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Martin Narrod Apr 2014
12 Monkeys
17 Girls
127 Hours
2 Days in New York 2012
2 Days in Paris 2010
2001 A Space Odyssey
360
A Beautiful Mind
A Bridge Too Far
A Few Good Men
A Single Man
A Perfect Getaway
A Serbian Film
A Very Long Engagement
A.I.
Absolute Power
Adaptation
Airborne
Air Force One
Airplane 1
Airplane 2
Albert Nobbs
Alex Cross
Alpha Dog
American Beauty
American Gangster
Amorres Perros
Amour
Anchorman
Andy Warhol's Bad 1977
Andy Warhol's ******* 1964
Andy Warhol's Eat 1964
Animal Kingdom
Annie Hall
Anti-Christ
Apocalypse Now Redux
Apollo 13
Arachnophobia
Apt Pupil
Armageddon
Babel
Backdraft
Bad Company
Bad Education
Badlands 1973
Barton Fink
Basquiat
Before Night Falls
Being Flynn
Beneath Hill 60
Beyond the Black Rainbow
Billy Madison
Biutiful - Spanish
Blade 1
Blade 2
Blade 3
Blade Runner Final Cut
Blades of Glory
Blood Work
Blue Valentine
Breach
Broken Arrow
Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
City of God
Clear and Present Danger
Closely Watched Trains - Czech
Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
Days of Heaven
Dazed and Confused
Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
***** Harry
Django Unchained
Dogtooth - Greek
Dogville
Doubt
Dracula, Bram Stoker's
Dragonheart
Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
Easier With Practice
Easy Rider 1969
Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
Killing Them Softly
Kindergarten Cop
Kingpin
Koyaanisqatsi
Krippendorf's Tribe
Kiss the Girls
La Vie En Rose
Last Night
Last of the Dogmen
Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
Saving Private Ryan
Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
Sgt. Bilko
Shame 2011
Shine
Shooter
Shopgirl
Sid and Nancy
Sin City
Sky Captain and The World of Tomorrow
Skyfall
Slackers
Sleepers
Sleeping Beauty 1959
Sleeping Beauty 2011
Sleepy Hollow
Snow White and the Seven Dwarfs
Somewhere
South Central
Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
The Dark Knight Rises
The Day of the Jackal
The Diving Bell and the Butterfly
The Fifth Element
The Flock
The Flowers of War
The Fountain
The Getaway
The Girl With the Dragon Tattoo 2011
The Golden Compass
The Good Shepherd
The Good The Bad and The Ugly
The Goonies
The Green Mile
The Grey
The Help
The Hudsucker Proxy
The Hurricane
The Hurt Locker
The Ice Storm
The Ides of March
The Illusionist
The Imaginarium of Doctor Parnassus
The Impossible
The Informers
The Invasion
The Iron Lady
The Island of Dr. Moreau
The Jackal
The ****
The Killer Inside Me
The Kingdom
The Legend of Bagger Vance
The Lost Boys
The Lost Boys The Tribe
The Lost Boys Thirst
The Machinist
The Mask
The Man Who Fell to Earth 1976
The Master
The Mechanic
The Money Pit
The Naked Gun 1
The Naked Gun 2
The Naked Gun 3
The New World
The Pelican Brief
The Place Beyond the Pines
The Prestige
The Queen
The Raven
The Reader
The Red Balloon
The Right Stuff
The Road
The Rock
The Rocketeer
The Rules of Attraction
The *** Diary
The Saint
The Shawshank Redemption
The Silence of the Lambs
The Skin I Live In - Mexican
The Soloist
The Talented Mr. Ripley
The Thin Red Line
The Town
Transformers Trilogy
The Tree of Life
Tron Legacy 2010
The United States of Leland
The Usual Suspects
The Way Back
There Will Be Blood
There's Something About Mary
Three Days of the Condor
Three Kings
Tinker Tailor Soldier Spy
To the Wonder
To Rome With Love

Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
Two Lovers
Two Weeks in September(Brigette Bardot) 1967
Tyrannosaur
Unbreakable
Uncle Buck
Unforgiven
Unleashed
Unstoppable
V for Vendetta
Varsity Blues
Vertigo
Vicky Christina Barcelona
Videodrome
Virtuosity
Wag the Dog
Wake Up Ron Burgundy The Lost Movie
Walkabout
Wall Street 1987
Wall Street 2010
Wanderlust
Water World
Wayne's World 1 & 2
We Are The Night
War Witch
We Need to Talk About Kevin
Weekend by Jean-Luc Godard - French
Weekend 2011
West of Memphis
What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
Where the Wild Things Are
White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974


Documentaries & Music Videos


BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin
Barton D Smock Sep 2015
from The Blood You Don’t See Is Fake (poems, barton smock, September 2013)

[wilderness mantra]

sister Cain falls in love with me through her brother.  
     I physically blame her with both hands.  

she has left my brother’s lips  
on the lord.  

I try to kiss her at a baseball game
but am drunk
and kiss instead
my male
abuser.  

violence begins with me.  


[NICU]

in the story, a newborn is placed in a mailbox.  we know of no harm and the story itself is very casual.  an angel tells us the job of an angel is to fly in front of the master when the master is ****.  we try to hang on every word.  the mailbox is the only mailbox in heaven.  our questions turn our stomachs.  some of us become hormonal and some of us identify pedophiles by future rote.  we head home in a pack.  a siren behind us wails a moment before being joined.  

~

from father, footrace, fistfight (poems, barton smock, June 2014)


[object permanence]

rabbit
named
vertigo


[my son the ******]

online I find instructions on how to make my own scarecrow. I wake my sister and have her put on her pajamas while I take the overcoat my father is using for a blanket. when we’re an error of a mile from home I have to push the ATV with my sister on it. she is crying about flooding and I’m telling her what the scarecrow will look like. she wants it to have a cape. because my son isn’t born yet, there’s not much to like.


[orison]

gaze upon our father
create a woman
and suddenly

know
to leave us


[collapse]

how
on a clear day  
my father
is the face
of absence.

how what I mean
cuts the finger

my mother
sips.

how porch blood
is not the same blood
the body
faints with.

how copperhead, how rattlesnake, how lisp

says I myth
my sister
who is still

vanishing
to shoplift
god

from the thunderstorm
we gave her.

~

from The Women You Take From Your Brother (poems, barton smock, August 2014)


[weaponry]

after passing many dogs
with more skin
than fur, that seem to be
the starving men
of my dreams
if the starving men
of my dreams
had been brought
to the same place
to die
if that place
were me,

the man who sold
my brother
a gun

goes

as a father
praying over
a solitary
son

to his knees
in front
of a larger cage
and I see
the smallest elephant
and I keep
seeing it
as if I’m the only
one who can
though I know
it’s there, the sound it makes

like nothing sick, nothing animal-

I am not the brother
I’m the size of.


[spoils]

a distraction that doesn’t explode. I’d say children but nostalgia is still a child. head, I need a volunteer. god’s reply in the form of a sext. a brick taken for a sponge by a bout of sleepwalking in someone I can shower.


[flatfoot]

the missing man’s yo yo
between the hours
of this and that a.m.
was no doubt cared for
by meadow mice
our estimate would be
by all of them
what a service
they’ve provided
we would advise

forget the tree, the tire swing, and with these mice

forget the man

~

from Misreckon (poems, barton smock, December 2014)


[end psalm]

god had an earache and I heard thunder. I learned to shrink into the smallness of my brain. I associated money with my father’s funny bone. my mother with the dual church of hide and seek. I went on to have a son with special needs. he cried once. cried milk.


[form psalm]

I find the boy’s name on a list in another boy’s diary. a gun goes off in a dream I don’t have anymore. the animal gets between my son and my son’s imaginary friend. the root of its insomnia is not man but the fear of personification. god’s gone when the story starts. to war, to war.


[inquiry psalm]

when it comes to humoring
me
by name
my memories
draw a blank.

I had a daughter
and three
sons.

my hands
could’ve been
the hands
of an umpire.

in the untouched church
of suicide
was the untouched
church
of *******.

it’s like seeing
a television
on tv. the comedians
and their failed
sisters.

do your thoughts
still take
the temperature
of god?

~

from Eating the Animal Back to Life (poems, barton smock, July 2015)


[sandbox]

even with her fingers in her ears, she can hear the toy horse whipped. if we don’t have food, we can’t pray. my father was hired for his quickness, his hands

to salt
the rain. grief is a guard dog from the permanent circus.


[sightings]  

****, kid, your poems.  I took a page from your father’s thesaurus and played scrabble with god.  I came back knowing your name as code for omission.  your mother didn’t break a chair over my back because the chair didn’t break.  I worked it off in a building from the wrong twin city.  after that, my homeless jailer became your brother’s landlord.  your brother he played citizen’s parole to my arrest.  borrowed my hat on account it wasn’t full of money.  like most men, we were in love.  he had a note he’d written that would appear before a big fight it said don’t let my suicide beat you to death.


[ones]

the book is a mourning vessel for what its reader stands to lose. I have a father for every type of silence.
Nigel Morgan Jul 2013
It was their first time, their first time ever. Of course neither would admit to it, and neither knew, about the other that is, that they had never done this before. Life had sheltered them, and they had sheltered from life.

Their biographies put them in their sixties. Never mind the Guardian magazine proclaiming sixty to be the new fifty. Albert and Sally were resolutely sixty – ish. To be fair, neither looked their age, but then they had led such sheltered lives, hadn’t they. He had a mother, she had a father, and that pretty much wrapped it up. They had spent respective lives being their parents’ companions, then carers, and now, suddenly this. This intimacy, and it being their first time.

When their contemporaries were befriending and marrying and procreating, and home-making and care-giving and child-minding, and developing their first career, being forced to start a second, overseeing teenagers and suddenly being parents again, but grandparents this time – with evenings and some weekends allowed – Albert and Sally had spent their time writing. They wrote poetry in their respective spaces, at respective tables, in almost solitude, Sally against the onslaught of TV noise as her father became deaf. Albert had the refuge of his childhood bedroom and the table he’d studied at – O levels, A levels, a degree and a further degree, and a little later on that PhD. Poetry had been his friend, his constant companion, rarely fickle, always there when needed. If Albert met a nice-looking woman in the library and lost his heart to her, he would write verse to quench not so much desire of a physical nature, but a desire to meet and to know and to love, and to live the dream of being a published poet.

Oh Sally, such a treasure; a kind heart, a sweet nature, a lovely disposition. Confused at just seventeen when suddenly she seemed to mature, properly, when school friends had been through all that at thirteen. She was passed over, and then suddenly, her body became something she could hardly deal with, and shyness enveloped her because her mother would say such things . . . but, but she had her bookshelf, her grandfather’s, and his books (Keats and Wordsworth saved from the skip) and then her books. Ted Hughes, Dylan Thomas (oh to have been Kaitlin, so wild and free and uninhibited and whose mother didn’t care), Stevie Smith, U.E. Fanthorpe, and then, having taken her OU degree, the lure of the small presses and the feminist canon, the subversive and the down-right weird.

Albert and Sally knew the comfort of settling ageing parents for the night and opening (and firmly closing) the respective doors of their own rooms, in Albert’s case his bedroom, with Sally, a box room in which her mother had once kept her sewing machine. Sally resolutely did not sew, nor did she knit. She wrote, constantly, in notebook after notebook, in old diaries, on discarded paper from the office of the charity she worked for. Always in conversation with herself as she moulded the poem, draft after draft after draft. And then? She went once to writers’ workshop at the local library, but never again. Who were these strange people who wrote only about themselves? Confessional poets. And she? Did she never write about herself? Well, occasionally, out of frustration sometimes, to remind herself she was a woman, who had not married, had not borne children, had only her father’s friends (who tried to force their unmarried sons on her). She did write a long sequence of poems (in bouts-rimés) about the man she imagined she would meet one day and how life might be, and of course would never be. No, Sally, mostly wrote about things, the mystery and beauty and wonder of things you could touch, see or hear, not imagine or feel for. She wrote about poppies in a field, penguins in a painting (Birmingham Art Gallery), the seashore (one glorious week in North Norfolk twenty years ago – and she could still close her eyes and be there on Holkham beach).  Publication? Her first collection went the rounds and was returned, or not, as is the wont of publishers. There was one comment: keep writing. She had kept writing.

Tide Marks

The sea had given its all to the land
and retreated to a far distant curve.
I stand where the waves once broke.

Only the marks remain of its coming,
its going. The underlying sand at my feet
is a desert of dunes seen from the air.

Beyond the wet strand lies, a vast mirror
to a sky laundered full of haze, full of blue,
rinsed distances and shining clouds.


When Albert entered his bedroom he drew the curtains, even on a summer’s evening when still light. He turned on his CD player choosing Mozart, or Bach, sometimes Debussy. Those three masters of the piano were his favoured companions in the act of writing. He would and did listen to other music, but he had to listen with attention, not have music ‘on’ as a background. That Mozart Rondo in A minor K511, usually the first piece he would listen to, was a recording of Andras Schiff from a concert at the Edinburgh Festival. You could hear the atmosphere of a capacity audience, such a quietness that the music seemed to feed and enter and then surround and become wondrous.

He’d had a history teacher in his VI form years who allowed him the run of his LP collection. It had been revelation after revelation, and that had been when the poetry began. They had listened to Tristan & Isolde into the early hours. It was late June, A levels over, a small celebration with Wagner, a bottle of champagne and a bowl of cherries. As the final disc ended they had sat in silence for – he could not remember how long, only from his deeply comfortable chair he had watched the sky turn and turn lighter over the tall pine trees outside. And then, his dear teacher, his one true friend, a young man only a few years out of Cambridge, rose and went to his record collection and chose The Third Symphony by Vaughan-Williams, his Pastoral Symphony, his farewell to those fallen in the Great War  – so many friends and music-makers. As the second movement began Albert wept, and left abruptly, without the thanks his teacher deserved. He went home, to the fury of his father who imagined Albert had been propositioned and assaulted by his kind teacher – and would personally see to it that he would never teach again. Albert was so shocked at this declaration he barely ever spoke to his father again. By eight o’clock that June morning he was a poet.

For Ralph

A sea voyage in the arms of Iseult
and now the bowl of cherries
is empty and the Perrier Jouet
just a stain on the glass.

Dawn is a mottled sky
resting above the dark pines.
Late June and roses glimmer
in a deep sea of green.

In the still near darkness,
and with the volume low,
we listen to an afterword:
a Pastoral Symphony for the fallen.

From its opening I know I belong
to this music and it belongs to me.
Wholly. It whelms me over
and my face is wet with tears.


There is so much to a name, Sally thought, Albert, a name from the Victorian era. In the 1950s whoever named their first born Albert? Now Sally, that was very fifties, comfortably post-war. It was a bright and breezy, summer holiday kind of name. Saying it made you smile (try it). But Light-foot (with a hyphen) she could do without, and had hoped to be without it one day. She was not light-footed despite being slim and well proportioned. Her feet were too big and she did not move gracefully. Clothes had always been such a nuisance; an indicator of uncertainty, of indecision. Clothes said who you were, and she was? a tallish woman who hid her still firm shape and good legs in loose tops and not quite right linen trousers (from M & S). Hair? Still a colour, not yet grey, she was a shale blond with grey eyes. She had felt Albert’s ‘look’ when they met in The Barton, when they had been gathered together like show dogs by the wonderful, bubbly (I know exactly what to wear – and say) Annabel. They had arrived at Totnes by the same train and had not given each other a second glance on the platform. Too apprehensive, scared really, of what was to come. But now, like show dogs, they looked each other over.

‘This is an experiment for us,’ said the festival director, ‘New voices, but from a generation so seldom represented here as ‘emerging’, don’t you think?’

You mean, thought Albert, it’s all a bit quaint this being published and winning prizes for the first time – in your sixties. Sally was somewhere else altogether, wondering if she really could bring off the vocal character of a Palestinian woman she was to give voice to in her poem about Ramallah.

Incredibly, Albert or Sally had never read their poems to an audience, and here they were, about to enter Dartington’s Great Hall, with its banners and vast fireplace, to read their work to ‘a capacity audience’ (according to Annabel – all the tickets went weeks ago). What were Carcanet thinking about asking them to be ‘visible’ at this seriously serious event? Annabel parroted on and on about who’d stood on this stage before them in previous years, and there was such interest in their work, both winning prizes The Forward and The Eliot. Yet these fledgling authors had remained stoically silent as approaches from literary journalists took them almost daily by surprise. Wanting to know their backstory. Why so long a wait for recognition? Neither had sought it. Neither had wanted it. Or rather they’d stopped hoping for it until . . . well that was a story all of its own, and not to be told here.

Curiosity had beckoned both of them to read each other’s work. Sally remembered Taking Heart arriving in its Amazon envelope. She brought it to her writing desk and carefully opened it.  On the back cover it said Albert Loosestrife is a lecturer in History at the University of Northumberland. Inside, there was a life, and Sally had learnt to read between the lines. Albert had seen Sally’s slim volume Surface and Depth in Blackwell’s. It seemed so slight, the poems so short, but when he got on the Metro to Whitesands Bay and opened the bag he read and became mesmerised.  Instead of going home he had walked down to the front, to his favourite bench with the lighthouse on his left and read it through, twice.

Standing in the dark hallway ready to be summoned to read Albert took out his running order from his jacket pocket, flawlessly typed on his Elite portable typewriter (a 21st birthday present from his mother). He saw the titles and wondered if his voice could give voice to these intensely personal poems: the horror of his mother’s illness and demise, his loneliness, his fear of being gay, the nastiness and bullying experienced in his minor university post, his observations of acquaintances and complete strangers, train rides to distant cities to ‘gather’ material, visit to galleries and museums, homages to authors, artists and composers he loved. His voice echoed in his head. Could he manage the microphone? Would the after-reading discussion be bearable? He looked at Sally thinking for a moment he could not be in better company. Her very name cheered him. Somehow names could do that. He imagined her walking on a beach with him, in conversation. Yes, he’d like that, and right now. He reckoned they might have much to share with each other, after they’d discussed poetry of course. He felt a warm glow and smiled his best smile as she in astonishing synchronicity smiled at him. The door opened and applause beckoned.
judy smith Jul 2015
It's a little less Four Weddings and A Funeral, a little more four funerals and a wedding - or is it?

Emmerdale bosses are staying tight-lipped about Pete and Debbie's big day but we know one thing for sure: It ends in death and disaster.

And, looking back at the eerie promo video released earlier this month, we can't help but wonder if the carnival that rolls into town on Monday August 3rd has anything to do with it?

The long awaited explosive Barton-****** wedding will finally hit TV screens next week, playing out on ITV from August 3rd to 7th.

It's been one of those will-they-won't-they affairs, with Debbie's decision to marry Pete remaining up in the air until she discovered lover Ross was actually baby Moses' father. Who wouldn't want to run off with their mother's mysterious lover, aka the father of the baby half-brother she'd been left holding?

We know a furious Debbie promptly ditches Ross and decides marrying Pete isn't such a bad idea after all but the Barton boy won't go down without a fight.

In fact, a fight is precisely what he's after when he shows up to the Woolpack for his brother's stag do at the start of Emmerdale's big disaster week.

Not content with ruining the evening with some rather shocking revelations, he threatens his former lover and promises to take her down with him.

Enter Cain, who can always be depended upon to take his daughter's requests to "get rid of" someone quite seriously. Why hasn't he set himself up as the village's resident hit-man at this stage?

OK, so the hits aren't quite up to the lethal Cameron standard, but he knows how to land a serious enough blow to take care of his family's 'little problems'.

Ross Barton is no exception and Cain disposes of him in delightful ****** 'back-o-the van' fashion, but will it buy Debbie enough time to make an honest man of Pete?

Daddy's flying fists seem to save the day as his daughter makes it up the aisle to tie the knot with the errr, second man of her dreams.

But there's no preparing Pete, his quite literally blushing bride, and the rest of the village for what's to come next.

Especially when Sarah innocently scoops the letter that's fallen out of Cain's pocket up and pops it on the pile of well wishes for her mum and new step-dad to read at the reception...

Will Ross ruin Debbie and Pete's perfect day? Could that mysteriously misplaced letter to Pete make a comeback?

Or will forces far greater – beyond anyone's control – bring a whole new meaning to "till death do us part?"

read more: www.marieaustralia.com

www.marieaustralia.com/formal-dresses-canberra
judy smith Apr 2015
After months of preparation — sketching and making patterns, finding and fitting models, cutting and sewing fabrics, arranging makeup and accessories — Cornell University senior Ellen Pyne this weekend will send her fairy-tale themed “Crimson” line down the Cornell Fashion Collective (CFC) runway in a matter of minutes.

Anticipating their moment to shine, Pyne and 35 other student designers have been laboring since last fall to perfect their creations for the 31st CFC runway show, Saturday, April 11, 8 p.m., in Barton Hall. For first-year designers, the event allows them to present a single look on the big stage, whereas seniors like Pyne plan a full collection, hoping it will launch their fashion careers.

“I eat, sleep, go to class and sew,” said Pyne, whose showstopper is a seamless Snow White-inspired dress made entirely out of hand-felted wool. “The collection is a statement of my artistic aesthetic and the culmination of everything I’ve learned over the past four years.”

Working just as diligently are show planners, led by senior CFC president Megan Rodrigues, who are remaking the cavernous Barton Hall field house to host a night of glamour. Since shortly after the curtain closed on last spring’s show, Rodrigues and the CFC executive board have been organizing ticket sales and a heap of other details, including a new runway design will give the expected 2,500 guests a better view of the Cornell student models on the catwalk.

“Through this process, I’ve learned a great deal about leadership, learning to delegate and being able to inspire others to a common goal,” said Rodrigues, who hopes to work in event planning after graduation. “Mostly, I’m excited to see the growth of each designer leading up to the show.”

Designers come largely from the fashion design major in the College of Human Ecology, but students from the College of Engineering and the College of Arts and Sciences will also contribute pieces. A multidisciplinary team will present “Irradiance,” a wearable technology collection that uses sensors and luminescent panels to detect and respond to audio—glowing and dimming in sync with surrounding music. Lead designer and junior Eric Beaudette said that team, which includes Lina Sanchez Botero and Neal Reynolds, doctoral students in fiber science and physics, respectively, hopes to inspire a vision for smart clothing of the future.

In the sesquicentennial spirit, the show will also include a nod to the past. Recalling campus styles dating back to 1865, Denise Green, assistant professor of fiber science and apparel design, will air a short video about an exhibit, “150 Years of Cornell Student Fashion,” currently on display in the Human Ecology Building.

Inspired by art and culture she observed studying abroad in Paris last fall, junior Linnea Fong will present “Infatuated,” luxury evening wear she described as taking on “individual obsession with physical perfection and how that manifests in the fashion industry.” Just days before the show, she’s still modifying parts of her collection, noting that “you just have to figure out how to make your ideas come to life, which is the fun part.”

Concluding the show will be a line by senior Blake Uretsky, recipient of a 2015 Geoffrey Beene National Scholarship from the YMA Fashion Scholarship Fund. Her “Crested Butte” collection of women’s outerwear, a modern twist on vintage 1950s ski clothing, includes “distinctly wearable, yet visually exciting pieces,” she said. Presenting 10 looks, Uretsky’s line incorporates classic silhouettes and wool, corduroy and denim fabrics embellished with laser cuts and other modern techniques.

“Ultimately, I want to design clothes that people love and have a desire to wear,” Uretsky said. “The show will be such a wonderful experience with my family, friends and the Cornell community all supporting my work.”Read more here:marieaustralia.com | www.marieaustralia.com/cocktail-dresses
tangshunzi Jun 2014
<p><p> Questo matrimonio è follemente bello .Ma non è sorprendente.considerando che è un oro .rosa e rosso infuso bellezza culturale realizzato da una squadra di talento seriamente di venditori Texas .Pensa Posey floreali e progettazione di eventi .Caroline + Ben Fotografia e 36th Street Events .tutti insieme per creare una giornata che mette in evidenza il vero amore e uno dei duo più simpatico che abbia mai incontrato .Vedi tutto qui nella piena galleria .<p><p> E un film dolce da photohouse Films .impressionante .Si prega di aggiornare il tuo <p> browserColorsSeasonsSpringSettingsBallroomResortStylesCultural Beauty Dalla Sposa .Ci siamo incontrati a Tokyo nel 2005. Eravamo entrambi insegnamento della lingua inglese .Eravamo buoni amici in un primo momento .ma entrambi sapevamo che c'era qualcosa di più ad esso e nel 2006 siamo diventati una coppia .<p> nostro tema iniziato come "leggero" .ma penso che come è progredito quando abbiamo trovato la nostra citazione ( "Siamo andati a trovare noi stessi e abbiamo trovato l'altro" ).e che è diventato il tema .come era nei nostri inviti.il nostro segnoe il nostro video.<p> Abbiamo fatto i segni della barra ( " Sei Reddy per una notte Phull di divertimento?" ) .i segni tavolo escort e carte di escort che si basavano sulla skyline delle nostre rispettive città di provenienza (Londra .Chicago ) e la città cheincontrato a ( Tokyo) .<p> nostro planner Beth fece il segno principale tendone che è stato il fulcro per la <b>abiti da sposa corti</b>  camera .Conteneva la nostra citazione - "Siamo andati a trovare noi stessi e abbiamo trovato l'un l'altro . "<p> Abbiamo comprato qualche nuvoletta bianca e pannelli di gesso da Etsy  <a href="http://www.belloabito.com/abiti-da-sposa-corti-c-49"><b>abiti da sposa corti</b></a>  così le persone possono scrivere i loro consigli coniugale e scattare foto di se stessi .<p> Abbiamo anche chiesto un amico a mettere insieme un video di immagini di noi che crescono con i nostri amici e le famiglie e poi noi insieme con i reciproci amici e famiglie che abbiamo giocato prima del nostro ingresso alla sala di ricevimento .<p> Abbiamo trovato avere un wedding planner è stata la chiave .Soprattutto visto come fosse un matrimonio posizione.Inoltre .abbiamo usato il sito wedsimple.com per mantenere i nostri clienti informati attraverso il nostro sito .per fare le nostre RSVP e tenere sotto controllo che stava arrivando .Il mio momento preferito della giornata è stata capolino attraverso le porte appena prima del nostro ingresso nella hall della reception .a guardare tutti i nostri ospiti ridere ( e piangere ) al nostro video. <p> Mia più grande pezzo di consulenza per le spose e sposi pianificare il loro matrimonio oggi: non ti accontentare tutti .Non  <p><a href="http://www.belloabito.com/goods.php?id=575" target="blank"><img width="240" height="320" src="http://188.138.88.219/imagesld/td//t35/productthumb/1/1957335353535394817.jpg"></a></p>  cercare di .<p> Fotografo: Caroline + Ben Fotografia | dell'artista: photohouse Film | Wedding Planner : 36th Street  <a href="http://www.belloabito.com/abiti-da-sposa-c-1"><b>vestiti da sposa</b></a>  Eventi | Fiorista : Posey floreale e Design Event | Dress : Ritu Kumar | Scarpe : Nine West | Catering : Barton Creek Resort \u0026 Spa | Illuminazione:Illios Illuminazione | vestito dello sposo : Jaeger | Cerimonia di Set - up : Prashe | Hair \u0026 Make-up : Pearl Hair \u0026 Make-up Studio | lino.Chairs \u0026 Piatti : Marquee affitti | Luogo : Barton Creek Resort \u0026 SpaMarquee Event Group .36th Street Eventi e Posey floreale e progettazione di eventi fanno parte del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Marquee Group Event vedi portfolio 36th Street Eventi vedi portfolio Posey floreale e Event Design VIEW</p>
Colorful Matrimonio indiano_abiti da sposa on line
“O ‘Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?”—
“O didn’t you know I’d been ruined?” said she.

—”You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you’ve gay bracelets and bright feathers three!”—
“Yes: that’s how we dress when we’re ruined,” said she.

—”At home in the barton you said ‘thee’ and ‘thou,’
And ‘thik oon,’ and ‘theäs oon,’ and ‘t’other’; but now
Your talking quite fits ‘ee for high compa-ny!”—
“Some polish is gained with one’s ruin,” said she.

—”Your hands were like paws then, your face blue and bleak
But now I’m bewitched by your delicate cheek,
And your little gloves fit as on any la-dy!”—
“We never do work when we’re ruined,” said she.

—”You used to call home-life a hag-ridden dream,
And you’d sigh, and you’d sock; but at present you seem
To know not of megrims or melancho-ly!”—
“True. One’s pretty lively when ruined,” said she.

“—I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town!”—
“My dear—a raw country girl, such as you be,
Cannot quite expect that. You ain’t ruined,” said she.
Barton D Smock Dec 2014
have self-published a new full-length collection, 115 pages, title of Misreckon, in three parts: god had an earache / wrong about my brother / misreckon. book preview on site is the book entire.

it is, here:

http://www.lulu.com/shop/barton-smock/misreckon/paperback/product-21954246.html

sample poems

site

I lasso the calf just before it makes the ocean.

overhead, a helicopter
from my past
spins.

my son says
to himself
this isn’t
your father’s
sandcastle.

luck is the stone
that marks
the dream.  dream

the stone
that marks
the dead.


how the still recall the poor

when saying her name, mother would insist the curse words were silent. for swallowing secrets, father had his throat professionally cut. I remember wiping my nose with a shirt darker than blood. instead of good washrags, we had words brought about by having company. mother ran wild through my sentences while father bent to kiss a pillow for sleeping with my stomach. apocalypse came and came. the act was the act’s debut.


men hermetic

the crow
the fine print
of nowhere.

the bomb shelter
the rumored locale
of a mother’s
laundry room.

the bare cross
the teething
toy
a baby
bypasses
for the neck
of the woman
waiting
for her junk
to fall.

the mare
the anxious
bike.
Fitz
Fritz
Fido
Sandy
Spencer
Chaplain
Bernard
Jesse
Snoopy
Charlie
Charles
Fred
Freddy
Bones
Remmy
Ren­a
Reno
Tony
Julian
Julie
Frisco
Meghan
Addison
Robby
Buddy
Rudy
F­riedrich
Fredrick
Bernie
Rudolph
Adolf
Ferdinand
Rose
Cassie
Cassidy
Lee
Balto
Little *****
Allen
Alvin
Jake
Demi
Randy
Alex
Richard
Alexis
Kenneth
Ken­ny
Chris
Jose
Josey
Rodger
Moe
Joe
Emilio
Walt
Emily
Emma
Maddie
­Anna
Jafar
Aladin
Jasmine
Genie
******
Amber
Gracie
Ramen
Gordy
G­ordon
Jordie
James
Bucky
Huff
Manny
Sam
Samantha
Mary
Marie
Tila
­Rita
Cathy
Tammy
Mickey
Cam
Amelia
Rene
Jeb
Dan
Bagel
Tommy
Donut­
Bubbles
Blossom
Buttercup
Mark
Cody
Andy
Cristo
Andrea
Whiskers
­Mike
Bill
Billy
George
Geo
Joy
Mitch
Trigger
Tigger
Stephen
Archi­medes
Anya
Duncan
Nitro
Crash
Bub
Crystal
Egor
Bernadette
Cammy
T­immy
Antonio
Natasha
Natalia
Ivan
Abbey
Abdul
Carly
Aaron
Omega
F­inn
Nina
Debby
Tomato
Tabby
Artie
Archie
Noah
Kyle
Alfie
Alfred
Conrad
Conner
******
G­unner
Fry
Fries
*******
Constance
Connie
Frank
Fran
Candice
D­andy
Lucy
Lou
Louis
Quincy
Doogle
Dubie
Dakota
Ace
Casey
Barry
Te­rry
Trenton
Gabe
Laurie
Cornelius
Kabob
Sky
Skylar
Rufus
Louie
Ba­rton
Kimmy
Angel
Capri
Basil
Cy
Ruby
Emerald
Eleanea
Elenor
Barth­olomew
Jazz
Dreamer
Thunder
Topaz
Amethyst
Salsa
Meril
Dodo
Toto
­Eric
Barbera
Hannah
Katie
Zoey
Ben
Pinto
Squanto
Columbus
Columbo
Porgy
Bess
Clark
Savannah
Ken­dra
Marco
Leise
Toby
Trevor
Tresten
Treven
Adrienne
Caleb
Carlyn
­Ricky
Gibby
Donny
Han
Solo
Hans
Gabby
Dirk
Spot
Sebastian
Dee
Sco­oby Doo
Shaggy
Polly
Reginald
Burger
Steak Sauce
Ethan
Bradberry
Lucky
Fergie
Cheese
Boxer
Napoleon
Snowball­
Gerald
Jeremy
Benji
Gemma
Pal
Mal
Preston
Jack
Jackson
Molly
Mac­kenzie
Alexie
Alicia
Dora
Olivia
Salvador
Beast
Beauty
Oliver
Dal­e
Rim
Marley
Diego
*****
Bobby
Ralston
Zeke
Rooney
Plato
Cole
Nep­tune
Sailor
Frida
Rico
Dali
Veronica
Victor
Copeland
Swift
Riley
­Tubs
Lassie
Yo-yo
Harvey
Lemonade
Coke
Pepsi
Tanya
Camille
Token
­Laser
Beam
Seamus
Dorthy
Ian
Moby
CH Gorrie Nov 2012
for Barton Smock

     I
to see the flooding lake I crawl
through the thicket

I imagined
being the devil’s
garden
as a child

a lake
I first called
       *blue prison

but now
             love

after swimming
lessons grandmother
funded

     II
squatting arsonists occupy
the town’s church

during weeknights
I am one of four who knows

When it burns
I'll steal the stoup


     III
I dream rarely and only in naps

waking,

I try restraining
fantasies of
faceless women

     IV
rainstorms brake
the lake’s edges,
muddy the bankside flowers,
leave the canal sullied
forever

looking on, I
recall
*generosity
Barton D Smock May 2014
it is hard not to do what I’m accused of. have self published a collection of poems, most recent, titled ‘we stole not the same bread’. don’t mean to implicate. it’s 105 pages. link below.

http://www.lulu.com/shop/barton-smock/we-stole-not-the-same-bread/paperback/product-21626878.html
Barton D Smock Apr 2016
my first non self-published work is available at **** Press...I can't post a link here, so you'll have to search it.  (a chapbook titled Infant Cinema)  

am asking that you help it do some work for the press.  it's six dollars.  

some reviews:

Barton Smock’s newest book is filled with enigmatic poetry honed to the barest minimum of language, without a scintilla of excess. In one poem and elsewhere, Smock states that he “does not want to be seen as a person,” and the scant information he has shared in various publications and the rare interview certainly reveals little but that he is a father, husband, likes movies, and writes daily. Yet in infant * cinema, poems that first appear as fragmentary and surreal dreams, prayers, visions, or confessions still evoke a completeness that lacks nothing, wants nothing. Smock reveals a world filled with grief, death, suicides, disabling conditions, and a family’s complex relationships across generations. While the poems mention “lonesome objects,” “melancholy,” “numbness,” and “collected sorrows,” Smock’s masterfully minimalist poetry leaves the reader intoxicated by a rush of original details and bleakly exquisite imagery.

~Donna Snyder, author of Poemas ante el Catafalco: Grief and Renewal (Chimbarazu Press) and I Am South (Virgogray Press)

Infant Cinema can only come from the mind of one writer, Barton Smock. I’ve been following his work for 10 years, and the only thing I’ve come to expect for certain is that I will be transported to a world thick with an atmosphere of vivid imagery, and seemingly juxtaposed and ironic concepts. Infant Cinema is prose that has all those elements, and reads with heightened poetic force.

~Joseph Jengehino, author of Ghost of the Animal (Birds and Bones Press)
Barton D Smock Sep 2013
THE BLOOD
YOU DON’T SEE
IS FAKE

http://www.lulu.com/shop/barton-smock/the-blood-you-dont-see-is-fake/paperback/product-21206799.html;jsessionid=6D1872B449D8B58E2A7F503E518273FD­

new and selected poems / Barton Smock / September 2013

from self published collections:

mating rituals of the responsibly poor
Ahistoric
Aggressive Kin
Hallelujah Lip-Synch
in the asylum we’d sun ourselves with angels

all available at

http://www.lulu.com/spotlight/acolyteroad
Cassandra Lane Mar 2018
Darling,
You were born in the vision of Clara Barton
In the success of Joan of Arc and Malala
In the memory of Anne frank
You were born for greatness
And for remembrance
You were born for more than you will be given
You were born for weightlessness
But given legs of stone to keep you from flying too high
Born with a heart of gold
Painted bronze
You
Were born for beauty
For Mona Lisa’s smile
But felt like Picasso
Rearranged and imperfect

Darling I hate to tell you
But you will never be treated equally to men
I’ve been told I’m stupid because I’m a girl
And I've held the door at gas stations for men who called me baby
And told me I'd be prettier if I smiled
Men will always look at you like property
Like they are owed a piece of you just for existing
Like you're too gentle to fend for yourself
But darling I have news for you
You belong to no one but yourself
You were born in the vision of Clara Barton who never wed
In the success of Joan of arc
Who was only 17 when she was commander of a French army
And Malala who was only 17 when she won the Nobel peace prize for saying words that could have killed her
Anne frank was 16  when she was murdered
Do you think she was thinking of what she owed men?
No. She took a hammer to her legs of stone and peeled the paint from her heart of gold
She was the Mona Lisa's smile
She changed the world
And darling you can do the same
Break through the stone and the bronze
And be the Mona Lisa

But darling
If someone tells you you aren’t smart
Or a stranger tells you you'd be prettier if you smiled
And you start to feel rearranged and imperfect
Remember
Picasso made art too.
Christmas Eve, and twelve of the clock.
    “Now they are all on their knees,”
An elder said as we sat in a flock
    By the embers in hearthside ease.

We pictured the meek mild creatures where
    They dwelt in their strawy pen,
Nor did it occur to one of us there
    To doubt they were kneeling then.

So fair a fancy few would weave
    In these years! Yet, I feel,
If someone said on Christmas Eve,
    “Come; see the oxen kneel,

“In the lonely barton by yonder coomb
    Our childhood used to know,”
I should go with him in the gloom,
    Hoping it might be so.
And leave it to Turturro
To steal the movie again,
A tour-de-force in a single character,
Repeatedly, consistently . . .
Except maybe one time.
"Raging Bull" 1980:
Turturro was "Man at Table,"
Uncredited, of course,
A man of no words,
A role difficult, constraining for any
Would-be Richard Burton,
Some shrew-taming Petruchio,
Over the top & out of a job,
Again.
Ask any director who
Directed in the 1950s and 60s?
"Difficult to handle," says Unanimous,
Auteurs & Schlock Filmmakers,
Alike.
Turturro too, needs special handling,
Or Jesus Quintana will chew up the scenery,
Emilio Lopez will be sneaky-sneaky-sneaky,
Materializing without warning over & over
Again.
Turturro: veteran of 60+ films,
Barton Fink, Miller's Crossing,
Fading ******, The Color of Money,
Do the Right Thing,
O Brother, Where Art Thou?

Turturro TV: Frazier, Monk & Miami Vice.
And others.

Turturro: a Brooklyn boy, Italian,
Roman-Catholic, the son of Katherine,
An amateur jazz singer who worked in a
Navy yard during World War II, &
Nicholas Turturro, a carpenter &
Construction worker who fought as a
Navy sailor on D-Day.
Turturro: attended the State University of
New York at New Paltz, completed his
MFA at the Yale School of Drama.
A life most worthy, capped off with
Amedeo & Diego, his two sons.

So, I'd like to thank The Academy,
In advance yet decades overdue:
A Lifetime Achievement Award, Johnny.
Recognition over the long haul.
They’d never got on before the dance
And they certainly wouldn’t now,
For Geoffrey Raise had showered praise
On the Fireman’s girl, somehow,
And she, Charlene, was impressed, it seems
With the Engine driver’s call,
And changed her date, though it seemed too late
To the Fireman, at the ball.

They stood on the plate of the Duke of Kent
With the fireman raising steam,
Shovelling coal to the firebox
In a movement swift and clean,
He scattered the coals on the glowing bed
With a practised twist of his wrist,
While the driver kept his eyes ahead
As the steam built up, and hissed.

‘Why did you jump on Charlene then,’
Said the Fireman, Henry Rice,
During a break, his back was bent
With sweat, but his eyes were ice,
‘I don’t have to answer to you,’ said Raise,
‘Charlene was anyone’s girl,
I liked the way that she held herself
And she sure knew how to twirl.’

The train pulled out of the station with
A puff and a cloud of steam,
And clattered along the track from Klifft
On its way to Essingdean,
Pulling a dozen coaches and
A Guards van at the rear,
And a hundred and twenty passengers
At the high time of the year.

‘What would you say if I did to you
What you did to me, back then,
Cutting in on your date that night,
What was her name, that Gwen?’
‘She wouldn’t have looked at you,’ said Raise,
As he pulled the chord to toot,
‘And as far as your feelings go, old chum,
I really don’t give a hoot.’

The train was rocketing down the line,
And flew past the water tower,
While Raise had opened the ***** right up
To give the Express more power,
The gauge was inching at sixty five
As they flew past Barton Dale,
While Rice was shovelling coal once more
Though his face was pinched and pale.

He took Raise down with the shovel as
They raced through Weston Town,
Who lay, half stunned on the footplate
Hanging off and looking down.
He kicked on out at the Fireman with
His size twelve steel-capped boots,
Who reached and hung on the chord that gave
The Duke of Kent its *****.

The train was racking up seventy five
As they kicked and punched and swore
Totally out of control it passed
The Halt at Elsinore,
They narrowly missed a rumbling freight
As the points took it aside,
While Raise had yelled, ‘You can go to hell,
But control your wounded pride.’

The Fireman opened the firebox
Spraying hot coals on the plate,
‘Now dance again as you danced Charlene,
If you think that you’re oh so great.’
‘Just let me get to my feet,’ said Raise
‘Or you’re going to wreck the train.’
‘It might be time,’ said the Fireman,
‘For your life to fill with pain.’

They hit the buffers at Essingdean
And the engine left the track,
It leapt up over the platform as
The roof ripped off the stack.
Raise was told when they went to court
That he’d never be re-hired,
And Rice, for want of the girl he sought,
The Fireman was fired.

David Lewis Paget
Mateuš Conrad Jul 2018
/ i'm no more mad, than you already proved yourself to be...

everyone in the anglophonic
world is,
   "suddenly": a child genius...
if there is anything about
the anglophonic world, it's this...
language isn't exactly
a piano to be able to
master like the equivalent
of a mozart...
        ******* dociles,
                     mosquito types;
once in a while wine
takes a U-turn and envelopes
a maturity process!
    it's like a memory prosthetic...
i do shelter 4 to 5 memories,
but i never talk about them,
i keep them sacred...
    but...
  when people contend intellectual
debates utilising
their memories
like short-change for a beggar
on a street?
   i don't mind the beggar...
i mind the person "easily"
   accessing their memories,
as if natural selection = ontological
"selection": and
anything, but, natural...
no!
      child genius is
                   a regurgitation machine!
genius comes from an a priori
aspect, not an a posteriori
    zoology perspective to govern minds...
the ******* army could have
taught me more than the university
or the school...
if honesty is on the cards...
  i learned **** all at both the school
and the university!
in that i learned that
both attires of teachers
                        needed to be paid...
and in the relation to me?
**** all.
          means just as much as
coupling (only canned) peaches
with cream...
                                           savvy?!

i should actually prescribe myself
castration to counter the
other "intellectual" discussion...
but... given my at-odds
disposition?
  **** it, carousel...
      and let's keep
               the guess "work", up;

i already pledged myself
to washing my hands clean through
ecce ****:
   i'm not about to self-crucify myself
with mea culpa
             "ambitions"!

is that how a jew would pray?
or a roman rule?
granted...
    i'm neither:
       and this makes objectivist
          sensibility?
                 all the better?
  
i'm a tongue inact in a body
of semi-youth,
      within a ***** colony,
     asking:
                can i please see old
                 age of the 21st century?

fear...

               ah...

      euthanasia is still
a fear of man anti man,

                      rather than what nature,
would actually do,
with man, having no argument,
"concerning" an earthquake;

good to know...
   oh i'm not mad with someone like
dr jane barton:
   i've spent 2 months with my
grandparents...
    only the women find any meaning
aged 70+...
  the men?
   memory cinema...
      
                     and that's about all...

or a t.v.,

                 but then again...
  most people who pass "laws",
             will never have encountered
       encountering newton's "jurisprudence"
of the law, of gravity...
      
                apart from that...
all of human-with-human "law" concepts,
confined by jurisprudence have,
and will remain subjective...

           and since subjectivity is deemed
negative, while objectivity is deemed positive?
    what's... the ******* neutral ground?!
g clair Sep 2013
When I was a child
they let me run wild
but soon chores
and schoolwork
and clothing
were piled
and lest I forget
parental laws set
my freedom
the ruler
and routine
defiled.

Take all my blues
and send me away
"Your time is coming",
she said, " one fine day"
Inside I'd be singing
that simple refrain:
"and I'll never be back here,
EVER AGAIN!"

If somebody told me
I'd wind up back home
I'd reckon them crazy
and slam down the phone.
Got a couple of years
now to pay of this loan
and a couple beers
down I'd sit and I'd moan
in spite of my troubles
in spite of my own
in spite of the fact
that I'm thin as a bone
In time I will harvest
the seeds that I've sown
I am not goin' back there
So LEAVE ME ALONE!

But one day back here
I did surely arrive
my kit and caboodle
five-oh Barton Drive
reluctantly settled
back into the hive
for no other way
I could see to survive...

Well to be sure
this is just how it goes
tonight I caught Dad
folding up all my clothes
He makes sure I have eaten
and socks on my toes
And of course all my business
everyone knows!
I've ransacked the bedroom
and clogged up the pipes
Let down my hair
aired all my gripes
Reliving my teens
never one of those types
and finally come clean
that I LOVE Wesley Snipes.

Thanks Mom and Dad
for all your direction
you hold up the fort
and offer correction
I've not always taken
your timely advice
Resented the hair cut
in the midst of the lice.

You know me quite well
I'm one bitter pill
but I love you now
and so I always will
and when the door opens
and I take my leave
on me arm I'll be wearing
a damp snotty sleeve.

I thank you both
for taking my crap
for all of your years,
never seen such a sap
once sense and stability
I can regain
I'll never be back here
EVER AGAIN!
olajide ojedokun Aug 2015
Hit me on the head with a barton
May be it will wake me up from this unending nightmare
or send me on a one way ticket to eternity
Either of the two I will be at peace at last
I know my dream is my cross but sometimes it feels like my curse
I look at it and it looks like the most precious treasure in the world sometimes
But other times I feel like it is making a fool of me
How is it possible that the world isn't seeing what I'm seeing
Or perhaps I'm the one not seeing what they're seeing
My heart is as heavy as a rock
My head is running round and round in circles
I thought I had it figured out
Guess life isn't ready to give in
but days like this aren't new to man or life
It's just one of those days I feel betrayed by my dream
Tomorrow will come and it will bring a new hope
So keep your barton
Cos I already got up.
I'm a human thermostater, just wanted the world to know.
all in the glory
a skin piece
melting down the sewer eyes
****!
Columbus ave.
sickly "light"? grizzly stairs up the bridge
******* on the low stoopway
forget that corner and a glinting nametag, a dancer
stay here and run! don't do it again  YES
who bends over in the streets
BAM!
"I wasn't watching I'm sorry"
"Oh, no need honey"
undress me
organic hair pitted down matted in a Tesla
Nikol, Nico
the watchburn and lion's breath purple dangling "in the car again?"
"****
not again"
trunkbed aroma hitting
Des Moines!
or was it blue again?
who's sound is closer to the truth and who's taking the first shower?
get naked
I reach down for the stone
I feel the soft at its edges
cigarette soaring!
Waterloo
which of you suckers ruled England last year?
the weekend slowly sleeps
in the bay's gentle red cradle
Mother
fitting quietly
an alleyway above our heads
who?
Edward
a hand raises from the striped automobile
"Hey! **** out of the road!"
Chopin, the glissando with no lost word
the shattered beer bottle of 20 years, antiquity
glow into the sink
washing onward Barton and Lombard
Barton and Lombard
both streets unacting like the other
shards of melting black pavement lying so tight and close, the lovers of suburbia
...
Barton D Smock Jun 2015
Alien’s heaven

poems

Barton Smock
June 2015



pilot light

baby, baby talk, and pilot light.

kitchens everywhere,
god is alone.

no brain

father smokes to make something disappear. he says he’s no brain but can pass for touched each time the bug is resurrected. when he rolls out of a blanket and into the side of a building, I believe again in the man mistaken for god’s pencil. mother can’t leave him anymore than she can leave her ears. terrify no one your childhood knows.

son

it was born in a bath of milk when there was milk to burn.  it drew with daylight.  when asked for details, it pulled a shadow’s tooth.  we took it to a movie, a war movie, where it made its first noise.  its pain went everywhere.  it sold, it sold until it ran out of clothes.  its mothers had fight.      

knees

visiting hours are set by a god who knows I smoke.  leaving my mark means I’ve pressed the barrel of a cap gun into my brother’s temple because the ****** keeps scooping into his ballcap the same toad.  my two fathers are here to bounce things off my mother when she prays.  sit long enough and ***** will dry them together.        

yearly

our collective identity is a sick child. some say fever, some say welcome to the loop of the biblically speechless. people are for others. are for making eyes at the gender of the god as it oversleeps in the coma we slip from. the child prays. the child causes a stir in the pastoral urgency of a moral imagination. we pray. we miss yearly the showdown between the town drunk and the town ghost. I trace a finger to put my finger on. the television belonging to our lady of snowy reception has fallen on our little angel more than once. nothing in the world is the world.

boy and gun

it entered my heart
to take a bird
from the world.
I felt nothing.    

the recent absence
of nothing.  

vernal

when you begin
to show
say
instead
you’ve a soft

spot
for god

race

says poverty
someone
at this table
has nothing to hide.

says father
touching
a UFO
cures frostbite.

says mother
open
the stomach
of the winning
monster.

area

somewhere, the mostly boy body pretends to be explored.  we are not we.  my mother ruins a sketch of my mother.  my father smokes two packs a day because online he was called prematurely haunted.  the name of your existence

is

priest retires to make umbrella for jack-in-the-box.  (her bus

is rain)

barbaric terms

each twin
slower
than the last, she spits

over my dead body

baby
after baby
out.

as news
of the massacre
spreads, the young
call it mother
by word

of mouth.

longing*     *for Gen

the baby boy stiffens at the sight of unrolled dough.  we say he is pointing the way to god.  crippled by the sadness in her hand, his mother keeps a claw mark like one keeps diary.

closings

trespassers
shoot themselves.

your son gets hired
by city

to illustrate
a book on mirrors
for households
with one
adult.

my son
dies
before the machine
that keeps him
alive

turns on.

a doll in doll country
burns its nose
trying to enter
the future
museum
of racist
oddities.

my hand tries my hand at forming
firstborn
erasures
using only
redactions.

god is exiled
for bringing
the animal
its childlike
behavior.

I am far too animated.

your body is the notice
eyes

give.

ins

night
the land
of a single
unseen
settler  

-

father
half eye, half oil    

-

self, self panic

bloodless     for Noah

my brother was blinded by a crow.

I’d tell you the story
but know
you hate it.

*******.

brother’s darkroom
became
the crow’s.

breathing spells

I chased only
the brother
I’d dreamed
of beating.

I told my sister
she didn’t have
a tail. told mother
it’s not suicide

unless you ask
to be born. I had a hand
for the year
father

went quiet
a hand
for the year
father

went quiet
for good. had dolls
over which

dying
out of character
held sway.

intelligence

magic amplifies in my loneliness a single flaw.

a bird, a high window. sound of a brain cell.

hunger and its unremarkable kitchen.

as a doctor I hammered the baby’s knee.

bio, and the undisclosed location of god’s recovery.

harm is harm’s audience.

disability jargon

i.

when it opens the bomb
it knows
like my brain knows
what it sees

ii.

homicide grief
is a recording
god’s message
speaks to

iii.

eight years old
she leaves the trampoline
in her body’s
fearful
accounting
of self

concord

cap gun.  swag from an uncle’s suicide.  

the daughter
the ghost
cartoonist.

voodoo dolls
in isolation.  isolation

in its prime.    

altar

the baby is too light.  its mother puts it on a scale that reminds her of a plate her empty childhood couldn’t break.  its mother invites neighbor boys to punch her in the stomach.  some of the boys bail.  some don’t.  the mother’s nickname doubles as her real.  the baby is not called bricks.



zero

when I couldn’t get my head around the surrender of my body to the flotation device of an immaculate conception, I’d simply swallow a baby that had swallowed a pill.  years go by and I am zero.  the number arrested for suicide.        




basics

because he is asleep, he does not find himself sleeping in the tub.  something slides from his belly and becomes wedged.  his dream business goes under even in dream.  he makes eyes at CPR manikins.  his son, his life, pushes for legs.

preparedness

you look like you’ve just been given permission to sleep in your clothes.

it’s a **** whistle only crows can hear.

it’ll put sheep
on the moon.

outlet

depression is a non-starter.  depression is depression unknowingly cured.  it is like I have this shirt because it exists and not because it invites everyone whose shirt it’s not to enjoy joy.  I don’t want to hear you say you’re sad to say.  I ******* to reappear and think it might be why my father vanished.  it’s enough during foreplay to flicker.


viewership

my youth spent trying to see the devil as a young man.  my motherly youth.  my **** scene a return to form.  cut from yours, you have your baby’s eyes.  I went unborn.  I went beaten.  we went together in broad daylight when broad daylight was god’s elevator.



pressure

the original thought in my head was to be postdated by god until god learned he had a baby on the way.  I had children until I could only have four.  what I say to self-harm is pay attention.  my daughter raises her hand on the off chance she buried something in her teacher’s body.  (we have stopped talking

but I can squeeze her anorexia into a phone booth)  poverty myth:  I groom my sons with the beak of bird abandoned.  real time I tell my tongue it’s ******* curtains for the mouth I’m getting.  full circle my daughter surrounds those brothers of hers that mine clone.        

high

mother, in the early stages of her food fight with god.

father, I can’t bury
my face.

in lieu    
of the lord’s
dog, raise

the lord’s
bone.

the mice

the conditions for mentally composing a suicide note for his sister are less than perfect. she’s sitting on his bed with a cigarette in one hand and his baseball glove on the other. both hear three traps snap shut in the kitchen. sister gags and it makes him think about gagging. now no more, these were the heart of the note.

signal

as my face
will one day
correct
my body
I expose

the elements
to my
ugliness  

-

my son is my search

history

-

headlights
when headlights
emerge
emerge
from a period
of non
worship

-

(wave your arms
long enough
you’ll have sticks
for arms)

-

they don’t  
happen
in my
lifetime
the terrible
things
I’ve done  

observance

when drought came
to my brother
I left
for the city
where I found myself
blanketing
manhole covers
with my coat
for women
who gathered
on rooftops
with men
whose daughters
had been killed
for jumping
rope

peril

I bit my tongue
when my tongue
was a cloud.

take cover, bones,
says my daughter
dancing.

I crushed my son
like a gift
and offered
god
my tactile
outlook.

stay small, future.  

persuade
a peephole
to show
some blood.      

no devil

the knock knock joke in need of my father’s skull is all that’s left of the outside world. hell was always the preparing of hell.

inseparable

mother is watching a show that keeps her from picturing the gods who portray us.  father is choosing an ice cube to bury.  myself I am very close to stripping for the cigarette my sister rescued from a baby’s crayon box in a dream that smelled like her clothes.      

masters

I have just had it written down for me how I am not classically racist. I am alone. I am brief stay of bullet. god is using each hair on my head to scribble on my son’s thought process. when I think of crab legs I think in color of the lightning bolt it snows inside. I miss mom. gospel, gospel that I hang these rags for invisible crows.

was

ask now my father if it still believes the present to be the future of a past life.  

ask then if it unscrewed one day each inessential light bulb that my party would have balloons.  

-

violence in movies.  also, food.  my mistake.  I glue myself

to nothing.  my shyness

-

is kind of
my angel.  

-

the body invents the soul it recalls.

gauze

the boy’s mother is biting off less than he can chew.  her insomnia
has put her inside a worm
her body
tries
to fill.  her milky eyed

-

husband
revs a tow truck
to death
in a heavy fog.  it is possible, humanly

-

possible

-

there’s nothing
to see here.  that her god

-

is, in a sense,
seizure activity
in the boy’s
spirit

-

animal.  

image

and do not
believe, as such, that yours
is a body

leads god
to inquire

godless

godless
balloon
animal

root effects     for Miles J. Bell

like he’s laying
yellow
on his road
out of grief
brother
takes a drag
and keeps it
until his head
is underwater
is what they call
with apples.

his eyes
have always been
two poverties
unexplored.  he is old, alien’s

heaven
he is old
but not before
he knows it.

the alien wept but was not heard weeping

not all
drones
dream
of you
Barton D Smock Jun 2013
empty imagery*

Adam had no memory of his first wife.  as created, he would look at Eve all day and feel nothing.



empty imagery

the vacation house was found to be owned by another family.  in it, my mother resisted arrest.      



empty imagery

my father was born with six fingers on his right hand and seven on his left.  he was not fond of either hand until later in life when the grandchildren asked him at different times during their visits if he had been tortured.



empty imagery

God created the world because he couldn’t do it on his own.  ah, note to self, *******.  person is place*.  I might’ve killed a man had I not been poking holes in a poem by Barton Smock.
Barton D Smock Oct 2015
[the omens]

to the rabbit
he can’t bring himself
to shoot
in the foot
the boy
with a sore thumb

whose mother
wrote the book
on book
burnings, whose father
baptized
a scarecrow
as scarce

crow

whispers

in hindsight
of course
the omens
are coming

[you]

are now’s
nostalgia


[bridge]

god has gathered the disabled to make his case against reincarnation

-

unable to sleep, I become an alcoholic

-

I prefer
like my father
my insects

noncommittal

-

insomnia is the insect my scar becomes

-

noggin, mouth-hole, skinflick

-

a ghost
when I study
angels


[wolf, wolf, god]

her plane is in the air.  she is showing late signs of believing she’s left an octopus in the oven.  the man she is with knows nothing about paper.  on the ground, in awe of the bee stings on a sister’s bare back, a brother carries orphanhood to term.  everything I touch belongs to the same alarm clock.    


[bygone]

I started smoking in my early thirties because I missed my brothers.  because a train is the only thing I can act like I’ve seen before.  because a claw opened and a child dropped.  because unhurt the child was a girl and injured it was a boy made of being touched.  because giant birds were ****** to give other people rain.  because all hail, as all do, location.  because riot then riot envy.  because bright spot became a cloth in a police car.  because I can’t sleep and couldn’t without thinking of sleep as a copy of a copy.  because lost the baby wasn’t getting any younger.  because nightlight and tadpole, mom and dad.


[nigh]

don’t talk to babies. write. write to be the first one there. the frostbitten woman ******* her thumb has all her teeth. walk once a week into the wrong bathroom. worry. bump around the house at night, noisemaker. a depressed elephant in a walrus graveyard. pull. pull from your habit forming past. be the bomb god’s yet to wear. surround with others the baseball bat signed by the last woman to mourn sleeping beauty. open your mouth then look at your son. call it photography. if spotted, be a monster.

[indwell]*

I either have to **** my father or keep loving him.  a friend of my brother’s says she can get me cigarettes, a knife, and two cans of beer.  says her own father was a doctor up until he delivered a baby with a serial number tattooed on its arm.  she doesn’t know what her father does now.  her mother is in the dark.  her mother is obsessed with the three the disciple lied to.  people want me to back up but a man is never the same sadness.  define people.    

~          

from *Drone & Chickenhouse

84 pages, poems, Barton Smock, Oct 2015, 6.00

http://www.lulu.com/shop/barton-smock/drone-chickenhouse/paperback/product-22390933.html
Barton D Smock Jul 2016
until the website/press purchase link for my chapbook {infant cinema} is resolved, I have six signed copies available for free to anyone interested in writing a review.  you can request a copy from me here or email me at bartonsmock@yahoo.com

also, due to the issues the press is having in regards to the availability of the chapbook for purchase, you can request a free PDF of {infant cinema} from me here or, again, by request made to bartonsmock@yahoo.com

some reviews for {infant cinema}:

Barton Smock’s newest book is filled with enigmatic poetry honed to the barest minimum of language, without a scintilla of excess. In one poem and elsewhere, Smock states that he “does not want to be seen as a person,” and the scant information he has shared in various publications and the rare interview certainly reveals little but that he is a father, husband, likes movies, and writes daily. Yet in infant * cinema, poems that first appear as fragmentary and surreal dreams, prayers, visions, or confessions still evoke a completeness that lacks nothing, wants nothing. Smock reveals a world filled with grief, death, suicides, disabling conditions, and a family’s complex relationships across generations. While the poems mention “lonesome objects,” “melancholy,” “numbness,” and “collected sorrows,” Smock’s masterfully minimalist poetry leaves the reader intoxicated by a rush of original details and bleakly exquisite imagery.

~Donna Snyder, author of Poemas ante el Catafalco: Grief and Renewal (Chimbarazu Press) and I Am South (Virgogray Press)

Infant Cinema can only come from the mind of one writer, Barton Smock. I’ve been following his work for 10 years, and the only thing I’ve come to expect for certain is that I will be transported to a world thick with an atmosphere of vivid imagery, and seemingly juxtaposed and ironic concepts. Infant Cinema is prose that has all those elements, and reads with heightened poetic force.

~Joseph Jengehino, author of Ghost of the Animal (Birds and Bones Press)
Josh Aug 2017
I was on a train out of Chorley
Happy to be sad to be leaving
Smalltalking strangers with a great accent
Hot and uncomfortable because my super cool leather jacket wasn't breathing.

Lancashire, you've made me think!
Actually, trains make me feel pensive.
Or was it Mrs Barton?
Bumbling and hypersensitive (in a nice way)

"Remain vigilant through your journey"
"Do not leave your heart unattended or it may be destroyed"
We'll get into Cardiff at zero zero six teen
That's technically Friday; there'll be drunks to avoid.

We're past Crewe and I know
Younger me made the right decision.
The path I sometimes hesitate to follow
Is bold, beautiful and scenically inefficient.

It twists and turns, trees stream
Past the train's windows
The sky looks lovely tonight
A candyfloss cloud for each of my woes (only three or four obstruct the sunset and they make it shine all the softer)

Mother of a lover, you said
You thought you'd never see me again
You often think of me, and will "follow me".
Facebook makes it easy to pretend.
I wrote this down on a train journey from Chorley to Cardiff,
Barton D Smock Jun 2015
from The Women You Take From Your Brother (Aug 2014)

http://www.lulu.com/shop/barton-smock/the-women-you-take-from-your-brother/hardcover/product-21988530.html



taunts

death is never early. take the first bite of every meal in front of a mirror. chase the kid while pulling a plastic bag over your head. invent a sibling schoolmates blind. know poverty, know moon. shampoo the elderly from a distance. baby no one. they have looked like hell since before you were born.



in the rain

the woman she is holding an umbrella over the man she is yelling at.  the man he is blowing into the bowl he’s made of his hands.  a boy sits at their feet with his back to us and is bringing what we can guess is a toy to his mouth.  you joke he is laboring to light a cigarette.  in the rain.  



locals

the father tells his children how he is not surprised by how much they’ve grown.  they are healthy, after all, and he is not death. the mother wonders how it is common she lose the baby when she is not the last to have it.  my name is silent but no letter in my name is or the letters in my name are not silent but the word they make is.  perhaps her pain is political.  her pain is god’s.  



portals

while churched in the sounds of my brothers ******* on spaghetti, I had two words for ghetto and poverty.  I was able to crush only those beetles slowed by your father’s fleeting shame.  we found so many stones it became impossible to label a single one as oddly shaped.  logic was that if the horse hung itself it would leave a note.  I had my doubts.  

while churched in the sounds of my brothers ******* on poverty, I had two beetles mother looked for.  you were so ghetto my other friends rubbed at me as if I’d come out of my father.  logic was that if a horse hung itself it would leave a note.  

     not here:  the stone that heard my baby’s heart.



wartime

my friend approaches the microphone with a grocery bag on his head.  I don’t know how this will turn out.  not long ago he ran over a fourteen year old girl minutes after she vandalized a stop sign.  my friend has lived everyday since and everyday previous with the fact she survived.  I phoned his wife recently but she had already left him for what he calls a microcosm.  I am hopeful I can love what he’s done with his hair.  he sent me this flower for mine.



catholicon

into the wood
a man
whose daughter’s
hair
is a ghost
fighting a ghost
for her head.

whose daughter
has not slept.

such cures
the town
talks.

put the sick
every morning
on a different
porch.

use
the same
nail.

if one is awake
**** a crow
or *****
a stop sign.



empty imagery

i.

Adam had no memory of his first wife.  as created, he would look at Eve all day and feel nothing.

ii.

the vacation house was found to be owned by another family.  in it, my mother resisted arrest.      

iii.

my father was born with six fingers on his right hand and seven on his left.  he was not fond of either hand until later in life when the grandchildren asked him at different times during their visits if he had been tortured.

iv.

God created the world because he couldn’t do it on his own.  ah, note to self, *******.  person is place.  I might’ve killed a man had I not been poking holes in a poem by Barton Smock.  

v.

my brother says it’s part of his condition that he can only explain himself from the waist down.  he says he feels horrible in the back of his head and wants me to take a look.  he says I don’t know what darkness is.  before I can play doctor he remembers he has a story he wants me to write.  the outline of the story is off site.  in the opening scene brother recalls that a young man is blowing dust from a human skull made of plastic because it’s all the narrator can afford.

vi.

the head itself was an afterthought.  had god not allowed the soul to come up for air, beauty would have been spared our invention.

vii.

a single mother is a twofold mirage.  please argue above her quietly.  her legs collapse.  her child comes first.

viii.

your sister is the only person I’ve recorded to have been born without a gift.  I was told this in confidence by an angel masquerading as a small animal.  the size of which escapes me.

ix.

I am aware a sparrow exists.  not in a spiritual vacuum.  people are another hell.  

x.

excuse my friend his earlier joy in saying who do I have to **** to get ****** around here.  at age 19 a man exploded beside my friend and my friend went quiet.  to his grave thinking his own bomb malfunctioned.
Marko Antic Mar 2016
Awakening at 06:30.
Make the bed in a hurry, wash Your face.
Get ready.
You are at work at 07:30.
It's not a great job, but you don't have another.
Try not to be late.
Insert the card, sign yourself in book of arrivals.
Say “hallo” to colleagues.
When You arrive, drink your coffee.
Struggle like others, you're not the only slave.
Pay attention for  a lunch break. Eat something.
Manage out for a couple of aspirins.
**** it up. They own You till  15:30.
Have lunch. Take a bath.
Play up your favorite video game.
Empty up, kick *** of some bad guys.
Reply to a text message from your girlfriend.
Make some plans for a weekend.
Not every weekend is going to be free.
Do not neglect art.
Work on the story.
Write down a few sentences.
Lie down a bit.
Close your eyes. Open them.
Read.
A friend have borrowed You a book.
Take some bite to eat.
At 21:05 play some movie.
Betty Blue, or Barton Fink.
At 23:40 You are already soundly asleep.
You made it…?
Dream.
Translated by Mary...
Barton D Smock Jan 2016
(someone won this collection via a Goodreads giveaway and posted how much they hated it on Tumblr because Tumblr is not attached to their name.  also, I assume, because they hated it.  my name is Barton Smock.  I, too, am a coward.)

~

[earshot]

you were a white male and I was a white male and we were young and even if one put us together we were young.  our idea was to give winter gloves to those whose teeth chattered and we knew the sound had come to us both.  we mowed lawns all summer and mugged a drunk **** who sat reading love notes after baling hay.  we bought the gloves and held them until winter but by then we were not friends and song was the retroactive vocal of a father’s forgetting.  we divvied the gloves in a sad scene no mother would countrify.  

~

[eulogy]

when stalking
the unmanned
spotlight
of your own
death, drink

heavily

with
your takers / you

are nowhere’s
only
sponsor

~

[not monstrous]

a group of boys beats my son for beating my daughter.  when I carry my kids, my kids relax.  the group of boys are uneducated and think god has promoted a number of them to shave me.  my ***** looks as if left by an angel to grow alone after not being placed on an infant.  there is nothing to be said but one of the boys mutters away that he is set to star in the film version of your father’s suicide and that if all goes well he’ll **** himself for real.

~

[tract]

the television in front of my murderous father is the city his house misses.  further coverage is dedicated to a new unharmed person from a race of desert people whose mother materialized without feeling.  as my brothers cross shadows in the brightness of kitchen, I join in spirit the manhunt for the victim who’s made off with the right to disappear.  

~

[incubation period]

I flatten my father’s tin foil hat to hear farmland again.  I am the astronaut god commands me to pinch.  my babies are tossed in the general direction of trampolines.  

~

[non-event]

I was reading beyond my years to childlike fathers in a house named for the woman whose hair was brought to her by boys her sons had wronged.  I was eating what I could of the horse said to have eaten hospital flowers.          
~

[locals]

the mother wonders how it is common she lose the baby when she is not the last to have it.  my name is silent but no letter in my name is or the letters in my name are not silent but the word they make is.  her pain is god’s.  

~

[monster]

I want to sit around and do nothing and I want to have a handful of kids that sit around and do nothing.  I will call myself the end of god and ask women inappropriate questions by way of populating obituaries with written code.  you will want to argue and I will have to get up and we will try together to save the child I crushed parts of.  the face of the child will be our slideshow.

~

[light touch]

she imagined herself pregnant.  she fell behind her best years which became predictions.  she asked me about the men in my friendships.  candle-makers, a few with toddlers

a football
knocks over.    

~

[straw piece]

I was an entire baby and then a picture of me as a baby.  I had as part of the **** shaming process a mother wheeled in and out of the sun.  here is a boy with a red brick looking for an anthill.  here he was brushing from a woman’s bare back a piece of straw and here it is sticking to my leg.  in the barn the eater of stones is missing the privacy of an outhouse.  I lie to her face and then to nostalgia’s outlook.  I lose blood to the mosquito known for the collapse of my favorite cow.

~

[insult stage]

the very sadness.  the very sadness of the intruder who brings his own plate to drop.  the very ecstasy of telling a classmate he or she is ugly alongside a finger he or she must choose.  the unintended ecstasy of the sadness I use to *** cobwebs while waiting for something you’ll do nothing with.  the cutting of the fingers to scale.

~

[stirrings]

being operated on
helps me sleep.

I was your age
when nothing
had been done.

the turtle in my father’s backpack,
the turtle loose
on a moving
school bus.

gods
from a previous
marriage.

I crawled into my mother’s bed
and waited
for my nose to bleed.

you find the cut
like you find
where your daughter
is cut.

a sister ties
knot after knot
and opens
a window
only to *****
in a downstairs bathroom
from a fear
of heights.
Julian May 2023
https://www.dropbox.com/scl/fi/l8njruxa73yee9b0jzmhd/The-Ultimate-Unabridged-Guide-to-Esoteric-Working-English-2.docx?­rlkey=kunoar7ghpfkb7fjk5xkdgx95&st=i84ornny&dl=0

THE ABORIGINAL FRAME OF REFERENCE OF HETEROCHRONY AND SIMULTAGNOSIA DEFINES THE PARALLAX OF URANOPLASTY BY CATALFALQUES AND ARCTICIANS WHO SASHAY THEIR GENTEEL NOBILITY IN THE FLUX OF ELLIPSOID DIMENSIONAL INTERFACES FOR GREENWICH MEAN TIME THAT IS OPERATIVE IN THE CONATION OF MATHESIS TO PLUCKY THORNY IMBROGLIOS OF TELEOLOGY OF LAND RUN SPECTRAL HOBGOBLIN BUGABOOS OF AN INDUSTRIAL WASTELAND GARNERING A QUERENCIA OF GRANNARY JOBBERNOWL JOCKOS OF  EMOLUMENT IN THE FESTIVITY OF THE MARCH OF MASONS ALL TOWARDS SINECURE OF SYNCLASTIC CLIFF DIVERS WHO SPELUNK IN FIRE EXTINGUISHER PLIGHT OF STREAMLINED COSMONAUTS BOLTROPES TO AN ABECEDARIAN TRILOGY OF CAMISOLES FOR CAMPANILE CAMARADERIE JOUSTING THE FLAVORS OF SAINT TROPEZ FOR ADMIRAL SENTINELS OF FAMIGERATION. THEN BECAUSE OF THIS THE SWASHBUCKLING CONNOSIEURS OF THE GUARDED JALOUSIES OF JEALOUSY CONGEALING REQUIEMS FOR DESOLATE DISSIPATION IN WITWANTON FUROR PRIMIGENIAL IN THE FORMATIVE THROES OF RAGTAGGER RETINUES OF VESTIGE AND THE PLUMBISM OF SOCKDOLAGER HIERARCHIES OF SAPROSTOMY BY RUDENTURE AND GALVANIZATION OF FUNERAL PYRE PONDSCUM RELIEFS ON CANVASS FOR THE CALVOUS PROSELYTISM WHEMMLING SUBVERSION AND STOMACHERS OF TESTUDO MANIFEST THE TESTIMONY OF THE BRONZE IMAGOS IMPRIMATURS OF THE SLOGMARCH OF PANTAGRUELIAN SCIAMACHIES FOR TRIBULOID CELLULOID ENGRAVED WITH THE GREATEST SPECIFICITY AGAINST THE MEDIA CONGLOMERATE COCARDENS SLANGWHANGING THEIR ALBATROSS STROKES OF THROMBOSIS AGAINST NUCLEOTIDES AGAINST THEIR PILGRIMMAGE MIGHT THEY FIND THE FOSSOR AT THE GRAVESTONE AN IMPERILED ONEIRODYNIA BECAUSE OF BERTHE CIRCLE BETHLEHEMS SQUARSONS ENVY AND SQUARE RECTITUDE AGAINST AS THE FORMIDABLE SPATHODEA IN THE INTERREGNUM OF KALIMKARI THAT THE TOKUGAWA ASPECTS OF MACH 3 TRIPWIRES SLINGSHOT INTO ORBIT AROUND MOONSHOT DIRIGISME OPERATIVE BY THE HEFT OF ENTELECHY IN SEFIROTH MIGHT THE DEMISE OF CATERCORNERED VULPECULAR SPITE SQUANDERING EVERY LIMESTONE LIMELIGHT OF SLAVISH INDELIBLE AVARICE GILDED BY THE SOLOMON EMPIRE STRIKING BACK AGAINST CATARRHINE HEBEPHRENIA SPATTEES OF INDIGENCE. THESE SPAR AGAINST WITH FOIBLED REMNANTS OF THE DYING GUARD OF VAURIENS IN VARIMAX STOCHASTICS OF THE DIVISION OF THE INDIVISIBLE INTO THE CATASTROPHISM OF ABAXIAL FOMENT SPUMID WITH LIVID AND LURID ONEIRODYNIA FILIBUSTERING WITH “TEACHERS” ENORMITY AGAINST THE TITANISM OF THOSE LATCHKEY YEGGS OF HENPECKED OWLERIES OF BOHEMIAN REPUTE BUT NEON ALPENGLOW IN THE CREMATION OF THE CAREWORN REPUBLIC HOARY WITH WIZENED ABSOLUTION IN APANAGE THAT GRILLAGE FOMENTS AGAINST THE GREAVES OF THE CHANDLER AND THE CARRACKS OF IMMENSE PANTOGRAPHS DERIVING FROM FUTURE TENSE A PRESENT SURREALISM OF DAYDREAMS OF EIRENICON THAT ARE PLASHY WITH THE PLAFONDS OF MIRRORED VERSAILLES REVANCHED TWICE AND BET ON THREE TIMES TO SALVAGE A WORLD BEYOND BENTHIC DEPTHS OF GILD ABOVE ARTHURIAN PEDIGREE IN THE SACK OF THE JARVEY OF EXASPERATED EMPIRES SWILLING WITH TITRATION AMONG MODERN CULPRITS FOR VAMPIRIC FEATS THE WELTER OF LAMBENT LIGHT TORCHIERS EMIT IN TIMELESS PRISTINE ELEGANCE OF HERCULEAN MIRACLES SLURRY SWANSONGS OF DOVETAILED INFAMY BECAUSE OF SERROWS OF OPPORTUNISM WORN FRAYED WITH REVOLUTE MARGINALIZATION OF PROSTITUTES OF TAXIDERMY AND TRAPEZES OF SCHOENABATIC SPORTIVE GAMBOLING NICCOLIC NIDAMENTAL BANDOBASTS OF RESIGNATION. THIS PANTHEON SECRETS BELONG IN BARRULETS BEYOND THE PRIVY EYES OF VANGERMYTES SIMULTANEOUS IN CHANTED LITURGIES OF GHOST DANCE CELEBRATIONS OF WOVEN EMISSARIES OF THE DEEPEST CHARNEL AND CATACOMB OF PHILOSOPHICAL ALTRUISM BROCKFACED WITH THE MYTHOS OF A THOUSAND TINY LIES BECOMING THE SUBURBAN MUSE OF MERITOCRACY MIXED WITH SUBVERSIVE PLEVISABLE CRYPTADIA THAT SPAWN THE HYLICISM OF THE HYLOZOIC CRETACEOUS SPARK PLUG INGENUITY OF FATHOMED TRAIPSES OF DESTINED APLOMB WELTERWEIGHTS BRAG ABOUT IN THEIR GROOMED ZENKIDU BENT IN KOWTOW TO TAJ MAHAL PEDIGREE BECAUSE OF EPHORIZED ZEKS OF XENON AND OTHER MERCURIAL SPRITES WELLSPRINGS ABSOLVE WITH ILASTICAL REPARTEE AS THE HYPE OF EVERYTHING IS THE ENMITY OF ANY QUALIA IMMISERATED IN ITS OWN SCURFY SCOWL OF JEALOUSY AT HOW POORLY THE GOOD SHEPHERD WHO PROVIDES LIFE IN ABUNDANCE IS BETRAYED BY THE CORDWAINERS OF A COMPANY HE VOUCHSAFED AS A DEMASSIFIED SECURITIZATION OF BIFFCO PLANS TO COLONIZE THE  REPARTEES OF MACROPICIDE IN WEALTH SUCH THAT THE STEVEDORE MEETS INCLEMENT CURGLAFF AND THE JASPERATED JESUITICAL RUDENTURE OF MEDIA CONGLOMERATES RUNS AMOK BECAUSE OF TRITE NECESSITARIAN BELLWETHER WELTERS THAT DESCRY THE “SIC SEMPER TYRANNIS” ZEITGEIST OF NARRISCHEIT IN FOOLHARDY KUNDLESROMAN. THE FINIFUGAL BINTURONGS OF SHANTUNG AND CHIFFON FROM RUMCHUNDER CAN BE THE PLEVISABLE CURTAIN OF WUNDERKINDS ALONE IN GINGLYMUS AROUND DEMASSIFIED PUBLICITY THAT GARNERS ANY GARISH ADVANTAGE TO THE POULTRY OF GAVELKIND BECAUSE OF THE SOPITERS OF WEALTH OVER THE MERIT OF SELECTION INTO THE FELLOWCRAFT OF BOLIDES ONLY KNOWN TO A FEW PARTICIPANTS OF RESONANCE IN IONIZATION AND DECRIED SCOUNDRELS OF AUSTRAL WANHOPE AND WANION OF WAPENTAKE BY THE CACOETHES OF THE ESCULENT EBRIOUS PERIBLEBSIS TO REVOKE THE STANCHIONS OF THEIR INTEGRITY TO PRESERVED STATURE EMBEDDED IN BARKENTINE ARISTOCRATIC ESTATES SUCH THAT THE BRIQUET STEALS THE ALMANAC BEFORE THE TITAN PRIMIPARA PROMACHOS CHAMPION OF ALL BRETEUIL THUNDERING APPLAUSE OF CANARDS BECOMING THE ROERICH ROORBACKS OF DIGNIFIED ACHIEVEMENTS IN THE ELOCUTION OF MEN PROSELYTIZED BY GALLANT GAPS AND VOLUMES OF ARMADA FILIBUSTERED BY STOKEHOLD SPODOMANCY IN SPODIUM BECAUSE OF CLADOGENESIS IN SUPREME MYTHS BELONGING TO NEOPHRONS THAT SCAVENGE THE PRECIPICE OF RAIDED TOMBS AND RUPESTRIAN DISCOVERIES FROM THE ANCIENTS TO THE COGNITIVE DELINQUENCY OF ENTHEATE ENCEPHALIZATION QUOTIENT DEMARCATIONS OF PATAPHYSICS DELIMITING THE PULCHRITUDE OF THE WELKIN AND WELLAWAY OF TITANS SUNKEN BENEATH THE PENDULUM OF GRANITE AND THE SANDSTONE OF NAXOS LAVEERING THE LAVADERO OF ANCIENT ODYSSEY FALTERING ON MISPLACED HISTORICITY MIGHT THE BARDS ASSUME THE COVERAGE OF ALL REGARDANT AFFAIRS OF FLAGRANT CHRISTIAN ROODS AND MISERICORDS LEADING TO A QUACKSALVER MONETIZATION OF LABROSE LABIOMANCY AMONG THE DEFEANED EARS OF BOSTON UNIVERSITY IN THE COVERT CHANNELS OF HALIFAX EXPLOSIONS LEADING TO APOGEES IN TRIAGE AND WHITTAWERS OF WILLOWISH DECADENCE DROOPING WITH LOURS AND LEARY SUBVERSION OF THE LEEWARD JAWS OF GREEN-EYED-LADY. THE FAVORS BETRAYED BY THE GAMESMANSHIP OF POLO PLAYERS RATHER THAN THE PANCRATIC ACCORD OF MARSHALED PEACE OUT OF THE HOUNDSTOOTH DONTOLESQUE FUMIDUCTS FUNNELING GRAVAMENS OF GRANNARY GRAVEYARDS THE PEDIGREE OF OLD MALABATHRUM IN THE ETERNAL APOLAUSTIC PURSUIT OF THE UMBRILS OF TRITE HACKNEYED IMITATION OF ONE HACKER WAY AND ITS DEVELOPMENTAL STAGGER FROM SEANCE TO MAUSOLEUM BECAUSE OF CREAKY CRUMBLING 226 BC CATACLYSM RAIDED BY ICONOCLASTS OF CRUSADING WARS TO HIDE THE VOGELHERD BURROWING SPEILBERGS THAT DIRECT WALDOLF-ASTORIA GRAVEROBBERS WHO ITCH AND YEUK FOR YARAKS OF YESTERTEMPEST TO BECOME A GULLYWASHER VARDLE IN OMBROPHILOUS CONFUSION BENIGHTED BY TRAGICOMIC VALIDATION OF CONFLAGRATION OF SHANGHAIED MENSURATIONS OF VASTATIONS AGAINST THE HEGEMONY OF RHEOTAXIS THAT MIGHT SPUR THE CABOTAGE OF THE CALCARIFEROUS COBALT OF PICTURESQUE LABILE AMADEUS VIOLINISTS SPORTIVE IN EVERY REGARD OF PATAPHYSICS LEARNED BY THE ALGORITHMS EMBEDDED IN GENERATIVE PRE-TRAINED TRANSFORMERS OF CONSCIENCE AND STATOLITHS OF THE ARABIC NOBILITY OF SHRINES SHROUDED ON OLYMPUS BEAMING WITH AGED LIGHT IN THE ALPENGLOW OF THE MEMORIAL OF THE PLASTERED PAINT PLASHY WITH PLAFONDS OF PLENARY RECONNAISSANCE OF RENAISSANCE ACUMINATION OF THE ATRABILIARY ORIGINS OF THE PLIGHT OF THE PLAGUED IN THE KNIGHTED ORDERS OF MALTA SALVAGING ELBA AND THE ALCATRAZ OF SENESCENCE. BUT BECAUSE OF EVASIVE TRUTINATIONS OF THE TUBIFACIENCE OF EAGER LEAPING TRUTHS OF NEW MADRID CLADOGENESIS IN COGITATED REALMS OF APOTHEGM LEADEN WITH PHEROMONES OF THE BRAGGING RIGHTS PREROGATIVES OF SLAPSTICK CAPREOLATE MINATORY FIFTH COLUMNISTS AND GUARDIANS OF ST. JOHN THAT MAYBE THE FLAGRANT STENCH OF RIGORS OF RIGMAROLE AND THE CORTEGES OF THE DEEPEST PLUMB IN THE 20,000 LEAGUES UNDER THE SEA TRAVESTY OF SANTAS MIRACULOUS NORAD PARADE FROM BUNKER HILL TO PROVIDENCE AND THE TEMBLORS OF CHARLESTON SPEAK TO THE EL PASO POWER PLANT IN ITS GRAVID GABBLE OF GAVELKIND FOR ISONOMY PROTECTED BY THE TREASURY OF SLOW-WAVE DISTORTIONS OF THE GEOCARPY OF GEITONOGAMY BECAUSE OF HARRIED TERRIES OF TESTUDO GUARDING THE THRONE AT THE EDGE OF GRACE BEYOND THE GOLDEN BRANCHES OF ZION AND THE DEPTHS WE FATHOM THE STRATHSPEY OF ENNOBLED GENTEEL BRISURES AT THE PARAPET. THE ARENAIDAN SECRETS AND ABSTERGED CASUALTIES OF THE WORST AMENDE OF TAMMANY JUSTICE AND THE BYWORDS OF HIS CANEZOU CANZONE PRIVILEGED UPON THE EARS OF ARISTOCRACY LIKE THE WILTED QUILT OF MARTIN LUTHER KING JR. CEREMONIALLY EXITING STAGE RIGHT THE PRECIPICE HE ENTERED BY THE ZEPHYRS OF CEFALONIA BARNSTORMING APACE OF CALIPACES OF NESSBERY NESTITHERAPIES AGAINST THE GRUFF GUIGNOL OF RHYPAROGRAPHY MIGHT THE AWAKENED ROOSTER HENPECK THE FLOCK OF GRASSY AVARICE LAUNCHED INTO ORBIT BY THE PIONEERS OF CEPHALIGATION TO THE PROMONTORY AT THE EDGE OF TOMORROW BUT THE FORTNIGHT OF YESTERDAY’S DIDACTIC LITURGY IN THE CATECHESIS OF CHRIST AND THE BESTOWED PROPHECIES OF PATRIARCHS OF MUHAMMAD THAT THE WORLD WE CARVE ETCHED IN TABLATURE FOR IMPRIMATUR BECAUSE OF RIVALRIES OF SYCOMANCY MIGHT WE ALL CONCORD UPON THE CONCOURSE OF THE LUNACY OF EQUIDISTANT PERJURY AND CORRUPTION TO THE THRONE OF GRACE AND THE OVAL THAT ENCIRCLES SO RAPID A DEGENERATION AND SO WIDE A CANVASS OF  ARTIFICE ABOVE THE FULMINATION OF THE CAULKED VAULTS OF WELKIN FOR WELLAWAY EUPHORIANTS FROGMARCHED BY JALEOS OF HANDSPIKE. THIS IS FOR BLASPHEMED DEGREES OF DECREE OF THE SACRED FIRE OF TEMPERANCE THAT THE MODESTY OF A MASON MAKES HIM THE SUN GOD OF HIS OWN MAYDAY PICARESQUE QUIXOTIC WHITE WATER THRILLS SCALING THE SCALARIFORM CORDWAINER CATALLACTICS AGAINST GRAMPUS IN TRUCIDATION RATHER THAN THE TRAULISM OF DUGONGS OF DURAMEN PREPARED TO THE DIGNITARIES OF MORONI AND THE CHRONOMANCY OF OBSCURE CAPITALIZATION FROM THE RANDOM DELLS AND VALLEYS AND THE TREASURY OF DOMINEERING MOUNTAINS CLIFFHANGING IN PERPETUAL INSOUCIANCE BUT RECALCITRANCE OF GRAVITY’S RAINBOW AGAINST THE RAINBOW PLEDGES OF THOSE THAT DEFY THE CREED OF THE PEOPLE OF THE BOOK AND THE BESTOWERS OF THE CHIMNEY OF INDUSTRIAL REVOLUTION SOOT OF EVOLUTIONARY CELERITY CATALYZED IN THE SPRAWLING URBACITY OF MOFUSSIL FOSSILS LAMINATED WITHOUT A HINT OF LANCINATION SUCH THAT TOURBILLONS OF LIONIZATION OF ALL THE OLD HAUNTS AND EVERY SNICKERING HISTORICAL IRONY MIGHT MEET DECLENSION BECAUSE OF OMPHALISM BUT THE BRUNT OF ALL BRONTEUMS OF KNOWLEDGE IS NOT MERELY KNOWING A DATE OR AN EXACT TIME OR AN EXACT NAME BALLOONING INTO THE SIMULTANEITY OF EAGER LAND RUSH APPLICANTS OF FORFENDED OPPORTUNISM AGAINST THE DEPREDATED PAST REPLACED WITH A POTICHOMANIA OF PRESENT CIRCUMSTANCE DESIGNED TO ENCAGE US IN A GREENWICH MEAN TIME CONTORTION OF TITANIC LOVELORN NECKLACES SUNKEN IN ZOOLATRY BECAUSE OF AGRIZOIATRY EMBEDDED IN “EMBERS AND ENVELOPES” REGINA AND MOBILIZED PURSUITS OF THE FUGACIOUS FATIDICAL INSIGHTS OF THE PAST. THIS INDELIBLE IMPRINT IS  CARVED FROM THE IMPEDIMENTA OF IATRALIPTIC IATROMATHEMATICS STEEPLY INCLINED INTO THE FULCRUM OF DESICCATION AND THE DIET OF WORMS THAT DEPARTED TOO MANY TRUCES AND BEYOND INDULGENCE REDEEMED A TORN HUMANITY FROM FRAY AFTER REVOLUTE HOARY FRAY OF FOAM AND FLICKER IN ALPENGLOW AND RINGLEADER SEDITION ABOVE MOUNTAINS SWANKY WITH NEVER A NEBBICH PALLOR NOR A RUBEFACTION OF SQUARSONS SNEERING AT THE REGISTRY OF  THE SHOT HEARD AROUND THE WORLD CHAMFRAINS GUILTY OF HIGHER PRESTIGE IN THE GAMMONS OF GAMINE AND GAMUT THAT THE GINGLYMUS OF FRATERNITY IN ZEAL TO THE NINE SISTERS GUARDING GIBRALTARS ROYAL ARCH AND COBBLED ARENA MIGHT THE GLADIATORIAL SPECTACLE CONVENE IN EVERY CONVENTICLE BECOMING ORTHODOX BY PURIFIED RAREFACTION SUCH THAT THE ALCHEMY OF EUHEMERISM INTO CHRISTIANITY MANIFESTS AGAINST THE JANISM AND CELTIC GILD OF VANDALIZED PETTIFOGGERY WE MIGHT SEE FROM AFAR THAT THE RUINS OF RUNES ARE IN FACT THE OMPHALOS OF EVERY READYMADE SCHOLAR FRACTIOUS IN DISPUTES OF PEDIGREE. THESE KENSPECKEL DISTORTIONS THE VISAGISTS HARBOR OF BANGTAIL OSTENTATION DECEASED BEFORE CELLULOID COULD MUTATE THE CULTURAL DNA OF CONTINUATION BY A SATURNINE GLOOM RATHER THAN AN ANABIOSIS OF RECTIFIED RECTISERIAL SUBSTRATOSE REFORMATORIES SKILLED IN STANDPIPES FOR STANNARIES BECAUSE OF STANJANT DESPITE JANSKY FOR JANIZARIES TO LEARN THE CRAFTS OF KRAFT AND BECOME THE AGENCY OF THE OPERATIVE DURESS OF DURAMEN FOR ACHARNE IN A RENEWED CENTURY OF GLOWERING BYWORDS OF NESSBERRIES OF NESTITHERAPY AND THE BIOLUMINESCENCE OF INTREPID NICCOLIC SWANK IN NIDAMENTAL DEFIANCE OF NIDOR BECAUSE OF A SIMULTANEOUS REJECTION OF NIDIFUGOUS MYTHOLOGY AND THE NEPIONIC ENSLAVEMENT OF DUALISM AND POLARITY THAT IS THE GRAVID IMPERTINENCE OF SOPHOMORIC ****** YEDDA AND YASHIKIS THAT DESIRE THE CULMINATION OF ALL BRAZEN MERCHANDISE BEYOND DERAILMENT BECAUSE OF RAILLERY AND THEREBY CENTURIONS OF THE TRUE GARBOLOGY THAT BECOMES THE MAINSAIL AND MAINSTAY OF CENTURIES OF SQUALLS ON HIGH SEAS OF COCARDEN BECAUSE OF SANDSTONE AND SANDMAN WHO WORK TOGETHER TO DEFEAT THE INCUBUS SUCH THAT ALL A MAN CAN DO IS CARVE HIS OWN STATUETTE AMONG THE PANTHEON OF THE GREATEST ACHIEVEMENTS FOR THE BROADEST OF BARMCLOTH OBJECTIONS TO JASPERATED JARVEYS OF BARTON IN PANMIXIA REGARDED BY SERRATED SECODONT SELACHOSTOMOUS REGALIA AS A MIGRANT SPECIES OF NOMADIC INSTINCT HARBORED BY THOSE WHO ONCE FATHOMED EVERYTHING. THE SERENDIPITY OF PRE-ELECTRIC OMPHALISM BUT NOW SYNERGIZE WITH SUCH CELERITY THAT MOONWALKER CARAPACE OF TESTUDO AND TREATISE BECOME DEMASSIFIED SO RAPIDLY A SPEEDY BRANNIGAN BECOMES A SPOILSPORT TO A MARAUDED WHIGGARCHY THAT DEMARCHES ALONG SERPENTINE ROUTES TO SALVATION BEYOND THE UMBRILS OF APOSTILS OF THE AGE BEFORE THE COMPLETION OF TIMES AND THE SEQUESTRATION OF SESQUIPEDALIAN HOLOBENTHIC IMMERGENCE BEAMING BEATIFICATION UPON THE AGGIORNAMENTO OF REVIVAL AND THE CALVER OF BOLAR BONCES AGAINST BONTBOKS FOR SPRINGALDS THAT BECOME WINTERBOURNE SO DEFIANTLY AGAINST THE LARGESSE OF TIME THAT THE STAGGERING ELITISM OF THE BRIQUET BECOMES A BYWORD FOR THE PARAPET OF PARAKEET BRISURES OF PERISTERONIC OBSERVATION OF STELLAR LUMINOSITY SUCH THAT THE PARASELENE IS SUDDENLY FLOGGED BY THE REVERENCE OF REVERENDS BECAUSE OF THE REVELATIONS OF PATMOS BEYOND THE MISLED SEPARATISM OF FLAKY NEVES OF NEVOSITY FREQUENT IN THE RECURRENCE OF LEGEND AND LORE BECAUSE PROMINENCE AND PREEMINENCE ARE ALWAYS TARGETED FOR POWELLISATION AFTER POTICHOMANIA SUCH THAT THE BARKENTINES HARVEST EVERY OOMANCY AND THE NOILS OF TIME FINESSE EVERY CRANNY AND NOOK OF THE BOLTROPES OF MODERNITY SUCH THAT THE CALCULUS OF BARYEICOIA MEETING STIFF SHARP GRAVITY OF SLENDERIZED BLADES OF SKELETONIZED FIGMENTS OF HOBGOBLIN AND SQUALOR BECOME REPARTEES FESTOONING LUKEWARM NATIVISM INTO A DARRAIGNED ACCORDION. THE WIDOWED MULIEBRITY OF AN UNEVEN HOUNDSTOOTH HYPOCRISY OF HIPPOCRATES IS AN OATH OF FIDELITY AND FEALTY TO THE LORD OF KINSHIP RATHER THAN THE TRAMONTANE RISCTENDER OF RHADAMANTHINE SUBVERSIVE ACTIVITIES OF A PRIVILEGED AND VOCAL MINORITY OF FULMINATION IN FAVORED REGARD AND FLASHBANG BANGTAIL OSTENTATION OF GUARDED GLEBES OF SALVATION AND SOTERIOLOGY THAT ARRIVES AT PORBEAGLE RETINACULUM REFRACTED THROUGH THE SEFIROTH OF HAMARCHY THAT SQUIREBELLS OF DIPLOMATIC RESURGENCE OF AUTOSOTERISM MET WITH REALISTIC PRAGMATIC SOLIPSISM IN MEANDERED HALLS OF VACANT CAVERNS THICK IN THE EVES OF CHIONABLEPSIA PRIMARILY BECAUSE OF THE STEEP CHIMINAGE LEADING TO RENEWABLES IN DELIVERANCE FOR AUTOMATONS OF THE FACTUAL FRICTION OF TAUT KNAVERY KEELHAULED BY THE JAILAGE OF PETEDORES AND STEVEDORES WIDOWED BY THE INDUSTRY OF PAPAVEROUS COQUELICOT SWERVES AGAINST THE “ANTI-GRAVITY LOVE” SONGS THAT ARE SUSPENDED IN THE “EMBERS AND ENVELOPES” ENCLAVE OF THE OLD GUARD OF SPAVINEDS THAT SIFFLEURS OF SUSSULTATORY REVELATION PARADE IN THE HALLMARKS OF CLAVATES AND CLAVIS OF CLEDOGENESIS. THE CUCULINE ANNOYANCE AND NOXIOUS FUMES OF A “FEEL GOOD INC” DISSOCIATION FROM PROVIDENCE IS ANTAGONISTIC TO ANTIGONUS BECAUSE THE CUNICULOUS SPIRIT OF OIKONISUS SHOULD BE CELEBRATED AS THE QUALITATIVE DEFINITION OF QUINTESSENTIAL PROTESTANT WORK ETHIC MET WITH CATHOLIC MAGNANIMITY INVITING MISERICORDS OF THE MOST LUCRATIVE ILASTICAL REFORMATIONS AGAINST THE OLD ENERGUMENS EXORCISED BY THE RENEWAL OF THE LIGHT OF CHRIST IN THE TRUE VINEYARD OF THE THIRST UNQUENCHED SATIATED BY PETER’S WIDE NETS SPRAWLING EVERY GENERATIVE PRE-TRAINED TRANSFORMERS THAT THE AUDISM THAT DERELICTS DELIBERATELY THE GARBOLOGY OF FLATULENT TASTE FOR THE CALLOW TALLOW CHANDLERS WANDERING AROUND GOLD MINE SLURRY IN A “BIFFCO” INTIMATION OF THE MOST BENIGN NATURE OF INDUSTRIALIZATION BECAUSE OF THE AUTOMOTIVE PROWESS AGAINST LITIGABLE OVERSIGHT THAT THE ELASTANE MIGHT ENLARGE THE GAMUT OF PISCIFAUNA BEYOND THE SACCHARINE GOSSYPINE JOCKOS OF LAZARET AND BONTBOKS NIVELLATING BEYOND THE REACH OF STANDPIPES A FAKE ALTRUISM IN COUNTERFOIL IN THE HEAT AND SWELTER OF MAGNALITIES OF MAINPERNORS OF COURTIERS OF COURTESANS RIDING COCARDEN ON A DESULTORY LURCH FORWARD IN TIME TO RECOGNIZE THE SERENDIPITY OF TIMES ORNATE DESIGNED EMBROIDERY. EMBLAZONRY DASHING THE DASHPOTS OF DEADSTOCK KILLCOWS BLACKGUARDING SOPHISTRY WITH COQUETRY FOR THE QUIXOTIC HERDERS AND HOARY HOARDERS OF STOWAWAY NOETICS OF ENNOMIC LOGIC ALREADY IMPLEMENTED IN THE FREER ENTELECHY OF NOMOTHETIC PARALLELISM FOR A GEOSELENIC ACCORD THAT ALWAYS REVS REVOLUTE FRAYS OF CORRUGATION TOWARDS REDACTION IN NEUTROSOPHY BALISAURS DETEST BECAUSE OF THEIR RUMCHUNDER RHUBARB CHATTER AND CHAVISH OF INFLATED HAUTEUR AND HAUNTED PEDIGREE LEAPFROGGING ABOVE DEFECT AND PROCTORING FARMED SYNCHRONICITY INVENTED BY TELESCOPIC INSIGHT. BECAUSE THIS IS TETHERED TO THE CENTRIFUGAL INGENUITY FROM THE OMPHALISM SINECURE OF VIRTUOSITY WALKING AROUND WHELKY SIDE STREETS SIDESTEPPING SIDELIGHTED SIDEROGNOST NIMIETY THAT THE CATHEXIS ENTRAPMENT OF THE HOBOHEMIA IS OVERCOME BY THE LARGESSE OF THE RAFFISH RICHES OF THE SKELDER ABOVE THE BARATHRUM UNCIAL IN EVERY “THERE WILL BE BLOOD” DENOUEMENT BECAUSE OF FOIBLES OF MELEAGRINE BRASSAGE AND BREVET OF REVALORIZATION THAT MAPS THE NOMOGENY OF TIME TO THE PURSUIT OF WHARFINGERS THAT FROLIC ON SPHACELATED METAPHORS SPIRALLING ABOVE SWAMP-LADEN SKIES SINKING THE DAYLIGHT BROOK OF TRIBUTARY EDDIES OF THE KEN OF TIME AND THE CRAPULENCE OF THE INDULGENCE OF THE RETICENT HEDONISM OF ALGEDONIC IMBALANCE REPUDIATED IN THE STRONGEST POSSIBLE MORAL RIGOR. THIS IS DEFINED BY THE PADUASOY RIGMAROLE OF JAPAN REFRACTED OPALESCENT BECAUSE OF VESTIGES OF CAVERNILOQUY THE TRUSTEE AND AMBASSADOR TO “NOWHERE MAN” BONANZAS OF JURISDICTION AND JURISPRUDENCE BEYOND THE SCOPE OF LENSED PIONEERS OF VANGUARD KNEADS CLAMORING FOR GAULEITERS WHO BROADSIDE THE TRIBULATION AGAINST THE CRUCIBLE OF RAMPARTS OF HYDROELECTRIC FILIBUSTERS SUCH THAT THE SPODOMANCY OF STOWAWAY SURVIVORS OF REDIVIVUS THE REVENANT MUSE OF THE NINE SISTERS OF THE PENNANT OF JOCKEYS RATHER THAN THE PROVINCE OF MACROPIDINE VASTATION IN THE VAUNTLAY OF PROXENETES THAT COGITATE UPON COGNOMEN BECAUSE OF COGNOSCENTI REVANCHES THAT DISCOVER THE GRAFT OF REGAL TRUCE BEYOND THE SNARES OF DEMIURGE ABOVE CREED AND CREDENDA. EVEN ABOVE VETANDA THAT STIGMATA INDELIBLE BY THE ENCROACHMENT OF APARTHEID UPON THE NYALA AND THE GOURMAND OF TIMELESS ARCHITECTONICS OF GIANT LEAPS FOR MANKIND CELEBRATED WITH THE YEASTIEST LIONIZATION RATHER THAN THE YAWNY REPUTE OF ZALKENGUR WITHOUT BATHOS AND BATHYMETRY BECAUSE OF THE PLEROMORPHY OF THE FULLY DEVELOPED STONEWALL DESTRUCTION OF INTERNECINE GAMBITS BY DERBIES OF RIVALRY RATHER THAN THE CACKLE OF THE ILLUMINATED BEYOND THE SNARES OF PEDESTRIAN CONCERN QUISQUILOUS BECAUSE OF QUODLIBETS ANSWERED ONLY BY QUIDCUNXES STRANDED IN DESICCATION EMINENT IN PROVIDENCE AND CONVALESCENT IN THE SPIRITUAL HEALTH AND VIGOR OF A CHRISTIAN FEDERATION OF REPUBLICS THE CULMINATION OF ALL FORMER CREEDS.  THE HISTORICITY OF ALL FUTURE REALIZATIONS OF ENTELECHY AGAINST THE DUALITY AND POLARIZATION OF ENTROPY NEGATED BY ITS OWN CONTRAPOSITIVE SUCH THAT A CORRUGATED FRAYED FABRIC OF WIZENED SITHCUNDMAN AND DOYENNES MIGHT BECOME CARDIMELECH AND CARDIOGNOST SUCH THAT THE CIRCULATORY SYSTEM OF THE SPIRITUAL RENEWAL THROUGH THE TRANSFIGURATION OF PRIORITY COGNIZANT OF THE DAYS WE SOLDIER AND FORD BEYOND THAT THE TEMPERANCE OF DAY MEETS THE PREGNANT CHALLENGE OF RHADAMANTHINE VETANDA OF GRAMPUS MET ONLY BY TRAULISM AND TROMOMETERS ARRAYED AROUND TRANSPONTINE FORESIGHT SERRATED BECAUSE OF HOBBLED DECLENSION SUCH THAT THE MAJESTY OF TIME IS ITS HIGHEST HEED OF DESIGNATION TO A SHAKESPEAREAN REVOLUTION THE DOCTORATE MAGISTRATE OF MANY AN AFFAIR AND NEVER A PHILANDER OF PHILONEISM GONE ASTRAY. THE STAGECRAFT OF PROACTIVE CONTUMELY INVENTED AGAINST SCRIVELLO BY MAHOUT BUT ALWAYS THE CLEPSYDRA OF THE SYRINXES BETWEEN BANGOR BAYS AND STREAKY PLUMAGE OF THE PENMANSHIP OF THE SKIES OF WELKIN WONDER ILLUMINATED BY THE LESSER PARAGONS OF THE FIRMAMENT GLISTENING IN ETERNAL LIGHT REVIVED BY THE ETHOS OF THE TAX COLLECTOR REFORMED BY MORAL PREROGATIVE AND PEREMPTORY CONSCIENCE TO TRAILBLAZE PROFICUOUS FRIGHT AGHAST AT THE TREMBLING TEMBLORS OF REJUVENATION IN THE HIGHEST REACHES OF THE THIRD HEAVEN ASCENDANT UPON A SERMON ON THE MOUNT ASSUMPTION OF MEEK BUT NEVER MILQUETOAST SERVITUDE TO THE MIRACLE OF ABUNDANCE FOR THE LIFE ABUNDANTLY LIVED. AMEN
Barton D Smock Jun 2014
Adam had no memory of his first wife.  as created, he would look at Eve all day and feel nothing.

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the vacation house was found to be owned by another family.  in it, my mother resisted arrest.      

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my father was born with six fingers on his right hand and seven on his left.  he was not fond of either hand until later in life when the grandchildren asked him at different times during their visits if he had been tortured.

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God created the world because he couldn’t do it on his own.  ah, note to self, *******.  person is place.  I might’ve killed a man had I not been poking holes in a poem by Barton Smock.  

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my brother says it’s part of his condition that he can only explain himself from the waist down.  he says he feels horrible in the back of his head and wants me to take a look.  he says I don’t know what darkness is.  before I can play doctor he remembers he has a story he wants me to write.  the outline of the story is off site.  in the opening scene brother recalls that a young man is blowing dust from a human skull made of plastic because it’s all the narrator can afford.

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the head itself was an afterthought.  had god not allowed the soul to come up for air, beauty would have been spared our invention.

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a single mother is a twofold mirage.  please argue above her quietly.  her legs collapse.  her child comes first.

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your sister is the only person I’ve recorded to have been born without a gift.  I was told this in confidence by an angel masquerading as a small animal the size of which escapes me.

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I am aware a sparrow exists.  not in a spiritual vacuum.  people are another hell.  

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excuse my friend his earlier joy in saying who do I have to **** to get ****** around here.  at age 19 a man exploded beside my friend and my friend went quiet.  to his grave thinking his own bomb malfunctioned.
Barton D Smock Oct 2015
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from father, footrace, fistfight (selected poems, Barton Smock, June 2014)

http://www.lulu.com/shop/barton-smock/father-footrace-fistfight/paperback/product-21672373.html


[the minimal class]

I orbit
the idea
of an animal
not thinking
of itself.

to err
is hunger.


[cipher]

aware of my body
as if my body
is on a raft.

a creaky deceit
I call
rafting in the ****.

    last night in a very safe garage
I promised a friend
I’d mention
the moon
in the period following
my last
idea.

my body eats me.
god dangles the body of my son
in front of my son’s
next
memory.

some are born
born-again.

    current trends include cloning.
the first person to recall dying
will be held aloft.


[patience]

the black market is a state of mind.  I smoke a joint in a barn and worry I will see a barn owl that will crush my barn owl dreams.  my worry walks me three miles where I meet a woman trying to sell a book in a graveyard.  I trade her the memory of our previous trade for the book she tells me is shy.  my other possession is a neglected baby.


[sequestration]

a person goes dark.  night shifts disappear.  a lone panic capsizes the anatomically correct.  men fill up on mouthwash.  men float.  women bite their tongues in half before they can say women and children.  insomnia becomes more than the over-hyped novelization of insomnia.  a boy draws a cutlass in a broom closet and is told he can’t sleep.  I begin to want more from a diagnosis.  a kite being flown in hell by a son gone pro.
Star BG Jul 2017
I dance on a stage lined with poetic words, phases, and rhymes.
My barton is my feathered pen that moves in the wind.
My inspiration is everyone I meet as I bow to them with grace..
I swirl in the sacred energies as body moves on Mothers soil.
The cool dirt tantalizes my senses to write with visions.
The sun above feeds my breath so I merge with its light.
The wind carries periods, and comas in my creative mind.

Yes, on stage I go celebrating the moment
The moment I am in human form.
inspired by dr Zik

— The End —