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We had wanted to leave our homes before six in the morning
but left late and lazy at ten or ten-thirty with hurried smirks
and heads turned to the road, West
driving out against the noonward horizon
and visions before us of the great up-and-over

and tired we were already of stiff-armed driving neurotics in Montreal
and monstrous foreheaded yellow bus drivers
ugly children with long middle fingers
and tired we were of breaking and being yelled at by beardless bums
but thought about the beards at home we loved
and gave a smile and a wave nonetheless

Who were sick and tired of driving by nine
but then had four more hours still
with half a tank
then a third of a tank
then a quarter of a tank
then no tank at all
except for the great artillery halt and discovery
of our tyre having only three quarters of its bolts

Saved by the local sobriety
and the mystic conscious kindness of the wise and the elderly
and the strangers: Autoshop Gale with her discount familiar kindness;
Hilda making ready supper and Ray like I’ve known you for years
that offered me tools whose functions I’ve never known
and a handshake goodbye

     and "yes we will say hello to your son in Alberta"
     and "yes we will continue safely"
     and "no you won’t see us in tomorrow’s paper"
     and tired I was of hearing about us in tomorrow’s paper

Who ended up on a road laughing deliverance
in Ralphton, a small town hunting lodge
full of flapjacks and a choir of chainsaws
with cheap tomato juice and eggs
but the four of us ended up paying for eight anyway

and these wooden alley cats were nothing but hounds
and the backwoods is where you’d find a cheap child's banjo
and cheap leather shoes and bear traps and rat traps
and the kinds of things you’d fall into face first

Who sauntered into a cafe in Massey
that just opened up two weeks previous
where the food was warm and made from home
and the owner who swore to high heaven
and piled her Sci-Fi collection to the ceiling
in forms of books and VHS

but Massey herself was drowned in a small town
where there was little history and heavy mist
and the museum was closed for renovations
and the stores were run by diplomats
or sleezebag no-cats
and there was one man who wouldn’t show us a room
because his baby sitter hadn’t come yet
but the babysitter showed up through the backdoor within seconds
though I hadn't seen another face

        and the room was a landfill
        and smelled of stale cat **** anyhow
        and the lobby stacked to the ceiling with empty beer box cans bottles
        and the taps ran cold yellow and hot black through spigots

but we would be staying down the street
at the inn of an East-Indian couple

who’s eyes were not dilated 
and the room smelled
lemon-scented

and kept on driving lovingly without a care in the world
but only one of us had his arms around a girl
and how lonely I felt driving with Jacob
in the fog of the Agawa pass;

following twin red eyes down a steep void mass
where the birch trees have no heads
and the marshes pool under the jagged foothills
that climb from the water above their necks

that form great behemoths
with great voices bellowing and faces chiselled hard looking down
and my own face turned upward toward the rain

Wheels turning on a black asphalt river running uphill around great Superior
that is the ocean that isn’t the ocean but is as big as the sea
and the cloud banks dig deep and terrible walls

and the sky ends five times before night truly falls
and the sun sets slower here than anywhere
but the sky was only two miles high and ten long anyway

The empty train tracks that seldom run
and some rails have been lifted out
with a handful of spikes that now lay dormant

and the hill sides start to resemble *******
or faces or the slow curving back of some great whale

-and those, who were finally stranded at four pumps
with none but the professional Jacob reading great biblical instructions at the nozzle
nowhere at midnight in a town surrounded

by moose roads
                             moose lanes
                                                     moose rivers
and everything mooses

ending up sleeping in the maw of a great white wolf inn
run by Julf or Wolf or John but was German nonetheless

and woke up with radios armed
and arms full
and coffee up to the teeth
with teeth chattering
and I swear to God I saw snowy peaks
but those came to me in waking dream:

"Mountains dressed in white canvas
gowns and me who placed
my hands upon their *******
that filled the sky"

Passing through a buffet of inns and motels
and spending our time unpacking and repacking
and talking about drinking and cheap sandwiches
but me not having a drink in eight days

and in one professional inn we received a professional scamming
and no we would not be staying here again
and what would a trip across the country be like
if there wasn’t one final royal scamming to be had

and dreams start to return to me from years of dreamless sleep:

and I dream of hers back home
and ribbons in a raven black lattice of hair
and Cassadaic exploits with soft but honest words

and being on time with the trains across the plains  
and the moon with a shower of prairie blonde
and one of my father with kind words
and my mother on a bicycle reassuring my every decision

Passing eventually through great plains of vast nothingness
but was disappointed in seeing that I could see
and that the rumours were false
and that nothingness really had a population
and that the great flat land has bumps and curves and etchings and textures too

beautiful bright golden yellow like sprawling fingers
white knuckled ablaze reaching up toward the sun
that in this world had only one sky that lasted a thousand years

and prairie driving lasts no more than a mountain peak
and points of ember that softly sigh with the one breath
of our cars windows that rushes by with gratitude for your smile

And who was caught up with the madness in the air
with big foaming cigarettes in mouths
who dragged and stuffed down those rolling fumes endlessly
while St. Jacob sang at the way stations and billboards and the radio
which was turned off

and me myself and I running our mouth like the coughing engine
chasing a highway babe known as the Lady Valkyrie out from Winnipeg
all the way to Saskatoon driving all day without ever slowing down
and eating up all our gas like pez and finally catching her;

      Valkyrie who taught me to drive fast
      and hovering 175 in slipstreams
      and flowing behind her like a great ghost Cassady ******* in dreamland Nebraska
      only 10 highway crossings counted from home.

Lady Valkyrie who took me West.
Lady Valkyrie who burst my wings into flame as I drew a close with the sun.
Lady Valkyrie who had me howl at slender moon;

     who formed as a snowflake
     in the light on the street
     and was gone by morning
     before I asked her name

and how are we?
and how many?

Even with old Tom devil singing stereo
and riding shotgun the entire trip from day one
singing about his pony, and his own personal flophouse circus,
and what was he building in there?

There is a fair amount of us here in these cars.
Finally at light’s end finding acquiescence in all things
and meeting with her eye one last time; flashed her a wink and there I was, gone.
Down the final highway crossing blowing wind and fancy and mouth puttering off
roaring laughter into the distance like some tremendous Phoenix.

Goodnight Lady Valkyrie.

The evening descends and turns into a sandwich hysteria
as we find ourselves riding between cities of transports
and that one mad man that passed us speeding crazy
and almost hit head-on with Him flowing East

and passed more and more until he was head of the line
but me driving mad lunacy followed his tail to the bumper
passing fifteen trucks total to find our other car
and felt the great turbine pull of acceleration that was not mine

mad-stacked behind two great beasts
and everyone thought us moon-crazy; Biblical Jake
and Mad Hair Me driving a thousand
eschewing great gusts of wind speed flying

Smashing into the great ephedrine sunset haze of Saskatoon
and hungry for food stuffed with the thoughts of bedsheets
off the highway immediately into the rotting liver of dark downtown
but was greeted by an open Hertz garage
with a five-piece fanfare brass barrage
William Tell and a Debussy Reverie
and found our way to bedsheets most comfortably

Driving out of Saskatoon feeling distance behind me.
Finding nothing but the dead and hollow corpses of roadside ventures;

more carcasses than cars
and one as big as a moose
and one as big as a bear
and no hairier

and driving out of sunshine plain reading comic book strip billboards
and trees start to build up momentum
and remembering our secret fungi in the glove compartment
that we drove three thousand kilometres without remembering

and we had a "Jesus Jacob, put it away brother"
and went screaming blinded by smoke and paranoia
and three swerves got us right
and we hugged the holy white line until twilight

And driving until the night again takes me foremast
and knows my secret fear in her *****
as the road turns into a lucid *** black and makes me dizzy
and every shadow is a moose and a wildcat and a billy goat
and some other car

and I find myself driving faster up this great slanderous waterfall until I meet eye
with another at a thousand feet horizontal

then two eyes

then a thousand wide-eyed peaks stretching faces upturned to the celestial black
with clouds laid flat as if some angel were sleeping ******* on a smokestack
and the mountains make themselves clear to me after waiting a lifetime for a glimpse
then they shy away behind some old lamppost and I don’t see them until tomorrow

and even tomorrow brings a greater distance with the sunlight dividing stone like 'The Ancient of Days'
and moving forward puts all into perspective

while false cabins give way
and the gas stations give way
and the last lamppost gives way
and its only distance now that will make you true
and make your peaks come alive

Like a bullrush, great grey slopes leap forth as if branded by fire
then the first peaks take me by surprise
and I’m told that these are nothing but children to their parents
and the roads curve into a gentle valley
and we’re in the feeding zone

behind the gates of some great geological zoo
watching these lumbering beasts
finishing up some great tribal *******
because tomorrow they will be shrunk
and tomorrow ever-after smaller

Nonetheless, breathless in turn I became
it began snowing and the pines took on a different shape
and the mountains became covered white
and great glaciers could be seen creeping
and tourists seen gawking at waterfalls and waterfowls
and fowl play between two stones a thousand miles high

climbing these Jasper slopes flying against wind and stone
and every creak lets out its gentle tone and soft moans
as these tyres rub flat against your back
your ancient skin your rock-hard bones

and this peak is that peak and it’s this one too
and that’s Temple, and that’s Whistler
and that’s Glasgow and that’s Whistler again
and those are the Three Sisters with ******* ablaze

and soft glowing haze your sun sets again among your peaks
and we wonder how all these caves formed
and marvelled at what the flood brought to your feet
as roads lay wasted by the roadside

in the epiphany of 3:00am realizing
that great Alta's straights and highway crossings
are formed in torturous mess from mines of 'Mt. Bleed'
and broken ribs and liver of crushed mountain passes
and the grey stones taxidermied and peeled off
and laid flat painted black and yellow;
the highways built from the insides
of the mountain shells

Who gave a “What now. New-Brunswick?”

and a “What now, Quebec, and Ontario, and Manitoba, and Saskatchewan";
**** fools clumsily dancing in the valleys; then the rolling hills; then the sea that was a lake
then the prairies and not yet the mountains;

running naked in formation with me at the lead
and running naked giving the finger to the moon
and the contrails, and every passing blur on the highway
dodging rocks, and sandbars
and the watchful eye of Mr. and Mrs. Law
and holes dug-up by prairie dogs
and watching with no music
as the family caravans drove on by

but drove off laughing every time until two got anxious for bed and slowed behind
while the rambling Jacob and I had to wait in the half-moon spectacle
of a black-tongue asphalt side-road hacking darts and watching for grizzlies
for the other two to finish up with their birthday *** exploits
though it was nobodies birthday

and then a timezone was between us
 and they were in the distant future
and nobodies birthday was in an hour from now

then everything was good
and everyone was satiated
then everything was a different time again
and I was running on no sleep or a lot of it
leaping backward in time every so often
like gaining a new day but losing space on the surface of your eye

but I stared up through curtains of starlight to mother moon
and wondered if you also stared
and was dumbfounded by the majesty of it all

and only one Caribou was seen the entire trip
and only one live animal, and some forsaken deer
and only a snake or a lonesome caterpillar could be seen crossing such highway straights
but the water more refreshing and brighter than steel
and glittered as if it were hiding some celestial gem
and great ravines and valleys flowed between everything
and I saw in my own eye prehistoric beasts roaming catastrophe upon these plains
but the peaks grew ever higher and I left the ground behind
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Marion Clarke Apr 2014
Paper thin top soil
Cracks seep through
Red dirt.
Bloodless gashes
Simmering summer soil
Baked turf.
Rolled gold haze
Aches as the
Country stretches its skin-
Near breaks
******* teeth
******* itches
Red earth fit-
              To burst in a
Dark cloud of dust,
Choking soft as to soak
The moisture fresh
From your lungs.

Blinding blue sky
Set for worship
On a tall horizon
Too far, too high
For common souls-
                  To float on a      
Breath of sweet dry air,
Eternal journey to sunset
Small piece of a dream
To chase a grey cloud
From sky to west.

Where subterranean
Creeks used to slip by
Rise in a ***** of land
Where water once carved
                          Its roam
Now the winds sweep
All traces away
Back toward the sea,
And fair beyond
The aching dry eyes
Of the sons of
This red earth,
A mist lies awake
And prays for rain.
Mustangs , best beasts on hooves
Fly all day without wings
Tough as a Rocky Mountain blizzard
Unforgiving as any rings on reins
Tough as any ******* rider

I tame my phillies like Mustangs
With gentle persuasion
And kisses of sugar
Hugs aplenty
Make them my best friend

I whisper softly , come here philly dear
Let me whisper in your ear
I am cruel , hard , it appears
Soft unto your soul
Make me your fool

With whip and rope I pace you
Around until I mount you
Taking you by your mane
I will make you
Make your mind , mine

My you strut your stance
You do dance untill
I take you by force
And of course
Make you whinny
Jackie Mead Oct 2017
Prince Simon, Prince Jason and Princess Sophie lived a regal life.

Slaying dragons and battling witches by day, monsters and beasts by night.

Each day brought adventures new, trips on boats and to the zoo.

One particular day when feeling bored, Prince Simon decided to explore.

Down to the basement, he slowly sneaked, quietly to take a peek.  New adventures he did seek.

A rickety old wardrobe he did find and suddenly an adventure sprang to mind.

Prince Simon shouted excitedly, "come quickly Prince Jason, Princess Sophie the Wardrobe holds an adventure new, one for me and why don't you join me too?"

The three children didn't hesitate into the Wardrobe they climbed, "where are we going today? do you know the way? Prince Jason chimed.

"The way is West" Prince Simon declared "to the Wild Wild West in the days that were best, in the morning I have a history test."

Quickly buckle up, hold tight, the wardrobe will soon be taking flight.

No sooner had they entered the wardrobe and buckled up, then the wardrobe began to rock and shake, the wardrobe began to lift and quake.

The rocket started rising higher and higher, faster and faster , picking up speed and going faster and faster.

Higher and higher, faster and faster they rose into the sky.

Higher and higher, faster and faster until they were 30,000 feet high and heading in the direction of the Wild Wild West.  
All three children were delighted, the rocket ship made them so excited.

Prince Jason and Princess Sophie said, " what do we need to wear on this adventure?"

Prince Simon said "cowboy hat, jeans, boots, and vest, that's all that's required for the wild wild west"

"mmm said Princess Sophie what about cowgirls or squaws that is what an Indian Girl is called"

"Well," said Prince Jason "their very similar, a cowhide dress, boots and Stetson hat for cowgirl, a cowhide dress, boots and feather headdress for the Squaw, let's look around and explore what the wardrobe has hidden for us all"

The children started looking and everything they required they did find Prince Simon and Prince Jason looked very fine as Cowboys with their hats, jeans, boots and vest they would fit right in, in the Wild Wild West.

Princess Sophie decided to dress as a Squaw and donned Cowhide dress, boots and feather headdress turned to her brothers to see if she passed the test.

"Perfect" Prince Simon and Prince Jason declared "come join us  now," they both said," it won't be long" Prince Simon stated "until we land back in time of the 1870's in Deadwood Gulch, USA, the Sheriff has a campaign to rid the county of its bad name "

Prince Jason and Princess Sophie were so excited they began to laugh and squeak, Princess Sophie did declare that "her knees were feeling weak"

10 minutes later the rocket had slowed down and was starting its' descent, Princess Sophie got so excited as she spied a teepee tent.

"Look" Princess Sophie shouted "a reservation down below, where Indians are settled and warm fires are all aglow"  

"Can we please stop and speak, I would like to ride a horse and a canoe, I have read stories and I know that's what they do, in the land of the Sioux!"

Slowly the rocket did descend, landing near the reservation, all three children opened the door, their eyes grew wider at what they saw.

5,000 Indians greeted the visitors with big smiles, and their leader, name of Crazy Horse asked them to join them for a while.
“Stay a while,” Crazy Horse said we’ll make some food, teach you to ride a horse ******* and a canoe, teach you the ways of the Sioux.

Princess Sophie replied, “we can’t wait” looking at the leader’s headdress Princess Sophie sighed “how come your headdress is as tall as it is wide?”

Crazy Horse smiled and sweetly said “I am a leader of these people and I do not hide; my headdress makes me stand out from others at my side”

Crazy Horse led the children to the teepee tent and signalled them to sit on the floor in front, cross-legged.

“We hunt daily for fish and meat, the food you are going to be given is precious and prepared with care, please do not wait, dig in, enjoy, there is enough to share”

Prince Simon, Prince Jason and Princess Sophie dived in enthusiastically, tasting everything, they could, from rice and beans, fish and meat, everything was so tasty and cooked in a *** hung over the wood.

“when you have finished “Crazy Horse declared we have horses ready for you to ride, don’t worry someone will walk with you at your side”

The children excitedly climbed upon their horses, Lakota for Prince Simon, Kamanchee for Prince Jason and Quil for Princess Sophie, they each clicked their heels and off the horses trot.

Just as Crazy Horse promised, each of the children had an Indian by their side, walking and talking about the best way to ride.

After an hour the children did decide that as much as they enjoyed it they had to end the ride.

Prince Simon said to Crazy Horse “thank you for your hospitality but we really must leave right now, we are meeting the Sheriff man of Deadwood Gulch” he said with a bow.

Crazy Horse bid them adieu and said, “say Hi to Wild Bill for me, last time I saw him he was wagon master”

The three children said their goodbyes and walked along the White River to their destination town, Deadwood Gulch.

Suddenly wooden huts appeared and horses pulling carriages, people and cargo shared the inside and Wells Fargo in writing on the outside.

Prince Simon, Prince Jason, and Princess Sophie looked around the town, found a sign that said Sheriff’s Office, rang the bell and entered.

Wild Bill Hickock with his long hair and Stetson hat, looked just as the children remembered from their history class.

“Hi,” said Wild Bill as he rose from his seat, stretched his hand out to greet the three children.

You must be Prince Simon, Prince Jason and Princess Sophie come to learn the ways of the Wild West before your history test.

“Yes” said Prince Simon, wildly shaking Wild Bills hand “we are delighted to meet you and lend a helping hand”

Wild Bill said, “follow me, I am about to take a walk, meet the local folk and welcome visitors to the town, would you like to tag along with me as I walk around?”

The three children agreed excitedly and followed behind, “First stop” said Wild Bill is the Post Office look for the Yellow sign”
“I see it,” said Princess Sophie as she ran across the street “let’s all go inside and meet the postmistress, make sure she’s got what she needs, if she requires any stationary we may have to place an order to arrive with speed”

“Next stop,” said Wild Bill “is the Blacksmiths down the road, if you are lucky he will show you how a horse is shoed”
The children watched quietly as the Blacksmith plied his trade, treating all of the horses to pairs of shoes fit for a parade.

“Last,” said Wild Bill “off to a rodeo we go, you will see cowboys riding their horses and using their lassoes and if your very lucky they will let you try it too”

Prince Simon, Prince Jason, and Princess Sophie were so excited they hardly said a word, watching the rodeo in silence, watching every move.
Finally, Wild Bill shouted from the side, “hands up who is keen to have a ride around the ranch? Try their hand with a lasso and maybe get some lunch.

The children’s hands shot up in the air and all three children gave a very loud cheer, Wild Bill laughed and replied, “Follow me and I will hook you up with three horses for a ride”

For the second time that day the children rode horses, this time in a circle around the corral, keeping time Wild Bill always by their side, they loved the ride.

Last but least Wild Bill put on a feast of a show with rope in his hand he threw the lasso over some cans set up on a fence, pulled the rope tight and without a second glance, felled the tins to the floor, the children let out an appreciative roar.

“That is the end of your day” Wild Bill did say “I am sorry to see you go but you must run along home, you’ve been gone a long time and your mummy will be worried”

The children shook Wild Bill's hand and thanked him for his time, sadly the day had ended and they climbed back in the wardrobe, set the destination to their home a million miles below.

As they approached their home, the roof started to open wide and the rocket began to slow, the ride was nearly over and they did not have far to go.

Very soon the wardrobe landed safely on the floor, the children were exhausted and ran to open the door, out they fell full of excitement and looking for their mummy, headed straight to the kitchen.

Mummy looked at all three children and declared “there you are, I was searching for Prince Simon as he has a history test in the morning on the Wild Wild West and I was going to help him revise for it.

The children laughed and cried, Princess Sophie, sighed, “no need mummy” they all declared “we know all about it, we’ve all been there”

Prince Simon said “Can we just have some tea and go straight to bed, I promise I have all the knowledge of the Wild Wild West clearly in my head, at least enough to pass the test.”

Of course said Mummy wash your hands, tea is ready.
If you have children, you may wish to know this is now available as a book. As is the Two Princes and a Princess fly to the Moon
Shannon McGovern Aug 2011
He is rougher then being dumped
from the saddle of a bay mare,
but perhaps she shouldn’t be riding
******* past vineyards of red rusted vines.
 
And if she is on fire then she should probably roll
or climb into a hot tub on ***** Thursday
and put out the flame ignited by the thought
of hoping to God his parents can’t hear her.
 
She had always wanted to know what it felt like
to slaughter someone. So when he placed his palms
on the arch of her back and massacred her lips,
I imagined her smashing his skull against a brick wall.
 
And when she is in the bathroom washing him off
her hands, with a published poet in the next stall
she shouldn’t yell *******, I’m not a flower
and start listing off the ten rules to **** ***.
 
Because no matter how many times she uses him
as her own personal merry go round or slams
back beer after beer, he will never die in a coffin
so that she can say he is already dead and
buried.
killjoy Nov 2019
barebone and *******
we ride the bikes
on a windy night

no metal slate top
rest on our head
or rule our kind

barebone and *******
we ride the bikes
on a windy night

we own the roads
just as we dare
to own the world

barebone and *******
we ride the bikes
on a windy night

we sunbath under the
streetlights, our guide
as the city grinds

barebone and *******
we ride the bike
on a windy night

we pump our feet, swell
rolling uphills and-
down with the bills

barebone and *******
we ride the bikes
on a windy night
#biking #commuterlife #citylife #windy
The posters said tomorrow
At eleven on the dot
The Mishkin Brothers Circus
Would be here ....on this spot

There would be no carnival or midway
Just one tent and three rings
And all of the excitement
That a good old circus brings

There would be elephants and lions
Trapeze artists overhead
Dancing dogs and ponies
And zebras painted red

Clowns of all description
Answering to just one man
In the center of the circle
Was Mishkin brother....Dan

He'd run the show for twenty years
Gone from town to town to town
In one day they would get set up
And in two, they'd tear it down

One day to show the locals
The circus still was an event
With magic, form the Barnum Days
All housed inside one tent

The sideshow barkers and their geeks
Were not with this fine group
Dan Mishkin had assembled
Only the finest circus troup

From Russia he had jugglers
Knife throwers, just the best
******* riders from Decatur
Along with all the rest

Fourteen trucks and trailers
Pulled into town the night before
Breaking ground once they arrived
Working right through until four

Just old time entertainment
No travelling gypsy band was this
It was the Mishkin Brothers Circus
It was something not to miss

The show was started promptly
At twelve o'clock, like the sign said
A parade of all the players
And the zebras painted red

Two shows and it was over
The whole routine began anew
The field was once more empty
Gone was the Mishkin rolling zoo

A year from now, we'd see the signs
And we'd all go to the tent
To see the Mishkin Brothers Circus
The best money ever spent
Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.
HEGIRA TO PATMOS  /  COPYRIGHT
vircapio gale Jul 2012
phyllo dough considerations
veil the rigid silence
under quip, under smile-
covered cliche cud.
it is in essence meaningless,
this large party,
this braying urgency of guests

the house swims with life,
we mingle charismatic coughs
as talents strut; bouncing fruit
and swaying surface tension fizz
sparkles off the balcony of floating drinks

our tall pines are echoing beyond the yard
a sylvan soft allure of
living soundboard drape,
it needles aromatic carpet for a
*******, brink-of-dawn escape

allocate the living and the dead,
the borderline is begging to be tread.

an elastic belt extends the real,
a tool for party tricks, a tool for bending time--
i'm bounding off into the darkness
balling lightning in my dantien,
the world a trampoline;
running full i top the rail of gasps,
swinging through the arc
of thinning line to pull me back around,
stomach churning fiction-sick
with gravity inverted joltingly,
umbilically, aware.

then she has a turn as i,
as being me, and as i (as I)
careen away, the vaster leap
of single body, double mind-
it pulls beyond substantial thought

our uber-jumprope dangles
while we speed above the trees -- all is dark
excluding speckled stars
and the one, shrinking party-glow i lose below

the television orbits,
wobbles in a superstrings' embrace
all balance lost --
we're floating in a spin alone
unfocused universal locus..
stars diminishing reliquish cosmic depth
and nourish life in death

reeling eyes of weightless ******
squint to spacetime surgings
inward of the who i am--
plasticity-encasing glass of box
to offer all subverse companionship.
i tug the corded fabric
fronting interweaving screen
of futile marking where
i've riveted, lost, gazing
psychosoma scene
a modern mind-toy posted
to enframe another me we are,
even here with outside sight of world
vacuum up and lower heading
compass only gulping awe,
the breath is gone, a stinging heart
revalves its pacing flow
descending cosmogonic thread

allocate the living and the dead,
the borderline is begging to be tread.

i imagine trees again,
branches soft,
trunks my guideposts to the ground i've lost~
i'm mingling against my sense of real again,
packing leftovers, living social lies unknown.
a man compliments his speech
as "Bristling with business."
the jelly seeps beyond the pita's edge,
the pita slides out from under foil.
the party swivles on its axis,
the clowns play on, noble chefs
laughing in their pots
while i visit drooping psyche forms,
around and through glass doors,
crystal tables -- a furniture of ideal norms
to overturn. ah. i'm found again,
a bit less vast among a crowd
of nescient lives unlived. i'm
found undiscovered open all,
plainly lacking truth as well,
i'm me, this other presence,
this shifting sight,
flood experiential zoo,
this empty vessel holding two
a social fissure prying sense of self
from up a wild void..
Ronald D Lanor May 2013
What's up, Chicken Little? Whatchu think you know?
The sky is fallin', Skittles droppin’ out the rainbow.
Don’t hate me cuz I’m fast. Don’t hate me cuz I’m keen.
Hate me cuz I got more tiger’s blood than Charlie Sheen.

My rappin’ is a skill, wait, matter fact a habit.
This rhyme is so rare I threw a Masterball at it.
Ima get you to the point when you done think you had it
then keep on chuggin’ through like the Energizer Rabbit.

Runnin’ this game since I was born in 1990.
Ball so hard like Waldo everybody wants to find me.
Watch me as I fly free, practicing my Tai Chi,
soarin’ through the sky like Ben Franklin with his kite key.

I slay wicked verses like they fire breathin’ dragons.
Always down for an adventure so they call me Bilbo Baggins.
You got your feet draggin’ from all your pithy laggin’.
Chokin’ on my farts, left you in my dust gaggin’.

My girls be elegant while yours be nothing but ******.
No diamonds in my ears cuz I don’t like to be flashy.
You just can’t get past me, kilo in the backseat.
NOS tank in the front so them piggies can’t get at me.

Lyrics like the plague so they call my **** Bubonic.
Sittin’ at the bar gettin’ drunk on gin and tonic.
Blowin’ on that chronic, so fast they call me Sonic.
Watch me transform as I go Megatronic.

Is my **** too fast? You need to stop and smell the flowers?
I am just a human, I ain't got no special powers.
I could go for hours. The rap game I devour.
Like Frodo with the ring takin’ down the Two Towers.

My rhymes are heavy duty while yours be made of plastic.
Better call the Doctor cuz this **** is getting’ drastic.
Snap back like elastic, I made an instant classic.
Light the roof on fire with a flick of my matchstick.

I’m tellin’ all them haters that I’m wicked sick nasty.
Dissin’ all they want to but they too scared to come at me.
I go where the cash be, rappin’ makes me happy.
Don’t wash my hair for days cuz I like that **** *****.

All I really wanna do is have a rap battle
cuz my rhymes are so disgusting they’ll make your head rattle.
You’re in a boat with no paddle, on a horse with no saddle.
It’s lookin like you’re gonna hafta ******* straddle.

I know I have the sickest flow that you have ever felt.
There’s nothin’ you can do it’s just the hand that I was dealt.
Killa Kraig will make you melt, yes it matters how it’s spelt.
Get it right the first time or I’ll leave you with a ******' welt.

My game will give you chills from your head down to your feet.
Sittin’ on the couch cuz I love to chill with Pete.
I’m the man to beat cuz I bring all the heat.
Grew up in the burbs, didn’t grow up on the street.

They gave me a gold medal when I scored a perfect 10
cuz I got the versatility of an erasable pen.
Singin’ like a ren, no need to pretend.
Murkin’ rhymes like zombies like my Asian friend Glenn.

Honesty’s a virtue so you know I never front it.
Always swingin’ for a homer, ain’t no need to ever bunt it.
Now you really done it, watch me as I run it.
I made it to the center of the Tootsie Pop in one lick.

Crusin’ round town in my green 6-4 Impala.
Drop so many bombs that you think I worship Allah.
Dolla’ after dolla’, cute as a koala,
but ruthless as a renegade Viking in Valhalla.

My lyrics kick you in the nuts now you talkin’ like a munchkin.
Drop you to the floor like some Mohammed Ali punchin’.
Where is Conjunction Junction? Do the number crunchin’.
Get you home by midnight so you don’t turn into a pumpkin.

Stickin’ to the game like some universal duct tape.
Give you three tries while I nail it in one take.
I'm the sugar on the cornflake, the reason for an earthquake.
I'll toss you like a salad or a chicken in some Shake n’ Bake.

Now grab a pen a paper cuz here’s the final lesson.
I know who’s on first so now tell me what’s on second.
I did the number checkin’, I’m the best I reckon.
While you standin’ at the wrong end of my ******’ Smith & Wesson.
Tony Tweedy Mar 2019
I stood and took my bearings my mind bare of thought.
Into my view came a bear bearing a *******.
The ******* on the bear back was bare.
Barely had I seen them when their bearings altered.
Bearing straight for me I barely had time to bear away.
Beyond me now and bearing for the Bering Strait.
I watched a bare bottom and a bear bottom bearing straight for there.
Re-telling this is barely bearable and certainly more than most can bear.
I know not what became of the bear and the bare ******* but at least Ive got this stuff out of my head.... sorry if its left you bearing the pain.
Better out than in.....
Alan McClure May 2012
I am no expert,
no expert at all

But when I am compelled
to write a poem
the compulsion comes
from a pure wish
to distil a thought,
to communicate,
to ride language *******
across the open spaces
of my brain

But you would lasso me,
corral me,
shut the barn doors on me
and the lowing, braying herd
for some self appointed *****
to cast judgement

So that the best possible outcome
is that I step on the faces of others
on my way to institutionalised,
establishment-approved freedom

Well,
*******
and the horse
you wish you could have ridden in on.
I've been tempted to enter poetry competitions in the past, but I am delighted to say that I no longer have the slightest inclination to do so.  I'm sure most are genuine attempts to give poetry a higher profile, but what kind of profile is it when it makes art competitive?  If you don't win, you lose, by definition - but if you've managed to craft a poem to your own satisfaction, in what sense can you possibly have lost?
a m a n d a Jun 2013
[Sidra of the Stars]

a goddess has awakened
eyes slowly open
penetrating...
light reflects off the irises
(recessive blue alleles on chromosome 15)

my name is Sidra
and I will not be diverted.

-

I stand under sol
I stand under the earth's satellite
I stand in the vale.

-

look upon my feet
the fine lines of support
and strength of design

golden light showers
my long legs
strong and graceful

gaze upon my curves...
silky
ample
hypnotic

look at my golden arms
that comfort babes
dig into the earth
and create abstractions

hands and fingers of elegance
given to me by my grandmother
nails to claw and hands to hold

look at my long neck
draped in silver metal and black glass
falling between my *******

hips compliment the
curve of my spine and
the upward tilt of my chin

my hair is a golden light
shining over hoops of silver
and diamond studs

crystal pierces my nose
lips soft and full
eyes lined in black, never faltering

-

this goddess is aware
conscious
enlightened
eager.

-

I will not abide
silence
undeserved
because you lack the courage
to face me.

I will not abide
deception
manipulation
or syrupy black selfishness.

I will not abide
injustice
mockery
or ultimatums.

I will not abide
misrepresentation
vagueness
or weakness.

-

I am Sidra
of
the stars
of
the sky
of
the night

-

I move swiftly in the night
eyes bright
a creator
a lover
a muse

thoughts align
images swirl
pen to paper
my body moves
sensuous and confident
music booms
lips curve upwards

-

the day descends with
distractions pulling awareness
into waves of concentration
tiny fragments of
thoughts and ideas
begin to build
for later contemplation

-

I know the minds of men.
I will not be diverted.
My power has been revealed.
I will protect the unprotected

And I will stand

Made of stars

And unleash Hell.**

-

I will reign terror on your ego
and bring the sword down
on your garishness.

Naked and ******* on my warhorse
I will strike you down with silver spear
and you will pay for your misdeeds.

In all my thundering beauty
with nothing but logic and art
I will slam you to the wall
and declare you a fool.

-

I am Sidra of the Stars
I stand in the vale
I will not be diverted.
Revenant Aug 2014
"Gladly lost in the depths of you"
What depths?
How am I lost?
I'm lost in a puddle.
I'm standing ankle deep in fluff; in disappointment.
Some days, I wish things were different
Some days, I wish we were two of a kind
Some days..
But I fear loving someone just like me would be terrible.
We would be a twister; a ball of flames-- so destructive, that we would burn everyone in our wake.
We would break every bed, and smash every hope and dream our parents' had for us.
We would scream and yell and decimate each other to the brink of permanent dislocation, but never over the cliff.
My, what a cliff that would be..
We would break every bone in our bodies violently explaining how "right" one of us was, but only proving how fatally stubborn we really are.
We would ride the waves of life *******.
We would shoot up the night, and drink up the tragedies like a drunk fresh out of a failed rehab stint, as they roll over us like rock crushers-- hair of the dog that bit you; it's good for poetry, they say.
Never a dull moment for us
Never a craving
Never a quiet moment
Never left wanting more
Never a deeper sadness than what we create together

But perhaps it's a mistake wanting more than you
Perhaps you're keeping me from destruction
Perhaps your holding me back is a blessing
Perhaps I need you more than my heart realizes
Perhaps it's better this way
Perhaps I don't need to ever fall in love with someone like me
Lord knows I can't seem to love myself
What makes me think I would love my true other half?
I'm sorry
Vernarth sequence

Prophecy I -  “Eighth month of sailing in systemic plenitude”

“Since they will not hunt us down in all our Itheoi cycles…
nor in other lapses from where the fine eye could have sewn the buttonholes of the shroud, where there will be life and if there will be a short time without life...
dragged by you for a long time where the sun is melted over the word, staying stored and locked in your pocket to collect it blushing,
tomorrow's jump without a yesterday declining..., without a tomorrow in the heat of a bonfire...
lamb in bait handled being the portal of those who have been slapped inside their cheeks… who will not shorten the cycle that transcends all the oblong sepulchral vaults or who abound in the nonsense of sanitizing nights of ***** despot life having to measure themselves in your flourishing duel by Aiónius of the cleanest dew of its solid stroke and announced delineation of the new one that has been retraced again being more than a brief syllable created again fertile, in the biosphere mouth so as not to see you omnipresent mist, meditating not having you and that dares to meditate on your future that will have to be reserved for yourself by professing it when you are cold in front of you and insinuating if in living followed by letters to be flooded pondering like a paralyzed sleeping part that wants not to be covered with feigned warmth and that does not fit in all the parts of me being who wants to be consul of some shelter with all those who sleep also half dreaming in the company of the lost afternoon that never ends serving Saint John in Katapausis here, perhaps Aiónius del Ibico 1 as a magnificent and net unit that sees the luminous truth when we all come out of a prophecy alive even if it's dark ".

"What a reckless job of losing value,
I am already in Katapausis in the eighth month...,
I entered as the light opened with my hand turned into the light...
being already a katapausis meaning in Sabbatarianism.
Quasi-unit method exhibiting cohesion to the rest motif
With levers in my hands and intra-sabbatism in his dissertation...
of an exegetical and theological nature that has transpired soft insomniac light, We are a people who do not have to fear or air to deposit for a future warehouse above the Sycamore or birds that guard all the Gold above my hands on the Sycamore…”

"Stay in my house, if I don't come back it will be yours
stay at home, it will belong to everyone even in the apocalypse...
that more reckless will be silent as a work of losing value,
Katapausis is the threshold where my life enters and leaves at once,
stay at my house, if I don't come back it will be yours...
Open windows by meekly closing them to that confronted obverse to you...

He comes from a den relativized on reliefs in weathered beads...
they will be soluble mineral beings convened moving away from the most distant and closest to the least distant…, from waters of underground siphons… there we will all be floating… like vertebrate invertebrate animals”

Vernarth, after not entering the grotto not having found Saint John, goes outside where he goes on a campaign for three months before he can be received by God's law. Here he meets with Reader and his pelican, as well as Eurydice.


Prophecy II -  “Seventh, Inter-synergy energy”

“Three months I have waited in the middle of this mountain,
symmetrically arranging the steps to be taken, not going backward
prana of life walking in oceans of life walking…
us and them… how much must separate us to reach us?
what I have not tried to separate…, what I have not been able to achieve…

I think I died early in the worlds that haven't risen yet,
I think I was reborn late among dense curves that overwhelm us with straight lines
soul, principle, matter, and material distinctive ontology
Ghost god of parallelisms beings and activities in affinity...
starvation body of low energy ceasing creatures in embryo
incessant firstborn to infuse other confining souls
trails demons slip where my ashes hands are sore
wounded doctrines to engender and doctrines to ulcerate...

As the prophecy uses the sea carrying messages resolved from shore to shore
close to a Virtual why in the twilight your Faith that must be glandular… matter of soul and body exposed to predisposing theological and chemical, in pursuit of the corruptible whole in vice versa if he does not burst with atheistic impatience.”

Eurydice takes a zither and sings tempting stormy actions to Vernarth, Raeder and Petrobus put their souls in line in the first linear principle, Together with the matter of corporeal fire proceeding to the definition where all the parts are confirmed without distinction dancing next to them creating the greatest bond of faith in body and soul, thus spending the three months in a few words of light of the sated fire.

"In the eighth-month katapausis, eight times your permanent peace must rest in
cited state; once it is translated into Sabbathisms and it will be the same state… When everyone finishes their dance in the cave and enters believing they have the courage to enter eight times in connection with rest…, plus eight times in connection without rest.
In some verses, the urgency of the entrance will be accentuated. The main issue “is that history will be repeating itself exactly where the Israelites were at Kadesh-Barnea. A related term either synonymous with Kadesh or referring to one of two sites, is Kadesh (or Qadesh) Barnea. Various etymologies for Barnea have been proposed, including 'wilderness of travel' but none have produced a broad consensus. What is the consensus? will we stop believing or lean on the shores of a preacher rain of Jehovah or lean on the shores of a preacher sinful waterfall or lean on the shores of a preacher confessing rain or lean on the shores of a preacher wet wind inquisitor...? where ever the aromas of its faithful winds served will go sacred to everything named before and many before the confessing rainy…, waterfalls in favor of the temperamental inquisitor wind”.

Astheneiais”, in Greek is and will be a weakness, in Hebrews a moral connotation and will mean not only physical weakness but a conscious weakness and trembling in temptation. Our Lord also understands us in this weakness because he was tempted in every way as we are. Since he himself was tempted he knows from experience what it means for us to be tempted. He was not tempted in all the particulars of our life, for example, He was not tempted as a husband or father, owner or employer or soldier, because he was none of these things. But he was tempted in all three areas of human susceptibility: body, soul, and spirit.

Prophecy III -  “Sixth, Resilience…”

“They were on the perimeter trying to keep me together at his command,
I go every day for its pantry, food, groceries, bookstore supplies and ink, oils, and other essences for the environment in continuous handwritten obedience, I have to leave for Skalá where some residents are waiting for me who have ordered to bring materials from Gricos and Psili Ammos to project your home,
If this has been written like this, it is because my pleasure in walking has written it, in the company of the one, he has written for the one who walks next to me the god Ibicus!

They always asked me why to mention why I have to do this for them… I will tell you that I used to serve leaders who consolidate the Hellenic geography,
without them, everything would have been invaded by unled foreign hands… in that rest, I have to attend to the verse that precedes it...
which says that we have already entered where I already intend to argue the following…

Resilience and exhortation that from the beginning I have taken since it began... now I will abide by and present your messages in a very predominant note, I was Hoplite Commander of the Falange and Hetairoi, now a Christian who does not dispute living a life of obedience to those who are not and are not without his martyrs...
like those people to whom God swore they will not enter my rest
whose amen will be preached in the passive voice verse!

Remain as the verb indicates with the real facts, the word
independent of the present, independent of who and when…
Saint Gabriel my Abrahamic angel will give me white strength and frolicking lilies like baskets of hermaphroditic lilies procreating only-begotten forests at the altar.

Stand tall over the Abrahamic fire without knuckles or shields,
rethink your beloved woman and take a sudden step to heal your wounds there is so much grass to cut and so much poetry to chew...
up the mountain towards Skalá at night after drinking wine
Epitrapezios Inos setting fire with innocuous saffron atmosphere
lips of fire and bread, for a good offensive fight.
Greek fire naphtha, cinnabar, and anthracite.

Wake up united with the deep disorder
Grant the color that deserves to have your day as a constellation
with the image that rests on your angular and calloused hands.
stopping spaces of loss more than all the centuries that waited for the minimum incense to a good warrior, sweet wine for open bleeding wound not his… the thunder that hides baptisms in all hearts empty of blood...

“While Vernarth was praying in the oracle he felt a thunderous supra sound As if the gates of hell had opened...
As if millions of seconds of angels were to be dispersed from the sky
To reduce more seconds of silence to the thinnest pleading eardrum

A few days ago I saw a ghost that was chopping wood...
I couldn't realize that he was really Him...,
I also saw him cutting thousands of volumes from a library...
Also, not realizing it, I saw several, like more than eighty manuscripts..., of breaths that still did not prosper in the hands of San Marcos...

A gigantic door slam is felt again...!
again it was the angels that came
at the wrong time in his return..., but now in his repatriation
they climbed through and into the Garden of Eden.”

Vernarth, evicted from the habit of the unknown, was apprehended by his craftsmanship of him, he was still attentive to be received by San Juan. The longer he waited to be arranged for an audience, he did not postpone what his memory pointed out to be more than an experience plotting capacities in the face of his own limitations. From that moment on, a gigantic gate slam is felt again! the angels who went back one after another with their polished golden-white cloaks relapsed..., but now making the Garden of Eden their own,... being theirs in what was theirs, that they would be in the house of a wise gardener of Eden perhaps being the same Katapausis manger at once!

Raeder says: hugging him profusely! time has to fly like little angels, having them by your side as companions of the time that is leftover on their wings, giving it all to your enjoyment of living and feeling it lost in you without finding it. ! khaire mi Vernarth!, I have some karidopitas with nuts and yogurt accompanied by baklava with nuts in delicious syrup from Kalymnos. Petrobus jumped for joy and fluttered like a hummingbird to steal a few pieces! Eurydice and Vernarth did the same. That night they told militia stories while they ate the morsels, so they fell asleep as if it had been the first time they had fought such a great menu. Euridice assists in the same with his fresh clean face, creating an atmosphere of conciliation to renew the dream of a day that will dawn close to his waking up far from the criminals. Vernarth takes the staff from him from then on and divides books and manuscripts into two portions so that he has time to take steps to really feel that he can walk close to Saint John.

Prophecy IV -  "Fifth, Nature, Manuscripts and Jophiel"

“Zeus wakes up trembling, full of headaches saturated with Herbs for headaches Jophiel speaking this time with the Kabbalistic language of the Torah...with golden commoner super zone of the Organikon Sorousliston Papadikon….age-old music that supplies Zeus with protein albumin, to make him more human…Zeus accepts Jophiel by placing his head about the house of Jophiel; a divine island to throw cards…brings the second ray to the Sahasrara at the crown of your head, pacifying love that is the suspicious and risky loser of everything risk in the head especially when a feeling is born!

Zeus turns his head and Jophiel twists it to the opposite side
about the ruined zeros that he did not count from the plasma of his dependency, Zeus feared having albumin at risk of human transmutation... happy to be able to cry he imagines slipping into the middle of a lake and he sees that he falls on Hera's poultry harming none, Zeus pours brimstone from his mouth and milks inelegant prose from the scythe…

Trina flame whose son bears glorious her bearer,
thousands of lives being clumsy for the wisest destitute
being what in the present you were more than past trine
when you harbor from Hanael's Blue Sodalite quarry
the imperfect perfects when you listen to your
body how it beats, how it breathes... you realize that it is perfect
as is Jophiel and discerns repairing the wisdom in the decisive punt
where gum rosin myrrh and multi urban frankincense go
towards the soul plane architecture of the human plane.
Hardened Zeus overflows glazed sallow emulsion of war
coagulated exhausting guarantor of everything is well,
books of the silent world of nails that do not sound sheets,
Hanael in massive books divides sounding with her iris gel-colored nails encrypted library manuscript of a thousand years, the voluptuous organism of a thousand years…
flapping unpredictable millennia and wiry hands,
colossal capstans…, annihilated with a thousand years…
a silly propeller that spins like a sickle rolling over a certain holistic tabernacle of the small portion of the next day when Zeus awoke to the diaphanous threatening light with sunless cloud waistband…
His face is seen with frowns and he looks at his face as well
without seeing folds…but in front of the Aiónius.

The geranium appears in the representation of the natural whole kicking the Sickle, much more here lost of our spiritual being
Zeus Jophiel's hardened shoulder heats up only to lean on Him...
light on his shoulders fires on both of them…
how long it takes to save us perhaps twenty times what supports us even tired and much more unwrapped than the treachery of him alone and without being followed without knowing
nothing more than a thousand-year-old shell through which he would drain…perhaps a tortoise-like millennial angel walked up to the omega! joy preparing to give you live hopeful,
that if it would be timely to give you more life...
Here is Aiónius reordering the world together with Zefian…
He shares everything eternal of all your life that floats in the sea,
miserable mix space where capo dastro separates the end
where all the wheres cannonade the hoarse fire...
cement that joins brick wall and plenary adobes
love without nature that castrates your beautiful woman
that hides her face without mascara looking for it...
let's go outside says Vernarth..., we still have a few seconds in his solvent... sensible, full, and arc well-being...
as if you were floating in the air floating more
also needed me to teach you before your limits limit you,
and make you angry from the miserable sense,... Don't listen to me anymore...!!”

Vernarth puts his first three fingers on the capo dastro roosters crow with his skin vibrating beyond the sleep of Raeder and Petrobus. Reader wakes up and says…; My Vernarth I will make fire and heat water. Petrobus runs with his wings to look for sacred wood. Eurydice comments…, I will prepare the praiseworthy sacred breakfast.

When they were preparing to do all this, Jophiel and Hanael appeared to him, joining in the breakfast that would feed all the days and millennia of the world. Unleavened fruit, honey, and milk multiply above all, satiating hunger with satiated satisfaction.

Prophecy V – Fourth, Limbus Necropolis

“From so far away…, so far away that I listen to your sacrosanct cries…!
from the Koumeterium of Messolonghi…, rocking my elbows and hurting myself
moving in rare pleasant crypt upon crypts disconsolate stones
not so far away..., keys held in the eighth cemetery...
Who is to open the heavy door now...?
I come from Messolonghi 555 km in linear figures to Patmos...,
narrowing concave… doubtful in extension, passion princess cloud
He must welcome me benevolently in the night nymph consort...
Limbus N cloud, Cloud Cemetery lofty lofty hypogeum
soul of Limbo, before seeing the nut that girds the face in the graceful Grim Reaper resurrecting restless…, sinning… grail sacrament without Being or being…?
Necropolis Cloud, expectant mortuary technology...
amaze me if there is a byte for me...
narrow conscience, unseemly to amaze me?

Here the lost mist of the Nothofagus God phoneme-photon vanishes with divine mass light to build the Áullos Kósmos. The Sacrament of Limbus will provide spaces and assemblages of meters for thousands of areas of infamous wandering the Ouranos, approaching the Áullos Kósmos to host him and rescue the children of the meter that was missing in the numeral rule of the Megaron acroteria before going up to the Necropolis Cloud. Vernarth, mere body formalizing principle...
extinct delicate evocation of the shadow of Elpenor;
Achaean warrior of Ulysses grandiloquent who even has otitis
and verse where flu spreads influenza
heartbreak from far away reverberating in the elite of lexicons…
arriving equidistant ... the last one arrives threatening with his Kantabroi staying neither divided nor captured, taking refuge in outright failure twilight of megahertz, farce propaganda surrendered fear will not fall even after …

Vernarth falls from the Koumeterium Mesolonghi in the Necropolis cloud privileging his status, he falls from this gloomy digital platform with a high alcoholic degree! from the high heaven after drinking hours he came in the carriage that was from Zilos, with the passion of heaven depriving his understanding stunned on some branches of will of Ziziphus…, stunned on branches of mercy….

Vernarth in a contrite accident with Elpenor, his psyche flies to the realm of the dead, Hades was remaining prisoner in that world taking the form of a Homeric icon or shadow. Vernarth was asleep after his binge, and Elpenor asks him if he wanted to join him with some concoctions. He was with blurred vision, a headache, and still lying down. But in the passionate horror of his drunkenness, he gets up quickly, saying to Elpenor: For me, it was one less pain to drink after having fallen from such a distance without being able to request and have had the grace of my mother's lullaby. For this reason, I hug you! They went together to the Cloud Necropolis to continue in the Limbus trying to alternate their physical body to gaseous liquid. At that moment Eurídice hits her with a piece of wood on her legs so that she wakes up from the bite of that nightmare that overwhelmed her to finally be able to wake up. Raeder had gone with Petrobus to Skalá to seek inputs of gnosis and his own inspiration for accents before the welcome in Katapausis to come in the blink of an eye of San Juan, necessary redaction for licenses and to be admitted to his library.

Prophecy VI - “Third, Rethymnon City and State”

“Vernarth heard the sound of a bouzouki, spoke of a 40-day fast that Greece celebrates before Easter, at the Rethymnon carnival they come from all over Greece to attend as a family during the week with animations, evenings and concerts, dances…theatre, floats with Venetian art in the picturesque old town and modern city, in this ancient city …

Rethymnon Political Ellipsis

“Like territorial extension, past-future organized infamous scene…Vernarth imagines being with Etréstles in immediate predictions
with years and thousands…, clan hobbies, Rethymnon manuscript…
while he thus deliberated…, thus rejoicing in the immaculate extramural grotto thus being as if it were comparable to a Neolithic village; being together lost with eagerness to appear from political power... palaces, kings, pro-organized religions..., rancorous superlative temple, priestly-eucharistic, nationalized sovereign citizen... commanding Parliament of the Hellenic politai people
the competent anti-value entity of the substratum political state…
sedentary-agricultural or nomadic-livestock culture…, vertical Hoplite culture!”

In Thessaloniki street, he would meet his brother head-on...Imagining how he would be...? Well-dressed-shiny, he would be in a passing tavern usually naming himself tradition and terms of questionable validity rather than those of a retro-linguistic family, in the remarkable urban-city dialogue called seditious inns with networks of political territorial extension, reaching the colossal size of multinational ideals of a complex stratification, social meeting place, future ministries to whom to delegate?. They would arrive at the tavern in Rethymnon in Crete, they order coffee, biscuits, and Mosaikó chocolates. In an unexpected moment, he suddenly wakes up from this deep, hallucinating, and futuristic imagination! His brother appears immediately, not in Rethymnon but in Katapausis with the goddess Lepidoptera!

End Ellipsis Rethymnon

“At the moment his imagination breaks just when they were preparing to toast… Etréstles in this same interval appear in Katapausis Reader and Petrobus coming in a singular pilgrimage from Skalá…this is how the syllabic song of the arcane ***** is heard emitting from the grotto…, yellow lights and saffron…. Saint John and the Gospel celebrating the Eucharist…Vernarth would believe for the first time that the hermit would come, but No…!
his brother was to be in the intervening yellow-white light
in front of him nothing more than Etréstles visiting him”

Likewise, they would no longer be in Rethymnon,
but the carnival would already begin in the region of Patmos...
eating delicacies, and the Sousta towards the circle of the Sun in the hands…They have been two months with the sweetened Moon and the Sun posing its mass of light in her… soft palm next to her waiting for him in the proximity of a Hebrew silence

Estretles says Khaire Vernarth! from Piacenza who did not see your joyous lux! I can see now to the sound of yourself the stoic zither...
countenance light, the orbit of your eyes, pale asthenia without photon without light, expectorant suppuration of your sacred Lynothorax, Absent in front of the long and fatal transverse lapse!
Raeder makes a speech to Zeus Photon Child Lux
Fulminant spends time where it remains greater than the minimum...
Patmos is the time of the Messiah…, retrograde years…
polis Helennic city-states.

Culture-state… state time chorus in tune
Philosophical poetic-epic Olympian Aiónius global leader
Homeric poems..., Raeder I am..., a naughty Politai...
you Vernarth are Politai Hetairoi militia
candy wasted by me Raeder… sweetened in my memory
polytheistic, cultured and declined…
theocratic referendum or democratic right,
Exciting porridge of my Kourabiedes cookies
butter, icing sugar, flour, eggs from the icy cliff
vanilla or Mastica resin, ***, Ouzo, mastica liquor…
or other alcoholic beverages…, which bubble on the underside of Aiónius soaked in my mouth with water from petal buds
coated for you with sugar on the tip of my tongue…
reflective cops in a wonderful dialogue of a tasty recipe...
It's time for everyone else to snack too!!

In that second Raerder was choking on a Kourabiede biscuit,
but there was the guardian of the Petrobus who piloted the
throwing hieratic water on the inside of his mouth,
forcing him to take heart from the buttress of his speech
shooing thick crumbs from his skinny dialogue spitted...
Gerakis, ray, tabletop oak bull, scepter for those who rule with him and not...My Zeus friend I invite you to play marbles,
I invite you to tell us that we are friends...
we're both fine… only Space-separated us…?

Raeder runs towards Zeus' thunderbolt from his right hand.
he jumps up and takes it from her, in exchange for this she gives him his marbles...The entire earth tilts over the Aegean..., the earth's axis tilts eight degrees, altering the cerebrospinal fluid of the Hellenic geopolitical conception..., with Zeus poly infarcted over descending magnitudes of inter-politics, millennia and headless governments...

“Apokalypsis lightning restarted, emerged from a New World”
Prophecy VII -. “Second, Alikanto Aion, Quantum”
"Kalymnos, golden tetra steed Alikanto was grazing under the metallic moon...
transiting its quantum physics…, golden legs…, four golden domes
the super host being in Apoika Andros next to the villagers,
commemorating troupe and advent…, Heraklion next period
celebrant anniversary, progeny bearer of Kanti Cretense,
close cycles of the sacred fire, domestic environment, and private zeal...
funerary hidden cult… streets in the hieratic family dwelling
fertile women… totalized and lustful ****…
productive longevity and harvests…, family Apoika
next successor belligerence…, funerary plexus…
culty predecessor…, treatise and imprecation of law, theme and legible religion domestic scene, family civic servant ceremony

Goddess Hestia austere, head with eight sacred candles dressed
Olympus lacking without gods…, only Goddesses embargo!
Feminine Hestia Domestic Goddess, an emanation of the female oval to ovulating…Pritaneo, the central decree of the political harvests… foreign exchange grains to be minted monetary stock exchange of Athens… Pritaneo ford on the rise, ford on increase Aion... hesitant dart swoop into eternity,
Alikanto Perpetual Aion…Speaks with both hands
synchronized and tilted tongue…
stutters and swallows, in six paranasal sinuses
saturated with fiery saliva..., and an Internal voice saying say...
what makes sense to feel and what does not turn off...
sleeping waves in the poison of love igniting
intra-Vernarth love…, billing infected holy blood
methodical coupled time…, Gaugamela the bronze extremity,
of a lost leader…, won leader!

If I had to run to rewrite retro Adhoc poems and chosen trova,
With a shy Trojan verse, I would dare today if I kissed her in front of me… she!
she would jump from the hyperesthetic-Ouranos…, inhuman to the Aion world
aurora celestina, bleeds big and defiant today in your star
In herself Ella…, pestiferous condemnation sweetness and aura between her…she just be, she herself be supported be…, Oh… Goddess Hestia on your opposite leg unbraced arm, meadow and vein braid… assaulted by lost and thirsty love written everything if she tempts…, everything wields darkly if it took you to our Olympus… at night loving you whole..., emptying everything with no inappropriate hand singing don vine fissure and intimate company, may it be exterminated... passion outside with nailed stake..., iron embedding..., nails wounding...exhausted supra lips supra yours…, mid sand writing full to her…
tip of my Xiphos… blood made written with written maiden mythology,
letter sword Spatha…, cyclamen balm made whole if I had you!

“To the loves of the world I say…, cover your ears fungus of boredom, your torn ears squander ignoring more than sordid saying...my blood kills, my blood revives! I **** my blood and I **** everyone, with your blood scattered, ***** blood scattered…!
do not leave me alone until nightfall… I only ask for holy water,
emptied from your mouth goddess Hestia who flies tons over me...
I only ask for a spatha romantic blood sharp, ******, and scattered...
to write to the love wars that I have lost...
to the wars of love that I have won, slicing the jugular of the
treacherous and wicked emperor"

“… Alikantus, he remembered the Hoplite commander in Gaugamela, he remembered when he dodged arrows with his head so that they would not hit his body or his pectoral. From such a present moment falling by surrendering to the evocation of him. He goes down to a stream and confines himself to the vanity quagmire, continues on his path reaching a suspicious lagoon, drinks sacred water, drinking again manages to perceive the effigy of Vernarth in the mirror of Aion's Hydor... calling him from Patmos! Law reminded his master how he died for everyone in the world just as the world would not let him bring more than agonizing for him because there was no more space said Aionius ... "

Alikantus then clenched his jaws too hard, falling out all his molars, he asked the Gods in front of Hestia to restore them fifteen days before arriving at the Ekadashi in Patmos where his master, thus loving all the lives of the world, as well as the hidden cries behind the Dypilons hiding the power of God… or laugh at gagged iris flashes and mummified sighs with lives that subsist!

Vernarth from Patmos called to him so that his eyes looked invigorated like the swarms of green and gray vanadium fire, of mood in the predictive table and close prediction. AlIkantus bids farewell to Kalymnos spraying sorrel and hyper-odoriferous flowers of the Apoika in Kalymnos loving from above, very close, flying, loving everything so much that he forgot to fly. He sometimes fell hard but recovered retried as a baby steed in the womb of a mother new species to be born again in Apoika!


Prophecy VIII -  "First of Aionius, "Eleusis Prophecy of Hamor"
“Aiónius received news of Hamor's prophecy; cosmic orgiastic order
tyrannical snake victim throwing herself into her abyss and purpose..., banishment as an objective void to be decreed, even so ending the world from another world,
discontinuous terse march, slurred arpeggio, speech by Aiónius
there is no world left but if extermination…, undone threshold…, provoke in delicate chaos…!

As a child, I ran to the supreme world herding lions... I called them and they ran to me..., they came alone, some didn't...! Being young, one day Aionius went to the farm and counted the lions... Some came others No... Aionius..., in such a hamorio he was locking an earring from his ears, he hung them again, which happened the next day relaxed..., he saw a maiden who laughed hypnotized…, he sighed when she turned around saying with her poor gestures… Destroy it! The afflicted turned away not knowing what was coming… destroying the desolate world vilifying silky physiognomies, chipped and dandruff face slipping from yours being captive and arid…, tempts to flow libertarian imprint in foreign praxis, origin, and end,
me from the slime being born in my eighth life in nothingness ataxia…

The beloved Victim surrounded by snakes moved the stump of her arms
eaten away by the serpent that took refuge in thorns of forged steel...
she kept walking…, Aiónius pointed at her and kissed her gestures escaping frightened towards the valley in farewells... not fitting itself in valleys that were never anything she paraded with the current of her last word, the beloved again moved her arms following her in front of her the beast was on her, Aiónius buried from fleeing and coming… with fiery phenotype, abrupt vocabulary, says: “Strapping and interludes, after beings of impiety, the world of impiety, Hamor of the first wit… towards other refuges I will depart about a Yes devouring bare ring on it…”
escape curve that cuts the pelvis of my beloved
destructive be your curved world that before had to destroy me...
ultra pre-hellenic nymph Harpé passion spread on me…
Hailed libertarian praise, aristocratic vermilion accent, minority ruling? Overwhelming rigor expended, prophetic Hamor, prophetic expansive arsenal! It must come from all the supreme worlds with strokes and silhouettes conquering...true dream, confused hypothetical oscillate sweeping imploring and contracting popular decision, management and space of my Sickle…, sometimes uncontained… worse avenues in its radius and dark mourning badly wounded shadow! The vertex that finally launches opens the dawn and his Hamada flees... Leaving with the untidy serpent, about touching and causing rangers in the stuck earth.

Demeter and Persephone; based on Eleusis in ancient Greece
mystery myth of the abduction of Persephone daughter of Demeter…
by the king of the underworld of Hades, Abrahamanica's offspring
cabal, life in the descent, the search and the ascent…
Ascent of Indra lightning Vahana and lightning from her right eye,
Persephone to the reunion with her beloved daughter ascending.

Zodiac and mysteries involved, visions and sleight of hand
that of an afterlife, rain of seven trunks, long-lived Airavata
elephant, Eleusis jump psychedelic mystery, incision, and coherent rites, ceremonies and experiences of cold winters and life on earth
plants in gestation under the gift of Elitíaen and beings that
they are about to germinate and be born, beings in a chain of genes...
vegetable running on the earth, vegetable in March in its glory
September in the jaws of the purified phrase and inaccurate acropolis I…

Sacred obscenities, deadly tributes with the death penalty...,
wandering nights without clothes with obese and badly fragrant meats point and taco dances praising the harvest in honor of a dead Thracian bull, libating priestly vessels and bullfighting heads in a deliberately defined and improper triweekly ritual, revealed in Demeter and Persephone.

Only Hamor in his venerable pyx lies locked up knowing he is unable to open inside this lustful bewitching sparkles, the mystery of emancipated disenchantment that awakens from his slow consciousness without knowing how to go on passing in the sum of all happenings of Aiónius. ”

This is how he defined himself from the syncretism of Indra and the mystery of Eleusis, from Demeter and his daughter Persephone from the vile kidnapped underworld. Of the divine Goddess Elitia and the annual records of children born within a year in the germinating seed of the mystery of love that would begin with this prophecy with the initial "H" of the underworld exclaimed Hades and Greek heritage in this event. Vernarth and his companions listened to this prophecy, almost falling asleep, it seemed to them sweet pallor-bitter, love-heartbreak in the previous day before diagnosing having a presence in the hermitage of San Juan Apóstol for the superior company of a later day that was approaching as the greatest daring of all up in the mountains while disposing of Vernarth's Apologist obverse of Aiónius's.

Epilogue Prophecies - “Eleusis, Isadora Duncan to the Parthenon”

“Vernarth and Eurydice indulged in the jargon of agitated diasporas
of inhabitants fleeing the Rite of Eleusis, crossed hands and feet
They dueled on olive trunks with Theban thunder, vague Insurrection of the ancient world, and consonants of barbarian Pleiades,
acclaiming predilection of the Eremita San Juan to appear...
in a breath of peace resurfacing... but seeing that Vernarth was accompanied of Eurydice hid in front of them leaving only her aura near from the stream of a chrysalis!
In the dizzying succession of myths, good news reaches her sacred ears, waking up her trend and her high quarterly price outside the walls... being later received in the grotto of the hermitage in growing expectation and a link of longing that weaves to remind him of being a crusade piece.

The kidnapping of his reverie feared and timid frivolous crushing blizzard, he was walking surrounded by Falangists on horseback pointing at him and threatening him, scrutinizing in the distance loneliness of his past lives,
his regressive life, concerning key to origins of his illustrative Existence, stranded at this moment..., Vernarth makes a pact with himself to detach himself..., of his spirit, detach from their lives under a hypnotic and compelling law..., like a suspended index in the Sistine Chapel, homologous ship Ave Maria Messiah!

From Eleusis Vernarth vanished in aerial horse-dreaming,
he crossed through the pavilions with himself persevering some wake
riding his Alikantus ******* and standing with him to pillage the Empyrium niche Persephone's trace of herself and her ******* ******* them...
with devoted passion, milky way, and milky syrup chin howling...
Vanishing dancer, Athenian acropolis, Dionysian sanctuary of the acropolis… Stepdaughter-patron in the dance of Zeus and Themis lopsided frame of the season's wildness of all creation and defiance of Eleusis looking for her daughter and her children, priestesses safely taking off their corset and their pictures…
raging chastity, oligo blood, Itheoi music, outraged dance complaining, Possessed expressing being seductive but also a native *******... the underworld in darkness, free daughter, and iconoclastic Greek mythologist
inconvenient Victorian mania, a courtesan from Olympus, courtesan undressed! Isadora, Demeter, and Persephone… flooded with Aphrodite foam!

She “prayed songs with plexus and feet, plotting gardens around the world… full of baseboard feet where everything created in brief Apokálypsis was dying! By desolate Parthenons dancing in Muscovite ruins, maenades sweaty enclave and also throwing back his head as if possessed by ecstasy in her Bugatti and Leonidas…, enchanted by Aiónius! intoxicated and exorbitant with beautiful rosy placebo eyes... Hair with headbands vine petioles, her Nebris tight skin was wearing... in her hand's bunches of barberries to Dionysus with torches and live snakes a chaste crook naming Thirsus; rod topped with Kashmar branches wrapped in borders, vines and ivy, allusive link…, morbid ecosystem! covering her crotch in the Temple of her Kopanos dancing from the eternal fire cremated and in a romantic dimension remembering Byron's meritorious…
Hellenic passionate, and of Hölderlin poeticizing together with Aiónius.

Rudiment wound … ruinous on value exciting in those
of the imagined and creative in her perdition, Sicalipsis e impudicias
torn fire in the Metelmi and her ***** we are twisted,
epic worthy of greek tragedy dancing like waves of fire
in the forge in terrifying death of her children Deirdre and Patrick,
submerged and injured in the Seine in Paris in 1913, falling into the
water in the car that was traveling with her wet nurse… before…!
saying goodbye to them in urgent social commitments,
I Aiónius take you to the Empyrium.

What a dire tribulation in the prevailing misfortunes by not postponing it, retain the fate of whose children is quite a story with the kidnapping of theirs and merits of fulfilling commitments committed to solicitous artists... support, crestfallen inside a dresser or Bolshoi dancing statue, dancing empty with bare feet, frigid anemone, frigid Sea…

Arriving at the dawn of her last prophecy, Isadora Duncan accompanies her in full life beyond all limiting borders with the borders of her dance, the flat field of Eleusis receives her presumptuously associating in around for the dressings...
And left-handed dalliance self-indulging…, advanced barefoot to the Parthenon…!naked towards the world and the orb dug out of her before her undressed.

Reader and Petrobus jumped on this steep stone, emulating the meteorites that shone in the sky of Patmos such a party of nocturnal lights, such emery detached from a fleeting planet in the largest Hellenic scene saying: "Well-being to the Hellenic World all calm, dance and immunity to the firmament where Isidora rests in the Kantabroi of Aionius”
Prophecies of Aiónius
Icarus Fragmenti Aug 2013
There's this feeling of irrepressible despair that I can no longer keep inside.
I need to know where you are, and where you've been, why do you hide?
I'm sitting here wondering why I told you to go.
Why I pushed you away, why we said no.
I see you through a screen full of lies and deception.
Depression's setting in, like screams of infections.
You were my protection, for the longest, the one I leaned on,
but by the selection of my words, you broke away clean, gone.
The pain I feel is surreal, I can't explain nor can I deal,
You were something of a thrill,
I needed you then, I need you still,
You're the only thing in life that ever seemed real,
but now I'm back to dreaming,
killing my mind to conceal.
Thoughts bleeding, mind breaching.
Heavy breathing.
Now all apart of my past,
I trap it all in a mask I wear,
my voice raspy,
I tear the wrist, bombing my heart,
Fear passed me.
Blood and bone, *******, on my own.
I found my home and another,
who loves me more than my mother,
I love you but I love her more and furthermore,
she's glorious, I'm never bored,
Notorious, but not a bore,
losing her I can't afford, so sorry baby here's the door...
Leave me be.
Can't you see?
Your memory is killing me.
At ease, I am calm,
Agreed I'm angry and I'm,
not really stable,
Turnt tables,
Look at me now,
Oh, you aren't able...
Lola Feb 2014
Spin spin Sally, spin spin,

Right into damnation, right into Sin.

Topsy-turvy Sally, topsy-turvy in the din.

Let the black wolf in, Sally

Let the carnal win,

Let the madness in, Sally

Remember with a grin;

''Stay thin, think gin.''

And give release Sally.

Fire bullets through the tins

Ride ******* through the wind

**** your karma,

**** your kin,

Spin spin Sally,

Spin, spin.

Topsy-turvy Sally,

Topsy-turvy in the din.
David Tollick Mar 2011
Maybe water runs uphill
From the ocean's bursting treasures
Of salts, silts, sands
Marshalling at the estuaries
Spawning rivers, as pioneers
Oozing into coastal plains
A brackish caravan rolling
Inland to new-found-land
Beyond the rule and will
Of the tide's spill where
Drought and dry spells
Sweep like wraiths
******* on thieving winds
Throwing heartless dusty curses
Picking off stragglers
In slacks and backwaters
Or caravanned through known channels
Paying taxes to the thick-rooted soil
For passage upstream
Past thirsting leaf and bough
Every mile hard-won
Til the watershed haven
Of bog and lochan
Corralled safely among peaks
There to farm the cloud and mist
And to see blossom, in good years
A deep harvest
Of cold, clean snow
Lochan - a small upland lake (loch)
Make haste upon the wind of your questions
Purge that glimmer of trust
Flattery, will get you nowhere fast
Once I confirm, you are not
One of us

Take a  safari on the icing of your own cake
Then cut me a slice or two
You can get overly sentimental, if you like
While I have your cake
And eat it too

Shut off the valve to your bleeding heart
No pity is needed here
I ride ******* on all my trials
Been roughing it
For years

Go ahead and apply your salve to all those wounds
You have been rubbing all that salt in
I wear a shield of aiming intention
That I call my tough
Thick skin
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
Terry O'Leary May 2016
Come join the unraveling circus
quite soon to be passing our way,
with the clowns in a clamor to twerk us -
line up as they lead us astray!

Arriving, the elephant trumpets
agendas of aberrant acts
while the donkeys drool, dunking their crumpets
and twirlers spin, twisting the facts.

The big top’s now open to breezes,
so pundits soar spreading their wings
to convince us to tread the trapezes,
for it's they who'll be pulling the strings.

The merry-go-round’s so amazing
(black horses bound, chasing the cart)
as the brass ring of change wanders wildly
till stealing straight back to the start.

The moldy old model of Ptolemy
(at the hub of this three ring domain)
mixes marvels of magic with alchemy
in the bowels of the mastodon’s brain.

Neglecting the gulls who’ll be eating
stale crumbs that have dropped from the plate,
the vain vulture of virtue’s oft tweeting  
of Circus Land once again great.

The tamer, adorned in fine trumpery
(pate garnished with fiery mane)
has endeavored to wall the ring's boundary,
keep millipede migrants in rein.

The dwarves and their antics are funny
while juggling to balance the books,
so the titans laugh, grappling the money
extracted by hook or by crooks.

The sideshows provide a composite
of fails of the frizzed billionaire,
some disclosing the bones in his closet
caught clutched in the arms of the bear.
    
From towers the trumpet is blowing
fake messages, fetid but full,
but as long as the cattle keep lowing,
he’ll hasten to serve them the bull.

The masses, persuaded to follow,
float foolishly into the fog
overwhelmed by the vapors they swallow,
choked up like the ruff-collared dog.

The snap of the whip as it whooshes
maintains the domains of the dupes
so the cats won’t escape to the bushes,
refusing to hop through the hoops.

With the promise to call out the cavalry,
the hearts of the crowds beat athrob
for in spite of their struggles and rivalry
the Don’s still controlling the mob.

Humbled Empress on *******’s hilarious,
parading her ***** and mules,
with her fabulous tales (mostly spurious)
wagging only the naive and fools.

Mounting ponies in circles, she rode 'em
through lobbies where influence crawls
with her claws clinging tight to the totem
while seals on the banks balanced *****.

Yes, the pack’s still pre-paid by the PAC men,
some wolfing their ways through the maze,
while fey fables are hawked by the packmen
who canvass our eyes with a glaze.

The pretender defender of females
is actu'ly one of the hawks;
secrets hidden in spills of her re-mails
means pillory, stuck in the stocks.

The swine in the central arenas
(immersed in the fat of the throne)
begin dancing like wee ballerinas
’fore pitching the proles a bare bone.

Jesters Cruzo and Bozo, while boozin'
(dealt cards which were ******* by the ****),
ruled “not winning the hand would be losin’
and need for an armed Minuteman.”

Well the ray gun's still loaded and toted
(the gall’ry forbidding all bans)
and the NRA gang’s become bloated
shooting **** in the face of the fans.

One day when the mad house has folded
and sawdust’s been wafted aside,
Human Race will be racing, remolded,
surmounting life’s hurdles in stride.
Leah Rae Oct 2013
I... Wanna wrap my hands around a thick pole

of a carousel ride on our first date at the carnival.

I wanna swirl my tongue swiftly around

an ice cream cone when we take a trip to the ice cream parlor.

I wanna ride hard and *******

when we go horseback riding at your cousin's ranch...  

I wanna feel it pounding into me,

your heart when we dance close.

I wanna feel it on my face,

I'm talking about sunlight!

Why are you laughing?!

If you're too uncomfortable to hear

and I'm equally uncomfortable to say,

then why are we here, this is poetry, isn't it?

If I was a boy talking about banging chicks would that make this easier to swallow?

Does femininity have to keep me bound & gagged, I've heard my mother tell me enough times to act like a lady
But what does that mean?

Legs crossed, eyes open, voice low, mascara stenciled eyelids with crimson scarlet lips,

They'd say she tastes like innocence-  isn't that why we dress up like school girls?

Pigtails and short skirts.

Call me naughty one more ******* time

Every video labeled with triple x's is marketed to the opposite ***, but we deserve to feel good too.
Even if that means inviting men into the hotel rooms of our bodies, ill scale the sheets to find myself between them if I have to.
The pursuit of happiness belongs to us too,

and if that means ******* a couple of dudes, what's it to you?

Harlet,
stumpet,
****
*****,
*****,
****

It all comes down to what we keep between our thighs:

All I know is that we turn against each other, each article of our unclothed bodies is like at crime scene wrapped in yellow tape, call me a massacre because I've been killing boys since the day they tasted my breath and called me pretty.

Beautiful
Gorgeous
Stunning
Perfect
Plastic

Carved from silicon, I'm developing cancerous distractions, the world painting my body and it's actions side show attractions. They were ring leaders in this carnival of distortion. Grotesque and picturesque. All they wanted from this was a contortionist.

They asked for this
And It was always them,

Obsessed and hell bent.
They asked to see us naked, stripped down, hollow eyes, expected innocence, pretty mouths and closed lips, didn't want to hear the echo of their screams in our own voice, dignity they told us to have,

Didn't mention the stacks of playboys they kept beneath their beds.
Just the images, never the women inside the pages.

They always want a girl who's good with her mouth

But they want lips sealed when it come to where she got the practice.
Shattering their images of their impossibly perfect
Barbie girls
Bottle blonde
bubble gum pink and baby blue eyes.

We must be a commodity

Carved up like a good piece of meat and subservient served up for your judgement. Size me up like I haven't memorized the contours and calculated the curvatures; the kind of scrutiny to make your heart weep.

A masterpiece, but Mona Lisa kept all her clothes on, I think? Shallow but we stretch miles in all directions, I keep seeing mirror reflections, in every store window, if manikins can't stand up on their own, how can we?

I have to tell myself we don't have to stand up to stand for something.

And don't demean others with the word *****, because what I keep between my thighs is nothing weak.

Keep trying to maintain my innocence. Shame anything that might just be our liberation:
bare  knees, shoulder blades, and bra straps.

Written in the composition lines of our stretch marks it will tell us what provocative really means, but we haven't found it yet.

So how could you attempt to define what parts of us are too distracting?

I will paint my body honey harlot, summertime scarlet, and streak in the streets. A stark **** liberty.

I wanna be the type of women who is comfortable enough to take her clothes off.

Dance on stage if it means feeding a family, if it means taking money out of the hands of those who don't deserve it, if it means paying for an education I can't breath without.

I want to be the type of woman who opens the temple of her body, for tours if she has to

To resort and regain the kind of dignity they write stories about,
I want to be the type of woman who lays down her life, for her own children when their mouths are empty,

I'll take it like a *****.
No, daddy won't be ashamed because how could he be?
He bred a warrior, a fighter,
and he always said, it's not how big your muscles are, tough is how much you can take and get back up.

**And women always get back up.
kirk Feb 2016
Lots of ladies there may be, but I haven't had that many
My **** is always active, and I think I would have any
In the past I could have been, just a bit too picky
The art of wanking I did try, but that left my pants all sticky

Some nice **** I would love, or an **** or three
The fairer *** is preferable, cos there's nothing strange about me
It really doesn't seem that fare, when there are many slags
And lots of ugly fat ******, that say they all want shags

But I can not locate any, I wish there was a way
That I could find a nice gal, and not someone that is gay
Nothing against the Lezzers, I'm just not that way inclined
But I'm fed up with wanking, and I don't want to go blind

I would ***** an old gal, with a big fat rounded ****
A squeezable amount of flesh, inside an **** ****
Big fat ****** are welcome, who want it up their bucket
I would like **** your ****, and I'd really love to **** it

An **** I could really try, if only the girls would
******* lots of ***** *****, that could be quite good
A large obese girl I would ****, with lots of rolls of fat
I'd stuff my **** inside there ****, cos there's nothing wrong with that

Ideal worlds would be good, if you could **** the girls you like
But I will settle for a *****, or a well used ridden bike
Even in a ******* they could be a real good ****
If *****'s are full of *****, I'd still **** your *** filled bag

Maybe I could find an old gal who is a real life *****
I would just think so what, and **** her well used *****
After I have loosened up, her tight old ******* hole
I could have a tighter ****, with her **** upon my pole

******* the ladies *******, this is always such a dream
Arses will be filled up, and the cat would get the cream
If you want to get ******, and you find any of this thrilling
Get your ***** and arseholes out, ready for a creamy filling

Come on all you fat slags, I'd like to see you naked
And even you wrinkly old bags, to me nothing is sacred
Your ***** cats are required, and your arses are inclined
Fat slags and old bags are still quite hard to find
emma green Jul 2013
she sits - eyes darting side to side,
eating the atmosphere, chewing carefully,
rosebud mouth moist, lips open a space,
hands fidgeting in her shallow concaved lap ..
woman leans forward to stroke wayward
tendril from wide forehead - a sign of excellence

to some just that, to others smart phrenology;
tendril defies maternal meaning to spring
like a diver from top board thrill
to fall once more upon laughing brow,
how young child loves the tickling touch
she never receives from mother -

she who urges piano practice, eight to ten,
dancing lessons, eleven to one,
geography, history and Latin tutelage
with woman ancient her and morbid more,
afternoon alternate curriculum and oboe,
catechism, times-tables, spellings parroted..  

when night calls child to sleep,
she curls her softness into a knot, tight
and unforgiving, ******* tears from
sea blue eyes so they weep 'pon Egyptian
cotton sheets to dilute the ***** drips of
progidy’s day by day nightmare..

child needs, child yearns for what she
does not know, kettle drum heart throbbing..
longs to run in meadows mossy bright,
longs to see dirt under sweetheart nails;
in dreams she rides ponies *******
and soars sky, dances clouds, kisses moon..

but then, morning vivid with sane insanity
she wakes in an open cage, in a different room..
rebelled, she did, small fragile six year old;
today, today, today her mind is empty,
hands fluttering butterflies, eyes bright, innocence
faded, but  laughing..laughing..laughing, free.
Sophie Herzing May 2015
She’s the type to eat a bowl of ice cream,
shoot a gun, and be fine. I’ve never seen so many pieces
under someone’s rug before, but she keeps
herself in cookie jars, in ink cartridges, in book binds,
anything she can find. I’m surprised she even looks
in the mirror anymore. It’s not possible that she’s herself whole.
But she braids her hair back when she rides her horse,
she channels old Miranda Lambert
and pumps that kerosene melody through her veins
like it wont’ catch fire. I’ve seen her
poke her head through old sweaters like she thinks
it’ll be something new this time. I’ve seen her paint
her skin in expensive body washes, the washcloth
like sandpaper as she tries and tries to smooth
all of the uneven edges she’s collected.

I bet you could watch her memories in a wishing pool,
like in a mini mall, with all the pennies heads down.
They would spin themselves around the surface,
suffocating one another so that only the good ones would shine,
but she dare not pour herself into something that reflective.
It would only reveal what she ties into the waistband
of her old American Eagle jeans every morning,
and that would just be too **** hard. It’s easier
to venture ******* with a crummy perspective
and a realistic approach than it would be to even consider
that maybe this time it wasn’t her fault
for expecting to much, and that maybe people just ***** up.
That maybe, for once she wouldn't blame it on it getting her hopes up
that made her fall, but that no one was there to catch her.
I’d rather watch her cry herself to sleep for months

than to pretend I admire the harsh falsetto she bites back
in all of her lullabies. But she’s the type
to burn old pictures for fun, to delete contact names,
to swallow all her sadness and paint her bedroom a new color
than watch herself come undone.
Cedric McClester Apr 2015
By: Cedric McClester

When it comes to six-month-old baby Jim
Yo’ *** is clearly out on a limb
You are the one who fathered him
So you better be runnin to an ATM
What the hell did you expect
Having unprotected ***
It’s unjustified under any pretexts
But ******* are not intellects
Your DNA tells the tale
The moment that you slip or fail
To pay support you’ll go to jail
And you cannot afford the bail
So I’d pay up if I were you
The things you said were not true
If she’s a ** then what are you
Cos you went ******* riding too

Where does he find ‘em (I don’t know)
The guests seen on the Maury Show
When it comes to ... (oh **** here we go)
You are the father (***** don’t you know?)

The girl comes on and says she’s sure
But he calls her a **** and *****
Because they did it on the floor
And she has slept with countless more
Then she says Maury look at that baby
There’s no ifs, ands, buts or maybes
That’s his child (the one he gave me)
I can’t believe he’s gone and played me
Suspense is building on the set
The test results aren’t in yet
But he’s prepared to make a bet
And obviously she’s upset
Once the answer has been found
They both start jumpin up and down
Then she don’t wanna stick around
Her reputation’s in the ground

Where does he find ‘em (I don’t know)
The guests seen on the Maury Show
When it comes to ... (oh **** here we go)
You are the father (***** don’t you know?)

You’d think she’d be embarrassed, yo
But she’ll be back show after show
Claiming she just wants to know
Who’s her baby’s daddy – Oh!

Changing partner like a necklace
How can people be that reckless
She’s so gangsta she reflects this
I’ll be ****** (she’s got a checklist)
Scratchin off names (one by one)
She’s on page two and still not done
Guess you could say she’s had her fun
But she wasn’t the only one
Given all the STDs
That are out there (if you please)
They should be hogtied and seized
Or forced to bow down on their knees
I bet straight *** was not enough
They’ve probably done some other stuff
See tongue disease can be real rough

Where does he find ‘em (I don’t know)
The guests seen on the Maury Show
When it comes to ... (oh **** here we go)
You are the father (***** don’t you know?)

Look at those who’ve come and went
Though that wasn’t their intent
Most of ‘em can’t catch a hint
See they’re beyond embarrassment
All because they shook their fatties
At all of those potential daddies
None of whom wore Jimmy hatties
Now those mommas goin batty
Watch and pray that it’s not you
None of ‘em have a clue
Wouldn’t you have thought they knew
Who they’re giving their stuff to
But that would be too **** easy
Look at ‘em they sure look greasy
Some of ‘em are down right ******
And none of ‘em are built to please see

You’d think she’d be embarrassed, yo
But she’ll be back show after show
Claiming she just wants to know
Who’s her baby’s daddy – Oh!

Where does he find ‘em (I don’t know)
The guests seen on the Maury Show
When it comes to ... (oh **** here we go)
You are the father (***** don’t you know?)

When it comes to six-month-old baby Jim
Yo’ *** is clearly out on a limb
You are the one who fathered him
So you better be runnin to an ATM
What the hell did you expect
Having unprotected ***
It’s unjustified under any pretexts
But ******* are not intellects
Your DNA tells the tale
The moment that you slip or fail
To pay support you’ll go to jail
And you cannot afford the bail
So I’d pay up if I were you
The things you said were not true
If she’s a ** then what are you
Cos you went ******* riding too


(c) Copyright 2015, Cedric McClester.   All rights reserved.
Brian O'blivion Nov 2013
guiding
blank page muses
and muses riding *******
horses with iron honey legs
they combust in liquid
and finger themselves
in darkroom thighs
fluorescent ***
in the eaves of heaven
i wanna drip off your fingers
and
onto your belly
and
rollerskate into
your ****
and
tattoo your
lips shut
with sewn butterflies to the skyfields
the
skygrass
and
skykisses
and
name myself after your
blank spaces
and the forest fire days
of august new years

no one talks about you anymore
but i still
wonder the
way the salt
wonders about the tears
and the dark about
the midnight
if that really was
you
a valley out of the winding
sheets
and into the golden haired
hands of a long ago love
well practiced with incision
emmie cosgrove Jun 2018
The lacy touch of your fingers upon my *******
The soft touch of your smooth lips upon mine
Now lay between the empty bed sheets
Stained with time
The spilt tears
The endless fears
The lacy touch of your fingers upon her *******
The soft touch of your smooth lips against her hips
Now lay covered under the fresh bed sheets
Stained with your crime
Was I nothing more but a doll to play with?
Some sort of toy that you could just dispose of as time went on?
I looked into your eyes
I thought I saw your soul
Now I hope that she can see the truth;
You pick us out at random like a raffle ticket
And if the prize you receive does not please you

Then the exchange shall be soon
judy smith Sep 2015
Horses are the love of your life, right? So it's only natural that if you are planning on getting hitched to the other love of your life, you'll want to include your horse in the big day itself. You could go the whole hog and have your horse carry you and your betrothed down the aisle and stand beside you at the ceremony - but that isn't the easiest feat to pull off, even with the quietest of mounts!

Luckily, there are lots of other ways to feature your equine passion at your wedding; whether it's just for the photo shoot itself, or by subtle touches at the reception.

Photographers Peter and Rosemary Morris from Photoshoot in West Auckland adore working with horses and have captured several horsey weddings. They say planning a wedding with horses is not all that different from doing anything else with horses – you need to have a well thought-out plan, but must be prepared to change that plan at any stage if problems arise.

"Try to keep things simple. Don't be too ambitious and plan to a level you are confident and familiar with, not beyond," advises Peter. "There is a lot to consider actually, more than most people realise. We've had a few horse weddings where the horses were eventually dropped from the day due to the extra logistics involved."

One of the prime considerations is transport. Most brides have enough trouble getting themselves to the wedding on time, says Peter. You'll need to call in some favours, and have somebody to prepare and transport your horse, which of course includes loading which sometimes is a challenge on its own. "Try and get your best and most trusted horsey friends involved to help sort transport, grooming and tacking up," says Peter.

Another key point is the bombproof-ness of your horse. How will he or she react to a large, rustling dress and windblown veil, a crowd of people who may be nervous around horses, and a different handler? Then there is the music, clapping and flapping decorations to consider, along with the added tension and emotion the big day brings.

"Will your horse be at the ceremony, or will you arrive on the horse and have it taken away afterwards? Do you plan to have your horse take part in the whole day, including the arrival, ceremony and photos? Are you riding ******* or in a saddle? Can you actually ride your horse in a dress?" queries Peter. "There really is a lot more to prepare and organise once you commit to having your horse as part of your wedding day."

Of course, if you can manage it, Peter says horses make a great addition to your wedding photos and this is the easiest and most fun part of the day. "The bride is relaxed, the crowd disperses and what you get in the photos is just a split-second, so even if all it not going so well you should still expect to get one or two amazing shots to last a lifetime.

"This is where 'horsey' photographers can help out, knowing how to get the horse's attention and even helping to lead and pose the horse or assist with mounting and dismounting if necessary."

Run through the entire day in your mind and think about how you want the day to unfold. Try to anticipate any pitfalls, so you can address these before they become a problem.

- Always have a Plan B. Have the ceremony at or close to a stable, where you are guaranteed shelter or at least a venue for the photos after the ceremony, if nothing else. Arrange this with a friend, local club or racetrack.

- Consider wind! The beach can become unsettling for horses very quickly, so bear this in mind when making wedding plans.

- If it's a beach wedding, be sure to check access and tides. High tide may limit access and only give you soft, dry sand to work with. Low tide and wet, hard sand offers the beauty of reflections if photos. If part of your day involves walking tracks and streams, have someone check the day before to make sure they are accessible and not flooded or muddy.

- Most importantly: keep the focus on yourself and make your wedding memorable for all the right reasons.

read more:www.marieaustralia.com/short-formal-dresses

www.marieaustralia.com/formal-dresses-brisbane
Sheila Jacob May 2016
She rises at dawn, chilled
by the lost embrace
of her sleeping pills, brushes

summer's blown ashes
with the shuffle of footsteps
on old stone floors.

She thaws her hands
around a coffee cup,
sits at her desk,

 ******* Ariel             arrowed from
 yesterday's tide           hoof-printing  
ocean waves                 jetting barnacles
telephone wires            a man's black boot

routing them through
cold English mornings,
a gold Sheaffer pen.

Words seep
across the page,
trail toxins of grief.

Light edges
between churchyard yews,
fingertips the curtains.

A thumb's worth
of breast-milk
stains her nightgown.
After Ted Hughes left, Sylvia was alone in the large manor house with their children Frieda and Nicholas. She wrote some of her most well-known poems between daybreak and when her children woke a few hours later.
david badgerow Apr 2016
I still don't know if
I've ever "made love"
but if I have
the first time
was definitely with you:

******* on the ***** carpet floor
of your best friend's house
in Tallahassee. we knocked
tattoos against the coffee table
both our knees red
rugburnt from scooting the length
of the living room + hallway.

we moaned into each other's mouths
as our friends passed out drunk
not seven feet away
we tried three positions & your
body told me the last one was your
favorite so we bumped bellies
pulled each other's hair
your chest on my chest
your shoulder blades
drenched in moonlight
small in my careful hands
stars camped in our eyes
you bit my
lip too hard.

I'll never forget the wet way you kissed
my salty forehead as we
climbed connected onto
the couch, but the most vivid
memories from that night
are your legs
still quivering but clenched
ankle locked together at the
***** of my back, & falling asleep
inside you because it
felt like the right thing to do.
eileen mcgreevy Nov 2009
I rode behind him, ******* on a handsome steed,
My head against his strong, fragrant, sweaty back,
I'm sure, as we reached the woods with speed,
That he deliberately rode off the beaten track.
A cabin stood not fat from us,my heart began to race,
My body ached for his soft wet tongue, to slip beneath my lace,
The lake was like an ice rink, not a ripple to be seen,
I fantasised my open legs would float him in between.
Dismounting with such grace, he held out his arms so strong,
And swept me down upon the grass, inhibitions gone,
We shared each moment tenderly at first, with touch and taste,
The water hid our mouths and hands,my chastity he chased,
The ripples increasing faster now, our passion mounting so,
And breathless panting i let out, while learning what he showed,
The fluid love between us seeped from me, and then from him,
Explosions i have never felt before, and never since,
We dressed eachother gently, taking in eachothers beauty,
And off he carried me toward the cabin, intent on marital duty..

                       "But That's Another Story"


(c) eileen mcgreevy 2009
Andrei Mar 2010
My name is Pablo Cervantes
But you can call me Quinton Saint Clair
I’m something rare like turquoise tangerines
Or crystal cathedrals and blistering sunbeams,
My stare is a raw gaze full of awe like ocean’s dawn
I ride ******* on polar bears in the dead Alaskan air
Slay undead corpses, a tantalizing career  
Drink the tears of Jesus to make life clear  
Eat waterfalls for breakfast, mountains for lunch, and last, but not least I feast on shooting stars before I go to sleep
Just call me Quinton Saint Clair savior of all quintessential affairs

— The End —