1460

His Cheek is his Biographer—
As long as he can blush
Perdition is Opprobrium—
Past that, he sins in peace—

I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.

By: Cedric McClester

Despite some misconceptions
And attacks
Endure for centuries
By us blacks
Let me lay down
Some unknown facts
How ‘bout we start with
Henrietta Lacks

For most of us
After our death
Other than memories
What else is left?
For our survivors
The bereft
Yet her cells live on
It’s a matter of theft

From Henrietta’s
Cancerous cells
A bold idea
Suddenly jells
Spawning cures for cancer
As her biographer tells
And in vitro fertilization
Other things as well

Science took complete advantage
Of her cells
Which they still manage
Though she died of cervical cancer
Her cells provided them
With the answer
To scientific mystery
Check out her cells history











Cedric McClester, Copyright © 2017.  All rights reserved.

they say in history,
behind every great man there’s an even greater woman.
so think of it like this:
do you know who marcia lucas is?
it’s okay if you don’t.
there’s a reason for that,
until a few months ago i didn’t know her name either.
but you probably know who george lucas is.
biographer dale ******* once said that marcia,
george lucas's first wife who he was married to throughout
the production of the original trilogy,
was his “secret weapon."
and the operative word in that sentence is secret.
because i have been watching star wars
for just about as long as i can remember;
growing up, my brother and i owned not only
half a dozen plastic lightsabers and a box set of both trilogies,
but my dad even likes to mimic yoda’s voice and speech patterns
when he gives me motivational life talks.
but i never once learned marcia lucas's name.
i know star wars super fans who can spout out more trivia
about wedge antilles,
an x-wing pilot with 2.5 total minutes of screen time in the entire saga,
than marcia lucas,
the women who edited the film together
into the cultural phenomenon we know.
marcia lucas is the woman who edited starwars
from a mess into a masterpiece.
the woman who has be described
as the “warmth and heart of the films”
who carved out her husband's characters into people
and developed with much of emotional resolution of the series,
coming up with the idea of killing off ben kenobi
when george lucas couldn’t resolve the plot line himself.
her fingerprints are all over these movies,
she shaped these stories and us with them
yet we never talk about her hands cutting the film.
the woman who edited the scene
where luke skywalker destroys the death star
from a 45 minutes crawl into the fast-paced moment
when the good guys win,
the woman who sewed together
the magic we watched on our screens
is nothing more than a footnote in the credits.
she has been erased from the narrative.
and as i write this poem,
i know that only some of you will never think of this name again.
and if you do it will probably be as trivia,
a fact to spout in a conversation about george lucas
or while you pop in a new hope into the DVD.
but sometimes you have to think about how many people’s lives
end up on the cutting room floor.
they say in history,
behind every great man there’s an even greater woman.
margaret hamilton is the lead software engineer
whose work took apollo 11 to the moon.
do you know her name?
you know the man on the moon but not the woman who put him there.
sybil ludington road twice as far as paul revere
to warn the local militia of the oncoming british attack,
fending off a band of highway robbers as she did.
do you know her name?
long before little richard and chuck berry
were ever even strumming at their guitars,
sister rosetta tharpe was pioneering a genre
with the first album ever labeled as rock’n’roll.
do you know her name?  
rose mccoy wrote the words to the song “i beg of you”
that elvis presley crooned,
along with countless more that other people sang.
do you know her name?
do you know any of their names?
maybe spotlights cast more shadows than they give off light.
we are a culture of people who forget everything out of sight.
they say in history,
behind every great man there’s an even greater woman.
we just... don't know her name,
no one ever bothered to teach us her name.
no one was supposed to.
history is not always about who you remember,
sometimes it is about who you forget.

Shouldn't we all be studying?

dedicated to M M Jones from Montana,
where I guess big skies make people think
about big questions and young poets thrive.


the butterflies of child-awakening
to the certainty
that school and
shame and embarrassment
were only minutes away,
once again,
is as fresh as
the flowers my love
buys every Friday,
fifty plus year later.

I would awake,
climb into bed with my mother,
telling her I did not feel well,
that my
stomach felt gray.  

I could not tell her that
the mocking I received by
my richer classmates at the
multiple lines in the fabric
of my corduroy pants
where she let my pants down
made me cannon fodder
for what we call now
bullying.

I could not tell her
of the heartbreak
when somehow the parents
of my supposed suburban friends
forgot to
pick me up for the weekly swim,
leaving me to watch
the sunset fall as I sat
on the stoop of our old house,
tucked away in an out of the way,
unfashionable street,
the shame still wet.

I could not tell her
of how two bothers tortured me
as I sat in the back seat
of their station wagon,
spitting seeds
on me like curses.  

Their older brother died of cancer
when that was still unusual,
and the mother wrote
a beautiful book
about his life.

I still hate them, those two,
fifty years later and it gives me
unusually great pleasure to
announce it to the world.

So I studied.  

Not my schoolbooks,
but lovely and ***** literature.
Friday afternoons, three children,
me the baby brother,
(anonymous, for they nicknamed me
brother as if  I was nothing but
checked off category)
to the library went.

Five, five was the max
they the austere librarians
and their coda of holy silence,
would let me withdraw.
(god I can see my library card still).  

By Friday night,
I had finished one or two,
ruining my eyes in
the lousy lamp light
in the living room,
falling asleep on the couch.  

this, reading addiction,
which afflicted the entire family,
I did well into my teens.

I have stopped reading
which amazes the very few
who know and care.

do let us re-pose,
let us repose,
the question:

Shouldn't we all be studying?

the answer of course is
yes and no.

my studying blue period
is long since ended.
now, my biographer,
will call this my red period.

for red are the memories that my remembrances
come back to me.
crystal is the clarity
of the indignities
I recall, though red,
is the anger
at the shame and
abuse I took.

now I can write what I have always held in my heart.  

those two awful brothers,
who loved to torture me,
I was glad their
wonderful brother died.

so this is my red writing period,
when the studying of a kind,
has long since ended
but the smell,
the memory of
fresh textbooks still can
make me nauseous.

Yet, I still study life around me,
as I clean countertops,
walk deserted beach isles
in early September...
this studying,
is the product of years
of studying the inside out
of me, and turning that study
fruitful into poetry.

why?
why am I writing this at 2:00 am on a Sunday morning?

I did not pose the question.

but it posed me,
and the dialogue in my mind came
sugarcane fresh and tumbling out
and will be both
recorded and recoded
("in the truth will out eventually" file)
after a fashion.

these days I sometimes study
my older poems,
whose titles I recognize,
but whose content
I cannot recall.  

so double digit delight
when I
meet again old words,
wondrous and trite,
that make believe
that all my studying
somehow paid off after all.

By: Cedric McClester

Despite some misconceptions
And attacks
Endure for centuries
By us blacks
Let me lay down
Some unknown facts
How ‘bout we start with
Henrietta Lacks

For most of us
After our death
Other than memories
What else is left?
For our survivors
The bereft
Yet her cells live on
It’s a matter of theft

From Henrietta’s
Cancerous cells
A bold idea
Suddenly jells
Spawning cures for cancer
As her biographer tells
And in vitro fertilization
Other things as well

Science took complete advantage
Of her cells
Which they still manage
Though she died of cervical cancer
Her cells provided them
With the answer
To scientific mystery
Check out her cells history











Cedric McClester, Copyright © 2017.  All rights reserved.

Embedded in Afghanistan
were the General and the Blonde.
It gets lonely in those mountains
and she was close and warm.
She was his biographer
and he her primal source-
When he offered her "full access"
Her reaction was "of Course".

Their spouses both were far away
in another land and clime
Why not steal a kiss or two
is it really such a crime?

For this betrayal of our trust
Petraeus now must pay.
He placed his privates in command
and now he rues the day.

blind from birth, she
could tell the difference
between the odor of chrysanthemums and tulips,
and remember her first whiff of both

she could identify
the scent of her brother
in a groping group
of sweaty brutes

she knew
her nose was her biographer
collecting memories, visions
her eyes could not

she studied biology
only to discover her compendium
of smells originated in a space infinitely
smaller than a fly's eye

a few molecules
devoted to identifying ham,
the rich smokey meat
of her first Easter

another clump to help her hold
the faint smell of perfume which lingered
in the room hours after
her mother passed

and who knew what atoms,
what cells, what curse of chemistry
forced her to recall, most of all, the sweet scent
of her newborn's hair,

the few seconds she held him,
after his heart stopped, and they took him
and placed him in a smooth, cold box, where sight,
sound and smell were locked forever

The novelist shows people that do not exist
in situations that never happened.

The memoirist shows actual people
in situations that never happened.

The biographer shows people that do not exist
in actual situations.

The poet shows every person that has ever existed
in situations that should have happened.

The playwright shows people that should have existed
in every situation that has ever happened.

The journalist rather makes one prefer fiction.

someday I will live on a water,
it will love me
I will spend my days discovering it’s mysteries
spinning them into fantastic tales,
cinematic grays of storm,
kaleidoscope colors of dragonfly spring

I will live in the cocoon of its beauty,
in the folding space of beings from every world
I will story the breath of pirouettes,
the creation waves of slumber
finding uncommon lives
woven through fertile riparian fabrics  

the water will know me as no human could
it will absorb me into it’s rhythm
I will disappear from causation
cherished and protected the remainder of my days
I, devoted witness and biographer to a landscape

Abater, wherein art thou?
Hung in hopeless romantic gallow's?
Stuck in a cloud?

Abdicate this volition repudiate
The time is now;
For the pearlied gate's.

Proliferation'***** mine glut
None staying behind;
No if's, and's, or what's.

Grandiose word's from other's, to much saidst
Guile liar's;
Of unholiness.

Fidelity gone unseen
Lost in the finesse of foment dream's;
Daunting foresight, dearth belief
Snakes with teeth, to slither thine audacity!!!

Abstinent, they locketh their beak's
Their two people by nature, masked freaks;
Giveth thee evidence, of non-concrete
They shuffleth their feet, for defaming fun.

Biographer's, of their own self
Don't careth, for noone else;
Trap us in a wanting hell, wherein croon's art pain, pain is swell..

We fall
We fell

In their devour....... .



©Brandon nagley
©Lonesome poet's poetry

oh! woe is me and woe is thee,

this noble, royal but blighted line,
this now benighted House of York,
its reign hath ended,
its famous, familiar format felled by an
enhancing, advancing Tudor technology blade,
and now lays bloodied in Bosworth Field,
both Richard III and
his Boswell biographer,
Sir Eliot of York,
no more,
unto history's flocculent dust of bones and
lost manuscripts
now forever
consigned

the lathe of mocking shouts of
"Long Live the King,"
cut the fingertips still searching too many
pull down menus,
all penned in a modern
faint hearted font

these guides,
some above and some below,
their exact location discoverable
only by the pain of new childbirth,
not worthy Maestro,
of the indignity
of trial and error

'pon my soul, these menus,
alas, give no guidance intuitive on
how to save this, my newest folio,
in the lady-in-waiting status of
draft

history is a usurping, scheming Mother Queen,
seeking power advantageous for her own issue,
but new bloodlines gain ascendancy inevitable,
but this focal turning point,
came upon us yeoman folk unannounced,
like a medieval black plague slaughtering
our poetic composure -
why were we not consulted?

hath England not taught us plainer folks,
the singular lesson of tradition,
the value immense of retaining
what has gone before,
that all hallowed must be kept,
and some changes
turned aside,
another cheek of change,
must be refused!
  
'tis no accident of fate
that the Crown Jewels
in the Tower
do reside,
the selfsame place many other
Kings and Queens
were Tudor dispatched to meet a ****** end

the smiling, soothing sayers
gentle the troubled masses,
with whimsy and whimpers of
"this too shall pass,"
and promises that the contempt of familiarity,
shall soon enroll and enfold
all untended and now untenured objections

but my memories yet mourn the loss of
simpler times and a simple place that welcomed an Ameddican
back in nought '13, and where he has placed his trust
in its servers and its Yorkshire servant to keep his
thousand plus poems pillowed safe

so no more changes,
by your leave,
do not forget the no longer mighty Tudors,
were themselves felled by times childless ravages,
no more emendations,
if you please,
lest these hoary hairs mine yet turn,
a whiter shade of pale

surely undesired,
yet one more revolution
from these formerly
English shores to come arising,
haunting thine
venerated palaces of poetry!

Abater where art thou?
Hung in gallows?
Stuck on cloud?

Abdicate this volition repudiate
The time is now
For the pearlied gate's,
Profliations hit mine glut
No staying behind
If, and's or what's......

Grandiose word's from others, to much said
Guile betrayer's
Of unholiness!!!!!!

Fidelity gone unseen
Lost in finesse of torment dreams
Daunting foresight, dearth belief's
Snakes with teeth, to slither thine audacity!!!!!

Abstinent they locketh their beak's
Two people in their bipolar nature, masked freaks,
Giveth thee evidence of non-concrete
They shuffle their feet for defaming fun!!!!

Biographer's of their own self
Don't care for noone else,
Trap us in a limbo hell
Wherein croon's art pains, pain is swell

We fall
We fell........

In their devour!!!!!!!

Someday when I leave this earth
They'll need some details from my birth
Who is a better biographer than me
To let all know of my family tree.
Just to get the story straight
I think I need to participate.
No one would ever know
Of fears I had so long ago
How as a child of four
I questioned my Mother from door to door.
Thought I was adopted
but when I learned to read
I found the truth
A birth certificate
Showing that I was
the Baby girl of my parents
Frank and Eunice
Or at least I appeared to be
I needed documentation
Even then
What was I thinking?
My poor Mother sometimes
Covered her ears
I asked so many questions
Had so many fears
School was not fun when I began
I was so nervous I could barely walk in.
The principal looked like a witch
No kidding
What kind of place was this?

.the butcher's fill... perhaps some bukowski fluke... everyone is aiming at the latter... here... the butcher's fill... maybe more extreme: the slaughterhouse obelisk - a tangling spectrum of arthritis and gorging gluttony eyes... what of the revised: revisited... re-strained... re- re-... constipations in a bewildering transit... when standing still.

well...
there's not much room for anything
between listening to poetry
episodes from the 20th
century -
poets reclining... not exasperated:
rather lazy... tender...
almost exhausted...
not the sort of current
poetry such that words are
****... exasperated...
slamming bonkers...
   and... a snooker classic...
   o'sullivan vs. williams
               or vs. selby...
poetry, snooker...
                bbc radio 3...
- but why do all the best
    ones commit suicide...
but never this poetry too tender
or twiced forced -
          always this... lazily-be-told...
    a nugget of raw
beef... or tuna...
          what can be found
in an edible tongue?
except...
   to eat a cow's:
  the onomatopoeia
moo... a dog's the bark...
i... can't imagine... should i eat anything
beside my own secrecy and filth...
all this the near impossible:
if only i were born
with this tongue
rather than having acquired
it, learned it...
all this and no more -
        breaking the realities
of a grammar and some
vagary in -esque:
   never truly bothersome as to...
           heave exaltations
into the theatre of a self-invested
death: a willingness above
god's to...
              employ a biographer
and all else posthumously...
again: such a mediocre crux
of having invested
and not dare beyond it...
   listening to some poetry readings
from the 20th century,
a game of snooker...
and waking up listening
to bbc radio 3: because of a lack
of adverts...
    such platitudes...
such plain-basic...
           to be a lawyer armed
with only a thesaurus...
to make crisp the onslaught
of nuance...
pencil-sharpenings...
             - because i must make
do with a pragmatism
that's secured with chemical feuds...
like some:
not "rambo":
   the gangrene flake green...
a thing one did for the sacrifice
on the altar of youthful whims
and all prior:
that i need to shed "ambitions"...
rimbaud: i.e. rimbow...
     since where is the R
in goethe? in... gur-ter?
      to hell with the greek theta!
we'll say it for club exclusive!
          *******: gur-ter (goethe)
              "rambo" (rimbaud...
                             rim-bau -
                                sacred bleau)...
dear god... it must be a johnny
on film...
              and this one word
in the mother tongue...
       that it has to resound
in über-saxon... übersächsisch
    on a return...
     auf ein rückkehr...
               this one word though: rain...
deszcz...
         and borrow cyrillic:
                      дещ      (дождь)...
in that the barbarian speaks clearly...
of the sounds: no nuance...
as you would...
in that RAIN and REIGN
sound the same...
but...                        aren't...
         r-ai-n
                  r-eig-n
        even if you'd want to stress
that g-surd as much as you'd want...
you will not...
    where are there too many consonants
when one orthography
becomes another: deszcz becomes
                         дещ... "too many"
consonants...
oh yes the simple come:
waiting for being translated...
otherwise... these lines
of overt-complications...
found among translations...
   or strict details in a rubric: 1 + 1 = 2...
in translation
   in crossword puzzles...
               i sometimes wish this was
organic enough...
        that it could... wait for a translator...
that joyce's finnegans wake
was ever translated...
    point of concession (a)...
    that it's somehow spectacular...
without diacritical dictates
                             equivalent to √a ≈ ą
point of concession (b)...
                it's not that you couldn't
translate finnegans wake...
          but... why wouldn't
you learn english and...
   fall into the same put of despair
as delmore schwartz did...
  trying to find the book a larger
audience?

Des champs de caramel dans vos yeux
la vapeur de la beauté tout autour de vous.
Le foulard de nuit vous enveloppe,
les manches du jour sur le sol.
Ville froide, ville chaude
ville du cœur
vous êtes un citoyen universel.
Je suis votre cartographe,
votre biographe,
votre poète de nuit.
Je présente votre chanson au piano.
Femme caramel
quand ton cœur s’ouvre
c’est moi qui suis là
avec une bouteille de vin
et un cierge.


"Caramel fields in your eyes
the steam of beauty all around you.
The night scarf envelops you,
the sleeves of the day on the ground.
Cold city, hot city
city of the heart
you are a universal citizen.
I am your cartographer,
your biographer,
your poet of the night.
I present your song to the piano.
Caramel woman
when your heart opens
it's me who stands
with a bottle of wine
& a candle."

I am auto
mathematically
my own biographer
reading journals endlessly
old love letters not burned yet
interviewed all the survivors
Parsed the ones from the remainders
the lies from the strangers
how they had dinner with you
and both your ******
waited outside hearing the
fists and words fly
said they were about to call 911
but thought better
took the dividends and squared them
with being
exponential
logged all the debits against credits
balanced the sheet wrote notes to me the CEO
and protested in the streets
with bold lettered signs
saying
how my corporeal corporation
is somehow female repressive
equal rights for all
and such representations
just all mango mentally managed by
my tangled self-analyzations
it gets complex trying to footnote
all the references
as I try not to plagiarize myself
knowing I copyright
my *******
before flushing it down

if i were to write any autobiography
i'd like,
   i'd write the one,
that begins with a biographer that knew
no first person sources,
including mine...
              but i'd also like to learn
a mourning of some sort, that didn't
have to be expected of me,
cheap like a tattoo...
                  it would be nice to not have
blamed for certain things;
namely?
the more apparent my dead twin
becomes, through
what's called a proverb:
lies have short legs...
                up to and including turning 30,
and still the ******* taboo!!!!!!!!!!!!
      talk now is impossible among the slavs,
just, gestures...
        postulates or
hierarchal studies that 200+ years from
now will not allow:
why?!
          if labour jobs will be gone,
who says these people have soul /
any impeding argument worth hearing,
let alone a soul?
   automate them!
           spew the same old load of *******...
can you imagine,
i beat the a.i. plagiarism bot
in a sociology example,
by using thesaurus better than the
programmers could have envisioned?
i had the human capacity to use
a thesaurus with more ingenuity...
   too bad for the programmers...
no good for me...
in my 2nd year, you could live
a good lot for 30 quid a week....
             oh i still have a 10+K
        debt...
  but the rule is:
you only start paying it back
once you earn 15+K a year...
                    no offer... no dividends...
or as i like to call it:
can you, really, really, really, doubly
really: complicate confiscating meaning
with the simple artefact of making
a coin flip?

I wonder what a biographer
   would think of my ending
      even though it hasn’t
           happened yet.

If I were to write it myself
     I would change the
contemplated conclusion.

     For the moment it is
    purely fictional with a
few different permutations.

   No one ever composed
     a suicide note while
      sitting on the fence,
                    or
               pending
                 with
                    a

            ­      P.S.