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"benches" poems
during my worst times on the park benches in the jails or living with ****** I always had this certain contentment- I wouldn't call it happiness- it was more of an inner balance that settled for whatever was occuring and it helped in the factories and when relationships went wrong with the girls. it helped through the wars and the hangovers the backalley fights the hospitals. to awaken in a cheap room in a strange city and pull up the shade- this was the craziest kind of contentment and to walk across the floor to an old dresser with a cracked mirror- see myself, ugly, grinning at it all. what matters most is how well you walk through the fire.
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141.9k
How Is Your Heart?
there’s a barnacle scar deeply ingrained on the basalt stack at mark thirty two whispering summer winds scented oil cotton and roe drift as waves brush and shape the sandstone shore the briny air and lost erratic set a tone to this pollyanna portrait it's andrews undulations and gifted benches its concessions and traces of the barry burn its sculpted driftwood and sanko lines make this picture almost perfect children play as venom spews from the caterwaul pair those odd looking mates casting smiles with arrested despair settling shots swiping bugs dipping and darting as photo men and muscles and long neck seabirds make their turn the hunched hoody and his sorted sidekick get their fill (of moss and rubble ~ chubby and kelp) nice to meet your acquaintance the pho man would say an odd drop and ironic turn from those horrific corners of timeless desperation down by cannon bridge harbor seals and carriage horse are fronted by raven shade jolly tides pause in quiet bays (with curious looters and *** pickers) sand merchants and field totems all streamed by the light cirrus strands blanket the outer edge hovering craft and shimmering willows bolt the evening frame blood orange and tethered with a filtered glare bottle-nose dolphins and seabirds (and shifting tides) are all settling in for the long night stay
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Mar 9, 2017
Mar 9, 2017 at 11:21 PM UTC
Stanley Park
We wear this city on our feet Planting our roots with each step Our shadows cast shapes of ancient oak trees stretching out over old squares at daybreak We grow here with the spirit of buildings past, present and rising like a staircase to heaven in the distance, the plumes of white smoke from their rooftops as burnt offerings for incense, spires for steeples, the bundled masses of people moving beneath as the calloused soles of our feet pounding the pavement, Our congregation seated in reverant silence on the R-Line hissing to a stop Their hushed prayers filing out from within to bring the reclaimed sidewalks of Fayetville Street back to life to join this pilgramage They march downtown toward Capitol holding signs for disarmament They bar-hop through Glenwood toasting to deliverance They move in a blur of faces that become us, Rush at all hours through our veins Cross our hearts and keep us breathing, Moving wearing the city on our minds like the greyest pieces of their winter sky and the way it caps the peaks of Mount PNC, BB&T and Wells Fargo like hoodies over our heads We assume monk-like appearances in robes color-coded by season- from blue collar sweaters to cold hard sweat We'll wear their city until we're worn out and wet, We'll wear their dreams at night like streetlamps flickering on beneath wired telephone poles carrying conversations about each one as far south as Florida, fears unspoken, made visible on iron park benches too cold to sit on at this hour We'll keep walking and wear this city like backpacks over our shoulders under the watch of their heavens, the skyline a glowing testament of every step taken toward someplace higher.
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Apr 9, 2018
Apr 9, 2018 at 7:27 PM UTC
Becoming Raleigh
We wear this city on our feet Planting our roots with each step Our shadows cast shapes of ancient oak trees stretching out over old squares at daybreak We grow here with the spirit of buildings past, present and rising like a staircase to heaven in the distance, the plumes of white smoke from their rooftops as burnt offerings for incense, spires for steeples, the bundled masses of people moving beneath as the calloused soles of our feet pounding the pavement, Our congregation seated in reverant silence on the R-Line hissing to a stop Their hushed prayers filing out from within to bring the reclaimed sidewalks of Fayetville Street back to life to join this pilgramage They march downtown toward Capitol holding signs for disarmament They bar-hop through Glenwood toasting to deliverance They move in a blur of faces that become us, Rush at all hours through our veins Cross our hearts and keep us breathing, Moving wearing the city on our minds like the greyest pieces of their winter sky and the way it caps the peaks of Mount PNC, BB&T and Wells Fargo like hoodies over our heads We assume monk-like appearances in robes color-coded by season- from blue collar sweaters to cold hard sweat We'll wear their city until we're worn out and wet, We'll wear their dreams at night like streetlamps flickering on beneath wired telephone poles carrying conversations about each one as far south as Florida, fears unspoken, made visible on iron park benches too cold to sit on at this hour We'll keep walking and wear this city like backpacks over our shoulders under the watch of their heavens, the skyline a glowing testament of every step taken toward someplace higher.
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37
The fateful universe has chosen With a six billion year explosion With a bond that is this unbreakable Synchronicity is quite unmistakable We are Brothers, not by choice, luck, or the same seed Different mothers, But souls undeniably the same breed If there comes a time for war we"ll be joined together in the trenches No matter what the game score We"ll play, while they ride the benches When it comes to the sacred brotherhood Please, let this one thing be understood No matter where you are, or whether you"re blessed with children or a wife Your brother"s never too far, and just know you"re my dog beyond this life
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Aug 11, 2014
Aug 11, 2014 at 12:49 AM UTC
Brotherhood
I come from New Orleans where the swingers hook up with the singers, and the boxes have a person inside who speak to you through a thick horizontal slot in the door. You come from Minnesota where the most aggressive sentence is “Hi, how are you” and you’ve attended church every Sunday of your life, even though you don’t really believe in god. We came to the West to skate with the surfer junkies. But then the harbors got bombed and we moved out East to see the hipsters and the artists beggin on the streets. We went to the South with the racists and bigots were dying for a good show. We moved up North to escape from the 70s, and with the 80s on the rise we figured we’d best stay away. The 70s were rockin’ with **** and LSD in parks and concerts, and on benches on the streets. The smoke in the air was everywhere, from the slums in Wisconsin to the cities of Dallas. Even the poor were lost in the haze. When the 80s arrived with Rock ‘n’ Roll and techno beats from windowsills upstairs. The music was groovin’ and the ladies were fine. We saw billboards of our names in neon orange lights. The *** was replaced by coke, and the LSD with ****** singing and swinging with delight in our eyes. When the AIDS broke out we were sick in our beds listening to Pink Floyd and Elton John, and still we were singing. The 70s got us high while the 80s made us die We lived through wars in Vietnam, and Korea; we fought back the communists with red ink on our hands. We broke down the door into China and got them to arrive in the present and join the world. Although their chairman sits on a chair of lies he leads them with an angry fist in the air pumping “three cheers for Mao”. “Three cheers for Mao”. When the Soviets launched themselves to the moon we responded with our money and flashed our shiny new machinery in their faces. We marked our territory and claimed triumphantly that “We’re the best”. And we launched our war nukes and pinned them into intimidation. Then the Cubans sought revenge for the death of the Pigs on their Bay. With rifles in hand we stormed the beach and unearthed Castro and his regime. With our beds soaked in blood, and our dreams covered with fog, hand in hand we lay. We recalled the dances in the backs of old Cafes where the passwords were as simple as three quick knocks and two slow ones. We remembered the guns that pierced the heavenly chorus for the negros in the south. And we thought about the music of the 70s and the death in the 80s and I thought about you for a minute more.
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Sep 18, 2012
Sep 18, 2012 at 4:29 PM UTC
Untitled
I come from New Orleans where the swingers hook up with the singers, and the boxes have a person inside who speak to you through a thick horizontal slot in the door. You come from Minnesota where the most aggressive sentence is “Hi, how are you” and you’ve attended church every Sunday of your life, even though you don’t really believe in god. We came to the West to skate with the surfer junkies. But then the harbors got bombed and we moved out East to see the hipsters and the artists beggin on the streets. We went to the South with the racists and bigots were dying for a good show. We moved up North to escape from the 70s, and with the 80s on the rise we figured we’d best stay away. The 70s were rockin’ with **** and LSD in parks and concerts, and on benches on the streets. The smoke in the air was everywhere, from the slums in Wisconsin to the cities of Dallas. Even the poor were lost in the haze. When the 80s arrived with Rock ‘n’ Roll and techno beats from windowsills upstairs. The music was groovin’ and the ladies were fine. We saw billboards of our names in neon orange lights. The *** was replaced by coke, and the LSD with ****** singing and swinging with delight in our eyes. When the AIDS broke out we were sick in our beds listening to Pink Floyd and Elton John, and still we were singing. The 70s got us high while the 80s made us die We lived through wars in Vietnam, and Korea; we fought back the communists with red ink on our hands. We broke down the door into China and got them to arrive in the present and join the world. Although their chairman sits on a chair of lies he leads them with an angry fist in the air pumping “three cheers for Mao”. “Three cheers for Mao”. When the Soviets launched themselves to the moon we responded with our money and flashed our shiny new machinery in their faces. We marked our territory and claimed triumphantly that “We’re the best”. And we launched our war nukes and pinned them into intimidation. Then the Cubans sought revenge for the death of the Pigs on their Bay. With rifles in hand we stormed the beach and unearthed Castro and his regime. With our beds soaked in blood, and our dreams covered with fog, hand in hand we lay. We recalled the dances in the backs of old Cafes where the passwords were as simple as three quick knocks and two slow ones. We remembered the guns that pierced the heavenly chorus for the negros in the south. And we thought about the music of the 70s and the death in the 80s and I thought about you for a minute more.
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8
I sit here on the 2nd floor hunched over in yellow pajamas still pretending to be a writer. some ****** gall, at 71, my brain cells eaten away by life. rows of books behind me, I scratch my thinning hair and search for the word. for decades now I have infuriated the ladies, the critics, the university suck-toads. they all will soon have their time to celebrate. "terribly overrated..." "gross..." "an aberration..." my hands sink into the keyboard of my Macintosh, it's the same old con that scraped me off the streets and park benches, the same simple line I learned in those cheap rooms, I can't let go, sitting here on this 2nd floor hunched over in yellow pajamas still pretending to be a writer. the gods smile down, the gods smile down, the gods smile down. Black Sparrow "New Year's Greeting" 1992
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8.6k
Now
My bones became the benches for the feeble. A sparrow’s flight could Take me off my numbness. At least my bones are not That brittle.
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Nov 14, 2014
Nov 14, 2014 at 11:42 PM UTC
Benches
“What do you think The bravest drink Under the sky?” “Strong beer,” said I. “There’s a place for everything, Everything, anything, There’s a place for everything Where it ought to be: For a chicken, the hen’s wing; For poison, the bee’s sting; For almond-blossom, Spring; A beerhouse for me.” “There’s a prize for every one Every one, any one, There’s a prize for every one, Whoever he may be: Crags for the mountaineer, Flags for the Fusilier, For English poets, beer! Strong beer for me!” “Tell us, now, how and when We may find the bravest men?” “A sure test, an easy test: Those that drink beer are the best, Brown beer strongly brewed, English drink and English food.” Oh, never choose as Gideon chose By the cold well, but rather those Who look on beer when it is brown, Smack their lips and gulp it down. Leave the lads who tamely drink With Gideon by the water brink, But search the benches of the Plough, The Tun, the Sun, the Spotted Cow, For jolly rascal lads who pray, Pewter in hand, at close of day, “Teach me to live that I may fear The grave as little as my beer.”
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8k
Strong Beer
I entered a church Or perhaps it was a cathedral? But it does not really matter, Because its all the same to me. I am not particularly religious, But I believe in a God, and a Devil, And Souls. I like the stories, And the smell of church candles and incense and hope and guilt mixed together With the tantalising intoxicating feeling Of having all your sins spilling out of your throat and every Single part of you. All is seen. So looking at saints and windows and benches And the colours that filter through and leap and dance I sobbed. Because I am scared And because I have sinned And because every moment I am thinking Do I want what I have been given Or am I ready to leave everything behind In the search for divinity.
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May 13, 2014
May 13, 2014 at 2:19 PM UTC
Church
often, i picture us holding hands and watching movies sitting on benches beneath old oak trees hearing your laugh throughout the day and catching you smile when you think i don't see and all i can do is hope that when you close your eyes your mind is filled with thoughts of me
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May 11, 2013
May 11, 2013 at 2:33 AM UTC
we
the benches i always sit at are as cold as ice. their metal structures scream at me to get off of them… to leave them be and let them rust in silence and in solitude. and i oblige to the request
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Jul 15, 2012
Jul 15, 2012 at 7:20 PM UTC
Bench
Drummed their boots on the camion floor, Hob-nailed boots on the camion floor. Sergeants stiff, Corporals sore. Lieutenant thought of a Mestre ***** — Warm and soft and sleepy ***** Cozy, warm and lovely ***** ****** cold, bitter, rotten ride, Winding road up the Grappa side. Arditi on benches stiff and cold, Pride of their country stiff and cold, Bristly faces, ***** hides — Infantry marches, Arditi rides. Grey, cold, bitter, sullen ride — To splintered pines on the Grappa side At Asalone, where the truck-load died.
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4.2k
Riparto D'Assalto
Maybe people did not realize what they had done. The ****** of the people and their hope. Africans are no different, so why were they treated as such? It's better now! Tables with no signs that say, "White Only." Benches for everyone to use. One drinking fountain instead of two: One on each side of the building. One in the same! And college, striving for a better future Is an option. Now, was that so hard?
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Jun 10, 2014
Jun 10, 2014 at 10:34 PM UTC
Free at Long Last
Beast surfacing, the geyser blows sea-spume that sudden, broaching, slows to blue, then falls, no prim fountain or ticking clock, Leviathan counting decades at formal intervals. On benches over rising thermals that reach to roast us, faithful, waiting, we cheer the act of hesitation before the final curtain -- though, see, the trick's just heat, just gravity. Almost enough, I hear you say -- this tidal flame, this awe-filled day, as mists dissolve and quick steam clears and cools and sinks, for years, years.
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Oct 24, 2012
Oct 24, 2012 at 3:58 PM UTC
Yellowstone, 1985
Pieces of our past. Wondering how we will Patchwork them back together, in the days of the weeks, the months of the years ahead... as you disguise yourself, on benches, in corners, alleys. Hidden in woods, underpasses of freeways. Tents, cars of strangers. Filthy trap houses. You disappear, to find comfort in the only place left to heal. The Deep Depths of Sleep. Oh how I worry about you my love. You suffer so for this journey   you have embarked on... Oh, how I hurt for you, yearn for you, love for you and cry for you. Your pain so deep keeps you away, to dwell in the terrifying place that encourages the need to Self implode.. Obliterate all ability to feel. Even the true sense of Belonging Of being unconditionally loved.
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Aug 5, 2019
Aug 5, 2019 at 2:04 AM UTC
I Save...
Walking along the narrow track, parents shepherding ice cream kids, making way for pushchairs, making waves. The lakeside watch on ducks and swans. The nodding smiles and genteel grins, like a 50's Sunday promenade, while walking sticks wait by benches dreams die when mobiles chime.
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Sep 7, 2015
Sep 7, 2015 at 5:41 AM UTC
The Path to Dunham Massey
I’m walking up hilltop, two men pass, one says, 'Fuck the French, they never have the bottle for a fight’. To have got here they passed the old Cathedral. Did they glimpse it as a relic - exploded by incendiary, ostracised in dubiety, seen fit to feature only in the focus and snap of foreign tourists? It is two days before Ramadan. Tonight Tornados will tear between the Euphrates and Tigris to illuminate Babylon... live on CNN. At the top of the hill I pause, staring at stained glass fragments still suspended in the apex of frames and view snacking office workers, seated upon the benches that have replaced the pews.
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Mar 31, 2010
Mar 31, 2010 at 12:30 PM UTC
Coventry Cathedral
Painted walls Colored windows Wood benches A man on a podium Talking right and wrong The boy with the piercings and tattoos Front row Kneeling hands folded head down The collection gets passed around Judgement being passed around About this boy with the piercings A lost soul looking for a home Trying to forgive and forget. Trying to repent and receive forgiveness. "Go in peace" People start leaving Talking to each other Giving thanks The boy with the piercings remains Head down, hands folded, front row. Giving another prayer up A prayer of acceptance with these people He's just another lost soul like the rest Trying to find his home Amen
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Aug 27, 2015
Aug 27, 2015 at 4:51 PM UTC
The Boy with the piercings
pigeons are so unappreciated being the rats of the sky they overpopulate the park benches waiting for a crumb food supply yet if you look at the bigger picture isnt our species just the same over populating social networks waiting for a supply of attention or fame and i use the word 'species' quite lightly is human even an appropriate label because most of us are so inhumane compared to pigeons we are the unstable pigeons just want food to live humans live to want more yet we are the ones shoo-ing them away when they are the ones who deserve to be adored i mean yeah they seem to be everywhere but take a minute to look around we are the ones causing the destruction stuck on this filthy ground they deserve this earth and so do you and i so next time you call any creature filthy remember you are stuck on the ground as they are in the sky
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Apr 15, 2015
Apr 15, 2015 at 12:45 AM UTC
pigeons
The vivid grass with visible delight Springing triumphant from the pregnant earth, The butterflies, and sparrows in brief flight Chirping and dancing for the season's birth, The dandelions and rare daffodils That touch the deep-stirred heart with hands of gold, The thrushes sending forth their joyous trills,-- Not these, not these did I at first behold! But seated on the benches daubed with green, The castaways of life, a few asleep, Some withered women desolate and mean, And over all, life's shadows dark and deep. Moaning I turned away, for misery I have the strength to bear but not to see.
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3.1k
The Castaways
The forgotten umbrella Fretted Did he get wet? Cry because it was missing? Would his mother have given him a beating? Benches and desks Are cozing The board still retains The day’s remnants Night came, The umbrella was in tears Rain rain Umbrella umbrella Said the rain outside Only the umbrella heard His voice was raining over the shower “my darling umbrella” Crying itself to sleep, Headmaster’s room Came in a dream Question papers, canes Maps, globe, skeleton, Chalk power, Fat lady teachers, Farts and baloney Startled itself awake No, it is not light yet Through the darkness Nothing other than his embroidered name Still you forgot me! Other umbrellas came And sat on either sides Didn’t you get wet yesterday? Didn’t you go home? How can it be said that he forgot me? There he is! Umbrella closed its eyes Let him come running Give a hundred kisses He didn’t come even after the bell rang On opening the eyes, saw His new darling umbrella Hasn’t put it down..
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Jan 27, 2014
Jan 27, 2014 at 8:13 AM UTC
Havent put it down
There are metallic, life-like statues of human figures scattered through my city, often on park benches. You must look twice the first time you spot them, and sometimes, each time, as they are so nat-ural, that they fool the retina image of man. The traffic light, red to green, yet my limbs, froze fruit solid, release catch stuck, unflippable, somehow plastic freezes, mobility skills rusted by December's hampering cheeky cheeks, a seasonal reddish copper discoloration of the extremities, a harmony of no sensation A comet stuck in pedestrian neutral, collided/jostled by starry eyed Fifth Avenue street walkers and tourists. my presence sensed, touched, yet avoided, unnoticed, like streetlight, lamppost, mailbox, I am, a body, at rest, unseen but on display in the art gallery of Manhattan's Lost and Found In the section of the paper where the unimportant local news is sliced n' diced into single paragraphs, of human interest, tidbits, amuse bouche, items of major minor interest, The New York Times reported the discovery of an unauthorized lifelike bronze n' copper sculpture. eyes of polished nickel, heart of stained steel, rendition of a man so lifelike y'all do a triple take, smile, take a cell photo, phone a friend his embodiment can be found on the rounded corner of Columbus Circle, @59th St., where you enter Central Park. upon a bench, man clutching Sunday newspapers, a pair of scissors, coupons cut, scattered at his feet. a homely but comely, ****** expression, one of bewilderment. A tiny plaque on a brass plate, at his feet, hints of his progenitor and human origins. Artist: Unknown, Materials: Organic Metals Title: A Living Finish
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Nov 18, 2013
Nov 18, 2013 at 5:38 PM UTC
A Living Finish (Sunday's newspapers come on Saturday - Part II)
There are metallic, life-like statues of human figures scattered through my city, often on park benches. You must look twice the first time you spot them, and sometimes, each time, as they are so nat-ural, that they fool the retina image of man. The traffic light, red to green, yet my limbs, froze fruit solid, release catch stuck, unflippable, somehow plastic freezes, mobility skills rusted by December's hampering cheeky cheeks, a seasonal reddish copper discoloration of the extremities, a harmony of no sensation A comet stuck in pedestrian neutral, collided/jostled by starry eyed Fifth Avenue street walkers and tourists. my presence sensed, touched, yet avoided, unnoticed, like streetlight, lamppost, mailbox, I am, a body, at rest, unseen but on display in the art gallery of Manhattan's Lost and Found In the section of the paper where the unimportant local news is sliced n' diced into single paragraphs, of human interest, tidbits, amuse bouche, items of major minor interest, The New York Times reported the discovery of an unauthorized lifelike bronze n' copper sculpture. eyes of polished nickel, heart of stained steel, rendition of a man so lifelike y'all do a triple take, smile, take a cell photo, phone a friend his embodiment can be found on the rounded corner of Columbus Circle, @59th St., where you enter Central Park. upon a bench, man clutching Sunday newspapers, a pair of scissors, coupons cut, scattered at his feet. a homely but comely, ****** expression, one of bewilderment. A tiny plaque on a brass plate, at his feet, hints of his progenitor and human origins. Artist: Unknown, Materials: Organic Metals Title: A Living Finish
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69
Among trees i rest and wander through scriptures of olde pouring over ancient words of grace and peace of love and compassion where can this be found outside my leather bound at a green picnic bench i read and marvel at the words of Peter and Paul two thousand years removed in my semi-secluded sanctuary just off the bike path among trees i rest and wander through the works of Ezra Pound language beautifully poetic but nothing is found to my liking except of course a line or two scattered with no anchor that is how my mind rolls you see gathering bits of inspiration followed by digestion which gives birth to a renewing of my mind and soul refreshing as i ride my bicycle down the path of enlightenment aided by the words of poets, prophets, and priests culminating in fervent meditation among trees i rest and wander
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Aug 9, 2012
Aug 9, 2012 at 3:22 PM UTC
Bike Path Enlightenment [and green picnic benches]
You carry your life on your shoulders; a swing in a park in a city, with a lonely, shadowy, ghost of you sitting so delicately. As people pass you, they stop and look, and words come to their minds such as "passion" and "sorrow," "broken benches," "spilled dreams" and they couldn't even tell you why. You wear your heart safety-pinned to your sleeve; a grave declaration that you are not your own person. Someone has marked you, taken something without asking; this you show everyone, not meaning to, in hopes of finding a semblance of relatability. Was it normal, what happened to you? Is this a dark fog everyone lives in? You hope not. You have an everpresent effervescence of the wrong kind. It's a nervous habit, a shuffling of the feet and a glance to the sky. It's the reincarnation of life before that day, with the tender rips of who you are now. One can only paint over paint so much; mix the colors, they will all become grey. You've a vague sense of relief when you look around and see no one. It's a talisman, a testimony to your independence, and your dependence on lots of human-free air. It's the writing on your arm, words you shan't forget, words like delicate innocence shame tragedy naivete melody sorrow blame identity apology and the biggest, boldest of all heartbeat. It's a short cry from here to insanity and you remind yourself that your heart beats in pride, in admonition to the evil. "I am alive. You couldn't **** me. You won't **** me. I have a heartbeat." I have a heartbeat. I have a heartbeat. I have a heartbeat. And the little girl on the swing smiles to the sky, a premonition of her future, a confirmation of her strength.
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Mar 21, 2013
Mar 21, 2013 at 10:45 PM UTC
I have a heartbeat.
You carry your life on your shoulders; a swing in a park in a city, with a lonely, shadowy, ghost of you sitting so delicately. As people pass you, they stop and look, and words come to their minds such as "passion" and "sorrow," "broken benches," "spilled dreams" and they couldn't even tell you why. You wear your heart safety-pinned to your sleeve; a grave declaration that you are not your own person. Someone has marked you, taken something without asking; this you show everyone, not meaning to, in hopes of finding a semblance of relatability. Was it normal, what happened to you? Is this a dark fog everyone lives in? You hope not. You have an everpresent effervescence of the wrong kind. It's a nervous habit, a shuffling of the feet and a glance to the sky. It's the reincarnation of life before that day, with the tender rips of who you are now. One can only paint over paint so much; mix the colors, they will all become grey. You've a vague sense of relief when you look around and see no one. It's a talisman, a testimony to your independence, and your dependence on lots of human-free air. It's the writing on your arm, words you shan't forget, words like delicate innocence shame tragedy naivete melody sorrow blame identity apology and the biggest, boldest of all heartbeat. It's a short cry from here to insanity and you remind yourself that your heart beats in pride, in admonition to the evil. "I am alive. You couldn't **** me. You won't **** me. I have a heartbeat." I have a heartbeat. I have a heartbeat. I have a heartbeat. And the little girl on the swing smiles to the sky, a premonition of her future, a confirmation of her strength.
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6