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"behan" poems
Udd jayegi ek din chiraiya chhodhkar babul ka ghar, Basane ek naya aashiyana sabhi ke aankho ko bhar, Vidai ka hota hai ye kaisi bela, Kyu hamesha jana padta chhod us kali ko hi akela, Beegh jati hai mata-pita ki palkein vidai ke pal, Jab aata us baag me chahchahane wali chidiya ki judai ke pal, Bahut si yaadein  chhoti aankho me sajaye hue, Ro rhi hai maa pari ko gale lagaye hue, Papa ki pyari gudiya aaj sazkar sasural chali, Tham ke hath humsafar ka ek nye dwar chali, Jahan  pali badi wo pyari gudiya chali hai aaj us ghar ko chhod, Karke suna ek aangan ko pita ki aankhon ko bhar, Na jaane kyu beti ko janam se hi paraya btaya , Aakhir kisne ye  riwaz banaya , Nikalkar apne **** se ek pita apni jaan , Bahut bada dil hai ek pita ka jo kar dete hain kanyadaan , Waqt ka kaisa hai ye dastoor  Na jaane kyu ek beti ko jaana hota hai dur , Chali hai aaj papa ki gudiya , Chhodhkar apne aangan ki nindiya,  Yaadon ki jhadi dil mein basakar chali hai maa ki jaan , Chhod ke sabkuch apna Banane ek nayi pehchaan, Babul ki laadli kab ** gayi badi, Aayi hai dil ko chhune wali ghadi, Jis  ghar me pali,us ghar ko alwida kaise kahegi, Maa baba behan bhai bin wo gudiya kaise rahegi, Vidhata ne ye kaisa niyam hai banaya, Chhod ghar babul ka,ek naye ghar ko basaya, Dekh tyad ek bitiya ki us khuda ki bhi *** aankhen bhar, Udd jayegi ek din chirraiya chhodkar babul ka ghar, Babul ka ghar......... Composed by Sonia Paruthi & Shrivastva MK
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Mar 22, 2018
Mar 22, 2018 at 2:23 PM UTC
UDD JAYEGI EK DIN CHIRAIYA CHHODKAR BABUL KA GHAR
“Oh you’re Irish?” he said. “Did you learn the language much?” he said. Honestly, what can I tell him? I was raised in the North - a ****** wasteland for such a naïve question. Vague memories of fumbled classes where our secret history was ditched just to get straight into the basics (Cad é mar atá tú?) No – seriously - I was not tied to it – it was anonymous to me at that age. Forgotten like some distant echo of once visiting Coole House as a child. Sure, we knew it was “important”, “our national language”, “heritage” etc. and we were warned it was quickly slipping into the drain of Western hegemony. But it was baffling, unsexy and only the blunt-faced humorless IRA thugs amongst us were in any way keen. Then it was gone, just like the faded memories of “The Children of Lir” from my primary school. Looking back I wonder, what was the point? A half-full measure paying lip service to our identity. Teachers and headmasters terrified of the grand colonial reveal that the lessons might have hinted at (were they trying to stop us being Provos-in-waiting?). And all of this against the awful shame of a common tongue that had no foe yet was slowly vanquishing from our shores. It could have all been so different. Rather than rushing to get something in our empty skulls, they could have given us a sense of joy, pride & belief in our own culture. Calling on Yeats, Behan, Heaney and others to drown us in the language of our ancestors. Telling the stories of old that only the academics & hippies were keeping from us then. You know, it might kept us all on the same beautifully illuminated page. We might have been comfortable in our skins and open to others, not looking deep into our worthlessness and lashing out at them. Language is being and language is connecting, I’ve learnt. But that’s not something I got from my secondary school. June-July 2018
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Sep 12, 2018
Sep 12, 2018 at 6:06 PM UTC
Teanga (Language)
“Oh you’re Irish?” he said. “Did you learn the language much?” he said. Honestly, what can I tell him? I was raised in the North - a ****** wasteland for such a naïve question. Vague memories of fumbled classes where our secret history was ditched just to get straight into the basics (Cad é mar atá tú?) No – seriously - I was not tied to it – it was anonymous to me at that age. Forgotten like some distant echo of once visiting Coole House as a child. Sure, we knew it was “important”, “our national language”, “heritage” etc. and we were warned it was quickly slipping into the drain of Western hegemony. But it was baffling, unsexy and only the blunt-faced humorless IRA thugs amongst us were in any way keen. Then it was gone, just like the faded memories of “The Children of Lir” from my primary school. Looking back I wonder, what was the point? A half-full measure paying lip service to our identity. Teachers and headmasters terrified of the grand colonial reveal that the lessons might have hinted at (were they trying to stop us being Provos-in-waiting?). And all of this against the awful shame of a common tongue that had no foe yet was slowly vanquishing from our shores. It could have all been so different. Rather than rushing to get something in our empty skulls, they could have given us a sense of joy, pride & belief in our own culture. Calling on Yeats, Behan, Heaney and others to drown us in the language of our ancestors. Telling the stories of old that only the academics & hippies were keeping from us then. You know, it might kept us all on the same beautifully illuminated page. We might have been comfortable in our skins and open to others, not looking deep into our worthlessness and lashing out at them. Language is being and language is connecting, I’ve learnt. But that’s not something I got from my secondary school. June-July 2018
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Jis phul ne koi galati hi nahi ki, Use kis baat ki saza diya ja rha hai, Es duniya me aane se pahle hi kyu use maar diya ja rha hai, Ai Khuda kyu aise janwar ko tune banaya, Ek chhoti kali ko pet me hi maar khud ko insaan btaya, Na maaro us phul ko jisme us bhagwan ka hai waas, Ek din aisa aayega jab ** jayega puri shristi ka naas Arey nasamjh insaan sirf bete ki hi aas lagaoge, To phir maa, behan aur dulhan kahan se paoge, Mata-Pita ki galati ki saza us chhoti kali ko diya jata hai, Ek chhote se andhere ghar me hi use maar diya jata hai, Wo kali bhi baar baar unlogo se karti pukar, Hey Maa-Baba mujhe pet me hi mat maar, Ye duniya ek baar mujhe bhi dikha de, Apne amrit ki ek ghunt mujhe bhi pila de, Nanhi si jaan tou hai bekasoor, Maar kar hi aakhir kyu milta hai pathar dilon ko suroor, Wo bhi dekhna chahti hai duniya, Janam lene se pehle hi Jaan gawani padti hai oo gudiya, Apne hi hathon ukhed dete hai apne hi aangan ka phool, Kaisa hai ye bereham logon ka usool, Kismat wale hote hai wo insaan, Jinki kokh mein dete hain betiyan bhagwaan, Beti hai ishwar ka hai en anmol uphaar, Jeene ka us nanhi jaan ko bhi hai adhikaar, Sharam aati hai logo ki is ghatiya soch par, Taras aata hai unpar Jo apne hi ansh ka dete hain maar Devi ka karte hain jo tiraskaar, Banao ek naya usool Beti ko karo qubool Jeevan ka hai ye adhaar Banta hai inhi se sansaar, Likh us phul ka dard hamari aankhen bhar aai, Teri banai duniya me O mera khuda ye teri kaisi khudai.. Ye teri kaisi khudai... Collaboration by Manish Shrivastava and Sonia Paruthi
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Mar 23, 2018
Mar 23, 2018 at 10:12 AM UTC
Nanhi si jaan ka balidaan
Jis phul ne koi galati hi nahi ki, Use kis baat ki saza diya ja rha hai, Es duniya me aane se pahle hi kyu use maar diya ja rha hai, Ai Khuda kyu aise janwar ko tune banaya, Ek chhoti kali ko pet me hi maar khud ko insaan btaya, Na maaro us phul ko jisme us bhagwan ka hai waas, Ek din aisa aayega jab ** jayega puri shristi ka naas Arey nasamjh insaan sirf bete ki hi aas lagaoge, To phir maa, behan aur dulhan kahan se paoge, Mata-Pita ki galati ki saza us chhoti kali ko diya jata hai, Ek chhote se andhere ghar me hi use maar diya jata hai, Wo kali bhi baar baar unlogo se karti pukar, Hey Maa-Baba mujhe pet me hi mat maar, Ye duniya ek baar mujhe bhi dikha de, Apne amrit ki ek ghunt mujhe bhi pila de, Nanhi si jaan tou hai bekasoor, Maar kar hi aakhir kyu milta hai pathar dilon ko suroor, Wo bhi dekhna chahti hai duniya, Janam lene se pehle hi Jaan gawani padti hai oo gudiya, Apne hi hathon ukhed dete hai apne hi aangan ka phool, Kaisa hai ye bereham logon ka usool, Kismat wale hote hai wo insaan, Jinki kokh mein dete hain betiyan bhagwaan, Beti hai ishwar ka hai en anmol uphaar, Jeene ka us nanhi jaan ko bhi hai adhikaar, Sharam aati hai logo ki is ghatiya soch par, Taras aata hai unpar Jo apne hi ansh ka dete hain maar Devi ka karte hain jo tiraskaar, Banao ek naya usool Beti ko karo qubool Jeevan ka hai ye adhaar Banta hai inhi se sansaar, Likh us phul ka dard hamari aankhen bhar aai, Teri banai duniya me O mera khuda ye teri kaisi khudai.. Ye teri kaisi khudai... Collaboration by Manish Shrivastava and Sonia Paruthi
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Yaha Maa beti behan patni parivaar ki Shaan h... Ha ye Mera ni hamara hindustan h.. Yaha Har muskilo ka Hal nhii... Par Har javaab Geeta, Bibal, aur kuraan h... Yaha beta aur beti dono parivaar ki Shaan h.. Ha ye Mera nhii hamara hindustan h.. Jahan Har muskilo mein apno ka saath h.. Bacho k sir par Maa baap ka haath h.. Yaha beta Maa ki aur beti Papa ki jaan h.. Ha ye Mera nii hamara hindustan h.. Jahan alag alag bhashao ka Mel h hockey yaha ka priy khel h . Jhagde bahot h par usse jyada pyaar h... Daat padne se jo bachae vo yaaro ka yaar h.... Yahan alag alag desho ki mithas aur sanskaar h... Yahan alag alag desho ka rang punjab kashmir aur rajasthan h... Ha hme garv h is desh par qki ye Mera nhii hamara hindustan h....
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Mar 20, 2018
Mar 20, 2018 at 1:39 AM UTC
Hamara hindustan
My books are piled in the Hallway, The Girlfriend wants me out, She can keep all the household cargo the insecurities and doubt. I don't care much for chrome Toasters Just give me my Damon Runyon, Brendan Behan, James Joyce, Ernest Hemmingway, Jack Kerouac and Jack London. Albert Camus, Seamus Heaney, Patrick Kavanagh Mayakovsky and Roger McGough, the Steamer, bread -maker, Asparagus- spearer Are all yours, I'm ******* off. Just give me a dozen or so boxes, Not those ***** looks, Your welcome to the giant fridge-freezer, All I want, are my books
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Jan 24, 2016
Jan 24, 2016 at 3:52 PM UTC
Bookself
Yes, the catalyst. I turned out to be a caricature of behan, a small starter, echo to a happy ever after, a new beginning, in the middle of a statuesque comedy panic that waits on the drive in saturday, falls and follows and added on potential to the carnage that heartbreak hotel, high five, backpatting, handshakes in quicksand they slow dance your thoughts then swallow your resistance to a cupid mind numb florescent kiss eh another kiss to remember. hindsight blind to madness, get into insight, to real the reel for reel nonstop blindness.
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Dec 7, 2012
Dec 7, 2012 at 9:18 PM UTC
florescent kiss
The Day Lady Died It is 12:20 in New York a Friday three days after Bastille day, yes it is 1959 and I go get a shoeshine because I will get off the 4:19 in Easthampton at 7:15 and then go straight to dinner and I don’t know the people who will feed me I walk up the muggy street beginning to sun and have a hamburger and a malted and buy an ugly NEW WORLD WRITING to see what the poets in Ghana are doing these days I go on to the bank and Miss Stillwagon (first name Linda I once heard) doesn’t even look up my balance for once in her life and in the GOLDEN GRIFFIN I get a little Verlaine for Patsy with drawings by Bonnard although I do think of Hesiod, trans. Richmond Lattimore or Brendan Behan’s new play or Le Balcon or Les Nègres of Genet, but I don’t, I stick with Verlaine after practically going to sleep with quandariness and for Mike I just stroll into the PARK LANE Liquor Store and ask for a bottle of Strega and then I go back where I came from to 6th Avenue and the tobacconist in the Ziegfeld Theatre and casually ask for a carton of Gauloises and a carton of Picayunes, and a NEW YORK POST with her face on it and I am sweating a lot by now and thinking of leaning on the john door in the 5 SPOT while she whispered a song along the keyboard to Mal Waldron and everyone and I stopped breathing
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Apr 25, 2015
Apr 25, 2015 at 10:58 AM UTC
FRANK O'HARA
Last night as I slept I dreamt I met with Behan I shook him by the hand and we passed the time of day When questioned on his views On the crux of life's philosophies He had but these few clear and simple words to say I am going, I am going Any which way the wind may be blowing I am going, I am going Where streams of whiskey are flowing I have cursed, bled and sworn Jumped bail and landed up in jail Life has often tried to stretch me But the rope always was slack And now that I've a pile I'll go down to the Chelsea I'll walk in on my feet But I'll leave there on my back Because I am going, I am going Any which way the wind may be blowing I am going, I am going Where streams of whiskey are flowing Oh the words that he spoke Seemed the wisest of philosophies There's nothing ever gained By a wet thing called a tear When the world is too dark And I need the light inside of me I'll walk into a bar And drink fifteen pints of beer I am going, I am going Any which way the wind may be blowing I am going, I am going Where streams of whiskey are flowing I am going, I am going Any which way the wind may be blowing I am going, I am going Where streams of whiskey are flowing Where streams of whiskey are flowing Where streams of whiskey are flowing
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Feb 7, 2017
Feb 7, 2017 at 5:04 PM UTC
Streams of Whiskey - The Pogues
I'll miss you and your absence will haunt me..... You will be not there but your memories will surround me........ Your hugs will disappear but your words will comfort me........ The way you tell BEHAN will always remain with me....... All these boomerangs will then provide goosebumps to me...... Our pictures, songs,talks and each shared laughs will always be around me...... Doesn't matter how far...you go...you will remain inseparable part of me........ Words cannot express my love for you....... After you your written notes in my copy express you with me..........
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Jan 24, 2018
Jan 24, 2018 at 9:15 AM UTC
Will miss you
I was court-martialled in my absence, and sentenced to death in my absence, so I said they could shoot me in my absence. **** I am a drinker with writing problems.
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Aug 8, 2018
Aug 8, 2018 at 3:58 AM UTC
The Great Brendan Behan Quotes,