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"asymmetric" poems
a Gestalt principle of organization holding that there is an innate tendency to perceive incomplete objects as complete and to close or fill gaps and to perceive asymmetric stimuli as symmetric
0
Jul 16, 2014
Jul 16, 2014 at 2:46 PM UTC
Closure
The rustic sheet of a door screams as we pull it like a scab We step inside this warehouse can Two floors - we're holding hands His eyes lit like a crescent Moon - excited, he yells "daaad!" Our head, like swaying swing We see it all, tongue in cheek Like controls without the freak It's so much fun it stings An asymmetric wasteland Convenient and distorted The walls - bleak and boarded A symbolic sleight of hand This is where we feel My father's on the catwalk Like paranoia paraphernalia My son's grip tightens, it's the only thing that's real Absolute felicity To realize what I have in the confines of my hand Imperfection in the making - he doesn't understand Skylarking permissably A reverie to remember His smile - sifting through his eyes Warm, he maneuvers like the flies He was born in December Moving closer to my father He's amidst the in-between Consistently foreseen His motion is no bother He steps along the ply Somehow keen in his demeanor Four-years-old, but greener Tossed and turning - it's the gleaner The sheet has been disturbed He's falling to his death I'm blanketed in sweat This cannot be deserved My father's eyes - they match my own I tear through the distance Foreseeing and consistent My father is a witness The fear - he's fighting falling We've never known it more His tiny hands just wishing there were nails Collective - we're losing all things I grasp a finger as he falls but not enough to bring him back My son approaches pavement as it fills my throat the same I look him in the eyes as they melt away in pain My body wakes without my mind - hysterically screaming  "DAAAD!"
0
Aug 3, 2018
Aug 3, 2018 at 3:00 AM UTC
Dreamboy
The rustic sheet of a door screams as we pull it like a scab We step inside this warehouse can Two floors - we're holding hands His eyes lit like a crescent Moon - excited, he yells "daaad!" Our head, like swaying swing We see it all, tongue in cheek Like controls without the freak It's so much fun it stings An asymmetric wasteland Convenient and distorted The walls - bleak and boarded A symbolic sleight of hand This is where we feel My father's on the catwalk Like paranoia paraphernalia My son's grip tightens, it's the only thing that's real Absolute felicity To realize what I have in the confines of my hand Imperfection in the making - he doesn't understand Skylarking permissably A reverie to remember His smile - sifting through his eyes Warm, he maneuvers like the flies He was born in December Moving closer to my father He's amidst the in-between Consistently foreseen His motion is no bother He steps along the ply Somehow keen in his demeanor Four-years-old, but greener Tossed and turning - it's the gleaner The sheet has been disturbed He's falling to his death I'm blanketed in sweat This cannot be deserved My father's eyes - they match my own I tear through the distance Foreseeing and consistent My father is a witness The fear - he's fighting falling We've never known it more His tiny hands just wishing there were nails Collective - we're losing all things I grasp a finger as he falls but not enough to bring him back My son approaches pavement as it fills my throat the same I look him in the eyes as they melt away in pain My body wakes without my mind - hysterically screaming  "DAAAD!"
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48
you're asleep you're dreaming about teeth falling out and shadows chasing you about fields full of flowers and holding his hand no matter what about, you dream too much and you wake up and he's still not there the rain makes your windows look ***** and the wind causes the roof to make noises and he won't be there to hold you when the sun goes down so you go back to sleep and behind your eyelids you see that smile that smile he used to flash at you before holding up a glass of white wine "cheers" spilling from his asymmetric lips but that's history and you shouldn't still be dreaming about him but you were never one to be the boss of your dreams the heat wakes you up at 5:47 you haven't been this hot since the too of you shared a bed you need to stop always drawing him into things he is not there he won't ever be don't make yourself remember the good times and how he's everything you ever looked for in a guy those thoughts belong in late night dreams and you need to wake up. wakey wakey, eggs and bakey
0
Jul 14, 2014
Jul 14, 2014 at 3:49 PM UTC
wakey wakey, eggs and bakey
*outlined in shades of reality replete with eclipsed potential the morning moon in revelation unaware of her ageless touch the language of time is floral the color of anachronism is sage so asymmetric in its beauty so linear in its dictates but her silhouette defies projection refracting moments into mosaics collaging aspirations into awareness as dreams clarify into appreciation*
0
Jun 13, 2015
Jun 13, 2015 at 11:31 AM UTC
Lunar Silhouette
All women bear it's essence with natures affinity, beautifully incandescent Have you ever noticed the color yellow? No less brilliant or poignant but uncommon, or the draw to a cello, it music just as passionate. Who questions the shape of a tree, or measures the gravity of a raindrop? Asymmetric rhythm and variety, are essence to femininity, It’s strength not weakness Sadly, we’re telling lies, and we’re selling convention. There’s no true quintessence Nature shapes these and in their uniqueness, in their own beauty, human eyes they please.
0
Feb 9, 2012
Feb 9, 2012 at 9:15 AM UTC
Yellow
What does Eunice bring on these blustered, raging winds? Busted fences put up in haste, a forlorn balloon cut loose, with a smiley face harking back to those asymmetric aceeeed days when polarity was frowned upon: what’s your name where you from what you done? A man cut from rich serge can be employed to gaslight blackened eyes to white, but the **** in Kent’s hedges don’t lie
0
Feb 18, 2022
Feb 18, 2022 at 6:50 AM UTC
You seein’ iss?
Deeper (breath) Deep Purr (breath) Per-fect? (breath) Im-per-fect (breath) Asymmetric (breath) (breath) (breath) Asymmetry (breath) African Textile Lines (breath) Tree Stump Rings (breath) Finger Prints (breath) Connected.
0
Sep 23, 2013
Sep 23, 2013 at 3:39 PM UTC
Meditation on Asymmetry
I have been thinking about & claim, Is not the world all way too eccentric? Anyone wondering how & why I claim so, Should look at all of these facts so very fanatic. The different crimes taking place in worldly realm, Various wars & murders and thievery & rapes, Outrageous scams & malignant corruption, All fortify the claim of the world being so. As I can infer from my first few thoughts, About this fairly asymmetric world, Where our orbit around the sun, Is elliptical & not circular, Our eccentricity is excused convincingly.
0
Feb 23, 2013
Feb 23, 2013 at 12:02 AM UTC
Eccentricity
We live in a world of noise, of parallel and asymmetric movement, where nonchalance has become the norm. Sweet, melodious and pleasing is our phony makeup. We are animals that reject our animalness. We dread nuclear, secular, red lights, cockroaches, love, threats and non-threats alike. Fear has taken us on its morning stroll, and predictably we bark. (The sun is almost up) We are turned on and turned off by oil-, wind- and hydro-powered switches that respond to clapping. There are beige, mauve and burgundy curtains to choose from, and supersized french-fries, pots, and cars. We have lost ourselves in a mess of options, and strive incessantly to complicate. We fly in formation and flow through carefully placed and beautifully colored rocks made from Styrofoam, down an improbable slope of over-romanticized hypotheses. We are ******** ego-centric and nepotistic, and asexually multiply. Thought and all other wasted rationality keeps the axes of our unsustainable and fanatical wheels from breaking loose (into free space and true autonomy). We create meaning where there is no meaning, and scientifically and thoroughly flout god and the truth, whilst we absorb, photosynthesize, bear fruits and grow leaves (we are still, essentially, vegetable). With every step we go deeper, and faster and better, and farther from our selves. Hence, we barely feel. We are deaf and blind and mute and approximately frozen; and dance, swirl, sing and scream in our vague, whimsical life, till we fall.
0
May 5, 2012
May 5, 2012 at 4:51 PM UTC
The sun is almost up
We live in a world of noise, of parallel and asymmetric movement, where nonchalance has become the norm. Sweet, melodious and pleasing is our phony makeup. We are animals that reject our animalness. We dread nuclear, secular, red lights, cockroaches, love, threats and non-threats alike. Fear has taken us on its morning stroll, and predictably we bark. (The sun is almost up) We are turned on and turned off by oil-, wind- and hydro-powered switches that respond to clapping. There are beige, mauve and burgundy curtains to choose from, and supersized french-fries, pots, and cars. We have lost ourselves in a mess of options, and strive incessantly to complicate. We fly in formation and flow through carefully placed and beautifully colored rocks made from Styrofoam, down an improbable slope of over-romanticized hypotheses. We are ******** ego-centric and nepotistic, and asexually multiply. Thought and all other wasted rationality keeps the axes of our unsustainable and fanatical wheels from breaking loose (into free space and true autonomy). We create meaning where there is no meaning, and scientifically and thoroughly flout god and the truth, whilst we absorb, photosynthesize, bear fruits and grow leaves (we are still, essentially, vegetable). With every step we go deeper, and faster and better, and farther from our selves. Hence, we barely feel. We are deaf and blind and mute and approximately frozen; and dance, swirl, sing and scream in our vague, whimsical life, till we fall.
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42
You’re not allowed to step into the house. You’re not allowed to open your mouth too widely, your ugly teeth bared and gnashing. You aren’t allowed to be that close, so close your mouth and sip your tea through the window, where expensive and matching dining chairs circle around a table set for nothing, for no one, because you can’t touch that silverware. You can’t wash those plates. You can’t fit, your neck so long that your head is in the clouds, your not-quite-bony legs serving as a reminder that your feet are still on the ground. Can you feel your heart in your throat? The way that it pulses every time you rest your chin on the roof or the way it pounds when you’re at the doorway, much too close to this house that you bought and built and you aren’t allowed inside. Why won’t they let you inside? Why won’t you let yourself inside? Invite yourself in; maybe your head will come down from the clouds and your heart won’t beat quite so obnoxiously loud and you can smile in a mirror while flashing all your ugly teeth. You can’t build a house without thinking about how you’ll fit into it: that’s basic architecture, basic design, basic everything that you never bothered to learn, bent on keeping your head so much higher than the ceiling. Asymmetric, sloping, like your shoulders and the alignment of your eyes and your crooked smiles and tied up tongue, like white lies and broken foundations and a doorknob that doesn’t work, doesn’t turn, won’t let me in despite the fact that I built this place with my bare hands. It doesn’t recognize me anymore, a fantasy so tangled up with reality that all the nightmares and anxiety ruin even my cloudiest positivity. I built myself a world and a future in which I myself am not allowed to enter. Maybe I should brush up on my knowledge of basic architecture, because God, I’m horrible at interior design and mapping things out ahead of time. I’ve tried just living without but the winter gets chilly and weakens my bones and it really sets in without the warmth of a home.
0
Oct 16, 2015
Oct 16, 2015 at 10:00 AM UTC
building
You’re not allowed to step into the house. You’re not allowed to open your mouth too widely, your ugly teeth bared and gnashing. You aren’t allowed to be that close, so close your mouth and sip your tea through the window, where expensive and matching dining chairs circle around a table set for nothing, for no one, because you can’t touch that silverware. You can’t wash those plates. You can’t fit, your neck so long that your head is in the clouds, your not-quite-bony legs serving as a reminder that your feet are still on the ground. Can you feel your heart in your throat? The way that it pulses every time you rest your chin on the roof or the way it pounds when you’re at the doorway, much too close to this house that you bought and built and you aren’t allowed inside. Why won’t they let you inside? Why won’t you let yourself inside? Invite yourself in; maybe your head will come down from the clouds and your heart won’t beat quite so obnoxiously loud and you can smile in a mirror while flashing all your ugly teeth. You can’t build a house without thinking about how you’ll fit into it: that’s basic architecture, basic design, basic everything that you never bothered to learn, bent on keeping your head so much higher than the ceiling. Asymmetric, sloping, like your shoulders and the alignment of your eyes and your crooked smiles and tied up tongue, like white lies and broken foundations and a doorknob that doesn’t work, doesn’t turn, won’t let me in despite the fact that I built this place with my bare hands. It doesn’t recognize me anymore, a fantasy so tangled up with reality that all the nightmares and anxiety ruin even my cloudiest positivity. I built myself a world and a future in which I myself am not allowed to enter. Maybe I should brush up on my knowledge of basic architecture, because God, I’m horrible at interior design and mapping things out ahead of time. I’ve tried just living without but the winter gets chilly and weakens my bones and it really sets in without the warmth of a home.
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39
There as I sat it spoke to me,    this wall of asymmetric cracks. Its faded, soaked cement remained.    Its light red bricks answered back. Past these chips of aged white    the blue sky hung with wispy cloud. A distant bird with creeping weeds    through ancient windows spoke aloud. Here light enfolds these steps of prayer    where new fresh grass is listening. The hedges kept with varied plants    in waving breezes are glistening. This ruined wall tells its story    of faded asymmetric glory.
0
Nov 13, 2019
Nov 13, 2019 at 8:51 PM UTC
ruined wall
I am the salivic twinkle in the eye. I am the loss of vision when I look at a light. I am the placement of a thing now, only put in my past, and played in my future. I am the thing there now, that I placed in the past, and will leave there for the future. I am too many to count I am too dark to describe. I am the colorful shades and lines of the inner eye perceiving my physical body. Physical isn't quite right. More like eternal-like being. More like eternal-like spleen. "Me" is so far out, I don't know what this body is here before me. What do these clothes cover? Asymmetric from the center out. Saying this like I gave humans life, made them walk upright. I am the multichrome of closed eyes in a lit room. I am faux wood. I am that thing from the past, placed in the now, and still doesn't understand it's creator. I am the question "why" which was never meant to be answered. I am realizing those who are sanctified in their breath. I am nerve meets bone meets skin meets hair. But all in one form, I can't see how it happens. I am what my eye looks like without seeing it, just imagining it. "I am what I am" when I ask this question. Sort of a mix of shape, mind, and hue. Or is it head, line, and imagined body? Does my hand touch my skull? Then is the hair and skin something unknown or forgotten? What comes of the thought that is unrecognized during contemplation? Are these really the bait for the goldfish in the mind's pool? "Oh no, what am I going to do?" as a "bad" trip shortens my view. The bone dry feeling of the fear of God, crushing every tendril and way that once carried me along merrily. "What if I lose God by taking too much nutmeg?" "You can't (or shouldn't) do that" a voice whispers to both losing God parts and taking too much nutmeg. Now I'm contented and thoughts will no longer emerge from the pool. So I must dive into sleep. Good night.
0
Jan 29, 2021
Jan 29, 2021 at 3:36 AM UTC
Nutmeg, trip? Maybe.
I am the salivic twinkle in the eye. I am the loss of vision when I look at a light. I am the placement of a thing now, only put in my past, and played in my future. I am the thing there now, that I placed in the past, and will leave there for the future. I am too many to count I am too dark to describe. I am the colorful shades and lines of the inner eye perceiving my physical body. Physical isn't quite right. More like eternal-like being. More like eternal-like spleen. "Me" is so far out, I don't know what this body is here before me. What do these clothes cover? Asymmetric from the center out. Saying this like I gave humans life, made them walk upright. I am the multichrome of closed eyes in a lit room. I am faux wood. I am that thing from the past, placed in the now, and still doesn't understand it's creator. I am the question "why" which was never meant to be answered. I am realizing those who are sanctified in their breath. I am nerve meets bone meets skin meets hair. But all in one form, I can't see how it happens. I am what my eye looks like without seeing it, just imagining it. "I am what I am" when I ask this question. Sort of a mix of shape, mind, and hue. Or is it head, line, and imagined body? Does my hand touch my skull? Then is the hair and skin something unknown or forgotten? What comes of the thought that is unrecognized during contemplation? Are these really the bait for the goldfish in the mind's pool? "Oh no, what am I going to do?" as a "bad" trip shortens my view. The bone dry feeling of the fear of God, crushing every tendril and way that once carried me along merrily. "What if I lose God by taking too much nutmeg?" "You can't (or shouldn't) do that" a voice whispers to both losing God parts and taking too much nutmeg. Now I'm contented and thoughts will no longer emerge from the pool. So I must dive into sleep. Good night.
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36
He Who Talks The Walks And Walks The Talks Blabbers Talks Makes sense Senses **** Walks away When He Is bored Is tired He Walks Too much Too far Likes it He Perhaps Experiences **** **** That He May be Shielding He cuts loose The struggle He lets go He Begins to travel As he desires To know More or less Battles The usual mess But On the inside Only on the inside Distinguishes The real From the surreal He sings About life About bikes About the mountains Aloud So that The world could hear About her But on the inside Only on the inside He dances To dance Just for the **** He’s not good But he dances Jives Not good Street dances Pretty good Dancing legs A delight To his mind Infectious With his laugh And An asymmetric smile Lives In dreams In parts The world For him Has fallen The world For him Fallen Still He rises For him He inspires Himself Admires Life He Is He
0
Dec 10, 2015
Dec 10, 2015 at 2:12 PM UTC
He Is He
Britain's dame of fashion Vivienne Westwood wrapped up London Fashion Week Men's on Monday with an eclectic collection showcasing edgy designs that included dresses for men. Westwood, 75, who is known for her eccentric creations and environmental activism, presented both menswear and womenswear for her autumn/winter 2017/18 "Ecotricity" line, putting men in dresses and skirts and ties on women. Models wore colorful knits made up of jumpers and trousers as well as long dresses and arm cuffs, at times slit on the sides. Men's suits were deconstructed or had wide, ankle length trousers and sometimes were worn with long cloaks. Women's jackets had asymmetric cuts or exaggerated shoulders. Shirts had large collars and colorful prints and patterns, including skulls and faces, adorned most designs. "She and he are having fun with unisex and swapping clothes," shownotes for the collection read. "'Buy less, choose well, make it last' limits the exploitation of the planet's natural resources." Outfits were often layered and looks were accessorized with face paint, paper crowns, colorful socks, tights and boots. Westwood, who previously showed menswear in Milan, was the biggest name at the four-day London event following the departure of brands like luxury label Burberry. "London is my home. I regret leaving Milan because they've been so kind to me," the designer said backstage. "It's just easier and more efficient for us to be here." Burberry will present its menswear collection alongside its womenswear line at London's higher profile women's fashion week next month.Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/red-formal-dresses
0
Jan 10, 2017
Jan 10, 2017 at 1:46 AM UTC
Vivienne Westwood closes London men's fashion week in eccentric style
Britain's dame of fashion Vivienne Westwood wrapped up London Fashion Week Men's on Monday with an eclectic collection showcasing edgy designs that included dresses for men. Westwood, 75, who is known for her eccentric creations and environmental activism, presented both menswear and womenswear for her autumn/winter 2017/18 "Ecotricity" line, putting men in dresses and skirts and ties on women. Models wore colorful knits made up of jumpers and trousers as well as long dresses and arm cuffs, at times slit on the sides. Men's suits were deconstructed or had wide, ankle length trousers and sometimes were worn with long cloaks. Women's jackets had asymmetric cuts or exaggerated shoulders. Shirts had large collars and colorful prints and patterns, including skulls and faces, adorned most designs. "She and he are having fun with unisex and swapping clothes," shownotes for the collection read. "'Buy less, choose well, make it last' limits the exploitation of the planet's natural resources." Outfits were often layered and looks were accessorized with face paint, paper crowns, colorful socks, tights and boots. Westwood, who previously showed menswear in Milan, was the biggest name at the four-day London event following the departure of brands like luxury label Burberry. "London is my home. I regret leaving Milan because they've been so kind to me," the designer said backstage. "It's just easier and more efficient for us to be here." Burberry will present its menswear collection alongside its womenswear line at London's higher profile women's fashion week next month.Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/red-formal-dresses
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10
I remember crying because I failed to put the pedal on my bicycle I remember the day when I got hit by my old friend for hiding his marbles I remember the lies, tears, and dullness for which I created When I was younger, gazillion times I always thought about the miracle I remember those nights when my mom put me in bed and became a storyteller Telling me how easily people fly crossing islands which was beyond the normal Sometimes, I wish I could have that superpower Wish someday when I get older, I would be a perfect girl People would forget my stupidities and give me that label That, is, miracle. The cycle comes, and little me was gone Hello nineteen me,  Welcome to another bedtime story When you could pick a dream, but not really sure whether it'll be real or just fantasy Still hoping that might you be a prodigy, But you forget about the term of mental therapy I do really sorry, Your timeline didn't go as you planned The majority of them was dreadfully failed Haven't you realized it? How many pains did you have? How many failures did you receive? And how many silly things did you do? There are too many to be counted. You always doing dumb things Procrastinating in something, And jeopardizing everything,  You are so embarrassing that you even couldn't bear with your own being You always try yet you always fail You always walk though you always want to fly You always attempt to smile yet you do a lot of cries You compare yourself to other people You always think their life is much easier You start blaming yourself about your awful character Loathing your asymmetric face for not getting prettier Cursing how bad annoying voice out of your manner And blah. Out of time, wish I could rewind the time Wish I never wanted to dream to have superpower Wish I never wanted to dream it at all I regret dreaming for some miracle Cos' miracles are unattainable In fortune, there is only fate.
0
Jul 27, 2018
Jul 27, 2018 at 1:37 PM UTC
Unfortunate fortune
I remember crying because I failed to put the pedal on my bicycle I remember the day when I got hit by my old friend for hiding his marbles I remember the lies, tears, and dullness for which I created When I was younger, gazillion times I always thought about the miracle I remember those nights when my mom put me in bed and became a storyteller Telling me how easily people fly crossing islands which was beyond the normal Sometimes, I wish I could have that superpower Wish someday when I get older, I would be a perfect girl People would forget my stupidities and give me that label That, is, miracle. The cycle comes, and little me was gone Hello nineteen me,  Welcome to another bedtime story When you could pick a dream, but not really sure whether it'll be real or just fantasy Still hoping that might you be a prodigy, But you forget about the term of mental therapy I do really sorry, Your timeline didn't go as you planned The majority of them was dreadfully failed Haven't you realized it? How many pains did you have? How many failures did you receive? And how many silly things did you do? There are too many to be counted. You always doing dumb things Procrastinating in something, And jeopardizing everything,  You are so embarrassing that you even couldn't bear with your own being You always try yet you always fail You always walk though you always want to fly You always attempt to smile yet you do a lot of cries You compare yourself to other people You always think their life is much easier You start blaming yourself about your awful character Loathing your asymmetric face for not getting prettier Cursing how bad annoying voice out of your manner And blah. Out of time, wish I could rewind the time Wish I never wanted to dream to have superpower Wish I never wanted to dream it at all I regret dreaming for some miracle Cos' miracles are unattainable In fortune, there is only fate.
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43
Then there were the scarred scarecrows, the wolves with their cheekbones - like a bunch of cubs, I'll tell you now! Thirst for revenge on indigestible ants, tortures for animals. There were defamation, unremitting, stinging rib-like fractures in the moral mud, and screams of mercy begging from far away in a scented school toilet! And then there were satisfied sleeping tales that, "Well, everything will be fine!" And "Don't be afraid!" - and, with grudging fist-right and killer-eyes, we all became emigrants within our own morals: we adhered to our principles! There was little satisfaction, holy vow against the siserehada of bone-breaking slaps: We'll show you! And a lot of ugly beats have fallen on us like a bombshell! - Thick wires between our nerve strings burst with urges, in a harrowing, violent pace: "If you stay inside school, you're sure to end! Die! " - And there was no mistaken sentiment that he was conceived in hell every day in the midst of deliberate ordnance and mockery; and the adult incomprehension has proliferated like the wacky **** in the other hemispheres! How did it become then? Without the secret, well-meaning human-faced angels, I would smell it myself today and wouldn't give it a gift! I won non-violent, eternally infectious wounds during duels: the tears of my face were contaminated by so many nasty spit! And every single day, if given that I could survive, I could run in laziness, and with asymmetric obsession, as a beachless pursuer: An uninhabited wound that craves understanding and shelter! Yet how unfulfilled is the tide of prayer for the deaf, the last rock of cooperative humanism ?!
0
Mar 18, 2020
Mar 18, 2020 at 4:38 AM UTC
Unsettled wound-island
Then there were the scarred scarecrows, the wolves with their cheekbones - like a bunch of cubs, I'll tell you now! Thirst for revenge on indigestible ants, tortures for animals. There were defamation, unremitting, stinging rib-like fractures in the moral mud, and screams of mercy begging from far away in a scented school toilet! And then there were satisfied sleeping tales that, "Well, everything will be fine!" And "Don't be afraid!" - and, with grudging fist-right and killer-eyes, we all became emigrants within our own morals: we adhered to our principles! There was little satisfaction, holy vow against the siserehada of bone-breaking slaps: We'll show you! And a lot of ugly beats have fallen on us like a bombshell! - Thick wires between our nerve strings burst with urges, in a harrowing, violent pace: "If you stay inside school, you're sure to end! Die! " - And there was no mistaken sentiment that he was conceived in hell every day in the midst of deliberate ordnance and mockery; and the adult incomprehension has proliferated like the wacky **** in the other hemispheres! How did it become then? Without the secret, well-meaning human-faced angels, I would smell it myself today and wouldn't give it a gift! I won non-violent, eternally infectious wounds during duels: the tears of my face were contaminated by so many nasty spit! And every single day, if given that I could survive, I could run in laziness, and with asymmetric obsession, as a beachless pursuer: An uninhabited wound that craves understanding and shelter! Yet how unfulfilled is the tide of prayer for the deaf, the last rock of cooperative humanism ?!
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5
October 30th Words, word, and the futility of such Or true appeal in sectioned rhymes of madness Like Beethoven composing Blade Runner In the midst of blue helicopter gunners Spectator chemicals eviscerate my brain Educationally desensitized to what I'm trained To do, or to scream in pools of rubidium And call back to poems of delirium In my shelter, so deep in my room White peroxide liquid, mangled and groomed My heart is aqueous, love I'm shaped by the "god-like" lingerin' 'bove Net equation and sums enter my ear Therefore finding themselves on paper peers Lectures or cantankerous, droning drawls They taste like a slave's righteous crawl Balance life like a panther and its prey With elegant trickles remarking on the day And unconcievable drawings, moving fro' The Worldwill pukes to what I sow There is no question, this isn't one Verses are futile under the sun But rhyme is priority, thus authority Digestible, like wood covered in yellow sugar And blue butter, counting with a Cockney clock Arrogant as he is, he smiled at her Tick tock, and the flock is shocked Petty Betty blessed her daughter Loved her well 'till the police caught her Thought-streams, and the working of the mind Like the asymmetric butterflies of the Sistine Chapel        Oh, believe me! That's how my brain grinds Where the world can equate to an apple Paper on a finger, vice versa, so long As I can keep track of Sing's King Kong Pink-headed jubilee in old Manila Killing time violently on the stairs Remember the words of mouths of vanilla And be sure to never stare I talk to myself and tell myself nothing Soon, over the morn', I will be nothing
0
Oct 31, 2017
Oct 31, 2017 at 12:13 PM UTC
Arrleihsyuz
October 30th Words, word, and the futility of such Or true appeal in sectioned rhymes of madness Like Beethoven composing Blade Runner In the midst of blue helicopter gunners Spectator chemicals eviscerate my brain Educationally desensitized to what I'm trained To do, or to scream in pools of rubidium And call back to poems of delirium In my shelter, so deep in my room White peroxide liquid, mangled and groomed My heart is aqueous, love I'm shaped by the "god-like" lingerin' 'bove Net equation and sums enter my ear Therefore finding themselves on paper peers Lectures or cantankerous, droning drawls They taste like a slave's righteous crawl Balance life like a panther and its prey With elegant trickles remarking on the day And unconcievable drawings, moving fro' The Worldwill pukes to what I sow There is no question, this isn't one Verses are futile under the sun But rhyme is priority, thus authority Digestible, like wood covered in yellow sugar And blue butter, counting with a Cockney clock Arrogant as he is, he smiled at her Tick tock, and the flock is shocked Petty Betty blessed her daughter Loved her well 'till the police caught her Thought-streams, and the working of the mind Like the asymmetric butterflies of the Sistine Chapel        Oh, believe me! That's how my brain grinds Where the world can equate to an apple Paper on a finger, vice versa, so long As I can keep track of Sing's King Kong Pink-headed jubilee in old Manila Killing time violently on the stairs Remember the words of mouths of vanilla And be sure to never stare I talk to myself and tell myself nothing Soon, over the morn', I will be nothing
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I am kept awake until dawn arrives Close to clawing out these open eyes Near to dreams Far from sleep Further from the relief I seek Every night feel taunted The empty walls of my room Space beside me sneers silently Sunrise is coming soon Sprawled in an asymmetric shape Restlessly flipping pillows In bed screaming Into fistfuls of blankets Drowning in sheets that billow "You lost him!" Written everywhere Each and every item you touched It's agonizing how I'm forced to see reminders As if I did not already miss you too much
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May 5, 2019
May 5, 2019 at 5:21 AM UTC
In Some Knee Uh
Manacles made of thoughts Enchain spirits encaged In asymmetric chambers Of bodies neglecting to heed, Prisoners they conceal within, Terrestrial material planes Where the tangible struggles To conceive the impalpable yet, Inexplicably perceives its essence As it knocks on the soft membranes, Of a mind striving to connect. The incarcerator attempting To acquaint, itself with the incarcerated Who, peacefully surrenders as it knows It will be freed from shackles with, The death of thoughts and the burning Of the corpse.
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Jan 6, 2018
Jan 6, 2018 at 9:04 AM UTC
Burning bodies