Dedicated to stillborn fetuses, 99 cent Malt Liquor and Existentialism
1.
Nymphomaniac tree huggers
And overweight bisexual vegetarians
Swallowing phentermine poison to stay fit.

2.
Funky fresh *******  
throwing pigs at St. Augustine’s pear tree
and frolicking abortions over Moloch’s philoprogenitiveness,

3.
While sipping barbecue sauce dipped in Lipton tea,
dancing around adhesive bonfires
reciting memories of holocaust, the Kristallnacht nights
and beautiful words suffered by ancestors lost.

4.
Inhale chicken noodle soup, with a side of Lithium,
And prance to Literacy class to combat envisionment
With free association conceptual constructions,

5.
Computerized like Prometheus’ fire burning through SmartBoards
In classrooms where the poison of heterosexual history
Is fed to boys in skirts cursed by Adam’s apple,

6.
Baptized by social norms and locked away in hopeless closets
According to the Tautology of Leviticus…
until they cut their breath by the vein of soteriology;

7.
Misunderstanding of God’s words
Covets the innocent to early graves
In biblical paratactic irony…like God betting Satan for a Job.

8.
Rub fried chicken oil on Bartholomaeus Anglicus’ skin
and soil his white pride with ***** flavor,
for revenge  On the Properties of Things

9.
and howl out in glory of victory
over totes of  lickerish piper methysticum blunts
that beg the conundrum,
'What is the origin of this world?'
'Ether,' he replied.
But it is not ether!
Nor Datta. Dayadhvam. Damyata.
It is Dada. Dada. Dada!
  10.
For this is a record of the life stories of the greatest minds and geniuses of your generation,
written in boys and girls
who mimicked Basquiat’s genius and tagged bathroom walls with abstract philosophies like “Love is a prime number” and “ the weight of Duncan McDougall’s soul can only be found on the 15th of October”
who drank vampirish gulps of Vicodin while consoling themselves with aphorisms such as: “don’t rue the misses, you don’t need a Mrs. when you’re elevated by chemical kisses”
11.
Who stood naked in mirrors, weeping, for they were a mystery to themselves, but a great talent and soon to be legend to some.
Who lit cannabis in loneliness and waltzed naked with their ghosts, fantasizing about ****** tomatoes and Corpus Christi Mexican Jazz.
Who composed psychedelic anthems from dreams that were lost in ghettoes where virginities were lost for loaves of bread, for the hunger of bread.
12.
Who wrote suicide notes on a toilet seat, contemplating the texture of Marshall Mathers’ favorite underwear and whether the color green was an invention of **** Germany.
Who used to love their lovers in darkness and colored the streets of Manhattan with rainbows on June 24, 2011 to mark the date lady liberty finally bought a new pair of glasses.
13.
Who lost musical talents to a Wine-house and ended up in a whine-house where lobotomy was subsequently prescribed by the milligram.
Who indulged in pharmaceutical vices and when asked why replied simply, every recursively enumerable set is Diophantine.
Who diagnosed themselves with “start ****-itis” and self medicated by eating Fifinellas at the stroke of each midnight.
Who rubbed paraprosdokians on their skin and occupied Wall Street in search of a new euphemism for being American.
Who poured Alkalizer on a dead moose and kicked it while feasting on the divine question, “why does Rice play Texas?”
14.
who got bored with conventional relationships and bought the Origin of the World on street corners from vixens nicknamed “Jezebel” and climaxed atop of them screaming  “I’m in Babylon, the great Mother of ******!”
Who attempted suicides upon suicides upon suicides, in Oakland, until they were shipped away to private catholic universities in Rhode Island, where the history of Colossus was being taught.
15.
who serenaded love interests with four letter curse words at open bars where Kubla Khan was read and Tartars kings were licked all over like holy communion *****.
Who drove home with the spirits of wine and crashed on telephone poles where their obituaries were written in their prime, leaving their mothers weeping and calling congress to reconsider Prohibition.
16.
Who mixed Redbull with Propofol and drank the juxtaposition galore only to be woken up the next morning dead in their sleep.
Who tattooed rat poison packages with goodwill messages such as “****** divided by Water =6th day of creation” or “Seroquel + Brett Favre = St. Patrick”,
who went speedballing with Basquiat during autoscopy and woke up wondering the cost of Nautilus in Albuquerque.
17.
who took 33 hallelujah 1800 tequila jello shots and daydreamed about laying on Mithras’ grave, yelling, beetlejuice, beetlejuice…beetlejuice.
who found the truths of the Bible invalid by the miscalculation of Pi in 1 Kings 7, verse 3, and mailed death on anthrax letters to Reagan in protest.
18.
who sat empty bellied at breakfast tables wondering the temperature of satellites at Lagrangian points,  only to soon catch fire in their tongues and speak Labyrinth soliloquies that ended in
19.
Zion,
Where Google knows every answer.
In Zion
Where the youth, tomorrow’s future, quote a ***** named Hova better than they can quote Jehovah.
In Zion
Where *******’s art was used as weapon during the Cold war.
20.
In Zion
Where sartorial geniuses where no pants,
In Zion
Where David Kato Kisule is the secret hero of these words, for he was taken at a time
In Zion
Where we were supposed to be our ancestor’s sci-fi.

21.
In Zion,
Where the youth bear the scarlet letter X for they are a problem to tradition and hold no definition for the future, for they have discovered
In Zion
That the origin of this world is in their living eyes, and not in the dictionary of their ancestors who lived
In Zion
when the epitome of the literature of life ended in Revelation of Amen and Shantih shantih shantih;
this is a record of the greatest minds and geniuses there ever was, written
in Zion
where the meaninglessness and nothingness of Dada reigns, and the trinity of life now lives in the Subject, subjective and subjectivity.

Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.

Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.
Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner

To give life you must take life,
and as our grief falls flat and hollow
upon the billion-blooded sea
I pass upon serious inward-breaking shoals rimmed
with white-legged, white-bellied rotting creatures
lengthily dead and rioting against surrounding scenes.
Dear child, I only did to you what the sparrow
did to you; I am old when it is fashionable to be
young; I cry when it is fashionable to laugh.
I hated you when it would have taken less courage
to love.

running
deliquescing into nature
i am engulfed in stillness

i encounter a deer as i round a corner
its chestnut eyes intensely sense
something wild within me
transfixed
we meld palpably
whispering our essence

myopic views warp into acute focus
golden flowers stretch and arch
and yawning into the sun
swell with bursts of luster
whilst violets polka dot the path
with lilac luminescence

dead tree trunks
mutating into masterpieces
yearn for new life
drawing in the squirrels

yellow-bellied birds
hover
sensing my motions
whilst woodland winds undulate
pine scented waves of sea salt oceans

my ears enchantingly enhanced
by bristling leaves caressing trees
as scintillating amber butterflies
dance in synch
with the clock tower’s
ancient chiming

a gust of wind
catches a patch of sand
and sends it quivering
fusing high in summer air
then falling soft as feathers

hidden fairies prance about
answering unheard questions
problems dissolve in emerald meadows
without a hint of striving

essays write themselves
upon my mind
poetry flows through me
wings of meadowlarks
trace my face with nuances
interlaced with connotations

rushing home
i write it down
then bowing i take credit
for what was etched upon my soul
by a sunbeam in the forest

©2016janetaylor

Earth’s sixth mass extinction has begun, new study confirms


How long before the rhino joins the list? Gerry Zambonini, CC BY-SA
We are currently witnessing the start of a mass extinction event the likes of which have not been seen on Earth for at least 65 million years. This is the alarming finding of a new study published in the journal Science Advances.

The research was designed to determine how human actions over the past 500 years have affected the extinction rates of vertebrates: mammals, fish, birds, reptiles and amphibians. It found a clear signal of elevated species loss which has markedly accelerated over the past couple of hundred years, such that life on Earth is embarking on its sixth greatest extinction event in its 3.5 billion year history.

This latest research was conducted by an international team lead by Gerardo Ceballos of the National Autonomous University of Mexico. Measuring extinction rates is notoriously hard. Recently I reported on some of the fiendishly clever ways such rates have been estimated. These studies are producing profoundly worrying results.

However, there is always the risk that such work overestimates modern extinction rates because they need to make a number of assumptions given the very limited data available. Ceballos and his team wanted to put a floor on these numbers, to establish extinction rates for species that were very conservative, with the understanding that whatever the rate of species lost has actually been, it could not be any lower.

This makes their findings even more significant because even with such conservative estimates they find extinction rates are much, much higher than the background rate of extinction – the rate of species loss in the absence of any human impacts.

Here again, they err on the side of caution. A number of studies have attempted to estimate the background rate of extinction. These have produced upper values of about one out of every million species being lost each year. Using recent work by co-author Anthony Barnosky, they effectively double this background rate and so assume that two out of every million species will disappear through natural causes each year. This should mean that differences between the background and human driven extinction rates will be smaller. But they find that the magnitude of more recent extinctions is so great as to effectively swamp any natural processes.


Cumulative vertebrate species recorded as extinct or extinct in the wild by the IUCN (2012). Dashed black line represents background rate. This is the ‘highly conservative estimate’.  Ceballos et al
Click to enlarge
The “very conservative estimate” of species loss uses International Union of Conservation of Nature data. This contains documented examples of species becoming extinct. They use the same data source to produce the “conservative estimate” which includes known extinct species and those species believed to be extinct or extinct in the wild.

The paper has been published in an open access journal and I would recommend reading it and the accompanying Supplementary Materials. This includes the list of vertebrate species known to have disappeared since the year 1500. The Latin names for these species would be familiar only to specialists, but even the common names are exotic and strange: the Cuban coney, red-bellied gracile, broad-faced potoroo and southern gastric brooding frog.


Farewell, broad-faced potoroo, we hardly knew ye.  John Gould
These particular outer branches of the great tree of life now stop. Some of their remains will be preserved, either as fossils in layers of rocks or glass eyed exhibits in museum cabinets. But the Earth will no longer see them scurry or soar, hear them croak or chirp.

You may wonder to what extent does this matter? Why should we worry if the natural process of extinction is amplified by humans and our expanding industrialised civilisation?

One response to this question essentially points out what the natural world does for us. Whether it’s pollinating our crops, purifying our water, providing fish to eat or fibres to weave, we are dependent on biodiveristy. Ecosystems can only continue to provide things for us if they continue to function in approximately the same way.

The relationship between species diversity and ecosystem function is very complex and not well understood. There may be gradual and reversible decreases in function with decreased biodiversity. There may be effectively no change until a tipping point occurs. The analogy here is popping out rivets from a plane’s wing. The aircraft will fly unimpaired if a few rivets are removed here or there, but to continue to remove rivets is to move the system closer to catastrophic failure.

This latest research tells us what we already knew. Humans have in the space of a few centuries swung a wrecking ball through the Earth’s biosphere. Liquidating biodiversity to produce products and services has an end point. Science is starting to sketch out what that end point could look like but it cannot tell us why to stop before we reach it.

If we regard the Earth as nothing more than a source of resources and a sink for our pollution, if we value other species only in terms of what they can provide to us, then we we will continue to unpick the fabric of life. Remove further rivets from spaceship earth. This not only increases the risk that it will cease to function in the ways that we and future generations will depend on, but can only reduce the complexity and beauty of our home in the cosmos.

Injustice!
Posted by Olivia Kent on June 4, 2013 at 3:11pm
View Blog
Suffer not thy children,
In a waiter service world of injustice,
Nothingness in a world of tragic poverty,
In a drizzle of tears,
The children drown
Emaciated children,
Not smiling as they die,
In world of war-craft,
Dying,
A little more each day,  
Not smiling as they should,
Punished,
Living in a punitive  world of cruelty,
Where craft of war is rife,
Screams,
Imagined in heads of strangers,
Insanity,
Piercing with horror,
Ears sickened,
By violent imagery envisaged,
Emaciated child,
*** bellied,
Gaunt,
Virtually lifeless,
Dead before death,
Snatches,
Life blood vanished,
Without request!
There is no youthful exuberance on this face,
Overjoyed,
Delighted,
I don't live in this place!
Copywrite Livvi Kent 04/06/2013

I

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man’s gift and that man’s scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
  nothing again

Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice

And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.

II

Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been contained
In the hollow round of my skull. And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the ****** in meditation,
We shine with brightness. And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject. The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them. As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose. And God said
Prophesy to the wind, to the wind only for only
The wind will listen. And the bones sang chirping
With the burden of the grasshopper, saying

Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.

Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert. This is the land which ye
Shall divide by lot. And neither division nor unity
Matters. This is the land. We have our inheritance.

III

At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.

At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man’s mouth drivelling, beyond repair,
Or the toothed gullet of an agèd shark.

At the first turning of the third stair
Was a slotted window bellied like the figs’s fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.

Lord, I am not worthy
Lord, I am not worthy

                              but speak the word only.

IV

Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary’s colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs

Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary’s colour,
Sovegna vos

Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing

White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme. Redeem
The time. Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.

The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
  no word

But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken

Till the wind shake a thousand whispers from the yew

And after this our exile

V

If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.

    O my people, what have I done unto thee.

Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and
  deny the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
  time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

    O my people, what have I done unto thee.

Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.

    O my people.

VI

Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

Blessèd sister, holy mother, spirit of the fountain, spirit
  of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.

Those great and wonderful seas                                                                                     Are merely homes for all different fishes and                                                                 All those creatures that live inside seas' realms ..............                                                We don't know exactly how                                                                                              They manage themselves anytime ........................                                                                Fishes are fed on themselves and                                                                                          On many other things .......................                                                                                 All fishes keep their eyes open                                                                                                      While they are sleeping anytime ..........................................                                          Those big-bellied seas contain everything ....................                                               ____________________­_

All year the flax-dam festered in the heart
Of the townland; green and heavy headed
Flax had rotted there, weighted down by huge sods.
Daily it sweltered in the punishing sun.
Bubbles gargled delicately, bluebottles
Wove a strong gauze of sound around the smell.
There were dragon-flies, spotted butterflies,
But best of all was the warm thick slobber
Of frogspawn that grew like clotted water
In the shade of the banks. Here, every spring
I would fill jampotfuls of the jellied
Specks to range on window-sills at home,
On shelves at school, and wait and watch until
The fattening dots burst into nimble-
Swimming tadpoles. Miss Walls would tell us how
The daddy frog was called a bullfrog
And how he croaked and how the mammy frog
Laid hundreds of little eggs and this was
Frogspawn. You could tell the weather by frogs too
For they were yellow in the sun and brown
In rain.
   Then one hot day when fields were rank
With cowdung in the grass the angry frogs
Invaded the flax-dam; I ducked through hedges
To a coarse croaking that I had not heard
Before. The air was thick with a bass chorus.
Right down the dam gross-bellied frogs were cocked
On sods; their loose necks pulsed like sails. Some hopped:
The slap and plop were obscene threats. Some sat
Poised like mud grenades, their blunt heads farting.
I sickened, turned, and ran. The great slime kings
Were gathered there for vengeance and I knew
That if I dipped my hand the spawn would clutch it.

A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before
me.

He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of
the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

Someone was before me at my water-trough,
And I, like a second comer, waiting.

He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.

And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not **** him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured?
I felt so honoured.

And yet those voices:
If you were not afraid, you would **** him!

And truly I was afraid, I was most afraid, But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.

He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.

I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how ******, what a mean act!
I despised myself and the voices of my accursed human education.

And I thought of the albatross
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.

Taormina, 1923

It's June, 1967.
Nature, still lying through
Parsley green teeth,
Breathes the last of spring,
Hints early summer warmth,
Pre-July's cicada whine,
August's heat and wind.

Crops, still tender green
Quiver beneath a humid sky,
Under a glowing sun.

Bicycles amuse our early lust
To soar untraveled ground,
Entering lazy summer's ennui,
We scan a hawk riding drafts
On the edge of our hill.

Dust, drifting up the graveled road,
Five miles below us,
Piques our interest,
Causes the dog to raise his head.
He ***** an ear
Toward a sound we cannot hear.

We hear gravel slapping rocker panels
Before the traveler's roof rises into view,
Catch our breath as the engine slows,
Start running for the house.

A stranger's arrived,
A traveling salesman,
Better than an aunt
Only stopping in for tea
And woman talk.

Dad keeps his welding helmet down,
Repairing broken things.
The hired man inhales his cigarette,
Acts disinterested.

My memories linger on the past....

Salesmen brought the latest farming gadgets:
Additives for fuel and oil,
Battery life extenders,
Grain elevators and fencing tools,
Produce and livestock products,
Lightning rods and roofing,
Chrome-edged cultivator shovels,
Insurance for everything:
Fire, water, wind, hail.

Pitches came without exception:

"Top o' the morning! Looks like you're busy.
Don't want to take your time."

"Looks like you could use some welding rod,
And I have something new for you to try."

"Have you used chromium additive in you livestock salt?
Guaranteed to put on weight and protect from bovine
Tuberculosis!"

"Say, have you heard about the effectiveness of a new
Insecticide called DDT? I've got a sample gallon here
For you to try. Works better than Malathion!"

Dad, eventually intrigued, began the slow dance
Of dickering, haggling over this thing or that.
Most salesmen, closing in for a ****,
Hadn't grappled with my father.

At noon, deals still in the air,
My mother called the men,
And we all trudged in to wash,
Waiting in line at the tub,
Scrubbing with powdered Tide
To remove the grime and grease,
Drying on the darkening towel,
Finding a seat at the table.

The salesmen expected the meal
As though it were their right,
A standing invitation:
Stop in at noon,
Make your pitch,
Sit at table,
Close the deal after.

We boys sat and listened
To man talk.
Eyes wide, we marveled
At gadgets,
Wondered at Dad's parleying,
Winced at the deals he drove,
Commiserated with squirming salesmen
Surely made destitute by Dad's hard bargaining.

In retrospect,
I know the game was played
On two sides,
That the battery additives
Bought for five dollars a packet,
Even with the two Dad finagled free,
Cost about five dollars for everything,
Returned forty-five and change
To the smirking, full-bellied salesman
Who left a cloud of dust on his way
To supper a few miles down the road.

Angelic minds, they say, by simple intelligence
Behold the Forms of nature. They discern
Unerringly the Archtypes, all the verities
Which mortals lack or indirectly learn.
Transparent in primordial truth, unvarying,
Pure Earthness and right Stonehood from their clear,
High eminence are seen; unveiled, the seminal
Huge Principles appear.

The Tree-ness of the tree they know-the meaning of
Arboreal life, how from earth's salty lap
The solar beam uplifts it; all the holiness
Enacted by leaves' fall and rising sap;

But never an angel knows the knife-edged severance
Of sun from shadow where the trees begin,
The blessed cool at every pore caressing us
-An angel has no skin.

They see the Form of Air; but mortals breathing it
Drink the whole summer down into the breast.
The lavish pinks, the field new-mown, the ravishing
Sea-smells, the wood-fire smoke that whispers Rest.
The tremor on the rippled pool of memory
That from each smell in widening circles goes,
The pleasure and the pang --can angels measure it?
An angel has no nose.

The nourishing of life, and how it flourishes
On death, and why, they utterly know; but not
The hill-born, earthy spring, the dark cold bilberries.
The ripe peach from the southern wall still hot
Full-bellied tankards foamy-topped, the delicate
Half-lyric lamb, a new loaf's billowy curves,
Nor porridge, nor the tingling taste of oranges.
—An angel has no nerves.

Far richer they! I know the senses' witchery
Guards us like air, from heavens too big to see;
Imminent death to man that barb'd sublimity
And dazzling edge of beauty unsheathed would be.
Yet here, within this tiny, charmed interior,
This parlour of the brain, their Maker shares
With living men some secrets in a privacy
Forever ours, not theirs.

The red-bellied woodpecker and I
are one. It has always been
that way. See the blue sky?

And do you see all the ways
a cloudy world wishes to have
its say? Twisting and pulling.

Twisting and pulling. Twisting
and pulling. Yet, the red-bellied woodpecker
and I are one. It just is.

And you and I are one. Calling
out is the sky. The sun begs
the questions to be done. A ball of

Fire. And all this twisting
and pulling. Twisting and pulling.
Strung out and wrung out --

And a woodpecker. Red-bellied.
         In the sun. In the sky.
                And you

And I

What’s your poison, Judas?
Manhattan! I find myself now an integral component of the strangest coalition of strangers anyone could possibly imagine, from all different countries and backgrounds and walks of life, now wandering about, underneath and in and out of the streets and back alleys of this city of sin, from the fish markets to the brothels--

What’s your poison, Judas?
Irish Coffee! Never before has there been a better time to wake up, fling open the shutters of the musty, ancient houses on Main Street and smell the gorgeous plainness of the morning breeze in spring laced with simple undertones of violets and honey and dew all contained in a material essence of the awe-inspiring wonder of this perfect, elegant world--

What’s your poison, Judas?
Sidecar! Here I am riding with the king of kings to the great stone castle atop the hill with the peach trees and the plum trees and the juniper bushes out back that holds luxurious ***** in the luxurious ballroom every Saturday evening where all the loveliest of girls come to drink and dance and to rendezvous to the frozen pond on the edge of the property--

What’s your poison, Judas?
Old Fashioned! Those smug supercilious charlatans way down by the river at the old boys’ club with their tailored suits and their waxed mustaches all get mighty offended every time some young gun with an hopeful persuasion tries to stir the ***, tries to just start a ripple, dips his raw, gentle hand in the bowl for a measly ******* second--

What’s your poison, Judas?
Planter’s Punch! You’d think that we were common thieves by the way that we’ve been received lately, brutally being beaten like insolent slaves, earning scars on my back and my hands as punishment for speaking my mind, and sharing the wisdom I’ve been given while I toil in this unrelenting desert sun, hungry, poor and fatigued--

What’s your poison, Judas?
French 75! Tormented by the cruel pangs of doubt in the face of adversity, I wish day in and day out that I could keep the faith in this enterprise I had when we first began, but the suffering has become simply too miserable to bear any longer and I now feel a tremor in my bone marrow that urges me towards the rebellion on the horizon like a yellow-bellied turncoat--

What’s your poison, Judas?
Whiskey Sour! The air may be cold, and the winds may whip with biting fervor, but with every breath I desperately drag into my heavy, tar-coated lungs to cleanse myself with icy purity this bitter taste still refuses to surrender or concede, and my villainous mouth remains a moist, infectious cesspool harboring the basest of vicious, vile vermin and crawling roaches--

What’s your poison, Judas?
****** Mary! You could scrub the callous palm clean off of my left hand with a hideous clump of rusty, jagged steel wool and wash the wound through and through with vinegar and Borax and this cursed, godforsaken spot on my conscience and on my very soul wouldn’t fade a half of an inch, only sink itself deeper in the flesh and shoot out its brutal clawlike hooks--

What’s your poison, Judas?
Jack Rose! The sorry ******* ******* was doomed, ******, destined for the doghouse from his first innocent and infantile breath, but after thirty good years I had to be the unlucky one the powers chose to fulfill the predictions of the powers' sons, I had to put the leaded bullet in his bleeding back, I had to pull the devilish trigger, and testify--

What’s your poison, Judas?
Last Word! Is there nothing you can do to please just take it far away from me, where I can’t see it, where I can’t even imagine it, where it might as well not even exist, where someone who needs it can have it, where that someone is anybody with a lick of morality, anybody but a back-stabbing, treasonous, perverted, weaseling, ****-of-the-earth Benedict--

What’s your poison, Judas?
Wine with gall.

This is our blitz, puppydog, I said,
dragging him away from the whizzbangs
echoing green and purple off shopfronts.

My Chuchundra scuttled ground-bellied
from fallen ******* bags spilling guts
like casualties of war

and hoodlums tremendous in commando gear
who set off peonies and chrysanthemums
before charging triumphant down alleyways.

We go home.  I’m happy to leave these heroes
the soda from the Catherine wheels,
and the drizzle, for which London has yet to apologise.

I'm so lucky to be from the pearl of Africa
where democracy is just but a name
where independence was given but with chains
where a thousand busk in the millions' pains
I'm so lucky to be from a country where reigns total freedom of speech
as long as you're not a member of the opposition
a country where freedom of speech only lasts until the speech is made
if only you could ask the hundreds incarcerated,most are dead
for what? for not not realising the freedom doesn't count after speech
I'm lucky to be from a country that gives no **** about human rights
especially these meaningless developments
like right to internet, what a sweet place to live
no Whatsapp, no Facebook nor twitter and why?
Tomorrow is the swearing in of our new old President...
not that age is important, after all it's just a number
tomorrow we usher in a very comprehensive government
one which has managed to stretch its tentacles across three decades
tomorrow we will see fat bellied millionaires
on screens of those who can afford televisions
congratulate our president who's filled with enthusiasm
to rule a poor mass who voted for their corruption free bellies
and thus social media could be used to bomb our young innocent leader
black mambas beautify our streets while jet fighters ornamentally
buzz across the blue skies, as if Osama has resurrected in Kampala
to the visitors, we are not at war...those are salutes to our most cherished one
the visionary, the most trusted, the compassionate
the one who wouldn't hurt a fly or swat a mosquito
we can't take any chances, just tune your channels tomorrow
for first hand glimpse of the merry and youthful dances
social media is a destruction yet our president deserves all ears
in the sky, on the streets from the hopeless unemployed
tomorrow we speak not of change but change without change
tomorrow we usher in steady progress for another five years
tomorrow we start to smile and wipe the tears
for tomorrow we acknowledge the old man is here to stay
I hear even the Zimbabwean tortoise is in the country
ready to congratulate his associate...these boys fought for their countries
they freed us from crucibles into their heavenly hades...
we should appreciate they have sacrificed too much...
tomorrow is public holiday, forward to conservative past we match
back from the beautiful future we don't deserve
tomorrow like helpless dogs we bow to our master's collar
tomorrow we bury our hopes for change and feed on this yellow muck
the swamp of greed, we can't risk defiance, we're stuck
we're like the long horned cattle of the west
for tomorrow the fat ticks start to **** and ****
but I wonder, for how long, for how long will we just talk?
when will we do more than just silently sob?
I bleed for my country or a country I once thought was mine
I bleed the taxes, the ruthless beatings, the tear gas
I bleed like a slave being whipped by these fatigued caravans
I bleed despair and melancholy and wander
like a headless chicken,for how long though? I wonder!
I bleed for God and my Country
for Uganda, I bleed...

Angie works the alleys that reek of greasy sausages and ****,
where beer-bellied men appear
and vanish into doorway varnish of invisible rooms,
spitting on their own doorsteps, stubby fingers
running over stained vests and wire wool guts.

Harry lives out yonder where plastic bags’ ballet shoes are made of glue;
he is sharing a hit
with a dreadlocked kid, just another invisible face,
a phantom-surfer nurse, to assist him in
chasing the ultimate high on highway number twenty-two.

Invisible, hairy hands hold her down; Angie has to swallow,
she can feel the pulsating vein
of a softening **** over her tongue and swollen lips –
she gives it a good old slap against her cheek,
grabs the package, and makes sure no one follows.

Harry’s clawing at a face in that place where reality floats
between the tip of the needle
and the desperate edge of chemical dependency -
his little angel taps him on the shoulder;
he turns around, and stabs her in the throat.

On the west side of Starlite Dr.,
just inside of Kingfisher -- before the welcome sign,
stood a Wal-Mart.

Underneath dim lot lamps,
dry oil caked the cracked pavement.
Crickets hopped over cricket corpses.
Two employees took turns lighting new cigarettes
with the still-hot embers of old cigarettes.
There were six sedans, two pickups, and three semi-trucks
outside the store.

2 a.m.
Parked car.
I noticed an effulgent memorial on the fringe.
Subject unclear from a distance,
but statue certain;
gleam of bronze certain.
Followed the black chain-framed path
to a lemon brick-backed display:

Sam Walton
Hometown Kingfisher

And there you stood, Sam.
With a bobble of a bronze head,
gorilla arms, and some charcoal
canine frozen mid-pant to your side--
Beams of light shining into your carved eyes,
yellowed grass at your feet.

And I wonder,
Did you feel cruel?
Beginning as a Five and Dime,
then turning into the great killer of Five and Dimes.
Sitting at a table telling all your friends, they could watch you eat.

Too forward, too soon.
You being dead and all.

To be fair, I've got that ambition too, Sam.
The kind that leaves you lonely.
The kind that leaves you in the back booth of a diner.
The kind that makes the dunces conspire.
Yeah, there are very few differences between you and me.

Those being
I'm not a cartoon statue,
crickets aren't crawling on my face,
big-bellied tourists don't pose and snap photos at my place,
I'm mortal, and you're the other one.

Looked around.
Stood in front of you.
Stared in the direction your obsidian eyes stared.

You overlooked the traffic.
And though Target gets all the hot, middle-aged women
and fiery college kids,
you get the pleasure of watching real folks leave.
The tobacco chewers,
the moms of six,
the grease monkeys,
the third grade teachers;
the grandparents
all simmer and meld by traffic stop.

It seems fitting for you, Sam.
Watching over us,
your consumers.

Mother, mother, what ill-bred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib?

Mother, who made to order stories
Of Mixie Blackshort the heroic bear,
Mother, whose witches always, always
Got baked into gingerbread, I wonder
Whether you saw them, whether you said
Words to rid me of those three ladies
Nodding by night around my bed,
Mouthless, eyeless, with stitched bald head.

In the hurricane, when father's twelve
Study windows bellied in
Like bubbles about to break, you fed
My brother and me cookies and Ovaltine
And helped the two of us to choir:
'Thor is angry; boom boom boom!
Thor is angry: we don't care!'
But those ladies broke the panes.

When on tiptoe the schoolgirls danced,
Blinking flashlights like fireflies
And singing the glowworm song, I could
Not lift a foot in the twinkle-dress
But, heavy-footed, stood aside
In the shadow cast by my dismal-headed
Godmothers, and you cried and cried:
And the shadow stretched, the lights went out.

Mother, you sent me to piano lessons
And praised my arabesques and trills
Although each teacher found my touch
Oddly wooden in spite of scales
And the hours of practicing, my ear
Tone-deaf and yes, unteachable.
I learned, I learned, I learned elsewhere,
From muses unhired by you, dear mother.

I woke one day to see you, mother,
Floating above me in bluest air
On a green balloon bright with a million
Flowers and bluebirds that never were
Never, never, found anywhere.
But the little planet bobbed away
Like a soap-bubble as you called: Come here!
And I faced my traveling companions.

Day now, night now, at head, side, feet,
They stand their vigil in gowns of stone,
Faces blank as the day I was born.
Their shadows long in the setting sun
That never brightens or goes down.
And this is the kingdom you bore me to,
Mother, mother. But no frown of mine
Will betray the company I keep.

*****, I’m still deft like a leopard;
Repping these streets,
Still chasing da paper
Quick wit the maths,
SoCal’d-rap c u lator
Innovative & faded,
I drink it straight up, no chaser

Backw(ar/oo)ds I’m facing
I’m trippin’ my laces
Inhaling clouds of a thousand lit vapors
Sowing my seeds,
Young man he ain’t got no patience
Be wading my way
Thru a crowd of y'all haters

Insane bro,
How they still don't know my name
Money and fame
I scream while I slang,
It's lame
And I can't move my feet,
my knees are weak
Padlocked to my mafkin’ seat
Yeet YEET

****** around and popped some molly,
U know I be boolin’
Wit a couple of y’all thotties
My Impala’s no ‘Rari
I’m not saying sorry,
***** I got no money
My Mom’s where my house be

I see you sneak dissin’
Just gonna squeeze this in
I’m a heathen and I mean it
~Ope please excuse the dopeness,
I’m just wokest with the flow dontcha know it?
Best have some hands to throw 4sho,
Unless u glow wit it

If I had as much love
As I had **** in my pants,
I’d fill you up at the first glance,
Given the chance
Got u entranced,
We **** when we drance
I’ll show you London,
You show me France yeah

Suicide’s on my mind
Though I can’t seem to find
Motivation inside
I say I wanna try
But I’m wasting my time
Just want some good vibes
Hmu if you find em?

Said I'm havoc wit astounding clout
Blow clouds spit them fractals wow
shifting shapes, him prismatic now
-I’m in another dimension
Guess I never questioned
the consequences
of my pathetic aesthetic

Ya I wear a ****** mask
so you can’t see my pain
Tell me does it resonate,
Does that penetrate your brain?
Man everyday, it straight feel the ****** same
So let’s just vegetate
Now watch me steady levitate
I’m breaking loud,
Falling apart like towers to a plane
Flowers to a flame burning down,
Mayday, mayday
You melt the beams in my heart,
What can I ******’ say?
Catch me diving headfirst in them opposite lanes
Then my mind,
Gets flushed down the ******’ the drain
*****, if you ain’t a succubus
Get the **** up out my gravy train

I smoke big doinks
Gets my mind zoinked
To the point I’m anointed

All about the jinkies
When I'm smoking on that ******,
Take you to the movies,
Tryna feel up them *******
Finna get *****,
I’m no noobie wit a Hoop-D
Shoot my shot up in the *******,
When I hit her wit da roofie

That beat slap harder than a drunk stepfather
When you feeling up his daughter
Got some choppers in the locker,
-Steady mob but I’m a scholar
Now they droppin’ all these dollas
Got the armor to conjure
& conquer the darkest monsters
Hollerin at my partner,
Slobber on my whopper while I stomp em’
Noggin I’m finna clobber
Coldest shoulder on the mountain

My manhood hooked in the crook of ur nook
Y’all wanna tip toe but I don’t pussyfoot,
Wanna throw bows?
Tell ya *** not to look
Vibrate in the ****,
You could say that ***** was shook

Yeah my lines are blurry,
Insufflate blizzards in a fury
Digging where the sewage be
For all these ******* I am luring

Skewering all you limp *****,
Ripe for the barbequing
Cos I been roastin y'all ***,
This **** just ain't ****** new to me

Suckle on my Johnson just to savor the taste
That’s real cheese flavor,
Parmesan off the grate
Got some fries with that shake,
Know those thighs make me quake,
Great Value™ cellulite it’s processed Equate™!

Assassinate you with stealth
God's not gonna save you
When you’re screaming for help
Guns drawn, black lung,
***** I shoot from the belt
Dead-Eye in the sights,
Just need five perfect pelts
Gettin’ litty
Spend $50’s
Pet kitties
**** *******
On this niftier side of ******
while I acquire the wealth

Yo, I smoke a rello
To un-harsh my mellow,
Y’all yellow bellied fellows
Can’t reach my own level

Don’t like my rhymes?
You can fight me
Ignite whilst I smite thee,
From the sky
These bolts come to strike, see
Now I’m magically
Sporadic as lightning

Got Gucci on my zipper -
Throw me a bag, u kno I’ma flip her
Call me Jim Lahey, *****
Cuz’ I am the ******* liquor!
Gonna put on my slippers,
And rock you wit da dripper

In tha cut,
I’m tripping ****
Yuh rolling up that indica

I play a game with my
beast of a dog.
I say, "Squirrell!"
and she bolts down
the perfectly landscaped
avenue of trees after
the soot colored
critter.

It's tail electrified in
the socket of fear scuttles
up the nearest tree
except this morning
it got slowed down
and my killing machine
clamped down and
before I could beat
the poor animal out
of her locked jaw,
it crumpled to the
ground broken in a
way so inhumane,
the sight of the blood
curdled my stomach
like a glass of cool milk.

None of this is true, mind.

I'm a spineless poet.
Because instead of
saying what I mean about
not being able to save you-
about all your blood-
about those merciless
and invisible jaws
of death clenched around
your throat making a
mess of all things.

One day I'll stop writing in metaphors.

The air is charged with eminence.
Red-bellied birds lose their song in the wind.
Just when will the sky crack open?
When will the screaming turn to tears?
Send the drummers running
and, before their sticks hit the ground,
give face to wide-eyed fears.

I can smell you from my window:
Amalgamation of mushrooms and clover.
Just when will you crack me open?
When will my primal state lie bare?
Strip me of city sophistication
and, before the drummers come running,
wash me well beyond my years.

Vietnam, you uncovered my soul
Gave me a song, a direction smog
Looked at the pandora box I held
Unstripped my flames up temples

A hologram of the graded existence
Seasoned in explosions of burnt haste
Decked on buses,ducked in valleys
Chilled bays, overly paddled kayaks

Such sweet taste of the Halong bay
Undreamt mist of the skies stared
Fishing squids and bellied jellyfish
The soil, the sound,an orotund playlist

With the box lid closed
It's dark inside,
There are no colours
We can't abide.
But a golden sliver of light seeps in,
To expose the colours there within.
We see red when enraged,
And scarlet dancers crowd our stage;
A red-blooded male brags virility
Through rose-coloured glasses of masculinity.
Some grow green with envy,
Reveal they're yellow in enmity,
Are blue when feeling empathy,
Turn blue holding out for sympathy,
Are tickled pink with comedy,
And white as a sheet with tragedy,
Or brown-nosed with syncophany.
If your yellow-bellied you may run,
And green-gilled after Jamaican ***,
Write purple prose when versifying,
Ashen coloured when you're dying.
True colours show outside the box,
Use grey cells to colour unorthodox.
Our true colours are harlequin,
That fade to black at our end.

Sands traverse oceans to envelop me
within the coercion of a dream of Egypt
as I search the turquoise of the medallion in my hands
to match the gray-blue of his eyes.

Too long have I willed for him
to sail the Atlantic,
stride through the door,
and sweep me from haunting this view of London.
But for now I am left
to my own image and a pane,
so I muster the meat of my palm
within this sleeve of lace
to brush it across the glass for a clearer look,
yet my efforts have revealed
no more than engorged eyelids reflected…
manacles of me.

Behest of self,
maniacal I am slated
to perform involuntary tedium,
hopeful to unlock deeper meaning
within each hieroglyph,
once so purposefully etched in a semblance of bronze.

I long to surrender
to the warmth of the taste of iron
caught in his sights over a tomb blanketed in gold.

I will come for you, Daughter of Heaven and Earth.

Spontaneous peristalsis of phrase
connects with the drop
gurgling through the candid quiet
and I wonder
if the image that now reflects would indulge him,
or if he might ****** the lock of dark hair
that he cropped from my neck with the skill of an assassin
when our paths first crossed in Cairo.

Time has softened the image I hold of him;
his eyes are satin,
burning like a flag still waving
as his army advances over our forbidden dig.

There is something
sensation-like in downfall…
copious saline embodies the fractal curve.

I found no scrolls of the Book of the Dead.

Here in my olive skin I rot like a peach
that’s been left in a satchel
forgotten to dust of the ages
disturbed by picks and axes
that strike with the determination of discovery.
A peach, never to be savored;
never to nourish or to pleasure,
or be trampled by insects
and carried off in pieces
to the hollow of the ant queen.

My eyelids are hard to turn like wet pages
forced to envision a river that is not the Nile
where I am held within the binds of propriety,
corsetted, bustled, and locked out of Egypt
dammed from the salvation
of even an intermittent Dutchman’s finger
by dunes and shores and footfalls
to find words that stream in liquid resonance
where firm succumbs to self and
I can feel passion writhing through my intangibles.

Thusly, clouds form over a city that blackens and distorts
the way a river's reflection of my face
would ripple from the plunging body of a dove,
belly-up, encased in wings,
and two thousand miles from him.

Arousal is a moccasin seethed in spasms
of peristalsis and musculature
toward the beckoning pulse of breast.

Any hope for contact collapses into flesh,
venom sheathes each corpuscle,
and a woken neck flails in judgment
before the truth in his eyes
under the shadow of the Great Pyramid
where Ramses II lies supine
across the Turin Papyrus.

I imagine the other side of me
and where she might reflect when
all that there is in such a study
contributes to my wanting
to wreak my bellied freedom
beneath crevices that sink as crevices do
in downward angled layers
to withstand the ages.

Dark hair gleams in contrast,
more for strip of scalp
than the trickle of red down my back.

Breached like sugar that candid—
starburst wings of Monarchs dripping ancient like sunsets
over magenta and milky mauve in the reeds—
my ankles revealed and inverted to the sky they glean, yet...

his arrival is delayed
when the pistol ***** three times.
The still of my breast compounds
with the steady union of the dark, and
somewhere denial flows with the sands.

So cycles change, like a fable for Eternal.

“Daughter of Heaven and Earth,” written by Dionne Charlet, appears in print in Cairo by Gaslight, the second anthology in the By Gaslight Series from New Orleans small press Black Tome Books.  Books in the series include New Orleans by Gaslight (ISBN 9780615801186) and Cairo by Gaslight (ISBN 9781516961528).  Both collections feature poetry by Charlet, under the pseudonym Dionne Cherie. Look for the upcoming anthology Paris by Gaslight, which will feature a poem of the same title by Dionne.

I thought about walking until my legs gave out;
The wind whistling in my ear,
The leaves silently chiming in the context.
My hands were cold and I was acutely aware of how frozen my face had become.
Each footprint was a part of myself I left behind.
I could have walked for evermore.
Making dents in the shallow ooze,
I took the earth with me.
I tried to use its power,
its goodness to fuel my vacant insides.

Why am I so self-absorbed?
Swollen bellied infants lie scorching in the heat.
Headache. Dried. Irritated.
Their faces leak of pain and nothing more.
They are scavenged birds that vultures seek,
Nesting on their parched skulls.
I wonder if they would cry if they had the equipment needed.
They still smiled, shaping their thin faces to a grin
I stand here full bellied, nourished, hydrated
and act like I have nothing
I have the earth in my shoes,
The capability to smile.
I should be thankful,
But instead I just walk.

that full bellied yellow moon
- night mother
golden globe
She sails majestic out over the lit sea
-fish must watch her from the deep
playing in her light
Ancient mother serene love
we see you
and our dreaming goes on.

i still can't believe that i spent almost two
hour's worth of coverage of
rugby league's world cup final...
the **** was i watching?!
          i spent a few hours prior
the game between rugby union's
match-off between wales and
south africa...
           **** me, what a cliff-hanger,
after Leicester City won the premiership
and south africa were beaten
by japan, i starting thinking:
   ***** boys gonna to be beat like
spreading butter on warm toast...
              but then i noticed how
there were no ***-bellied hulks in
           the rugby league teams...
    clones vs. clones...
               and the scrum when compared
to 8 bulls?
         i started thinking about what
i was seeing in the rugby league and immediately
got a *******...
      had to **** it off...
                 rugby league is like this
hybrid of rugby and american football...
makes no sense to me, whatsoever...
             why can you only make one
pass in american football while
all the other players are sparring pretending
to run?
         i get baseball only because
the vocab to understand cricket is too ****
difficult to allow a bat, a ball and a wicket
to be anything but complicated...
                and when compared to
a rugby union scoreline of 24 - 22,
6 - nil...
         you can score 7 goals in football...
         sorry to **** on the whole parade,
but rugby league is a mongrel of
rugby mixed with american football...
where's the line out for the throw in?
       and why is it always 3 versus 1
and then a tap on the shoulder
                   with the ref telling them to
get off so another can engage in a 3 versus 1
tackle?
              rugby union i get,
the well informed ref is a *******
  python of knowledge...
              football's ballerinas i get too,
footballers were always prone to drama
once they earned too much...
       rugby league? makes as much sense
to as american football...
                        throwing marbles makes
more sense... as does tic-tac-toe...
                     children are the game makers...
what idiot thought up the:
one throw, touch down!
                          what's that bit in the middle,
skirmishing pretending to box?
         i literally wasted 2 hours of
my time watching a world cup final
where a proper rugby scrum looks
like premature *******...
                            *******, practice
premature with a hard shaft of pure bone...
once you hit the oyster flesh of
a woman's genitals,
  pulling back your *******,
she'll start thinking less of a quickie
and more of a sunday morning...
                        god,
there's nothing as gorgeous as a foulness of
language in exchange for a clear
thought of: objectifying woman
by the ******-sack of a cow...
                       hey...
can you imagine the pervert finding a wife
in the mother of his child
by asking to also drink her milk?
       my... what an idea...
                     trans-eroticism...
      the subtle fetish that gets no kink
or whip or latex...
                              did i say that i watched
two hours of rugby league and thought
it was *******?
                      i must have,
i just remembered watching the scrums...
     and people do this professionally...
i wouldn't play this sport for leisure or hobby...
        as i never deemed a need
to appreciated boxing...
                           boxing,
metal head headbanging -
               i always preferred that sort
of "boxing" -
                             for some reason
i always preferred a game of squash
    to a game of tennis -
                    was it the whole "thinking outside
the box" aspect of the game?
            some sports are within the constraints
of confines...
                         and then there are sports
within the confines of constraints...
    like not hitting below the belt...
       well, you know -
           Beavis said - h'eh h'eh, i am cornholio!
while ****-Head just told a bad *** joke and
ugh ugh perversely sighed.

The cockroaches surrounded but one
Fair
Maiden;
Seeking Singapore and suns absent the, “other.”

I kicked one, her infernal and insect aside, oh
Fair
Maiden;
Fleeing his promise and same mistake I’d made prior.

So to, the unspoken alliance ensues, both sought and awry, our –
Recounted
Freedoms
Born the dogs that are kicked and the dogs bite back.

Veil and anew, below and bellied-up bugs;
Fair
Maiden
Conquered, “yes,” but, agreed, our ulterior master born body.

We no longer fear and be gone the spiny legs,
Fair
Maiden;
For carrion’s a distance and the fruit’s now atop nose;

We’ve learned to love again.

*Note - Smog-soaked sunsets at, "Rebel Rebel," in Guangzhou used to make for the greatest shards of diary I've ever encountered. In this case, she was running away from him and I was running away from her - we'd the same story, the same drink, and soon the same table. I should visit again, someday.

At the edge of morning--broad sky fine
And soft as peach skin--
The sun, a round, sweet skinless half--
Rilling water washes through gullied gorge,
Cresting fig root and tongue of cobbled stone,
Lazing into lacquered lake or placid pond;
Squat and pooch-bellied on flatly floating leaf,
The idle toad croaks his great guttural,
Glutted belch.

With a firm footed march, under sun and moonlight
We slowly advance towards December,
She was, like butter, so tender, I understood
We would sit near the camp and  compare notes,

A walk in the woods, we'd do,  smell wild flowers,
Gather ideas, without rhyme or reason, laugh together,
Life had an irregular graph, like always
And an internal logic, one needs to soon grasp,

There is nothing fool proof, here remember,
Sudden cloud bursts, land slide, thunder and flood,
Are no wonders, be ready to face wonders too as facts of life.
Every smart plan go burst, then what about windfalls, did you forget?

How can you loose heart, cry unconsoled,
We grasped every unwritten rule, so why cry?
Didn't we stand still and sense which way the wind blows?
Ever did we forget, to partake in  simple pleasures?

On every lake, with clear water ,we found time
To swim ****, competing with silver bellied fish, till we were tired,
On the shade of a tall mango tree you sat on my lap playfully,
We closed our eyes, snoozed a while, till the breeze woke us up again

**At  December, in the journey's end, we'd part ways, as it is said
Though alone, one always is,  this togetherness was really the meaning.

I
First Love

THOUGH nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.
But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.
She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.

II
Human Dignity
Like the moon her kindness is,
If kindness I may call
What has no comprehension in't,
But is the same for all
As though my sorrow were a scene
Upon a painted wall.
So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb
From human dignity.

III
The Mermaid
A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.

IV
The Death of the Hare
I have pointed out the yelling pack,
The hare leap to the wood,
And when I pass a compliment
Rejoice as lover should
At the drooping of an eye,
At the mantling of the blood.
Then' suddenly my heart is wrung
By her distracted air
And I remember wildness lost
And after, swept from there,
Am set down standing in the wood
At the death of the hare.

V
The Empty Cup
A crazy man that found a cup,
When all but dead of thirst,
Hardly dared to wet his mouth
Imagining, moon-accursed,
That another mouthful
And his beating heart would burst.
October last I found it too
But found it dry as bone,
And for that reason am I crazed
And my sleep is gone.

VI
His Memories
We should be hidden from their eyes,
Being but holy shows
And bodies broken like a thorn
Whereon the bleak north blows,
To think of buried Hector
And that none living knows.
The women take so little stock
In what I do or say
They'd sooner leave their cosseting
To hear a ******* bray;
My arms are like the twisted thorn
And yet there beauty lay;
The first of all the tribe lay there
And did such pleasure take --
She who had brought great Hector down
And put all Troy to wreck --
That she cried into this ear,
"Strike me if I shriek.'

VII
The Friends of his Youth
Laughter not time destroyed my voice
And put that crack in it,
And when the moon's ***-bellied
I get a laughing fit,
For that old Madge comes down the lane,
A stone upon her breast,
And a cloak wrapped about the stone,
And she can get no rest
With singing hush and hush-a-bye;
She that has been wild
And barren as a breaking wave
Thinks that the stone's a child.
And Peter that had great affairs
And was a pushing man
Shrieks, "I am King of the Peacocks,'
And perches on a stone;
And then I laugh till tears run down
And the heart thumps at my side,
Remembering that her shriek was love
And that he shrieks from pride.

VIII
Summer and Spring
We sat under an old thorn-tree
And talked away the night,
Told all that had been said or done
Since first we saw the light,
And when we talked of growing up
Knew that we'd halved a soul
And fell the one in t'other's arms
That we might make it whole;
Then peter had a murdering look,
For it seemed that he and she
Had spoken of their childish days
Under that very tree.
O what a bursting out there was,
And what a blossoming,
When we had all the summer-time
And she had all the spring!

IX
The Secrets of the Old
I have old women's sectets now
That had those of the young;
Madge tells me what I dared not think
When my blood was strong,
And what had drowned a lover once
Sounds like an old song.
Though Margery is stricken dumb
If thrown in Madge's way,
We three make up a solitude;
For none alive to-day
Can know the stories that we know
Or say the things we say:
How such a man pleased women most
Of all that are gone,
How such a pair loved many years
And such a pair but one,
Stories of the bed of straw
Or the bed of down.

X
His Wildness
O bid me mount and sail up there
Amid the cloudy wrack,
For peg and Meg and Paris' love
That had so straight a back,
Are gone away, and some that stay
Have changed their silk for sack.
Were I but there and none to hear
I'd have a peacock cry,
For that is natural to a man
That lives in memory,
Being all alone I'd nurse a stone
And sing it lullaby.

XI
From 'Oedipus at Colonus'
Endure what life God gives and ask no longer span;
Cease to remember the delights of youth, travel-wearied aged man;
Delight becomes death-longing if all longing else be vain.
Even from that delight memory treasures so,
Death, despair, division of families, all entanglements of mankind grow,
As that old wandering beggar and these God-hated children know.
In the long echoing street the laughing dancers throng,
The bride is catried to the bridegroom's chamber
through torchlight and tumultuous song;
I celebrate the silent kiss that ends short life or long.
Never to have lived is best, ancient writers say;
Never to have drawn the breath of life, never to have
looked into the eye of day;
The second best's a gay goodnight and quickly turn away.

i want to live in a world with truffula trees,
and caroling who's,
cats that balance objects on their head,
and raining green goo.

i want star-bellied sneetches,
dancing on beaches,
and colors,
on everything.

i want green eggs and ham,
offered by sam-i-am,
and a lorax to use sarcasm on me.

i want to escape reality,
and where better than childhood memories.

(This is a group poetry slam. The bolded lines are said in unison. I was in charge of the "yellow" sections)

A technicolor finish tainting paint on hate drenched signs
Alex: picketing picking away bits of lips, slicing silence into arms and hips
rainbows were not always so black and blue
Brigitte: yanked from the sky by a brood of vipers, dragged through mud and fire, pummeled until we see double.
Nicole: Poison placed on children’s tongues, “******” never tasted as sour as when describing
Audrey: translucent half circles shamed into not showing their true colors
Allie: We hide the private parts of ourselves, but what if our sheer existence clouds some sets of eyes with rage?
Even the speed of light can’t escape lids clenched tight like fists.  

Red
Brigitte: First crush is a hot sweat and perpetual throat lump
Molten shame gurgling beneath the tender flesh of your candy apple cheeks
Stains memory like spilled red wine
She was intoxicating
Red flecked rosacea readily recalls
Her name a cherry aftertaste, berry sweet yet crimson thirsty
red is the color of metamorphosis. of hormones misbehaving. of flushed ******* and a wish dancing on another girl’s lips.
Of bullseyes tattooed on wrists
Red is a warning of children’s taunts and old, wary eyes. It is the hue of thought blind hatred

Orange
Allie: The shade of autumn leaves slowly passing on
Grim reminders of slowly approaching school hallways that sneer taunts
Orange the color of names thrown into aching ears
******
Thrown into breaking hearts
Queer
Thrown into minds full of orange flickering bonfires of shame
Orange
The color of beautiful things slowly dying

Yellow
Alex: Like the caution signs on winding roads
Barely illuminated when the sky is too dark
Seen too late before a crash
Twisted metal ringing in our ears like
Twisted thoughts ringing in our ears like
When we recognize a crush that sets us apart
That tells us we're
Not normal, not right
Like fading bruises as we tell ourselves
That we're just yellow bellied cowards
As we tell ourselves
That on straight roads we wouldn't crash
And with straight hearts we wouldn't bleed

Green
Nicole: I feel sick
“A little green around the gills”
as I swim away is that why I’m drowning
in these murky waters of
“What if”s and “i don’t know”s
I have always been certain of the leafy canopies and garden inside of me
but this vine of uncertainty sprouted
and is choking me
I should not feel afraid for what I am because
this life is green and sprouting but there are
forest fires of hate spreading
We see the smoke signals all around us
our magnificent green fading to ashes

Blue and Purple
Audrey: Blue curtains block out the world that lurks just outside
Waiting to hurt me.
8 pm.
Purple dusk is gathering outside my walls
The same way the bruises on my heart threaten to eclipse the sun.
I'm scared.
I don't look at the veins  beneath my skin because they
Remind me too much of the purple-red blood
That spills too often from my arms,
Reminds me of my father's face
Purple with rage
When I told him
9 pm. Navy skies I will not see again
Purple pen writing apologies
Heart pumping blood too fast,
No time,
Can't breathe, face purple,
Can't breathe, face blue
Can't breathe.


They took away our rainbow. Let’s take it back.

Purple and Blue
Audrey: I love the way the sky turns lavender before the sun rises
I love the way your long hair and pale curves look
Against the blue sheets
I love not hiding who we are.
We should get Purple Hearts for all the times
The missiles of queer and butch have landed in
The midst of our embrace,
Launched by an unknown enemy before we were able
To twine our hands and hearts on small-town sidewalks
Laying under the lilac bushes,
Watching the day slip into purple dusk with firefly stars.
I love not hiding who we are.

Green
Nicole: once a cowering seed deep underground
Sprouting up through a crack in the slab of
concrete hate concrete rejection
because fresh life will destroy hate
even if it is slowly, one seed at a time
we are not weeds in your garden
green
a safe place the sun shining
fresh sprouting buds anticipating something beautiful
the prelude to a symphony of colors
green
sprouting from the earth
we do not need to prove that we are not unnatural
but grown from the same soil

Yellow
Alex: Somewhere in the middle of the rainbow like I'm
Somewhere in the middle of the spectrum
Associated with the sun and the stars but
Not with day and night
Because things are never quite as black and white as we make them out to be
Yellow, in the middle of pink and blue on the pansexual flag
Acknowledging that there are people out there
Who could love people like me
And yellow like dandelions
Changing daily into pieces drifting away
To end up regrown in dirt
Just like anything else

Orange
Allie: The shade of sunrise
A beautiful dawn of hope and opportunity
Peeking over the horizon
The passage of time and hopefully some ******* laws
Orange the warmth of a new day pouring some happiness into what once was a seemingly endless night
Orange the color of change

Red
Brigitte: sunshine ray burn cozy in your proud heart
blood rush, fire burst, lovesick intensity smoldering in your eyes
Red is a love fusion ignited inward and radiating out like a star
illuminating the night regardless of how dark the nothing is around it
Red is grown up, a rubicund shamelessness sewn with time into the marrow of your bones
Roll out the red carpet, paint roses on the town
Blood is not only death, it’s also life

Audrey: Acceptance!
Nicole: Life!
Alex: Hope!
Allie: Change!
Brigitte: Love!

**Pride comes in ALL colors

I felt empty. I didn’t know how to explain it either, I felt empty in the most hopeful way. My dancing skin cells all ached for you, and while I knew that sooner or later you would be in my arms, in that moment I still felt so empty without you.

It had been four hours since the blue, flowered tab dissolved under my tongue. The bitter taste of it was gone and I was left with a distorted world and the attention span of a goldfish.

I found myself in a park searching for you. I don’t remember how I got there. From the top of the slide I watched a filmstrip in the streetlight’s glare; two people were holding each other, they were dancing and smiling and laughing. I watched the patterns in the snow. I watched the tree branches grow and shrink, curling themselves like contortionists and I finally understood Dr. Seuss’s secret to writing his books. His worlds were not reality and this wasn’t either.

There was a person next to me. I don’t know when he got there. I knew him, but I might as well not have; he was just as much as a stranger as any.

“See that house over there?” I found myself saying, “Their sidewalk is moving. We should tell them their sidewalk is moving. They should call somebody about that.”

We burst into laughter.

In reality, their sidewalk was not moving. But this was not reality, and their sidewalk was turning over itself like it was ribbon instead of cement.

I got bored of the Truffula Trees. I parachuted down the slide to follow the footprints in the snow, footprints I was entirely sure were from the Star-Bellied Sneeches. They led me down street after street, I could not read the signs because of the flashing lights that overtook my vision.

I stopped in the middle of the street where the ground was a thick layer of ice. The stranger asked me how I was feeling, I replied with “I don’t even know where I am right now,” a saying not uncommon to come out of my mouth.

I couldn’t tell if it was five minutes or three hours later, but we were back at an apartment familiar to me. It was the stranger’s. You were still nowhere to be found, and the daydreams of your lips on my neck were driving me crazy. Even in this unreal world, I still remembered your taste and there was nothing I needed more.

For hours I watched the ceiling and the walls, silent. The world had been carved from crayons and somebody had a giant blowdryer to melt it all. I watched as the walls drip, drip, dripped onto the floor.

A light from somewhere else turned on and it was reflecting with the already glaring light.
“I feel like I’m inside of a CD,” I said to the stranger, trying to make him understand my Dr. Seuss world. “The lights are jumping everywhere, like the lights when you hold a CD in the sun. Do you hear the music too?”

With the empty feeling, the crayon walls and ceiling, and the jumping lights, I had to close my eyes. It felt so nice. I wanted reality back. I watched the kaleidoscope on the inside of my eyelids and tried to sleep.

I still wondered where you were. I wondered why anything would stop us from being together right now, why is there a force in the world that could willingly take my home away from me? Without you, I realized I am nothing more than cells escaping the body they form; I am not a being but rather a mind living in an alternate reality. In the Dr. Seuss world I float, in the real world I am anchored to you.

As I drifted off to sleep, hoping to wake up in the real world because I was sick of the patterns moving on inanimate objects, your words hung in my ear. “Goodnight my beautiful girl, I love you so.”

You are my home. I am empty, aimless, and unreal without you. I do not find comfort in Dr. Seuss’s worlds, nor do I find comfort in the real world.

When the world is made of melting crayon and my cells are bouncing out of their perimeters, you are real and you are refuge for the lost and drugged girl.

“Goodnight my beautiful girl, I love you so.” The words tasted so sweet I almost wanted to cry.

Outside, but not so far away,
Missiles are falling;
Early snow has settled
Beneath gray overcast....
Sirens in the distance
Send their low moan
Across the miles...
Echo faintly in our canyon.

Too cold for lightning,
We turn away from light
Flickering or flashing
Upon the bellied skies...
Don't want to think
About the thundering
The light implies.

Muffled sound and muted light
Confirm our living
Away from town.
Perhaps we are
Far enough....
These days, though,
Places to run are few,
And war is moving out.

At least the news has stopped....
Was sporadic
Then...
Stopped altogether
Now.
Almost a relief....

The coal oil lamp -
Her mother's mother's -
Burns a reddish glow...
Diesel's charring smudge...
Comforts us
In a growing dark.

Roast potatoes,
Rabbit stew,
Pickled beets...
No bread this time
As I uncork chokecherry wine...

And it is summer 1999....
We are standing in tall grass
Somewhere between Red Lodge
And Laurel along the road,
Ice cream pails echoing
With plopping chokecherries
Near black and hanging thick
Like miniature clusters of grapes.

We are there to beat the birds and bears,
Knowing choke-cherrying
Is the hurried work of many races,
Some wearing claws upon their heavy hands,
Others flitting in with beaks upon their faces.

And then the kitchen smells of cherries boiling down
For syrups and for jam,
The old ten gallon glass fermenting juice and sugar,
Stands waiting in the corner,
Later to be filtered off and corked away
In twice-used bottles....

Other years and other picking times
Lie bottled  in wooden racks below,
But we have chokecherry wine tonight,
While storms we never thought we'd know
Blow hard against the world.

The ***-bellied Mercedes squealed
As Meursault withdrew and
Marvelled at the flames
Licking
The air
Like marigolds on Ritilin.
'Raymond would have no reason not to admire this act.'
He stopped by a shimmering sea of Ubers.
The scrape and drawl of siren made no impression on him.
Leaking smoke reminded him of
Snow White’s Cottage
Where he had taken Marie when Lucie was born:
The place where he would go out at dawn to chop wood.
He liked the way her roses played
With the restlessness of children.
Then he thought: 'if only mother could see me now.'