"authors" poems
Making love,
a sweaty pit stop
between the sheets.
Politicians,
librarians,
directors,
janitors,
authors,
queens,
kings,
moms,
you,
me,
All guilty of this bittersweet act of sticky significance.
All willing to tangle our limbs every night.
Jun 9, 2014
Jun 9, 2014 at 12:48 AM UTC
Who Am I?
Well,
I must be
that ******
the one
in the black hoodie
***** sweatpants
and an uncombed eye,
that's always wooly
scratchy,
bloodshot
with searching for
my stash spot,
that ******
in your peripherals
that you keep your eye on
because he's
not
in a polo
looking nice,
talking
"well-spoken"
and
not
a threat
to your beautiful
lily-white daughter.
Because I grew up
fixing myself
ramen noodles
and
lifting the welcome mat
after school,
I must also be
that ******
whose father wasn't
in the same house
until he was age 13,
and when I tell you that,
you weren't expecting it
because "you're not a racist."
but
you weren't surprised.
You see,
I must be
that ******
a stand-in
for all other *******
I must be that ******
who represents
all *******
not because you are racist,
but because I'm the only
******
you've met
who doesn't talk like
dis, y'know whatmsayin,
and i talk like
this, do you know what I'm saying?
I must be that ******
In order for you
to feel okay
being around me
I must be that ******
who goes to college
does the right
thing
the white thing
and gets a job
a nice little house,
a nice black wife
with a nice
new england
clear
dialect,
(what I was
trying to get at
earlier
is that ****** dialects,
by their mere intonation,
denote stupidity,
right?)
and doesn't say a word
when his white friends
make ****** jokes
or talk in a ****** dialect
mocking some Aunt Jemima
they heard at Walmart.
But,
I also must be that ******
who doesn't step out of line
and say
"WHY IS IT
THAT IN EVERY SINGLE
ENGLISH CLASS
WE READ
ONLY
TWO
BLACK AUTHORS
A SEMESTER,
AND THAT'S
ENOUGH,
JUST ENOUGH
TO KEEP THE
****** PARENTS
HAPPY."
And If I happen to be a ******
I,
by all means,
must not be that ******
who had a white girlfriend,
and
this girlfriend
after dating
a ******
tried to date a white guy
she liked,
and when she told him
that she had dated,
loved,
and yes,
******
a ******
he had said back:
"I can't believe
you ****** a ******
Then again,
I must be that ******
with the big swinging ****
able to destroy
a white girl's ******
with its pulverizing
power.
And,
please,
If I am going to be a ******
don't be the one
who writes a poem
about
having to be
that ******
because those
kinds of *******
are being
over-sensitive,
those dashiki-wearing-motherfuckers
who think
"Da white man dis."
and "Da white man dat."
Because
I am not one of those *******
descended from the first people on earth,
your brother,
not in the ****** way,
but the familial,
species way.
Why am I even writing
this, ****** isn't a main operative
word anymore.
Search and find ******
and
replace with
"Black Guy." That way it becomes
a joke.
Nov 30, 2011
Nov 30, 2011 at 7:22 AM UTC
*Further my mind goes, than I believed it could fathom
Fathoms below even the deceased dreams chasm
Impassionately growing through and between atoms
To learn
There is no whole truth in solely words
Blindfolded, if your mind isn't where the memory occurs
So it's sure
We'll never understand more than we're capable to confer
And it doesn't mean, you can't relate to the way I toss n' turn
In my sleep
That it isn't the same color we bleed
Or that we aren't perhaps equally 'deep'
Just that we hold some nature of privacy in our thoughts, from any other's gaze
Did I mention it was books of seperate authors, though we're on the same page?
What I wish to relate today
Is I have been changing to date
I'm breaking, down just like anyone else
Draining my health
Enslaved by the chase of wealth
Smiling while we're high, but we'll retreat to our personal hells
The honesty is, I'm scared to delve into myself
Because I know where my truth gets ugly, and has no glamour
Not the 30 second commercial version of what it's like living with cancer
It's habits, actions and manner
Looming over my pride
Leaving a weakness in my stride
Making me feel tired before I've tried*
Jun 4, 2014
Jun 4, 2014 at 12:42 AM UTC
it is my birthday.
but the world has long disowned me.
honestly--I ask--why do I bother?
as there must be something there for me--out in the viscera.
for I, am still here.
it is my birthday.
but the public has long shunned me.
faces thick as bedrock and eyes as dull as mint wrappers.
and they use sound to blind them.
it is my birthday.
and no one seems to help.
for it is not always happy to know,
you're one day closer into the arms of the cease-r.
it is my birthday.
and words rule no meaning.
for no one listens to me.
and no one hears what I'm hearing.
it is my birthday.
and my marrow weakens as I breath.
but bones sleep with welded lips 'neath the coat of earth.
and--with shame--I shall, too, be nothing but empty research.
it is my birthday.
and I force myself to nature.
O sand, is it true they pick you up and throw you in the wind?
O sea, is it true you get stuck in the mouths and stomachs of the young?
O hair, is it true you scream when the air beats you?
but I don't hear--and I know many.
it is my birthday.
and I breath false air.
is it true the ones that speak ill are on their death bed?
is it wrong I wish for them to speed up time?
is it wrong I point the reaper in their direction?
so I needn't worry of their illness spreading to mine.
it is my birthday.
and we are all gathered for tea.
the masochists sit by the sadists; that's the rule,
so the sadist may draw that ball-point pen deep along their slate skin--and whisper the names of forgotten authors,
so they may both moan with delicious harmony together--for two presents in one.
it is my birthday.
and the masochists ask me to join.
they write each other's eulogies
and revise--revise--'til there are none.
it is my birthday.
for now you know not,
of what I wish, but what I need,
a master.
for I am not one.
it is my birthday.
and not all wishes deem true,
for it seems no one cares of my words--my work--my blood--my tears--
a hymn to whomever it may concern--have you no mercy?
it is my birthday.
and I have not found them.
I have not found the right.
for only airless voices with no mouths, eyes that wish for many more, and souls that have lost time have found me.
and I am one of them.
and 'neath my heart,
I always will be.
for it is my birthday,
and wishes don't come true.
Jun 19, 2016
Jun 19, 2016 at 6:57 PM UTC
Your colors are so heavy, how dare I, I cannot sleep. Years inundated under, through skin coils, marigold fields. Yellow crocuses, orange California poppies. Moors of cattle ranchers, yokes of oxen. Plasticine uber-confidence, silky white-skinned testubular thrice people harmonies. Blisses of contagion, contagious bliss. Wrists and incisors, tying down in a bedroom, waking up to live harps and choruses. You dance like you're so alive, but I'm so alive I can't dance. Or breathe. Or knead my fists of earthen wears, or sell my soul completely. I drove off a cliff last night, but the four foot fall ended neatly. The plateau authors my chance to sew my bright, beyond- my fortunes. But the hour before I fall asleep, seems to be the greatest torture.
Apr 26, 2014
Apr 26, 2014 at 4:54 AM UTC
Though authors are a dreadful clan
To be avoided if you can,
I'd like to meet the Indian,
M. Anantanarayanan.
I picture him as short and tan.
We'd meet, perhaps, in Hindustan.
I'd say, with admirable elan ,
"Ah, Anantanarayanan --
I've heard of you. The Times once ran
A notice on your novel, an
Unusual tale of God and Man."
And Anantanarayanan
Would seat me on a lush divan
And read his name -- that sumptuous span
Of 'a's and 'n's more lovely than
"In Xanadu did Kubla Khan" --
Aloud to me all day. I plan
Henceforth to be an ardent fan
of Anantanarayanan --
M. Anantanarayanan.
7.9k
When poets die
It's sad and true,
It matters not
What their bodies do,
The spirit flies
To Poet's Corner,
In Westminster Abbey.
You'll not see
Busts or inscriptions
For all the poets
Whose spirits linger
Alongside Chaucer, Browning, Spencer,
And a myriad of authors.
Dead Poet you have earned your share;
Dead Poet I will know you're there,
Composing in the Laureate's lair.
Sep 26, 2015
Sep 26, 2015 at 12:33 PM UTC
Authors and actors and artists and such
Never know nothing, and never know much.
Sculptors and singers and those of their kidney
Tell their affairs from Seattle to Sydney.
Playwrights and poets and such horses' necks
Start off from anywhere, end up at ***
Diarists, critics, and similar roe
Never say nothing, and never say no.
People Who Do Things exceed my endurance;
God, for a man that solicits insurance!
6.7k
Yesterday was tough
Tougher than before
It broke me down inside
Left me crumbled on the floor
But then I remembered
the semicolon
Today was hard
Harder than before
It killed my soul a little
Left me bleeding on the floor
But then I remembered
the semicolon
A small mark
Seems insignificant
But when examined further
Becomes magnificent
An authors way
Of saying *hold on
don't give up just yet
there is plenty more to come*
Tomorrow will be painful
More painful than before
It will break me down
Leave me broken on the floor
But I will remember
Forever more
That small, simple mark
Giving out hope for all
the semicolon
Jul 19, 2015
Jul 19, 2015 at 5:50 AM UTC
[PART ONE]
xeroxed, RT'd and plagiarized
so many times on so many blogs
tween blogs to republican blogs
to blogs in Russia and
blogs no one ever scrolls though...
original content is prey
but I have a warning for they:
overrated, over-shared
content aggregators beware
the lines you swap can
rot and ware
the World Wide Web
does not care.
[PART TWO]
original content
original contests
original continent
original controversy
original coordination between strangers
original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything
[COMMENTARY]
original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such.
[PART THREE]
original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable
original miscommunication between web 1.0 and web 2.0 reality
original alphabet they use to type on their keyboards
original grammar they learned in school
original money their gov't printed
original content they re-post
original refried beans
original content
orginal contet
ogrinal cotent
ognal ctt
oc
.
Mar 9, 2014
Mar 9, 2014 at 10:01 PM UTC
The inadequate bookshelf that sat near the door
that my sister used to call her own was
mostly made up of adolescent reads,
books better suited for preteen girls rather than
intellectually budding young ladies—
juvenile vocabularies and simple, non-complex
plot lines do little to craft and create
worldly, knowledgeable women.
I thought I must spring clean the
naiveté away and replace it with
the works of great authors like
Sylvia Plath
Simone de Beauvoir
Virginia Woolf
Margaret Atwood
Betty Friedan;
ingenious femme fatales that cut down
to the brittled bones of the misogynists
and burned their marrow along with the
ashes of bras and aprons and 350 degree oven heat.
Growing up, to me, seemed like a wonderful epiphany
chock-full of ideas and opinions and
clever, ironic remarks that chased satirical witticisms
like felines to rodents and wolves to deer—
being an adult would guarantee me a say,
a vote
prior 1920’s America
play dress up as a suffragette
women’s rights
femininity personified by dolls in plastic houses.
To be eighteen-years-old,
the goal, the legality, the bright light at the end of the tunnel;
the official womanhood it would bestow upon me
seemed like something almost tangible
with the way that it loomed over my head.
Get good marks
graduate high school
travel back in time sixty years
meet a nice boy
become a “good wife”
have dinner ready by five
bear two beautiful heirs
clean up the messes left in the kitchen
fast-forward to the twenty-first century
go to a good college
find a stable career
settle down if the fancy strikes you
live non-docile and full of passion—
the parallelism of times are severely
di
lap
i
dat
ed.
1950’s America would never be a home for me
because I am much too wild to be contained.
Oct 14, 2013
Oct 14, 2013 at 12:12 AM UTC
It was hard to miss Jerry
in the corner
holding court
over the bran muffin.
Flurries of judgement and wisdom
flying across coffee dappled pages
as he sentenced a large cup of
Paruvian Dark Roast
to be ******
7 am Dan never flinched
steeling his tenured chair at
a spot one section of stir sticks away
calculably just out of reach
of the regularly scheduled tantrum.
An auburn-haired newbie
fanes camoflage
peeking over two pages of Obituaries
she never intended to read.
Her raised and nearly detached eyebrows
hover above the dateline like a magic trick.
And on every table fall
scattered leaves
of press print trees
unsorted and littered with intent
by careless absorbers of trivia.
Disconnected
ear-budded
footnotes of humanity
see nothing
hear nothing
using the disarrayed World News as
enormous coasters
unmoved by hyper-ventilating compulsives
pushing panic buttons through
desperate quests to uncover
one alphabetically organized set
of local news.
Of the papers not strewn
the remnant holds anxious
on a distant wall
a throng of flopping
rabbit-eared
step children
dangling precariously
from unaccomodating magazine racks
like smoky orphans from
windows in a fiery building.
Disordered.
Disrespected.
Discarded...words are
Jews in the holocaust.
Death of a voice.
We are irreverent in our silence
diminishing genius through apathy
put off by the imposition to be challenged
choosing disposable principles
above responsible knowledge.
Everything is disposable - cameras, cars,
relationships, loyalty, babies...and wisdom -
crumpling Pulitzer prize authors
and discarding WW2 veterans
just to get to the cartoons.
Apr 30, 2014
Apr 30, 2014 at 11:15 PM UTC
Purple velvet curtains mimicked purple proses of long dead authors
Auteurs and Anglophiles expressing desire, the desire for Desiree
and she danced, she danced.
Christie too, she danced, she danced
Kick, snare, kick kick, snare, she danced rhythmic hypnosis
Daddy watched from the bar, banal dance of the bandits
And Katzarina, baby in the back, dances for love
Fatherless child begging attention
Dance no more my dear soul, for you deserve more
Lecherous lounge acts, the men in ties
Order another round, girls gather around
Please me, dance for me, ****** and bashful
The purple velvet reminds them of mother
Cruel institutions that decay our psyche
Patriarchal pesticides in pasta and porridge
On the side of the mango, matriarchal monotony
Oh stop this pretentious pillaging of poor prostitutes
You are but a boy at the gates of existence, fear not, for the father and the mother shall hold your hand in the heavenly harem.
Feb 14, 2013
Feb 14, 2013 at 5:53 PM UTC
Nameless stranger
Come and be my friend
Let us explore this life together
Let us enjoy it before it ends
Read me your so many books
And I shall read you mine
To explore worlds beyond our reach
Worlds made up by authors minds'
Let us learn about ourselves
Let us learn about the world
A world so divine
Yet somehow brutal and cold
Nameless stranger
Come and take my hand
Tell me all your little secrets
And I shall tell you mine
Show me what are you hiding behind those fake smiles
And the pains you conceal behind pretentious happy eyes
Tell me how they broke your heart
And laughed out loud at your pains
And I will show you my broken parts
All the dreams that went in vain
Be careful from my sharp edges
I don't want to cause you another scar
Or add a new wound to your still bleeding heart
A nameless stranger
Yet you are no stranger at all
Those who have experienced agony
Can recognize souls as damaged as their own.
Sep 28, 2018
Sep 28, 2018 at 3:45 PM UTC
There's an architect designing the world from the skyline downwards, as he believes himself to be a God
The paraffin lamps on Victorian cobbled corners are as dry as the seraph in dust bowls over some arid sea
A portrait exists, of a town covered in mist and the orange cliffs are a thousand bloodied wrists
Somewhere music plays to ghosts, obtuse reverberations of some cave on a mountain... or something
and what a useless skill it is to be a poet, flouting fanciful words as if a single soul cared or could possibly muster anything more than unadulterated apathy
What a lonely life it is, to spend entire days watching *********** and reveling in dissociative stoicism
Watching cam girls for hours on end, swept up in conversation yet never taking part, only watching
They seem as lonely as anybody, holed up in crimson rooms as anonymous DJs play through laptop speakers
Fielding obscene questions with a smile and renting their body in timetables to the highest tipper
and some days the depression becomes so heavy that ************ seems impossible, though it's possible to blame such scarcity on the anti-anxiety meds that have ruined so many-a youthful folly
Is there a more flattering notion, than a story teller being commended for honesty when every word is a lie
Fictional accounts of melancholic lives told in a pulchritudinous verse or a prose of the most regal purples
Using nothing more than psycho-stimulants and a smeared bedroom window for inspiration
There's a writer sat at a desk, typing ridiculous lines of text, as he knows himself to be human
and in that humanity he strives to create a realists interpretation of existence through scattered memories
and derivative styles of his favourite authors whilst using educational texts as footnotes in imaginary diaries
Nov 24, 2013
Nov 24, 2013 at 2:10 PM UTC
A cloudless night like this
Can set the spirit soaring:
After a tiring day
The clockwork spectacle is
Impressive in a slightly boring
Eighteenth-century way.
It soothed adolescence a lot
To meet so shameless a stare;
The things I did could not
Be so shocking as they said
If that would still be there
After the shocked were dead
Now, unready to die
Bur already at the stage
When one starts to resent the young,
I am glad those points in the sky
May also be counted among
The creatures of middle-age.
It's cosier thinking of night
As more an Old People's Home
Than a shed for a faultless machine,
That the red pre-Cambrian light
Is gone like Imperial Rome
Or myself at seventeen.
Yet however much we may like
The stoic manner in which
The classical authors wrote,
Only the young and rich
Have the nerve or the figure to strike
The lacrimae rerum note.
For the present stalks abroad
Like the past and its wronged again
Whimper and are ignored,
And the truth cannot be hid;
Somebody chose their pain,
What needn't have happened did.
Occurring this very night
By no established rule,
Some event may already have hurled
Its first little No at the right
Of the laws we accept to school
Our post-diluvian world:
But the stars burn on overhead,
Unconscious of final ends,
As I walk home to bed,
Asking what judgment waits
My person, all my friends,
And these United States.
3.9k
1
My first is no proof of my second,
Though my second's a proof of my first:
If I were my whole I should tell you
Quite freely my best and my worst.
One clue more: if you fail to discover
My meaning, you're blind as a mole;
But if you will frankly confess it,
You show yourself clearly my whole.
2
My first may be the firstborn,
The second child may be;
My second is a texture light
And elegant to see:
My whole do those too often write
Who are from talent free.
3
How many authors are my first!
And I shall be so too
Unless I finish speedily
That which I have to do.
My second is a lofty tree
And a delicious fruit;
This in the hot-house flourishes--
That amid rocks takes root.
My whole is an immortal queen
Renowned in classic lore:
Her a god won without her will,
And her a goddess bore.
4
Me you often meet
In London's crowded street,
And merry children's voices my resting-place proclaim.
Pictures and prose and verse
Compose me--I rehearse
Evil and good and folly, and call each by its name.
I make men glad, and I
Can bid their senses fly,
And festive echoes know me of Isis and of Cam.
But give me to a friend,
And amity will end,
Though he may have the temper and meekness of a lamb.
3.8k
Not eating chocolate covered cherries and strawberries and lychees and onions and chillies and grapes and marshmallows and turtle meat and cake and shark bones and oysters and camel and beef and beef with dog food and rabbit fur and smarties and skittles and twine and rope and yak and buses and buffalo and authors and novels and chipping containers and bicylces and emus and penguins and polar bear slippers and darned socks and stewed lobster and Darwin Deez and get well cards and ibuprofen tablets is fine with me.
Nov 3, 2013
Nov 3, 2013 at 9:53 PM UTC
Eighteen years have passed me
I still marvel at picturesque clouds
They pass us overhead, with grace, like the ground they face isn’t rotten.
Find me that girl who smiles every day
Exchanging her three am thoughts
Into golden plated words that are beautiful
They belong in her poems.
Sadness stained cheeks covered in blush
She’s so lovely, people think
but she’s just glad her mascara is waterproof.
My grandmother has dainty hands, unlike mine
and I was jealous.
until I realized that they were covered in blood
years before I was born and knew what pain was,
making a living and treating her blisters at the same time.
Six children but it used to be eight before two passed away
“Sofian, he died before your grandfather by a few years”
Her heart broken in half and tears encrusted in her skin
But she still has delicate and pretty hands right?
People say they love one another,
But I can’t even count the knives on their backs anymore,
There are too many.
When I find myself in solitude,
I subsequently lose myself in thought.
You know,
I am ashamed.
These angels that watch us every day
I know they weep at our state
And I am done pretending it’s fine.
This is a world where the ground shakes in anger,
The sky cries out of despair
And the air thickens out of confusion
I am all of nature’s catastrophies
In the shape of a woman.
You will see me in the corner
Praying for lost souls
Including my own
Hoping that one day we’ll reunite in a place
Where words don’t drip blood
And authors find that writing is easier when happy
But for now, we can’t get enough of pretending.
Oct 5, 2014
Oct 5, 2014 at 6:36 PM UTC
They say a semicolon is used by an author
when they could’ve ended a sentence,
but chose not to.
In a way, we’re all authors,
writing our stories out as the days go on and on,
as they fade from as golden as a crown,
to as dark as a melanistic fawn.
You see, I’m the author of my life.
I had the choice to force a period to the end of a few sentences
as my short life moved forward on countless occasions,
to stop the clock from ticking,
the heart from beating,
but no.
Because my story is far from done.
I will forever keep adding semicolons until my pen runs out of ink,
or until I can’t find the courage to keep on writing.
I have more fights to keep fighting,
mountains to keep climbing,
a million lies to tell, and a million sorry’s to
bandage the hurt,
a thousand kisses to receive from strangers
and family and friends alike
until the word “suicide”
is nothing but a fading page in my life story.
And if I ever want to add a period,
such as when I’m when I’m feeling as blue
as the eyes of the boy who shattered my heart into pieces,
I’ll remember the semicolon,
and how my short little story doesn’t need to end just yet,
now does it?
Jan 15, 2015
Jan 15, 2015 at 4:48 PM UTC
Everyone has there own personal story
in this book we call life.
Some stories are happy with fairy tale endings
while many are tragic and filled with despair.
One thing all of our stories in this book
have in common with each other
is that we all make choices
that can and will effect how this book
turns out, for better or worse.
This book is filled
with love
with hate
with mistrust
with deceit
with sexism
with racism
with ******
with family
with friends.
This book of stories
will never end
will always have tales
of heroics
of thievery
of superstition.
This book called Life
has billions of authors
and billions more to come.
This book
shows bravery
and cowardice.
This book is amazing
this book is full of
crazy story lines.
This book
will
never
be
read.
Feb 25, 2013
Feb 25, 2013 at 5:21 AM UTC
[PART ONE]
xeroxed, RT'd and plagiarized
so many times on so many blogs
tween blogs to republican blogs
to blogs in Russia and
blogs no one ever scrolls though...
original content is prey
but I have a warning for they:
overrated, over-shared
content aggregators beware
the lines you swap can
rot and ware
the World Wide Web
does not care.
[PART TWO]
original content
original contests
original continent
original controversy
original coordination between strangers
original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything
[COMMENTARY]
original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such.
[PART THREE]
original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable
original miscommunication between web 1.0 and web 2.0 reality
original alphabet they use to type on their keyboards
original grammar they learned in school
original money their gov't printed
original content they re-post
original refried beans
original content
orginal contet
ogrinal cotent
ognal ctt
oc
.
Apr 7, 2015
Apr 7, 2015 at 12:42 PM UTC
Corruption is an earthly sin.
Sin is heaven's corruption.
Heaven is against corruption;
Earth is against sin.
Is corruption a child of sin?
Is sin a brother or mother of corruption?
What is going on with sin and corruption?
Where is the conjunction of corruption and sin?
Intro of corruption and sin is a short term successful goal.
Body of sin and corruption are paragraphs of confusion.
Devil writer where is the body of the novel intro?
Devil authors excel in their intro with your short term goal.
Beware of devil authors in this game of life with corruption.
Beware of pigeons, let’s hope Noah’s dove will be back with the body of the intro.
Written by: The Senior 02/10/2019
Oct 4, 2019
Oct 4, 2019 at 2:18 AM UTC
On the night of initiation,
curves of pale luster began to gleam unwrinkled from the darkened divots along the lunar surface
A perspective unseen for so long, it was viewed as a defaulted “wink” on the face of the moon
And therefore, forgotten, unmentioned, until it’s means were sought
From days ‘fore, and long since now dust
Scribing authors, secrete beads of frenzy into ink filled phial
Sending tremors down, into the quill tip
Filling scrolls for permanence in a preemptive defense against continuous unraveling thoughts would befall
this fluency into incoherent clutter
Pioneers of preprint in a provoking tome,
would speak educated reasons why these areas of Moon had been locked under sealed dark punishment
since Empedocles mixed cosmic elements to breed an undeniable proving truth
Exhibiting the myth of danger
alongside
The established absolute and supervening fizzling sunset
proving the existence of love...
—————————————————-
“Since I have given you words from my within
like the ecliptic rising and burning massive,
Our mutual visibility of late is either one-sided
or
short lived
I’ll take a detour around the comforts of romance
And try to talk my way into your pants
By tossing at you, letters squeezed together,
for your minds transcription into the heart of my subliminal write
In hopes you’ll feel a trickling gush
If I get really lucky these words will find you like a volcano erupts a ****
The same way water, beating against years of stone can fall
And crash through a dam with pouring force so insatiable it’s territory is marked in history
Jun 22, 2019
Jun 22, 2019 at 11:09 PM UTC
As the wet wind hums its way through our two tower six-cylinder apartment complex. Birds fall from their naked winter wept branches, braced by stiff bones, mapped out in Alexandria, carrying notes from El Salvador. The corner market is closed, never opened. A hair salon stands in its place, it wrings out the "R's" from a Philadelphia warshing.
And like every night, hot air cakes on an extra layer of indecipherable red dots up the arms and around the neck, minute pustules of hypochondria that steal my finger tips from the keyboard. I scratch and tip them, looking under their fiery scarlet caps for, I-don't-know-what disease. Paul says It's that magic school bus melanoma, typhoid drip, it comes at you from a computer screen and eats at your nervous system until you've got the wambles.
Tuesday's used to be the worst, until I OWNED THAT **** I make a pronoun out of aluminum foil and wear it as a hat on a first date. Tinder is not bad for conceptual art projects. I carry it within me like an anodyne complex, out into the frozenness; into my mouth the air comes around my teeth, behind my uvula until winter freezes my voice and I am breathless.
I abandon my miniature house to enter the pyramidal pinetum to the North. Wild paradise shrubs gather with songless animal noises watching as I take naked photographs of my father to preserve his body from anything less than his great immortal end. He lives on black moss and water from a nearby pond,
he authors the face of Anthony Hopkins, thrown about, another casualty of fervid and blurry dreaming.
May 2, 2014
May 2, 2014 at 3:30 PM UTC