"artists" poems
Wind blowing, leaves falling
In the woods I am walking
Birds chirping, squirrels digging
Not stopping my mind from wandering
Fashion walks, beach resorts
Nice weather, beautiful people
City breaks, country retreats
Exotic animals, spiders and snakes
Mona Lisa, The last supper
Beautiful art, beautiful mind
Excellent artists are hard to find
Beautiful things everywhere
open your eyes, happiness is right their
Jun 8, 2014
Jun 8, 2014 at 1:29 PM UTC
dust cloud heavy
in an apricot sky
cottonwood mucker
under ambrose pale
whippet and shepherd
mill at the earth patch
yellow birch hangs
over red bench park
combine shavings
in crack rust brown
scissors chips fall
at the back stop
whiskey jack looters
sing patented chords
siblings (and 2 wheel enthusiasts!)
give thanks
joyous retrievers
master the criss cross
bare maples stand
at settlers way
barred owl and blue jay
whistle in the fore-wind
ghosts
and goblins
pull on the seeds
wind gusts belt
over the west gulch
a blood rush churns
in the chilling fall morn
hallowed grounds still
at the midday
quiet reflections
of the afghan
and hound
jumpers unite
at the oxbow
route runners bend
(on a sultry foray!)
meadows exposed
in the framework
ball parks empty
with pennants past
barrel dirt favors
the brew house
crimson and copper
find bracken ridge gate
harvest hands savor
the honey and hops
blankets of color
for a winter's hatch
brush fire kept
under steady peruse
bark bites fly
and embers glow
pine cones drop
from the timber tops
3 wick candles
grace the dinner place
shiver and ******
at the piper's call
cob web dew
on the shadowy gates
a chilled mist mellows
the season's return ~
poets and artists
and dreamers awake
Oct 9, 2017
Oct 9, 2017 at 11:55 PM UTC
It wasn’t supposed to be like this.
I wasn’t supposed to fall so hard
I wasn’t supposed to call out for your arms in the night
And my lips weren’t supposed to search for yours
As if they would actually be there.
I wasn’t supposed to nuzzle into my pillow at night
pretending that your hands were nestled in my hair
I wasn’t supposed to make small talk
just so I could hypnotize myself with that something in your eyes
I wasn’t supposed to wake up cold in the gray morning
with the strong urge to be bruised and bitten
In fits of slow, languid passion.
Unreal how our bodies match and move together,
Uncanny how our minds meld and play in synch.
My youthful love for life,
Your chuckling maturity, still unsure what life is.
Now I play soft ballads full of aching, yearning,
I can wrap myself in a blanket on the floor
With a mug of tea, and think silently on you
And the shadows I wish I could conjure into existence…
They live inside, dancing to burst free from our guilty bodies
Too ethereal, too beautiful, to be abandoned
When we (artists) know we live for such wonders.
I wish I had any other option but forgetting,
or descending into madness.
(I’m currently choosing madness..?)
And it wasn’t supposed to be like this.
I wasn’t supposed to fall so hard.
I’m so sorry,
My summer love.
Aug 31, 2012
Aug 31, 2012 at 3:44 PM UTC
The distant park
Was a graveyard of dead stars.
Each streetlight a system of worlds,
So many lives between each mote of light,
Indistinguishable in their unique love,
Bespoke hate, and the drama of the modern age.
Drunk laughter behind transparent
Double doors. Another hotel balcony,
Another cloud behind the canopy
Of marijuana eyes
To unsettle me from the crowd.
She points out, when you look closely
You can see the disorder
Amongst all constellations
Of life and love and litter;
Of discarded Coke cans
And temporary highs.
She says this is not a scene
To imbue the ****** of a present mind,
More to baulk at the incompletion
Of one thousand to-do lists;
A million reasons why
You should just stay inside.
She says you can see the human swell
Of ignorance, our city lights
Blotting out the stars
In a black ocean of broken politic
And irretrievable fault lines-
Divisions between us all.
Lives twisted with professional smiles
And eyes lit with stunning indifference.
Still, I have felt charity and warmth
On the doorstep of lunatics and fascists.
I have read the love of life
In faces of those who gave up.
I have recounted countless artists
Who saw beauty
In moments that precisely lacked it.
I have spent too many nights
In anaesthesia,
Fleeing each instance of feeling
And terror; all the tremors
That tell me I am still alive.
Continued to stare at the lights
Long after her voice
And the laughter inside had gone.
Heard waves in the traffic.
A world so large, so expansive,
It can never truly sleep.
Every broken heart,
Every war-torn land,
Every promotion,
Every one-night stand.
I wonder what would happen
If we all stood still.
If we all took one moment
To observe the motion
That unfolds beneath
Our static windowsill.
If we all took one moment
To recover our loss.
The wars that we won,
The feelings, forgot.
The hell we retain;
Our paradise, lost.
Feb 6, 2017
Feb 6, 2017 at 11:07 AM UTC
Artists are often
broken people
using the fragments of themselves
to create something new
and although
being healed
feels so complete
sometimes i want to be broken again
sometimes i want open wounds
so i can use the blood
to paint sunsets
so i can use the torn off pieces of skin as a canvas
so i can carve
masterpieces with the jagged bones left behind
but I can't bring myself to break my own heart in the name of Art
Jul 17, 2018
Jul 17, 2018 at 7:59 PM UTC
I could’ve woken you up in the morning and could’ve been the sun that rises even when we both live in a place where it never does.
I could’ve taken you to museums, at least 2 of where I’ve been to. The first one, we’ll have to take the bus because I’d tell you that I’m too lazy to drive but for the second one, I will tell you that I’ll drive you there.
My car would look at me as though it knows that there is another soul seating in the passenger seat – it was no longer some books, a box of pizza, or my dog.
I could’ve taken photos of you in that place, post them everywhere but subtly so that they can see that there are at least 2 forms of art in that photo — the one you’re looking at and the one I’m looking at.
I could’ve talked to you at night under the stars, in the same rooftop where I told you that I liked the cathartic experience of doing just what we could’ve done; the same rooftop where you talked about your life, at least some pieces of it.
I could’ve brought you to where I used to study. We could’ve walked the halls that stared at me for being too alone and too lonely only so I could tell them, “Hey, here he is, finally.” and they could’ve smiled at me because they know how long the longing lasted.
We could’ve taken a stroll in the shade of the trees or could’ve had a picnic there while watching the joggers and the sunset.
I could’ve introduced you to my friends – they’ve been meaning to meet you. They too know how long I’ve been stuck on an island by myself. They know who I was when I was eleven and when I was sixteen and I bet, if you gave them a chance, you could’ve heard the crazy things we did.
And maybe they could’ve liked you. They could’ve told me how lucky I was and probably would’ve warned me that if I hurt you, they’d stick with you instead of me.
I could’ve introduced you to my family — my mom liked you even then. I could’ve introduced you to my little brother who I would consider as the biggest and most important judge of character because I believe that children can sense goodness in people and he could’ve seen that in you.
I could’ve written you letters, could’ve left random little tokens I would've used for all the words I cannot muster to say.
I could’ve played the piano for you even if I just know, at most, 3 songs; even though I don’t really know how to read notes at all.
I could’ve introduced you to the artists I like and I could’ve known more of yours. I could’ve listened to them and I would have had to remember you every time.
I could’ve held your hand, could’ve eaten brunch with you, could’ve read you a poem.
I could’ve loved you — could have – if I was the given the chance.
But, I was and I could’ve used it but I didn’t.
Aug 7, 2018
Aug 7, 2018 at 11:01 PM UTC
On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.
On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion's pledge,
The Queen of Hearts still making tarts and I not making hay -
O I loved too much and by such and such is happiness thrown away.
I gave her gifts of the mind I gave her the secret sign that's known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say.
With her own name there and her own dark hair like clouds over fields of May
On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay -
When the angel woos the clay he'd lose his wings at the dawn of day.
22.2k
I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it' all right,
go ahead, enter their lives, I' not jealous
because we' never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame -- not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD. we know God is dead, they' told
us, but listening to you I wasn' sure. maybe
it was the upper case. you were one of the
best female poets and I told the publishers,
editors, " her, print her, she' mad but she'
magic. there' no lie in her fire." I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of. I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you **** in the bathroom,
but that didn' happen. your letters got sadder.
your lovers betrayed you. kid, I wrote back, all
lovers betray. it didn' help. you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you. I wrote back but never
heard again. a friend wrote me of your suicide
3 or 4 months after it happened. if I had met you
I would probably have been unfair to you or you
to me. it was best like this.
19.5k
From Alan Lomax to the commercial art and now the money machine.
At the turn of the century; when sound recording 1st became available to the masses, recording a song was an opportunity for folk to reach out; and tell the world something up front and personal.
It meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement, an epitaph, an audio sound bite immortalising ~ life, mood, emotion captured and bottled for all eternity.
(A medium that conveyed messages from artists and storytellers of all kinds)
A recording was also a great addition to "The family album" something more tangible, a window to a real person, with a real life, a message and a point of view; a legacy, a blast from the past.
Few people expected sound prints to be re-designed, homogenised, formulated, copied, repackaged and that art and the message would be played over and over again by new artists in the form of "cover music" or that the style of the messages would become secularized, seperated into distinctive groups, or constrained by an elite clique or commercial genre.
Labelling and streamlining art & music mostly benefits the commercial art & music industry; and no longer the artists and creators.
I've no problem with good business, or the multi-billion pound industrys that have gained commercial success.
However the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound and synthetic culture to sell a product, leaves very little room for creative people to just be creative.
A medium originally open to many for self expression, a historical record, an archive, a voice, a personal message;
Is now just a vehicle for advertising and perpetuating a genre of nonsense, so much so that there is now more white noise immortalised than messages.
To re-cap ~ I Think that creativity and expressionism; like story telling conveys moods and messages from the present and past!
Artists and musicians should have the opportunity to create and produce more information than they copy; thus creating a richer more colourful tapestry, whilst not devaluing the message of their predecessors!
Purcy Flaherty.
Jan 9, 2018
Jan 9, 2018 at 10:38 AM UTC
I think
as artists
we owe a lot to pain.
Put on
a robe of thorns
and write
about the nice weather outside
and that delicious burger
you had today.
Write about happiness
when you're in pain-
beauty.
Mar 20, 2018
Mar 20, 2018 at 6:59 AM UTC
Everything in quotations marks and italics was written by TS Eliot.
eyes knowing glossy men,
sheer women, creatures,
not all artists, but artists,
always thus,
centrifugal, simple
from their core,
emanate, resonate,
expand the exterior
with interior precision sculpting
to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths
movement of arms and legs,
sparseness of simplicity
subsidiaries of centricity,
tributaries of complexity,
oriented to their locality
the simple purpose of inhalation,
to exhale, after transformation,
the calculus of thought into emotion:
*"the tongues of flame are in-folded
into the crowned knot of fire and
the fire and rose are one"*
the dancers hear the music:
*"so deeply that it is not heard at all,
but you are the music
while the music lasts."*
**”Quick now, here, now always –
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well"**
Mar 10, 2014
Mar 10, 2014 at 10:42 PM UTC
Inspiration, alike joy comes in different types,
It could be as simple as a little wallflower, or as complex as astrophysics, or even more than that, what counts is the source,
Allowing us poets, from a simple emotion, to develop a piece of art,
Allowing the artists, to express themselves within beautiful illustrations, each unique in style and shape, even if some parts may look as if they have been repeating themselves a couple of times,
A word of love can be enough after all, to set a lonely heart ablaze,
Such is the beauty of this earth we are living on, the beauty of being different from one another, but finding what ties us together is truly magnificent, with each difference may come a nice mutality,
Some look up to the sky, shining beyond the scene, the sun brightens up their mood, followed by the dearness of the dazzling white clouds,
Others may find a rainy day wonderful, the raindrops which can be interpreted as tears are but for them falling jewels from the heavens,
These are a few examples of what may birth inspiration, but it can be even smaller, like a small, delicate corn of dust.
~ Umi
May 1, 2018
May 1, 2018 at 6:00 PM UTC
The girl with purple hair is sitting at my bar again.
I think she is beautiful. And not in a way that I wanna have awesome *** with her but in a way that I want to drink chocolate martinis with her
and go shopping for christmas vests that have tinkly bells and possibly polar bears with hats on them.
She is having a full-body cry. I am the worst bartender, simply
because I don't know how to counsel people without crying back at them.
She is crying about the state of women.
I know that we come from the same rotting wood, so all I do is nod.
"How is it that three quarters of the women I know have been ***** or molested?
What does that say about the men that I know?
**** is not a man behind a bush with a knife, she laughs
It's kissing you on the mouth like whiskey at a nice bar."
The girl with purple hair and I are holding hands now,
"I only wanted an apology,
an acknowledgement of what occurred."
Grappling as artists, as girls, as ships in bottles,
how do we change any of it?
I tell her I am going to write a poem.
She says no one wants to hear a **** poem.
And I know she's right.
Have you ever seen a stampede of horses?
Do you wonder what the hooves look like from underneath?
Have you ever tasted the blood from biting your own lips because you couldn't say no enough?
"I never fought back. I kept my thighs tight and
closed, but once he's inside you, you wish you were the streetlamp, the
store clerk, a street lamp, a bed of calla lilies-
anything but a woman.
In that moment, our eyes glaze over, and they stay that way for years.
That's when you've lost.
Apr 6, 2014
Apr 6, 2014 at 5:45 PM UTC
Artists are like crystals
Must be handled with care
One slip
Oops!
You loose it all there
However
On the brighter side
Even if they shatter
They still glint
Whatever be the matter
Crystal cleaving
May scatter the lusture
But the process
Can never douse the dazzle
Aug 13, 2014
Aug 13, 2014 at 5:42 AM UTC
I feel such Gratitude when I think of you
I feel so much it overflows
I want you to know how much I appreciate you
You are an inspiration and a muse to me
I have not met many of you face to face , but
No one else can take your place
I hold a special place in my heart for you
You are not just mere followers I consider each and every one of you my friends
We are bonded together as artists of the written word
In case you forgot I will tell you again
You are Awesome
You are special
You are a muse
You touch my heart with your poems, and because of all of you I am forever changed
You are amazing in many ways
I just had to share my gratitude for each and every one of you
Aug 19, 2014
Aug 19, 2014 at 9:38 AM UTC
I am Guatemala
I am its mountains and its shore
I am its black sand beaches. I am its artists and its poor
I am the mist from its volcanoes
I am its limestone richly carved
I am the Mayan, and the Latin. I am the hungry and the starved
I am its folklore and its future
I am its markets and its clothes
I am the abandoned and forgotten. I am its children no one knows
I am its colorful conventions
I am its jungles and its fare
I am its colonial traditions. I am the pilas in the square
I am Guatemala
I am its living and its dead
One is always Guatemala, no matter how far we are spread
May 28, 2016
May 28, 2016 at 9:06 PM UTC
In the blue sky just a few specks of gray
In the evening of a beautiful day
Though last night it rained and more rain on the way
And that more rain is needed 'twould be fair to say
On a gum tree in the park the white backed magpie sing
He sings all year round from the Summer to Spring
But in late Winter and Spring he even sings at night
So nice to hear him piping in the moonlight
Spring it is with us and Summer is near
And beautiful weather for the time of year
Such beauty the poets and the artists inspire
Of talking of Nature could one ever tire
Her green of September Mother Nature wear
And the perfumes of blossoms in the evening air.
Apr 25, 2010
Apr 25, 2010 at 5:54 PM UTC
From the BBC today,
Excerpt
Why does Taylor Swift write so many one-note melodies?
"It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master.
Take, for example, her first US number one, OUR SONG
Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song."
That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope.
But Our Song also establishes another of Taylor's trademarks: The one-note melody.
Excerpt
Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech.
"They emphasise her relatability by mimicking the cadence of speech."
"They emphasise her relatability by mimicking the cadence of speech."
"They emphasise her relatability by mimicking the cadence of speech."
Rebuttal
Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands.
ALL POETRY BEGAN AS RHYME IN SONG.
Cadences are singing statements that confer a discipline and unity.
Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion.
One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state.
It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE.
If you want to sell and make money you better start thinking about the 99% of people who are not geniuses.
If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine.
You are not an artist.
You are an employee.
"Rhyme sells because the people you are selling too can remember your lyrics."
"Rhyme sells because the people you are selling too can remember your lyrics."
"Rhyme sells because the people you are selling too can remember your lyrics."
Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ
BECOME
EVERYONE ON EARTH
ALL POETRY BEGAN AS RHYME IN SONG
HOW BADLY EVERYONE INSISTS
NOT SHARED BY THE MAJORITY OF PEOPLE
HOW BAD
artist?
or employee?
Feb 15, 2018
Feb 15, 2018 at 10:29 AM UTC
The artist must become a whole
Completely obsessed with their art
Obsessed with who they are
Truly, who they are
Without hesitation
Infatuated about how they create
The art that makes them be,
What it makes them live for
From how they take their coffee
To every moment of a good ****
Reading in peace at dawn,
Picking fruit from a grocery store
The truest of artists are always lost
Lost in their own mind
Unconcerned with the lashing of
Society's moral tongue
Pushing themselves out to sea
Creating only to be alive from within
Where it all counts,
And it all has some value
Sep 20, 2018
Sep 20, 2018 at 11:54 AM UTC
1. De-Colonize This Space
Drum circle protests genderplop demands
Indigenous discount store camouflage
We demand persistent stereotypes
Solidarity initiative project
Take back the people’s cultural statues
Ethnographic curatorial practices
Red spray paint fire imperialism
Repatriate the Iphone Starbuck’s cups
And don’t forget the “Hey! Hey! ** **
Because we’re, like, artists and stuff, you know?
2. De-Colonize This Space Too
Guns and cholesterol made America great
Fat white boys in discount store camouflage
Duct-tape the Bible and the border wall
We won our freedom with our Kalashnikovs
Fake news back-stabber not a war hero
SecondAmendmentSecondAmendment
Lock her up get ‘em outta here yuge deal
You RINO losers can grab my MAGA
You snowflakes are sissies, you millennials too
But ouch! my heel spurs hurt, oh boo-hoo-hoo!
Oct 11, 2018
Oct 11, 2018 at 3:02 PM UTC
Dear society,
Stop trying to sober us up.
We’re young and bright
and beautiful and loud.
We will light up every
corner of every room
and still shine brighter
than the sun.
Stop telling us to cover up.
We will wear little black dresses
and bright red lipsticks,
leave lip-stains all over
your precious little world
and look so good doing it
that you’ll have to look away.
Stop telling us to slow down.
We live and love with so much
power and strength that we
cannot stop for you
or anyone, for that matter.
Every day is our day
and the world, our oyster.
Stop telling us we’re useless.
One day, we’re going to run the world
for you; going to be soldiers, doctors
writers, artists, speakers of the truth
and the truth is that we’re alive
and strong and here, and
you cannot control us.
From impatient, beautiful, and exuberant young girls everywhere.
Sep 25, 2014
Sep 25, 2014 at 10:30 AM UTC
I come from New Orleans where the swingers hook up with the singers, and the boxes have a person inside who speak to you through a thick horizontal slot in the door. You come from Minnesota where the most aggressive sentence is “Hi, how are you” and you’ve attended church every Sunday of your life, even though you don’t really believe in god.
We came to the West to skate with the surfer junkies. But then the harbors got bombed and we moved out East to see the hipsters and the artists beggin on the streets. We went to the South with the racists and bigots were dying for a good show. We moved up North to escape from the 70s, and with the 80s on the rise we figured we’d best stay away.
The 70s were rockin’ with **** and LSD in parks and concerts, and on benches on the streets. The smoke in the air was everywhere, from the slums in Wisconsin to the cities of Dallas. Even the poor were lost in the haze.
When the 80s arrived with Rock ‘n’ Roll and techno beats from windowsills upstairs. The music was groovin’ and the ladies were fine. We saw billboards of our names in neon orange lights. The *** was replaced by coke, and the LSD with ****** singing and swinging with delight in our eyes.
When the AIDS broke out we were sick in our beds listening to Pink Floyd and Elton John, and still we were singing. The 70s got us high while the 80s made us die
We lived through wars in Vietnam, and Korea; we fought back the communists with red ink on our hands. We broke down the door into China and got them to arrive in the present and join the world. Although their chairman sits on a chair of lies he leads them with an angry fist in the air pumping “three cheers for Mao”. “Three cheers for Mao”.
When the Soviets launched themselves to the moon we responded with our money and flashed our shiny new machinery in their faces. We marked our territory and claimed triumphantly that “We’re the best”. And we launched our war nukes and pinned them into intimidation. Then the Cubans sought revenge for the death of the Pigs on their Bay. With rifles in hand we stormed the beach and unearthed Castro and his regime.
With our beds soaked in blood, and our dreams covered with fog, hand in hand we lay. We recalled the dances in the backs of old Cafes where the passwords were as simple as three quick knocks and two slow ones. We remembered the guns that pierced the heavenly chorus for the negros in the south. And we thought about the music of the 70s and the death in the 80s and I thought about you for a minute more.
Sep 18, 2012
Sep 18, 2012 at 4:29 PM UTC
My mother was
a first generation lesbian.
My father,
a first generation divorcee.
His father was the one child
of a public school teacher.
He found my grandmother at 18.
A farm child, one of seven.
A painter, a baker.
My mother's father
a single boy to three sisters.
His aggressive masculinity
kept the line clear and thick.
He found my mother's mother at 17.
A middle of seven Pentecostal children.
A beauty queen, an agoraphobic.
Each had five children.
The door-to-door salesmen/
homemaker and mother of boys duo
bet it all to open a hobby shop.
They were by far the poorest of the
watermelon farming siblings.
They were artists and explorers.
The high school graduate and ladies man,
was a logger before a father.
And the single mother of 25 he left
scarcely left her home at all.
Neither pair made it big.
But they made my father.
A lonely, post middle aged man.
The poorest of his brothers.
A used to be pilot,
and could have been teacher,
a want to be pioneer.
A nuclear family super fan
who never got his way.
And they made my mother.
A nervous, eccentric hippie
who doesn't know how to talk to her siblings.
A woman working her *** off to excel at lower middle class.
A builder, a fighter, a **** good mother.
Even if accidentally so.
She has plans to travel.
He has dreams to live by a lake.
And they made me.
A single girl among three boys.
A quirky, nervous tomboy.
A thinker, a gardener, a climber.
A loser and a dreamer by blood.
Nov 17, 2015
Nov 17, 2015 at 5:20 PM UTC