.

O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth;
Somewhere listening to catch you, must be the one I want.

Shake out, carols!
Solitary here—the night’s carols!
Carols of lonesome love! Death’s carols!
Carols under that lagging, yellow, waning moon!
O, under that moon, where she droops almost down into the sea!
O reckless, despairing carols.

But soft! sink low;
Soft! let me just murmur;
And do you wait a moment, you husky-noised sea;
For somewhere I believe I heard my mate responding to me,
So faint—I must be still, be still to listen;
But not altogether still, for then she might not come immediately to me.

Hither, my love!
Here I am! Here!
With this just-sustain’d note I announce myself to you;
This gentle call is for you, my love, for you.

Do not be decoy’d elsewhere!
That is the whistle of the wind—it is not my voice;
That is the fluttering, the fluttering of the spray;
Those are the shadows of leaves.

O darkness! O in vain!
O I am very sick and sorrowful.

O brown halo in the sky, near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
O all—and I singing uselessly, uselessly all the night.

Yet I murmur, murmur on!
O murmurs—you yourselves make me continue to sing, I know not why.

O past! O life! O songs of joy!
In the air—in the woods—over fields;
Loved! loved! loved! loved! loved!
But my love no more, no more with me!
We two together no more.

8

The aria sinking;
All else continuing—the stars shining,
The winds blowing—the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok’s shore, gray and rustling;
The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost touching;
The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying,
The love in the heart long pent, now loose, now at last tumultuously bursting,
The aria’s meaning, the ears, the Soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there—the trio—each uttering,
The undertone—the savage old mother, incessantly crying,
To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing,
To the outsetting bard of love.

9

Demon or bird! (said the boy’s soul,)
Is it indeed toward your mate you sing? or is it mostly to me?
For I, that was a child, my tongue’s use sleeping,
Now I have heard you,
Now in a moment I know what I am for—I awake,
And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than yours,
A thousand warbling echoes have started to life within me,
Never to die.

O you singer, solitary, singing by yourself—projecting me;
O solitary me, listening—nevermore shall I cease perpetuating you;
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what there, in the night,
By the sea, under the yellow and sagging moon,
The messenger there arous’d—the fire, the sweet hell within,
The unknown want, the destiny of me.

O give me the clew! (it lurks in the night here somewhere;)
O if I am to have so much, let me have more!
O a word! O what is my destination? (I fear it is henceforth chaos;)
O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves around me!
O phantoms! you cover all the land and all the sea!
O I cannot see in the dimness whether you smile or frown upon me;
O vapor, a look, a word! O well-beloved!
O you dear women’s and men’s phantoms!

A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up—what is it?—I listen;
Are you whispering it, and have been all the time, you sea-waves?
Is that it from your liquid rims and wet sands?

10

Whereto answering, the sea,
Delaying not, hurrying not,
Whisper’d me through the night, and very plainly before day-break,
Lisp’d to me the low and delicious word DEATH;
And again Death—ever Death, Death, Death,
Hissing melodious, neither like the bird, nor like my arous’d child’s heart,
But edging near, as privately for me, rustling at my feet,
Creeping thence steadily up to my ears, and laving me softly all over,
Death, Death, Death, Death, Death.

Which I do not forget,
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok’s gray beach,
With the thousand responsive songs, at random,
My own songs, awaked from that hour;
And with them the key, the word up from the waves,
The word of the sweetest song, and all songs,
That strong and delicious word which, creeping to my feet,
The sea whisper’d me.

The bird was there, standing alone
Singing a song, closer to a moan
I knew something was wrong
It was obvious, I know that song
It was the song of death
The melody of the last breath
I wanted to do something
I wanted a change of situation
I didn't know what to do
No idea for a solution
I just sat there silently watching
Watching a fallen bird, burn down to ash
It hurt, I felt the pain, the heart crash
Why is reality so evil ? Why am i so ?
Can't I feel empathy ? nothing to do ?
I put a step forward then a second
Step after another arrived in a second
Released my emotions in a word of truth
Gave it all out, my fountain of youth
I expressed hope, expressed love
Expressed everything blindly, in despair
I wanted the bird to live, express it's flair
I wrapped my hands around, it felt it's warmth
walked all the alley back and forth
Lost my rhythm felt the bird was lost
Slowed my pace, couldn't look at my hands
I no longer felt the pulse, shiver down my spine
I closed my eyes, tried to believe that all was fine
But nothing was right, i had commited the crime
It was all over, there was no more time
I called out to the sky, wished i be heard
I called, was a desperate try to bring back the bird
I sat waiting for the reply
It came moments later, i heard a cry
It came, this is the call from the sky
It felt blurry at the beggining couldn;t understand
But the truth was awful i was alone in a barren land
I heard my echo, thought it was hope
It was the voice of despair
Death ? no way to repair
it said it clear: Leave the bird alone
You have no power to change the past
You are weak, you will someday last
The bird is gone now, live with that fact
Try not to forget, for memories are your identity
Sit, Watch, listen and learn: build your personnality
The bird is a mere experience between a thousand
Life is still full of surprises you will have to withstand
Life is gift, you either accept or deny
Life is the bird, with whom you refused to fly

By: GuessWho....... 24/02/2017

I wrote a tribute to Maya Angelou in 2010 that I would like to share today in memory of a great poet. Please excuse the dated references.

I Know Why the Twitter Bird Tweets

The free bird leaps
on Google’s back
and scrolls down page
till the browser ends
and dips his wings
in Facebook rays
and dares to claim the internet.

But a bird that stalks
down his narrow page
can seldom see through
his lists of rage
his wings are clipped and
his feet are tied
so he opens his claws to tweet.

The Twitter bird tweets
with fearful trill
of the things unknown
but longed for still
and his tweet are read
on the distant hill
for the Twitter bird
tweets of freedom

The free bird may watch tivo'd Glee
And order up some good Chinese
and laugh as Sue Sylvester drones
On and on of kids off tone.

But Twitter bird stands on the grave of tweets
Getting “trends” for Trick or Treat
his wings are clipped and his feet are tied
so he opens his claws to tweet.

The Twitter bird tweets
with a fearful trill
of things unknown
but longed for still
and his tweet is heard
on the distant hill
for the Twitter bird
tweets of freedom.

Little bird

How I envy you in flight, little bird
How I envy how you reach out and you bury yourself into the air
How you can so easily glide in the wind
And how you're free

How I envy you, little bird
How I envy your beak
That doesn't get disturbed when singing
That is able to speak out to truth to the world
Because you're free

How I envy you, little bird
How you're at peace with yourself
And the way you so gracefully show your peace within
Your peace with nature and all that is good
And the way you're free to be in whichever state you wish

How I envy you, little bird
How your feathers rustle in the wind
And the way you're covered from head to toe
The way you're not empty and alone
The way you feel at home
Because you're free

How I envy you, little bird
Because you're not trapped in this hospital room
You can go wherever you please
You're not sick like me

How I envy you, little bird
Because with all my heart I wish I was you
How I envy you, little bird
Because you're not me

You're free

I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin

Little bird little bird
So fragile, so small
From way high in the branches
You tumble and fall

Little bird little bird
Let me show you to fly
To soar up to the heavens
To set fire to the sky.

Little bird little bird
… but, no one may know
If's heard a little peep
Those feathers will go

Come on little bird
…lets lift up your wings!
Fearful but so happy
Little bird  sings!

Little bird, little bird
Will, what do you know
Plucked of every feather
Now, where will you go?