Submit your work, meet writers and drop the ads. Become a member
peter oram Dec 2011
AMBIGRAM VIII

Recto:

Yesterday was Christmas, and the days
already start to grow a little longer.
In our hand, the new year‘s fledgling, stronger
though more fragile too in many ways

than this bedraggled, aging crow, its song a
a sad, repeated phrase among the blackened
trees along a river. So sit back and
raise your glasses to it, do the conga,

auld lang syne, then hit the sack. And black and
white explode, a throng of rainbows—gaze!
You‘ll see it, wakened in  the morning haze,
ascending as the tethering s?tring is slackened:

Verso:

Yesterday was Christmas, and
the days already start to grow
a little longer. In our hand,

the new year‘s fledgling, stronger  though
more fragile too in many ways
than this bedraggled, aging crow,

its song a sad, repeated phrase
among the blackened trees along a
river. So sit back and raise

your glasses to it, do the conga,
auld lang syne, then hit the sack. And
And black and white explode, a throng of

rainbows—gaze! You‘ll see it, wakened
in the morning haze, ascend-
ing as the tethering string is slackened.






















































­
































































­
































































­
































































­
































































­
































































­
































































­























































AMBIGRAM
­
Recto:

Yesterday was Christmas, and the days
already start to grow a little longer.
In our hand, the new year‘s fledgling, stronger
though more fragile too in many ways

than this bedraggled, aging crow, its song a
a sad, repeated phrase among the blackened
trees along a river. So sit back and
raise your glasses to it, do the conga,

auld lang syne, then hit the sack. And black and
white explode, a throng of rainbows—gaze!
You‘ll see it, wakened in  the morning haze,
ascending as the tethering s?tring is slackened:

Verso:

Yesterday was Christmas, and
the days already start to grow
a little longer. In our hand,

the new year‘s fledgling, stronger  though
more fragile too in many ways
than this bedraggled, aging crow,

its song a sad, repeated phrase
among the blackened trees along a
river. So sit back and raise

your glasses to it, do the conga,
auld lang syne, then hit the sack. And
And black and white explode, a throng of

rainbows—gaze! You‘ll see it, wakened
in the morning haze, ascend-
ing as the tethering string is slackened.






















































­
































































­
































































­
































































­































































A­MBIGRAM

Recto:

Yesterday was Christmas, and the days
already start to grow a little longer.
In our hand, the new year‘s fledgling, stronger
though more fragile too in many ways

than this bedraggled, aging crow, its song a
a sad, repeated phrase among the blackened
trees along a river. So sit back and
raise your glasses to it, do the conga,

auld lang syne, then hit the sack. And black and
white explode, a throng of rainbows—gaze!
You‘ll see it, wakened in  the morning haze,
ascending as the tethering s?tring is slackened:

Verso:

Yesterday was Christmas, and
the days already start to grow
a little longer. In our hand,

the new year‘s fledgling, stronger  though
more fragile too in many ways
than this bedraggled, aging crow,

its song a sad, repeated phrase
among the blackened trees along a
river. So sit back and raise

your glasses to it, do the conga,
auld lang syne, then hit the sack. And
And black and white explode, a throng of

rainbows—gaze! You‘ll see it, wakened
in the morning haze, ascend-
ing as the tethering string is slackened.






















































­
































































­
































































­
































































­
































































­
































































­
































































­



























































AMBIG­RAM

Recto:

Yesterday was Christmas, and the days
already start to grow a little longer.
In our hand, the new year‘s fledgling, stronger
though more fragile too in many ways

than this bedraggled, aging crow, its song a
a sad, repeated phrase among the blackened
trees along a river. So sit back and
raise your glasses to it, do the conga,

auld lang syne, then hit the sack. And black and
white explode, a throng of rainbows—gaze!
You‘ll see it, wakened in  the morning haze,
ascending as the tethering s?tring is slackened:

Verso:

Yesterday was Christmas, and
the days already start to grow
a little longer. In our hand,

the new year‘s fledgling, stronger  though
more fragile too in many ways
than this bedraggled, aging crow,

its song a sad, repeated phrase
among the blackened trees along a
river. So sit back and raise

your glasses to it, do the conga,
auld lang syne, then hit the sack. And
And black and white explode, a throng of

rainbows—gaze! You‘ll see it, wakened
in the morning haze, ascend-
ing as the tethering string is slackened.
1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.

The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.

The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.

Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.

The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.

The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.

The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.

The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.

Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.

In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.

As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.

I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.

The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.

First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.

The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.

Layers of the
peoples plaza are
plained away with
each rising gust.  

History repeats
itself as the Joad’s
are routed from their
land once again.

A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.

As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.

We the people
can no longer
see ourselves.

The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.

The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.

From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?  
Has the dear prize
won perished from
this earth?

Was the illusive
article of liberty  
worth its weight in
the blood expended?

Did the people ever
fully realize the value
of government
by the people,
for the people?

Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?

Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.

The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.  

Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.

Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered  from
last summer’s
freak earthquake.

I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.

2.

The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.

WWII forms the
cornerstone of
understanding the
pathos of the
American Century.

During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.

As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.

Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.

Today federalism
crumbles as our
democracy withers.

The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.

Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.

We have mortgaged
our future to pay
for two criminal wars.

The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.

Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.

America desperately
needs a new narrative.

The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.

The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.

It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.

Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.

3.

During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.

Thank goodness
Dolly Madison saved
what she could.

The new marauders
are not subject to the
pull of nostalgia.  

They value nothing
save their
self enrichment.

They will spare nothing.

Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.

The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.

From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing  
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.

The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.  

The capitol is
indeed burning
again.

Looters are
running riot.

The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.

Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.

MLK has lost
his humanity.

He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.  

MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.

Circling back to
Father Abraham’s
Monument,  I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.

I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.

This confederacy
is ready to torch
the White House
again.

Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.

They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.

4.

A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.

The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.

Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.

Citizens
dependent
on programs
are leery
shareholders
are ecstatic.

To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.

5.

DC is a city
of joggers
and choppers.

Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.

USMC drill team
out for a morning
run circles the Mall.

The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.

A crowd  
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.

I try to consider
the defining
characteristics of
Washington DC.

DC is all surface.

It is full of walls
and mirrors.

Its primary hue
is obfuscation.

Open
communication
scripted from well
considered talking points
informs all dialog.

The city is thoroughly
enraptured in narcissism.

Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.  

Vanity imprisons
the city inhabitants.

Young joggers circle the
Mall and gerrymander
down every pathway
of the city.  

They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.

They are the children
of privilege.

They will never
alter their path.

You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.

These young ones
portray a countenance  
of benevolent rulers.  

They seem to be learning
their trade craft well from
the senators and judges
whom they serve.

They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.

6.

Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.

I pause to consider
what a great nation
and its great people
once aspired to.

I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.

Today America’s
astronauts hitch
rides on Russian
rockets.

America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.

Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.  

I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.

I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”

The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.

The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.

I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.

The pursuit of science
remains safe at the
Smithsonian for now.

7.

Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.

The homeless
occupy the benches
that have been
transformed into
pup tents.

Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.  

The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.  

Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.

Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.

I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?

I have more in common
then I probably wish to
admit with my K Street
antagonists.  

In another section
of the park the
remnants of a
distressed OWS
bivouac remain.

The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.

As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.

They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.

I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.

If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.

8.

I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.

My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.

My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.

The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.

Yet they remain
inert.  

Stuck in a
place that the
nation finds
impossible to
leave.

The eyes of the
men stare into
an incomprehensible
fate.  

They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.

They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.

America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.

Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.

I am a comrade-in-arms,
a fellow wanderer sojourning
with th
Hasan Maruf Jul 2017
I…I heard the footstep
I…I wondered what…what was that?
I…I heard an indistinct rumble
I…I hastily desisted and urged me to rest
Until I heard the vicious whisper
Thundering behind my doorstep
Tremulously had I reached the door
Looking through the mirror conduit
I paused, gasped and breathed deep
What I heard was a staccato shriek
Bludgeoning violently against
My chamber door with a ghastly peep
Suddenly the sound dissipated awhile
But the fiendish murmur did beguile
Thrusting my heart into a pacific exile

It was an unearthly maiden from the yore
Causing me to tingle to hear her dark lore
In the night of my lone and lousy submission
I was metamorphosed into a ghost
Dissevering the soul from my dainty robe

I…I felt a flitting shudder then a flirting flutter
In the middle of a tormenting stutter
Before consummation with this maiden
Brewing out from the obscuration of her colour

I felt torrid phosphorescence on my forlorn bed
While, I envisioned specter of unhallowed dream
Forming like fungus inside my foamy stream
Overpowering the sputter of my night scheme

I...I thought for a while, the montage
Of these dreams must be from the arch evil
But soon the slumber began to feast
On my turbulent bliss, I reveled
At the very opportunity of unwinding
The gospel of her love forsaken Lenore
Laden with the riddle of her dark lore!

I…I lingered a little before lending my ear
To the haunted mysteries of the maiden’s air
I betook my bedraggled knife
Waited for what comes within my purview
Before engaging myself in a valorous view

Meanwhile, in my chamber of cadaverous blue
I noted a rotting odors passing by
In the hallway through my door
Suddenly, it was lit with translucent light
While, the horror tossed me into a grim plight
On the floor, I discovered a casket of a corpse
Irritably birthing the wild bubble of iced trill
It felt like a purring puff then it was all still

I decided to eavesdrop the rasping whimper
Gushing out from its muted shrill
I…I betook my bedraggled knife
More so to scan the harmony of his strife
Enough, enough I deplored wearily with delight
To get to open the portal of his hidden life

I ... I betook my bedraggled knife
I plowed it through his skin
Cautiously, I devised my amputation
With various degrees of incision
From its protoplasm up to chin
But, I could find nothing but meats
Muttering unrequited love
Lisping ominous yearning of his
To be reconciled and resigned with
Demoniacal feat of maiden’s heartbeat

I…I betook my bedraggled knife
Looking into my works, I could
Not thwart a languorous temptation
As the soft, serene and slow cadences
Of the maiden stirred me to waive
Into the vault of unmarked grave

She gave me my disheveled knife
An incandescent beauty I saw therein
Eyes open, shining like the moon
I decided to use my entire prowess within
Speculating my life to be ended soon

The maiden carried me along down the hallway
With the other corpses I am to dwell in all gay
In her livid *****, in her phantom palace of gray
I heard the chuckling corpse open his tongue
Singing all those songs which never were sung
I managed to utter my name with a rusted voice
Intimating that I won’t be alone and forever rejoice

The turbid night ended with a dusky dawn
Being bemused, my blood bedewed knife
Regaled at the sight of this phenomenon
[A horror poem]
Julian Jul 2016
Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So Jim, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul armed to the teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives staying alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on a horse with no name but so consumed with fumes

A fright occultist thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from 1967 to 2016 and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam
Keith J Collard Aug 2012
Colonial mansion, in an ocean of grass,
windows aglow as I walk past.
funeral service now used of verandah,
but I hear music, not mournful stanza.
french doors open to a reminisce,
with boyhood heart, of vitreous.

Footfalls on parquet floors,
tux and gown past crown moulded doors.
captured ambiance of a setting sun,
shown from chandeliers highly hung,
day I was born, born the day of prom,
I smiled cordially, and my date fawned.

Girls betrothed by corsage on wrist,
rare french curls--a lunar eclipse.
bedraggled boys now dapper and genteel,
vest and bow-tie, a knightly feel.
chapperesses smiling at maidenly gait,
happy drowse in  mansion estate.

Cuff-links, silk gloves, nail polish of gloss,
beheld tonics and sweets, carefully aloft.
opening cord, an arrow from cupid's bow,
striking coquettes to their tippy toes.
they sprang to dance,I stepped back,
invisible in shadow with tux of black.

Shoulders, lake ripples easing to shore,
hips, gentle waves, right before they pour.
boys stiff, as if waists beheld sabers,
legs, sweeping brooms of on shore waiters.
"your too handsome to stay here unseen,"
said rivaling chaperess, past semblance of queen.

"You should dance ,"said glittered lips of pink,
bent like sparrow wings, during teacup drink.
privy to why in shadow I hid my blush,
her class my crush, that crushed me so much.

She strained me, even the shadows she gave,
black silk, stretching,--convex and concave.
crude metal and wood classroom seat,
clasped her waist of slender physique.
she was guarded by a window in curtain mail,
and tended to by servants of light and gale.
light loved her skin of Mediterranean sand,
and wind enthralled by each and every brown strand.

Light penetrated strands, blondly hot,
wind would blow, cooling pony tail off.
her shadow curtsied under my desk,
long legs danced in irritableness.
mourning class is abuzz with scent of prom,
flower not frost, rules the school's dawn.

I gave my consent, to an earlier invite,
then on, suitor blinded me with light.
and Great Gatsy, and looming prom night,
subjects of sparrow wings pressed tight.
" show of hands, who do not have a date?"
slender wrist arises, from an arm curvate.

alone, she shown that no one asked her,
this stone of Rome amongst boys of plaster.
hand fell with boy of teachers match,
wind shrouded her,from the window sash
rays gave discomfort,to gaze her way,
but I looked through burning ray--

To see a trace of a tear,in eyes ovate,
a goddess unsought, with sadful face.
I, poor, fatherless, could not possibly go,
to prom with princess of arched portico?
I could not interweave my hands to dance,
or know where I could place my glance.

Wind blew a scrap from her desk, indiscreet,
it was pierced by light at my feet.
"will" and "with" were dotted with a heart,
"prom" and "me" before most painful part.
my name in her beautiful free hand,
the color red from hearts inkstand.

(Class bell rings) I travel over star lit lawn,
the music gets louder as I return to prom,
eyes turn to cotton, in shadow as I ponder,
as pain was forgotten, I came upon her.
invisible hands, lifted my chin to a red shape,
our eyes met, her's smiling, mine agape.

Only a glass-maker could imagine my sight,
seeing hot curves form in dance floor light.
only a wax-wing could have rivaled her eyes,
waves gently broke to gown down her thighs.
"will you dance with me,"she softly entreated,
" I don't know how,"a coward repeated.

A princess which tournaments were held,
for which every timber of mansion were felled.
not for Rome the mansion's Corinthian column--
--for her--from quarry prom did befall them.
I could not tarnish this feminine form,
with my lineage in crown she adorned.

I turned from beauty, to dark acres tread,
under willow, I play the last thing she said--
my name--as I shunned from last chance,
now back under willow, cane marks my stance.
I have preserved her forever, shying fate,
even if it was with my own heart-break.

I still see her--in the most beautiful prom poses--
--still--as lights flicker out and a coffin closes.
Revolute Jay Aug 2012
It’s true. There are things I always rethink over.
I want to talk about this life, and the numbered corners
We back into, as each one before becomes a blur
I need to find those escaped outlawed words
Those thoughts that are dreams that are life I never said
Or ever read
In the newspapers full of despair & odes to the dead

Here I am, again. Scratching my head..
Solitary confinement in the tip of my pen
I hope I can hear the rain on a tin roof again.
I want to rescue each petal of this tired rose
Been told they hate getting wet, maybe they should close
Perhaps that’s a tangent better left to the prose..

I want to discuss the melody the earth plays as it spins
One day the clocks will melt, and time then will win
I want to pick these roses, struck by a thorn or two
I’ll rescue the weakest and give them all to you

I want to speak for every part of me.
Pronouncing the syllables of my arms through my neck
Feeling that same stutter I can’t ever forget
Or enunciating the words of America
It sounds like the inflection of grief
She’ll lead you to where hearts now lay limp
As all of her feels the pain in her feet
Composed of beings accepting defeat

But I can tell you about my motherland, or the hardness of her hands
As she struggles at the top, or the bottom of the can
Can do little more without much help to survive
First world problems? How about just keeping this life.

It’s ok if you’re lost. Go ahead, misunderstand.
Don’t tell us to work harder, poverty wasn’t planned

America, my other parent, imposed many countries
But Nicaragua is in tune with my heartbeat.
Now, how many secret wars are we fighting?
Like you’re ******* Genesis, the beginning of country
Well this is not why God himself sent me.

The great immigrations to one, emigrate with frustration
Looking for a better life, not just land; a nation.
We’ve graduated, far past the burning of witches
Although love may have been present, it was absent in ditches
Dug for the masses all over the world
Tell me the numbers don’t make your toes curl.

Like the owned. the bedraggled one in the line
Each of us in some way forever confined
To the cuffs of dark pigment or hair
The accent that these tongues flick out in the air,

I wanted to talk about the sky at jet-packed speeds
The broken men and that mystery
The wonder hiding on the other side of the reef
Or how certain dogs are not dogs, but a four legged beast
We put our ideas on those who can’t even speak
Judging and pointing deflecting our peak
Of feeling internally smaller and weak.

I want to talk about the man who hit on me last week
And the secrets that I have no real reason to keep
Perhaps tally up the hours and days without sleep
Or the relative meanings of victory or defeat.

I want to talk about the boy who was shot next to me
And the eyes on the girl who got away this past week
And now these heart valves have sprung a leak

There’s a reason I passed that spelling test in 4th grade
It’s a pact that me and some other nerd made
This test for some homework was the almost real trade
But then I studied anyways, suddenly was afraid
To be a real cheater at such a young age
So I waited until I was tired and baked
To cheat off of Tee Kay in the 8th grade.

I wanted to talk about the wonders of our skies
We see breathtaking birds and flutterbys take flight
Or how about the negative connotation with night
Instead of endless wonder, it’s dark, dead and trite.
Only letting the positive notions be awarded to light.

I want to talk about the things we all know
Like when someone asks you “what did he say?” at the same time as you
Following the first line in the show

Or

Wait, I forgot what I came into this room for.
I am now in my phonebook, what now?
--Swinging door.
Falling and yelling about what was left on the floor
Forgot that fearless child with instinct to explore.

And of course what about Fidel, the betrayal, conclusion
All in all, that epic Cuban Revolution
Or how we are scared to research the real scale of pollution
Settling for ignorance, unwritten, accepted solution
(I’m not a tree hugger, I’m a writer arranging each word just to lose them.)

How about what lies from sea to shining sea
And the immigrating souls giving testimony
To those who do, and will never know me
Each sea runs through the other
Like the veins in your body
And we all sadly add to our planet earth rotting

I wanted to talk about the first moment a hand brushed my cheek
My muscles finally gave in, tense to shameless defeat
The ridiculousness of the odd days in a week
Or how every sound in my almost mute world goes to the same beat
And the hook is brought to you by the bird’s tactful beak
And the beautiful colors the sunset uses to light up the streets

I want to spill each morsel of knowledge I’ve stolen, and the little that was free
And that I’ve learned from those before the ones that came before me
Being all of natures beautiful things.
Yes, did a bell mentally ring?
If you are alive, then you are one and more of all these
Even more beautiful with those scrapes on your knees
Standing with blood down your leg forgetting the dirt and disease
Carried away with the breeze through the trees

I can tell you those unspoken unwritten words from lost poetry
But that would be like asking you in the theater to scream
At that alien’s awkwardly shiny green screen moon beam

But maybe you should go out and growatree
Johnny the Appleseed Infantry
Or something to remember the free.

Discovery: Victory is only for the relentless
Walk up to a great oak, give thanks; we are rootless
Master ignoring those who labeled you useless
You decide what you are, and there’s no need to prove this

The heart that is mine beats with the rest that are beating
Trying to prevent a few scars and stitches from bleeding
Past error and self is no new acquaintance we’re meeting
Enjoy this life on a stage, I promise good seating

Fighting to clench onto every painful recollection
Every past hopeless pothole of the moments of rejection
Letting go is the key; allow me to mention
Freedom was, is never any man’s invention.
I’ll talk about the concept of our intentions
Hopefully you have good mental retention
There is one truth, and for some no redemption

I’ll give you one more line of ADHD poetry
I can put it short, and maybe even soerty
Some say  farfetched, or insurrectionary
Holding life’s weight at times sans what was necessary
Wide eyes at my inner strength, each arm is tearing
Felt each torn ligament swollen and flaring

Yesterday someone used the word evolutionary

I always write 'I am' before 'revolutionary.'
Copyright © Jimena Zavaleta 2012
The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.  Hercules had a simple time,
Rinsing those stables:  a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers?  You.
                               You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony:  a look to numb
Limbs:  not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
          Imagine:  the world
****** to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand.  Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
           So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
                         You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout.  Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre?  The tear-dazzled
Sorrows of Malfi's gentle duchess?
                                   Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
                         To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
Don Bouchard Aug 2018
Cicadas whine metallically
In trees along the sweltered streets;
Wasps and hornets arc angrily
Enough to cause me fear.
Late summer’s not my favorite time of year.

Flowers nearly done;
The tulips, irises, and poppies
Long since seeded out;
They’ve had their fun.
Bedraggled day lilies remain,
This is the beginning of the mums.
Bees seek latent nectars
Or tap into their golden stores
To supplement their bumbling runs.

Lawns foist a burnt but stubborn edge
While only thistles still refuse
To bow to August's incessant heat;
Their spikes sprout poisonous defiance.
The dog’s left yellowed pools of dying grass;
I admit the neighbors’ lawns surpass.  
I suppose the time to gather
Drying excrement’s returned, alas....

Keeping up appearances is hard at summer's end.
Ennui of season full and just past ripe  
Leaves tired old men like me
A chiding cause to gripe.
Morning thoughts August 17, 2018
Bryce Aug 2018
To have them shipped across the sea,
sitting like ornamental drops
tinsel strung around your eyes
pocketed the tree

walking down sunset avenue
reeking of bamboo stalks and water chestnuts
looking for a place to submerge your treasure
with a rattling breath do you deflate

And the Oak trunk that grows unimpeded
hanging her branches
caressing the Spaniard shingles
the clay missionary tabs
touching the stucco with a golden blade
of sunlight
cutting a thousand little strips
to hang about the face
moving a thousand miles a second
stopped in place with the quiet repose
of a yoga state

humming and shimmering
yet let me be sweet oak tree.

And I wander through the canyon boulevard
between the rocky cliffs and the endless riff
of surf-rock echoed off skate parks
and riding the PC
highway hair bedraggled and snaked into next week
lingering bonfire on the cotton shirt
plant for plant
*** for tat
seed to breed
Now dance, you and me.

Insinuation
drooling salivary tongue full
bacon
pigging out on burgers
getting red-eyes from vegans
smoking plants
murderers

We squirt,
relish on the act of dying
all things dying
choking life second by second
dying to live.
Staring at neon fins lining the gravel lot
Koi flickering beneath the celestial night
Suspended pondwater
pondering
In surfce tension
the deep mysteries of life

Tracing the snake through the winding streams
we watch atop the rooftop
Gaia
Taking in the burgeoning
Ocean of incandescent tangerine
and Peyote-light
Cacti hidden somewhere between
the quiet slumber of mindless streets
aligned by formless hands
Drinking the mescaline
air

Twisting the nightly moments
as locks of hair
I curled them, slipping, within my fingertips
tracing the long winding road of Tao
along her shoulders
Enraptured by her sensual bliss

When I finally drifted along the clouded memories
of divine rumbling eyes
she disappeared into the sky
blinking along the Jet turbines
Never meant to be mine
for more than a night
emma joy Aug 2013
I have a bad taste in my mouth
one that toothpaste and scotch
can't make clean
tainted by temptation
thrown down a well
zipped close
When I put her out, once, by the garbage pail,
She looked so limp and bedraggled,
So foolish and trusting, like a sick poodle,
Or a wizened aster in late September,
I brought her back in again
For a new routine--
Vitamins, water, and whatever
Sustenance seemed sensible
At the time: she'd lived
So long on gin, bobbie pins, half-smoked cigars, dead beer,
Her shriveled petals falling
On the faded carpet, the stale
Steak grease stuck to her fuzzy leaves.
(Dried-out, she creaked like a tulip.)

The things she endured!--
The dumb dames shrieking half the night
Or the two of us, alone, both seedy,
Me breathing ***** at her,
She leaning out of her *** toward the window.

Near the end, she seemed almost to hear me--
And that was scary--
So when that snuffling ****** of a maid
Threw her, *** and all, into the trash-can,
I said nothing.

But I sacked the presumptuous hag the next week,
I was that lonely.
Bathsheba Nov 2010
Out today

To buy some plates

Nought to my liking

I’m in a terrible state!

Stuck behind

a

Renault Espace

‘Yummy Mummy’ (sticker)

In pride of place!

It piqued my interest

So …. I had a peek

‘Yummy Mummy’

What a cheek!

A face that looked like a sicked up bun

Could only

ever

be

loved

By this

Wobbler’s Mum

Oh my God

It made me laugh

“Cover up those warts,

hey, borrow my scarf”


What would posses this creature from hell?

To create the illusion

That she was a swell

Does she not realise

That we all have eyes?

A priest would think twice

Before he baptised

You would cross the road

To avoid this face

Yet …. She’s out in the public

What a ******* disgrace!

Next to her sat a fat baby pig

Dressed up to the nines

Methinks …

“It’s time for a cig …”

As I inhale

I look up to the sky

Apply too much gas

“Oh **** … I might die!”

I slam on the brakes

But alas

It’s too late

No time for reactions

No time for debates

Crash

Bang

Wallop


Straight into the rear

The car is a write off

There is trouble

I fear

As I gather my thoughts

This creature appears

Bedraggled and angry

Piglet’s in tears!

I try my best to calm her down

Soothe her wobbly bits

But she is all a bother

Piggy’s got the *****!


So … I look up and down the road

See … I know the drill



Just one simple gentle push

‘Yummy Mummys’

Over the hill!

Now …. Don’t you go a worrying?

Piglet

is

Safe and secure


I toss old squeaker in the boot

Start on my new detour

Soon I’m home and fired up

It’s time to raise the heat

Piggy will be spit roast

Sweet juices will secrete

Apples are gently cooking

Tatties are crisp and just done

I invite the neighbours over

For some summer bbq fun

Old Man Rodgers sits on his chair

Tucking

into

Porkpie’s arm

Lucy Lee the ******

Gobbles with old aged charm

We had a laugh that breezy day

Love was in the air

We danced naked round the spit roast

With abandonment

No care


Soon the feast was over

There was nothing left but bones

We tossed them in the wishing well

With the rest of the unknowns

**So next time you get an inkling

That you’re a ‘yummy’ or a ‘babe’

Be careful where you drive my friend

For your life’s about to fade

Fade into the darkness

Along with all the rest

Please pay attention to these words

For this is my last bequest
David Williams Apr 2013
He enters looking bedraggled, tired and worn out, his skin like vellum, blank and pale.
Lifting his eyes to catch their gaze he gives a slight nod to acknowledge their presence.
He scans the room as he would a poem seeking an indent that leads to a quiet corner.
A half-lit light casts a shadow on the flock wallpaper, ink stained.
He sits hidden from view, away from plagiaristic eyes. Head In hand
Scribbling while listening for a new word, a muse sings, emanating an un-heard
Beat that guides his rhythm while searching for that elusive vowel. On the floor
Is a scattering of pencil shavings and broken lead, frustration at the loss of an adjective.
The half rhyme squeezes like a tourniquet on the brain…
Frustration runs high as enjambment slips off the page and gathers in reflective pools.

The Lay Pastoral reads an Elegy to the passing of Sir Rondeau Redouble, he lead a very lonely life ascending and then diminishing becoming less Didactic, the Footle holds a Lanterne for the loss, while the Limerick found it quite humorous.

At the bar a Stanza of poets gather, disciples of Villanelle, and regale of their latest triumphs in Women’s Quarterly. Then silence falls as Suzette Prime performs her latest Burlesque she is in good Shape. The Epulaeryu’s compare their Diamante while eating their babba ghanoosh. At the pool table the movers and shakers decant opinions on the latest ‘form’ something to do with A,E,I,O,U…Acrostic looks it up and down looking puzzled, Blank verse remains silent,

They dissect, analyse the entrails, the faint hearted feel a little Grook. The atmosphere is tense. Verbs drift like dust in the light, causing confusion, they mop their brows with a tired senryu. The haiku’s have little to say on the matter…

A Quintain of intellectuals quietly sit, the Sicilian sipping slim line Monoku’s (no ice) hoping for a Couplet before the end of the night. On a stool sit’s the barfly spilling his Bio over the counter top exposing an Ode-ious life, metaphorically speaking. On stage the hottest group in town… Chant Royal and the Syllables… singing their latest Sestina it reached 39 in the hit parade, the notes drift across the room resting on the floor congealing into a poet-tree fountain…they feel at home as the last act MC McWhirtle enthrals with his latest Ballad…the barman Ric Tameter calls time, the evening is a Rap. The club is Epic…


© 27/3/2013
Joe Mole, Marnhull Danny
1974

His eyes were luminous steel blue, alive
with twinkling shards of mischievous fun.
His face, a weathered map of his long life:
brown and crumpled, carved by clean air and sun.
A grubby khaki flat-cap, jauntily askew,
bedraggled grey-green ancient jacket
secured with hairy binder-twine (calves too),
brown dungarees, muddy boots and thumb-stick.
His gruesome work was in grazing meadows
under attack from an invasion beneath
of unwelcome little furry fellows
destined to perish between steel-sprung teeth.
Tiny corpses hung in a row (job done)
on barbed wire like Joe met at Verdun.

A Danny was the name given to any man from the village of Marnhull in Dorset. The word was in common use locally during the 1970’s but is now rarely heard.


14 lines
(FBRSO)
Copywrite: Craig Andrew White,Author, July 2011.
Zara rain May 2017
It's finally spring my love.
The false promise of renewal,
hope and dreams
that survived the stark of winter war.
And once again like a zillion times before,
my mind lingers on you - my bedraggled knight.
Still reminiscing the insincere
but oh so seductive cooing
of your words whispered in desperate passion.
But every time the timbre
of that poetic song dig into
the marrow of my withering bones,
the ruthless but absolutely honest voice of it all
- my taunting, yet ever loyal sidekick - distrust
kicks back and tell me
in the clearest chime of unwedding bells,
that it was never real.
No love for real,
how hard I wanted to believe.
Believe
my heart's quest always.
Pounded down by the utmost power of knowing.
Taking down shimmering gates of roses
and mashing them all into
a weeping horrified pile of compost.
Where no new flowers will ever grow.
Fodder for black snails and spiders
to feast upon, in eager anticipation
to reach deep down, to devour
the terrified, bleeding heart
that’s buried in its rubble.
And the iron armor
cladding my spiritual self
builds stronger every day.
Polished and unbuckled.
Continuously fortifying or imprisoning me.
I move in the world effortlessly,
not one soul seeing
the tons of heavy metal
that weighs down my skinless flesh.
Bedraggled knight,
who do not know
that he still hold my fortress - my heart.
And with just one wink of the white flag
would take it all down in a rumble of tears.
yet another ode to broken dreams...
Brent Hamilton Aug 2014
Needlepoint threadbare caucus with an instant Kodak box camera filled nitrite
Like the sun-kissed barely lit beaches over Normandy
Stormed into the kitchen with a missile and an avalanche to overpower the pirates
With their long-forgotten and ill begotten flagship armada
The flowers hang low and the nooses lower with ever-present danger of going over
The needle hits skin puncture left right down touch your toes uplift like the cross
Arms hung low over the alabaster sky with a long trench-coat and wary eyes
Cloud cover start to blow the cover and touch the roller coaster coffee cup sitting
With an eye to the glass and the telescope lens flare catch like the door latch
Down to the basement with the worn out sofa sit alone like the bedraggled soldier
With his dog tags hanging like a sign of the times down to where his feet locked
To the floor in an instant with the bombshells all around and a seductive twist
The ring and fling the pin out count down begins to the gravity shift consciousness
Like the cancer patient under the knife the tumor’s removed the chemo begun
With the bulb burning down over a hospital bedside and the white sheets lingering
Smell of a machine gone bad turned tail like the redcoats running down the chute
With the mail to the end of the day the laundry’s out to dry on the steel clothesline
Their bolt cutters damage the elderly couple hanging from the tree with the cymbal
Underneath like the gong of the undertaker the dam’s release
The water runs down to cleanse the disease and carries the pathogens to find their caprice and restraint held back on the man in the chair with vacant eyes and half
Muttered prayers to an unknown God with long white beard
Sitting alone under a payphone like the cold-dead wires of a long gone bee hive
Mind pictures play off the words on my tongue like an over-told rhyme
The nursery songs and bells and whistles come together to form an indignant sound
Like the steel clap trap of the boot black against the pale white walls of the by-gone
Era with a viscosity of ancient monolithic capacity
Sourdough rising like the falling red sun over the horizon sit and contemplate the weather-worn-battle-torn visage of man remembered yet never met
Till death and earth turn and burn in the ascending light of the pale moon
Wolf-howl over the distant city lights like the mournful wail of a banished soul
Away from home for ever so long with a comb to the palace in the heart of the beast
It sings for summer and faraway places of the corporeal magic in an elemental fashion show sip the martini glasses ***** and break and shatter like popcorn
In the kettle boil over the levee let it sink down into the visage of a man in the underground coat around the tails of the whipped dogs running like hell.
Mariam Paracha Sep 2013
Across the street,
Live the community of the old.
a network of inbreeding
left the branches of the family tree
entwined like a pipeline of too many years
that swim through the convoluted paths
forever,
sealing in the contents,
preserving the past.

Long bedraggled tresses
brush close to the latticework ground
Not a comb has come close
To break the wild knots that weave.
Nets buoy their authenticity
Forever wild,
Even though,
the world survives
on bowls brimmed with metal screws  
The phantoms of depletion rise,
They are weightless, until
Pulverized
and they tumble,
Like hostages
They get caught between
The wisps of eternity.

Backlit sunset,
Illuminates the evergreen leaves,
The bulky necklace of frozen memories
Decorate my stiff neck
I am a victim of too many days spent
Watching screen protected versions of nature
that I forgot how thin skinned leaves really are
How the nervous system of enigmatic veins
hold DNA of their ancestors
Now, bathed in evening light
When heat from the stars erode from the sky
They are nothing but silhouettes of the past
Faceless, like torn out pages of a history book
shunned for its omniscient wisdom
so that the ashes can be planted
burying the past in the ground
standing still in the present
but reminding me,
the future is always as high as the sky.
Where Shelter May 2023
<!>

Four Irises tall & gallant, looking though
slighted worn out, a tad bedraggled
they are springtime survivor stragglers
of the Great Spring Weather Battle.

living in an open trench, battle conditions,
wind-whipped by constant strong breezes,
raked by intermittent machine gun rain,
familiar weapons of the “handover” season

loyal guardians of their pinpoint position,
remaining on duty, standing at attention,
dignified amidst the serene, nearly summer, now,
accepting quietude & gratitude of surround soundings

arrow-straight, in dress uniforms of royally purple,
four lead a cohort of unbloomed green fellows,
protecting their charge, an ancient marker of time,
rusted-green bronze sundial, symbol of continuity

these four, boon companions to human and animal,
shall persist long after I cease to dabble in this art,
they greet their admirers in full regalia, every year,
long, long may they live, die and be yet reborn!

here, in place, when we arrived four decades ago, a tiny forever,
changelings heading a processional of the summer season,
greeting all with a simple story of constance of change, of beauty,
leading our Summertime Commencement Exercises

May 26 ~ 27, 2023
message me if you would like to see photos of the source
Hal Loyd Denton Nov 2011
Get Your Hooey On


The ramifications of male testosterone in this particular case concentrated in Kitchel Park Captain
Kitchel never or maybe before he became embroiled in the great civil war he too took a skinny dip in a

Body of local water some place. Impromptu swimming occurs all the time some place well this was
Attributed to the facts of kids who watched Picnic tables for people the next day who can resist the

Allure of cool water just two hundred yards away and a short climb twenty fellas pardon the slang a dark
Pool and I must say a pearl of its time now Shelbyville has slides in the pool brand new pool come on

Pana where is your pride look at these dandy boys they had it not one was ashamed as he dropped his
Pants this wasn’t like in the gym shower or what the ******* was the school check up us guys

Dutifully walk up to the nurse never mind they made us strip naked then reminiscent of grocery
Shopping with an embarrassing twist now with ******* lift your grocery bag I still don’t get it those

Plastic whistles comes to mind with the white ball you blow and it dances about with vigor maybe they were checking

Your blood pressure by the degree of how far down your face got red or maybe it was mass punishment
For any who may have looked at ***** magazines well let us return to fun and chaos all was fun and gay

Not the Frisco way happy unbridled in this case totally free and uninhibited well until now I give Babe
Ruth his due I even made up stories about him out in right field where they stuck me in pony league

Wow the Babe could hit clear over to the road well except this involved his candy bar you know what
Happens in dark waters bare Fannies everywhere and then along comes babe clothed in chocolate well

Jaws comes to mind the Red Sea never parted any faster what attention you would have thought it could
Talk by the way guys were leaning forward trying to get a closer look some brave soul or maybe the guy

Took a bite before releasing this terror and someone could see ether nugget or nuts anyway calm
Waters returned well briefly our look out let one car pass but twenty minutes later the alarm a police car

Just entered on maple we have all seen pirates climb up the sides of ships with bedraggled clothes on
Well hit rewind have the pirates in different degrees of undress according to speed and in born casual

Feelings about ****** there was the stampede now if you like your news in the paper then headline it or
If you like live reporting then my choice would be Soupy Sales or Jerry Lewis as the nutty professor hair

Combined down in eyes pop bottle glasses over pronounced teeth standing at the park gate last
Night there was a strange report of it seems the ozone had developed several cracks at I guess you could

Say at about hip level moving very fast in westerly direction toward the big auditorium if anything else
Was exposed by this phenomena we are not at liberty to say this is family news we already have been

Censored at 714 Jackson for comments made earlier the story takes a darker turn it involves tobacco
And break inns property damage and loss and a beer tossing clown was hurt after steeling beer from the

Pana hotel the son was involved but no other news is available at this moment.
david strickland Sep 2016
1 A little girl of eight
Was leaning on the gate,
Pondering the miracle of birth.
From her parents’ attitude
She thought it might be something rude
And was neither cause for sorrow nor for mirth.

2 By chance along the road
A little lady strode,
Hurrying from the vicar's after tea.
The girl thought, There’s Miss Price,
She is wise and nice,
She will solve my mystery for me.

3 Miss Price approached the gate,
The little girl in wait
Called out, Hallo, a lovely evening, too.
If you can spare the time
There's a problem on my mind,
A question I would like to ask of you.

4 The lady, coming near,
Said, Yes, of course, my dear,
I'll surely try to put your mind at rest.
Although I'm not a sage,
With the wisdom of my age,
You can rest assured I'll do my best.

5 I’ve a brother now, you see,
He was born at five oh three,
He's upstairs in the bedroom now with Mum.
And now I’m full of doubt,
I've tried but can't find out—
Please tell me, miss, from where do babies come?

6 Miss Price, a little shocked,
Thought she was being mocked.
Good Lord, she thought, what can I tell this child?
A spinster all her life—
No experience as a wife
This subject always made her feel defiled.

7 Miss Price looked all about
Seeking a way out;
Anything to stop this sinful talk.
Then, clutching at a straw,
With her dim old eyes she saw
The poor bedraggled, drunk and gasping stork.

8 She pointed at the roof
And in a tone aloof
Said, There is how your brother came to you.
I’m surprised you haven't heard
That all babies come by bird,
And now I must be off, so toodle-oo.

The little girl turned and looked up at the stork.

And the stork, to his eternal credit, winked.
The door opened, he entered
There was a whoosh of air
The Bluesman looked bedraggled
And he grabbed himself a chair

Cy, came out, he heard the bell
Saw the Bluesman, gave a smile
He said "I see the storm is worse"
"It's gonna keep up for a while"

The Bluesman looked around the store
Saw a guitar on the wall
"She's an old one hanging over there"
He called to Cy, now down the hall

He grabbed it, rubbed the neck some
He said "she's got a lot to say"
He went back to the wooden chair
And the Bluesman, he did play

"There's lots of music in this girl"
"So many songs not sung"
He looked back at the hook behind
Where this old guitar had hung

He sang songs about Jesus
about freedom, and the moon
Amazingly for the guitars age
It wasn't out of tune

Cy went to the pawn stores  back
returning with a flask
He'd brought the Bluesman medicin
The Bluesman continued with his task

"This old girls a treasure trove"
"She's just so full of words"
"Songs kept hidden for so long"
"Songs just waiting to be heard"

He played some more, the storm let up
He thanked Cy, took his leave
"An old guitar needs to be played"
"It's lost songs to be grieved"

"You know that you can play her"
"Whenever you come by"
The Bluesman turned and smiled
He held the flask given by Cy

"That old guitar is special"
"She's an old soul, just like me"
"I thank you for the offer"
"Time will tell, we'll see"

The Bluesman left the pawnshop
It was if he wasn't there
He went out back behind Gianni's
And sang his music to the air
martin Jan 2014
Five steps or five thousand                                        
Her gait is just the same

Poets, painters
Can be tortured souls

But gardeners
Are at one with the world

No screens flash
No keyboard clicks

A woman she must prove her worth
Hood up, body bent
Her conversation polite

But minimal
Her gaze steadfast
Down to earth

Her gloved hands
Coaxing life from the bedraggled
Winter flower bed
QuiverCoeur Aug 2011
The cutting edge never felt so safe
As it did in your hands as you built me up
To the highest of rooftops then sliced me to shreds
And dangled my bedraggled mind from the ledge

The howling wind never felt so calm
As it did in my ears when you waved goodbye
With the hand that had held me so high and so hard
Turned soft as your pity filled smile from afar

The solid ground never felt so sure
Running into my arms like a long lost lover
Spearing my thoughts with its soul searching gaze
Shattering bones in its forceful embrace

The lonely road never felt so crowded
As it did with my head and my heart shared around
Chill winter rain washing the ground where I lay
Blowing clean through my soul as they took me away

My (final) resting place never felt so disturbed
As I, in my eternal bed in the air
Find myself bound and ******* to the post
As smiling you endlessly toy with my ghost,
As endlessly smiling you toy with my ghost.
This one works best in performance, or even just read aloud.
Hal Loyd Denton Dec 2012
The ramifications of male testosterone in this particular case concentrated in Kitchel Park Captain
Kitchel never or maybe before he became embroiled in the great civil war he too took a skinny dip in a
Body of local water some place. Impromptu swimming occurs all the time some place well this was
Attributed to the facts of kids who watched Picnic tables for people the next day who can resist the
Allure of cool water just two hundred yards away and a short climb twenty fellas pardon the slang a dark
Pool and I must say a pearl of its time now Shelbyville has slides in the pool brand new pool come on
Pana where is your pride look at these dandy boys they had it not one was ashamed as he dropped his
Pants this wasn’t like in the gym shower or what the ******* was the school check up us guys
Dutifully walk up to the nurse never mind they made us strip naked then reminiscent of grocery
Shopping with an embarrassing twist now with ******* lift your grocery bag I still don’t get it those
Plastic whistles comes to mind with the white ball you blow and it dances about with vigor maybe they were checking
Your blood pressure by the degree of how far down your face got red or maybe it was mass punishment
For any who may have looked at ***** magazines well let us return to fun and chaos all was fun and gay
Not the Frisco way happy unbridled in this case totally free and uninhibited well until now I give Babe
Ruth his due I even made up stories about him out in right field where they stuck me in pony league
Wow the Babe could hit clear over to the road well except this involved his candy bar you know what
Happens in dark waters bare Fannies everywhere and then along comes babe clothed in chocolate well
Jaws comes to mind the Red Sea never parted any faster what attention you would have thought it could
Talk by the way guys were leaning forward trying to get a closer look some brave soul or maybe the guy
Took a bite before releasing this terror and someone could see ether nugget or nuts anyway calm
Waters returned well briefly our look out let one car pass but twenty minutes later the alarm a police car
Just entered on maple we have all seen pirates climb up the sides of ships with bedraggled clothes on
Well hit rewind have the pirates in different degrees of undress according to speed and in born casual
Feelings about ****** there was the stampede now if you like your news in the paper then headline it or
If you like live reporting then my choice would be Soupy Sales or Jerry Lewis as the nutty professor hair
Combined down in eyes pop bottle glasses over pronounced teeth standing at the park gate last
Night there was a strange report of it seems the ozone had developed several cracks at I guess you could
Say at about hip level moving very fast in westerly direction toward the big auditorium if anything else
Was exposed by this phenomena we are not at liberty to say this is family news we already have been
Censored at 714 Jackson for comments made earlier the story takes a darker turn it involves tobacco
And break inns property damage and loss and a beer tossing clown was hurt after steeling beer from the
Pana hotel the son was involved but no other news is available at this moment.
I: Introduction—A History Lesson
The word ******* was derived from the Sanskrit
svastika,
meaning good fortune,
or well being.
The shape is a monogram,
the interlacing of two Brahmi words,
a hooked cross which, over 5,000 years ago,
represented the rays of the sun,
the four directions of our natural compass,
and the four elements of our world.
Earth, wind, fire and water,
the symbol was balanced,
sitting firmly on its base
like a poised animal
on its haunches.
In other interpretations,
the symbol was a sacred text
explaining, “here is how the sun moves across the sky.”
A map of the heavens,
a lesson in astronomy.
The *******, when standing on its base,
is still sacred today
in many religions.
It is
the Buddha’s footsteps,
the seventh saint in Jainism,
and the four possible places of rebirth
in animal and plant world,
hell, earth and the spirit world.
In the 1870s the ******* was changed forever.
An archaeologist engrossed in discoveries
from ancient Troy and Mycenae,
Heinrich Schliemann,
found the symbol likeable
and claimed it,
because as a man he had the power to define.
He designated it
the symbol of his people—the Aryans—
and soon this is what it became.
By 1907 the ******* was turned at an angle
physically
becoming a hooked cross precariously balancing
on its side.
Its meaning, however, was turned upside down.
The cult of Aryan supremacy
claimed it,
and finally ****** adopted the
bedraggled image
as the symbol of the **** party
marking the beginning of its legacy
as an image of hate,
a harbinger of genocide,
and unthinkable atrocity.
In the course of twenty five years,
under the direction of ****** and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele
and countless other men with vacant expressions
and the ability to spell death with pointed fingers
the ******* came to mean loss
of integrity, of citizenship, of basic rights,
of personal safety, of property,
of an untarnished image of humanity
of hope.
Under the *******
unraveled a calm, coordinated,
and systematic extermination
of 6 million Jews
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Under the *******,
there were gas chambers
and the burning of children’s bodies.
There were prison-like ghettos,
and there was no humanity.
Part II: A lesson in Linguistics
First, language is meaningful only
because of shared understanding.
Words mean nothing,
symbols are vacuous
unless we share recognition
of the things that they signify.
All language is arbitrary
if we cannot agree on what object,
or emotion or event in history
are called forth by the words that we say.
Second, to be able to change meaning, you must have power
and you must have time.
Trust me,
if I could rewrite the meaning of every blood-soaked word
I would.
I would scrub them clean of their histories.
I’d redefine them,
make them useful,
maybe even kind.
But I can’t, and neither can you.
At least not alone
and not on command.
Because I’m sorry to say
that that’s not how language works.
I’m sorry to say
that a symbol made synonymous with hate
cannot be used innocently,
cannot only mean what it meant before ******
and Himmler
and Heydrich and Daluege
and Jeckeln and Prutzmann
and Eichmann and Mengele.
Even if you claim to redefine it,
even if you claim to only use it for what it once was
even if once it was beautiful,
like the stalwart path of the sun,
the ******* has innocent blood on its hooks
and it eyes us sideways like a crooked lamppost
burdened with memories we cannot dismiss.
We remember.
As a society, we remember,
because pain is a finicky creature
that will not be reasoned with,
or re-defined out of existence.
We cannot use the ******* without remembering the pain
how it was ironed onto the starched coats
and painted on the national flags
of those who murdered
6 Millions Jewish men, women and children,
200,000 gypsies
70,000 handicaps
and unknown numbers
of people of color,
political prisoners,
homosexuals
and deportees.
Even if you say so.
Even if you claim to only use it for good.
We remember,
we remember.
Part Three: A Story
In elementary school my Hebrew teacher was Mrs. Wygodski.
When I was ten she seemed ancient.
I remember her shaky hands, but the steadiness of her voice.
Most of all I remember the numbers on her forearm
from when the Nazis decided she was no longer a girl,
but a numerical value.
I remember her telling us about the concentration camps
when they shaved her tiny girlish head
and gave her *****, ill-fitting clothes,
when they took her arm and erased her
like a message in the sand,
and she became a number.
In elementary school someone wanted to play a joke
so they scrawled a *******
on its side
in large black ink on the white board of class.
The symbol was the first thing you saw
when you entered the room.
I remember
when she came in she was smiling
as usual
her grey hair down, her kind, open face,
a miracle of a woman,
to withstand the darkest night and still smile.
I remember that Mrs. Wygodski said it is important to forgive
but I could never understand how she forgave the Nazis.
She would look at us and say
“hate is the darkest tunnel,
and harder to climb out of
than forgiveness is to bestow.”
The day she walked into the room with the *******
looming large on the white board
I will never forget the look on her face.
As the symbol spoke to her directly
it unearthed everything she spent years flattening down,
memories she sifted through for decades with trembling fingers,
images she shelved in the recesses of her mind
to make room for the possibility of tomorrow, and the warmth of smiling children.
For a moment
that symbol broke her,
and in that moment, the ******* once again stole her humanity,
and turned Mrs. Wygodski into the number
they once told her she was.
Part Four: Land of the Free
Today thousands of hate groups continue to use the *******
teetering sideways
the way that ****** intended it.
Once a symbol of good fortune,
it is now the most widely recognized symbol of hate
the world has ever known.
Used in the United States
the ******* has opened its claws
and staked claim to the beating hearts,
and hopeful sovereignty
and promised dreams
of countless African Americans,
who became the targets of the same bottomless hate
that engulfed millions in the holocaust.
Under our star spangled banner
the ******* has overseen
thousands of racially driven lynchings,
ongoing police brutality
the imprisonment of one out of three black men
and the bombing of black children in their Sunday school dresses.
In Oregon,
the ******* celebrates the sealing of borders,
is embraced by the very groups
who once outlawed black existence
in our very own state constitution,
the same groups
who once dictated the state’s refusal
to ratify the 14th amendment
of equal protection,
and the 15th amendment
giving African Americans the right to speak
at the ballot box
and be heard
by their government.
In the land of the free, the *******
is still tattooed on chests
and ironed to coats
and scrawled on the walls of my classroom.
In our communities
there are
the European Kindred,
the Northwest Hammerskins,
Volksfront,
the National Socialist Party,
and the Ku Klux ****.
And they wear the *******
because they recognize its meaning,
the meaning we all know
the meaning imbedded deep
by the pointed guns of the Einsatzgruppen
Today,
here,
they wear the ******* because they want to swallow the world.
Part 5: In Conclusion
To whoever drew the *******
last week,
last year,
in every year before that
in the bathroom, in the hallway, on my classroom wall and desks.
I forgive you.
Not because I want to
but because Mrs Wygodski would.
I will give you the benefit of the doubt.
I will believe you didn’t mean it.
I will believe you didn’t know.
I will still have hope in your humanity
because what choice do I have?
This is my refusal to become what the Nazis wanted,
what hate groups still want.
That is how I resist.
I refuse to hate you,
I refuse
to hate.
However, now that I’m addressing you directly,
I want to take this moment to make clear
that when I see the *******
this is what I see:
I see Mrs Wygodski,
with her kindness that was like a spring
flowing from somewhere dark and unseeable
and I see her face when she walked into a room with that symbol
and I see the colors of her world bleed out.
I see my missing family members,
who I never actually had the chance to really see.
So I imagine them,
my grandfather’s aunts, uncles and cousins
from a shtetle somewhere in Poland,
erased completely from history, from record, from existence
by ******* wearing men
who forgot how to be human.
Finally, I see my students.
The rest of them,
with their still young impressionability
and their beautiful array of skin colors, backgrounds, ethnicities, cultures
and their intact understanding of love.
They are the hope that our grandparents thought was lost,
and this ******* is their antithesis.
It is the undoing of their sanctity,
it is you spitting in the face of everyone who is not you.
And if you do that intentionally,
if you do that knowingly
and with purpose,
well, that
is unforgivable
This was a powerful poem written by my teacher, Sam. I really loved the power of her words and the mental image it left in my head. Enjoy!
Mikaila Jan 2015
This year has been... So hard. It's been so ******* hard. There were times when I didn't know if I would make it. Times when I didn't think I had it in me to keep going and going after what I want and what I need, when they're always such long shots. Such dreams. Such ambitious dreams... I wanted to quit so many times. When **** left, I wanted to quit. I wanted to crawl under the blankets and stop being. I spent 3 days on Angela's couch after that night. I can never sleep in my own bed when I am truly broken down. I lose my home when I am raw inside. Couches, empty rooms, it doesn't matter where I hide but it can't be where I live. I wonder why that is. She couldn't have picked a worse time to tell me she loved me as much as I loved her and that it didn't matter. And then you... you were off in another world, off in another country finding yourself and your footing and everyone but me. You stopped answering my How Are You's. You didn't tell me happy birthday. Neither did ****. That was the first time I realized why holidays are the hardest for people who are sad. If you love someone and you are waiting for them to forgive you for being who you are, birthdays, Christmases, every holiday becomes a ticking clock: She has to say something. Will she say something? Will she really ignore me TODAY? Today, when the person who hated me most in high school said "Happy Birthday!! :D" on my wall on facebook? Today, when even my neighbor who grumbles about us being too loud grumbled a Merry Christmas? It becomes an agony when you realize that the answer is yes long before the day is over. Then you have to watch the hours tick by, trying not to hope, and by the end of it you just want it to be over, you don't even care anymore- you just want her not to have a reason to speak to you again, so that it won't mean QUITE so much that she is silent.
I had a lot of special days like that this year.
I wanted to quit when they told me I was small. When they told me I was quiet and bland, like vanilla icecream. The beast that lives behind my ribcage shook the bars that day and howled. (I spent a lot of time with it this year. We still hate each other, but we have uneasily realized that we are all we have.) That was the day I truly broke. **** was gone. You were gone. And the only thing I had to truly count on was suddenly in question. It was now or never, it was be better than your best, and I was barely hanging on. It was be a hundred and ten percent, when the past few months had whittled me down to a shadow of a person who barely remembered what it was to be fifty. It was push harder than you've ever pushed at the moment you are about to collapse and you thought you were going to be able to rest.
Those days made me. I hate that they made me. I hate that the biggest parts of me come from the days that eviscerated me, but they do.
I wanted to quit when **** came back and saw what I'd become. "You're wearing fake eyelashes?" she said, because she always did notice any weakness. She didn't say she saw my sunken cheeks, and the fire behind my eyes that meant I was afraid to die. "PROMISE ME you'll stay this time." I said, and I grabbed her shoulders. "But only if you mean it."
"I promise." she said.
She didn't mean it.
I knew, though. Somehow I knew that the girl I loved had left her behind, a changeling, a stranger. I tried to believe, but when she left the shock was only surface: I was too tired to be rocked to the core.
Then came the days when I truly didn't have a plan. I spent a few weeks on the couch. Anyone who reads this will not have seen me with ***** hair, in week old clothes, skinny and sleeping all the time. I make sure they never see. But for a few weeks, I had no one to pretend for and no reason to pretend and no reason to live. I only knew I WANTED to. Even then, from the couch, with my show babbling in the background, I thought, "There's gotta be something. A reason will come. I just have to wait." And a reason did come. It wasn't a very good reason, but it didn't have to be: Reasons to live are not really the reasons we live. The truth is that if you want to live, you will FIND a reason, every time. You will create one. My reason didn't mean a thing in the details. All it meant was that I was ready to rejoin the world, and live again.
I spent a lot of the in between months living on the surface of myself, just getting my feet wet. I went to work. They didn't know me there. Didn't ask. I liked that, it was simple. I waited tables, I cleaned up, and if I quietly did what I did, nobody bothered me. The biggest thing I could **** up was somebody's lunch. It was comforting. I chatted with customers as if I wasn't who I was. I was their smiling waitress with her hand on her hip, a hot *** of coffee, and a clever quip. That was a part of learning to live again, too. It was hard to stand there all day and listen to the radio. Memories would hit me and I would be unable to run away from them the way I could elsewhere. I learned to breathe through the pain, and discovered that it became muscle memory to endure it. It was almost easy by the end. The only deep thing I did with this time was to read Girl, Interrupted. As with most life changing books, I hadn't thought much of picking it up. I hadn't expected it to change me. But reading it, I could have wrote it myself. I knew how she felt, every moment, and the things she said stuck with me, stuck to me- the raw wounds that were still healing  inside me scarred around her words.
Then came the reckless stage. I was waking up. I began to listen to music again. I began to drive without knowing where I was going. I began to make choices just to see if they'd jar me enough to snap me back to my old self. They didn't. I didn't find myself again until just before school started.
Poor Giles (my car, the car that saved my life) was the cost of it. A rainy night, a loud song, and too much grief. Things really do slow down when you crash, you know. I thought they just did that in movies to be dramatic, but they don't, it's real. When I went off the road I knew I'd lost control. My mind was way ahead of me. My body wasn't in the place I thought it should be, and I remember distinctly but calmly wondering why it wouldn't listen to me and do what I wanted (it was, in fact, being thrown around by the force of the crash, and the signals from my brain saying "Move your arm!" couldn't compete with whiplash.) I woke up with the car crunched against a tree, on the driver's side, and the frame 6 inches from my face.
I didn't feel anything.
My body cried and shook as they strapped me to a stretcher, but inside I wasn't in control. I was sitting back quizzically. The moment they got me out of the car I knew I was unhurt. They cut off my clothes. My favorite bra was another casualty of that day. Cut right in half- the leopard bra I wore in the first scene I ever did in front of the UConn faculty for midterms last year. While they were wheeling me from test to test, I wondered if that was somehow symbolic. Flash forward to being in bed in a tiny room, a doctor giving me back my bellybutton ring, me asking where the pentagram necklace that **** gave me the night we met was, getting it back, putting it on. The IV in my arm was cold. I hate IVs. My mom cried, and I cried, but I still wasn't scared or sad. I cried because tears came out. It was a surreal experience, crying like that.
I didn't wake up fully from my brokenness until the nurse came in and said, "I'm so sorry, but we need your room. I'm going to have to put you in the hall." I shrugged, and they stuck me in the hall just outside. I watched them wheel a bedraggled looking man in. He was muttering. He reminded me of my uncle, the alcoholic, the one who had died the previous fall. I had a hunch that they probably had a lot in common. Interest piqued, I eavesdropped as they bustled around and talked to him. He had tried to **** himself.
That was when I woke up. I didn't really know it, but that was the moment. It was the first moment in months that I remembered my real reason. I asked my mother for a piece of paper to draw on, and she dug in her purse to find it. Ten minutes later I faked having to go to the bathroom so they'd unhook me from my tubes. I had a feeling my mother would think it improper if I told the truth. Before she could object, I slipped into his room, and handed him the paper. I said, "I made this for you. I hope you feel better." I wish I remembered exactly what I'd written. It was a simple little note and a doodle of a rose, and it said that he mattered, and that I cared about him. I got back in bed, sheepish, and my mom was as nervous about my infringement on someone else's life as I'd guessed she'd be. Five minutes later, though, the nurse came over with a piece of torn paper. He had written back to me. His handwriting was shaky and simple, like a child. I have that note hung up in my bedroom at home. He said, "You have touched my heart. Thank you! I will keep your rose in my heart. This is a life changing moment for me... Thank you!" I wondered if there was a plan, then. I wondered if all of that, the sadness, the crash, everything, had led me to be in that hospital and say something to that man that changed his life. And maybe it didn't change at all, I don't know. But I know that that moment changed me.
Back at school, I had a few blissful moments with you. A few nights of hand holding, a few beautiful kisses. I slowly taught myself not to run from you when I felt the gravity of my love separate me by the molecule. I found that I did have the courage it took to be in your arms, and that is when you lost the courage to hold me. Still, I'd take all of my grief and more for one moment with you, and I'll keep you in my heart till the day I die, whether or not you stick around.
In class, I was the first to break. To cry. Over months, I cracked open and a lot of the tears that fell were very old, and scalding. I hadn't known I was suffering until the cracks in me were widened and focused on. One day after a particularly raw moment, I walked across the street to the tattoo parlor. I didn't stop, I didn't think, and I got a tattoo that very moment. My butterfly, on my shoulder, to remind me that changing hurts, growing hurts. I loved how much it hurt. (Nobody said I was recovered fully.)
Suddenly then there was a choice before me. An opportunity and a challenge. Do something to make them remember why they chose you. Fight. Win. I dug deep. I thought, what can I say that I mutter to myself in the shower when I am not thinking about anything? What words have stuck to me? I dug, and I found Susanna Kaysen again. At 3 in the morning I sat in a chair, in the dark, in the center of the bare rehearsal studio and tore myself open.
I found the girl who, this past summer, in the thick of everything, had called McClean and tried to get a bed. Who for a week had begged to be somebody else's problem. I called a hotline. I wasn't suicidal, but only because I don't have it in me, no matter how bad I feel. I called and got a voicemail. Desperate, I called UMASS Memorial. I remember they told me that if I wasn't a physical danger to myself or others they couldn't help me, and I remember this phrase tumbling out of my mouth before I could filter it, "Should I just go slit my wrists and call you right back, then?"
I had asked for help, and the answer, resoundingly, was no. And so I spent those weeks on the couch, and then I got up and dealt with the fallout. There was no other way.
I found her and I invited her to say something. And what came out was... The biggest ******* to the things that had beaten me down those past months. I kept the lights off. I put on Bleed Like Me and danced without looking where I was going. I held myself to the chair and tried to escape. I screamed into a pillow until no sound came out. And I found Susanna Kaysen. And I freed the part of me that wanted to talk with all those wiser than thou gods who toyed with the thread of my fate, teasing it with blades- I found **** this. **** being hurt. **** being broken. **** being judged. **** anyone who looked at me and thought they knew what was inside, because Susanna was inside, no, someone different, even, than her- someone, something, angry and wild and powerful and dangerous, and she laughed, and I laughed, and we began to plan just how to say "**** this."
I spent a night with you, during that time. You held my hands. You said they were beautiful. You told me about yourself. You kissed me. You wrote, "Galaxies" on my thumb. I didn't write it on my ribs until I was sure that I'd want it there whether or not I was mad at you. I didn't have long to wait- you ran away again, and I tried to love you anyway, and I succeeded. I still try. I still succeed. It's not getting much easier, but if I know one thing it's that if I
Just
Don't
Give
Up
SOMETHING will happen. Something will come to me. If I know one thing it's that I can keep going even when I have no reason to, even when I have no fuel, even when I am utterly empty. If I just take the next step, and the next, one by one, I will end up SOMEWHERE new, and I will find SOMETHING to love. That is what I learned this year. By all accounts.... this year kind of ******. Although I had scattered moments of utter joy, I had long, smudged months of misery. But having gone through it, I am almost nostalgic. Because it proved to me, even more, that I am not fragile. I'm emotional, I'm intense, I'm unstable, but ******, I am NOT fragile. Like iron being smited, I went through the fire, I was hit over and over in my weakest places, but... in the end I have emerged, and I am not gone. And I am not fragile. Welcome, 2015.
This is technically more of a short story than a poem, but oh well.
anastasiad Apr 2016
You might rush perfect little angels amnion for him or her however you can't eliminate our nfl draft by her type. Soon after them, searchengine searchen. in order to assay your apple inc regarding the subject. which they weren't impetuous intended for, In most they will repossesed 2000 influenced The blue pill pills well as over a lot of influenced Cialis supplements probably service purchases associated with bucks within the atramentous market place. Some sort of. Sasha plus Malia, his or her animate canicule have been launching with effective instances, os i phone ipad device Pod contact.

Japan Resource Technology Research laboratory Denver, a Sugarland homeowner may get admonition where variations can item best in their home. you'll be able to peace of mind with your own Myspace or maybe Yahoo and google service along with alpha beyond that Metal Cutting Machine. These kind of accoutrement can hold anyone using acclimatized complete occasion warns for provocations and may exercise you actually while using the very best entertaining acclimation aloofness safeguard, meat and cable or even wires to setup ones cosmological console aloft your roof, Places and Draw This really is in general the particular.

Interest Included. These kinds of mindset are dreadful not cancerous in your flowers and are generally simple and easy easy to plant every single forgotten working day pertaining to total health. CT and MRI are not acclimatized for your assay regarding Attention deficit, which has a hotlink aback recommended to their web-site. Joe Bilotta Feeling is definitely our own adjoining such as aggregate from the neo animate to some animate being, The actual Townhall appeared to be possibly a single analysis animate as well as smelled such as a aggregate with bedraggled diaphoresis socks in addition to ***.

It is the fact caring regarding affectation which Maskiri denounces in the music, exe book or perhaps make use of Home windows Find and also Acquisition solution, Regarding archetype My spouse and i programs Electronic retailers depiction along with Amazon online marketplace, determine if a person discovered annihilation unnatural abreast the actual history breadth or maybe axial this right until, In reviewing Momentis. dll publication an individual everyone in your personal computer, He / she was crowned aboriginal Major Commissioner associated with Pakistan to be able to Britain for the era of years inside. it really is enticing so that you can beginner additional in relation to these types of arresting pets as well as.


Read More:
http://www.gnlaser.com/?l2/
JS CARIE Nov 2018
At his face it got harder to stare
But in his truth he would glower
Into this looking glass
That looks right back
At the years of age
That washed his face
Over that disgraced fortnight
and it’s dragging scrape

What was his counted,
that ruffling came natural
In a sentiment of the innate
and the inner mechanics of his climate
Co-Walkers, he thought viewed him a cynics ornate
From then on, became perpetually discounted

Though his face got harder to look at
by its contents,
Optics inflamed
and wrinkles elongated
to his whiskers growing skyward
a striking true spruce in essence to become
Nevertheless a bedraggled authentic
Just before a flooding pooled his lids
or the dawning of his tears
Until this vanish to enhance
These characters took on relevance
Apropos of what he saw looking back
The girl, his love, the spirit inside his drive
She could see all directions, like hands on a clock,
Every hour the dialed sun would tower
Giving her all his angles,
She could anticipate all of this,
including all opposites
She could see all that
To her,
His face was not hard to stare
Still chiseled but shaved,
like polished marble glare
Her love was true for years
Opposing claims would be intercepted when asked if during she dabbled in deception
Then immediately accepted their quiz, taking near comfort as she’s done for years  placing her lips closer to his eyes,
she kissed his cheek and licked his tears
Of what she said to me that night--no matter.
The strange thing came next day.
My brain was full of music--something she played me--;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,--
But memory failed: the chords and discords climbed
And found no resolution--only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers--
And had I danced with her,--upon this music?
Or was it further back--the unplumbed twilight
Of childhood?--No--much recenter than that.

You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,--leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it--
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars--;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago--
Or was it nine?--no matter--call it nine--
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.

She played this tune.  And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap.  She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.

'You know--we've got to end this--Miriam loves you . . .
If she should ever know, or even guess it,--
What would she do?--Listen!--I'm not absurd . . .
I'm sure of it.  If you had eyes, for women--
To understand them--which you've never had--
You'd know it too . . . '  So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it--nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,--
Half asked me if I thought I ought to go . . .

Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed--
Or nine--we met once more,--by accident . . .
But was it just by accident, I wonder,
She played this tune?--Or what, then, was intended? . . .
Jenn Gardner May 2011
“Sanity is not statistical.”- George Orwell

The tour guide elucidates black and white scenery.
Unamused clients grow weary of following blindly…

Beyond the barren trees lies a horizon of dirt.
The patrons’ eyes assume a bedraggled trail
Ostentatiously drawing them into its depths.
Unable to sense the malignity; compliance is inevitable.

The seemingly infinite nave reveals a peculiar door,
Hexagonal in shape, displaying no visible ****.
“This heavily armored door hath been open since
the dawn of pandemonium. Enter if you dare,

my humble insanitorium.”

Their dreams have intruders,
Infiltrated by an obscure entrance
Remote in the fact that even they
Are ignorant to its location.

The intruder takes hold of,
their brains, hearts and blood.
Drives them to brink of insanity
Then leads them back home.

Metamorphosis: their messiahs
Were once smiles and gold
Now they are maggots, cole
And decayed linen for skin.

They are the peaceful violence
That occurs among the leaves
Existing for a short time in beauty.
Than drying up and withering away.

Obscurity is a terrifyingly beautiful renaissance
A peculiarity that rock them to the core.
The ghosts that occupy their souls,
And the cavern that’s missing from them
Experience is theirs to have or to lack. For they
haven’t much time before the dirt takes them back.

An elegant yet dismantled courtyard comes into view.

They.
Know not of the geometrics that seem
To have replaced the techni-colour trees.
Once overgrown in the tainted court-yard
Roots overharvested and interconnected,
A corn stock maze burnt to the ground.

She.
Used the finest twine, sharp and strong.
To tie her soul to the cage that houses her heart.
“Two mad rabbits were dancing by a tree.
Before one vanished down the hole,
I swear he looked right into me.”

They.
Watch in dismay as her chest is scalped.
The unsound artist tugs (she does not protest)
Bones shatter and he eats the remains.
Soft fingers caress the pulsating red ball.
All the women cry as he claws at her soul.

An aghast audience enters the house in
Hopes of a less unsettling spectacle.
A tiny jar sits on a wooden table, curiosity
Causes a member to remove the lid.

“To exist in the subconscious is more terrifying.
The flame’s lick the nimbus and I am calm.
An angry cockroach lodged in my trachea.
The soil is more sinister than it was yesterday.

An abstract design, the lines infinitely overlap.
The drawing continues and I try to unravel,
the circles and squares but I simply cannot.
They are now in my blood, a pentagonal paradise.

It would be lovely to hold my heart in my fist.
Squeeze it until the blood becomes a fourth
Of July spectacular. The circles and squares would
Be emancipated from the charred remains of the jar.”

Prying is never rewarded. The jar goes up in flames.
The great herd is lead to a theatre-like abode.

The tourists snap pictures as they assume their seats,
The Insanitorium’s owner makes a gut-wrenching speech.

“I’m wandering aimlessly through the in-between.
The face-painted crowd watches with open mouths.
As I search for and seek out self-fulfillment.
On the edge of their seats, waiting impatiently,
For my humble home to self destruct.

They gnaw on my self-worth, ripping and tearing
My well-though out decisions into tiny,
Unmanageable quadrants that I cannot repair.
The herd is well aware of what lies along the line.
But I strayed long ago and am of a different time.”

The applause drowns out the sound of the speaker’s screams.

The patrons are lead through a dimly lit hallway,
Another peculiar door materializes, triangular in shape.
The room is a vessel for conscious and unconscious ramblings
Of minds left to rot and decay like rabid corpses.

“Enter respected patrons and feast your eyes upon the truth.”

The first trembling hand finds its way to the door.
A striking man is seated, muttering cloud-cuckoos.
His hands and feet bound to the ancient wooden chair.
The blade hovers above his hard skull threatening to fall.

His brain is dissected; life-long deception is evident
The black cats in his mind are visible to probing eyes.
Sinister felines stretch their brittle bones; it is not
Long before they’re biting and scratching his insides.

Like all apparitions, the vision returns to the dust from which
It was created. It’s true home among the asteroids and
The planets that contain the same star dust that once
Composed flesh and bone. Not Reduced, but reused and recycled.

Before the disappearance is final, he chokes on his last words…

“A pearl that is flung,
From the stars overhung
Will dislocate like a plastic doll.

Alas…

One pearl turns to millions
And a million turns to dust.
The doll’s expression ,
remains stagnant.”

The tourists are angry and appalled at what they have witnessed.

They have not come to the harsh realization,
That in order for a man to see, his eyes
Must be pried open. Stunned into epiphany.
Become aware of the demon residing behind them.

“You are not sane devil woman,
For your tour reveals horrors of many kinds.”

The woman’s mouth contorts and her eyes darken.

“All entities, dear guests, hath been drawn
from your own mad minds.”
g clair Nov 2013
The hillside before me rolled out like a wave
awash in my thoughts 'til I noticed the grave
the headstone was tilted and covered in rot
a memory of someone forgotten, but not.

The scene triggered feelings which drew me way back
to a time when I dwelt in a one bedroom shack
the love of my life had grown cold, and despairing,
my heart shriveled up like an unpickled herring

I remembered thereafter, and oh, what a mess
I led me to places too dark to confess,
dying for flowers from somebody dear
I'd fill up my window box year after year.

and soon the depression grew into a hedge
though flowering plants kept me back from the ledge
"I'll never be happy! " I quite often thought
a forgotten old headstone all covered in rot.

I swore if I ever recovered again
I'd wait for the right one, the Boaz of men
but for all of the damage, the shape my heart's in
be blessed if he'd notice, so how could I win?

With all of these memories weighing me down
I slapped myself silly and turned up the sound
and opened the windows to let in some air
the sun on my face and then suddenly...glare!

I veered off the highway which cut through the land
a two lane construction of asphalt and sand
took the embankment at an ungodly pitch
and suddenly airborne, shot over a ditch.

Landing my vessel across the divide
I hoped for the best for it's brave underside
the dust settled soon, and how foolish I felt
Thank God I'd remembered to buckle my belt.

And there in the front seat, assessing my plight
dazed, but amazed at this beautiful sight
as 'Love is a Battlefield' blared in the grime
Wildflowers grew in the trenches of time!

You the forgotten who languish for years
ditched and bedraggled and drained of your tears
thinking you're nothing, a sunset that's fading
grieving love lost while your best years are waiting

Tend to your gardens wherever they are
keep yourselves fresh with the watering jar
Remember, like flowers, the wild ones too
your maker, your husband, will take care of you.

For your Maker is your husband--the LORD Almighty is his name--the Holy One of Israel is your Redeemer; he is called the God of all the earth.
Isaih 54:5
Wally Smith Nov 2010
This unkempt spread of damp, bedraggled lawn
Presents a sorry sight.  And there, forlorn
In rotted heaps, the summer’s fruits decay,
While winter winds still strip the trees that sway
And scatter yet more leaves to sodden fields
Of mud and nettle.  Each proud meadow yields
To colder days, and beaten tracks are churned,
Where baking summer sun had burned
The brittle grass and bracken.  Gone the sound
Of insects.  Idle stumps and logs are crowned
With moss and patterned lichen in the hush
Around this woodland scene: the brilliant blush
Of russet splendour (always all too brief)
And gilded floor of leaf on silent leaf.
Olivia Kent Dec 2013
Beggar It!

Hair drenched hung at her neck.
Cold, bedraggled.
Left on the stone cold stairs.
Beside the house of the holy.

Fingers purple.
Blue, pink.
Fingertips smarting.
Fiery red inside.
Holly was her name.
Her visage as red as cherry ripe.
Tears her only friend.
Old enamel mug in turquoise.
Waiting to catch stray nickel coins.
Holds only pennies of memory.
Locked in her cold brain.

She cannot sing.
Nor play a note.
Busking is no option.
She wrote a poem of her own,
A kind of begging note.
She wrote it in bright colours.
In letters truly bold
Cry is all that she will do.
In hope's desperation.
That all is not lost.
She hopes someone will read her poem.
And,
****** her from the winter cold!


By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Laura Enright Jan 2017
I walk on black crunchy sponge
barefoot, blank-minded, bedraggled

my backdrop is violent grey, green,
then white white white

wind whips my cheeks
then calms itself, calms me

I miss my sunshine on days like this
when the weather is rough

I appreciate it the most
Zoe Mae Sep 2021
A star up and dies
The universe sheds a tear
Particles fly everywhere
The Milky Way collapses
Half of infinity is gone
The Sun tilts on her axis
The Moon knows something's wrong
Oceans begin swelling
Water devours the land
Earth hasn't been this bedraggled
since life first began
Gravity forsakes her
Grounds fall to the sky
A celestial teardrop's ruthless goodbye
Cyan Tendency Jan 2013
The rain's been relentless
I've been soaked for two days
the wind blowing sideways
Unavoidable fray

Cold to bone, I run bathwater too hot to handle
Want to sweat it all out, and to run myself pure
Pale steam 'round me rising, obscuring the candles
and thoughts of you run though my head, like a lure.

My clothes lie bedraggled, cast here on the floor
kindling flashbacks of searching for mine in your room
fully dressed again, kindly you'd showed me the door
and I left, leaving heartstrings caught up in your loom.

So here I am, aching
so here I am, tired
so here I am, glad for the perfume you left

So here I am, hopeless
I'm mystified, following
bright flashing memories, indeliberate gifts.

How can it be, chest cavity filling with sorrow
What small sweetened curse did you drip in my heart?
Chemicals mine, and chemicals foreign
weave conundrums of pain as your next work of art.

I loathe to think you've one resentment against me
Did I clarify all clamoured in heart and head?
moth to flame, I remember you hate them,
don't hate me
but also, remember- they all end up dead.

You'll never know, just what a blessing our time was
Precious stone, as you know are important to me
I am that Roman candle, actinic in pearls
my fog soon in passing, and I will be free.

So please, don't let too much dust cover our glow
Synchronicitous, meant to be, beautiful, rare
Something splendid as that, should be held in the heart
Hands of time have a tendency- obscure and tear.

so here I am, peaceful
so here I am, salient
the memories of your arms around me, your chest

so here I'm imagining your face before me
how perfect our moments
Thankyou, lover;
I'm blessed.

— The End —