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"bedposts" poems
In those days all thinking took place in his heart. It had no favorite suburb, no shelter that was home, immersed, as he was, in the Mojave of humanity, memories of only former places through which he'd drifted. Yes, there were women, storms of passion, brevity in bed. Today, they only took him back in time, reconstructing scenarios more of actions never taken. Bedposts served as bivouacs for the nomad. Here in this desert water assumes a circumstance, the nomad becoming as fond of it as ambition. Here silence need not be kept at bay, rather welcomed in, though it looks down upon him in uncertainty. Out there on the horizon he hears a sigh, a mother tongue corresponding to his own.
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Jan 4, 2013
Jan 4, 2013 at 8:37 AM UTC
A Nomad Needs for Nothing
The taste of your sweetness, Still lingers on my tongue, I am an addict for your dew, Remember the first time I pleased you, The time my lips pursed between your folds, That purr that escaped, You knew I loved to hear you moan... Then there was the silence, You sensed what was in store, As my mouth fluttered across your wetness, and my lips engulfed your other lips, You spoke and told me I'm nasty But your taste I can't resist, or how your diamond peaks at me, Awaiting a tantalizing encase, To be wrapped within my tongue, Light strokes upon the center, Twirling around the cape that no longer keeps it sheltered, You hated when I teased you, I could not resist when you said, Please. Don't. Stop... As if you knew being craved was my weakness, I told you what you wanted to hear, I'm not here to play games, Firmly wrap your legs around my head, Bring your garden to my face, Every drop of dew is a present to my sheets, Will you be my submissive? I will handcuff you to the bedposts, Before I let you run away, I missed the way your body would spasm for me, I promise to take my time if you honor me another night, I only wish to say this blessing between heaven and your thighs.
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Oct 21, 2015
Oct 21, 2015 at 11:46 AM UTC
Ecstasy
"But, sir," I said, "they tell me the man is like to die!" The Canon shook his head indulgently. "Young blood, Cousin," he boomed. "Young blood! Youth will be served!" -- D'Hermonville's Fabliaux. He woke up with a sick taste in his mouth And lay there heavily, while dancing motes Whirled through his brain in endless, rippling streams, And a grey mist weighed down upon his eyes So that they could not open fully. Yet After some time his blurred mind stumbled back To its last ragged memory -- a room; Air foul with wine; a shouting, reeling crowd Of friends who dragged him, dazed and blind with drink Out to the street; a crazy rout of cabs; The steady mutter of his neighbor's voice, Mumbling out dull obscenity by rote; And then . . . well, they had brought him home it seemed, Since he awoke in bed -- oh, **** the business! He had not wanted it -- the silly jokes, "One last, great night of freedom ere you're married!" "You'll get no fun then!" "H-ssh, don't tell that story! He'll have a wife soon!" -- God! the sitting down To drink till you were sodden! . . . Like great light She came into his thoughts. That was the worst. To wallow in the mud like this because His friends were fools. . . . He was not fit to touch, To see, oh far, far off, that silver place Where God stood manifest to man in her. . . . Fouling himself. . . . One thing he brought to her, At least. He had been clean; had taken it A kind of point of honor from the first . . . Others might do it . . . but he didn't care For those things. . . . Suddenly his vision cleared. And something seemed to grow within his mind. . . . Something was wrong -- the color of the wall -- The queer shape of the bedposts -- everything Was changed, somehow . . . his room. Was this his room? . . . He turned his head -- and saw beside him there The sagging body's slope, the paint-smeared face, And the loose, open mouth, lax and awry, The ******* the bleached and brittle hair . . . these things. . . . As if all Hell were crushed to one bright line Of lightning for a moment. Then he sank, Prone beneath an intolerable weight. And bitter loathing crept up all his limbs.
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1.7k
Young Blood
"But, sir," I said, "they tell me the man is like to die!" The Canon shook his head indulgently. "Young blood, Cousin," he boomed. "Young blood! Youth will be served!" -- D'Hermonville's Fabliaux. He woke up with a sick taste in his mouth And lay there heavily, while dancing motes Whirled through his brain in endless, rippling streams, And a grey mist weighed down upon his eyes So that they could not open fully. Yet After some time his blurred mind stumbled back To its last ragged memory -- a room; Air foul with wine; a shouting, reeling crowd Of friends who dragged him, dazed and blind with drink Out to the street; a crazy rout of cabs; The steady mutter of his neighbor's voice, Mumbling out dull obscenity by rote; And then . . . well, they had brought him home it seemed, Since he awoke in bed -- oh, **** the business! He had not wanted it -- the silly jokes, "One last, great night of freedom ere you're married!" "You'll get no fun then!" "H-ssh, don't tell that story! He'll have a wife soon!" -- God! the sitting down To drink till you were sodden! . . . Like great light She came into his thoughts. That was the worst. To wallow in the mud like this because His friends were fools. . . . He was not fit to touch, To see, oh far, far off, that silver place Where God stood manifest to man in her. . . . Fouling himself. . . . One thing he brought to her, At least. He had been clean; had taken it A kind of point of honor from the first . . . Others might do it . . . but he didn't care For those things. . . . Suddenly his vision cleared. And something seemed to grow within his mind. . . . Something was wrong -- the color of the wall -- The queer shape of the bedposts -- everything Was changed, somehow . . . his room. Was this his room? . . . He turned his head -- and saw beside him there The sagging body's slope, the paint-smeared face, And the loose, open mouth, lax and awry, The ******* the bleached and brittle hair . . . these things. . . . As if all Hell were crushed to one bright line Of lightning for a moment. Then he sank, Prone beneath an intolerable weight. And bitter loathing crept up all his limbs.
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45
A chair in the corner sits huddled with the shadows, while a second chair lowers itself by the door. A window between the chairs hangs silently on wall, as the curtains whisper with the wind outside. Towards the left of the window is a shrunken bed, with bedposts like redwoods and the body of a willow. On the bed is a bundle of fabrics and tweed, twisting and spinning amongst eachother. Joining the first chair is a spindly wooden table, with wobbly fingers and with only three legs. The top of the table is clustered with trinkets, pinecones from Alaska and feathers from Pompeii. Littering the floor are denims and glass, clothing and pieces of vases strewn under the door. Thrown under the second chair is a pair of old shoes, weathered and worn and left to die. On the walls with the window is doodles and sheets, drawings of childhood tapped in the space. Paintings on the plaster are dusted with flakes, burdens of memories of past and future. In the center of the room stands a coat stand of mahogany, standing tall and strong in the ruins of its lost kingdom. Unaware of what goes on outside of his window, all he knows is the dust and objects trapped with him in the room.
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Aug 15, 2018
Aug 15, 2018 at 4:08 PM UTC
The Room
Sometimes when I pick up the pen I feel my 5 ft 7 and ¼ inch frame perk up like David at the sound of Goliath's slurs. I swear i'm 6'6" and ready to dunk the basketball straight over Wilt Chambelain's head made soft by the kisses and **** yous” of the 20,000 he probably never called back. Sometimes when I start to write I believe that I am invincible like James Cameron's submersible in Titanic's C deck sifting through soot and broken china, floating over smoke stacks and rusted bedposts, or reaching out my robotic arm to open up the door to the radio room that once buzzed with hellogoodbyes. Sometimes I feel like the soldiers walking behind that little napalmed angel screaming down that dirt road in Vietnam, oblivious to the fire of my words. Her cries shrink me back down to size. But most times I feel like I'm hooked up to a lie detector test in the dank basement of an FBI facility, blood pressure rising while the polygraph line traces the outline of a mountain range no one has ever hiked.
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Mar 20, 2013
Mar 20, 2013 at 10:19 PM UTC
Heightened Awareness
she is an asylum, her walls drip blackness writing every word that neglected to slip past her teeth, she sleeps on piss-stained spring mattresses as the clod tiles bite at her heels, hair and skin hide beneath her fingernails as palms are twinged, the padded walls whisper screams of coercion; wrists bound by silence and tightened by insanity. to bedposts rusted, her hands retired on ridged thighs hugging her goosebumps with convulsions of agitation. her mind scratches melodies of an insomniac, the flickering lights choke her vision and blind her speech. a room of contradictions irregulating regularities intoxicating sobriety hallucinating reality, the muffled screams that weave through the fibres of the pillow clinched tightly in her lap harmonize algorithms that pull each padded wall towards her howling being — centrefold the room, as the walls hug her body she awakes and paints antonyms to perpetual despondency
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Aug 23, 2015
Aug 23, 2015 at 4:53 PM UTC
High Royds°
My love looks scintillating on you my blue With just a hint of black When my rough love meets your tough love And the two wear us smooth again I mean There has to be something to justify how ugly I am Be ugly with me And grind sandpaper skin Til we can shake the shavings away after the sheets dry You’ve always wanted to know what it looks like when ugliness leaves you It looks like dust illuminated inside beams of light After you’ve decided you’ve collected enough How good did it feel When you notched my bedposts with your vampire teeth Dulling them down so that you couldn’t draw blood anymore? Not even with your words? You said that becoming human never seemed easier Let me second chance Your too tough tugs With my lizard tail laughter And I have two cheeks to turn if you need a third My shoulder is only cold Because neither of us know how to hold the other Being Beautiful And Nice And Capable Take practice So I am sorry I rub you the wrong way sometimes Just that This kind of black and blue Looks good on you And these faded bruises means We’re healing
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Jan 17, 2012
Jan 17, 2012 at 6:45 AM UTC
Black and Blue (FLP)
*A shadow on the upper right lobe, its probably nothing* Its close to Christmas, I think about our first and how purple it was, sunflower medallions and George Winston. I grew my hair long and wore camouflage. We ought to run a few more tests My guilt was more than I could carry back then, gallons in half gallon buckets, blood splashing onto white carpet. *We'll get a little more blood on Tuesday* The waiting game was nearly terminal, the kids and I exchanged gifts in the Sears parking lot. When I got home you held me. We need to talk in my office for a minute I cried about the choices they made. You were never unkind. The rosaries I made were hung on our bedposts, they hang there still. The shadow on your lung is a tumor Its been five years.  They're adults now and old enough to hear about death. I'll schedule a biopsy for after Christmas I don't think I'll tell them. I don't think I'll tell you either.. maybe just once we'll have a peaceful holiday.
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Dec 8, 2012
Dec 8, 2012 at 4:46 AM UTC
Shadows ,Guilt, Kindness and Tears
I compose me try to pull teeth and grey elements Ash and grey elements appear during supper Words and personalization become law Become a creed A fool bringing moss to market, Shawl holds tight while eyes pierce concrete, wide at home and closed while here, In this home A shack with spoons This late hour steams from crowns of heads, or crowns on heads, when darkest, only mist is seen in crowns on bedposts. Black panther melodies scar institutes Whiter power anthems are nothing to speak of I bet it is on three laurels A magic marker nodding off It is a drinking whiskey game I win But I think I'm going to Hell Kiss me before I am in Hell Finding many things burnt but not char I can't find what that word means again This song and title I can't put back together Oh, I could call If only, Oh, I knew it all A neck to breathe down with the gauge I bring down Could suddenly cut ourselves short This vegetable garden could produce marrow Not knowing it was a crime
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Apr 14, 2016
Apr 14, 2016 at 9:41 AM UTC
Greeting in Florida
The proximal end of my soul is no longer safe Decay has dilapidated the space The raveled fragments fester Leaves wilting with vinegar burns Where I have tried to **** the infestation And found I was only killing myself. I can remember when my mind was softer, but not safer, Hiding in the hallway to the den Watching the scene of the desperate father pulling his dead son from burned rubble My child mind imagining Blooms of orange around my bedposts, tendrils of cinder and smoke, Placing my hand against the back of the door To feel the phantom heat. And now I hold the matches to my own bed The quiet comforter can only stifle them for a moment There is not enough weight to press These dreams out of myself Maybe I still crave heat because it is the pain that is also comfort It is the fear and the foment, the ailment and the aid It is my body asking for enough feeling To know it is alive and safe While my mind is screaming fire in a crowded theatre.
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Sep 17, 2021
Sep 17, 2021 at 9:12 PM UTC
Proximal
*Courtesan rests upon satin pillows, placed so many for weightless fare Treasure box of lace and fragrance spilling out into her hair Rich red velvet drapes the contours of her silhouette against the backdrop of an argalis mountain landscape Thick rouge stain encircles her mouth and cheek, now smeared askew as evidence of talking bodies friction She wonders where he goes when he is gone~ He often wonders how good it feels when she comes into his candelabra room Bedposts tell no lies...yes, this is true, mind you, no other girl would do the deeds he required of his staff in hand.*
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Sep 11, 2014
Sep 11, 2014 at 2:13 PM UTC
Innuendo ~ no Comprendo
I painted the bedposts and bedside whiteboard beside the baseboard, the outlet occupied by a power cord, the bookshelf, both coffeemakers, the power strip duct-taped to the brick wall, the bush outside, the sidewalks, the brick, the steel fences separating traffic babble from pedestrian small talk, then filled the wall in, gave the oak posts enough depth to hold up four coats, a backpack, and a shoe lace, swirled in the condoms and coffee rings inside the microwave, sketched a Sears Apple-Jack-colored record player plugged in, turning dusted Beatles records like the cosmos, like the snow, squirrel- hair, and leather-leaf bush outside. I masked off the concrete, the asphalt, and construction yard sidewalks, penciling dead mosquitoes in the cracks and $2.39 Rock Salt Slush along the edges. I measured the fence, so each stake hit the vanishing point like cigarette butts in cement cereal bowls of cat litter. But I ran out of paint before I could fill the mouths of motorist **** yous*, the car barks chasing dogs to the chain-link guard rail, doorbells and mailbox flags being flipped up, pay phones clashing on metal receivers, church bells, footsteps, some guy breathing, and a red-light button Wait. Maybe it’s for the best.
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Mar 5, 2015
Mar 5, 2015 at 4:36 PM UTC
Overly Large Canvas
Your tongue used to sneak in my mouth like the old days, girls climbing trees to sneak in an older boy's bedroom: he had a single bed and plaid sheets she would think of in the same way she thought of wrinkled bubblegum wrappers but neither tried to taste good for the other. The boy and the girl just were what they were, just hidden in each other. My hands could be the bedposts, my hair the headboard, my skin the blanket she will dig her fingers into, thinking what is home what is home - somehow it has become a tap on the window, a whispered I am here, hello. You helped me to get over my fear of silence, my chirophobia. When everything was meant to be quiet, when we have nothing to say, you would pour honey down my throat and hold hold hold me tight so tight that it would seem everyone knew. I imagined turning on the television, there would be an image of us lighting up Times Square: you would calm the whole wide world. It took us years to realize that we have the kind of love that is always, always okay. The girl shimmies down the tree, an old oak so tall she feels like she has dropped fifty stories before she finds grass, she feels like she has lost fifty feet worth of body and flesh. His window is open, her lips separate, it silent and it is okay. She mouths, I miss you then climbs up again almost desperately, completely dependent on her legs to pump air into her lungs and breathe through the pores - blackbirds see up vines up her skirt, and twigs bruises like wide bushes and then his hands like a nest. What is home. Your saliva grew like moss against my cheeks, I once bit and bled in my sleep, had nightmares so I could hear something but you gave my teeth a garden to pick vegetables from and I stopped needing traffic to rock me to bed: your tongue used to sneak in my mouth, now I have its words.
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Aug 30, 2013
Aug 30, 2013 at 2:43 PM UTC
sedatephobia
Your tongue used to sneak in my mouth like the old days, girls climbing trees to sneak in an older boy's bedroom: he had a single bed and plaid sheets she would think of in the same way she thought of wrinkled bubblegum wrappers but neither tried to taste good for the other. The boy and the girl just were what they were, just hidden in each other. My hands could be the bedposts, my hair the headboard, my skin the blanket she will dig her fingers into, thinking what is home what is home - somehow it has become a tap on the window, a whispered I am here, hello. You helped me to get over my fear of silence, my chirophobia. When everything was meant to be quiet, when we have nothing to say, you would pour honey down my throat and hold hold hold me tight so tight that it would seem everyone knew. I imagined turning on the television, there would be an image of us lighting up Times Square: you would calm the whole wide world. It took us years to realize that we have the kind of love that is always, always okay. The girl shimmies down the tree, an old oak so tall she feels like she has dropped fifty stories before she finds grass, she feels like she has lost fifty feet worth of body and flesh. His window is open, her lips separate, it silent and it is okay. She mouths, I miss you then climbs up again almost desperately, completely dependent on her legs to pump air into her lungs and breathe through the pores - blackbirds see up vines up her skirt, and twigs bruises like wide bushes and then his hands like a nest. What is home. Your saliva grew like moss against my cheeks, I once bit and bled in my sleep, had nightmares so I could hear something but you gave my teeth a garden to pick vegetables from and I stopped needing traffic to rock me to bed: your tongue used to sneak in my mouth, now I have its words.
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32
The wind has been howling for days and days, searing the clouds and her mind, It tells a tell, tale that will slice her lungs worse than his words- Her lips bleed in the frosty wind, slow, her feet trudging, incapable, her fractured legs leaving crimson traces burning in agony Huffing, escaping, running, crying out, hear her desperate plea, but this actions have silenced her Death lurking behind the pine trees, acres of snow covering up the lies. He said, he doesn’t love her anymore, already had every inch of her in his mouth, His **** in her mouth, again and again, feral eyes watching it unfold a plan successful, forcefully, trapped, chained her to the bedposts, scarred on the outside and charred from inside Tearing petals off, from the roses he gave her, one bright afternoon, he loves me, he loves me not He said he did, naive girl, moved to Siberia for him, where did loving him lead her? She laughs, like an asylum patient, a tortured madness climbing the veins of her soul Poor little lamb, he is carnivore, tearing off her skin, divulging into her body.                                             **Look at her destroyed, frayed                                              Look at the ghost of a girl** Who walks through realms of life, the wind is still, mourning in the loss. Her bruised body all shades of blue and red, lifeless.  He ate out of her too much, he ****** her life out. At frail attempt at an escape, bittersweet atleast, darkness claimed her on the hands of freezing terrains, not him. Look at the countless wolves howling, consuming the remnants in a mad glee.
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Jul 17, 2013
Jul 17, 2013 at 4:29 AM UTC
MURDERER
The wind has been howling for days and days, searing the clouds and her mind, It tells a tell, tale that will slice her lungs worse than his words- Her lips bleed in the frosty wind, slow, her feet trudging, incapable, her fractured legs leaving crimson traces burning in agony Huffing, escaping, running, crying out, hear her desperate plea, but this actions have silenced her Death lurking behind the pine trees, acres of snow covering up the lies. He said, he doesn’t love her anymore, already had every inch of her in his mouth, His **** in her mouth, again and again, feral eyes watching it unfold a plan successful, forcefully, trapped, chained her to the bedposts, scarred on the outside and charred from inside Tearing petals off, from the roses he gave her, one bright afternoon, he loves me, he loves me not He said he did, naive girl, moved to Siberia for him, where did loving him lead her? She laughs, like an asylum patient, a tortured madness climbing the veins of her soul Poor little lamb, he is carnivore, tearing off her skin, divulging into her body.                                             **Look at her destroyed, frayed                                              Look at the ghost of a girl** Who walks through realms of life, the wind is still, mourning in the loss. Her bruised body all shades of blue and red, lifeless.  He ate out of her too much, he ****** her life out. At frail attempt at an escape, bittersweet atleast, darkness claimed her on the hands of freezing terrains, not him. Look at the countless wolves howling, consuming the remnants in a mad glee.
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17
You are my corrupted dream. An intended perverted fairytale. The break rolls in.   Your fingertips white with selfish memories. Addicted, with fabricated smiles after dark. Time pours faster. The embers cling to balconies and bedposts. Stepping gently from another unwelcomed sunrise. We sink into an inevitable blindness. You ****** into abandon. Awaiting a slow bitter collapse. Full speed cold front. No stopping the fever. Four walls, two ways to burn them down. One pitiful habit to sober the spell. Melodic moments raise their weary hands And rock the city comfortably.
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Feb 20, 2010
Feb 20, 2010 at 1:09 AM UTC
recur
the break rolls in your fingertips white with selfish memories fabricated smiles after dark time pours faster the embers cling to balconies and bedposts stepping gently from another unwelcome sunrise we sink into a soft inevitable blindness ****** into abandon to await the slow bitter collapse savor these polemic kisses we have already died a few times just to feel alive
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Feb 21, 2011
Feb 21, 2011 at 10:12 AM UTC
polemic kisses
The farmhouse also awakens, pine floorboards and joists unsettled, plaster walls rattled by midnight voices. In certain rooms, the lace curtains sift moonlight with graceful fingers. Shadows making their rounds slink past doors and bedposts, curl into unlocked keyholes, uncoil time across the duvet. Just outside, familiar silver trees conduct an orchestra of illusions: branches graze the metal roof, tap tap tap on windowpanes. It goes this way for hours, sounds of a haunted choir. When sleep comes my dreams are like balloons brushing against razor wire.
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Nov 3, 2016
Nov 3, 2016 at 3:27 PM UTC
Insomnia
I am just the lightbulb Swinging in the attic If you would just Shut up I am the static Little ghost Show me your play things Tall bedposts You are always swinging That's the record Play it again If you speak up You'll only blend in And I wish I wish to **** I was someone else Take my bottle from the shelf Grin, kiss, smash me But here you are Lily hand Sail my ship Read my stars Kiss me Crystal ball Palm reader Your eyes say it all Your lips say it better
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Apr 14, 2015
Apr 14, 2015 at 2:53 AM UTC
I love you
Tremors held in the young girl’s face Quaking in exquisite lace Pulsing in place Hip locked base Ejaculatory race Spermicidal mace Thoughtless porcelain dolls Shatter as bedposts hit walls Reverb in the halls Landlord calls ******** stalls Waiting on drained ***** Thick housing in a fat cat’s den Seal on the locked pen Revolving door of men Seems to break the Zen Memorabilia of Cheyenne Windup to go at it again Shower sprays flakes of gold Washing off latent mold Rubbed off in the hold …These men are old Temperament’s cold Cost of being sold
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Nov 13, 2014
Nov 13, 2014 at 9:14 AM UTC
A Short Ditty About Being Paid To ******
i wasn't at least surprised by your callous gaze on me another name, another notch on the bedposts where you can't sleep i learnt through that december that a kiss can be empty after all that a label i so easily dismissed really does means 'just friends' and nothing more i know it silently haunts you losing the first honest thing you'd ever known but it's hard to sympathise with a boy that swears love to girls who then walk home alone
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Jul 31, 2013
Jul 31, 2013 at 10:07 AM UTC
it's been eight months
I remember the supervised showers The crushed ice The cries at night The feeling of losing control The idea that earbuds with the right twist and ties could make me die The sewn on pillowcases The weapon in scissors, mirrors, handles, sheets, bedposts, bags, shampoo, straps, glass, pens The misdemeanor The boy who’s anorexia was his slow suicide The girl with two siblings that killed themselves How everyone wanted to **** themself The 7-year-old that only cried The lime green hallways that haunt my mind
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Dec 9, 2019
Dec 9, 2019 at 4:57 AM UTC
All just suicide
I have seen friends tie themselves up to the bedposts of lovers who would never give them a second thought If all their pretty untouched skin wasn’t right there To bruise and taste at their convenience we have been told there is no other way for us to hold any value as a person unless someone wants us I have seen friends cry so hard they puked as they untied themselves from those bedposts their wrists had been rubbed raw and they still left their heart behind in hopes he would return it with his own in tow I have seen friends make themselves names in a little black book A faceless body   They will let you treat anyway you want because it’s better than alone I have seen friends Break themselves for this twisted messed up version of love that’s being sold to us - Who taught us how to do that to ourselves - Everyone, everyone, everyone
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Jul 27, 2021
Jul 27, 2021 at 10:17 PM UTC
WHO TAUGHT YOU TO DO THAT TO YOURSELF?
Last night the earth spun too quickly, making chaos   of my senses. The churning stole away sleep, making ghosts of coats draped on bedposts; demons of the sheets against my skin. How inconsiderate the morning, to all but rush to my aid.
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Nov 18, 2014
Nov 18, 2014 at 7:52 PM UTC
-Horrors-