you can’t just assume that
i’m gonna swallow these words whole
without trying to digest them
well guess what?
i might have a tough stomach
but when you’re not looking, i turn my head
and i spit your words out
my silent rebellion
trying to tell you, without saying it out loud
that i don’t wanna take this anymore
these sour pills dissolve in my system
and i am left feeling *****
as if your assumptions are seeping into my veins
and becoming a part of me
and who you think i am
is not who i want to be
so as a result
i’ve got a pocket full of these heavy pills
sticky with resentment
as i discreetly pull them from my mouth
and dispose of the evidence, trying
not to tell you that this is not how my mind works
and i go home and write about it instead
hoping that one day you’ll type my name into space
and find my words, arranged in a shape
that desperately tries to explain
why i feel this way
because i could never say this out loud
i could never even print it down, concrete
and pass it forward
to all the people i’m speaking to, writing to
now
i can only hope that you’ll get there on your own
because i feel so weighed down
by these things you say, as you explain to me
that you understand, you get it now
and you present to me my feelings
in a small box, and i open it
and i want to tell you
that you are so, so wrong
you’ve coloured inside the lines
and locked me in
and each time you describe me
to somebody else
each time you warn them
of what you think are my weaknesses
each time you tell them
what makes me strong, what helps me live
you push me further into this corner
of self-doubt, wondering
is this really who i am?
is what you see what everyone thinks of me?
because i am more impressionable
than you imagine, strong in ways you think i can’t be
but weak in ways you’d never believe
and these words leave imprints upon my soul
sinking into my heart like sharp footprints
falling through the cracks of my mind
and now i am occupied
with them, with the idea
that maybe i’ve been wrong about myself
all along
maybe i don’t know who i am
and the rest of you
familiar strangers
are the ones who have painted me, turned me
from my upside-down cocoon
and planted me down into this frozen ground
and i know, the voice in the back of my mind
tells me, no, you know yourself
and they are only taking
the outside parts of you
and constructing a sham, a replica
somebody they think they can dissect
but the problem is
this voice is at its strongest
when everyone is asleep
when the words are done their creeping
and have settled like dust around me
at midnight, at one, at two
and all through the night
i can finally know myself
and point out the fact
that you’re wrong
and i don’t have to go along
with your assumptions, **** your judgement
**** your advice, i’m going at it alone
and my mistakes are my badges
my success is my shield
and i will deflect your forged knowledge
back onto you, force it before your eyes
so you can finally admit
that you do not know me
and you never will
and that’s fine, i just want you to know
that my feelings are mine
and your words are yours
find something else to give me
give me your hand, give me your heart
i don’t even care
but because of you
i stay up, late at night
fingers crossed that you’re thinking of me
enough to search for my name
and find this long rant
in poetry form
and realize
just how wrong you are
and this is not beautiful, this
broken piece of badly worded ****
but i am not beautiful either
this is me on the inside
and now you know, do you get it?
just how wrong you are
and i will not throw these words in your face
i will not wrap these lines around your neck
and i will not leave you with nothing
but a guilty weight
i’ll still be here when you’re awake
i just want the assumptions to stop
the picture i paint and show
is mine alone, not even the frame
is yours to choose
and i ask
can you just let me be
the person i want you to see?
these assumptions are bringing me down
but of course, i’ll always have my language
and i’ll do this, time and time again
release this frustration into rough poetry
and then begin my next day, after a night awake and dreaming
and let you continue
to pick me apart, never quite reaching
the centre, and yet i’ll take it anyways
because that’s what you expect me to do
and i will let you remain unsurprised
fingers crossed all the while
hands in my pockets, juggling those pills
this is me on the inside
but you don’t need to know that, do you?

The assumptions of a human mind
Not concrete, but spoken with impetus
Sometimes hitting the mark
Or else, shattering the truth in parts
Even before the truth finds a hearing
The assumptions add to an ordeal
As the truth relegates in the dark pit
Our fate almost like a pendulum
Wavering from here and there
The scream from within, no one hears
Waiting for a patient hearing for the truth
As the truth being cloaked by assumptions
Darkness of someone’s mind comes to haunt
Churning a vicious tirade against truth

© Amitav

You see my brown skin
And assume I'm a ****.

You see my hijab
And assume I'm a terrorist.

You see the smile on my face
And assume I'm happy.

You hear my words
And assume I'm okay.

But I am not.

Instead I am broken.
Yet I am also strong.

I am dark and rule-following.
I am peaceful and Muslim.

You assume based on
Society's POV.

If you smile
You must be happy.

Fox, CNN, any media
Tells you I am a terrorist.
So the names I get called
And the extra security checks
Are extremely upsetting.

The murders of black folk
Is either considered appropriate
Or it's "black on black crime"
So it's not taken seriously.

Who are you gonna believe
Me or those who don't know me?

EFFECTS OF CHILD ABUSE ON PERFORMANCE OF PRIMARY SCHOOL IN KAPYEMIT WARD, TURBO CONSTITUENCY, UASIN-GISHU COUNTY.





BY
ERICK NYAKUNDI
KIS/03013/14




A RESEARCH PROJECTSUBMITED TO THE SCHOOL OF ARTS AND SOCIAL SCIENCES, DEPARTMENT OF SOCIOLOGY AND PSYCHOLOGY IN THE PARTIAL FULFILMENT FOR THE AWARD OF THE DEGREE OF BACHELOR OF SOCIOLOGY



MAY, 2014

DECLARATION

I, the undersigned, declare that this project is my original work and that it has not been presented in any other university or institution for academic credit.

Signature...............................................­..... Date...................................
ERICK NYAKUNDI
KIS/03013/14






SUPERVISOR
This project has been submitted for examination with my approval as university supervisor
DR. W. O. ABUYA
Signature..................................................­.. Date....................................




DEDICATION
I dedicate this work to my Dad, Mom, my sister Lydia and my lovely brother Dun who contributed in one way or another to make this project to be successful.


















ACKNOWLEDGEMENT
I would like to thank all individuals who contributed and sacrificed their time towards completion of this project.
To my supervisor, for the guidance and support in the development of this research project, His advice and criticism made this project what it is.
Thanks to colleagues and friends for their suggestions, advice and encouragement. To all of you may God bless you abundantly for your tireless effort.

TABLE OF CONTENTS
Contents Page
DECLARATION i
DEDICATION ii
ACKNOWLEDGEMENT iii
TABLE OF CONTENTS iv
LIST OF TABLES vii
LIST OF FIGURE viii
ABSTRACT ix
CHAPTER ONE 10
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM 10
1.1 Background of the Study 10
1.2 Research Questions 13
1.3 Research Objectives 13
1.4 Justification of the Study 13
1.5 Significance of the Study 14
1.6 Scope of the Study 15
1.6.1Assumptions of the Study 16
CHAPTER TWO 17
LITERATURE REVIEW 17
2.1 Introduction 17
2.2 Common Forms of Child Abuse 17
2.2.1 Child ****** Abuse 17
2.2.2 Physiological or Emotional Abuse 17
2.2.3 Physical Abuse 18
2.2.4 Child Neglect or Abandonment 18
2.2.4.1 Physical Neglect 19
2.2.4.2 Educational Neglect 19
2.2.4.3 Medical Neglect 19
2.2.5 Child Fatalities 20
2.3 How Child Abuse Affects Academic Performance 20
2.3.1 Child Abuse and Academic Performance 20
2.3.2 Child Abuse and School Image 23
2.3.3 Child Abuse and Dropout Rate 25
2.4 Strategies that Schools can Employ to Curb Child Abuse 26
2.4.1 Role of Public Regulation 26
2.4.1.1 Nurturing and Attachment 27
2.4.1.2 Social Connections 27
2.5 Theoretical Framework 27
2.5.1 Learning Theory 28
2.5.1.1 Relationship with the Study 28
2.5.2 Family Dysfunction Theory 29
2.5.2.1 Relationship with the Study 29
CHAPTER THREE 30
RESEARCH DESIGN AND METHODOLOGY 30
3.0 Introduction 30
3.1 Site Description 30
3.2 Research Design 30
3.3.1 Target Population 30
3.3.2 Sample Size and Sampling Procedure 31
3.4 Description of Research Instruments 32
3.4.1 Research Instrument 32
3.4.1.1 Questionnaire 32
3.5 Data Collection Procedure 32
3.5.1 Validity and Reliability of Research Instruments 33
3.5.1.1 Reliability of Research Instruments 33
3.5.1.2 Validity 33
3.6 Data Analysis and Presentation 33
CHAPTER FOUR 35
DATA PRESENTATION AND ANALYSIS 35
4.0 Introduction 35
4.1 Background Information 35
4.1.1 Age of the Respondents 35
4.1.2 *** of the Respondents 35
4.1.3 Education Level of the Respondents 36
4.1.4 Marital Status 36
4.2 Specific Information 37
4.2.1 Effects of Child Abuse on Academic Performance 37
4.2.2 How Child Abuse Affects Dropout Rate of Students in School 38
4.2.3 Proposed Strategies that Schools can Employ to Curb Child Abuse 41
CHAPTER FIVE 43
SUMMARY, CONCLUSION AND RECOMMENDATIONS 43
5.0 Introduction 43
5.1 Summary of the findings 43
5.2 Discussion of the Findings 44
5.3 Conclusion 45
5.4 Recommendations 46
REFERENCES 47

LIST OF TABLES & FIGURES
Table 3.1 Target population 32
Table 3.1 Sample size 33
Table 4.1 Age of the Respondents 36
Table 4.2 *** of the Respondents 37
Table 4.3 Education Level of the Respondents 37
Table 4.4 Marital Status 38
Table 4.5 Effects of Child Abuse on Academic Performance 38
Table 4.6 How Child Abuse Affects Dropout Rate of Students in School 40
Figure 4.1 Views of the Pupils on Abuse 41
Table 4.7 Proposed Strategies that Schools can Employ to Curb Child Abuse 42





















ABSTRACT
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The purpose of the study was to investigate the effect of child abuse on school performance in Primary Schools in Kapyemit ward, Uasin-Gishu County. The objectives of the study were: To assess the impacts of child abuse on academic performance; to determine the effects of child abuse on schools image, to identify the impacts of child abuse on pupil drop out rate, to investigate the effects of child abuse on pupil transition rate. The study employed a survey study design. The study targeted 160 respondents which includes; 5 Head Teachers, 40 Teachers, 70 Pupils and 35 parents of which a sample size of 48 was obtained from using 30%. Purposive sampling technique was used in selecting the head teachers while simple random sampling technique will be used to select the teachers, Pupils and parents who formed the respondents of the study. Questionnaires and interview schedules were used as data collection instruments. Data was analyzed quantitatively and qualitatively and presented in form of tables, percentages and frequency. The study helped in the understanding of the effects of child abuse on the school performance, the realization of the roles parents and teachers play in the curbing of child abuse among pupils and raising awareness on the same.
 
CHAPTER ONE
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM
1.1 Background of the Study
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The effects can appear in childhood, adolescence, or adulthood, and may affect various aspects of an individual's development (e.g., physical, cognitive, psychological, and behavioral). These effects range in consequence from minor physical injuries, low self-esteem, attention disorders, and poor peer relations to severe brain damage, extremely violent behavior, and death. In extreme cases, child abuse affects the performance of schools in the affected region (Daniel, 1978).
Performance refers to how students deal with their academic studies and how they cope with or accomplish different tasks given to them by their teachers. Performance is also the ability of a school to portray a good image which can influence the public (Decastro, 1978). There are several factors that influence the performance of a school at large, however, there is a critical factor that most researchers have avoided to discuss, and child abuse has been a crucial factor that has contributed to children’s dismal performance. Apart from children’s personal intelligence, child abuse is among then key factors contributing to poor performance of learners. Child abuse can lead to school dropping, emotional trauma or can even be fatal, hence destructing or even terminating the educational ambitions of a child. (Harris, 2005)
Worldwide, according to World Health Organization (WHO, 2000) approximately 40 million children are subjected to child abuse each year. According to Human Rights Watch (2001) about 30% of all severely disabled children relegated to special homes in the Ukraine died before they reached 18 years of age. UNICEF estimates that two million children died as a result of armed conflict during a recent 10-year period and that another six million were injured or disabled. In Canada, the U.S. and Mexico, over 6.5 million children annually are exposed to unwanted ****** materials over the internet; over 1.7 million of these report distress over exposure to these materials. In the United States, the Centers for Disease Control and Prevention (CDC) and the Department for Children and Families (DCF) define child maltreatment as any act or series of acts of commission or omission by a parent or other caregiver that results in harm, potential for harm, or threat of harm to a child. Child abuse can occur in a child's home, or in the organizations, schools or communities the child interacts with. Each year, approximately one million children around the world are introduced into commercial ****** exploitation despite this problem; these developed countries have put measures to curb the vice. Rehabilitation schools have been formed and introduction of counseling centers as well. Despite the prevalence of child abuse in this developed nations they narrowly affect the academic performance since there are organizations put in place to curb the situation e.g. child associations, guidance and counseling institutions, and school based counseling programs (Giles, 2001)
Concern for victims of child abuse in Africa expressed by the African network of the International Society for The Prevention of Child Abuse and Neglect (ISPCAN) which gave five main presentations of child abuse: child labor, street wandering, ****** abuse, child battering and abandonment (Elma, 1977). Child labor according to the international labor organization (ILO), about 10 million children less than 15years in Africa are in formal employment, working long hours with poor pay and are exposed to substantial health hazards. Wandering of children refers to children, usually unkempt and with delinquent propensities, living rough in town. The reasons for children taking to the street remain poorly understood particularly in relation to factors in the child rather than parental hostility and economic (Dubowitz, 2002)
****** abuse is another. For example, arranged under-age marriages are common in some parts of the continent and doubt was often expressed as to whether a young girl fully gave consent to being betrothed (Galdsone, 1965). Prevalence rates in Africa are very difficult to ascertain because of the fear of disclosure by victims and lack of proper documentation. Most of the girls by reasons of shame fear or surprisingly respect for their usually older perpetrators. Physical battering is also eminent. Physical abuse of children is widely claimed to berate in the third world; however, there are anecdotes from east Africa skeletal frame or localized body areas of all first attendees aged 0-12 years at this hospital during the four-year period 1 January 1987 to 31 December 1990 (Garbarino, 1975). Sixty-nine of these reports reveals evidence of multiple bone fractures wither without evidence of rib or skull fracture. Abandonment of children to roam around the streets in what we call street children is also eminent in Africa, though valid and adequate information on abandonment are difficult to obtain due mainly to failure of offending parents to show up out of guilt, shame, judicial repercussions or a combination of these. However, some euro-American missionaries identified inter alia breech birth. (Erickson, 2003)
Child protection measures in Kenya are currently not implemented effectively and fully (Galdstone, 1965). Compliance with such legislation would increase if the magnitude of the problem and better knowledge about the factors that put children at risk was available. Additionally, involving stakeholders, especially agencies charged with protection, as well as involving affected children, will highlight the issues and thereby promote adherence to protection policies. Kenyan children, child activists and children organizations are pinning their hopes on the implementation of the Children’s Act to improve the lot of the nation’s youth. The Act, which came into effect on 1 March 2002, puts in place full safeguards for the rights of the child. Its passage was a giant stride in harmonizing the national laws with international agreements which Kenya has signed such as the UN Conventions on the Rights of the Child (CRC, 2002)
There is hope that the new legislation will dramatically change the inattention, neglect and abuse towards child rights. The Act outlaws any form discrimination of children, and forbids Female Genital Mutilation (FGM), child prostitution, and child labor, among other forms of abuse. The Children’s Act has immensely improved the lives of many Kenyan children plagued with high illiteracy levels, frequent **** cases and child labor since it guarantees children the right to health and medical care, provision of which is the responsibility of the parents, the extended family and the government (Erickson, 2005).
Cases of child abuse in Uasin-Gishu region have been so eminent in the recent years ((Kenya Media Report, 2004). In the year 2010 and the year 2011, there was a program started to rehabilitate this behavior. This problem is clearly evident when you first arrive in Eldoret town, it is among the towns in the country with the highest number of abandoned children who keep on moving from one Centre to another seeking help from passersby. Parents have developed behaviors of abandoning their children and deliberately sending them to the town so that they can benefit from their borrowing. So to say this has led to child labor in this region. High profile cases of school dropouts have been recorded regarding the environs of this region. Young school children from different locations in Eldoret converge in town to persuade people to offer them financial assistance. Some attend school in numbered days and decide to spend some good number of days out of school.
The communities and societies around tend to assume this situation and term it as norm. A few who might seem concerned lack cooperation from the rest. This has adversely affected the performance of most of schools, hence leading to poor living standards of the people and a poisoned future of a young citizen. The problem has affected learners in regions like many areas in Uasin-Gishu County. It has really affected child development and affected their attendance and performance in school. Little intervention measures has been taken to advocate the holistic development of the children. It was to this reason that the researcher conducted the research in the named above region
1.2 Research Questions
The study was guided by the following questions;
1) What is the effect of child abuse on the academic performance of students in Kapyemit Ward?  
2) What are some of the proposed strategies that schools can employ to curb child abuse?
1.3 Research Objectives
The study was guided by the following research objectives;
1) To identify the effect of child abuse on the academic performance of students in Kapyemit Ward.
2) To identify proposed strategies that can be employed to help curb child abuse.
1.4 Justification of the Study
It is becoming increasingly difficult to separate child abuse prevention into separate categories. For instance, strategies on the societal level include increasing the “value” of children, increasing the economic self-sufficiency of families, discouraging corporal punishment and other forms of violence, making health care more accessible and affordable, expanding and improving coordination of social services, improving the identification and treatment of psychological problems and alcohol and drug abuse, providing more affordable child care and preventing the birth of unwanted children.
Very little analysis has been done to estimate the total cost of preventing child abuse and neglect or the long-term social costs of not preventing it. There is now a move to situate child abuse and neglect within the continuum of intervention which addresses multiple aspects of family behaviors. The efficacy of tackling portions of the problem of child abuse apart from broader societal needs is not known. And, perhaps prevention can only come in tandem with efforts to reduce poverty, improve health care and make children’s issues a national priority. However, despite these constraints, evaluations of prevention programs can be improved by coming to terms with definitions of key varia

Municipal Gum was written by Oodjeroo Noonecaal. Municipal Gum is about the changes in society and the tendency of people to want to control everything. Oodjeroo uses various techniques to convey this idea.

At the beginning of the poem Oodjeroo is addressing the tree. This immediately creates empathy for both the tree and her people. By the last line she has emphasised this with the pronoun “us” to show that they suffer a similar fate.

This poem expresses how life in Australia has changes especially for Aboriginal people. In the first half of the poem Oodjeroo is talking about how life was for her and others. It explores the changes in society and the displacement of the Aboriginal people from their land.

“Whose head hung…Its hopelessness”, the author uses this as further re-iteration of the immorality of the situation and by the use of analogy comparing the tree to her people to further emphasise the shame and lack control of that the Europeans have inflicted upon her and the environment.

Oodjeroo uses extended metaphor technique in the very first line of the poem ‘Hard bitumen around your feet’. This means that the gumtree has been placed in the city scape where it is suppressed and not allowed to spread out and be unique in its own way. This is clear and immanently direct link to the pain and suffering endured by the Aborigines post European settlement.

Oodjeroo uses vivid language to present these ideas. For example the use of the word castrated is very effective. The connotation of the word is very demeaning. With castration often comes a sense of a loss of pride and power. The word castration is symbolic of how Oodjeroo feels the European have treated Aboriginal people and the environment. Castration also refers to the fact that what is done is done. Nothing can undo what they did and the damaged they have caused.

Other symbolism includes the title “Municipal Gum”, municipal meaning community, implies that the gumtree belongs to the community. One of the vast differences between European and Aboriginal law is that Aboriginal people did not believe in the ownership of land or of animals and plants. Municipal Gum is a reference to the Europeans assumptions that everything is theirs to own and control.

The rhetorical question, “O fellow citizen, What have they done to us?” is the conclusion of the implications that have been made throughout the poem. Oodjeroo, is advocating for her people and all things wronged by the controlling behaviour of the Europeans. Rhetorical questions are used to provoke thought and to stimulate a pre-determined response. “What have they done to us?” They have “castrated, broken… strapped and buckled” and ultimately changed things to a point that they cannot be fixed.

In conclusion, Municipal Gum is a poem about the constrictions and change that the European invaders forced upon the Aboriginal community and the environment she believes that the Europeans have deemed themselves ever powerful and practice their power in a manner that is immoral.

Why do you always put words in my mouth?
Maybe it's because I can't
And why don't you want to figure this out
Maybe because it's not worth it

Which one of us is assuming the worst?
Because I can't tell
And which one of us is to blame first
For this storm that fell?

Why did we crash here, and now?
Maybe we can make it back somehow
In my mind I see you hate me, but in your eyes I see different
Our assumptions are taking us down

Am I asking for too much,
Or are you giving too little?
Either way, we're in this rut,
And somehow we're both caught in the middle

Why did we crash here, and now?
Maybe we can make it back somehow
In my mind I see you hate me, but in your eyes I see different
Our assumptions are taking us down

If you have a problem, state it.
If you've a question, please just ask
Don't talk to me in riddles.
Why make everything a task?

You assume too much, I'm thinking.
And these assumptions get your goat
So if thats the case, please humor me
here's an idea I'd like to float.

If you have a question, ask it.
If you've a problem, tell the class
Because this attitude I'm getting
Is a royal pain in the ***.

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

................
SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
...............
PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

.............
OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

I will always be in love with him.
As jealousy takes him away,
and my words make no difference to his stubbornness,
I will always be in love with him.

So, cut me open,
and sew me shut.
For all this time,
was nothing but a bittersweet waste.

The time will go by,
and memories will be pictured of another lifetime.
As the happiness drains away,
and sadness takes my heart.

He could always be mad,
for all of our life,
over one idiotic reason,
brought on by assumptions.

All of my life,
you have been my love.
And for the rest,
you will continue to be.

11:33pm @Boston_Police:
#occupyboston The BPD respects
your right to protest peacefully.
We ask for your ongoing cooperation.

@Occupy_Boston: 11:51
The BPD asks reporters to leave
the inside of the camp
they don't want them to record
and report on what they're about to do.

1:31
Cops give Occupy Boston
five minutes to vacate.
Nobody is leaving.

1:41 @OccupyBOS_Media:
The police are beating the Veterans for Peace

1:44 @Occupy_Boston:
Cops arresting everyone.
We are being beaten.
KEEP TAKING PHOTOS.

I walk there as my legs will cary me...

The Aftermath:
All quiet on the western curb
Over 100 arrested and spread amongst
more than five separate jails—none close by.
Camp two is gone and camp one intact. for now;
The ecstatic crowd, arms linked, chants
"Who do you protect? Who do you serve?""

Hyperbole all around.
Injustice or public safety?
...It hardly even matters.

The people are on the streets again
The military is overseas but
this time, the war is at home:

Men and women in blue,
likely just doing their jobs,
fighting people without them.
I fear the 99% fights itself

Rumors flit about. Crackdowns abound
Dallas, Atlanta, St.Louis, Seattle, &
San Francisco: from sea to writhing sea
The chickens have come home to roost and
The pigs are bringing home the bacon

The professionals were cleared out,
but the media wasn't. The talk is on
line by line, it is lively, ever-streaming:
blogs and tweets; statuses, state by state.

Rumors created. Rumors dispelled
Proof offered. Faith destroyed.
Anger engendered. Assumptions reinforced:
The people are connected
but the disconnect remains

Between rich and poor, yes, but maybe worse than that:
this movement is only as United as these states
The basic principles the same, the practice not so much
Peaceful, yet violent; Pro-capitalist, anti-corporate
"a laughable gang of disorganized, confused Nazis.  
an ill-disciplined, highly-trained, ****-smoking,
fascist organization."

First the Tea Party and now this,
Demonstrating the strength & flaws of Democracy
even as they protest the flaws of Republic
Still, they are not so different

They sit in parks by day and sleep at night
in dorms, apartments, houses, tents. Uncomfortable
Wrapped too tightly in sheets of red, white, and green.
Trying, desperately, to wake up from the American Dream

                                        ~D.B. Guy
                                         10.11.11

Jealousy used to be a girl with puppy eyes and braided hair.

She lurks around the dark side of the room

Waiting for someone to notice but they kept on denying her existence.



Jealous? No.



That’s all she could hear.



‘Til she grew bigger. She now has longer nails, no... claws.

Her messy curls showed up after taking off her braids.

Longer limbs and shorter temper. She screams loud.



By the back of her head, she wanted to be noticed.

She crawled around the whole room. Asking for attention.

And I noticed her. So is the name she whispers in my ear.



The sound is not loud now, but deafening.

It didn’t have sharp edges, but it cut me through.



That, did not made me bleed and cry. It did not make me weak, or so I thought.

But made me furious. She’s slowly reaching out for my hand. I had doubts but, I reached back to her. She stood, emotionless, while I unconsciously threw a plate across the room. I cried. But not in agony. In anger. For sure. I can feel flames rushing through my veins like a waterfall.



Jealousy is like a monster under the empty bed for so long that it learned how to dream.

Jealousy is like termites, slowly chewing off the walls where I used to carve our names with a small blade, I used to use to cut myself.

Jealousy is a box of “What If’s”

A box full of surprises and one of them... called, “assumptions”

Assumptions you thought were visions of the negative things.

Negative things you’re scared to happen. Or even to think about.



Jealousy thought your fear how to grow bigger.

They’re friends now.

And every walk she makes, Jealousy brought along Fear.

They try to pay you visits in your room, that you seem to stay a lot in now. This is the room where I used to watch cartoons and once fell from the rope you tied on the ceiling. It wasn’t that strong. The rope, the ceiling, and me.



It used to be just short visits, now they got themselves their own sofa bed lying next to your queen-sized mattress.  



But I wanted them to leave.



As I see him packing his bags and opening the bathroom door to get his toothbrush.



I wanted them to leave.



But Jealousy invited a guest.



Jealousy invited Pride.



**He left//

racism and stereotypes
I’m not chief keef but that’s that **** I don’t like
especially when I’m judged like when people say that I don’t “look right”
cause I tell I’m samoan so I’m supposed to be big and strong
and playing some stereotypical sport like football
it’s just an ethnicity, like anyone else, relax
but on a more serious note, I feel bad for the blacks
tell me why a few weeks ago, my roommate is walkin’ down on mill ave.
and he sees some girl sittin’ alone so he comes over cause he just wants to chat
but as soon as he approaches her, she gets all tense and afraid
cause she’s over here fabricating some image that he’s some kind of troublemaker, like the dude from the movie crash, you know the one with the braids?
I find that **** ludicrous
that many people out there judge off the color of someone’s skin and think they knew all of it
all of who you are and all of how you act
so you supposed to be a gangsta on the streets cause you young and you black
or the only explanation for the brotha with the beemer is he be workin’ that corner sellin’ out dime sacks from his nike knapsack or maybe he’s just one of those cats that likes to rap and occasionally slangs crack
but no, he can’t be no college educated man
he’s wearing a nike outfit and his skin is all black
and don’t even get me started on all the idiots that judge Hispanics and call ‘em wetbacks
what the hell is wrong with this world?
latinos are arguably the hardest working people around
but jose and carlos must be illegal cause they’re holding a shovel and their skin is all brown
so let’s get a group of racist ******* to push sheriff joe arpaio to introduce sb1070
good job Arizona, you’re now the most hated state in the country
cause we don’t like Mexicans cause they’re taking all the jobs that we could have had
but let’s skip the fact that they’re willing to work twice as hard for half the pay with no insurance to cover their back
how do you disrespect anyone, who’s willing to do all that?
and as we go over these issues with all the minorities
racists begin to develop a sense of hate for those that make up the majority
the white people
this girl in class may have not have been paying attention or got an easy question wrong
so let’s just whisper under our breath that she’s just another “dumb blonde”
let’s just assume that she’s daddy’s spoiled little girl cause she has a coach bag
and that she has a lotta of money, no rhythm, and above all no ***
and her daddy’s daddy’s daddy must have owned slaves back in the day
so I’mma use that against her if she ever misbehaves
and act like the majority of her people haven’t matured past that stage
and since they seem like their living well, it must be safe to assume that they were born privileged
and that they’re completely oblivious to the sufferings of other races and completely ethnocentric
*******
all these stereotypes and racist assumptions, *******
why can’t we,
live in a colorblind society,
where all races can connect without the animosity?
well, the answer is, we can, but it starts from us
stop the racism, stop the stereotypes, stop the hate, and begin to trust
in people of all colors with different mothers
like the cliché goes, don’t judge a book by its cover
so just because he ain’t a brother
that don’t mean you gotta give him the cold shoulder
so, if everyone can, I need yall to do me a favor,
I need you to love you, love him, and even love me
love her, love them, love everyone equally
and as for me? I’mma just be me
regardless of what people assume, I have the right to act freely
cause I’m not trynna be the center of attention or the definition of perfection
I’m just strivin’ to be proud of what I see in my reflection…

I come off as an ******* but trust me when I say it's not my intention
Trying to comprehend these assumptions you're inventing
and trust me I know, cause I'm paranoid too but it's hard not to be annoying when I love you
and I do my best to make things fair, I try my best to make sure I care
that glimpse of happiness as I sit there and stare.

I come off as an ******* but trust me when I say it's not my intention
I'm sorry that I'm so attached, you're just my obsession
and trust me I know, I need some time too, but I can't go too long without missing you
and I do my best not to be square, I try my best to make sure I care
that glimpse of happiness as I sit there and stare
at you.

Standing
between me
and you
are many untested
assumptions
and
assumptions
that we
are
not
consciously aware,
were we to meditate lotus to lotus
would that clear
                                the air?

Perched upon a corporate throne,

We march into the great unknown

As wasted words of gossip drone

And steel replaces brick and stone.
Soon you find yourself alone

In crowded streets with a global phone,

Doing a random strangers bidding.



A means to an end they say,

As poor men die while rich men play,

When honest work brings modest pay,

And doesn't last 'em through the day

Though profiteers in moral grey 

Flood the airwaves to in turn say,

"Our wealth simply paves  the way,

Tomorrow is your salvation day,

You want peace? Then war is only fitting."



Look and you will see

Money buys democracy,

The Citizens United, see?

If we knew the truth, would we agree?

Those answers are not  going to be

Yes or no but more likely

Maybe, perhaps, or possibly,

Because in reality,

Right and wrong are just kidding.



To those who fret the plagues we face,
Yet believe we can change this place,
Who stifle doubts about the Human Race,
And yearn to be together in this chase,
With subdued pride and envy, in every case,

Seeking common goals to found the base,

May we lay the evil plots to waste,

For evils clients who once stood are now sitting.



The time is now, make a stand
,
Pull our heads out of the sand

Call their bluff with a hidden hand

Of virtue they don’t quite understand,
Defy procedure’s they have planned
,
Unite across the lines that brand,

Refuse all prejudice, none may be accepted.



Some know for they already looked

And the flow of money keeps them booked,

Takes but once to have them hooked,

Setting the table with food uncooked

For others whose foundations shook

Are pitted against the small time crook

Hoping only that we be protected

.

Hark the sounds of rebellious cries

For those that call, they realize

All that lives sure enough dies
But when displeased we close our eyes

To the masters of disguise

Who think their profit justifies

The invisible hand growing in size

While their strings attached go uncorrected



They kept us quiet all the while

Waiting with numbers dialed

To put the innocent to trial

Lining up in single file

To be cast into the same old pile

None willing to lay down their tile,

Casting shadows upon their guile,

The double agent mercantile,

Lobbying candidates to endorse.



All I ask, is to what do we base belief?

Dying children get no relief

Oil poisons the coral reef

Prophecy of the fallen chief

Given a thought but a bit too brief
Together a tree, alone but a leaf
Although it is all who feel the grief

Of our actions consequential course



Corrupted elites discuss our goals

So we continue to dig our holes

To depths that darken souls

Rigging markets to decide our roles

Assumptions made so that greed controls

They draw their graphs till the pencil dulls

Then add a factor, see how that goes

Without even the slightest feeling of remorse



Growth is sacred, but is it moral?

Strengthen reason yet we quarrel

Over falsities of ***** oral

Arrangements like that of floral

Remedies but not doctoral

Blood of fallen lives pastoral

Remind that we’re all mortal

But all thereafter bear the force.



So please tell me at what cost?

In a moments past our objectives lost

Compassion was our hand now tossed

Lines we’ve drawn, lines we’ve crossed

How much dirt can be washed

From our conscience we exhaust

Before shattering glass of fate we sloshed?

Working from the scattered pieces back to the source



It is us who blindly lead the strut

We are the source and nothing but

Whose center point is one giant rut

Where false desires cracked and cut

And the selfish feed an endless gut,

When our culture begins to split and jut,

We might finally ask... It was all for what?

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Fourteen years old
I love you,
Called out,
A promise of returned affection
Timid, unsure
A response to
Insecurities.
Not true.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Fifteen years old
Distrustful
Cynical
Confused
Emotions flapping about like lost geese
Nothing like all the before’s
So this is what must be
True.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Sixteen years old,
That feeling
Tumultuous but calming
Broken yet whole
Lost but found
Your deep, beautiful eyes
Painful beyond belief, yet the best thing I’ve ever felt
Simply, it's true
I love you.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Seventeen years old,
It’s true
What is?
That
You’re my truth
And
I love you.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted yet
True.

Seventeen years old,
I love you
But…
I ****** up
I love you
But…
I kissed someone else
We never set boundaries
But….
I know I did wrong
I love you
But…
I truly can’t be with you right now.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.  

Seventeen years old,
You’re awesome
We’re so similar
So,
I love you?
No,
I realize that belongs to someone else,
But you think it's yours.
And that isn't true.
****.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Seventeen years old,
I hate myself
Because I’ve hurt you
Your pain is killing me
Though really, it’s me
Killing you
I love you,
It's true.
But,
How can you ever forgive me?

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Eighteen years old,
I love you
It’s true
But you’re broken still
And I wish I could heal the horror
I caused
For you.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.  

Eighteen years old,
I love you
Whispered gently
Deeply
Truly
I want to kiss you
I want to hold you
I want to be with you
Can we, please?

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Eighteen years old,
Yes. We can.
I love you too.
I still truly do.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Eighteen years old,
I love you
But…
Why are you doing this to me?
Why can’t you talk to me instead of hiding behind the texts?
What’s happening?
Please.
Don’t do it this way.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.  

Eighteen years old,
Tears
Broken
Mind exploding with assumptions
Intuition telling the worst of tales
Distrustful
Hurt
Why this pain?

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.  

Eighteen years old,
Bitter
Am I jealous?
This isn’t good…
What’s happened to me?
Helpless and
Still true
I love you
But...
Who knows why?

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Eighteen years old,
And here come apologies
A letter…. I love letters
And
I love you too
Still,
Somehow.
It's true.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Eighteen years old
I don’t know what’s wrong with me
Sad
Hurt
Insecure
Doubtful
Distrustful
Broken
Beyond belief
Empty.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Eighteen years old
And
I keep crying
I cried because you were so caring towards to me the other day
And it was so sweet.
I cried because you hugged me and let me cry on you
I cried because I love staring into your deep soulful eyes
I cried because I feel so much, all the time, for you
I cried because sometimes I truly hate how much
I love you.

I love you,
Goodnight
Every night, since forever ago
Rhythm
Routine
Family, friends
Taken for granted, yet
True.

Eighteen years old,
And goodnight dear one,
I still really do love you. 
And, I promise you 
All of this is true.

Way back when I was younger
I was mistaken as a dude
They asked all sorts of questions
That slowly grew more rude

"Why don't you wear makeup?
Or dress in something nice?"
"If you ever want to get a guy
Why won't you just take our advice?"

When I began in high school
I had just begun to change
I had bought myself some cheap makeup
And clothes that just felt strange

Still, it wasn't enough though
The insults continued to come
"Ugly. Lazy. Undesirable"
It all began to make me glum

By the beginning of junior year
I had fully given in
Dresses replaced all of my jeans
And makeup covered all my skin

It was then, the insults changed
And people began to glare
Said I "cared too much about my looks"
And my "head must be full of air"

I still always got straight A's
The way I talked was still the same
But though I knew that they were wrong
Their comments made me feel lame

When senior year had rolled around
I was lonely as could be
People "liked" what I'd become
But I felt no one liked me for me

I'd never been on a single date
Because all the guys were crude
So it was only a small amount of time
Before I was labeled as a "*****"

When I finally started college
I expected something more
But people took one look at me
And labeled me a *****

I had not been sleeping around
I still hadn't even been on a date
Everyone just made assumptions
And looked at me with hate

The part that was most ironic
Was that after all these years
Of changing to be whatever they said
I was still hated by all my peers

I didn't want to dress like this
I didn't want to just conform
But there is only so much a person can take
Before they need to fit the "norm"

Society is what destroyed me
They are the reason I am this way
I changed to be what people wanted
Now I understand: I'll never see that day

I don't know who I am now
Though everyone else thinks that they do
Now please just take one piece of advice
It's so important to just stay you

You are perfect just as you are
So continue to stay strong
Remember no matter what they tell you
What society says is **wrong

No Judgements [37]

Judgements,
judged upon men,
judgements,
cast upon him,
assumptions,
cast a wide net,
haven't we realized yet,
that if he without sin,
shall cast the first stone,
then obviously,
no stones shall ever be thrown.

We've all sinned so who are you to judge the actions of another mortal man?

Judgements,
judged upon men,
what is sin,
where is that line,
& how does one know,
they’ve crossed it once they've crossed it?

What's the difference between ingenuity & insanity,
between those that have it together & those that have lost it?

Only difference between a Genius & a Mad Man,
is one is more successful than the other in society,
one made a way to express their insanity in the form of productive creativity,
while the other finds communicating effectively to be an impossibility.

Possibly there is no such thing as sanity,
possibly there's no such thing as individual things,
possibly there's only one & we're all part of The Mandala,
possibly there is nothing at all except everything.

I mean,

What is Good?

What is Evil?

What are Blessings?

What are Curses?

Where do we define these fine lines,
& if we do define these lines where are these lines defined & who can say,
& how can we have divisions within the different religions,
when all of everything & everyone is just One with The Divine anyways?

Anyways,
until we make up our minds I'll just continue to write these lines upon lines,
writing lines on lines,
to try & define the Divine of this present point in time,

I write lines between lines,
so when you read between the lines,
of the lines written with lines you’ll eventually find,
that in order to find your Self you must first lose your Mind,

listen in order to feed your Soul you must first starve your Ego,
you are not who you think you are so just let your idea of your Self go,

let no line no matter how fine or well refined,
come between you your design & your connection with The Divine.

I’m,
attempting to explain the unexplainable line by line,
please have some patience because translating something ancient takes time,
& yes enlightenment is elusive but it is attainable if you just take your time,

it just takes exercising your virtues,
it just takes holding onto your morals,
it just takes letting go of your sins,
it just takes letting go of your judgements,

no need to pinch your penchants,
or itch your itching,
let go of your wants let go of your desires,
let go of your hopes & all of your selfish wishings,

there’s an abundance of loveness,
& you’ll get it all if you just start giving,
there's love yes & Love, yes, to be one with the Oneness,
you must confess then forgive your sinning & forget all your misgivings,

along with forgiving all the rest of our Collective's wicked shortcomings,

give up on giving in to their terror of errors,
& instead give love & hugs & start living as a radiant personal public prayer,

one word at a time word for word verse by verse layer after layer,
attempting to explain in measured frames the pain & the pleasure,
the spirals in this ****** cycle of survival commonly known as Samsara,
this alliance of violence & gestures from aggressors that'll continue forever,
until we alleviate the pressure from the oppressors by correcting our karma,
with the power of positive energy which when measured together,
will overcome all oppressors with gestures of open-ended pleasure,
as we become Treasures of Unmeasured Tremors in Splendor,
Senders of Centers of Lovers not tempered by the spectrum of gender,
The Bearers of Stellar Nectar straight from The Creator,
the entire Light Spectrum that comes from us Interstellar Specters,
plus every other thing & soul that’s breathing in this entire epic adventure,

as we embark,
on this endeavor together from then till now till forever,

but just when I start,
to think it’s all going to get better,
& I start to repent & give thanks to The Inventor,
I find myself sink back into the lair of Sin & Terror,
that place where we are hastily judged biasly by our errors,
& all our accomplishments are overlooked,
just because of a few miscalculated risks that we mistakingly took,
& all of our merits seem to be in vain & we feel shook like moral crooks,

because it seems we messed up once more are deemed ******,
instantly judged discriminately & forced to repeat the whole cycle again!

Judgements,
judged upon men,
judgements,
cast upon him,
assumptions,
cast a wide net,
haven't we realized yet,
that if he without sin,
shall cast the first stone,
then obviously,
no stones shall ever be thrown.

We've all sinned so who are you to judge the actions of another mortal man?

Judgements,
judged upon men,
what is sin,
where is that line,
& how does one know,
they’ve crossed it once they've crossed it?

Judgements,
judged upon men,
what is sin,
where is that line,
& how does one know,
they’ve crossed it once they've crossed it?

What's the difference between ingenuity & insanity,
between those that have it together & those that have lost it?

See,
just when I think I’ve lost it,
I find judgement,
in the form of the Self imagined Sins of this Prophet,

sure,
I am not pure,
none of us are,
never will be nor were,

but we’re,
human beings,
being human,
just as we are & were,

so,
naturally we make some mistakes along the way,
&,
naturally we take each phase case by case stage by stage,

see we are all our own worst critics,
we are all our own harshest judge jury & executioner,
citizen’s self arrested mid-sentence while in progressive development,
which in turn then threatens to take all of our merits in forfeiture,
as the fat lady sings the gavel is hit,
we're sentenced but still we don't seem to be any closer to closure,

for us or for them or for him or for her,
because the jury’s still hung,
even when everyone’s gone home,
& the cage bird as well as the fat lady has already sung,

some,
times I’m,
wishing I could escape,
out of these self projected personal persecutions,

some,
times I’m,
wishing I could escape the spiritual surgery that these perjurious clergies, attempt to perform on me by inserting their ideals into me by way of intrusion,

some,
times I'm,
wishing I could be an explosion of pure Light,
infinitely expanding into the infinity of The Divine inclusions,

instantly a Super Nova,
riding the high seas like Noah,
instantly I see how beautiful & innocent you are in your confusion,

instantly I see how beautiful & innocent I am as well,
how beautiful & innocent we all are,
& how even just to be living in this miracle called Life,
is honestly a proper privilege, a true pleasure, & real honor,

it's an honor to be here & make your acquaintance,
so why waste time with biased judgements that're made with impatience?

See usually,
assumptions aren’t worth the bother,
see we’ve all had trials & tribulations in this hard life,
so we all deserve to treat & be treated a little bit softer & with more honor.

So let me be the first to say I honor you,
& I honor your magnificent existence in every way.

I Love You,
there is no higher truth,
please there is no need to judge me,
for I promise I will never ever judge you.

I love you,
so much,
& when you love someone this much,
there is no time or room to judge.

I love you,
so much,
always have, always will, it's always love,
I'll never stab, never ****, & will never judge,

I love your every atom,
ethereal I wonder if you are even real,
either way you're real enough to me,
to still have feelings & to still feel,

love.

Love?

Some,
times we must,
trust enough to break our own rules,
to,
realize that,
actually there are no rules,

we are all free,
we are all gifted,
we are all cursed,
we are all art we are all artist,
we are all dead last & alive first,
we are all everything that’s never been,
we are all everything that ever was & ever were as you were,
& of course we are all of everything in every sense of the word,
we are every story ever told we are every song ever sung or heard,
we're every word in every book ever read we're every line in every verse,
& we often leave last & arrive first arriving in a Benz & leaving in a hearse,
& we will be love non stop & always help heal each other even when it hurts,

& that is why,
I write all of this for you,
because when the world feels like a lie,
I need you to know you can always reach for these words & feel the truth,

prove,
nothing,
just move,
something,

& do anything,

& do it for the love,
just please don’t hate,
& please don’t judge,
because this is true love,

as it be below so it be above.

So let’s move with the movements & love the moments of love,
let’s let the judgements pass & let whatever lays in the past be what it was,
left to lay in the grass that way once everything’s been said & done,
we’ll still have this emotional epitaph to remind us like a photograph of us,

& I will always have your back,
even when our bodies are gone & we have no backs to have because,
when it's all said & done & we've righted all our wrongs,
all that will be left is us,

when it’s all over all you’ll be left with is you,
& me & all of our virtues because death doesn't separate us from our virtues,
& everyone & everything we loved will exist eternally except our enemies,
& in the end my friend you’ll I'm standing in the Light of Truth with you,

so,
no judgements,
no enemies,
only unconditional love,
& all of it’s intensities,

no,
judgements,
for once you remove the obstruction of the illusion of judgements,
only then will you find where the love went,

here,

waiting,
patiently for you to return,
so remember we reap what we sow,
& we get what we earn,

so no no worries & no hurries,
no stress all bless for sure,
& don't worry Love no rush because I will be here,
always have always will waiting patiently for your glorious return…

∆ Aaron LaLux ∆

from The Holy Trilogy Vol. 2: Mandalas
https://www.amazon.com/dp/1721134158

From the ashes I descend,
Rising among the flames,
As shades of red.
Orange and yellow,
Blend within the explosion,
Of my rebirth,
Claiming my life force once more.

My deep hazel eyes,
Drenched in golden brown,
Surrounded by a burst of jade,
Speckled with dark green,
Reveal my humility,
Compassion and genuine kindness,
Allowing you to behold,
The window to my soul.

The vessel,
Containing my spirit,
Conflicts with the feminine demeanor,
Exposing sincerity,
Comforting hands of a care-giver,
The voice of loyalty,
Gently escaping lips,
Tears of empathy,
Seeping with understanding,
Kisses of affection,
As soft spoken words,
Depict desires,
Hopes and the warmth,
Of pure love.

Mystery envelops my origin,
Becoming a mystical being,
With the ability to heal,
The potential to inspire,
Living proof of an alleged myth,
Yielding in protection,
As my plethora of feathers,
Shield the individuals I adore,
From darkness,
Attempting to swallow the light,
We yearn to discover.

Blind Thoughts of denial,
Shall forsake your eyes,
If you pass judgment,
Upon me,
For my cloak of skin,
Concealing my true beauty.

As a Phoenix,
I refuse to watch,
The children of diversity,
Suffer degradation,
Living in fear of discrimination,
Stifling the right to love another,
To dress in garments,
That correlate the body with the mind.

I shall rage to cease,
The hands of violence leaving bruises,
Ignorance stripping,
Breaths of air from a pair of lungs,
As homophobia,
Transphobia, and intolerance,
Deplete individuality from a heart,
Deserving liberty,
The pursuit of happiness,
A chance to survive.

The Earth returns my soul,
To reap the love,
Concealed in assumptions,
And sow acceptance into,
The fields of society,
As I continue,
To soar into a cerulean sky.

.via ghana: i iz welcome the haiku poetic extractionz of the maxim: full-on potentiality of - few words maximum effortz! one wishes to almost die from feng shui minimalism! chinese geomancy and european chiromancy (reading balzac et al.) - but the sigh poetic of pepsi max effort iz wot iz the breaking of the camel bonk and backß... last time i heard from a kenyan bartender... all the timber comes from ghana... as does the wheat from ukraine and the salt from poland... coal is always "elsewhere"... or no coal... wind... the wind comes from: far far away... beyond the language of the seven vowels...

it took much of an effort to have to overcome
a reading of Stendhal...
esp. when you find him in your teens..
almost impossible...

it's enough to visit a brothel:
once a year... perhaps skipping a year...
and there's enough body,
and skin, and warmth...
to contrast... what i'm yet to read about...
otherwise have read, i.e.:

2010s through the 2020 summary...
lucy holden now 29...
sexting, dating apps, bisexual flings
flatmates with benefits...
millenial serial dater...

all the details are already known...
mine? that strip-clup in athens on a whim
with two strippers either arm
burrowing my face solving the mole
in their cleavage...
the goodmayes borthel with the romanians
that said a very bulgarian word, once...

and who can ever forget
the south african cocoon ****-accusation
of: not unde the bed-sheets and please
oil up rather than dry-******* me...
or the thai surprise picked up
in a park and that a little bit of heavyweight
beer and some jazz and a garden shed will allow...
the number of times i've had ***...
well... what are fingers for?

the black girl with a coccyx like an iron maiden
attempting to tattoo itself onto my pelvis...
2nd time round?
i heard she had a child and his daddy
would be bringing him home the morning to come...
and this other black woman,
oh i mean: full detail - woman...
two children sleeping on the bed...
get dragged off...
thrown to the bed...
and i'm there to **** an imitation ******
of... a tight fold of legs...

it's not exactly **** but even with that:
i'm not a best fitter...
so tell her: it's not going to happen...
we pretend to sleep or at least i do...
when this afro-fur-ball with a plucking sound
of a smooch is standing at the end of the bird...
he's naked i'm naked everyone's naked
i pick him up like i pick up maine *****
and lay him on my chest...
i can't allow a river of fingers through
his afro tangles... so i pat them down...
and he falls asleep...

***... oh no ***** word about it monsieur!
just this *******...
oh but i'm glad that some girl nearing
her 30s has made up her mind up...
only recently i've heard that my mother was
attempting to woo a married man
who was part of the Solidary movement
and probably waiting for a greencard...
i heard this... from my grandmother...

i'm still pampering on the sly for
a Mary Antoinette...
Ilona was wrong... i wouldn't become
a child strapped to a hellhole of a teenager's bedroom...
i'd become a leech hybrid...
as along as i have enough excuses
to return for "the word"... and never rap it...
i'm fine fine... best be on my optimal behaviour...
to never find myself in a baptists' church choir...

- there's also a quick fix procedure...
the match of the day is watched
with the mascots on screen...
the ben-hur's not making it to
prophetic status... yes the bread...
yes the circus... and all those cul de sac...
soap operas of parking scenes...

and there's always language...
best expressed when drunk...
never sober because is what delves into
the formality of: dear sir / madam,
kind regards...

the day when i stopped combing my fair
and peered at the beard...
uncombed hair: almost reminds
me of donning a pineapple on it...
an ancient buddhist balancing act...
like performing the act of gravity...
without copernican mathematics...
as simple as finding the CENTER on
a bicycle... or like finding
buoyancy in a swimming pool...
perhaps i am more water than flesh...
but i'm also a fraction of fat...

i can float on water if i can find
the balance... i don't need to play
the drunkard treading water surviving
to stay afloat.... i... relax...
then i float.... or bob-on-the-surface
teasing an unexpected shark-bite-attack...
although: swimming in a sea
is not my thing...
i very much appreciate seeing
the bottom i can dive down toward
and touch... the chernobyl stink of chlorine...
is almost a parisian perfumery...

heat breeds diseases it breeds...
insects...
i abhor the heat...
the zenith of winter is yet,
is yet to arrive... and for the help of god:
i can't arrive at... writing sober...
should "poo'etry" ever be written sober
to begin with?
i mind: that i don't mind...

i can find 8pm and 9pm quite:
which implores you to not quit - curb colt...
i was making a sponge apple stuffing
roulade...
after having made some biscuit
with brown sugar and diadems of hazelnuts...
and prior to some sausage rolls...
three fillings...
cranberries with some peppers and
chillies...
fennel seeds with apple...
and the third... the third...
i don't quiet remember...

my head was exploding with a brain being
towed and all was:
i am yet to grieve a passing,
a tax of death...
i am yet to be left half imbecile and half
of any other texas hold-up poker game...
i'm wishing for...
that quarter of a million of a bet
i placed on:
one team wins...
but both have to score...
ergo... catching a mosquito by the testciles
donning boxing gloves chance...
2 - 1 etc. victories...

i don't want to blame women...
the last one i was serious about...
she's on her 3rd marriage or whatever...
and i'm still in woad: in deep blue
coinciding with...
god's roulette...

as a testiment of man...
there's the ambition to find: the void...
to find nothing...
and from that... find the thinking thing...
res vanus: the emptiness
that can be fathomed with more or less
thinking, than a yawn's presence...
because...
descartes doesn't really exact ontological,
whatever...
i can't be and be:
when i churn out a day-dream and
a day-dream is all that is...

thankfuly i have nothing to "work"
with... most women only have boredom to begin
with....
at exactly 20 minutes to 1am...
i'm not so sure...
a mother can say: you stink...
then you go and buy something from
a convenience store...
and the cashier stresses how fresh you smell...
that's quiet something...
a woman likes the way to smell to her...
in between doing these *******
tribunals of sweating over
apple roulades...

and Stendhal... it's only my mother...
i just have to gnash my teeth
and apply the burden of sober...
this canvas... no other...
i drink for the 1 hour pleasure
of disorientation...
a shot in the head in some Ukranian
prison...
stiched to the next to be executed...
chikatilo...
i'm not exactly fond of the company...
but i'm pretty sure...
kurt cobain... and his shotgun antics...

and how the prolonged death appeal
of Christine Chubbuck lasted much longer...
Kafka said it right:
a stab at the heart...
**** colt and boyo... don't aim for the head!
that's how Ukranian convicts die...
shot in the back of the head...
in a cell... never in the open...
it's not like the brain delves into
the automated unconscious of the pump
that's the heart... how do you think
the urban myth of the cockroach that lived
for 2 weeks more was born?
the head didn't have a mouth to ingest
food with...

shot in the back of the head is an execution
that, done in an Ukranian prison cell...
is pretty much all of Dante not visiting
either heaven or a hell...
but two weeks with... in the presence
of death... the body starving...
that magic finger-pointing exercise
of seeing death in movies?

well thank god they did a movie about
Christine Chubbuck's (rage against the machine):
bullet in the 'ed!
i was lied to, no matter...
i'm here to hush and sweep the leftovers...
because why would you march
a man into a prison cell...
shoot him in the head and close the door
and wait... because no: in the open...
with a chance for rabid dogs to feast on...
in the darkened night just shy of Kiev
would ever matter...

Christine Chubbuck was left dying on
life-support machines after her half-high Kiev
attempt to pop the balloon...
psych- myth of the brain as source
of the sigma soul...
my left toe has more soul than this
rubric forever explained as forever to be explored
goose-fat sponge...
come to think of it...
after a haemorrhage that no one believes
beside me, some neurologist and a dementia
riddled grandfather who easily forgot...

what's this brain this brain this nought?!
**** it... kamikaze cockroach!
as ever oh but always so much when
someone has to mention...
has to mention: with no exacting details
of fancy...

also called the drought period when pakistani
gangs are up in Leeds and i'm strapped
to the outlier Loon'don culture:
as ever playing the obedient schizoid...
because that's, just fair game...
centuries behind what the youth
of Denmark have to offer...
the mutterzunge and the l'inglese of:
any future of tourism with Jack's flag...

heavy influences stemming from
st. andrew and all the worth of wordworth
with a tinge of punk...
but never a baron of lexicon coming from
just shy of 4 hours away from
the lisp of masovian warsaw...

what could possibly be wrong?
how about... stemming it down to the root
of... sober people and the lacklustre of
when writing: under no influence at all...
apparently "now" the high moral ground!
the sobers usher in the words
that we are abide by when the football hooligans
their casual Tuesday mundane,
their casual Tuesday mundane custard
splodge of oats in regurgitation...

i can almost but not quiet...
imagine myself being the cameo in this dear diary
of these "free" women of the western world...
give me a feral black woman pulling
two kids from her bed in order
to imitate a ****** by folding her legs to
pretend...

it's still a bullet in the back of the head
for some, minor or major
andrei "cain" chikatilo -
no... with a full crop of cranium of hair...
and a grandmother that says...
well... how busy your chin hairs are...
that you are able to lodge a pencil in there
and it doesn't fall out...
hair here and all other hair elsewhere...
chest and... where the antioch identifier
of achilles ought to be of a six in sixes
packaged...

since who is buddha... or a christ when...
an thích quang duc "oops" happens...
the people will never leave their unison...
their get-together "happening"...
but what's to be celebrated should...
the crucifix be turned into that "other"
torture ordeal of being: piked...
crucifixion the tsunami wave of history...
when one can expect the fate
of being piked by the more imaginative
sorts?
if only the antichrist was gay
and was sentenced to levitate on a pike...
passion and ecstasy via
the Walhalla doing ****... again:
sorry if the pike missed the **** baptism
of ecstasy... and instead aimed
at ripping apart the flesh and bone at:
whatever pivot was made available
to work from reverse ingestion:
beginning with the pelvis...

i'm just tired and cooking and shooing
shadows for the past month and i know that it's
just an exaggerate lounge period...
and all i want is an added arm...
and the serenity leg to take the step to return to...
footsteps... with a bulging echo to command...

it needs to be stressed that these women were black...
i call them ivory beauties of chocolate come
quicksilver moon glistening...
i can't remember... no... "you're" right...
i never managed to **** anything
of an ethno-centric "perspective"...
i'd be arrested for that...
as if starting a hitlerjungen movement or
some other random "****"...

i'd package myself with a mexican strapped into
alcatraz...
the Louis of the Aztecs and some
long lost St. Juan of the Mayans...
leash me... Russian or Prussian or...
what's that third otherwise power of influence
that this body was allowed to morph into?

perhaps i once was allowed to control these words...
but that's how drinking goes...
it's a homocodie when you **** someone
when under the influence of alcohol when driving
a car...
this is a sort of homocide...
i trully gave my hands away to the devil...
and the brain: oh forget that old fabble of a pickle...
what's in brine was always supposed
to be in brine and pickled...

- and what were the chances of me becoming
a sentimental drunk... listening to some
crowded house - weather with you?
the la's - the la's... no... not merely the 1990s
epitome of h'american tourism lodged in london
of myth... as any ******... that myth translated
itself into paris... there she goes...
i mean the whole album...

whale! whale! a beached whale!
Grindadráp...
and some want to go on the Hajj...
and die in a human stampede at the Mecca...
but... well... some want to...
of all of Europe...
Venice, Paris, Rome, Athens,
Amsterdam, perhaps Edinburgh
(wink-wink nudge-nudge)...
Barcelona...
or... Grindadráp of the Faroe Islands...

capture a polyphony in language that is hardly
ever going to be much more
than a chance to... to do that...
shove three fingers into your gob...
expect an elevated volume of sounds...
call the hounds! a mile away!
i was never allowed to learn that
whistling "trick"...
perhaps that's why i never managed
to play the trombone or the clarinet...
the ****-poor leftover guitar...
which is as much as having to read
braille!

reality: i live in england but i'm a ******...
i haven't ****** an english girl...
or a ****** girl...
i was close! a ****** girl licked my face
like a cow, once...
chin, lips, nose and forehead...
i was actually waiting for e.t. when that
happened...
the pakistanis have all the english girls...
sorry... it's sad...
but... the australia...
the fwench... the russian...
it's a decent rubric...
crude... nuanced...
so is buying fwesh meat at the butchers...
the perfect crime is less severe...
fiddling with a tombstone...
then towing it for 2 miles...
to bury the remains of your cat...
after your neighbour "accidently" killed him
when you were away...
and of course they deny it...

after all... i live in a society...
innocent until proven guilty...
said jimmy saville...
it's not the old... european "misunderstanding"..
of guilty until proven innocent...
if not a real story of Tomasz Komenda...
there's the Shawshank Redemption...
or there's... the Count de Monte Cristo...

if all are innocent until proven guilty...
what's that? the genesis story never happens...
it's hardly a moral deterent...
isn't it? people will do as any aleister crowley
would command them to do:
do what thou wilt shall be the whole of the law;
this is a naive presupposition of
fudge-packed jurisprudence...
what should have been egg-whites..
it merely some sugar dissolved in water...

statistical counts aside...
i would be more inclined to... fear...
being held guilty... to then be allowed "innocence"...
that to being held innocent...
to then be forced as a doubly-culprit!
how does the double jeopardy paradox arise...
from the high pillar of: innocent until
proven guilty?!
law is at one's own leisure...
should all be bound to an innocence...
revisions of the biblical metaphor...

if we can all be innocent...
wouldn't we at least all fathom an innocent
attempt to break some law?
for a matter of: testing the waters?
even if innocent until proven guilty is true...
there's no narrative of redemption...
why is it that the shawshank redemption
is such a popular movie?
since it adopts the continental motiff of:
guilty... until proven innocent...
it offers... redemption...
it's a popular movie because it's unfair
for the basis of a single individual...
not some amassing of victims of a jimmy saville
recount... that have... none... zilch...
no redemption!
their redemption: ist tod!

because if i were to be found guilty...
with no chance of defence...
i would exercise a double-think in relation to this...
rather than exercise this leisure into
grieving the orwellian zeitgeist monstrosity of
but the one novel...

i'm not convinced of the english model...
this... innocent until proven guilty...
this pontius pilate argument...
i'm not for it! this sinking to the core of my heart
and hopefuly, prevents me from a heartbeat...
perhaps so fewer examples of
the #metoo would come to the fore...
if... one were not so easily allowed
a ststus of innocence...
perhaps... guilty until proven innocent...
doesn't allow...
so readily accessed accusations...
perhaps this modern, english model of
jurisprudence...
is missing a medieval lisp?

as law abiding as would suggest...
i would be much more deterred from inacting
a grievance should i be found guilty...
without a benefit of a doubt of a jury...
than if i were to be given the a priori: innocent
status...

i don't like this: england and greenwich in tow
is the bellybutton of the world
demand of... all else is less than we...
no... did i come from Algiers?!
what has Algiers to do with it and Leeds
shouldn't?!

at least that's how a man sobers up...
while still drinking...
he might focus on sober demands...
of topics that only drunks should speak of...
and since neither of the two meet...

because i have stood as a witness
in a court...
and i was given a photograph to...
"compare" having identified him in a mugshot...
the photograph i was shown still
had a date imprinted on it...
and this was the ******* argument...
the photograph was years old...
i identified the culprit in the police mugshot...
but the case was "won"... for no apparent reason...
the witness said: i...
this photograph is years old...
i can grow a beard and hippy attire in a year's time...
of course i was the witness that said:
note down the registration plate
of the car this camel-jockey jumped out of
and grabbed m'ah fwends mobile...

i've seen how: innocent until proven guilty works...
i'm not conviced...
i can't be... there's something instinctual preventing
me from adhering to this english...
jurisprudent sensbility...
it's hardly a ******* charles dickens novel...
if it were... and i greatly underestimated
charles dickens... no... really...
i shouldn't have read any of dostoyevsky...
i should have read charlie ****'oh'ends...
believe me when i say that is hould have...
since... heidegger's ponderings VII - XI
will retain their shelf-status as... the book most
probably unread...

such is the sobering process...
am i, in no way, allowed to sacrifice my 'ed
on the premise that: innocent until
proven guilty is the right categorial imperstive
to buckle on... since...
the anglophonic world buckles on it...
like a spectacular breakdance feat of
a penguin on steroids...
doing the diving header tsunami
of chore: the crowd goes wild!
it's no operatic applause and being
"superficially" reminded as to how...
find your proper seat...
before the castrato peacock does his
singing bit...
apparently finding one's seat
when it's never going to be a maggot-pit
at a slipknot concert is all that's
about to happen...

come by the butcher's and let's attempt
in finding you some oysters
among the volume of red boisterous...
to replica your genital parts
and sordid caviar letfovers...

perhaps i could be angry...
but la ilah illa blah'lah...
i am... halway bound between
being simulation circumcised
and being castrated...
i never which is which...
notably, given...
circumcised men are not allowed
the impetus of taking up
web-cam Susan on promise of...
also pleasing themselves
without wanting to earn some money...

it's a real problem though:
innocent until proven guilty versus
guilty until proven innocent...
relish...
the english indiosyncratic
wishing they were scandinavian iceland...
no... honey too sweet tooth bear...
this is not how the GMP affair that exends
with its genesis in the jimmy saville affair
looks like...
this quest for: apparently "superior"
is not going to work on me...
kin of a kind-of luvvie dubby...
bon voyage!

the entire continent is listening...
individualistic rights...
innocent until proven guilty...
the more i reiterate these words...
the more i sober up...
because i can't see how...
i am: a thief...
until i am proved to be... a thief...
by having performed the act
of thieving...
or not even an "after"...

sorry... please expose your divine
rational intelligence and tell me
via a reiteration that 2 + 2 = 4...

i am not a thief,
but i am a thief...
only if the act of stealing is proved...
and if "the" act of stealing is not proved...
i'm way more than a thief...
i'm a thief with a baby driver!
this anglican logic *****...
if innocent until proven guilty...
is to sustain the individual flourishing...
i'd rather make theatre of the original,
biblical deterrent...
a queen of this sort of popish claims
and her duaghters of yorkshire because...
the pawns of justitia...

conventionality of continetal thinking...
there's not even a "what if" or
"it would be better" should... allow,
extended into:
guilty until proven innocent...
rather than... innocent until proven guilty...

i sometimes find myself chattering...
in the cold...
but i'm not chewing anything...
i'm pretending to pivot the piano on a ghost...
being played as some per se magician's
excavation of: whatever time...
thus it was spent...

i call it chattering chopin...
bite marks available... like the multitude
of signature most willing to be...
allocated a collection foreseeable...

the would the artichokes of arabia...
or the fennel roasted roots of Italy...
there's something to be had of a woman
sporting the "cherokee" leopard-skin prints
on something that's...
90% cotton and 10% lycra?!

and the reason why i visited a brothel
in the past ten years was because?
if i want to play poker...
i'll play poker...
easy ***? it's not so easy in the act
and you want to find a kiss and...
she tells you: it's against the laws
of this sort of nunnery...
but you still manage to slurp a lip or two
of a shy pluck of the tulips of the sea...
or however this thing that
language is works...
if it's not going to be a hammer and nail...
forever... this "excuse" to allow nothing
more than YA novels...
metaphors and... pedantry of elswhere
from punctuation?

herioglyphic assumptions of :) emoji?
wink barrel baron! oi!
non-responsive...
black also implies: ivory beauty...
i started to admire their teeth...
since mine were always going to be
custard yellow death grin...
like bone to the rot...

no... i'm pretty sure tonight ends
here; now;
the prodigy - destroy...
given how... keith flint...
and that horse... and it was never a tale
of the stormy badger...
and how the fox is my aid and will
never make it to...
transcend the red coat hunting parties...
because... just because.

may be i don't care about you
may be i don't like you
may be i don't love you
all these were
my wrong assumptions

As I sit here with a hangover from pride and devious assumptions;
I see where my downfall began-

          University Café at 8:24 pm:
I saw the way she looked at you- a second too long with a twinkle in her eye.
I could have sworn you gazed longingly back, but I gave you the benefit of the doubt.
You told me she was a study partner from class, so I dropped the subject of the matter.

                 Your dorm room at 12:37 am
I thought I would surprise you with a late night gift, but I was the one surprised seeing “her” there.
You claimed you both were just studying and talking about absolutely nothing, but how could I believe that? I refused to be the fool.

                                Your friends dorm room at 12:52 am
I sensed the way he looked at me behind your back.
I cried on his shoulder; loosening him up with my seductive skullduggery.
I then let him consume in your late night surprise.

                                                   Present  1:13 pm
My assumptions have departed, but guilt has risen in its place.
You rush for me still trying to reconcile last night’s misunderstanding, and I finally see your truth;
but I’m too ashamed to divulge mines to you.

"Everyone wants happiness. No one wants pain. But you can't have a rainbow without a little rain."

Spread your wings and let's fly,
Can't reach those dreams it is so high,
What to do know?,
Let's smile and end this pain together.

We are each one's cause of euphoria,
Smile like there's no tomorrow,
Why are you full of sorrow?,
Why sudden change of emotions?,
Are you not happy?.

Look at the sky,
Don't be shy,
I know you've been waiting for it,
Don't always look on the ground,
You're not too low to look on it,
Feel free to look high,
And exprience the feeling of being on the top.

Imagine the things that you want that others can't imagine to you,
Your life doesn't depend on them,
It depends on you,
You are the only one who can decide,
Your life doesn't belong to them.

If it rains,
Accept it,
Don't blame the weather,
Don't blame yourself,
It's not your fault,
You just don't know on how to love yourself.

All of this are connected,
Don't ask and you'll be headed,
It is not time for your assumptions,
Why predict someone else's life if you can't even predict your own life.

Shut up and enjoy your life,
Have fun tonight,
Coz the next day what if there would be no more light to be seen,
Sun that brighten up your day,
Darkness that guided your life,
Who are you?

Sentences that are out of context,
What will happen next,
Shadows that are getting even more darker.
Coz there's a light,
A beaming spotlight.

Be the person you want to be,
Shout and tell them let me be,
Freed yourself from sadness,
Let go of your blindness,
And then there's happiness.

Don't pretend that you're okay,
Coz you'll end up hating yourself over
and over again,
Life is about up's and down,
Deal with it and tell the future that
you're going to be fine and pass all of this failure you've done this present.

Sunshine comes to
all who feel rain,
Rainbow can't show up
if there's no little rain,
Learn to stand up,
and you'll be okay.

Don't be pushed by your problems;
be led by your dreams.

You're quiet
So you must be stupid.
You're alone
So I pity you.
You speak softly
So you must be afraid.
You're different
So you must have not been raised properly.

... *******

Im quiet because I  like to listen.
Im quiet because people like you have silenced me in to submission.
Im alone because I love myself, of it all.
Im alone because I avoid people like you,
who cant cant love in general.
I speak softly because speaking loud is intimidating.
I speak softly because I never spoke when I was young, and my insecurity is fading.
Im different because I dont want to be like you.
Im different because Im okay with me
and if you actually knew me, you would be okay with me too.

Rev it up
revelations
Poems
I am starting to heat
Like a sweet ***
The thirst to quench
The sun stays never to be
switched
Like a birth
glowing rich
The procreation bloom

Egyptian words
Do they really need more room?
((One Day Creation))

575 Haiku 24/7
A spiritual touch
of the Rumi
Kabuki
Whom he?
Through me
His poem
Knew my assumptions?
Run around  to Sue-me__
Mooney Cafe George
Clooney

5-Loves too many?
7-Moves money talks
5-Doves peek woo
Love me do
You know
I love Poems
More than you

Loves five fire tribe
and words enlight
The punchy resolution
That's your flight
Shes higher love doves
He craves all her words

((Divination))

To resist the
temptation
Fruit punch someone
got a hunch
One Stanza not a bunch
The Nutcracker Ballerina
Italian Archetypal Piza

Celestial Poems
Mystical poetically
loved
Hierarchy of her
poem potent
well-fit glove
Such words to build
Strength with
dignity such a rarity
Her patience deep set
With such potency
The Republicans or
Democrats
Higher than the Penthouse
or wearing ballet flats
Poems need to be heard
Robin-joy to the world
Double breasted
he's suited

Please no copycats
Poems cheek to cheek
The dancer true
romancer every
poem week
Fred Astaire
Madame and
Monseir fresh
baguette
Poem goes deeper
then the crust of bread
Don't underestimate
the difference
How words can
make lives change

The world so
Parametric
We are all
Programmatic
Poems and loves platonic
Shakespearian force
With style and
gravity
Meet her sexuality
Make the transition
The sonnet sailing
Fourteen lines
Let's not get greedy
((With All Assumptions))
Not to be disturbed
please no interruptions
Poems are our lives
You wear the crown
Leave them
unwanted ones
for the class clown

If you are an aging book tossed on an empty shelf
Left to dust,
I will be the librarian who remembers you.

Even in my graying days and wrinkles,
I will find you within the musty bindings
Upon the shelves.
I will pluck you off,
Bypassing all of the others
That try and grab me as I walk
The narrow aisles.
I will push them back into their place
For you are the only one I have eyes on.
I will find you and blow the dust
Off your shoulders.
I will run my fingers over you,
Feeling your cover, your back, your spine
Before opening you and sifting through your pages,
Reading your story and discovering your scars
Where the corners have been folded over.

But I will love you long before
I ever open your cover and begin to read.

I have been told twice in one week that I am flirting with a boy
Twice in one week I have associated with a male
I have laughed at jokes I thought were actually funny
I have given well deserved hugs
I have walked away with a smile on my face
I have been told twice in one week that I am flirting with a boy
Once by my friend, who assumed I wanted to steal her "toy"
Once by my teacher who refused to take my side
I cannot simply speak to a species with different genitals
Without being called "thirsty" or "flirty"
I am not sure if anyone realizes that maybe the conversation is actually funny
Maybe I actually understand the joke
Maybe I'm engaged in conversation because it is more intellectual than talking about quilts
Maybe there is more to me than the simple teenage girl you claim to know.

Be open-minded and admit the possibility
That some things are objectively wrong
We all live in a constant state of gray area

I see you pretty often, maybe once every week or so
For a moment our bubbles come very close to overlapping
But they so far have always held firm
Which is, in one respect, kind of amazing
Yet in another, to be expected

Our bubbles are made of rubber and concrete
Our lives are so different - we’re separated by
Class, gender, age, ethnicity and health history
Different in almost every way you could imagine
Save for location, which again is amazing

If we ever step out of our bubbles one day
And I actually hope we do
It will be uncomfortable, I imagine, and also
Potentially dangerous for both of us
But it could turn out great

Most people ask themselves I guess
Whether it’s worth the risk
And say no and they probably make assumptions
And I so far haven’t made too many about you
Although to make none is impossible and so of that I am proud

Some things might be wrong even if
Everyone does them and even if
You or I do them constantly
Without an ounce of guilt
It’s possible anyway

The Trouble With Assumptions
come when no words are spoken,
But plenty are implied.

The crash of her lips and
Her nicotine tongue
had me feeling five times sprung.
And I didn’t know it at the time,
but my feelings towards her were hanging
Loosely on an invisible line
And I’d have never known,
had her lips not met mine.

If anything, I knew the Ice Queen
Was trouble upon our first meeting.
Somewhere deep down, I knew
With all of the fire within me,
that she’d burn me to a fine dust,
Sprinkle me around until
I found some place to rest.

I didn’t know what to expect the first time
she grabbed my hand.
It was gratifying, electric,
like magnets, all over magnetic.
She toted me and joked with me,
indefinitely filled me with glee.

But she was distant and reserved,
and I hardly had the nerve
to try and pick apart her brain
and unravel her pretty thoughts.

I assumed that her head was a beautiful mess,
much like my own.
I assumed that she sought thrills from things
Much too dangerous for someone of her size,
and that she didn’t care either way -
she’d been through enough already.
Or so I liked to think.

See, I still don’t know the Ice Queen.
I know the gentle caress of her fingertips,
her breath, hot on my neck,
the curve of her lips and their cotton candy tinge.
I know the curves of her waist,
the arch of her spine,
the softness of her hair,
and the little sparkles in her eyes,
But I still do not know her.

floating off
your words of encouragement

     "i look forward to reading your published works one day"

i've never allowed my mind the chance
to seriously entertain the thought
besides, i have a hard time swallowing criticism
despite my usual self-deprecating dialogue

they say assumptions are dangerous
yours especially
they hold the potential power to open new doors in my life

Earth’s sixth mass extinction has begun, new study confirms


How long before the rhino joins the list? Gerry Zambonini, CC BY-SA
We are currently witnessing the start of a mass extinction event the likes of which have not been seen on Earth for at least 65 million years. This is the alarming finding of a new study published in the journal Science Advances.

The research was designed to determine how human actions over the past 500 years have affected the extinction rates of vertebrates: mammals, fish, birds, reptiles and amphibians. It found a clear signal of elevated species loss which has markedly accelerated over the past couple of hundred years, such that life on Earth is embarking on its sixth greatest extinction event in its 3.5 billion year history.

This latest research was conducted by an international team lead by Gerardo Ceballos of the National Autonomous University of Mexico. Measuring extinction rates is notoriously hard. Recently I reported on some of the fiendishly clever ways such rates have been estimated. These studies are producing profoundly worrying results.

However, there is always the risk that such work overestimates modern extinction rates because they need to make a number of assumptions given the very limited data available. Ceballos and his team wanted to put a floor on these numbers, to establish extinction rates for species that were very conservative, with the understanding that whatever the rate of species lost has actually been, it could not be any lower.

This makes their findings even more significant because even with such conservative estimates they find extinction rates are much, much higher than the background rate of extinction – the rate of species loss in the absence of any human impacts.

Here again, they err on the side of caution. A number of studies have attempted to estimate the background rate of extinction. These have produced upper values of about one out of every million species being lost each year. Using recent work by co-author Anthony Barnosky, they effectively double this background rate and so assume that two out of every million species will disappear through natural causes each year. This should mean that differences between the background and human driven extinction rates will be smaller. But they find that the magnitude of more recent extinctions is so great as to effectively swamp any natural processes.


Cumulative vertebrate species recorded as extinct or extinct in the wild by the IUCN (2012). Dashed black line represents background rate. This is the ‘highly conservative estimate’.  Ceballos et al
Click to enlarge
The “very conservative estimate” of species loss uses International Union of Conservation of Nature data. This contains documented examples of species becoming extinct. They use the same data source to produce the “conservative estimate” which includes known extinct species and those species believed to be extinct or extinct in the wild.

The paper has been published in an open access journal and I would recommend reading it and the accompanying Supplementary Materials. This includes the list of vertebrate species known to have disappeared since the year 1500. The Latin names for these species would be familiar only to specialists, but even the common names are exotic and strange: the Cuban coney, red-bellied gracile, broad-faced potoroo and southern gastric brooding frog.


Farewell, broad-faced potoroo, we hardly knew ye.  John Gould
These particular outer branches of the great tree of life now stop. Some of their remains will be preserved, either as fossils in layers of rocks or glass eyed exhibits in museum cabinets. But the Earth will no longer see them scurry or soar, hear them croak or chirp.

You may wonder to what extent does this matter? Why should we worry if the natural process of extinction is amplified by humans and our expanding industrialised civilisation?

One response to this question essentially points out what the natural world does for us. Whether it’s pollinating our crops, purifying our water, providing fish to eat or fibres to weave, we are dependent on biodiveristy. Ecosystems can only continue to provide things for us if they continue to function in approximately the same way.

The relationship between species diversity and ecosystem function is very complex and not well understood. There may be gradual and reversible decreases in function with decreased biodiversity. There may be effectively no change until a tipping point occurs. The analogy here is popping out rivets from a plane’s wing. The aircraft will fly unimpaired if a few rivets are removed here or there, but to continue to remove rivets is to move the system closer to catastrophic failure.

This latest research tells us what we already knew. Humans have in the space of a few centuries swung a wrecking ball through the Earth’s biosphere. Liquidating biodiversity to produce products and services has an end point. Science is starting to sketch out what that end point could look like but it cannot tell us why to stop before we reach it.

If we regard the Earth as nothing more than a source of resources and a sink for our pollution, if we value other species only in terms of what they can provide to us, then we we will continue to unpick the fabric of life. Remove further rivets from spaceship earth. This not only increases the risk that it will cease to function in the ways that we and future generations will depend on, but can only reduce the complexity and beauty of our home in the cosmos.

Used to have nightmares all the time, used to see demons in real life.
Used to think I had infinite time, used to be held back by strife.
Uh, elder made me a dream catcher when was young,
when my parents were too busy drowning in the ***,
so I admired the gangs who taught me how to hold a gun.
They told me guns was our only power, our only resistance, because reality is twisted and white man never going to give us
any **** assistance.

(Intro) How do I want to define my existence? How do I achieve My dreams? How can I love others when they scared of me and keep their distance from me? What’s the point of climbing the mountain when God struck me down before I was even half way up? How can I get over addictions when everyone else already gave up on me and won’t lift me up?

Climbing this myth, this illusion, this delusion,
trying to change but how can I?
When my people were put through crucifixion?
My mushim and kokum taught me the way of our people,
but looking back at it now I think I failed my people.

Learned different lessons like yin and yang from friends,
but it’s too late the balance is broken...
this is how our people’s story ends.
That’s just how I feel and with no home I can call my own.
So, I sleep on the streets with a bottle of patron.
Water was supposed to cleanse me, and fire was supposed to warm me, but this fire water is going to be the end of me.
When the colonists came they seemed so sweet like Juliet, but it was all a trick, got poisoned and it was revealed that Juliet was really Brutus to our Julius.
We trusted ****** and look where it got us,
we trusted the church and they molested us.
We trusted the education system,
but they beat us and told us our beliefs and cultures were blasphemous.

They spread their diseases to us, they extended court dates,
so we couldn’t defend ourselves or get reconciliation,
from past callous deeds that were pretty heinous.
Jesus save us, oh wait you brought them to us!
Pride was turned to shame, courage was turned to insecurity, yeah so much for diversity!

The ***** problem, the white man’s burden,
but we are told to just get over it and keep this **** hidden.
So yeah, my dreams and visions of becoming more is no more than an illusion.

Cultures collide and bring forth rigged constitutions.
So, a society develops assumptions and misconceptions,
and it didn’t help that my ancestors had to wait till 1960 to vote in pointless elections.

Elections to decide the next white privileged man to take power,
power that turns good man evil.
Most don’t see or want to see the levels of this status quo devil woe’s, **** ridden covert racist codes.
So, if reality is a nightmare on elm street I’d rather live life short and die quick, and kick the Lord off his high seat.
****, looks like this dream catcher turned out to be Charlotte's web.
Oh, the irony of this misdirect, I thought the dream-catcher was supposed to protect!

But I see know that when you throw out the ***** bath water you also got to throw out the crib!
So now you can see why I can’t get ahead, because white society set up an invisible blockade.
So, sorry if perpetuating the cycle is wrong,
but might as well take my token Indian status and put it into a broken arcade.
For this mountain I’ve been climbing was really a cliff all along,
and society made it pretty clear that I don't belong.
So, I have no choice but to sing my Farewell song.
For the time of the Indian is dead and gone!

I’m a new kid,
I have a new name.
A new game?
I’m; here…
Undisputed,
I can’t reMember My Old name-
-I’m… Here…

Why do adults live with separation?
I mean; people don’t communicate,
“Consuming assumptions so you can hate”,
But know it is only the variables that are even exchangeable when reaching solutions in mind,
Peep thee illusions of time,
If we live in the moments, it’s fine-
Until we come across a choice and we’re absent from our voice,
It’s the voices we’re fed that sides;
Uhh DECIIDE!,
(“be humble”)
There’s THREE TIMES,
(“sit down”)
Now breathe…
The dreams I’m having, reiterated “I” in past;
But yet, I’m here,
Right now, my last thought is the last, last,
Cause says be; clear,
On my intentions,
I want love and affection,
That’s why I put myself sec (secondary) and,
Call me Reese Bobby;
In a world of duality,
“If you ain’t first-”
-You’re definitely not second,

What is transgression?
-If we were made to be,
Why does the resurrection of thy self only exist in make belief?
How can I indulge and embrace realities that weren’t made for me?
Especially when I was giving my own, it seems foolish to trade my ability to see,

I experienced her;
It’s a blessing, how she’d hold me tight,
I experienced him,
I never questioned who he was, inside,
I never fight… unless it’s by side,
It is beside, I fought with them; I speak of internal conflict,
Control accomplished,
The ego beyond it; we realize it’s the experience that takes us to a place in time, I speak of a space in a line that curves on a geometric plane that consists of circles intertwined that is often perceived as the fabrics of the universe but to save us the stretch of time, we see that it is the experience that defines life,
So who am I?
That question’s redundant,
It is all that resides in me;
I.e. abundance,
It is because of everyone in my reality, that I was able to see the cohesion, and it is because of that reason that I experience oneness,
I’m simply done with,
Using other people’s beliefs to constitute how I interact,
Because their realities are incompatible with what I essentially, intend to attract,
Certain interactions can remain abstract,
I can no longer take opinions on thoughts, if I’m the only one experiencing thoughts;
Your imagination shouldn’t be programed to be comprehensive with the past- extract,
There’s no math in that,
You’re just rearranging the variables, there’s no flow towards the conclusion;
Perspectives placed in fact,
And although this realization can be an impact,
We’d only turn our focus into a debate on what you did lack rather than embracing the thoughts that occurred that would only exploit one thing,
The solutions to the equations that you did have,
As the creators of our realities,
If it is problematic, the writer of the problem encodes an Easter egg that exploits how it is; it was you who did it,
How can we enjoy new thoughts, if they are the old thoughts?
We revisit.
It’s impossible to allude in digits if it is one we elicit…

People love my personality; they obviously love themselves,
Seeing myself in them is why I became an advocate for the conscious body of thought...and it’s health,
I.e. I express our extrinsic abundance of wealth;
I’ll reiterate; I.a. free man,
That’s: free thought, free love, free plan,
I’ll obliterate the mean-in; AI by using IA,
U-no reverse cards was the cause of humans comprehending backwards my friend,
We live backwards because we look back first,
So I’m confused on the AI fuss,
If an Artificial Intelligence is constructed based off our current level of intelligence, and is only responsive to our negligence because of the installment of IA (information architecture), then there’s no possible way for this room to have an elephant being that an AI is just an extension of us,

Who do you love?
-Is it enough?
-curious in, experiencing experiences other than lust…

I’m hearing some things,
“Who do I touch?”
Rhetorical questions; my love is a gift which seeded from trust,
I’m not one of them, I’m one of us,
One of a kind yet mind; innumerous,

I was born and knew nothing,
Only sure of my existence,
I experienced life and only found myself,
Time is only distorted when mind is missing,
Be mindful of your thoughts, it is the structure of your personality,
We just went through seven chakras expressing rationality;
I think we all can agree that T-B.O.P’s in another dimension,
And all she wants is for us to merge into our bodies potential extension...
PHI