Hello Poetry
Submit your work and get some sparkles! Create free account
"birches" poems
The evening breeze sings the forgotten songs Of ghosts of nymphs 'tween silver birches there. And beams of moonlight fall on grassy lawns: A pearly cloak e'erywhere the eye sees fair. So many gentle dawns took care to kiss Along the flowered, verdant forest floor. In this blessed land so filled with matchless bliss, Upon golden and rose-pink blossoms which it wore. Every visitor that stumbles here Stops to see the flowers near, And stoops to pick some strawberries In the meadows, for their families.
0
Jul 20, 2014
Jul 20, 2014 at 1:18 AM UTC
Silver Birch Forest
It is December in Wicklow: Alders dripping, birches Inheriting the last light, The ash tree cold to look at. A comet that was lost Should be visible at sunset, Those million tons of light Like a glimmer of haws and rose-hips, And I sometimes see a falling star. If I could come on meteorite! Instead I walk through damp leaves, Husks, the spent flukes of autumn, Imagining a hero On some muddy compound, His gift like a slingstone Whirled for the desperate. How did I end up like this? I often think of my friends' Beautiful prismatic counselling And the anvil brains of some who hate me As I sit weighing and weighing My responsible tristia. For what? For the ear? For the people? For what is said behind-backs? Rain comes down through the alders, Its low conductive voices Mutter about let-downs and erosions And yet each drop recalls The diamond absolutes. I am neither internee nor informer; An inner émigré, grown long-haired And thoughtful; a wood-kerne Escaped from the massacre, Taking protective colouring From bole and bark, feeling Every wind that blows; Who, blowing up these sparks For their meagre heat, have missed The once-in-a-lifetime portent, The comet's pulsing rose.
0
8.1k
Exposure
Pearl swans shatter the ice, and glide swiftly through the stars sparkling on the mirror lake. Twilight falls to the night and the air creates glistening twisted crystals which climb up the trees and freeze the antique summer remnants. The spindled sprigs of silver birches drape their lustre wantonly, forming long ripples in a lengthy cascade. Then the darkness retreats as the pale blue haze of dawn approaches where the robin's breath sighs tangibly on the air.
0
Apr 16, 2014
Apr 16, 2014 at 2:34 PM UTC
Winter
The right winter for dope and ice for walks along the river route home The right winter for arctic pin-prick wind holes in boots turquoise dress coat far too thin for walks along the river But The Merrimack couldn’t find her way when fabric moguls migrated south Fascinated by nylon nasties they traded their silks and cottons for those petro-polyesterdays While she— could no more manufacture life than mint their money So, they blamed her Pronounced her—“Dead” Decried her ***** Now— She wanders sadly under bridges stopping to eddy in an overhang of birches In dank canals, I found her sleeping angered only at the falls Poor outcast! with current edge she splinters light from cities sadder still retching her oily stench          past Plum Island into the sea— into me What’re a few warm tears falling from someplace on a bridge to the icy waters of the Merrimack? Rivers get lost in the ocean don’t they? Let them find each other there
0
Mar 27, 2017
Mar 27, 2017 at 12:49 AM UTC
Rivers Get Lost
I had not been born yet. Still, I can see you at your labor - alone, scouring the meadows for the stones - lifting their gray shoulders from the moist earth - pulling them from the green grasp of briars, goldenrod, and Queen Anne’s Lace. The smell of the earth must have filled you with your own childhood memories - of plowing fields and cold mornings trudging across barn yards mud thick on your boots - promising yourself that someday you would leave and never return. I can hear the pick axe - the sharp strikes against the stones, and the dull thud when the earth swallowed the blade - and the deep exhalations when the stones tumbled into the old wheelbarrow – new then - that now leans rusting against my garden shed. Some of the stones were so large - far too large for one man – how did you move them? I look at the old photographs and you seem so young – so much younger than I am today - and so thin – staring off-frame beyond the camera. What were you looking for in those fields? I can see you sorting the stones, stacking them - building and unbuilding and rebuilding the walls and  terraces until the walls were true and the terraces level and planted with dogwood, birches, soft grass for bare feet, and bordered with roses. Did you know that you were building my castle? That the highest terrace would be my tower and keep? I remember calling out to my knights, my legionnaires, and tribesmen – rallying them in defense of the citadel –  ready for the coming siege. I also remember looking out across that verdant kingdom for the last time - no longer a king or a boy – and miles away, across the river to the west, I imagined the new home that awaited us. I couldn’t know how far away it would be or what it meant to leave. This morning, as I looked out across the garden that I have built, I felt the weightlessness of time and its gravity settling me into place. For a brief moment I had the sensation that I was standing on the shoulders of gathered stones. (for my father, Guy Spencer.) Tom Spencer © 2015
0
Jul 4, 2015
Jul 4, 2015 at 12:13 PM UTC
Gathered Stones
I had not been born yet. Still, I can see you at your labor - alone, scouring the meadows for the stones - lifting their gray shoulders from the moist earth - pulling them from the green grasp of briars, goldenrod, and Queen Anne’s Lace. The smell of the earth must have filled you with your own childhood memories - of plowing fields and cold mornings trudging across barn yards mud thick on your boots - promising yourself that someday you would leave and never return. I can hear the pick axe - the sharp strikes against the stones, and the dull thud when the earth swallowed the blade - and the deep exhalations when the stones tumbled into the old wheelbarrow – new then - that now leans rusting against my garden shed. Some of the stones were so large - far too large for one man – how did you move them? I look at the old photographs and you seem so young – so much younger than I am today - and so thin – staring off-frame beyond the camera. What were you looking for in those fields? I can see you sorting the stones, stacking them - building and unbuilding and rebuilding the walls and  terraces until the walls were true and the terraces level and planted with dogwood, birches, soft grass for bare feet, and bordered with roses. Did you know that you were building my castle? That the highest terrace would be my tower and keep? I remember calling out to my knights, my legionnaires, and tribesmen – rallying them in defense of the citadel –  ready for the coming siege. I also remember looking out across that verdant kingdom for the last time - no longer a king or a boy – and miles away, across the river to the west, I imagined the new home that awaited us. I couldn’t know how far away it would be or what it meant to leave. This morning, as I looked out across the garden that I have built, I felt the weightlessness of time and its gravity settling me into place. For a brief moment I had the sensation that I was standing on the shoulders of gathered stones. (for my father, Guy Spencer.) Tom Spencer © 2015
Continue reading...
83
I walk along a path I do not know But falter left nor right, And, welcoming the light Of birches, still and white As sleeping snow, A raven, coat that shimmers Soft as coal, Beside me flutters square And, drawn like to a snare, Alights upon the air As on a knoll. A ripened chestnut, trapped Within his maw And hard as ancient ice, Is tightened by the vise And shatters at the slicing Of his jaw To crumble into dust, Which quick cascades And settles, as it slows, To carefully compose The shape of raven toes Where he parades. The raven flies ahead And, with a stamp, His talons take a grip Atop a wooden tip Of birches, dead and stripped To form a ramp. I stumble after, fixed Through field of black As in a telescope, And, clawing at the slope, I climb it with a hope To touch his back And ****** a hand ahead Just as he slumps, Both limp but stiff, to lie Upon his side and die. I meet his cloudy eye Upon the stump, Then lift my head to find A willow sprig, A tendril hanging free For me to grip. Indeed, I climb the strip of tree, The little twig, And swivel in the air, As if by choice. I hear a humming, low, Resounding from below— The raven’s eyes, aglow With Odin’s voice. Like lightbulbs flicker, dim with yellow light, They sharpen with the tones That bellow from his bones— This god and poet moans His heavy spite: He damns me to the lifetime of a bird. My sin, I do not know But bear the bitter woe And close my eyes to focus On this word: Saṃsāra. So I feel my Senses spill Upon the ground And flood out all around And swallow every sound Till all is still.
0
Feb 26, 2014
Feb 26, 2014 at 5:50 PM UTC
Raven Odin Dream
I walk along a path I do not know But falter left nor right, And, welcoming the light Of birches, still and white As sleeping snow, A raven, coat that shimmers Soft as coal, Beside me flutters square And, drawn like to a snare, Alights upon the air As on a knoll. A ripened chestnut, trapped Within his maw And hard as ancient ice, Is tightened by the vise And shatters at the slicing Of his jaw To crumble into dust, Which quick cascades And settles, as it slows, To carefully compose The shape of raven toes Where he parades. The raven flies ahead And, with a stamp, His talons take a grip Atop a wooden tip Of birches, dead and stripped To form a ramp. I stumble after, fixed Through field of black As in a telescope, And, clawing at the slope, I climb it with a hope To touch his back And ****** a hand ahead Just as he slumps, Both limp but stiff, to lie Upon his side and die. I meet his cloudy eye Upon the stump, Then lift my head to find A willow sprig, A tendril hanging free For me to grip. Indeed, I climb the strip of tree, The little twig, And swivel in the air, As if by choice. I hear a humming, low, Resounding from below— The raven’s eyes, aglow With Odin’s voice. Like lightbulbs flicker, dim with yellow light, They sharpen with the tones That bellow from his bones— This god and poet moans His heavy spite: He damns me to the lifetime of a bird. My sin, I do not know But bear the bitter woe And close my eyes to focus On this word: Saṃsāra. So I feel my Senses spill Upon the ground And flood out all around And swallow every sound Till all is still.
Continue reading...
72
The sighing winds had lulled me here; The waltzing boughs, too, had fallen for its charm; The ivy, ferns, alders and the birches; The quivering hemlock against my arm. The travelled path was now long left behind, And on hills of gentle moss I stood and gazed about To find the purple cloak of twilight painting me, And all the pines, not one left out. II The harvest moon in its splendour came rising, Had poured itself on the waters deep; The birds were silent, the wind still sighing Had brought the woodland a drowsy sleep. The dawn had come in golden light And where I was I did not know - I wandered long to find the path again, And in the distance heard the river flow.
0
Jul 27, 2015
Jul 27, 2015 at 3:19 PM UTC
Into That Gentle Wilderness
birches and tastsy jerky wood.  resin in the immediate shubbary.... and dust and cobwwebs growing adjacent to the jerky wood.  Myraid of birds, ranging from small birch-types to crows.  A lingering dominant hawk.  A giant possum crossing between borders carrying unborn infants.  Dusty walls with abandonded spiderwebs- insect carcassases dangling, still.  Pool motors revving in every direction lets of a subtle hum that compliments the planes descending and ascending oer-head the water is grainy yet cool and healing.  the sprinklers function at midnight and sometimes on the weekend.  Maintinance trucks, expensive commuter vehicals, modest vehicls, unmanned vehicles, arrowhead trucks, macdonalds trucks, safeway trucks.... the earth is still wheaty and chalky adjacent the jerky trees, the jerky trees have little hairs and appetizing off red color, the bark saddles off with grace and with a satisfying tare.
0
Jul 18, 2018
Jul 18, 2018 at 6:24 PM UTC
LANDSCAPE JULY 18th, 2018- SANTA CLARA COUNTY
Winter leaving, slips— Forest draped in magenta sun, Birches in painted clothes.
0
Jun 2, 2012
Jun 2, 2012 at 1:35 PM UTC
Haiku ( winter )
She doesn’t flinch beneath the weight of heat, My breath explores the hollow of her thighs. She waits—unmoving—where the birches meet, She arches slowly… then my hush sighs. My breath explores the hollow of her thighs, A damp note, I taste the waking skin. She arches slowly… then my hush sighs. I circle close, inhale where love has been. A damp note, I taste the waking skin, Her pulse, a Spring fawn trembling beneath dry leaves. I circle close, inhale where love has been, Cool wet air licks the heat her silent body weaves. Her pulse, a Spring fawn trembling beneath dry leaves, A long, slow, sigh traces curves—shadow drips to skin. Cool wet air licks the heat her silent body weaves, A ****** breeze gazes upon her folds, eyes deep within. A long, slow, sigh traces curves—shadow drips to skin, I breathe in her gasp—wildflowers, warm and wet. A ****** breeze gazes upon her folds, eyes deep within, Lips part slowly, a drip lingers and falls—lips met. She doesn’t flinch beneath the weight of heat, I am a tender hush, a windy night, her secret dream. She waits—unmoving—where the birches meet, Forever as one, a silent, deep, pleasured scream.
0
Jul 13, 2025
Jul 13, 2025 at 5:29 PM UTC
Where The Birches Meet
The silver Birch trees flaunt Their glitz as I  Stroll through  Deep pearl  And sand Pebbles Gorgeous green Mansions swirl Around and Blackbirds pick Seeds from  The posy bunches And sparkled Grass. I pass a  Pink butterfly house  With large Daisy  Heads protruding from The diamond fencing. The next house, a rather Pretentious 'Cordillera', Sounds like a disease. A farm gate shields  4 by 4s and I'm  Now passing the weird House with the crocodile And gorilla and  Coloured Cow  And dog statues. Coming to the End of the lane Of silver I pass 'Lane end' Cottage with its viney Stature and freshly  Manicured front lawn.  High cube hedges forming  A pathway to the porch. In The final  Mansion if Nosy passers Have a peek you Can see a  Swimming pool, Fluffy Towels draped over The Silver pool chairs. Flitting to  The end of the  Dappled birches, Approaches A wide country green Covered in bunting Bathed in buttercups.
0
May 24, 2014
May 24, 2014 at 11:54 AM UTC
My walk
— after Melancholia She’d have walked through fire for him — A stranger with a fractured chameleon soul, Tumultuous depths and misguided hymns, But promises of patience and a steady stroll. Stranger still, a fractured chameleon soul, Restless beneath wind-tremors and silt-clay loam. But with promises of patience and a steady stroll, She follows the moon that leads her home Restlessly. Wind tremors and silt-clay loam, Burnt umber flicker-beats and faded birches. She follows the moon, led home To an abandoned, white-chip-painted church. Beyond umber flicker-beats and faded birches, He preached of salvation, but fell privy Inside the abandoned, white-chip-painted church Where green was gold and gold was envy. He preached of salvation, but fell privy To tumultuous depths and a misguided hymn. Green was gold and gold was envy — She’d have walked through fire for him.
0
Apr 27, 2015
Apr 27, 2015 at 4:00 PM UTC
Repentance
The birches are mad with green points the wood’s edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
0
2.5k
Light Hearted Author
The birches are mad with green points the wood’s edge is burning with their green, burning, seething—No, no, no. The birches are opening their leaves one by one. Their delicate leaves unfold cold and separate, one by one. Slender tassels hang swaying from the delicate branch tips— Oh, I cannot say it. There is no word. Black is split at once into flowers. In every bog and ditch, flares of small fire, white flowers!—Agh, the birches are mad, mad with their green. The world is gone, torn into shreds with this blessing. What have I left undone that I should have undertaken? O my brother, you redfaced, living man ignorant, stupid whose feet are upon this same dirt that I touch—and eat. We are alone in this terror, alone, face to face on this road, you and I, wrapped by this flame! Let the polished plows stay idle, their gloss already on the black soil. But that face of yours—! Answer me. I will clutch you. I will hug you, grip you. I will poke my face into your face and force you to see me. Take me in your arms, tell me the commonest thing that is in your mind to say, say anything. I will understand you—! It is the madness of the birch leaves opening cold, one by one. My rooms will receive me. But my rooms are no longer sweet spaces where comfort is ready to wait on me with its crumbs. A darkness has brushed them. The mass of yellow tulips in the bowl is shrunken. Every familiar object is changed and dwarfed. I am shaken, broken against a might that splits comfort, blows apart my careful partitions, crushes my house and leaves me—with shrinking heart and startled, empty eyes—peering out into a cold world. In the spring I would be drunk! In the spring I would be drunk and lie forgetting all things. Your face! Give me your face, Yang Kue Fei! your hands, your lips to drink! Give me your wrists to drink— I drag you, I am drowned in you, you overwhelm me! Drink! Save me! The shad bush is in the edge of the clearing. The yards in a fury of lilac blossoms are driving me mad with terror. Drink and lie forgetting the world. And coldly the birch leaves are opening one by one. Coldly I observe them and wait for the end. And it ends.
Continue reading...
58
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the **** Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it by, FRANK O'HARA
0
Mar 13, 2013
Mar 13, 2013 at 12:27 PM UTC
Having a Coke with You
Having a Coke with You is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne or being sick to my stomach on the Travesera de Gracia in Barcelona partly because in your orange shirt you look like a better happier St. Sebastian partly because of my love for you, partly because of your love for yoghurt partly because of the fluorescent orange tulips around the birches partly because of the secrecy our smiles take on before people and statuary it is hard to believe when I’m with you that there can be anything as still as solemn as unpleasantly definitive as statuary when right in front of it in the warm New York 4 o’clock light we are drifting back and forth between each other like a tree breathing through its spectacles and the portrait show seems to have no faces in it at all, just paint you suddenly wonder why in the world anyone ever did them I look at you and I would rather look at you than all the portraits in the world except possibly for the Polish Rider occasionally and anyway it’s in the Frick which thank heavens you haven’t gone to yet so we can go together the first time and the fact that you move so beautifully more or less takes care of Futurism just as at home I never think of the **** Descending a Staircase or at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me and what good does all the research of the Impressionists do them when they never got the right person to stand near the tree when the sun sank or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse it seems they were all cheated of some marvelous experience which is not going to go wasted on me which is why I am telling you about it by, FRANK O'HARA
Continue reading...
28
Here is a voice that soundeth low and far And lyric­voice of wind among the pines, Where the untroubled, glimmering waters are, And sunlight seldom shines. Elusive shadows linger shyly here, And wood-flowers blow, like pale, sweet spirit-bloom, And white, slim birches whisper, mirrored clear In the pool's lucent gloom. Here Pan might pipe, or wandering dryad kneel To view her loveliness beside the brim, Or laughing wood-nymphs from the byways steal To dance around its rim. 'Tis such a witching spot as might beseem A seeker for young friendship's trysting place, Or lover yielding to the immortal dream Of one beloved face.
0
2.3k
The Wood Pool
Now this must be the sweetest place From here to heaven's end; The field is white and flowering lace, The birches leap and bend, The hills, beneath the roving sun, From green to purple pass, And little, trifling breezes run Their fingers through the grass. So good it is, so gay it is, So calm it is, and pure. A one whose eyes may look on this Must be the happier, sure. But me--I see it flat and gray And blurred with misery, Because a lad a mile away Has little need of me.
0
2.2k
Landscape
His gaze adrift through countless windows Dreaming far beyond his eyes will ever see The birches wept amongst cold shadows Reminiscing of spring and leaves of green By a southernly breeze the moment swept He stood wondering, why do they still weep For that moment swept, was indeed a lifetime Charles Casanova 10/5/14
0
Oct 5, 2014
Oct 5, 2014 at 8:27 AM UTC
Moments in Time
The golden burn of dusk kisses my window panes and walls; On table tops it rests, the moon and stars it calls. Far above the horizon, the honey sun waves good-bye With sighs of blues and purples, its glory's end is nigh. The birds sing their last songs atop the birches' bough And the sunset leave us thinking, "What do we really know?" In another world it is rising, but right here it hides from view, burying its face, so when morrow comes we can marvel its glory anew.
0
Aug 12, 2015
Aug 12, 2015 at 1:17 PM UTC
Sunset
It's mid-July but in my heart, it is winter; I curl up in the back of a closet, wrapped in blankets and the scent of salty water and seaweed crawls up my nostrils until I'm choking; it engulfs me, a cold embrace, the breeze piercing me through clothes that somehow feel like a fisherman's net twisted around me, leaving marks on my skin. It's mid-July but in my heart, it is winter; like driftwood washed upon the shore, like sand sifting through my fragile fingers, like an imminent sea storm, danger impending, memories crush me. Sunburnt skin, goosebumps and droplets of water; bodies pressed, wounds left to heal and scars that slowly fester. There's something autumnal in summer, gashes bleeding ink. It's mid-July but in my heart, it's winter: remember, remember when we used to sit under birches, lashes shiny with droplets of dreams, remember, remember, bicycles, children with eyes bright and green, freckled faces, salty-tasting kisses, scorching sun and summer winds. Midnight storms, skies lightened, torn by lightning bolts -- July is not the time for eulogies, remember lazy afternoons, you, me, the boat, regret always tastes as bitter as children's lips just slightly touching far away from coast. It's mid-July but in my heart, it's winter; the tide will wash away another fisherman's corpse; remember all the tales of sirens? You never told me Death came with hair of gold. There's nothing quite so sad as being sad in summer. It is July, and yet outside it snows.
0
Jul 27, 2015
Jul 27, 2015 at 10:19 AM UTC
Fisherman's tales
It's mid-July but in my heart, it is winter; I curl up in the back of a closet, wrapped in blankets and the scent of salty water and seaweed crawls up my nostrils until I'm choking; it engulfs me, a cold embrace, the breeze piercing me through clothes that somehow feel like a fisherman's net twisted around me, leaving marks on my skin. It's mid-July but in my heart, it is winter; like driftwood washed upon the shore, like sand sifting through my fragile fingers, like an imminent sea storm, danger impending, memories crush me. Sunburnt skin, goosebumps and droplets of water; bodies pressed, wounds left to heal and scars that slowly fester. There's something autumnal in summer, gashes bleeding ink. It's mid-July but in my heart, it's winter: remember, remember when we used to sit under birches, lashes shiny with droplets of dreams, remember, remember, bicycles, children with eyes bright and green, freckled faces, salty-tasting kisses, scorching sun and summer winds. Midnight storms, skies lightened, torn by lightning bolts -- July is not the time for eulogies, remember lazy afternoons, you, me, the boat, regret always tastes as bitter as children's lips just slightly touching far away from coast. It's mid-July but in my heart, it's winter; the tide will wash away another fisherman's corpse; remember all the tales of sirens? You never told me Death came with hair of gold. There's nothing quite so sad as being sad in summer. It is July, and yet outside it snows.
Continue reading...
37
Fire Agate Rendered at last,   with seamless lines     of every shade   and layer on top of layer As we know,   one burning tree     can set       it's forest aglow and so came her soul   with fire's inside     But with fire comes chaos Birches chirp   for consequential change     for her edge's       to chip away Then a Maple   , through sweet rustles,      asks for more Willows fume   fatal wishes     for the forest     to surrender,   for water over embers A Cypress follows   , with deep concern,       and begs to stand Ashes whisper   for another     just one more day But an Elm   seeks that same color     but within her   and to stay It's dangerous to dance   with this many tree's "One day,   maybe I'll break, and maybe someone,   maybe you,     will see between the waves   that meet at peak,     that fold into another, see why the cold sky   shy's behind the hot sun     but are drawn together, see below the clear surface   that deceives     by gifting you assumptions, see how clear agate   over hematite     gives you iridescence, see beyond the points   we know,     and please see   where a circle stops. Maybe you'll see   what I can't     , me"
0
Mar 15, 2021
Mar 15, 2021 at 9:51 AM UTC
Fire Agate
I lay on the ground, shivering. The walls around me are made of stone, they fill up my world. I cannot see beyond them. Have never seen beyond them. Instead, I lay in this pit, on the cold ground, with a dark light surrounding me. It is the only light in the Pit. The light is of the sky that blows snowflakes onto the Earth. Far above, I see this sky and it illuminates this world into a grey haze. The beauty of it is undeniable. Yet, a snowflake never falls here. There is no white to marvel. Outside these walls, the snow fills a surrounding forest of white birches and the cold ground. I have never seen the forest, but it is there. I lay on the Pit's stone, shivering; dieing. The whispers of the Demons haunt me. They are the only other voices I know. They tell me nothing but what is horrible. But this Pit and the Demons of Darkness are beautiful. They are my life source and I am theirs. But the price of this pain is costly.
0
Dec 7, 2013
Dec 7, 2013 at 3:44 PM UTC
The Pit
i look at the clock 4am, another night it's clear i'm not getting any dozing hours for myself yet i still have to rise in two hours for class. in this moment, i only wanted to die. be buried under the beautiful birches in the lonely cemetery maybe i can get all the sleep i need when i'm dead. my heart still aches for you, the fatal craving never subsiding. the glowing red numbers burn into my eyes, once again i haven't slept very well since the last time we spoke
0
Dec 31, 2014
Dec 31, 2014 at 6:41 PM UTC
thoughts at 4am
(for Jill Jones) Each day is always possible I fling myself at chances. My horizon pulses its limitless light splitting atoms, shattering the white. Silver birches shiver spotlights whispering forgotten lines in my ears. Feathered clouds soar and skim as I taste the vast blue skin of sky. I catch the words beneath the waves each tide of syllables and song. I’m sand-etched and scratch at language lost and left on the shore. I make for the glowing yellow moment and live in metaphor. © M.L.Emmett 2016
0
Apr 30, 2016
Apr 30, 2016 at 2:30 PM UTC
Possibility
LISTEN a while, the moon is a lovely woman, a lonely woman, lost in a silver dress, lost in a circus rider's silver dress. Listen a while, the lake by night is a lonely woman, a lovely woman, circled with birches and pines mixing their green and white among stars shattered in spray clear nights. I know the moon and the lake have twisted the roots under my heart the same as a lonely woman, a lovely woman, in a silver dress, in a circus rider's silver dress.
0
1.5k
Night Stuff