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"bard" poems
You're the Wacky Wolf-man, Tearing through our pages with a single huff. Breathing life into us little piggies, Blasting your way through the daily fluff. You're the Word Wizard. Leaving us in awe and in dribbles. Waving your wand, Conjuring magical and spellbinding scribbles. You're the Living Legend, Almost like a deity of some sort. Garnering shiploads of admiration, Through words of encouragement, banter and retort. You're the Bad Boy Bard... Never mincing your words. Unconventional, you howl amidst the flocks... You never did chirp like the birds... You're the Minstrel Mobster, Shooting your Tommy, never missing. Flicking forward your fedora, Strung lute ever smoking. You're one Cool Cat. Fending off haters with a bat. Everyone just wants to be that. Like a superhero whose symbol is a bat... You're a Gem Generator. Cogs and gears churning the jewels laid Machine malfunction! My system's jammed! Well I guess that's just it... Enough said!
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Oct 5, 2014
Oct 5, 2014 at 3:18 PM UTC
Marvel Man
I was listening to a poet reciting his poem “Times”. He was pondering, could it be like this and that? Suddenly my cup of tea happened to taste so sweet, made me wonder why wasn’t it such an edgy, a while ago any time before now just as tasty. Where on a stony thorn was it stuck this long? It had to bloom just now, so sweet a rose!   No one predicted whether it will rain or not, it just drops. The sun, shedding clouds, suddenly swims so low! Pondering me, I could then only digest it accepting a truth: It doesn’t matter when the bees love to come out, sit on the rose and fly. For the time, its best bard only sings on time!
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Mar 20, 2017
Mar 20, 2017 at 7:48 PM UTC
A Timely Cup of Tea
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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58
So aged he is, but still so zealous for his job. It feels like he has only known his rickshaw. The ancient bard in him tells Punjabi poems. He belies his wrinkles as he pedals his ride. Just putting to shame his fellow rickshaw pullers. None remembers or even cares to know his name. He just pedals and remembers his deceased wife. He told me a Punjabi tale of partition... *"We were really happy when it happened, I was 16 and married to my beautiful wife, But then he pressed for a separate Pakistan, Just so much wicked was this demand of his, Punjab was alight due to some people's doing, We were to cross river Ravi en route to Amritsar, In Lahore my childhood home was burnt to ashes, My beautiful wife was still so young at that time, She was ***** on the banks of river Ravi & killed, In no cloth was she draped as they burnt her body, After pouring whiskey all over her lifeless body."* His voice broke and a stream of tears escaped, Down his eyes they flowed like the river Ravi, *"In front of my two eyes the men had ***** her, Her mistake? Looking at them once & smiling, Sin as great to be punished by such brutal drab? What God, Ishwar or Allah did they follow? I have known all & none advocates **** To which parents could they born? Must be the devil & the witch."* By now his nose was red and his sobs audible. He said, *"She was not just ***** she was also killed,"* The ancient rickshaw puller gasped for breath as he said, "Would the high heavens thank them for killing my wife, She was a Hindu and an idolater with my mangalsootra, Why they spared my life I have no idea but just remorse, Will their Allah or God spare them on Doomsday?" ==============
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Mar 20, 2015
Mar 20, 2015 at 6:15 AM UTC
The Sad Ancient Rickshaw Puller
So aged he is, but still so zealous for his job. It feels like he has only known his rickshaw. The ancient bard in him tells Punjabi poems. He belies his wrinkles as he pedals his ride. Just putting to shame his fellow rickshaw pullers. None remembers or even cares to know his name. He just pedals and remembers his deceased wife. He told me a Punjabi tale of partition... *"We were really happy when it happened, I was 16 and married to my beautiful wife, But then he pressed for a separate Pakistan, Just so much wicked was this demand of his, Punjab was alight due to some people's doing, We were to cross river Ravi en route to Amritsar, In Lahore my childhood home was burnt to ashes, My beautiful wife was still so young at that time, She was ***** on the banks of river Ravi & killed, In no cloth was she draped as they burnt her body, After pouring whiskey all over her lifeless body."* His voice broke and a stream of tears escaped, Down his eyes they flowed like the river Ravi, *"In front of my two eyes the men had ***** her, Her mistake? Looking at them once & smiling, Sin as great to be punished by such brutal drab? What God, Ishwar or Allah did they follow? I have known all & none advocates **** To which parents could they born? Must be the devil & the witch."* By now his nose was red and his sobs audible. He said, *"She was not just ***** she was also killed,"* The ancient rickshaw puller gasped for breath as he said, "Would the high heavens thank them for killing my wife, She was a Hindu and an idolater with my mangalsootra, Why they spared my life I have no idea but just remorse, Will their Allah or God spare them on Doomsday?" ==============
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36
My aged mum excitedly points outside White flowers burst open bright overnight She says they look like popcorn I love her metaphor and play along Flowers white like popcorn bright Tickled by the heat of the micro light Mum speaks of small things in her big age Sun, rain, wind, hot, cold, quite days The unrelenting pain in her legs and memories of things she could once do with ease She speaks of the coming and going of mischievous monkeys real monkeys - not metaphors She tells of how they brazenly steal her fruit when she is alone at home - teasing her as they walk backwards out the glass door slinging their stolen bananas like a colt 44 My mum sits across from me the sun gently brushes her short silver grey strands of hair Today she wears a pretty pink dress - patterned bright with pretty pink and blue flowers - reflection of the pretty flowers outside She sits in serenity - she is at peace - inside My niece pops corn in the microwave My sisters biryani fills the hungry air My brother in law awaits his birthday party I am at home The pretty white flowers silently blossom in the yard I sit across from my metaphor mum My poet, my muse, my loving bard Stanley Arumugam Richards Bay
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Mar 19, 2014
Mar 19, 2014 at 1:51 PM UTC
Flowers like popcorn
Don't ever ask me what am I, an ancient story of a battle lost to remain in the realm of the sublime, unmitigated grief that visits, again and again, reminding the journey of pain though galaxies, far of yore to the days of present. In a moments of desperation I discover  the bard,it could be rather told thus, he meets me at last, as was his wont Bard, celestial lover, before my eyes you appear thus: I see you holding in your hands a magic lyre, so rare. that goes on strumming non- stop, to bring birds, the tunes, that lives in far parts of the universe,even unknown  to most, they do vary,have colored feathers;memories living in different layers of my consciousness,always buzzing like a beehive. I am the single, magic , potent, word, a mantra that in it's kernel carries the , seeds of eternal, "I am that" I hear the speakings of the words,that brings to life experiences of different kinds,on their beaks some one carries ripe fruits, the result of long days of sweat and tears. Each fruit has a flavor distinct,each word carries a seed that will grow to be a mighty tree,many birds would roost. Bard you are a wonder,tying past and future with one string of a lyre converging in the heart beat of the ebullient present, you easily transcend the three, and every other dimension of time that mingles in your heady brew,unrivaled it stands.
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Nov 21, 2015
Nov 21, 2015 at 11:00 AM UTC
Only the songs of a solitary bard
In childhood, your father’s name is DAD Now grown, maybe with children of your own But his name is still DAD DAD, the teacher, the consoler, the advisor Admonishes: “Drive safe” and “Save your Money” Today he’s the bard “This is like prison,” DAD laments while rolling his eyes Tubes like thin plastic chains tether his deflated body to blinking panels; paintings (factory printed ones) pretend the hospital room is more than just a sterile space Today, DAD’s eyes cast a faraway gaze, projecting And I see the characters in his story I see the 10 year old boy he describes, who snuck to stash a set Of English Composition Texts in the boy’s bathroom To escape Mrs. McElroy’s Fourth Grade course in Morose Poetry I see the thin, sandy blond, 6 foot 2 high school rabblerouser Who broke into the Vice Principal’s old Fiat And buried Stilton cheese in the dashboard All done on a sweltering May school day The anecdote is punctuated with a smirk and a: “Who would do a thing like that?” Stories of when he spotted a shy brunette at the dance and knew Knew he was to marry her; Stories of when his own DAD grasped his infant grandson’s dimpled hand Before giving in to complications of a heart attack The bard stops and exhales a sigh He cringes in his crinkled skin Sunken eyes squeeze close “I’m sorry” the nausea interrupts his tale “These drugs are…” “It’s okay. Take your time” I console, trying to comfort the pain in the room Now I’m the consoler, taking on the job to ameliorate Now this man, vulnerable in his suffering, is no longer DAD Now mortal, a child, a brother, a lover, a patient A man chained by the body’s sickness He is distilled by chemo reduced to a soul, who, through affliction, Forgets As his children remember He is as helpless in this life as we are.
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Jun 17, 2016
Jun 17, 2016 at 12:38 AM UTC
My Father-In-Law in Chemo
In childhood, your father’s name is DAD Now grown, maybe with children of your own But his name is still DAD DAD, the teacher, the consoler, the advisor Admonishes: “Drive safe” and “Save your Money” Today he’s the bard “This is like prison,” DAD laments while rolling his eyes Tubes like thin plastic chains tether his deflated body to blinking panels; paintings (factory printed ones) pretend the hospital room is more than just a sterile space Today, DAD’s eyes cast a faraway gaze, projecting And I see the characters in his story I see the 10 year old boy he describes, who snuck to stash a set Of English Composition Texts in the boy’s bathroom To escape Mrs. McElroy’s Fourth Grade course in Morose Poetry I see the thin, sandy blond, 6 foot 2 high school rabblerouser Who broke into the Vice Principal’s old Fiat And buried Stilton cheese in the dashboard All done on a sweltering May school day The anecdote is punctuated with a smirk and a: “Who would do a thing like that?” Stories of when he spotted a shy brunette at the dance and knew Knew he was to marry her; Stories of when his own DAD grasped his infant grandson’s dimpled hand Before giving in to complications of a heart attack The bard stops and exhales a sigh He cringes in his crinkled skin Sunken eyes squeeze close “I’m sorry” the nausea interrupts his tale “These drugs are…” “It’s okay. Take your time” I console, trying to comfort the pain in the room Now I’m the consoler, taking on the job to ameliorate Now this man, vulnerable in his suffering, is no longer DAD Now mortal, a child, a brother, a lover, a patient A man chained by the body’s sickness He is distilled by chemo reduced to a soul, who, through affliction, Forgets As his children remember He is as helpless in this life as we are.
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38
The white paper snail Followed the *** trail To a small gold boat Where sailors hang their coats The two eyed pirate king Went Sunday fishing To buy his pretty daughter A pearl diving otter The pet store vendor Had putrid body odor To solve his dilemma He ingested a chimera The knight and his squire Went to sing and play lyre At the cave with a bear Who had no head hair Another crazy poem From an old seaside home The brown eyed bard Sends you a greeting card
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May 7, 2014
May 7, 2014 at 11:41 PM UTC
Freeflow Wordplay # 1 (The Seaside Town)
What made Rumi is not the poetry. That's media not the end of the discovery. The reality, *** Can a bard stich a word on it where none nothing can stand still? Treading on the way poet Rumi sings.
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Sep 11, 2018
Sep 11, 2018 at 12:10 AM UTC
The Rumi Reality
What is right? What is wrong? I wonder why I have this song In my mind And in my heart Am I a poet Or am I a bard I sing along As I write But my voice Has no light
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Apr 19, 2015
Apr 19, 2015 at 8:19 PM UTC
Random Thoughts...
Virtue runs before the muse And defies her skill, She is rapt, and doth refuse To wait a painter's will. Star-adoring, occupied, Virtue cannot bend her, Just to please a poet's pride, To parade her splendor. The bard must be with good intent No more his, but hers, Throw away his pen and paint, Kneel with worshippers. Then, perchance, a sunny ray From the heaven of fire, His lost tools may over-pay, And better his desire.
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4.6k
Loss And Gain
ON TURNING ONE DOWN WITH THE PLOUGH, IN APRIL, 1786 Wee, modest, crimson-tipped flow’r, Thou’s met me in an evil hour; For I maun crush amang the stoure Thy slender stem: To spare thee now is past my pow’r, Thou bonie gem. Alas! it’s no thy neebor sweet, The bonie lark, companion meet, Bending thee ‘mang the dewy weet, Wi’ spreckled breast! When upward-springing, blithe, to greet The purpling east. Cauld blew the bitter-biting north Upon thy early, humble birth; Yet cheerfully thou glinted forth Amid the storm, Scarce reared above the parent-earth Thy tender form. The flaunting flow’rs our gardens yield, High shelt’ring woods and wa’s maun shield; But thou, beneath the random bield O’ clod or stane, Adorns the histie stibble-field, Unseen, alane. There, in thy scanty mantle clad, Thy snawy ***** sunward spread, Thou lifts thy unassuming head In humble guise; But now the share uptears thy bed, And low thou lies! Such is the fate of artless Maid, Sweet flow’ret of the rural shade! By love’s simplicity betrayed, And guileless trust, Till she, like thee, all soiled, is laid Low i’ the dust. Such is the fate of simple Bard, On Life’s rough ocean luckless starred! Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o’er! Such fate to suffering worth is giv’n, Who long with wants and woes has striv’n, By human pride or cunning driv’n To mis’ry’s brink, Till wrenched of ev’ry stay but Heav’n, He, ruined, sink! Ev’n thou who mourn’st the Daisy’s fate, That fate is thine -no distant date; Stern Ruin’s ploughshare drives, elate, Full on thy bloom, Till crushed beneath the furrow’s weight, Shall be thy doom!
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4.3k
To A Mountain Daisy
ON TURNING ONE DOWN WITH THE PLOUGH, IN APRIL, 1786 Wee, modest, crimson-tipped flow’r, Thou’s met me in an evil hour; For I maun crush amang the stoure Thy slender stem: To spare thee now is past my pow’r, Thou bonie gem. Alas! it’s no thy neebor sweet, The bonie lark, companion meet, Bending thee ‘mang the dewy weet, Wi’ spreckled breast! When upward-springing, blithe, to greet The purpling east. Cauld blew the bitter-biting north Upon thy early, humble birth; Yet cheerfully thou glinted forth Amid the storm, Scarce reared above the parent-earth Thy tender form. The flaunting flow’rs our gardens yield, High shelt’ring woods and wa’s maun shield; But thou, beneath the random bield O’ clod or stane, Adorns the histie stibble-field, Unseen, alane. There, in thy scanty mantle clad, Thy snawy ***** sunward spread, Thou lifts thy unassuming head In humble guise; But now the share uptears thy bed, And low thou lies! Such is the fate of artless Maid, Sweet flow’ret of the rural shade! By love’s simplicity betrayed, And guileless trust, Till she, like thee, all soiled, is laid Low i’ the dust. Such is the fate of simple Bard, On Life’s rough ocean luckless starred! Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o’er! Such fate to suffering worth is giv’n, Who long with wants and woes has striv’n, By human pride or cunning driv’n To mis’ry’s brink, Till wrenched of ev’ry stay but Heav’n, He, ruined, sink! Ev’n thou who mourn’st the Daisy’s fate, That fate is thine -no distant date; Stern Ruin’s ploughshare drives, elate, Full on thy bloom, Till crushed beneath the furrow’s weight, Shall be thy doom!
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55
Why Men Like to Load the Dishwasher We are the artists of shape and configuration, puzzle masters solving riddles of physics, worshipers at the altar of labor saving devices, this is a love poem of sorts, a Bazinga salutation, to men and their undying love for **** machines. were it in my power all cups would be handle-less, the dishwasher time-space continuum would be non-interrupted by black holes where handles pointlessly protrude, requiring endless rearrangement, a soul destroying exercise. bowls of any sort should have bottoms that retract. indeed, the capacity increase, a visible fact, is so enviro-friendly, eminently sensible, that the loading for mechanical scrubbing is deserved of a wing in the Smithsonian. perhaps the budgeteers of Congress should be tutored in this artistry, how to make any limited resource, better used. the rub, as the bard would have writ, is that this roaring tempest-tost, our love for hard labor lost, secret sacrificed behind a locked door, of a Sanctum ******** is entirely due, all glory to, the secret society of fairies who hide-reside inside, freeing us to write more poetry. in so many ways that I cannot reveal, less the other gender members squeal, men live to love to load the dishwasher, for the ingenuity challenge, and of course, the side benefit of the excusing coverup, "I helped clean up," a relationship saver, proof positively that the dishwasher inventor, was surely a brilliant woman
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May 25, 2013
May 25, 2013 at 8:26 AM UTC
Why Men Like to Load the Dishwasher (You Didn't Know?)
How Sweetingly Rare to see this Advise, The Westfold Bard who shares this Ancient Art But Performed it Better to his Concise And took Definition for his Good Part I just knew you now. So what of belate As Mentored Dolphins with Water's Tie befriend I found this Artist; This Cornerstone Great And Hope your Elder's Tongue will never end You, Sir, confirmed my Efforts; This I Bow And hand you the Medal I sought to seek I am no Patron; Neither plan so now Only the Purest Abe in Honest meek. Now please Sing on, and Live to Peak Content I write my Sighs; But these Praises I meant.
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Mar 11, 2013
Mar 11, 2013 at 2:32 AM UTC
SONNET TRIBUTE: JOHN STARKS
Haters, haters, hiding in the closets, hiding in faeces your putrid minds full of fears and all your weaknesses You are not men but degenerates and cowards in excesses but in your attempts to distract away from your deseases Look the parents you have and you know you're like rat fleas you lack a lot which makes you so angry and in pieces Washing once a week on other days its wet towel on faces smerge on stunted wieners never to be a winner at the races You're un-cool all you do is pretend but you ain't got the aces as charmless as chicken *** you're the left-behind in chases Never had a true compliment because you have no graces deep down you're a mess and petrified of background traces You have ***** linens and bad secrets buried in bad places you're nasty, think nasty and 've done things that debases Always afraid you pick on your betters rocking in perfect places full of inferiority complexes  real abilities get up your noses You've wet your bed and at night  you knowyou're ********* playing macho when in reality you want to do men's ***** Nobody likes the faceless cowards and abject scorn they entices partners and frenemies are there for themselves and free passes They see through them and smell their weakness without paces faking laughter at their hate and anger at winners they despises Haters are sick sad losers miserable inferiors with dark devises never happy, never content just slimy cowards in dumb disguises
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Aug 16, 2018
Aug 16, 2018 at 8:29 PM UTC
Inchwood to U. Bard Wazungus et all....
However this Stag Tradition breathes thus far Which works in all cases of Merriment That Ring is no Joke; And Youth points a Star To where your Heart will land in Sentiment He only Encourages, Dreams and Promotes As no Singer sang such Octave before Mark him Stranger; Not a Contest he connotes To challenge what had been Promised once more Such tell, that Woolen Strings are Postulate, A Theory already penned into Law That Fixed Hearts are veined in Mutual Rebate And Cupid signs both your names into Straw. Go to Her. She has sung Poems better Written This Bard resigns; Knowing he was Beaten.
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Mar 12, 2013
Mar 12, 2013 at 3:18 AM UTC
SONNET TRIBUTE SUNDRY - SIXTY-FOUR - TOM DALEY
I am the quill that marks The water-walled history Of the sea as it may - A swan, be it, or a black-backed Gull. I am the pariah who Failed to posit his load on A hill that hung low, like a Sunless moon, but who can still hark the dark Rumbling of repetition. I am the Quixote who took On the wind who made the mill Sob like a bronze leaf in grief, Seared by the passage of A sluggish summer. I am the pariah, the Quixote, and the historian Of the rainbow runner. ©LazharBouazzi, August 5, 2017
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Sep 5, 2017
Sep 5, 2017 at 11:32 AM UTC
The Bard
167 To learn the Transport by the Pain As Blind Men learn the sun! To die of thirst—suspecting That Brooks in Meadows run! To stay the homesick—homesick feet Upon a foreign shore— Haunted by native lands, the while— And blue—beloved air! This is the Sovereign Anguish! This—the signal woe! These are the patient “Laureates” Whose voices—trained—below— Ascend in ceaseless Carol— Inaudible, indeed, To us—the duller scholars Of the Mysterious Bard!
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3.5k
To learn the Transport by the Pain
Marry a poet-- she'll tell you the universe in a sonnet. She expresses her affection in a poem, for endlessly, to a bard; you are an anthem.
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Apr 1, 2021
Apr 1, 2021 at 11:33 AM UTC
Marry A Poet
1389 Touch lightly Nature’s sweet Guitar Unless thou know’st the Tune Or every Bird will point at thee Because a Bard too soon—
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3.4k
Touch lightly Nature’s sweet Guitar
I spent years of my life in a fantasy world. Well. Lots of fantasy worlds. My clothes were cooler Voice smoother Choices simpler. You finish quests, unlock gods, Slay dragons . When my DnD group broke up I thought: If I'm not the gnome bard or the elven ranger or the dwarven barbarian Who am I? The answer: I'm the kid, Who was doodling demons in the corners of classrooms. Who didn't quite make it through the pacer test in one peice. Who spoke up a little too loud about religion and not loud enough about being bullied. Who didn't have party's to go to because he was to busy with his party of heroes. Who will I be now? I can write my charecter sheet however I want too. Natural Twenty on my charisma Critical hit my failures Damage reduction on Haters. In real life, I paint my face on blank canvas I have one simple goal. I want to levitate slightly off of the ground While summoning an undead army and shooting fireballs from the sky. I might not get there. I'll be ****** though, if I don't roll for it.
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Sep 2, 2015
Sep 2, 2015 at 9:59 PM UTC
ReRoll
In Heaven a spirit doth dwell “Whose heart-strings are a lute;” None sing so wildly well As the angel Israfel, And the giddy Stars (so legends tell), Ceasing their hymns, attend the spell Of his voice, all mute. Tottering above In her highest noon, The enamoured Moon Blushes with love, While, to listen, the red levin (With the rapid Pleiads, even, Which were seven), Pauses in Heaven. And they say (the starry choir And the other listening things) That Israfeli’s fire Is owing to that lyre By which he sits and sings— The trembling living wire Of those unusual strings. But the skies that angel trod, Where deep thoughts are a duty— Where Love’s a grow-up God— Where the Houri glances are Imbued with all the beauty Which we worship in a star. Therefore, thou art not wrong, Israfeli, who despisest An unimpassioned song; To thee the laurels belong, Best bard, because the wisest! Merrily live and long! The ecstasies above With thy burning measures suit— Thy grief, thy joy, thy hate, thy love, With the fervor of thy lute— Well may the stars be mute! Yes, Heaven is thine; but this Is a world of sweets and sours; Our flowers are merely—flowers, And the shadow of thy perfect bliss Is the sunshine of ours. If I could dwell Where Israfel Hath dwelt, and he where I, He might not sing so wildly well A mortal melody, While a bolder note than this might swell From my lyre within the sky.
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3.3k
Israfel
O ***** king. ***** O ***** king, what bitter thing is this? what shaft, tearing my heart? what scar, what light, what fire searing my eye-balls and my eyes with flame? nameless, O spoken name, king, lord, speak blameless ***** Why do you blind my eyes? why do you dart and pulse till all the dark is home, then find my soul and ruthless draw it back? scaling the scaleless, opening the dark? speak, nameless, power and might; when will you leave me quite? when will you break my wings or leave them utterly free to scale heaven endlessly? A bitter, broken thing, my heart, O ***** lord, yet neither drought nor sword baffles men quite, why must they feign to fear my ****** glance? feigned utterly or real why do they shrink? my trance frightens them, breaks the dance, empties the market-place; if I but pass they fall back, frantically; must always people mock? unless they shrink and reel as in the temple at your uttered will. O ***** king, lord, greatest, power, might, look for my face is dark, burnt with your light, your fire, O ***** lord; is there none left can equal me in ecstasy, desire? is there none left can bear with me the kiss of your white fire? is there not one, Phrygian or frenzied Greek, poet, song-swept, or bard, one meet to take from me this bitter power of song, one fit to speak, ***** your praises, lord? May I not wed as you have wed? may it not break, beauty, from out my hands, my head, my feet? may Love not lie beside me till his heat burn me to ash? may he not comfort me, then, spent of all that fire and heat, still, ashen-white and cool as the wet laurels, white, before your feet step on the mountain-slope, before your fiery hand lift up the mantle covering flower and land, as a man lifts, O ***** from his bride, (cowering with woman eyes,) the veil? O ***** lord, be kind.
0
2.9k
Cassandra
O ***** king. ***** O ***** king, what bitter thing is this? what shaft, tearing my heart? what scar, what light, what fire searing my eye-balls and my eyes with flame? nameless, O spoken name, king, lord, speak blameless ***** Why do you blind my eyes? why do you dart and pulse till all the dark is home, then find my soul and ruthless draw it back? scaling the scaleless, opening the dark? speak, nameless, power and might; when will you leave me quite? when will you break my wings or leave them utterly free to scale heaven endlessly? A bitter, broken thing, my heart, O ***** lord, yet neither drought nor sword baffles men quite, why must they feign to fear my ****** glance? feigned utterly or real why do they shrink? my trance frightens them, breaks the dance, empties the market-place; if I but pass they fall back, frantically; must always people mock? unless they shrink and reel as in the temple at your uttered will. O ***** king, lord, greatest, power, might, look for my face is dark, burnt with your light, your fire, O ***** lord; is there none left can equal me in ecstasy, desire? is there none left can bear with me the kiss of your white fire? is there not one, Phrygian or frenzied Greek, poet, song-swept, or bard, one meet to take from me this bitter power of song, one fit to speak, ***** your praises, lord? May I not wed as you have wed? may it not break, beauty, from out my hands, my head, my feet? may Love not lie beside me till his heat burn me to ash? may he not comfort me, then, spent of all that fire and heat, still, ashen-white and cool as the wet laurels, white, before your feet step on the mountain-slope, before your fiery hand lift up the mantle covering flower and land, as a man lifts, O ***** from his bride, (cowering with woman eyes,) the veil? O ***** lord, be kind.
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