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"ascribes" poems
I wake up Each morning, Head to my closet, And arm myself With clothes Thick as brick walls. I rummage Through various Pairs of greeve-like Pants Looking for The right foundation On which I Will build The day's Exoskeleton. Fix my hair Like the rest Of mankind. Hair that Acts as the cloak That ascribes me To anonimity. Before I leave I put on the Weight of My outer person, The one which I have carefully Built out of Various yous And none of me. The skin That I Have worn To see my soul Forlorn. I go, parade myself Like a sentinel Emblazoned With all the Merits; Look and behold A hero that Beckons to all who pass A hero who Hides all the dross Of the Inside. The inside of whatever is left Of my Dying kingdom. I go as a bastion With jutted spears And sharpened pikes Wounding those Who advance Whether in peace Or in strife. No, I will not Let anyone Through the gates Of my starving King. All my life I was being Built as a Stronghold. Father, as a mason, Taught me That strength Is measured Through how Much pressure My structure Can endure. Mother, as an artisan, Raised me As a dam That will not break. Taught me That my worth Is measured in the Volumes that I can keep. Suffering be now The mortar That binds all my griefs Together. Pain, ***** Barricades Around my thirsting Prince. Comrade, Stay as a facade; Hide the muck That have accumulated Throughout The years. Lover, break me down. Strip me of all My armor, Break down the walls. Turn my spears Into soft dandelion ***** Wade through the tar And see Through the veil. Unseam All my scars; Bleed me dry Until you reach my core. See me for Who I am. Witness the king That I have deprived. Caress the face Of the prince That I have denied. Satiate my famished spirit, Oh, you, lover of my soul.
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Nov 12, 2014
Nov 12, 2014 at 8:18 AM UTC
Clothes
I wake up Each morning, Head to my closet, And arm myself With clothes Thick as brick walls. I rummage Through various Pairs of greeve-like Pants Looking for The right foundation On which I Will build The day's Exoskeleton. Fix my hair Like the rest Of mankind. Hair that Acts as the cloak That ascribes me To anonimity. Before I leave I put on the Weight of My outer person, The one which I have carefully Built out of Various yous And none of me. The skin That I Have worn To see my soul Forlorn. I go, parade myself Like a sentinel Emblazoned With all the Merits; Look and behold A hero that Beckons to all who pass A hero who Hides all the dross Of the Inside. The inside of whatever is left Of my Dying kingdom. I go as a bastion With jutted spears And sharpened pikes Wounding those Who advance Whether in peace Or in strife. No, I will not Let anyone Through the gates Of my starving King. All my life I was being Built as a Stronghold. Father, as a mason, Taught me That strength Is measured Through how Much pressure My structure Can endure. Mother, as an artisan, Raised me As a dam That will not break. Taught me That my worth Is measured in the Volumes that I can keep. Suffering be now The mortar That binds all my griefs Together. Pain, ***** Barricades Around my thirsting Prince. Comrade, Stay as a facade; Hide the muck That have accumulated Throughout The years. Lover, break me down. Strip me of all My armor, Break down the walls. Turn my spears Into soft dandelion ***** Wade through the tar And see Through the veil. Unseam All my scars; Bleed me dry Until you reach my core. See me for Who I am. Witness the king That I have deprived. Caress the face Of the prince That I have denied. Satiate my famished spirit, Oh, you, lover of my soul.
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121
well, that was hoped for, otherwise water would have no universal quality, that ascribes it to provide for, every single species of animal; but, mostly man. bugt how does water in ice-cube form, travel outside of its "container": either a cermaic cup, or a glass, to form a water-ring beneath the container? water in, ice-cube form? i'm pretty sure that water without ice-cubes, settled in form at room temp. wouldn't create a water-ring beneath the container... i have only one answer... water in ice-cube form behaves like liquid nitrogen... liquid nitrogen forms a cloud while it evaporates... water can have the properties of liquid nitrogen, in ice-cube form, it will evaporate, like liquid nitrogen out of its container, whether ceramic, or glass, and form a water ring, beneath the container... obviously water doesn't behave liken liquid nitrogen in the all familiar spectacularness of extremes... water is more subtle when compared to liquid nitrogen... you can't see water evaporating... like you might see liquid nitrogen do so... but how else would water, contained in a cup of either glass or ceramics... create a water circle at the base, if it wasn't in liquid nitrogen imitation guise, that was less spectacular and, "invisible" to the naked eye?
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May 17, 2017
May 17, 2017 at 1:20 PM UTC
there's no difference between ceramics & glass (liquid nitrogen cf.)
carpal tunnel born of first-serve lets and second-serve ace comebacks -- from sloughing off winter coats to share between twelve -- my wrists are less than echoes and may have been little more to begin -- suspended by gossamer, brass-covered lichen and ticking fungi, like man, (with his whirling gears and mad metals) replaced nature's course with an automated system -- i would rust just to crack but they keep me too clean -- my sunspots have fled to warmer pastures, i am milk-buckets on overcast farm dawnings, but surely even they have seen the light of day -- splashed my face with wine and rooibos to see if i would stain like the canvas metaphor my generation ascribes to -- maroon dispersion in terra cotta wash, twining around a spiral course -- the folly of it went ignored 'til my lost and floating freckles gathered at the drain and clogged the sink to overflow.
0
Jan 26, 2015
Jan 26, 2015 at 2:03 PM UTC
(w)reckless freckles
Life’s Discards What arises from a seemingly affront the house abandoned but a visitor arrives and calls for meaning From chaos she perches on a suitcase in the center of the room wood paneled walls and a white stone Fire place serve as the backdrop it gives the place its first telling impact a value is suggested put sight to The test now family items strewn about only make up debris but just a time in the short past this room Was filled with everything that engendered comfort now the flow is a negative one that runs down Through each piece that suggests wicker chair you once were deemed precious and worthy of serious Attachment now you belong in a trash heap but for the heart and mind that is left to assess it is a weight Of brooding as you fix what at first just speaks of a simple travesty we feel and are moved by forgotten Things without life or means to speak they convey essential truths they argue for endurance and a Common thread that shows continuance even though they are abandoned and are thought to be Worthless by the previous owner the stranger will carry them away in her mind and memory as items She can’t forget because she elevated them to a place of endearment in the very disorder of ruin she With tenderness without words ascribes to them a worth even if it is just costly shadows that now enter The mystery and intrigue that intrude into all of our thoughts at times of contemplation where ever They arise in the dark evening or at morning twig light this room and others like it make up the physical Dimensions of that subconscious world the swirl and excitement that crashes against our outer lives That gives it untold riches meaning without understanding but a buttress a force that defies attacks of Various kinds we are more bemused than overwhelmed and that power rests in many things but a lot Are just yesterdays discards
0
Feb 20, 2012
Feb 20, 2012 at 2:28 PM UTC
Life’s Discards
Life’s Discards What arises from a seemingly affront the house abandoned but a visitor arrives and calls for meaning From chaos she perches on a suitcase in the center of the room wood paneled walls and a white stone Fire place serve as the backdrop it gives the place its first telling impact a value is suggested put sight to The test now family items strewn about only make up debris but just a time in the short past this room Was filled with everything that engendered comfort now the flow is a negative one that runs down Through each piece that suggests wicker chair you once were deemed precious and worthy of serious Attachment now you belong in a trash heap but for the heart and mind that is left to assess it is a weight Of brooding as you fix what at first just speaks of a simple travesty we feel and are moved by forgotten Things without life or means to speak they convey essential truths they argue for endurance and a Common thread that shows continuance even though they are abandoned and are thought to be Worthless by the previous owner the stranger will carry them away in her mind and memory as items She can’t forget because she elevated them to a place of endearment in the very disorder of ruin she With tenderness without words ascribes to them a worth even if it is just costly shadows that now enter The mystery and intrigue that intrude into all of our thoughts at times of contemplation where ever They arise in the dark evening or at morning twig light this room and others like it make up the physical Dimensions of that subconscious world the swirl and excitement that crashes against our outer lives That gives it untold riches meaning without understanding but a buttress a force that defies attacks of Various kinds we are more bemused than overwhelmed and that power rests in many things but a lot Are just yesterdays discards
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20
A lake, This day is placid, calm, at peace But could be rippled, tossed, and chopped; Submits to change, the winds increase, From glass to wave white topped. A quill, Adrift, from wing’s one shake, Will not soar, but float; Reacting to emoting lake To ride, perhaps to quote. A pen, From lake, to quill, to pen then ink The quill’s flight afloat it scribes; To find a cause, a purpose, a link When in a poets hand ascribes. ©Michael S. Davis 2013
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Mar 13, 2013
Mar 13, 2013 at 12:10 PM UTC
A Lake, A Quill, A Pen
to Dani remember when, you do not: you are a ground slicing the center of this home. the long divide the furniture endures. in front of the colossal tv bodies spilled like water. 20 minutes was all it took – your name alone, a potent hygroscopy. when close enough: dissipate. You took all the green the foliage could, soldered to your body a forest it manifests. repeated, if not a newer foundling: the space you take for acquisition , the faultless tenancy you mistake as counsel. every saved for, and gleaming space aspires for venue – translates to an arena for snapshot. [some mundane depiction ascribes for you to be known] years later my portrait still hangs perpetually on a modern furniture from a contemporary skillset. take this declaration. years later, leapt to this day and forward: the surgery of galvanized steel is reminiscent of a departure. the tedious laborer smiling through bonsai pots carrying out lobotomies. The afternoon more sterile than your face as if operation. This town knows you by practice and habit: all of it sepia, if not leaden.
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May 31, 2016
May 31, 2016 at 10:39 PM UTC
Plaridel is in sepia, or leaden
Whenever i meet people online, i am reminded again that at the core we are energy.  My mind ascribes characteristics of hidden faces that i can't be sure are verifiable, a blank palette where every "Alice" looks like the first "Alice" i ever met, and every "Steve" like the first "Steve" and so on... like when Rose Tyler lost her face to The Wire, and Doctor Who had to reclaim it for her. The Wire was so very hungry, famished even. And i am so very thirsty, which, if you think about it, means that The Wire and i have nothing in common at all.
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Dec 4, 2013
Dec 4, 2013 at 12:55 AM UTC
The Wire
A. drone this day empirical from where we were once the we rained from, a high excursion which savvy the drop, weighing in, a fault trying to convince the day when Sun embellished from the ravine of your hand, a catacomb secured by the rolling of your body like a boulder keeping a minute sacred, christened an evinced noon that was your repetitive finding. onto a netted frame caught, dripping out of a felt space in need for graphs to measure from, a well unnamed which presence resembling your body, resounding the fluency of what the physical ascribes an iamb of a crowd inverted, diminishing and inflected in a day's livid sigh housed in a jar that is a mouth words assemble an ikebana willing a delayed color that was a lack. held a device that was a sky or a gleaming face with a high price claiming a solstitial -- when I went to your home it was Saturday all week inside my ribcage chiming worship. plastered to a sheen all is equal underneath equatorial tracing a sphere when I found stroking the innards of a calendar it is November. it is Saturday. B.    he   comes  from    low  wattage this  night's  post    a wonderful polyp    to   begin  a    blight    apparently  so from a cut blackest gutter          carrying an ample   water  virulent              when  taken  in  and   again   in     a  savingslight  of     metamorphosis        climbs   vertical   so  the winged moon                              is    a  black  bird   in   the   blackest        cage /  baltic  a different  fraternity        of    land    with   the    same   pictorial      this   lovely  stillness   calling   it  work    a  flood   could  mean pernicious   is  blood               brewed   from  this climate           it   is   here  past Mandaue hillsides   dreaming                  if place were  rumored  as  same-silent.
0
May 28, 2016
May 28, 2016 at 7:45 AM UTC
You embody this
A. drone this day empirical from where we were once the we rained from, a high excursion which savvy the drop, weighing in, a fault trying to convince the day when Sun embellished from the ravine of your hand, a catacomb secured by the rolling of your body like a boulder keeping a minute sacred, christened an evinced noon that was your repetitive finding. onto a netted frame caught, dripping out of a felt space in need for graphs to measure from, a well unnamed which presence resembling your body, resounding the fluency of what the physical ascribes an iamb of a crowd inverted, diminishing and inflected in a day's livid sigh housed in a jar that is a mouth words assemble an ikebana willing a delayed color that was a lack. held a device that was a sky or a gleaming face with a high price claiming a solstitial -- when I went to your home it was Saturday all week inside my ribcage chiming worship. plastered to a sheen all is equal underneath equatorial tracing a sphere when I found stroking the innards of a calendar it is November. it is Saturday. B.    he   comes  from    low  wattage this  night's  post    a wonderful polyp    to   begin  a    blight    apparently  so from a cut blackest gutter          carrying an ample   water  virulent              when  taken  in  and   again   in     a  savingslight  of     metamorphosis        climbs   vertical   so  the winged moon                              is    a  black  bird   in   the   blackest        cage /  baltic  a different  fraternity        of    land    with   the    same   pictorial      this   lovely  stillness   calling   it  work    a  flood   could  mean pernicious   is  blood               brewed   from  this climate           it   is   here  past Mandaue hillsides   dreaming                  if place were  rumored  as  same-silent.
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50
I. On the surface easily gliding,   are my hands. I keep on the table   an ajar carton of cigarettes. Then slowly   becoming in my pocket, taking form of a hand,   a crumpled cinema ticket when straightened,   ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover    whose face I can almost touch.   When let go of closure, air thins and I move   secretly with fluency. This is how objects   escape my grip. II.   In front of the eatery, a transit.   I had a dream once in a depthless sleep,   a figure in stilts studded with guilt.   The face next to me, disquieting the music    of currencies, naked in sound as the truth shaved    like a beast. The nearby tarmac resounds with    another throng of absence. As a substitute    for beings shackled to duty,    the oncoming woman assumes theirs,    borrows their faces of dreariness and ***** a thousand times like white sheets harassed by    the wind through opened windows. III.     Define space as a venue for collision.     Say when a red-haired woman straddling     a duffel bag and myself confused as a peripatetic.     She ascribes her presence to my footing     and from where she left off, I take form     of her expired movement.                      Found strangeness is that space     is what happens when remembered. But hold no     bearing and rear contrivance,      trying to be bold by definition -- space solicits      the in-betweenness and then transmutes      an occurence,              say the volatile shape of a hand when     clutching and releasing, the fugitive manner of     feet when avoiding puddles, the unsolicited     reticence of a troubling question. IV.             A man carries a take away and is now      amongst the populace, waiting under a shed,      housing a familiar language. Home.            But first, trivialized. Haggles with the cab driver,     trying to transact a being angled towards home.     They agree to a fault, money's perfume clinches  the fingers and is given to a calloused hand.              Air once stale, is now succulent with the       resonating memory of a child's excited laughter,       and is now presumably waiting behind a gated       home. Like the palm of the hand, the number          of times the vehicle trundles within      the nearby avenue is the force it enkindles         with rest. He is home,      unloosens his clothing. Like a fine specimen           freed from a vitrine.
0
May 13, 2016
May 13, 2016 at 6:05 AM UTC
Textures
I. On the surface easily gliding,   are my hands. I keep on the table   an ajar carton of cigarettes. Then slowly   becoming in my pocket, taking form of a hand,   a crumpled cinema ticket when straightened,   ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover    whose face I can almost touch.   When let go of closure, air thins and I move   secretly with fluency. This is how objects   escape my grip. II.   In front of the eatery, a transit.   I had a dream once in a depthless sleep,   a figure in stilts studded with guilt.   The face next to me, disquieting the music    of currencies, naked in sound as the truth shaved    like a beast. The nearby tarmac resounds with    another throng of absence. As a substitute    for beings shackled to duty,    the oncoming woman assumes theirs,    borrows their faces of dreariness and ***** a thousand times like white sheets harassed by    the wind through opened windows. III.     Define space as a venue for collision.     Say when a red-haired woman straddling     a duffel bag and myself confused as a peripatetic.     She ascribes her presence to my footing     and from where she left off, I take form     of her expired movement.                      Found strangeness is that space     is what happens when remembered. But hold no     bearing and rear contrivance,      trying to be bold by definition -- space solicits      the in-betweenness and then transmutes      an occurence,              say the volatile shape of a hand when     clutching and releasing, the fugitive manner of     feet when avoiding puddles, the unsolicited     reticence of a troubling question. IV.             A man carries a take away and is now      amongst the populace, waiting under a shed,      housing a familiar language. Home.            But first, trivialized. Haggles with the cab driver,     trying to transact a being angled towards home.     They agree to a fault, money's perfume clinches  the fingers and is given to a calloused hand.              Air once stale, is now succulent with the       resonating memory of a child's excited laughter,       and is now presumably waiting behind a gated       home. Like the palm of the hand, the number          of times the vehicle trundles within      the nearby avenue is the force it enkindles         with rest. He is home,      unloosens his clothing. Like a fine specimen           freed from a vitrine.
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56
upon waking from a splendid plunge into the depths of deep dreamy restful sleep anchors away set adrift this body electric, which succombed instantaneously (without counting sheep) nor joining the make belive rank and file world with the likes of little bo peep an immediate notion arose to latch onto and ignore this most delightful, flight of fancy deed (not ***** nor done dirt cheap), but a natural function one cannot overdose nor excede the USDA quotidian requirement, where cares and concerns of an uncertain world freed yet an asolute bare necessity for stayin' alive plus richly textured unrivaled vista devoid of greed additionally cost and gluten free, NON GMO, zero caloric effortless need (words of caution to take seriously to heart), and note that if one doth not yield, but sure to read the small print affixed like a label each mind forcing to squeeze out every metaphorical drop of open eyed juice perhaps resorting to **** or speed that silent slurred speech, physical lashing, head dropping fatique will invite Halloween aparitions, delusions, grand hallucinations, et cetera as if one smoked wacky **** the forces of anatomical and physiological heft will take charge ahoy and blast at top notch nautical surge, will wrest control against blistering, festering against withering heights delivering balms away at feeble attempts to retain losing battle to remain alert oh boy no matter how much effort summoned, (even feigning wakefulness as a decoy) the trappings of oblivion i.e. sinking into profound dreamland, whether an individual ascribes to be Jew or goy which Maxwell House maxim “the key to better relationships may be more sleep” no mortal ought to take lightly, but pay heed lest the grim reaper doth creep stealthily and scythe lent lee steal a haggard skiff of flesh and bone whereat corporeal essence no more will there be for the soul to keep.
0
Oct 27, 2017
Oct 27, 2017 at 2:21 PM UTC
The pleasure of sleep
upon waking from a splendid plunge into the depths of deep dreamy restful sleep anchors away set adrift this body electric, which succombed instantaneously (without counting sheep) nor joining the make belive rank and file world with the likes of little bo peep an immediate notion arose to latch onto and ignore this most delightful, flight of fancy deed (not ***** nor done dirt cheap), but a natural function one cannot overdose nor excede the USDA quotidian requirement, where cares and concerns of an uncertain world freed yet an asolute bare necessity for stayin' alive plus richly textured unrivaled vista devoid of greed additionally cost and gluten free, NON GMO, zero caloric effortless need (words of caution to take seriously to heart), and note that if one doth not yield, but sure to read the small print affixed like a label each mind forcing to squeeze out every metaphorical drop of open eyed juice perhaps resorting to **** or speed that silent slurred speech, physical lashing, head dropping fatique will invite Halloween aparitions, delusions, grand hallucinations, et cetera as if one smoked wacky **** the forces of anatomical and physiological heft will take charge ahoy and blast at top notch nautical surge, will wrest control against blistering, festering against withering heights delivering balms away at feeble attempts to retain losing battle to remain alert oh boy no matter how much effort summoned, (even feigning wakefulness as a decoy) the trappings of oblivion i.e. sinking into profound dreamland, whether an individual ascribes to be Jew or goy which Maxwell House maxim “the key to better relationships may be more sleep” no mortal ought to take lightly, but pay heed lest the grim reaper doth creep stealthily and scythe lent lee steal a haggard skiff of flesh and bone whereat corporeal essence no more will there be for the soul to keep.
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51
Young love, You seeketh amour' in all the wrong places, For canst thou not see? That thine rapture you seeketh ascribes right in front of thine own veranda you perch upon!!!!!
0
May 16, 2015
May 16, 2015 at 7:45 PM UTC
mauvais endroits