Ah, doth swayeth the grass around the heavily-watered grounds, and even lilies are even busy in their pondering thoughts. Dim poetry is lighting up my insides, but still-canst not I, proceed on to my poetic writings, for I am committed to my dear dissertation-shamefully! Cannot even I enjoy watery sweets in front of my decent romantic candlelight-o, how destructible this serious nexus is!

Ah, and the temperatures' slender fits are but a new sensation to this melancholy surroundings. How my souls desire to be liberated-from this arduous work, and be staggered into the bifurcating melodies of the winds. O, but again-these final words are somehow required, how blatantly ungenerous! What a fine doomed environment the greenery out there hath duly changed into. White-dark stretches of tremor loom over every bald bush's horizon. O-what a dreadful, dreadful pic of sovereign menace! Not at all lyrical; much less gorgeous! Even the ultimate touches of serendipity have been broomed out of their localised regions. Broomed forcibly; that their weight and multitudes of collars whitened-and their innocent stomachs pulled systematically out. Ah, how dire-dire-dire; how perseveringly unbearable! A dawn at dusk, then-is a normal occurence and thus needeth t' be solitarily accepted. No more grains of sensitivity are left bare. Not even one-oh, no more! A tumultous slumber hinders everything, with a sense of original perplexity t'at haunts, and harms any of it t'at dares to pass by. O, what a disgrace t'at is secretly housed by t'is febrile nature! And o, t'is what happeneth when poets are left onto t'eir unstable hills of talents, with such a wild lagoon of inspirations about! Roam, roam as we doth-along the parked cars, all unread-and dolefully left untouched, like a moonlit baby straightening his face on top of the earth's liar *****. Ah, I knoweth t'is misery. A misery t'at is not only textual, but also virginal; but what I comprehendeth not is the unfairness of the preceding remark itself-if all miseries were crudely virginal, then wouldst it be unworthy of perceiving some others as personal? O, how t'is new confusion puzzles me, and vexes me all too badly! Beads of sweat are beginning to form on my humorous palms, with lines unabashed-and pictorial aggressions too unforgiving too resist. Ah, quiver doth I-as I am, now! O, thee-oh, mindful joyfulness and delight, descend once more onto me-and maketh my work once again thine-ah, and thy only, own vengeful blossom! And breathe onto my minds thy very own terrific seizure; maketh all the luring bright days no more an impediment and a cure; to every lavish thought clear-but hungrily unsure! Ah, as I knoweth it wouldst work-for thy seizure on my hand is gentle, ratifying, and safely classical. How I loveth thy little grasps-and shall always do! Like a moonlight, which had been carried along the stars' compulsive backs-until it truly screamed, while the bountiful morning retreated, and mounted its back. Mounted its back so that it could not see. Invasive are the stars-as thou knoweth, adorned with elaborations t'at humanity, and even the sincerest of gravities shall turn out. Ah, so 'tis how the moon's poor sailing soul is-like a chirping bird-trembled along the snowy night, but knocked back onto abysmal conclusions, soon as sunshine startled him and brought him back anew, to the pale hordes of mischievous, shadowy roses. Ah, all these routines are similar-but unsure, like thoughts circling-within a paper so impure. And when tragic love is bound, like the one I am having with 'im; everything shall crawl-and seem dearer than they seem; for nothing canst bind a heart which falls in love, until it darkeneth the rosiness of its own cheeks, and destroys its own kiss. Like how he hath impaired my heart; but I shall be a stone once more; abysses of my deliciously destroyed sapphire shall revive within the glades of my hand; and my massive tremors shall ever be concluded. O, love, o notion that I may not hate; bestow on my thy aberrant power-and free my tormented soul-o, my poor tormented soul, from the possible eternal slumber without tasting such a joy of thine once more! I am now trapped within a triangle I hated; I am no more of my precious self-my sublimity hath gone; hath attempted at disentangling himself so piercingly from me. I am no more terrific; I smell not like my own virginity-and much less, an ideal lady-t'at everyone shall so hysterically shout at, and pray for, ah, I hath been disinherited by the world.

Ah, shall I be a matter to your tasty thoughts, my love? For to thee I might hath been tentative, and not at all compulsory; I hath been disowned even, by my own poetry; my varied fate hath ignored and strayed me about. Ah, love, which danger shall I hate-and avoid? But should I, should I diverge from t'is homogeneous edge I so dreamily preached about? And canst thou but lecture me once more-on the distinctness between love and hate-in the foregoing-and the sometimes illusory truth of our inimical future? And for the love of this foreignness didst I revert to my first dreaded poetry-for the sake of t'is first sweetly-honeyed world. For the time being, it is perhaps unrighteous to think of thee; thou who firstly wert so sweet; thou who wert but too persuasive-and too magnanimous for every maiden's heart to bear. Thou who shone on me like an eternal fire-ah, sweet, but doth thou remember not-t'at thou art thyself immortal? Thou art but a disaster to any living creature-who has flesh and breath; for they diverge from life when time comes, and be defiled like a rusty old parish over one fretful stormy night. Ah, and here I present another confusion; should I reject my own faith therefrom? Ah, like the reader hath perhaps recognised, I am not an interactive poet; for I am egotistic and self-isolating. Ah, yet-I demand, sometimes, their possibly harshest criticism; to be fit into my undeniable authenticity and my other private authorial conventions. I admireth myself in my writing as much as I resolutely admireth thee; but shall we come, ever, into terms? Ah, thee, whose eyes are too crucial for my consciousness to look at. Ah, and yet-thou hath caused me simply far-too-adequate mounds of distress; their power tower over me, standing as a cold barrier between me and my own immaculate reality of discourse. Too much distress is, as the reader canst see, in my verse right now-and none is sufficiently consoling-all are unsweet, like a taste of scalding water and a tree of curses. Yes, that thou ought to believe just yet-t'at trees are bound to curses. Yester' I sheltered myself, under some bits of splitting clouds-and t'eir due mourning sways of rain, beneath a solid tree. With leaves giggling and roots unbecoming underneath-ah, t'eir shrieks were too selfish; ah, all terrible, and contained no positive merit at all-t'at they all became too vague and failed at t'eir venerable task of disorganising, and at the same time-stunning me. Ah, but t'eir yelling and gasping and choking were simply too ferociously disoriented, what a shame! Their art was too brutal, odd, and too thoroughly equanimious-and wouldst I have stood not t'ere for the entire three minutes or so-had such perks of abrupt thoughts of thee streamed onto my mind, and lightened up all the burdening whirls of mockery about me in just one second. O, so-but again, the sound melodies of rain were of a radical comfort to my ears-and t'at was the actual moment, when I realised t'at I truly loved him-and until today, the real horror in my heart saith t'at it is still him t'at I purely love-and shall always do. Though I may be no more of a pretty glimpse at the heart of his mirror, 'tis still his imagery I keepeth running into; and his vital reality. Ah, how with light steps I ran to him yester' morning; and caught him about his vigorous steps! All seemed ethereal, but the truthful width of the sun was still t'ere-and so was the lake's sparkling water; so benevolently encompassing us as we walked together onto our separated realms. And passing the cars, as we did, all t'at I absorbed and felt so neatly within my heart was the intuitive course; and the unavoidable beauty of falling in love. Ah, miracles, miracles, shalt thou ever cease to exist? Ah, bring but my Immortal back to me-as if I am still like I was back then, and of hating him before I am not guilty; make him mine now-even for just one night; make him hold my hands, and I shall free him from all his present melancholy and insipid trepidations. Ah, miracles; I doth love my Immortal more t'an I am permitted to do; and so if thou doth not-please doth trouble me once more; and grant, grant him to me-and clarify t'is tale of unbreathed love prettily, like never before.

As I have related above I may not be sufficient; I may not be fair-from a dark world doth I come, full not of royalty-but ambiguity, severed esteem, and gales-and gales, of unholy confidentiality. And 'tis He only, in His divine throne-t'at is worthy of every phrased gratitude, and thankful laughter; so t'is piece is just-though not artificial, a genuine reflection of what I feelest inside, about my yet unblessed love, and my doubtful pious feelings right now-and about which I am rather confused. Still, I am to be generous, and not to be by any chance, too brimming or hopeful; but I shall not be bashful about confessing t'is proposition of love-t'at I should hath realised from a good long time ago. Ah, I was but too arrogant within my pride-and even in my confessions of humility; I was too charmed by myself to revert to my extraordinary feelings. Ah, but again-thou art immortal, my love; so I should be afraid not-of ceasing to love thee; and as every brand-new day breathes life into its wheels-and is stirred to the living-once more, I know t'at the swells of nature; including all the crystallised shapes of th' universe-and the' faithful gardens of heaven, as well as all the aurochs, angels, and divinity above-and the skies' and oceans' satirical-but precious nymphs, are watching us, and shall forgive and purify us; I know t'at this is the sake of eternity we are fighting for. And for the first time in my life-I shall like to confess this bravely, selfishly, and publicly; so that wherever thou art-and I shall be, thou wilt know-and in the utmost certainty thou canst but shyly obtain, know with thy most honest sincerity; t'at I hath always loved thee, and shall forever love thee like this, Immortal.

I promise this shall be the last poem of thee I've written of thee. And thus I have dedicated all the love I have for thee into this; in the hope that my heart has none of it left after writing the poem.

I hate the dreadful hollow behind the little wood;
Its taint of darkness dripping down like blood-red hearth.
A breeze of morning moves, that we love, has gone;
For a musk of the skies at dusk must have come down.

Come into the garden, my love, and play around with me;
For a bed of love daffodils is on high;
For a set of faint lights is now there to catch;
One breed of lights that we used to play with.
Bring my that green glass of paint, and draw by me,
While I rub thy dark hair on my lap, with my bronze fingertips.

Run around here, Immortal, and give me thy handsome hand;
Thou art the speed and pace I need here to stay;
Ah, I am not detached from t'is world, so long as I have you;
I am charmed, even in the darkest abyss of yon superficiality.
Thou art the fragrance of happiness found in decay;
Strength in the most diminished, and yet distinguished ecstasy;
A fable t'at becometh real in a flight of seconds;
A temptation no maiden heart canst afford to dismiss.
And look at me, now and then and all over again,
I wanteth to look pretty in my ruffle brown skirt,
Just like in my midnight gown on a flowery wedding night,
One t'at we shalt have above the sun, out of everyone else's jealous sight.

Let's dream t'at this delight shall ne'er wear out, and leave to us t'is nuptial potion;
I hath ideas for us and the most sensible of worldly notions;
Naughty as water ripples and the broadening green plantations;
I knoweth now where we canst go and hide our insightful destinations.
Thou wert always running in thy magical shoes,
And t'eir worlds of visions and phantom-like phantasies,
Like woeful but wise extraterritorial dimensions,
A forest of spells and love curses we never knoweth.
But worry not, my dear, for I shall hold thee in both portals,
I'll keep thee safe by my side, I'll keep thee immortal,
So that we are ne'er to be apart, in such a bright love like pearls,
And the petals of roses t'at ne'er swerve again from our fingertips.
We were always inhabited by our little jokes, and moved by an unseen hand at game,
T'at everything was too tranquil even for being a game as itself its nature,
And the whole little wood we were perched on was one world
Of fun shivers, wonders, and plunder and prey,
Oft' at midnight hours we looked at each other so kindly and peacefully,
With eyes mastered by love and tough loveliness,
Thou looked but wholesomely splendid in thy own questioning minds,
And thy brown hair t'at was turned about by solitary winds.
Ah, Immortal! Immortal, Immortal, my visionary love, my darling bird.
And yet, the night knew then, of our tricks and who we were, funny little liars—
Little liars t'at had but a tender love outta' time and space,
And such a gleaming love for one another,
We whispered, and hinted, and chuckled, with an aroma of love about us,
However we'd braved it out, we felt about it glad and not sorry;
We humans of a naughty, devilish, notorious, but sophisticated breed!

Come into the garden, Immortal, for the night bat now hath flown;
The one thou fear, my love, hath left us alone.
And forgive me for my rigid clauses to them;
For I want only to writ' of thee, my darling bud.
The planet of love seem't be on high,
Beginning to pick away its fruitful colours,
And make itself look petrified and stultified,
Like one from abroad, flown in as foreign woodbine spices.
Ah, as though t'is temporal world is not murky enough for us both,
That our translucent breaths are those who survive;
Who remain rustic in this unmerited ordinary world.

Come again, my love, my impeccable darling,
Let's witness what the sonnet's yet to sing;
All we need t' do is pick up a lil' wooden chair;
And breathe the swampy midnight air before we sit.
Here is my poetry, and I'th written it for thee,
Long like the satin seas, and red ribbons made of clouds,
I needst not say it but thou read still, my heart out loud.
Ah, Immortal, the golden gift thrown at one clean snowy night!
And t'ese hidden memories now shine out back again,
For the drifts of the earth we ne'er knoweth, indeed,
And thus who knoweth the ways of the world,
And the surreptitious moves its soil's done,
From morning to night, from one day to another?
Ah, who knoweth 'em all but the Almighty?
Our Almighty, our very Almighty;
t'at breathed into our souls such loving love,
And made for us t'is decent planet, many suns, and one fair earth.
Ah, Immortal, and thou art the son of literature He had to me,
A joy t'at my hands, as He told, outta rejoice,
A glory t'at my faith should find.
Ah, Immortal, thou art sweet, sweet, and too sweet!
Thy sweetness is but an avarice, one bold austerity to me;
Scenic in its grace—a graceful grace t'at is far too restless and undying!
Undying, unweakening, but strengthening, t'at it'll ne'er die!
Ah, for thy sweetness, Immortal, hardly leaveth me a choice;
But to move and fall softly again and again for thee like before,
And thy honey-coloured skin and charms t'at I adore,
Not his, who knows or feels any of me not;
Not him, who is neither courtly not kind;
Not there, who understands not how to write,
to read, nor even to sing.

All night hath the roses heard songs from thy Eolian lute;
And my unveiled violin, piano, and bassoon;
All shrieking and collating in one strange space.
But hear thou, my love, of my shrilling little voice?
An unheard, abashed voice that keeps calling your name;
Your coloured name, that smells like trust
In its euphoric aura and ecstatic plays.
Where art but thou, my Immortal;
That was so close and definitive to my heart.
Where art but our strings, and guitar cords;
That used to rock up our beneficent loveliness?
That kept our hearts in tune, when desperately falling in love,
Ah, I do not want to leave thee still in thy weird dance,
I want to keep thy heart beating with mine and stay in tune;
I want to run with thee into a hush with the setting moon.
I said to the playful lily, 'There is none but one
With whom my curious heart is to be gay.
When will he be free to catch up with me?
I see him day and night and in dreams of my poetry.'
And half to the rising day, low on the sand
And loud on the stone our passion too shall rise;
Keep us cheerful and our heartbeats warm.
O young lord-lover, what sighs are those
For one that shall ne'er be thine?
'But mine, but mine,' I swore gaily to the rose,
'For ever and ever, mine. Just mine.'

And the soul of our fragrant rose sings into my blood,
That Immortal and his lover shall ne'er be apart.
He'll wait for her at night, in one bloodless Sofia;
She'll wait for him 'till such stars fall asleep.
He makes her blessed even in her dreams,
That all the red roses and lilies stay awake to watch their joy.

Immortal and Estefannia, the happiest ones along those summer days;
Are a threat to those soul frayed and vitriolic;
Too stellar to them romantic and idyllic;
Proud and sturdy in their ascetic life.
The best of love of the world's missing beat;
Daintier than any of this summer's bitter heat.
How fate tests their love we shall ne'er know,
but their love stretches as distantly as it can.

Ah, Immortal, tells Estefannia I shall make thee flattered
In sleep, in peace, in conscience, and in hate;
I shall make for us joy though our stories may be late.
Thy eyes are brown, my love, one shade the world's never owned
And thus thy love is valid and new in itself, ne'er worn.

And I shall hear when thy lips wan with despair, I'll be there;
I'll stand there with my basket, a gift from one faraway;
But with a love neither placid nor drained;
Villainous as t'is world is, what a broken wordling;
Like a wailing starling, torn in its calls and frothy desires.
T'ere is no more signal for us towards t'is despaired world;
I shall take thee yet, through the curtains of such speculations;
For 'tis only thy pride t'at lives, and not one soul of thine lies;
And should thou remain alive, my love shall ne'er hibernate,
But sit and trust firmly in its wakeful sleep, grasping thee,
Grasping thee, my love, 'till exhaust allows me no more words,
'Till my own poetry disobeys me like a cloud of putrefied shadows,
Ah, but still, remaining a gross soulless apparition I may be,
With no apparatus trembling 'round beside me,
Wouldst I still saunter myself forwards,
And greet thee in t'at peaceful vineyard;
Play to thee a lullaby and witness thy dreams,
Rocking thee softly against thy own stardoms,
'Till rivers are awake again and alert t'eir inane streams.
O Immortal, it is for better and fairness t'at I love thee,
Ah, but which love is sweeter than mine, or stronger than ours?

For I trust t'at my love is hungrier t'an that of her yonder,
Ah, and t'an t'at loyalty and patriarchy of our sullen armies,
More striking than a ****** dame's pictorial tyrannies,
One too sweet-scented for a hidden mercenary,
I have heard, I know not whence, t'at it but happened to thee;
Thou wert away, thou wert not under my umbrella, beneath me!
Where is Immortal now, for I need to save him again;
My husband in nature, my lover and immortal darling and best friend!

For t'is world is but a holocaust for the believing;
T'ere is, within which, not one pyramid of truth,
For 'tis a place of happy misery, and too miserable happiness.
T'ere is no place like our little Sofia, t'at once we dreamed of;
Filled with rainwater by its armed forces of Bul-ga-ri-ya;
I shall wait for thee there, by the triple roundabouts,
I shall wait for thee before I pray, and seek help from Our Lord;
I hath written for Him warm praises and delicate triplets of words.
Immortal the delight of my life, the dignity of my love;
Immortal the ringing joy of my ears, the gallant sight of my eyes;
Immortal my darling, of whom I write and for whom I sing.
Immortal like the leaves of the suburbs, t'at turn red and shyly bloom,
One that smells like mangoes and two pieces of orange blossoms.
Ah, Immortal, with his sweet red-mouth when eating dangled grapes,
Immortal the beloved of my father, the moon-faced, merriest son of all!

Where is he now? My dreams are bad. He may bring me a curse.
No, there is a fatter game on the moors, perhaps I ought to look for 'im t'ere.
The devil, I am afraid, hath stolen him again away,
I hath seen him not for a time as long as this day's.
Immortal, I want thy bountiful smile, and see thee not ill;
Immortal, tell me t'at thou long for and love me still.

Ah, along those happy days, and fabulous morning thrills,
My heart leapt whenever it caught thy voice,
And thy sanguine embrace when such came near;
Days were but too advanced, I know, and men were tied to t'eir own minds;
But thou kept me calm, with such majestic love and lil' poems in thy hands,
For t'is world is yet too adamant in t'eir pursuit,
Yet I needed thee, and thou came along.
Long had I sighed for a calm: God may grant it to me at last!
Ah, Immortal, a naughty lil' breach of t'is world, and its affairs;
A lil' cuddle t'at laughed and darted merrily all through the night.
Would t'ere be sorrow for me, for what I was feeling?
I thought I sensed only love and none like hate,
For it all tasted sweet and fierce like neverending fate,
A fate t'at we both accepted in one force,
A fate too astounding from our courageous Lord.
I thought thou wert mine, and thou shalt always be mine!
And t'is swirling sensation, when I looked at thee,
Full of teary happiness and chaotic delights,
I did want not t' think of its possible ends,
Ah, violent as Shakespeare might've assumed,
But I wanted to relish and bury myself in it
For such memories of thou had desired.
Immortal, Immortal, and now thou art gone;
But when all t'is world does is to go flexibly round,
Where'th thou think our missing beats can be found?

Warm and clear-cut face, why thou came so cruelly meek;
A cute lil' wonder to my sight—and for my lungs
To breathe stupidly for now and again.
Thou, handsome lad, hath broken all slumbers
In which all is but vague and foul and folly,
Pale with the golden beam with one dead eyelash
Knifed by the contours on one's cheeks.
And t'ere is also, about, the remnants of one's blood,
Dried and unmoving in t'eir death, but too lifelike at the same time,
Smelling ***** like the air rifles t'at just brought 'em all to death.
Death, ah, living t'is life without thee is like death;
All is clueless, breathless and sightless,
All is burning me strangely and from within,
Luminous, gemlike, dreamlike, deathlike, half the night long,
Growing and fading and growing and fading like an edgeless song,
But all too disobeys me, and disappears again as morning arrives,
Mocking me again while showing off its cloud wives.
I am trapped again now, in t'is wonderless dream of thee;
Which is more buoyant and febrile, unfortunately, than death itself,
One darker than even a tragic tear of one thousand years;
Like a heartbreaking scream or shipwrecking roar,
I am walking in a wintry stream all by myself,
And where is my Immortal—for he is not by my side,
He doth not witness the emerging of such sunshine—ah! It is t'ere today, quite early,
One t'at sets t'is darkening gloom all away, and thus we are all born free,
Free, virtually, both our hands and slithering eyes,
But still thou art not 'ere with me to witness t'is joy,
Thou who hath gone and withered like a pale blow of smoke.
Ah, Immortal, but may I hold t'ese rainy memories of thee still;
For t'ey all scorn and spurn as though I am ill;
I who loveth thee sincerely 'till the very end of time,
I who loveth thee with all the clear and vague powers
with which my very soul hath been endowed,
I who loveth thee like mad, I who loveth thee purely without hate;
I who virginly loveth thee like I doth my own fascinated fate.

Lay again, my love, on my longing lap,
I'll sing to thee one favourite lullaby,
And a basket of cherries t'at we picked nearby,
We shall enjoy t'is merriment before I let you sleep.
I shall let you sleep on my lap—a pair of skins t'at love you,
Love you as much as my other skin doth,
A heartbeat and pulse t'at breathe together
And want thee t'at madly, now and forever.

I found thee perfectly beautiful, my Immortal;
Sometimes thy eyes were downcast,
Spiritual in some ways,
And 'twas like thou wert thinking, my love;
Thinking of the upsurging stars above—and t'eir ******* secrets, beneath.
Ah, Immortal, even the vilest idleness cannot be against my love for thee;
My sparkling stars, and the affirmation traced along my heart is about thee;
All about thee, until t'ere is but none left of me,
Thou art the juice of my soul—far too ripe for someone else's heart!
And one, thou art more delicate than the crescent moon we hath tonight;
More shimmery than its ***** and rays of twilight,
Ah, Immortal, how the heavens hath descended thee onto me;
Thou, my love, art the last life and love of my thorough entity.

And t'is poetry shall be thy last enchanting lullaby,
I hope thou'lt sing it when midnight's swollen and sore,
Hurting thee to the pipes of thy very core,
But let's forget not t'at we once knitted awesome stories,
A chain of moments t'at lasts forever, ever, and ever again.
Ah, Immortal, we are back in the afternoon now,
We must though 'tis bluntly hard to say goodbye,
Of which hearts are unsure, but yet must lie,
I shall cry out my last beating love for thee,
But thou dwelleth in what I see, and thus ne'er leave me,
Like a fallen star t'at wants to rise but ne'er doth,
Thou art still the leaf my autumn tree hath sought;
And thou art the shine to my balmy rootless night;
Thou art the apparition t'at appeareth and teasest me after nightfall.

I'll wait for thee again in slippery Sofia,
And my love shall re-unite again with its winds;
Its walls, its havens, its barns like a spellbound purgatory;
For if I am bound to thee, in love and hate and rage and agony;
I'll write thee poems 'till even the universe is asleep.
I'll be cold like thy saluted Bul-ga-ri-ya;
I'll hold thee with 'till the last drops of my sanity;
Ah, Immortal, and in yon high-walled garden I still watch thee
pass like an authorial star;
Thou art as graceful as my own kind-hearted light;
For sorrow cannot even seize thee, my leading star!

Say love not when I meet thee again one day;
For t'ere is no more a desire to learn or admire,
I shall carry my knigh

[PART ONE]
xeroxed, RT'd and plagiarized
so many times on so many blogs
tween blogs to republican blogs
to blogs in Russia and
blogs no one ever scrolls though...
original content is prey
but I have a warning for they:

overrated, over-shared
content aggregators beware
the lines you swap can
rot and ware
the World Wide Web
does not care.

[PART TWO]
original content
original contests
original continent
original controversy
original coordination between strangers
original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything

[COMMENTARY]
original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such.

[PART THREE]
original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable
original miscommunication between web 1.0 and web 2.0 reality
original alphabet they use to type on their keyboards
original grammar they learned in school
original money their gov't printed
original content they re-post
original refried beans
original content
orginal contet
ogrinal cotent
ognal ctt
oc
.

[PART ONE]
xeroxed, RT'd and plagiarized
so many times on so many blogs
tween blogs to republican blogs
to blogs in Russia and
blogs no one ever scrolls though...
original content is prey
but I have a warning for they:

overrated, over-shared
content aggregators beware
the lines you swap can
rot and ware
the World Wide Web
does not care.

[PART TWO]
original content
original contests
original continent
original controversy
original coordination between strangers
original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything

[COMMENTARY]
original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such.

[PART THREE]
original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable
original miscommunication between web 1.0 and web 2.0 reality
original alphabet they use to type on their keyboards
original grammar they learned in school
original money their gov't printed
original content they re-post
original refried beans
original content
orginal contet
ogrinal cotent
ognal ctt
oc
.

Once more-I am condemned to t'is unmentionable solitude;
And so is my grief-my grief t'at hath been passionately seducing me-of late;
And neither clear dusks, nor vivid twilight, hath helped ease out my mind's servitude;
Even strokes of civil light-to whom I submitteth my visions; on whom I may rest my fate.

Ah, he who was once immortal-and still is,
His suffering is mine-and thus as reeking of malice,
He, who hath the tenderest of charms, and lips;
He, whom my heart abides by, and chooses to keep.

But his whereabouts hath been unknown, and a lie to my whole passage;
Still whenever I roamed yon outside region, he was nowhere within my sight;
He who hath been both sincerity and a malice in his own timeless age;
He who hath been indulged by my morns, and cooed to, by my night's impatient moonlight.

Ah, how canst he be but so unfair?
He left my poetry to myself, within t'is mistaken five-wheeled chair;
I am now anxious, strangely; about my own wealth of poetic torrents;
My mind feels humid, but itself hath been ferociously abused-like the mind of a fiend.

And to him my suffering is dear-for to its shrieks he showeth but contempt;
He laughs at it and locks it away in its misery-with not one drop of shame;
Ah, he is too impulsive to think of farther, and far too lame;
He is too wild-and darkly scented like night; but as well evil, and too slippery, to blame.

Thus I am but pain, and the whole world next to me is fear;
I knoweth I should drifteth away, but my ears, and insides-insisteth on staying here;
As if the crude, lying love were truthful-and easefully sitting near;
And couldst promise to cause me no more tears.

And thinking of thee sheds only more unwanted blood;
And t'is indeed, remains something I wanteth not;
For of which hath been spilled too much, and which hath torn away my heart;
For I shall not any more saint thee; and removeth thee from any further crafted story plot.

And so thou art not to be any farther painted;
For thou hath left any beauty abandoned, and too simperingly hesitated;
Thou made me feel betrayed, and teased my whole, productive solitudes;
Thou sent my glittering heart still; thou faltered my dignity-and more severely, more glorious youth.

Thou tampered with me like thou shalt doth an old proverb;
For thou detestest any poetry; and cursest any defining melodies, or verbs;
Thou tantalized my verses, but mercilessly flew and ran away;
Thou vanished my glimmering worlds; and harmed my cheery authorial days.

And thy accusations of me hath but been too vehement;
Like thou thyself owneth over me a verdurous tyranny;
Thou hath been too proud, whenst thou hath only but a grievous impediment;
And her, who was darkly born as a devil; and in whom there is neither desire, nor humanity.

And like her yesterday, thou art now too proud, and befalleth my private senses of humanity;
As she desired, thou hath now grown selfish, and tender not like before;
Sadly all t'is thou realiseth not, and instead taketh easily as mere profound felicity;
And thy passion hath likewise gone, 'till t'is saddened world ends, and existeth no more.

I am here all madness-madness t'at to its impertinent soul-is brilliant;
Brilliant to t'ose who are blind to feelings, just like his deaf soul perhaps is;
But madness, still I regard-as although infamy, deeply pleasant;
For it shall lead t'is ignored poetry to satisfaction, and widening secret bliss.

But either there is love or not love, shall I respect and be loyal to poetry;
Even though thou chooseth to follow her and forget our whole, significant glory;
I shall keepeth silent, and still be thankful for my taste-and untainted virginity;
I shall be proud of my true doings, and my equanimious love, for thee.

And my love shan't ever be bought at any price, nor even priceless syllable;
As well my triumphant words-for to them, aside from loyalty, nothing more is desirable;
For I believeth rewards are only for them who reserveth, and professeth, loyalty;
And for in every endurance there are charms, and even more agreeable, royalty.

And shalt never ever thou findeth my purity, and love, be tiresomely divided;
For my love is secure, and shall love its beloved all devotedly, and unaided;
My love, as reflected by poetry, is abundant, though sometimes childish-and even soundless;
But still terrific as rainbow, though more silent and tuneless; as one symbol of my loyalty, and truthfulness.

And accordingly, somehow, amongst thy invisibility-I senseth thee still, amongst yon verified air;
Of whose whims I am not afraid; of whose ill threats I was not once scared.
For t'is solitude, and its due poetry I hath undergone-hath deeply had my finest self purified;
For it hath been my friend-and indeed not thee; sadly not thee, for thou thyself hath chosen to be far, and left unspecified.

Like all of those beings, perhaps thou art the one also too silly;
For to love thou stayeth idle, and bothereth not to ever look at-for fear of purifying thy glory;
Thou art still one 'mongst 'em, who claimeth love is no higher than gold;
And thus deserving of me not-for as thou saith-love is trivial, and its seclusion canst be sold.

Writers often mistake themselves
for serious people because
they write about serious subjects.

Give this some serious thought.

We might be just be *******
with  excellent vocabularies.

The two are not the same thing,
nor do they have the same value.

  ~mce

When I  die
        (if my parents don't know)
        remember to weigh me judiciously with authorial intent.

Don't let my father go to the front
and tell everyone what a good daddy's girl I was
        how I loved fishing with him
        and wore my camo pants like a champ.
                                I was 2.
                                I didn't know better.

Don't let my mother's lip tremble
or let her say how much my writing made her cry
        how I spent my evenings worshiping textbooks
        and typing til 2 am for large red A's on my papers.
                                I was worshiping the body and mind of a guy
                                who never wanted me back.

Don't let my father see my body
        the tattoo next to my left hip bone
        the one I got my freshman year
                                because why the **** not.

Don't let my mother see my face
        the rings in my lip and nose and ears
        because they told me only ***** had those
                                and I wanted to see if they were right.

Don't let my father tell stories afterwards
        all my achievements and awards
        every 100% I ever gave.
                                He never told them to me.
                                He only has pride in the dead.

Don't let my mother tell stories afterwards
        because she'll get them right
        but tell them wrong.
                                She'll either laugh or cry halfway through
                                and I don't know which is worse.

Don't let my father sing the hymns
        or even say how much he loved hearing my voice.
                                I could never hear myself over him.

Don't let my mother lament that I never sang for her
        she knew why
                                she married him.

Don't let them tell you how I was a good Catholic girl
        who always went to mass
        and prayed the rosary on roadtrips
        and never ate meat on Fridays during Lent (not even on accident).
                                I stopped going to mass after freshman year
                                and never prayed while driving
                                and made it a point to eat as much meat
                                                            ­            as I possibly ******* could.

Don't let them tell you how I was a good sister
        how excited I was when she was born
        so helpful and caring.
                                She never fell off the bed when she was little.
                                I kicked her.

But especially don't let them trick you into thinking I was perfect.
        I do not want to be canonized by my parents
                who knew so little
                        and saw even less
                                because I hid myself away
                                        so they wouldn't be
                                                disappointed.

I­n fact,
don't let them come at all.
They'll be mourning the wrong girl.

My heart has walked the line, finding its place in its world and the place in my world where you settle and its all a bit of a whirl.

For a woman who doesn't believe in soulmates, you've become a lovely enigma of where I can't picture my life without you and you are the only one I want. Where you are the only star bright enough for me to want to fall through the tremendous skies to try to catch.

Its my constant hypocrisy, looking at you and seeing this heart I want only for me, a heart that seems to be so attuned to my own beats. A heart that seems so fateful sometimes I wonder how there cannot be some sort of universal intervention to lead me to you. It was all by such chance. I never expected, or even truly asked, for you.

Yet here you are.

And as I blink into the dim starlight, I think I know what you are, and how I can live between my two philosophies of you being meant for me yet our souls being nothing but the best coincidence I've had the honor to experience.

Its like I've said, writing, if anything, is my soulmate. I was made to write, to caress words like a fabled lover. Writing is on my belt, always on my hip, burning at the tip of the bone and something that will never leave me, no matter what. It is my personal and promised companion in an uncertain universe.

Yet something, in my darkest hours, sent me the brightest star I've ever seen to light my way and guide me towards my authorial happiest. True, I can nearly see less-lit paths in which I could be happy and even possibly, in a way, just as happy as this one.

But with writing on my hip, and this twinkle in my eye, you showed up and were everything I could have wished for and more.

That's what's so crazy about all of it; I even did wish for it, long ago when I was knee-deep in a passion for fantasy and true loves. I dreamt of a sandy hair boy with a flare for rebellion, loving all things unique. A man who liked to stick himself on motorcycles and see how fast they can go, who felt often alone but never let it ruin who he was. A person so strong yet so internally solitary a person like couldn't help but be magnetized.

I thought of my character as the hero, but oddly enough my proudest role for her, my facsimile, was to stand by the sandy-haired man and love him in his brilliance in a way only she could see. To be the only one to stand by him wherever life may lead, and be as damnedly brilliant right by his side.

But their connection and love?

It was the true protagonist of my stories of the Sander boy and his quirky girl.

Part of it is fantastically terrifying how much of them I see in us, of how much of my teenage love dream came true when I never asked it to. By the age of eighteen I had abandoned romance. I thought no one would want me, not the way I was. I didn't think there would ever be a man, let alone a sandy-haired one, in my future.

And then there was you.

Its ludicrous. Its all madness, looking at you sometimes. I never thought I'd be so lucky. I never planned for you. Yet look where we are.

We're brilliant.

So in its own way, my ideas hold true. I don't quite believe in soulmates, for love is unexpected and telling yourself you only get it once is cold and painful. But I look at the paths before me and you illuminate the one that has me and you and it looks so beautiful.

I am writing and I am so happy, and you are so brilliant right next to me and we're so happy.

I could be happy elsewhere. But after knowing you and following you like the north star, letting your light be my guide, picking you out of all the stars I could have had....

I can't regret anything, and I can't picture myself loving anyone so brilliantly and passionately as I feel with you. I could be wrong, I could be a fool, but **** it. Tonight, for every night I've known you, your brightness has surprised me and filled me with so much love.

For now, you are my north star, the thing that directs my path as I illuminate the night with you. I might be a pessimist, and maybe the universe did plan this all perfectly like a well-constructed art-piece. Or maybe I'm being an optimist, and we only found each other by luck, two ships in the night that happened to collide happily.

No matter the circumstances, there's no one else I love to traverse the infinite sky with more. After some polishing I've found my own brilliance, but with you it grows so much stronger.

I found in you what was lost in me, and I'll stay with you as long as you stay bright on me.

Part 1.
Two stories warn sojourners away.

One claims it is a lie,
the other says that's true.

Loyal opposing view,
legally bound by noblesse oblige
and the ever with us, poor, survivors;

we carry on, wayward, in truth, living.

Outlaw and outcast, indentured
deportee, pioneer, settler
war-bred ordinary offspring,
reared rough
to be ready,
armed and ready,

"Big Iron on his hip" gunslinger ready.
Will to **** bred in, warrior stock ready.

The imaginary last days prophecy,
presented to me, sincerely,
sorry, hate to say it, but
you know you do not know these are
my grandchildren's last days, so
do not lie to them, if you cannot lie
to me and walk away thinking I believe
you.
- and ****** if the fool did not begin
- to preach, claim'that his call to us all.

Part 2.
So, quickly does the day arrive, blink.
You are old, and unfinished, incomplete.

Yet, your use of faith by reason is questioned.
Yet, your use of reason by faith is not.
aha
Aitia, we go back aways.
So, scatter-brained and indecisive
as to whether any remedy is worth the umph
to aim and follow through, the old man sighs.

So, squint-eye, slow-breathe, squeeze…

Richard Corey quiet desperation,
Freddie Nietzsche poor luck with the ladies,
Peace, be still.
Let loose, let go,  
confess to believing inspirations arrive on time.
Live now, pay later?
NO no no, now,
and ever
after, the power needed
to fill a cistern
to overflowing, let it rain,
is in the understanding wisdom brings,
for your use in getting the joke.
Right use, mind full, swept away asgone.
This is water. Fluid reality, specifically yours.
Zeus, Epimenides said, and Paul quoted,
in his Unknown God message, totally
in agreement, the entity
we describe as God, the way and life,
is this truth in which we live and breathe,
and have our being.

Part 3.
Information asymmetry

Stacked deck, loaded dice
- let this mind be in you -
Living stories told to hold us safe,
anchored on sound reason, solid

ever present memory, reminding us,
we, the raw material for future victory.

Fitting this military mind, reminding each
of others lost in past wars to end war,
and wars to secure trade
and wars to reset status quo, for a minute.

Then the spirit inspired to take and claim
beholder rights,
peace given to be taken as granted,
let it come upon this mindtimespace.
Beauty or the beast, attention paid
hook, look
beholds a prophet, professing ancient wit,
"hey, spirit in aspiration and inspiration,
prepare to meet thy maker, conspiring,
to settle the hot and cold front clashing
thunderous
grunts and groans,… Activa hits the gut.

Part 4.
Old,
old man,
old patterns matching

lining up to be one line atop
another
ever along the edge of both sides
-cave wall reality
flat
flat as Texas when the dust rises
reminding old wombed men of
flattering floral print flour sacks sewn

into everyday dresses nobody wore
to church.

Ever fills never with knowledge,
used to stretch the whole known
bubble of we, this observable realm
of ever changing never
remaining unchanging
while ever expands, changing
being the honest true umph
to now being after before,
morph into this moment,
in my future, you smile.

Commas cause breezes.
I rub my eyes, ideally virally dry

Part 5.
Jah,jah, joke's on me… I know, it's light.
Old man me, says he ain't poor,
he is dependent, and thus
depends,
swings as pendulum do, to and fro.

Test my best reaction time,
draw! Hour after hour, gain the fame,
- expertise
fastest cut, softest touch, listen, is it true?
Old knowns, trusted sources, bow before
the internetwork
of faithful textual search engines.
Fact checking. Pre-defining heresy, as
one such as I say the voice of truth, I hear

as may all actual others thinking thus old
yet, never ever dying ideas that ease,

Fret not. Perfected praise, from the child
in my son, speaking out, from my realm
of perfectly good reason to think we share
mindtimespace and often think together,
unwittingly, i.e. un with knowing how ness.

Lying saints, deceived disciples, cry heresy, blaming
God for all discrepancy
in the ever ready sponsoring
of the innocent and despondent.

Enter brown Franciscans, little grey Dominics,
flying nuns, and holy terror inquisitive tradition,
grace is not free, i.e., Jesus failed.

That's right, so, we had to fix the fools who said
truth known makes free, non free, oath bound minds, every child must pledge actual child
faith wise under God, as in, so, help me,
God is real in any American model child faith.
It don't matter
if every uttered word,
ever swept into a storm
of stories living long, longing
to be told
there's that temptation,
to be led away from,
rise on your own version
of the same truth told,
as all men do, we lie
say we deny the flesh and
feed not the pet lie, oath bound, we do.
We must, when we agree our bubble
becomes all the truth we feel kin'ly so's
to imagine Jesus did not finish destroying
the useless boogie men and witchery wombed men, evil manifested as war's own reason,
first child of pride, father's anointing oil, son.

Cast away your anxious mind, take a line, hold on.

Chreia, as you may know, say things intended to teach.

The man with a grasp on the simple why, why, why
did god make man?

To survive the last days. Ok. To reach ever,
after what? Now,
right. So, immediately…ever after

Feelin' right ghine, noghucking way, but win
just once

Part 6.
Value first.
Worth next, time to attend to price.
What's a unit of human bemusing worth?
Whole thought thread assistance
isisting is isting being in and out at once.
Insisting a will to stand, corrected.
existing yet-i
The authorial reality POV, me
first person to the second I involved

ready reader reading inky slow, each
sigil sign if-if-fine lining the tray,

a dust about a carbon atom thick, taking
form as the other shoe drops, you know.

Tryumphant self insured, we got spares.
ekdotos "published,"
from ek- "out" (see ex-) + didonai "to give"

EEKING OUT A LIVING! that's it.

The first hit. Nothing ever changes,
and where we remain, goes on, that's all


-- Part 7.
Rules for ryhmes crimes and times
evolve along a central point,
once made,

clearly to be seen right through

you imagine, there are more of me,
more of my kind, lacking proof,
have will, may travel, no guns
or other forms of self defense work

in the realm of words, authorized
tele-real, to feel tomorrow from today,

if it all works out this way, one day you
read this line and think,

what it is ain't what a reader thinks,
and the first reader readily agrees, so, what?

Slide passed past outsider angst,
slip into the answer to my accepted
prayer, to be led away from needless leaps,
and delivered from useless endeavors,

given peace that functions as fire does,
a little

-- Part 8.

Provocation --
Authority to prophesy,
it is true,
      there is a lying spirit,
learn-ed prophets study under
-- here there afterrrr
learning to rationalize, y'heah
to call the Bible, any version,
or any locked down revelation
backed by kings and priests,
hear ye
holy secrets only saints learn,
routes out of any hell
aha
our kind stand before kings,
we never once grovel to stand
we must, we exist in this as like
National governing entities,
under girded by ontology myths,

ordained by the triumphant one god.

Opposed by the Manichean Heresy,
made use of after all, as fearsome
spiritual weapon,
with which to defend the story churches are.

I sneeze a *** of gnosisnot, it's viral, just
a cold
hard fact, as the old point finder found,
chreia aitia and I and little-i- as inspirations

wisht you a merry life after christ mas was
announced

Peace, on this
Eretz, right ritzy here, the ancientssss life pod,
we developed from, if creative evolution
is not a local solution yet, just wait, let us
as we say in this realm of free association,
breathe, and let patience have her perfecting
function.

Ai, on the battle field, calling all three medics,
Christ, it is as if

Easter, is a season, some times, some places
always perfect outside being in weather,
where I would go, if this were heaven,

and from here, I laugh, when you learn
I learned, yesterday, to invest mystery

Part 9.

Wiseassenine Netflix Dylan grin,

"But there is nothing, really,
nothing to turn-off."

Really, I say, I shared my dreams,
made all my portals open,

tell me more, mister wizard,
when was war your best work?
when you came to bring this sword?
-- imaginations exalting themselves,
-- as corporate monstors are wont to do.

There were a few,
inbetweeners, unstable
in all their ways, accepted
as right by virtue of being self
evidently
standing upright after all's been
said and done,
judgement begun
in the area where Jesus,
has been known to reside,
with his father, since ever,
you imagined it true as it is.

Uniquely your house of God,
find all the words you ever condemned with
and redeem the roughest ghucking foul spells
full of filthy wordcontainers of filthy thoughts,

as are hidden in the deepest recesses under
the vates, come, listen, to the story
'bout a man named Joe Bob,
who's yer uncle, back aways.

Part of what makes you, soul wise

unique to the same degree,
and often more unique
due to fewer shared
chins and noses and the like,
family spirit and image, like,
like, like, like, like, we all
think like
each other thinks,
in the internet common place
attention based economy,
your time paid as attention
to me,
extremely indirectly,
so subtle when I say a million thanks,
you feel the briefest imaginable ASMR.

Kinda, subtle clinch,
nah, nothing, eh.

There are the days
When the mind is so sluggish
The imagination so depleted
Passion, desire, motivation
Evaporated

That all I'm left with
Is life
And all of its beautiful
Mundaneness

How do I describe
The lack of energy?

How do I describe
The depression
That keeps me from me?

How do I mute
The voices
That voice there
Knowingly
Consciously
Purposefully

There is a mad rhythm
In all of this
In all of us
And some days it's simply there
Underneath the fingertips
In the mind
In the soul
In the heart
And onto

The page

Other days
This day
This hour
This minute
This second

There is nothing but the objective truth
Of my fan whirring
Pushing air that mixes with this 9:40 PM
Early summer breeze
Warm neon orange reflecting on the
Silver moon Camry across the street
The pavement dry and littered with cold dog ****
With the rumbling echo of a plane filling the night sky

I put these down
These setting details
And I worry about the mechanics
Of such things

Wishing I didn't recognize
These things
Wishing I was as new to all this
Ignorant to the purpose
Of the proposed
As I was when I was a child
Not thinking about word choice
Page count
Structure, themes, authorial interpretation
Twitter followers and re-tweets

Is this what
This is now?

A game
Of
Outdoing
Yourself?

Of elbowing your way
To a seat
At the table?

Is this
What it's always
Been?

Is this
What it will always
Be?

--------------
And in this we state, peaceable foremost,
recollecting puzzles uses, and disputing
the worth of imagining an others mind,
after my own was recognized as alienated,
by the nearest thing to an advizeer, we need,

the projected tweedy lisping image
of Judson McGeehee,
of blessed memory for his remark to me
about my use of the word ****** to modify
lost.

Truth at the authorial observers qwerty level
accomplished old man, letting this mind be
in him, thinking it no theft, your attention,
or mine, its all worth what we believe,
ultimately, we choose, win, or lose,

and live with knowing that's fine, in finest
grit, being coughed up from post shingle shot

reactions in our instants together as thought

Earth after any minute now is in its principal,
state of mind, tuning our minds through our time,

on Earth, whither many have long believed,
the perfect will is what won, witnessed done, indeed
peaceable, gentle, easily entreated,

settle down, warrior willing
to die for the truth
calling all you read, testing your hold on truth,
chains of pearls, anchor chains of pearls, truths
used
in your present reality to allow a fretless cough,
and sniff, in rememberance of Solzhenitsyn
and Don Beck, who read A day in the life…
in forty-five minutes, with his hearing aids off.

Ivan Denisov itch… but you knew it.

rapprochement somewhat salvaged dislocation

Truth be told about following poem
mostly written quite some years ago,
and revisions made to recreate
a more satisfactory literary product.

This trademark ungainly, unsightly,
and unwieldy title essentially
huzzah mask queer aid,
(my humble apology NOT
to incite unwanted
and unwonted anger
among lgbtqia community),
and accentuates tendency
(mine) to administer
reverent unpretentious yawping,
sans (asper thy usual)

wordy, quirky, nutty, heady, easy...
and gallimaufry charade,
though pointed lament
decries copious blather,
which awareness (in tandem
with better devilishly cherubic angels)
prevail upon sesquipedalian
nippy nap noopy quirkiness, might be
in my best (in show)
interest to evade
leaving an unsuspecting

reader psychologically frayed,
and without doubt prematurely
finds same cyber surfer
harried and grayed,
styled akin to experience dramatic,
and sudden onset of progeria
hence, a concerted effort
will be orchestrated, i.e.made
so everyone involved woodwind
fur me (a hip cat) tabby
conscientiously choosing

meow me modus operandi
to mute trumpeting,
associated with this one man
faltering hit parade,
hence, an intent to write
swiftly tailored and more clearly,
cogently, and creditably
qua more understandable to invite,
subsequently witnessing, an
increased authorial fan
base, and unite

easy to comprehend
underlying intelligent conversation,
and/or share something trite,
anyway, thee impetus regarding
risking emailing a younger sister,
where repressed spite led
to dissolution, née cessation
of brotherly linkedin communication
engendered me to make right
egregious emotional estrangement,
principally vitiated, nursed,

generated, augmented
(thank you very much) by me,
viz in sum avoidance behavior
(traipsing, purring, loping,
humming, and doodling along) quite
familiarly, easily, (no matter
discontentedly), alas and alack
moment seemed apropos
for this only bro
their to allow, enable,

and proffer selflessness -
pushing aside ego
(mine) and attempt to go
for the gusto ***
embarking, kickstarting, and
resolving upon reasonable resolutions
to convey persevere re-establishing
cordiality, despite misgivings
toward Shari Todd
thee family member in question.