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"barrows" poems
he is the guy who plants the rice corn and wheat so each one of us has something to eat at break of day he tills the many acres of land for his harvest of food there is a great demand he is the guy who milks the cows twice a day to make the butter and cream for afternoon tea trays shop sell these goods to people everywhere his milking shed produces such fine fair he is the guy who grows peaches and marrows collecting them on tractors and in wheel barrows he is dedicated to the pursuit of growing staples which grace our kitchen and dining room tables he is the guy that rarely gets much recognition hard work he does and in all weather conditions the man on the land provides our mouths with a feed his vocation serves a community of need
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Jan 14, 2014
Jan 14, 2014 at 5:18 AM UTC
A Community Of Need
My "place of clear water," the first hill in the world where springs washed into the shiny grass and darkened cobbles in the bed of the lane. Anahorish, soft gradient of consonant, vowel-meadow, after-image of lamps swung through the yards on winter evenings. With pails and barrows those mound-dwellers go waist-deep in mist to break the light ice at wells and dunghills.
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Anahorish
The wabanaki tyrants A threat that's come and gone mercy luis’s family now butchered like a hog 16 years now have past and trials on its way guilty is as guilty's charged its barrows turn to play 20 victims laid to rest 20 “witches” hanged 180 more accused from 93’ and 92’ but many more to blame for the vessels of the Salem ways now cold and heartless souls accusing innocent lives, for shame! now unfair trials we shall hold...
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Apr 12, 2015
Apr 12, 2015 at 12:31 PM UTC
Salem Witch Trials
sneaky stan, the builder man, who laboured on the site wheeled a barrow full of straw for two weeks every night foreman feared some pilfering and searched it every day he fumbled round, but always found now't below the hay. but sneaky stan, a gardening man, unhappy with wage rates had stolen fourteen wheel barrows and sold em to his mates
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Mar 12, 2010
Mar 12, 2010 at 2:08 PM UTC
sneaky stan
Born of barrows blood and acorn goodness: honest as nature and prodigious as her harvest. Cursed with cowardliness, blessed with bulk but an irksome intellect invariably finds fault. The pain of creation softened by canine affectation, and artificially-altered perception.
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Jul 18, 2011
Jul 18, 2011 at 2:59 PM UTC
Cognitive Rural Insight.
A learned scientist opines in outer space there are two lines: Proteins that would mirror mine, and sugars of a non digestible kind. On Earth “Left handed” proteins rule at Barrows base right up to Thule. “Right handed” sugars fuel our race “left Handed” sugars have no place. In our earthly reality We have homochirality. Still, somewhere in the cosmic dust might be the opposite of us. On a world no meteor ever scored Might be space faring dinosaurs! Intelligent, cunning and with big teeth- Suppose they come to disturb our “peace” Velociraptors with ray guns might be as nasty as they come. Thank God the U.S. has Marines to blow those “Saurs” to smithereens. Then, after they have taken their licking We’ll find out if they taste like chicken.
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Apr 16, 2012
Apr 16, 2012 at 8:14 AM UTC
Homochirality
FAR-OFF, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred moms had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose?
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The Secret Rose
This poem is about a night out on the beer which almost went horribly wrong I put out my hand and touched the face of God, . . .bit of a surprise, really, I was expecting my Hod. Lying on the floor, thinking it was my bed, Coated in ***** face down, arms spread. I've ****** my trousers, shat my keks, A natural reaction, to twenty three pints of Becks. Stumbling through Cambridge, I can't find the Site, I know it's around here, first left or third right. . . Crashing through hedges, I've forgot how to walk, I can't ask for directions, I'm unable to talk. So, I'll go no further, here I'll sit tight, Sneak back to the caravan, when dawn sheds her light. I didn't feel the cold, the damp creeping through, Best shirt, Purple Chino's and I'm missing a shoe. It's my dancing outfit, for impressing and posing, Ideal for the Nightclub, not alfresco dozing. The temperature plummets, I'm giving it "Big Zeds" Dreams of warm women and petal-strewn beds, Breathing gets shorter, body starts to shut down, I'm sweating buckets, beginning to drown. Ronnie, the Night-watchman, knows I must be in trouble, In an hour and a half, I'm due back on the shovel, To keep the lads happy, with bricks and fresh Pug And barrows of concrete, poured into trenches I dug. Under an Elm Tree, thirty yards from the job, Ronnie catches sight of this prone Northern yob. He doesn't panic, just yet, he knows what to do, He's seen it before, when a body turns blue. Those First-Aid Classes, when he told us he was fishing. . . Vital signs are checked, I'm in the Recovery Position. Ron holds my nose, lifts my head off the floor, . . .then he kissed me , in a way , that I'd never been kissed before.
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Feb 14, 2016
Feb 14, 2016 at 9:14 AM UTC
Da Doo , Ron Ron Ron, Da Doo Ron Ron
This poem is about a night out on the beer which almost went horribly wrong I put out my hand and touched the face of God, . . .bit of a surprise, really, I was expecting my Hod. Lying on the floor, thinking it was my bed, Coated in ***** face down, arms spread. I've ****** my trousers, shat my keks, A natural reaction, to twenty three pints of Becks. Stumbling through Cambridge, I can't find the Site, I know it's around here, first left or third right. . . Crashing through hedges, I've forgot how to walk, I can't ask for directions, I'm unable to talk. So, I'll go no further, here I'll sit tight, Sneak back to the caravan, when dawn sheds her light. I didn't feel the cold, the damp creeping through, Best shirt, Purple Chino's and I'm missing a shoe. It's my dancing outfit, for impressing and posing, Ideal for the Nightclub, not alfresco dozing. The temperature plummets, I'm giving it "Big Zeds" Dreams of warm women and petal-strewn beds, Breathing gets shorter, body starts to shut down, I'm sweating buckets, beginning to drown. Ronnie, the Night-watchman, knows I must be in trouble, In an hour and a half, I'm due back on the shovel, To keep the lads happy, with bricks and fresh Pug And barrows of concrete, poured into trenches I dug. Under an Elm Tree, thirty yards from the job, Ronnie catches sight of this prone Northern yob. He doesn't panic, just yet, he knows what to do, He's seen it before, when a body turns blue. Those First-Aid Classes, when he told us he was fishing. . . Vital signs are checked, I'm in the Recovery Position. Ron holds my nose, lifts my head off the floor, . . .then he kissed me , in a way , that I'd never been kissed before.
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follow the yellow brick road... The terrible freedom unleashed by typewriters. Condition of complexity judged without criteria. Radical provocations. Urinals and prams. Contingent. Anarchist aesthetic. Not truth nor beauty but freedom. Materiality of language. Multi-hued wheel barrows. A cuttlefish. A crate. A cassowary. A cigarette. A ****** Paratactic order. Particular phrasing. Pulsing pastiche. An infinite conversation without resolution as with the stupid friend who won’t shut up. Ever. A transcendent dialectic based solely on proximity. Ineluctable modality of the near. Only that. Buck it. An unquiet ghost endlessly self-questioning. No answers. Moaning in the meaning. A simple stuttering. Sibilant. Turbulent and unpredictable as waddling wolverines. Words that only mean whatever is seen. Juxtaposition. Dissolving into desired dissonance. The magic chord. Absolute verity in the experience of the fraudulent for the same reason as the ubiquity of toothpaste. The poem as its own universe, complete and whole, fodder for the mind, not balm for the soul.
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May 3, 2016
May 3, 2016 at 1:21 PM UTC
A Road Map To Modern Poesy
I long to lay in that garden once more let the veins in my chest grow in the patterns of grass roots I ache to flow my love for the farm from every part of my being those are the lives that fostered my passion In the Summer I came back to enjoy the fruits of my labor of countless tomatoes I seeded in tiny trays in early spring I need that place to nurture my growth as I discover more land I am reaching for the sun and stars, but I need water from that acre the love of all the farmers and the magic of mycelium I was planted on the edge of the path I have been run over by wheel barrows and trampled on by tiny feet Had snow and mud piled on me, but I feel myself coming back this spring I am stronger than any year before and I have come to tell stories of resilience and hope, through miraculous green leaves and flowers of breathtaking color like the roses in my cheeks from long days ankle deep in compost, but not a rose bush not pointing hands of thorns keeping away my gardeners lovers I left my heart in the lupines I planted last year
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Jan 27, 2013
Jan 27, 2013 at 10:58 PM UTC
Lovers
She held him within her. A coiled mosaic, whirling on the precipice. His frame shook tumultuous, his skin the colour of autumn grey. The wetness from his eyes spilled against her soft fur. He pressed his lids tighter, as if to keep his tears from the world. Warmth pooled beneath their paws, a thick ichor that smelled of iron and salt. The dusk receded, and he breathed his last. Night left the world a husk. A slumber, cessation. In the still, she felt a chill gather within her, cruel and implacable. The forest stirred, with a restlessness only the dead knew. The barrows shrivelled to their skeleton frames. Death lurked in the furs of the pitch beast, in the mottle snares of the witherfang. She ****** them all. Her howl tore through the air, bright and gleaming. It thundered beneath the earth, reverberating through the bones of the long deceased. How had she once felt pride in that sound? A bitter rage roiled in her blood. It twisted the vessels of her body, and set her muscles to stone. She moved and shattered into a thousand shards, each one sharper than the last. She grieved for two days. The soft contours she’d held his dying body against grew lean and taut. The hollows of her ribs had closed themselves around a seething stone, that filled her flesh bitter. She rose a new beast on the third day. Smarter, but crueller; wiser, but filled with rage; and with only one thought on her mind. She would find the deceiver, and devour all he loved.
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Apr 28, 2015
Apr 28, 2015 at 9:43 PM UTC
Winter Bones [1]
Life, as with all Beings impregnated Hamper these Virtues for those Teens delayed To which we remind; In Growth compensated Handy-Spread Vices from Feelings displayed Perhaps from which - shun such Bloke-Haste Advice Having spoiled these Inner Credentials since What-Not? What-For? Skin that Crumpy Device - Cross-dress Cat's Tannery to Barrows hence: What this means - Sentinels - or Football-Humps Even with Morals does enrich the Need To hear a Lumper; Then post-date with mumps Part-and-Parcel take Learning from a Seed. This, after all, your Labels from Friends fear Fortify your Codes; To Values they hear.
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Mar 22, 2013
Mar 22, 2013 at 7:51 PM UTC
SONNET TRIBUTE PENANCE: WILLIAM DALEY AND BENJAMIN DALEY - SOUL
This is where it almost blew us away. Where stunned silence gave way to chainsaws and sirens, where a whole community rolled up its chequered sleeves in solidarity, brought tractors and barrows, ladders and axes and enough rope to pull it all together. (we've seen it all on screen) It split bare trees. Some lay paralysed, varicosed roots flung skywards. Others, headless, fixed like totems gave a new slant of light to the polished cobbles. Some were touched, others not. Some cursed God's reasoning, others sure of scientific fact. The abyss did not divide them. Peace coincided with the setting sun. The wailing of sirens and chainsaws gave way to the sound of unadulterated joy. (Earth allows these moments- they are her children.) In a battle of strength, small hands locked in solidarity, made way for life. Straining against an opposing force, tugging on a rope where the trick is to stay grounded, to hold on and not let go. copyright © Caroline Grace 2014
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Jan 29, 2014
Jan 29, 2014 at 12:17 PM UTC
Tornado (one year on)
To the west of Mulranny, Past Spanish Point. Where dark, dark Minaun, Cast's her cold shadow. There is a fast sound, Dangerous as a true sin As many a Navy man Royal found And many a clever islander too. And the land runs, down to her gently. It glides, as if a sea bird down to the shallow sound, From both sides, right, then left Giving somewhat - the impression of a cosy valley. With warm homesteads close-by, together at dusk But they are seperate, in truth by land, long and strewn Many many miles hard walking. By sea, a ten minute walk would suffice; But no-one would ever talk of such a stroll, For they would never tell of anything Again. However deft However brave For the sound takes What it owns. One evening, I drove to the right of her, And the red Oche sun painted for me Scenes on the hills, Great battles history - Wars of celtic gods, christian saints And the old Gods before people And the God's older still Who have no names anymore. But bear all on their backs This land is, in truth, those Gods' land. It changes with each ray of light That passes this way through the broad deep ocean, green and milk topped fresh as a breeze blowing through a green arbour Or black as terror , with white cresendo Black rocks shot with reds and quartz's Sharpened by water It is not a place for faint of heart Or unsure of foot And at Achill beg can be seen Man's footprint, long here Strange barrows, and dry walls That deep time has made anonymous To the prying eyes of modern time But past 8,000 years have our people Lived in this place, guarded, hounded By the Atlantics' cruel force And I swear if I had freedom to choose a place to live, without concern And a place to die, without worry It would Be here.
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Apr 3, 2014
Apr 3, 2014 at 5:38 PM UTC
Achill Sound and Environs
To the west of Mulranny, Past Spanish Point. Where dark, dark Minaun, Cast's her cold shadow. There is a fast sound, Dangerous as a true sin As many a Navy man Royal found And many a clever islander too. And the land runs, down to her gently. It glides, as if a sea bird down to the shallow sound, From both sides, right, then left Giving somewhat - the impression of a cosy valley. With warm homesteads close-by, together at dusk But they are seperate, in truth by land, long and strewn Many many miles hard walking. By sea, a ten minute walk would suffice; But no-one would ever talk of such a stroll, For they would never tell of anything Again. However deft However brave For the sound takes What it owns. One evening, I drove to the right of her, And the red Oche sun painted for me Scenes on the hills, Great battles history - Wars of celtic gods, christian saints And the old Gods before people And the God's older still Who have no names anymore. But bear all on their backs This land is, in truth, those Gods' land. It changes with each ray of light That passes this way through the broad deep ocean, green and milk topped fresh as a breeze blowing through a green arbour Or black as terror , with white cresendo Black rocks shot with reds and quartz's Sharpened by water It is not a place for faint of heart Or unsure of foot And at Achill beg can be seen Man's footprint, long here Strange barrows, and dry walls That deep time has made anonymous To the prying eyes of modern time But past 8,000 years have our people Lived in this place, guarded, hounded By the Atlantics' cruel force And I swear if I had freedom to choose a place to live, without concern And a place to die, without worry It would Be here.
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But why, apt this centred Sidhe decide In her own Verbs your Best Herbiage enchant And mix the addled *** O' Mandrake hide Then by Best Pour that Mantra she'll incant: "Impart this Softling! Nee' Life concentrate! Rose-Round vye Princey-Noose to Shape betroth! Reform Adonis! To Makeroose State! Swell this Fruit from the Garden of Naboth!" By Fruit she meant Grape. Which tempted the Fig To feign its **** for your barrows be sweet Which, even a wee, expand your Heart big Praising one day your Late Romance repeat. Even she of her Onerous Chants aware Hugged dear Naboth his Murdered Earth laid bare.
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Mar 16, 2013
Mar 16, 2013 at 8:51 AM UTC
SONNET TRIBUTE SUNDRY - ONE HUNDRED AND FIFTEEN - TOM DALEY
Dusted with gold, colours wheeling, Threads reaching into a sun, Precious handwoven rugs from Mumbai, Individual, divine, only one. A foreigner orders a carpet. So a carpet graces the road. On a throne made of barrows and money, But a hand stops the vivid-hued load. Covered in dust, wrinkles stealing Irreplaceable youth from his bones, Worthless mendicant soul in Mumbai, Stretches out towards hope with a moan. A dollar could take him to life, As his cup stretches out for some bread, Yet, the cloth priced more highly than life, Trundles past, and it leaves him for dead. The ship chugs through horizons, With its costly woven load, Whilst a bag of bones expires, In the dust, beside a road.
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Nov 5, 2014
Nov 5, 2014 at 4:53 AM UTC
क़ालीन
Street-Lights and Sun-Bells do Compose your Score As so do most of your Vinyls acclaim Such Youth on Keyboards strike as never before And Breach those Standard Pop Endorsements feign By Breach I meant Well; Then by Barrows add Pungent High Scores slide your Growing Debate Yet knowing your Heart with Values point-stag Ebony chucks which Ivory once spate Ah! ***** my Words. For all Sentiments ply And Tune these Thoughts for Thanks appreciate Play on, French Steward! Play till your Notes Fly Then cast my Doubts and Lies depreciate. Once the Yellow Dragon comes, can you Prepare To Brace those Flames and Stubborn Merchants dare?
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May 28, 2013
May 28, 2013 at 2:21 AM UTC
SONNET TRIBUTE: GREYSON CHANCE
God speaks to each of us as he makes us, Then walks with us silently out of the night. These are the words we dimly hear. You, send out beyond your recall. Go the limits of your longing. Embody me. Flare up like a flame And make big shadows I can move in. Let everything happen to you: beauty and terror. Just keep going. No feeling is final. Don’t let yourself lose me. Nearby is the country they call life. You will know it by its seriousness. Give me your hand. -A poem by Rainer Maria Rilke   1875 - 1926 Translation by Joanna Macy and Anita Barrows
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Aug 17, 2017
Aug 17, 2017 at 10:08 PM UTC
Go to the Limits of Your Longing
My mind is an unquiet graveyard; uninterred mistakes stare up from their open barrows Milk eyes clearing to glass As the anxious banshee crosses over them keening notes drifting linen strands of her raiment twining around their wrists Dragging sloughed skin into the murky light Of repeated examination. I could be a queen of solitude if not for this. If Pandora's voice box were broken hinges rent, screws loosed from their cavities, wood split the demons might still, displaced. Hope is not the last thing in my throat she was the first to go with a song unsung an alto never strong enough to last beyond the first few flakes of oxygen I inhale in the morning.
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Aug 14, 2021
Aug 14, 2021 at 10:36 PM UTC
The Unquiet Grave
Porcelain rectangles lining the fine china cabinet of an always open jaw, be weary traveler of coming close, deep in an ever lasting winter waiting for the thaw. Let us cook up fajitas in a halfway house and talk about how we wish we could draw, pretty pictures to send home to those we love and those we hate. You say come to Florida and get sober, me constantly running from I ever growing older. Face my fears? Be bolder? Or stay where the drugs are cheap and the weather colder. Walking down Atlantic Avenue look at all the normal people with their beers Porcelain teeth grinding away Porcelain teeth grinding until they crack There are eyes in these hills, and barrows overflowing with our young dead who got started on pills. My ship became caught in this whirlpool while I was sailing for a thrill. ...There are numbers and figures which lay beyond the zero...
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Feb 7, 2016
Feb 7, 2016 at 1:39 AM UTC
fajitas
To-day we have repetition of parts. Yesterday we had yesterday, tomorrow morning, we have tomorrow morning. but to-day, To-day we have the repetition of parts. While spies under the guise of dark, disguise our art. To-day we have the repetition of parts. To-day we have retaliation of their arts, yesterday we had yesterday, tomorrow morning, we have tomorrow; mourning. But to-day, to-day we have replication of parts. Bright minds might find a start, but requital is the name of our art. To-day we have a revenge on our part. To-day we have the reappropriation of purple hearts, yesterday we had yesterday, and the morrows sorrow follow furrowed brows on our enemies part. Harrowing barrows and gallows are swallowed, by the dark. Redundancy is a common commodity of ours. To-day we have a thorough reconnaissance of our purplish hearts, yesterday will bring young blood to further our course. to-day we will re-vitalize their wars, and re-cycle their arms. We will retaliate, for every heart they have scarred. To-night we will light up the dark. Insha’Allah. To-night we have reciprocation of parts; re-coil; re-load; re-align reticle, re-coil; re-load; re-align reticle; re-coil; re-load; rinse and re-peat. a place of peace seems preposterously far, as we keep firing into the dark. To-day we have reciprocation of parts. To-day we have repetition of parts. Yesterday we had yesterday, tomorrow morning, we have tomorrow morning. but to-day, To-day we have the repetition of parts.
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Apr 29, 2016
Apr 29, 2016 at 6:25 AM UTC
The art of Tautologies
To-day we have repetition of parts. Yesterday we had yesterday, tomorrow morning, we have tomorrow morning. but to-day, To-day we have the repetition of parts. While spies under the guise of dark, disguise our art. To-day we have the repetition of parts. To-day we have retaliation of their arts, yesterday we had yesterday, tomorrow morning, we have tomorrow; mourning. But to-day, to-day we have replication of parts. Bright minds might find a start, but requital is the name of our art. To-day we have a revenge on our part. To-day we have the reappropriation of purple hearts, yesterday we had yesterday, and the morrows sorrow follow furrowed brows on our enemies part. Harrowing barrows and gallows are swallowed, by the dark. Redundancy is a common commodity of ours. To-day we have a thorough reconnaissance of our purplish hearts, yesterday will bring young blood to further our course. to-day we will re-vitalize their wars, and re-cycle their arms. We will retaliate, for every heart they have scarred. To-night we will light up the dark. Insha’Allah. To-night we have reciprocation of parts; re-coil; re-load; re-align reticle, re-coil; re-load; re-align reticle; re-coil; re-load; rinse and re-peat. a place of peace seems preposterously far, as we keep firing into the dark. To-day we have reciprocation of parts. To-day we have repetition of parts. Yesterday we had yesterday, tomorrow morning, we have tomorrow morning. but to-day, To-day we have the repetition of parts.
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giggling i dash phases and i slip passed cloak caught on mara's thorns no one looks within but only at what is worn follow the barren arrow toward the ancient barrows where the winding ways become narrow and all is resting still Nothing is what for i asked where simply i am present no future or past And ones mind isn't molded like an egyption tomb explicit in caste but warm in the womb display shoshin in bloom to inherent the present's heirloom and when all is like before it begun does any other stand higher than one because if we fight over either we're bound to be done
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Feb 3, 2020
Feb 3, 2020 at 4:05 PM UTC
Giggling I Dash
pull the blanket closer and stare unseeing into the flames dance hope that shadows pass hope that just desserts are served up elsewhere dance with a practiced aire out the way out the steam train rollin like thunder down to the gates of hell but you got caught up by a celebrating hand and its the eternity in flames its the barrows of cold that your bound pull the blanket closer cant find warmth in the words that fill this page with gallows image that fill your heart with cruel memory and you look to the east but no dawn ever approaches this desolate place no hope will rescue you no lover to find you this time no warm soul to share with the hours and its on this steam train rollin like thunder to the gates of hell that i find you sittin waiting for judgement dealing out a hand of cards its aces and eights' and a blade that im gonna rob ya of everything you ever took from me im your special place in the fiery hell thats your punishment to meet me here and be beaten by me
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Apr 25, 2013
Apr 25, 2013 at 5:24 AM UTC
steam train to the gates of hell
I saw you in the narrow corner me with brown eyed glee over the moon, under the barrows You slipped a worn thorn through old scars pierced my heart nonetheless whispering to me undressed all the secrets you kept hid so well In the hidden heaven of our hell And caught me on the line and hook Buried long before we mistook Please stay, for goodbye And left me with the lonely question: why?
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Jul 30, 2016
Jul 30, 2016 at 12:10 AM UTC
Stay
She knocks back invitations to see a thousand stamp collections, as if she's knocking back tequila you feel you ought to know her but she's covered in the shadows that seem to follow in her footsteps as she wanders through the half lit streets she knows. and the market men throw streamers as she threads through empty barrows drinking coffee that she borrowed from the blind man in the alley and the morning never enters in her eyes and her name is lit by lanterns on a hundred deafened doorways which shout of streetwalkers and gypsies selling trinkets to collectors, where the day feeds on the lonely and the sad sit in the libraries in the dust filled seats of centuries reading tales set down in history as if it's history that lives in ancient books. But her chance is soon upon her and she seizes on the options but there's only stamp collections and the offers of an album in their eyes.
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Jun 3, 2014
Jun 3, 2014 at 7:58 PM UTC
Ribbons