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It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Jason Henry Jul 2015
there's a marital dispute
between squirrels
in my chest, stomach and head.

she flings lamp and liver
while he slings obscenities
about her barrenness.

by midnight
they'll ****, then sleep
and then I can watch John Oliver.

but their problems aren't resolved.
WS Warner Feb 2012
Underneath the anger, there are tears. Beneath the fury, there is hurt, a river
of affliction - the day that possibility evaporated. I knew, the moment
it was gone. Telos obscured, like a mist, had left me.

Frost in February, morning at the local coffee house, perseverating, sedate
in privatized, cogitations - certainty dissolves into irony, the transient
collective with predictable cadence and singular objective. Borrowed
energies - preferred anesthetic in defiance of the placid, quotidian horror.

Angst wrapped in skin, clothed in remorse, like a muslin coat unable
to keep me warm, the palette of truculence, dislocated savant,
with guarded aversion - faces enucleating in tacit harmony, the muted tragedy
of the forgotten.

Yoked, the metaphorical satchel, freighted with the sentient debris, sifting
the fuckage, memoirs of failure, privation of venture and honor, objectified as
mere portent. [Existence] - the daily riot, becomes the necessary crucible.

Dissonance and detachment resonate the cultural banality, [being] displaced
by icon; [branding], ideas about ideas, life several times removed,
emblem over essence.

Existential renegade, exploiting the counter intuitive, the paradigmatic prodigal,
favor squandered, in the absonant passage, bearing fruit of the undone.

Bones of contention lament, interminably, like a false friend, present in absence,
perceived in the lack, subtraction, slip-stream - the disheveled
palaver of the broken.

Acutely self referential, misery enfleshed, its own reward, a post-war
discontent inhabiting sorrow, compressed and narrow, begetting
apathy in springtime.

Commodity of youth, the currency of beauty -permuted, commerce of the
ethereal and diaphanous. Human caprice, post-modern fog,
the flattened self,
the enemy of us is us, drowning in the decorum of narcissism.
the fattened calf,
immolating on the sword of autonomy.

Recycled grief, a recursive loop of gestating thoughts, marinating fluidly
within the interpretive grid. Confessional cyber community - exposed wounds
and concrete suffering, abstracted from virtual solidarity, refracted through a
reductive sentimentality, maybe they will ‘like’ it.

Iconoclast in exile, inhaling the incense of barrenness , surrounded by synoptic
drivel in understated - present tenses - alight in the now, axial axioms of the privileged,
who genuflect to the god of unfettered freedom.

Peripatetic intervals of isolation, self-imposed, hidden in a sanctuary of derision,
colliding with immutable otherness , the waters of chaos, calm.
The proleptic display, announcing eschatology. An ancient text written on the interior
expressed in myth and narrative the courier. The carnal and cerebral
arise, rightly flourishing.

Sense thresholds stirring, surprise and turbulence, reverberations of altered
domains merging - the temporal and ubiquity, the indissolubly resplendent
inversion - the invisible made visible. Opaque intrigues subsumed into the
balm of reconciliation - the first shall be last…

©2012 W.S. Warner
CharlesC Feb 2013
this American crossroads
on a cold winter night..
parallel people observed
their laptops and smartphones
foci of isolated attention
connecting to elsewhere..
no central cheer
as might be conjured
in older places with
a warm central stove..
coffee art on the wall
seemed stagnant ignored..
youthful waiters serve up
Gold Coast Joe
Blonde Roast
to customers soon to
sit down and withdraw..
headlines in the NYT rack
reports political struggles
parallels of scale..
a barrenness..
these are parallel times...
g clair Mar 2014
have you ever felt shot into space
with nothing to hold to without any trace
of the one who was always around
who could laugh really hard and without any sound

and you fear that someday he will see
that you're mind is a strange one indeed, yet it's free!
to be up in the air and then down
hear that music that plays like a carnival sound

and it's something that's deep in your soul
from the day you first met he's been making you whole
cause he won't let you feel afraid,
fix you up when you're ****** and knows his first aid

Five of us kids to take care of
and all within seven short years
Leno then Beano then Bonzo then Labo then Damo
all laughter and tears.

It seems that we share the same feelings
about our ol' dad, and it's said
much better to share them while we are alive
than to wait until after we're dead.
  
and so I will write about Daddy
and because I am long with my word
my poems I will say can go on for a day,
and a night or so that's what I've heard.

To Tony, Loretta would cater
she cooked for the man who would date her
they married and so, and what do you know
three children would come along later.

Born October two four, nineteen hundred
and twenty eighth year of our Lord
at home, the first child of Tony and Rhetts
baby Vinny, was cut from the cord.

This sweet little Vincent Morrone
raised up in by my Nonna and Tony
quickly stuck in his ways, from the start of his days
and could size up the truth from a phony.

He grew up in old Jersey City
where he polished the width of his witty
had a sister named Claire who remembers him there
dear old dad, handsome lad, and she's pretty.

Their brother was born sometime later
our sweet uncle Jerry Morrone
Handsome and good and well liked in the hood
got those genes and that same funny bone.

 After Highschool, staff sergeant in Air Force
guiding take offs and landings, his post
Four years of St Pete, put him smart on the street  
and he left for the likes of our coast.

He was offered a job down in Jackson
elementary dear Watson, it's said
he would fall for another young teacher, a screecher
whose sassiness got to his head

He married our mother, that's Jacquie
they really were some kind of a pair
she knew he was smart, liked his looks and his heart
and respected the good that was there.

So five days a week Dad would teach
and he liked those nine months of the year
but he lived for the summers at Jenkinson's beach
where that salt water pool was so clear.

in a torn old white sweatshirt and plaid shorts
he was sharing a Bud at the fence
loved his mower and pool, and that backyard was cool
much more like a park, you would sense.

we know how he hated the gurlic
and that onions would just make him hurlick
my mother would never use any such thing
he could drive her to sing like Steve Urlick.
( did I do that?)

No qualms about eating cold hotdogs
and cheddar in chunks from red foil
liked his eggplant cut thin, and his gravy could win
a blue ribbon, the secret? No spoil!!

Could deliver a joke like Bob Newhart
or a pun just for fun was sublime
he was always aware, but for crowds, didn't care
unless it was harmony time.

Best one on one at a party
but the life when it came to his cracks
made small talk okay, but preferred just to stay
to the side and be watching the acts.

Old Spice and that weekender stubble
did his thing and his speaking was soft
he was never a man to cause trouble
but he'd tell you when something was off.

McDonalds and corn on the cob
smoked a pipe, did not curse, and was never a slob
though I know he was not always neat
he was clean, never smelled, never spit in the street.

taught us never to take wooden nickels
and he loved a fresh jar of those kosher dill pickels
drove a large Orange bug in the day
with a driver side  SPEBSQSA

he wiped off my face with his thumb
that he'd lick first to clear away jelly and crumb
and he'd always be there in a pinch
if I needed his help, he was there, not a Grinch!

He was always the Good Humored one
bought us Ice cream and took us to places for fun
an occasional "word to the wise
you've cashed in your chips
and don't hand me your lies."

and the one who would walk me not once
but twice down the aisle of heartache and gloom
as a wife I have failed, a dunce
yet dismissing that elephant out of the room.

and tried not to laugh at my lot
at my barrenness, troubles and all of that snot
took me back to this place for some peace
never charged me a dime, not a landlord with lease
but a man with the mercy he knows
he understood sometimes that's just how life goes

and suddenly everything's changed
I am fifty two times around, feeling deranged
and it's not because I need a crutch
feeling lost in this world  
which I've lived in and such

but that I have been shot into space
having lost what I loved, it's my dad's loving face
and I'm here in the house that he bought
it's the one where we loved and the one where
we fought

and I cried here at length at the table
feeling shot into space, as if I am unable
to cope with the loss of my dad,
with the loss of his smile  and the voice that he had

and the place that he had in my life
in my heart....in my head...in my mind...So I climbed
to room where my dear daddy slept
and I laid on that bed and I wept and I wept
feeling shot into space I recalled that man's face
and I reached for the  tissues he kept in that place

and in one second flat, as I blew
from the nose of his likeness,  I knew and it's true
I was beamed back from space
into someone's embrace
and believe me, as if my dad knew...

For my father was known to be punny
always quick with the wit, such a honey
he would tell me to write, for it was his delight
that his children were his kind of funny.

I am never to think I am odder
for I am what I am, my dad's daughter
I hear distant strumming and now my dad humming
the theme song from Welcome Back Kotter.

http://youtu.be/5VlGyMG0ksg
My dad was a teacher and enjoyed music, jokes, puns, crow sounds, barbershop harmony, golfing, wearing certain colors which made him look good,  his own family, grandchildren, crossword puzzles. spy novels, movies. hotdogs, eggplant parm, radio talk shows, good food at the same restaurant, the Chapter House. Singing Barbershop harmony a tear jerker song or movie, peace and quiet. mowing the lawn and working in the yard, his car, a little whiskey sour or a cold Bud in the summer. BBQ out back. Football. Baseball. Ice cream. root beer floats. smoked a pipe ( the smell of sweet pipe tobacco still reminds me), applesauce with cinnamon , apricot jam, my cookies.  etc.
drtutu watutu Nov 2018
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POWERFUL MIRACLE MAGIC
vircapio gale Nov 2012
fem in isms,
i imagine Sapphic eyes:
bad *** advert coruscates elite
fairness sensing slavish blind
in gestate calm affirm
in genders More numerous of Windows--
Superior--for Doors--
O harsh judgement foiled,
as a foil, as unknown truth
foil-doubles in the brow,
abject symmetry to systemize
a fertile lack of sterile barrenness,
i am a mediatrix rend,
nirwaan, hijra wonderment aside
from transemotion's ground swells
demeaning to be understood.
i celebrate and face the same
to be what paperwork tests being
normal being, freely chosen
atom each belonging moves
an asterisk of paths
of mutate art of nature social darwin maze.
i imagine Sapphic eyes,
ginko soft they pile up all cobble
memories themselves concretely
cloistered  fame
spray of salty waves,
macho screams symbol
for dismissal ease
for tearing at an inner unsaid war
with lists offense of proper taste
to what posterity intends
an undulation womblike seeming nourish safety sounds.
i imagine Sapphic eyes
past
debauched
meanderings
where hyster-clarity rejoins its titular
and reliable escapisms curl the lips
of maleness found
here and there  smile  sneer love
i imagine Sapphic eyes
linguistic pirouettes
congest that wisdom nonetheless
the moment passed  on to a
feigning truth in pretty rhyme
ornamenting time with fine  meter  fine
vernacular chimes peter in
to juggle perspectival paradox,
redichotomize the twilight idols,
resolve the conflict like a dawn
Aurora,
i imagine Sapphic eyes
running plastic with Alaskan wolves,
toga floats to snow
to let us see the purest fairness form
a ****** circle,
Hypatia ascends from tenebrous grave,
Impregnable of Eye is pregnant now
with Wollstonecraft revered
in liberation's fount
families held exemplar gaze of
Taylor, ******, Cady,
Anthony resanctified
to vote entitlement's
empathic origins, waxen mold
of nascent categories,
narrow hands spread wide to panoply anew
the manifest evolve in true unknowns
Bethany Davis May 2011
Darkness, shadows,
Twisted thorns,
Twisted trunks,
Like hunched hags,
Crooked trolls,
Thorns and vines,
Twisted,
Intertwining,
Like a maze,
A thicket,
All around,
Casting shadows,
Darkness,
Creepy,
Thorns piercing,
Blood black in the moonlight,
Shining through the branches,
Tree trunks,
Vines and thorns,
Stillness,
But movement,
Half seen,
Small,
Creeping,
Spiders,
Mice,
Rodents,
Lizards,
Life hidden,
Forgotten,
Unknown,
Where only barrenness was known,
A creature,
Sitting,
Watching,
Looking up,
Through slitted eyes,
Like a frog,
But grey,
Something from deep within,
Clinging to the thorns,
To the branches,
Spirit or animal,
Phantom or subconscious image,
In this forest,
This warren,
This thicket,
Dark beauty,
Life within the lifeless,
The depths of a soul.
Anonymous Sep 2012
Lying on the bed
I think of what to write...
....words don't flow out
of my pen
my mind is clogged
vaccum surrounds me
I've ****** all the noise
into my self.
It's waiting to explode.
I realise I am too conscious
of myself,
I realise I am trying to pretend.
My pen leaks out
a random flow of ink
shaped in words
I strike them out
they don't manifest my feelings.
I don't want farce to appeal
to the eye,
I want honesty to touch
the heart.
I am waiting
for my words
to strike a chord
with the strings of my heart.
I am longing
for clarity
that will give my writing
a sense of purpose
and shorn it
of its randomness.

Lying on the bed
I think of what to write....
....my mind is a clean slate
I want to colour it
with thoughts
and feelings,
I want for it to
lose its barrenness
and be fertile
with imagination.
I want for it to
be bereft of fear
for it is,
the place
where revolutions were conceived
and philosophies were born;
the sole reason
for Man's greatness.
It boasts of coveted freedom,
which,
feared tyrants failed to ******,
it is a guiding light
to the often faltering humanity.
It has been
subject to manipulations,
deceiving history
into changing its course;
scripting moments
of momentous change,
all, of course,
owing their occurrences
to the enchanting influence
it wields over the body.

Lying on the bed
I think of what to write....
....my mind is deluged
with a rush of thoughts
flowing in and out,
a haze of colours
mesmerises me,
letters, words
dance before my eyes,
songs play out in a loop,
a multitude of
smudgy-outlined faces
gazes at me....
....And I realise
with an epiphany,
It is this very train of thoughts
I shall elaborate on!
Lying on the bed
I think I know what to write on.
Terry O'Leary Jan 2019
.             <Well, ShallowMan’s ne’er at a loss>
              <for voicing shallow thoughts that gloss.>
              <With trenchant wit he reaps the dross>
              <when seeking sense in applesauce.>

              <But to his aid flies FactoidMan>
              <who always has a Fact at hand;>
              <with him, who needs a whether-man>
              <to answer “if?” or “but?” or “and?”?>

“Oh ShallowMan, let me explain
the Facts of life to you, so plain,
yet flush with truthful thoughts arcane.
When understood, you won’t maintain
that callowness you think urbane.”

                              “Oh FactoidMan, give benedictions,
                              save me from all contradictions
                              with your knowledge, no restrictions
                              finding Facts, avoiding fictions.”

“Well, when in doubt, you always may
request my help to find your way
through shades of black and white and gray,
and from the Facts you’ll never stray.
Yes, ShallowMan, I’ll make your day.”

                              “Since yesteryear I’ve wondered why
                              I’m served a piece of humble pie
                              whene’er attempting to descry
                              just what’s a Fact, and what’s a lie,
                              and which be Facts one can’t deny.
                              With candor, can you edify
                              me with some recondite reply?”

“Well, as you know, my Facts are Facts
which naught nor nothing counteracts
and things that do, mere artifacts
in dim myopic cataracts.”

“A lie’s a thing which disagrees
with Facts I utter, if you please,
and hides the forest from the trees
ignoring all my verities.”

“And this reminds me of my youth,
with axioms defined as truth
which I selected as a sleuth
(abetted by a sweet vermouth);
I being now so long of tooth,
to contradict me’s hardly couth.”

                              “That certainly helps me clarify
                              whom I can trust: yeah, you’re the guy!  
                              Now, furthermore I’ve wondered why
                              the moon can’t fall and clouds can fly.  
                              What’s called that law those facts defy?
                              And mightn’t I just give a try
                              to make a guess to verify?”

“If you link your facts to law
(ah, please excuse a gruff guffaw)
you’ll certainly flaunt a flimsy flaw
that strains belief and breaks the straw
of what you’ve heard and thought you saw.
(I‘ll leave you with some bones to gnaw
that leave you holding me in awe
when once you’ve grasped and gasped ‘aha’).
So tell me now your ideas, raw,
but keep it short, your blah, blah, blah.”

                              “Umm, could it be just gravity
                              (well, something like a theory
                              that some call Relativity)
                              which pulls the apple from the tree
                              and puts a strain upon my knee;
                              or is that fact absurdity?”

“Ahem, a theory’s just a theory,
not a Fact, it’s all so eerie,
something which should make you leery
as explained until I’m weary.”

                              “If Relativity’s a theory,
                              and a theory’s not a Fact,
                              is it a fiction I can query
                              when I’m falling, ere I’m whacked?”

“Though theories might be based on Fact,
a theory is, in fact, not backed
by any cause, effect or act
which might be salvaged when attacked.
For you, this Fact may seem abstract,
plumb depths where shallow thoughts distract.”

“Yes, what goes up must soon come down
is quite a Fact of world renown.
But theory’s just a heathen gown
to deck the naked King in town,
and when he falls, he breaks his crown
which leaves him wearing but a frown.”

“It surely should be obvious,
the property of Heaviness
(like Godliness and Heaven-ness)
defines the cosmic edifice,
refuting Newton’s flakiness
and Einstein’s spooky emphasis  
on space-time’s 4-D flimsiness.
Yes, Facts like these are copious
(I count them with my abacus);
to argue would be blasphemous
displaying mental barrenness
about the push and pulling stress
when bouncing ***** rebound, unless
one views elastic laziness
as evil Satan’s stubbornness.”

                              “Well now I think I understand,
                              that gravity seems somewhat grand,
                              but’s just, in fact, a rubber band
                              that stretches through our earth-bound-land
                              constricting us when we expand.”

“Yes, ShallowMan, you finally got it,
just as I’ve long preached and taught it.
I’m so happy that you’ve bought it.
(Not a question nor an audit -
you’re so shallow, who’d have thought it?)”

              <Once ShallowMan dipped into science>
              <seeking FactoidMan’s alliance>
              <gaining, hence, a strong reliance>
              <on the Facts and their appliance,>
              <justifying strong compliance,>
              <turning down those in defiance.>

                              “Hey, FactoidMan, another topic
                              leaves me reeling, gyroscopic,
                              dealing with the microscopic
                              in a world kaleidoscopic.”

                              “Within the realm of vacuum loops
                              Dark Energy in quantum soups
                              of anti-matter sometimes swoops
                              across inflation’s Big Bang stoops
                              where space-time ends and matter droops.
                              Do you believe, or just the dupes?

“It’s nothing but a passing phase,
(a theory that in fact betrays
obscure occult communiqués
that fevered fantasy conveys)
of those who thump creation days.
Just check! The vacuum state portrays
perfection in your shallow ways
reflected in that vacant gaze
you cast upon the dossiers
of all my Facts that so amaze.”

                              “And what about the quantum theory?
                              Particles not hard but smeary,
                              just like waves? It’s kinda eerie!
                              Facts could not be quite so bleary
                              leaving Bohr, well, sad and teary.
                              FactoidMan, just tell me, dearie,
                              what the Facts are, bright or dreary.”

                              “And then again what are those holes
                              (as black as ravens bathed in coals)
                              wherein the past and future strolls
                              exploiting fields that Higgs controls
                              beneath the shady shallow shoals
                              between magnetic monopoles.”

“The science lab’s a ‘fact’ory
concocting stuff that cannot be
(like unknown realms and notably
those tiny things NoMan can see
with naked eye on bended knee
neath microscopic scrutiny)
and claim they’ve found reality;
they call their god a ‘Theo’ry
(a fig-ment of the Yum-Yum tree)
that leads them to hyperbole
about the singularity
that’s dipped in dazed duplicity
denying all eternity.”

“Here’s my advice that seems to work:
ignore the ones with ‘facts’ that lurk
behind their ‘proofs’ (which always irk),
and being challenged have the quirk
of stepping back within the murk
(indulged, I chuckle, smile or smirk).”

              <Now ShallowMan is quite content>
              <receiving FactoidMan’s consent>
              <to quibble and express dissent>
              <as long as keeping covenant>
              <with fingers crossed and belfry bent>
              <when viewing Facts in sealed cement:>

                               “The Facts you give me circumvent
                               those ‘truths’ your chuckles supplement;
                               although they might disorient
                               they can’t be wrong, I won’t dissent,
                               just using ones which you invent.“
“(No need of source in that event).”

                               “Your wise advice is simply sound
                               in cases where a game is bound
                               to parcel points out round by round
                               or else on verbal battleground
                              where know-it-alls are duly crowned.”

              <Though ShallowMan is kinda slow>
              <he still takes time to learn and throw>
              <his facts and theories to and fro,>
              <amazing facts which seem to show>
              <that theories sometimes come and go,>
              <returning strengthened with the glow>
              <of new found facts (for which to crow)>
              <that fill the gaps of long ago.>

                               “Oh FactoidMan, just tip your cap!
                               I’ve found a piece to fill the gap
                               that simplifies a mouse’s trap:
                               if triggerless, it still will clap
                               to give the mouse a mighty zap
                               that makes its tiny back bone snap.”

                               “With mousetrap type simplexity,
                               reducible complexity
                               helps arguments’ duplexity
                               with twists of crude convexity.”

“Ha-ha! That serves to prove my case:
for each gap filled, two in its place,
each growing at the doubled pace;
for unfilled gaps, I’m saying grace
(they help, indeed, for saving face)
Trying to get out of neutral....
don't know whether I'm in first or reverse...
Orion Schwalm Sep 2012
The call me...Captain Swurve.
They call me Captain Swurvey
They say my heart's half gone
As it's plagued with rot and scurvy!
They said I'd chase the sunset
And drink us all to drought
I said nay boys, I'll follow the tides
And leave no liquor-starved crewman without.
Now, as the legend rests
Just like the setting sun
I'll dream of pretty wenches
That did my poor heart shun
And raise my flask o' whiskey
And tip up my old gun
And wish that it was ***.
Surrounded by the sea
Of people looking over me
The captain that I've always wished that I could have the ***** to be,
Is not exactly what he seems.

I'm the captain, sodden and somber.
I own no land, and I owe no man no man's land, which is a place I've chosen to wander.
Take that as you will, I take wasteland as a million metaphors, dried up, littered on, desert that used to be a golden shore. Back then Bikini Babes would just come to right up you and ask you to rub tanning lotion on their backs, and you somehow didn't even have to flirt to feel attractive.
                                                     ­             This place doesn't exist.
                                                      I made it up. That beach never had any water.
There was no such thing. Like perfect pitch, or total bliss or uncontrollable mental disorders.        

Yeah, I owe barrenness to y'all. I'd never get any peace and quiet, or the zen of a much needed vacation
                                           without that feeling you get in a crowd of total isolation.

It's hummmmmmming....of a million minds, a crowd of buzzzzzzing bumble *******, deciphering my metaphors.
**** metaphors, listen to what I speak, when I'm not up on a pedestal.

You know I used to want to be an astronomer? Just a fun fact.
Not because I never had enough tact to be an actor,
Just because I was always rather apt
                    to just sit back
                                   and watch the
rapture.

Bowl of popcorn over here on the left.
Bottle of **** right here on the right.
And the most beautiful woman God could create, raining down her fiery scorn on me, loving every minute of this cataclysmic *******.
I am Captain Swurvey       and       I        like      to      ****.
Everything beautiful is useful to me,
Everything else just *****.
And whether I want you to or not, you'll probably believe every word I say.
STOP.

I am Captain Swurve
And I am sailing swervingly
Unsettling the neighbors and uprooting your search for worth and immortality.
I do it because people with a purpose make me nervous,
Looking only at the surface
                                           You never go much deeper
                                            And I'm skimming along on that surface,
                                             But all I ever yearned for was the chance to dive overboard
                                               And drown myself in the deep end of your ocean.

I'd like to see your coral reefs, and be swept up by all sorts of riptides, and undercurrents, and
maybe
just maybe
I'd really love to see the bottom before I die.

I imagine all beautiful lights. That no one has ever seen. It's another world down there. And well...

                                                        ­                                          You know I've always wanted to see your Marianas Trench...

Switch around, we're in space, I'm sailing through the sun storms, desperately reaching as far out as I can only to crash on the rocks of your atmosphere.  Reeling off, and spinning past millenia, knowing there would never be enough space in the universe to keep us apart for too long. You couldn't hear me scream, but if you'd let me in there...you would have heard the battle crying inside me. If your brain's synapses are stars, then your heart is one insignificant little planet amidst the skies that by some stroke of hell managed to create life as I know it.

That metaphor
has been done before
I'm used up
i'm not original BUT
GOD
**** IT
I can't be the only person who's ever fallen in love.         I wouldn't ever want to be.    
Because then you wouldn't see much in me. Without these seeds... It'd be kind of like a wasteland.
But *******,
I am so glad
That humans learned how to plant.


Talk about self-absorbed, this kid writes a poem about his own celebrity persona which he pretty much invented! Well, there have been some modifications I can't take credit for.

You choose what you want to believe about me.
But I am just a person
My name is Captain Swurvey.

...
Kristin Oct 2020
A tall, proud 
sunflower
reigns as an empress 
over 
a trickle of a
river

She stands, thirsty
daring 
to live in
barrenness

She is not 
proud
because she is 
exceptional

She is proud
because
she was determined,
audacious

She overcame concrete,
thirst
relying on sunlit 
days 

She overcame man's
concrete
rules for her
blooming

She is blooming
defiantly
regally, in season

She is a 
tall
proud sunflower
Clara Dec 2013
Oh, glistening Prince:
We are all so happy you have come (though we may not realize it).
We thank you for your million presents (though we have not opened them).
We know you seek to help us (though we may not want it).
Happy fault and blessed Barrenness,
embed a single snowflake in our hearts.
That we might always hold a dear token of
the transformative power of anguish and death.
Because you alway testify that with new life:
"My cup runneth over".
BELOVED, gaze in thine own heart,
The holy tree is growing there;
From joy the holy branches start,
And all the trembling flowers they bear.
The changing colours of its fruit
Have dowered the stars with metry light;
The surety of its hidden root
Has planted quiet in the night;
The shaking of its leafy head
Has given the waves their melody,
And made my lips and music wed,
Murmuring a wizard song for thee.
There the Joves a circle go,
The flaming circle of our days,
Gyring, spiring to and fro
In those great ignorant leafy ways;
Remembering all that shaken hair
And how the winged sandals dart,
Thine eyes grow full of tender care:
Beloved, gaze in thine own heart.
Gaze no more in the bitter glass
The demons, with their subtle guile.
Lift up before us when they pass,
Or only gaze a little while;
For there a fatal image grows
That the stormy night receives,
Roots half hidden under snows,
Broken boughs and blackened leaves.
For ill things turn to barrenness
In the dim glass the demons hold,
The glass of outer weariness,
Made when God slept in times of old.
There, through the broken branches, go
The ravens of unresting thought;
Flying, crying, to and fro,
Cruel claw and hungry throat,
Or else they stand and sniff the wind,
And shake their ragged wings; alas!
Thy tender eyes grow all unkind:
Gaze no more in the bitter glass.
drtutu watutu Nov 2018
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http://mamashuckumah.iblog.co.za
~`POWERFUL MIRACLE MAGIC RINGS FOR PASTORS AND PROPHETS +27786609814~`
No spring nor summer Beauty hath such grace
As I have seen in one autumnall face.
Young beauties force our love, and that’s a ****,
This doth but counsel, yet you cannot ’scape.
If ’twere a shame to love, here ’twere no shame,
Affection here takes Reverence’s name.
Were her first years the Golden Age; that’s true,
But now she’s gold oft tried, and ever new.
That was her torrid and inflaming time,
This is her tolerable Tropique clime.
Fair eyes, who asks more heat than comes from hence,
He in a fever wishes pestilence.
Call not these wrinkles, graves; if graves they were,
They were Love’s graves; for else he is no where.
Yet lies not Love dead here, but here doth sit
Vowed to this trench, like an Anachorit.

And here, till hers, which must be his death, come,
He doth not dig a grave, but build a tomb.
Here dwells he, though he sojourn ev’ry where,
In progress, yet his standing house is here.
Here, where still evening is; not noon, nor night;
Where no voluptuousness, yet all delight
In all her words, unto all hearers fit,
You may at revels, you at counsel, sit.
This is Love’s timber, youth his under-wood;
There he, as wine in June enrages blood,
Which then comes seasonabliest, when our taste
And appetite to other things is past.
Xerxes’ strange Lydian love, the Platane tree,
Was loved for age, none being so large as she,
Or else because, being young, nature did bless
Her youth with age’s glory, Barrenness.
If we love things long sought, Age is a thing
Which we are fifty years in compassing;
If transitory things, which soon decay,
Age must be loveliest at the latest day.
But name not winter-faces, whose skin’s slack;
Lank, as an unthrift’s purse; but a soul’s sack;
Whose eyes seek light within, for all here’s shade;
Whose mouths are holes, rather worn out than made;
Whose every tooth to a several place is gone,
To vex their souls at Resurrection;
Name not these living deaths-heads unto me,
For these, not ancient, but antique be.
I hate extremes; yet I had rather stay
With tombs than cradles, to wear out a day.
Since such love’s natural lation is, may still
My love descend, and journey down the hill,
Not panting after growing beauties so,
I shall ebb out with them, who homeward go.
SassyJ Aug 2018
The dusk sets its hasty way
On the bricks and alleyways
where gypsies are endowed
smoking, trashing and fly tipping
Cursing, gossiping and fighting
and it all passes like an oasis
as a monster evades time
as the scorched leaves greet
after all those year and seasons
The tree by the window has grown
having seen misery and laughter
drunken nights and loving days
****** dates and eventual transitions
The burden of truth, it caught my eyes
Captured the barrenness of my soul
it thirsts for a far away distance
those reachable mountains of fortune
It hungers for an embrace full of life
outgrowing the space by the window
tearing the netted curtained screen
Every time I see the that tree
I giggle and then smile a little bit more
as if captured by an angelic love
In love with that tree, it makes me smile the way it has outgrown the netted curtain.
Mateuš Conrad Dec 2015
and not from above, from such meteor or comet descending with precious life droplets, indeed i believe from below, from the depths, from the mariana trench, the kaleidoscopic amoebaes rose with raging spasms for each shape known to man and man himself in vain attempts contorting in the anti-narcissistic mirror of the monkey for care of close semblance gratification, but not in origin off the amoebae; so why then place us in the genesis from the realm of zodiac and pegasus constellations?*

they never bring it to the fore,
not the the river's banks, right on the edge,
they barely allow narcissus a peak
into the swelling mirror -
they obstruct the process of myths
revising with their own immediacy
and logic, never ever 'a long time ago,'
never ever 'a very long time ago,'
never never ever 'beyond the seven
seas and the seven mountains,'
no, they want everything in their garden,
in their attic, right under their fingernails,
as if they could scratch it into themselves:
their poems like amnesia tattoos
scaling scaling up the arms and onto
their foreheads, where the ocotopii
eye looks to sign petitions inc. third
party representatives in small print;
they obstruct vulgarity made eloquent
on the page, but then mouth-off everyone
and everything when the pen has used up
all its ink and the imagination no longer
cares for phonetic symbols: because
it's just a strain, just such a strain to use them,
look at them, read them, these symbols
akin to boron red in liquid, or chlorine green
in swimming pool blue: where blurry
images of cut-in-half bodies froth in movement;
oh but did i tell you about their group therapy
sessions in the medium of poetry?
the young ones stopped playing marbles,
stopped playing caps (bottle caps filled with
play dough, moving along a chalk-drawn
labyrinth on the pavement, dice rolled to
see how many moves were allowed),
stopped climbing trees, stopped playing
hide & seek, stopped playing bulldog,
the politicians are debating whether to
change 16 year olds into political old farts,
to pledge allegience before losing their
virginity, they want to turn them into strict
adherents of a type of animal that man
is allowed to be degraded into, a political
animal of sorts... fresh off the boat...
so they congregate in their group therapies,
miserable un-naturally... back when
age-old ripe melancholia was understood
as 'when everything is completed, and
there is nothing else to do, then the sadness
of all things completed,' this strange
new breed of negated ease, the 19th century
understood something of this sort,
but in the category of dementia, dementia
praecox (schizophrenia), but it seems
the mediator that was the 20th century,
the lax on experiments in poetry
fusion with jazz and hallucinogenic potions
now under government property rights
to synthesise food additives,
exponential sugar rush, once the gold mines
now the new crystal ****: the sycrose of
sycaruse, by the tyrants orders -
'keep 'em buzzing, buzzing buzzing buzzing,
we need an eager workforce.'
thus the anglo-saxon renaissance midway
through the 20th century culminating
in a devouring implosion as the generation
shift approached; but who indeed could
have predicted the emergence of premature
depression, when nothing and i mean nothing
has been accomplished in life?
o the great woes on the wheel of fortunes,
oh the great barrenness of still nothing,
where then the outlet for the young?
the digital version or the scarceness of public
places? everything in mobile form,
attached technological tentacles - perhaps
as the octopus begins painting a spiderweb
underwater with its stress ink - gently
fathoming fish gills and their skin slimy slither.
oh sure the immediacy of shouting from the roof,
from the mountain, the illusion of it all,
you'd think we'd be saving as many trees
as was made possible with the digital white
pixel paper, but alas the secrets of the amazon
have been harvested, all that was deemed
useful, and with all the microscopic versions
of all things natural, the chemical formulae,
forestry can begin... begin to patchwork
the forest for grain and indebtness to the glory
of man's prime clandestine nature: as in myth
the approach to genitalia and goosebumps -
later approached as the need to make ******,
not as ****** as a cow's ****** bulge,
but nonetheless news on page 3 in the olden days.
or as it now apparent in the zeitgeist (spirit of the times)
of the unknowable zeitreich (empire of the times),
from where then this utopian dream -
that students in england provide the witch hunts
as if papa stalin or papa mccarthy?
you see dr. and prof. losing their posts because
a few student activists and union leaders
can't enjoy the spirit of a dualistic argument,
where would star wars be without the sith?
in a jedi's paradise... repress one side, and that
side's far deeper shadow... in the mariana trench...
repress the moderate shallow opinions of
the opposite side, and the mariana trench
will release into the shallows a malignant cancer
that might as well spread as if the nazis
became resurrected.
Helen Oct 2015
don't you dare shed those tears
that you've been holding onto
for so long, in all these years

don't you dare mutter in grief
the single moment you sagged
in overwhelming simple relief

don't you dare cry out in pain
or tear your clothes, nor rip your
hair beneath a perfect summers rain

don't you dare try for sympathy
holding another's hand, randomly
for she is not random but your
epiphany

don't you dare weep for me

if a single tear drop falls
and burns a path so endless
let it be your downfall
you wept at nothingness

don't you dare weep for me

I'm may be the willow tree in winter
the barrenness that left you blind
I'm may be the heat of summer
that sweltered you so unkind

yet you dare to weep for me

when the seasons decide to change
it's not your tears that bring relief
it's the history you try to rearrange

Your tears are crocodilian
steeped in lies and treachery
sitting like empty salt lakes

don't you  DARE  *weep for me
Hal Loyd Denton Jul 2013
Old Madrid in thy streets great stones are helpful it allows the spirit to brood to go far afield you walk at
Length you stand before a great continuous stone wall it is only a guess to what is on the other side but
There is a break a stone arched gate through this passage she emerged it was with the air of Mata Hirai
Lucretius Borgia but more closely she fit the person of Lola Montez it is documented of her travels
Through many countries including Japan and Spain and her respectable lecturing she offered again it is
Not a surety that it was her and it was fashionable for women to use oils and fragrances this I do know it
Was as a wistful one was carried upon the mist and fog she had these great beautiful eyes and she
Seemed to float on air and these scents preceded her the orient in many ways is distinctive you knew
Japanese cherry blossom hung in the air and the rich fragrance of wild honeysuckle with the loveliest
Touch of exotic coconut weighted the still night air she danced a Spanish dance then she drew near in a
Hushed voice she said her mission was to share some important words the starry night was entrancing
She started with the smallest scolding the vestige of life and promise is undermined my travels have
Given me unique opportunity and advantage who ever she truly was she held me spell bound by these
Words the night air is heavy it holds much wisdom how we turn truths and sensational reality into waste
She began to speak and her words were as fire it wasn’t fire that devours and blackens but the unjust
And smallness in my heart turned vaporous how light and joyous I became as it was carried skyward
Other benefits were soon realized how surprising was my heartfelt interest in others it wasn’t a
Calculating predatory interest as before but now I was thinking of them the same way I thought of my
Self suddenly I was aware as never before of their difficulty how it pained me and how they grew in
Distinction they weren’t petty but honorable my action wasn’t hasty but deliberate I felt such a flow of
Satisfaction that I longed for but always seemed to bypass me before she would speak and as her words
Would end there was this incredible silence and peace but it was the feeling of hidden springs were
Filling the dry fields of my life a great thirst was being satisfied it started slowly but one after another
Came to be consoled many were the times of refreshing truly the desert bloomed as a rose my words
Changed they were more colorful and they possessed life they created shelter a bountifulness sprang up
Deep and lush no longer did barrenness rule with cruel want now it was splendor
Lustiness captured hearts and laughter echoed rich and full as I thought on these things and
Wondered what power she possessed to unleash such change I looked up at the night sky I saw
Stars and from them such an array there was nothing less than bright particles falling
Everywhere and as it filled everyone’s hair and the evident glow gave such thrills it was easy to
See she was pouring forth indescribable understanding nothing hidden it was blinding earths
Limitations were drawn aside it was true sight in these simple words everyone knew the future
And was able to see clearly their place when the words flashed we will even judge angels we
are sons and daughters of light that will blaze more powerfully than the sun a new realm of
thought was entered defeat was swallowed in victory weakness lifted heads that were bowed
now the heart roared as a lion and all was sensational enjoy your life eternal Imperfect in you be made perfect
WiltingMoon Aug 2016
It's getting late; the sun is about to set.
The sky indicates with an explosion of orange, white, yellow within a framework of blue.
I have many thoughts that swim in the hollowness of my mind.
The things of past, present and soon to be known future.
I have been a silent petal within a meadow of flowers during the only known part of my life.
My voice, only just heard in the form of soft and violent verses.
Till now I had yet to find my tongue that held a million words.
Till now I have only understood that it shall take the years to come.
Till my concluding breath is to discover all million words.

It's getting late, and I have much to learn.
The world remains in harmonious rotation with the sun.
One single memory, to be memorialised in my brain.
The sun has almost completely sunk to the earth that I am yet to see.
As I watch its last drops of life embrace at the wax coated leaf’s.
Night is near - and along will follow day.

It's getting late, with the glow-worms of the streets awakening.
Casting an ambient light on the wings of silver moths.
Swarming for guidance that shall never lead them to a home of unity.

It's getting late, with the wheels of the bus turning beneath my aching feet.
And the rush of blinding headlights cutting the dark abyss that threatens to consume humanity.
My eyes search beyond cooling glass, for a familiar sight to be seen.
For the cluster of buildings and vines and slow moving roads to once more engrossed in my vision.
And for the scent of mud dirtied water to stimulate my nostrils once more.

It’s getting late, with the hurt for home setting in.
The barrenness of family spoiling my independency.

It’s getting late; the sun has finally set behind the foreign place I leave.
Taking its art from the wall; now vacant for an artist of the night to clam.
With my heart in motion to feel the touch of family that is situated in the small of a town far from here.
My brain sorting through many things I have locked away for long enough.

It's getting late; my life from now shall never be the same.
The present now past; the once future now present.
All the while the time of life never missing a tick nor tock.

It's getting late; and I have finally accepted the person I am.
As I travel back to my home from a short time away; to prepare for the unknown.
To try and understand the future that has been approaching for the length of my life’s thread.

It’s getting late; an artist of night has now claimed the wall, arranging stars so effortlessly to shine upon all.
And I have finally gathered an understanding about the life that is seen as myself...
vircapio gale Sep 2013
how comfortable it is to sit here knowing what to say,
as if this lump in my throat had a voice of its own,
or was engraved with symbols, maudlin as my eyes,
and i could read them clearly.

this artifact was found by accident
in some ancient village of self-images
   --used for chipping off pieces of self.

do i interpret my own primitivity well?

fragments glint unburied
under heavy breathing firelight.
loud, blinding,
it makes the night an iridescent one.
i rave some, dance-invent discovery, then quiet in the fade.

there is a core of me, to this accumulation ventured..
i'm afraid i only guess though,
like groping in the night.

nails in hair, the boney trail i leave behind
may cure the barrenness

i'm feeling differently now, having explored darkness
sharpness in the dirt.
mark john junor Sep 2013
the hunched figurine
the tablet of her arm
has written there the church of her desires
each vein has a scar
blackened by collapse
and my lips seek them
and with such tender kisses
i do worship her and her devotions
the tool box comes out
and she delves into the greasy depth
withdrawing a single
straight narrow viper
with the poisons loaded
it stares at me
she licks her wet lip
and invests in me
the dream
i wait the bitter watch of night
with her false sleeping touching my shoulder
and jarring her back from the soft place
she runs her hand up my cold chest to lips
my kisses so tender of her church
trackmarks on my heart
after the bitter
is heaven

your bold words ring hollow
your intent was true
but the years have gathered on your limbs
struggle to breath
struggle to pretend that enduring this
will bring some measure of peace
will bring some answer to the long years
bargain with the devil
for a longer day but she holds all the cards
and keeps banking records of all your hearts
humble ideals ready to cash in on your weaker moments

the bare bulb dusty room
the appalling barrenness of its leathery skin
and the scent spins in my head like an illness
screaming its foul intentions
but i am drawn in
its soft seductive voice
after the bitter
after the thirst
it pours itself into my arms
and unbuttons its jeans
the unspoken is that its soft and warm
and after the bitter
after the thirst
it seems like a place i could be
ugly place i willingly wander

a feast of images
so many colors
and interesting things
pretty pictures
listen to the small screaming sounds as she consumes them
see the seeping flow become a
puddle of creeping figures
they make their way cross the room
to  her footstep
they shadow her moves
each one has a hand to the pulse of feelings
emotion plays to the heart of every play she makes
make no mistake

puddle of creeping figures
each individual one
a shadowy man in a grey overcoat
but as a mass they resemble
a smiling face of a woman familiar to you
familiar enough to get close with a blade
pool of creeping figures
a shallow lake of bleeding images
that makes strange sounds as it moves with
incandescent life
see her eyes glow like bloodworms
but she is what i desire
i french kiss her ideal
she will be heaven to me after the bitter
Counterpart opposite
and depleted by measures of time.

Time no longer counted upon
And its hands that measures the distance
All  
one, two, three
of
them
Watches closely with intuition
as
the
minutes
go
bye.

Resolute is absent and the balance of His nature
Is unstable.
Both have grown feeble, lacking interest.

Burdened down by the weight of unevenness
Absalom has risen above the absence of the absolute
leading to a labyrinth.
.
Mystified by the maze,
He
Sits,
counting backwards,
rotating on an unhinged alignment,
expounding the injury of His inventiveness.

In another dimension of Himself, all one, two, three of them
Helios is staggered as Cupid, The God of Dark Love’s
Bow
is broken.

Now
His
equilibrium
is
faltered by the parallels between its thoughts.

Wanting love’s incarceration corrupted no more
He teeters on a stool in attempt to reverse suicide
yet the ensuing ideology of procrastination’s pride
has detoured His dilemma
However in their misfortune,
Love,
hoping to be reincarnate into another lifetime, dissolves in its delusion.

Time, in its barrenness discreetly measures the depletion and void,
and
the hands
all one, two, three of Him sits opposite
Being His
Counter in
Part
She would scratch the surface
To let the old paint fall
Exposing the barrenness
Of the walls.

Then she would,
As she was hired to do,
Cover it up with a foliage
Of green. Nonetheless
Mimicking growth.

- 01/20/16
Utsav Shah Oct 2013
Involved in a constant fracas with his own self,
On went he to find peace on the road to nowhere
And there again he was deceived by mirages,
Mirages of the paradise world he wanted to be a part of.

And when the picture of the glacial reality surfaced out, he went back in time
For the fear of the glacial reality sent shivers down his spine
He came to a standstill with only barrenness around
And with a thud back he came to the ground

The heart and the mind were seldom in consonance
For the mind had to thwart the heart of its feelings
Feelings, so intense that would involve the payment of penance


The probabilities of the reality surfacing out were as dim as a dark desert night
For the words had been well concealed in the surreptitious corners of his soul.
The bone-chilling cold of the desert would succor his heart of the fight
Is he on his own or will he have someone to make him feel whole?

When the mind loses its mammoth battle with the heart
The reality,sweet as honey, would come to existence and lose its sole essence
A catastrophe would then descend
Only the Heavens know the repercussions it would have
Maybe there'd be a silver lining in his eternal dark clouds.
Sofia Dec 2012
Mentor Shakespeare!
He said that expectation was the thief of all joy.
(Or was it his cousin Comparison?
It might not make a difference.)

If I may address you,
Adhered--blessed Grandfather of my soul's art,
My God's created conduit to His inspiration that flows through me constantly,
The ceaseless voice I can never shake off--
I feel this is my only release
In the pain I feel
--Blessed grandfather,
And Father,
Ease me in this tumult:
I was inclined after a few
Short grasps of eyes meeting eyes
A shared Smile
Maybe then I thought,
The loneliness could be lifted,
Drifted,
Acquitted,
Only just for a moment!
Only just for a brief break from the drab outline of the life I call mine!
(And yet, it is not!)

I thought perhaps I was worth a moment
Of a precious creation's time.
Was it not commonplace to build such dreams
In the sand of my stormy shore'd mind

But Fathers,
What sparks!
What electricity can bring down the tallest tower that stands alone in the barrenness of the world,
To an elevated illumination in the highest clouds of the most brilliant heaven of Love!
Ah, the sharpness of the memories jolts me still!
But what of it?
All my visions are turned to naught,
And I have been struck down
And returned to the far corners where I am unreached.
Alone and unsought,
Feasibly content, the tallest tower remains in its solitude,
Unaware that the absence of life cannot render a knowledge of its true state.

What a sad shape we are in,
To expect the world, over a single pearl found
On the tossed beach of the soul.
written on a painfully empty stomach as well as a pained heart.
things don't look well off when you're alone and unused to the joys love brings--
ah, how it loosens your self control.

12/03/12
Amitav Radiance Dec 2014
Once the land that was lush green
Has turned into an arid land
Stripping the vast landscape everyday
Taking the covers off
Leaving bare the heart of serenity
Brooks and rivers running dry
Leaving trails of devastation
Trees ripped off from the roots
A part of land dies everyday
Not a drop of tear to shed
The agony of barrenness
Stares through the cracked soul
Lost days of glory
Now ashamed of its shadow
No one can feel the agony
Only to be left alone, in oblivion
I had laid to sleep
that voice inside me who loves,
for she bleeds and bleeds and bleeds...

but you--
with your quiet words--
have woken her again.

for,
as much as she bleeds,
she would pour yet more--
a libation into the barrenness--

if you would but fill the silence.
written August 2014
Sanaa A Jan 2014
II
Ascension isn't possible
here
crucifixion only executes the ill
A barrenness cradles only absence
ickle infant obese in its murderous skin
******* its thumbs smell the
generations of sourness
a sliced lemon sits in her right eye
bitter bitter bitter
ascension isn't possible
here
crucifiction only executes the ill
*******, modernity!
Hail ye, postmodernity!
Let me celebrate the loss and chaos fully festively.
Beyond the fissures of heart, is a world so fissured that they speak of infinite mosaic and mini-worlds;
As if the universe were a map of man's heart.
I see in vision--- oh vision! Without vision life is nothingness.
I see in vision the innate mortality,
Mortality of man's existence and reason, of death and feeling.
And then the hope, yes hope!
Hope that makes your actions smaller and smaller.
you have big illusions but you do small deeds,
in hope that miracles would happen...
But celebrate your barrenness because you cannot blame gods.
It is forbidden to blame gods.
******* postmodernity!
You have more gods than men.
raw with love Nov 2015
I don't like to tell stories. I like to tell people. Personally, I believe anyone can tell a story - be it a good or a bad one. Stories are simple. What makes a story alive, however, are the people in it: they make it come alive, they make it pulsate, and breathe, they become the story itself, with its bumps, with its ups and downs, its hills and mountains and oceans. Its veins, its lungs, its heart, its brain. Even the most simplistic, uncomplicated, dull story can turn into a blossoming flower, alive with the passion and hatred of the people in it. I like to tell people. The human soul, stripped to its bare backbone. The human soul violated, mutilated. The human soul in all its earnestness. I like to dissect human emotions, to trace back ambition, desire, fear, eagerness, disgust. To take all that makes us human and to carefully twist and bend it to my tastes and preferences. I do not care for the story. I care for bravery and cowardice, I care for cunningness and lust, glutony and barrenness. I care for the living, flowing blood of a story: namely, its people. You tell a crime. I tell the criminal. I tell her deepest desires, her greatest fears, I tell her insecurities, her pride, I tell the way she takes her coffee, I tell what she dreams of at night. You tell a love story. I tell the story of love itself. I tell the way a heart beats against a rib-cage, the way it flutters like a bird trapped; I tell the way palms sweat, throats dry. I tell the way dopamine and serotonine pump through the veins and make pupils dilate. I tell emotions. I tell humanity. The story matters little. The story is a shell, a mere curtain dropped before the real show has even begun. What interests me, what fascinates me, what makes my brain moan with pleasure, is the fate of the human soul, bared of all pretence. So tell your stories all you like. Tell your petty complicated mysteries and your unrequited loves. I take the soul and bare it, and eat it raw. The soul of the story itself: its people.
Michael R Burch Feb 2020
This World's Joy
anonymous Middle English poem, circa 1300
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.

[MS. Harl. 2253. f. 49r]

Original Middle English text:

Wynter wakeneth al my care,
Nou this leves waxeth bare.
Ofte y sike ant mourne sare
When hit cometh in my thoht
Of this worldes joie, hou hit goth al to noht.

“This World’s Joy” or “Wynter wakeneth al my care” is one of the earliest surviving winter poems in English literature and an early rhyming poem as well.  Edward Bliss Reed dated the poem to around 1310, around 30 years before the birth of Geoffrey Chaucer, and said it was thought to have been composed in Leominster, Herefordshire. I elected to translate the first stanza as a poem in its own right. Keywords/Tags: Middle English, translation, anonymous, rhyme, rhyming, medieval, lament, lamentation, care, cares, sighs, winter, trees, leafless, bare, barren, barrenness, emptiness, isolation, alienation, joy, joys

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