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wordvango Jun 2015
commonly in a brine
   may be pigs feet or beets
whereas where she may be
    they are called gherkins
bread and butter
       ploughman's lunch
or caught between
      second and third
if it but was
      a children's game,
Take a hit with my pipe
          there might my predicament
resolve how my pickle will ever
     reach all the way ,
I wonder my lips pursed,
      to the old country.
It just might.
judy smith Feb 2017
In this age of global uncertainty, clothes have become a kind of panacea for a growing number of consumers. Designers are responding to the political upheavals of the past year by injecting some much-needed humour into women’s wardrobes. Browns CEO Holli Rogers is already predicting that spring’s sartorial hit will be Rosie Assoulin’s smiley-face T-shirt. This cheery number, which reads "Thank you! Have a Nice Day!’" neatly sums up the jubilant mood of the coming season.

The logic goes that turning up the dial on the fun, the colourful and the crazy is the sartorial equivalent of Michelle Obama’s "when they go low, we go high" mantra. We may not be able to control the chaos of world events, but we still rule our own style.

It’s no coincidence that a cartoonish aesthetic, of the sort you’d find if you rifled through an eccentric child’s dressing-up box, was in plentiful supply on the spring/summer 2017 runways. Alessandro Michele’s army of Gucci geeks displayed growing swagger in garish get-ups that ran from fuzzy crayon-coloured furs featuring zebras to tiered, tinsel-y coats that rivalled Grandma’s Christmas tree.

It was a similar story at Dolce & Gabbana, where sumptuous eveningwear was loaded with pasta and pizza motifs, and drums became bags, while Marc Jacobs tore a page from a psychedelic colouring book, covering clothes with the childlike scrawl of the London illustrator Julie Verhoeven. Even ardent minimalists would have to admit that these playful looks have potent pick-me-up power.

For Anya Hindmarch – whose empire is built on feel-good fashion – all this frivolity is nothing new. "An ironic, lighter and more irreverent approach has always been my thing. People love beautiful objects and increasingly, they want to show their character – that’s the point of fashion," she says. "Customers today are more confident with their style. There aren’t so many rules. It’s about putting a sticker on a beautiful handbag and not being too precious about it."

What’s surprising is who is consuming this cartoonish style. Though there’s no real rhyme or reason, says Hindmarch, often it’s older clients who are investing in the maddest pieces – like her cuddly, googly-eyed Ghost backpack that has also been spotted on Gigi Hadid and Kendall Jenner.

The same is true of the customer for the Lebanese designer Mira Mikati’s emoji-embellished styles. Though her fans run from twenty to fiftysomethings, at a recent London pop-up one of Mikati’s most ardent buyers was an 87-year-old. "She tells me that whenever she wears my clothes people stop her on the street. They smile. They start conversations. She literally makes friends through what she wears."

Mikati began her career as a buyer, co-founding the upscale Beirut boutique Plum, before launching her own line some four seasons ago – largely out of frustration at the sameness of the mainstream collections. "I wanted to create something fun and colourful but easy to wear – that you can add to jeans and a white T-shirt, but that’s also a conversation point."

Her clothes, worn by Beyoncé and Rihanna, are certainly that: pink parrot-appliquéd trench coats, scribble-print hooded tops and dresses clad with a family of monsters who spell out her Peter Pan ethos in scrawled speech bubbles that read "Never Grow Up’" The antithesis of normcore, these designs take their cue from her children’s toy trunk and the Japanese pop art of Takashi Murakami – who returned the compliment by donning one of her patched bombers.

Mikati is clearly onto something. According to Roberta Benteler, who founded online fashion emporium Avenue 32 in 2011, it’s the cartoon aesthetic that’s really piquing women’s desire right now.

"Anything that looks like a child’s drawing or a toy sells incredibly well," she says. "Brands like Mira Mikati, Vivetta and Les Petits Joueurs inspire the impulse to buy because they’re so eye-catching. You have to have it now because there’s a sense you won’t find it anywhere else."

The exponential rise of street-style stars and the social-media machine that now propels the fashion industry also plays a part in the popularity of these playful looks.

"Designers are creating for the online world and customer," continues Benteler, who cites the Middle Eastern consumer as a big investor in these niche eccentric designs. "People find escapism in fashion and more than ever they need something to cheer them up. These are clothes that stand out on Instagram, and for designers that translates into sales."

In practical terms, in an effort to beat the warp speed of high-street copying, designers are differentiating themselves with increasingly intricate and artisanal styles that are harder to mimic. Just because these pieces have a childlike sensibility doesn’t mean they’re not beautifully crafted.

"My aim is create a handbag that you can keep as a design piece," explains the accessories designer Paula Cademartori. One of her most successful designs – the Petite Faye bag, which comes in a whole rainbow of configurations – takes more than 32 hours to create at her Italian studio. "Even if the styles are colourful and speak loudly, they’re still sophisticated," says Cademartori, whose brand was recently snapped up by the luxury goods group OTB. It can pay to be playful.

One man with a unique insight into the feel-good phenomenon is Marco de Vincenzo, who combines his longstanding role as leather goods head designer at Fendi with creating his own collection. "When we first created the Fendi monster accessories for bags we were simply playing around," he says of the charms that still loom large some three years on. "The most successful designs are created without pressure, through play."

His own-line debut bag features an animalistic paw. ‘It’s about creating something new and different for women to discover,’ he explains. "You buy something because you love it, not because you need it. Fashion is like a game – it has to excite."

When it comes to distilling this childlike abandon into your wardrobe, take cues from super style blogger Leandra Medine, who balances madcap pieces, such as her first collection of colourful footwear under her MR By Man Repeller label, with plainer, simpler ones. "It’s all about wearing your clothes with joy, and having fun, but not looking ridiculous," says Cademartori. "You don’t want to look like an actual cartoon."

It’s advice that chimes with that of Anya Hindmarch. "I love the idea of wearing a super-simple Comme des Garçons jacket and a white shirt with a really fun bag to mess it all up a bit." It’s a failsafe formula for dressing your way to happiness.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
judy smith Mar 2017
The streets of Paris were clogged by rallies and demonstrations on the Sunday of fashion week. At the Trocadero, a pro-rally for embattled French conservative presidential candidate Francois Fillon, blocking the route between the Valentino and Akris shows; at Bastille, an anti-Fillon demonstration.

The French elections — and ever-increasing security — were providing a tense backdrop to the autumn-winter collections, much like Donald Trump, Brexit and Matteo Renzi did on the fashion circuit of New York, London and Milan this season. Politics and the changing of the guard, women’s rights and diversity may make fashion seem irrelevant until you add up the value of the industry to the world economy. In Britain it is £28 billion ($45bn) — and that is small fry next to France and Italy.

Perhaps politics and social change have influenced the French designers for there was much less street style this season and a lot more tailored, working clothes on the catwalk. They used mostly masculine fabrics but worked in such a graceful way. You need only look at Haider ­Ackermann, Chanel, Alexander McQueen, Christian Dior, Lanvin, Akris and Ellery to see this — lots of great wearable clothes.

Karl Lagerfeld wanted to fly us to other worlds (to abandon the mess here perhaps) in his Chanel space rocket. There were checks, cream, silvery white and grey tweeds, for suits and shorts and dark side of the moon print dresses that cleverly avoided the 60s’ ­futuristic cliches. Silver moon boots, space blanket stoles and rocket-shaped handbags were as space-age-y as it got. There was quiet, seductive tailoring at Haider Ackermann — tapered silhouettes in black wool and leather softened with a knit or the fluff of Mongolian lamb for a blouson or skirt. At McQueen the asymmetric lines of a black coat or pantsuit were ­inspired by the fluid lines of ­Barbara Hepworth’s sculptures, whereas David Koma reclaimed the soaring shoulderline of Mugler’s 80s silhouette for pantsuits and mini-dresses for the brand.

Christian Dior’s uniform-inspired daywear was produced in tones of navy blue with 50s-style navy belted skirts suits, long pleated skirts and some denim workwear. “I wanted my collection to express a woman’s personality, but with all the protection of a ­uniform,” explained Maria Grazia Chiuri before the show.

There was more suiting at ­Martin Grant with voluminous trousers, cummerbunds and men’s shirting. The cut was more mannish at Ellery and Celine with ­Ellery balancing her masculine oversized jacket looks with feminine bustier tops with giant puff sleeves. The mannish look at ­Celine was styled with sharp ­lapels, slim-cut trousers under crushed textured raincoats, whereas ­double-breasted jackets (a trend) and peacoats over loose-cut trousers appeared at John Galliano.

Checks jazzed up the tailoring at Akris where there were more sophisticated double-breasted jackets and swing coats, and at ­Giambattista Valli from among the flirty embroidered dresses a dogtooth coat emerged with a waspie belt and a suit with a peplum skirt.

Stella McCartney displayed her Savile Row skills in heritage checks for her equestrian-themed show. Of course, she is crazy about riding and her prints featured a famous painting by George Stubbs, Horse Frightened by a Lion. It turns out Stubbs was another Liverpudlian, like her dad Sir Paul.

Of course Hermes’s vocabulary started with the horse and there were leather-trimmed capes and coats that fitted an equestrian, or at least country theme worn with woollen beanies and big sweaters, offering a different way of tailoring, in an easier silhouette with a soft colour palette.

The highlight of the week for Natalie Kingham, buying director at MatchesFashion.com was ­Balenciaga. “Great accessories, great coats and great execution of ideas,” she says of Demna Gvasalia’s off-kilter buttoned coats, stocking boot and finale of nine spectacular Balenciaga couture gowns reinterpreted in a contemporary way. “It was wearable, modern and the must-see show of the week.” It was also, she pointed out “the must-have label off the runway with every other person on the front row decked out in the spring collection”.

Although tailoring worked its subtle charms on the catwalk, there were flashes of brightness, graceful beauty and singularity. Particularly bright were Miu Miu’s psychedelic prints, feathered and jewelled lingerie dresses and colourful fun fur coats with furry baker boy hats. Then there was the singular look evoked by Austrian-born Andreas Kronthaler in his homage to his roots, with alpine flowers, Klimt-style artist smocks and bourgeois chintz florals worked in asymmetric and padded silhouettes for Vivienne Westwood — some of it modelled by the Dame herself.

Pagan beauty, the wilds of Cornwall, ancient traditions such as the mystical “Cloutie” wishing tree led to Sarah Burton’s enchanting Alexander McQueen show, which was another of Kingham’s favourites with its unfinished embroideries inspired by old church kneelers and spiritual motifs. “I loved the artisanal threadwork and the spiritual message that was woven throughout,” she says. The artisanal and spiritual she considers an emerging trend around the shows. “It had a slight winter boho vibe but much more elevated.”

Chitose Abe shared that mood for undone beauty with her Sacai collection of hybrid combinations of tweed and nylon for an anorak, and deconstructed lace for a parka, and puffers with denim re-worked with floral lace for evening.

There was more seductiveness at Valentino and Issey Miyake. The latter’s collection shown in the magnificent interiors of Paris’s Hotel de Ville, shimmered with the colours of the aurora borealis and used extraordinary fabric technology to create rippling movement as the models walked.

Valentino was a high point. On a rainswept Sunday Pierpaolo Piccioli cheered us with high-neck Victoriana silhouettes and long swingy dresses in potentially (but not actually) clashing combinations of pink and red in jazzy patterns of mystical motifs and numerology inspired by the Memphis Group of Pop Art. The sheer loveliness of the collection was enough to drown out the world of politics only a few blocks away.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/blue-formal-dresses
ji Jan 2015
My body is a canvass
Tinted are griefs
Of reminiscent past

My body is a wall--
A mural of every break, every fall

My body is a plate
Etched of anguish my mind berates

I am a paint--
Deep, dark burgundy--
The shade of my soul's ignominy

I am a brush--
Strokes of hate in the evening's hush

I am a clay--
Molded in disappointment and dismay

I am a charcoal--
Smudged by idiocy
And ideas that are shoal

My body is a sculpture--
Crafted with unsightliness and disgust

I am an edifice--
A construction of mars,
Founded by scars

I am the thread of my clothes--
I wear to cover my bones--
   I hide in the closet--
I deeply loathe

I am a masterpiece--
Of repugnance and self-grudge;
Of vexation, of lies--
Of hate! Of hate! Of hate!

I am an art--
A sophisticated tragedy,
An intricate catastrophe
Perfection in all grotesquerie
Stupid
Stupid
Stupid
Stupid
Stupid
Stupid
Stupid
judy smith Dec 2015
Although not an official list of most searched beauty queries, these trends were searched way more in 2015 than they were last year. You might be tardy to the party, but finally figuring out these makeup and skincare hacks will take next year's selfies to a whole new level — at least until 2016 when these trends are ditched. Till then, get your contour and strobe fixations worked out while it's still in style.

-How to contour

An old trick in any makeup artist's arsenal, contouring steadily gained attention in 2014 before exploding this year. Nowadays high-end and low-end contouring kits are widespread, with both cream and powder options popular for slimming faces. To contour, take a matte brown shade darker than your natural skin colour and buff it into the hollows of your cheekbones. Then blend until it matches seamlessly with your skin, creating a natural-looking shadow. To make the effect more dramatic, use a shade lighter than your skin colour on the high points of your face. You'll look clownish for a hot second, but the effects can be dramatically glam or subtle improvements.

-And how to strobe

Contouring's luminous cousin, strobing, took highlighting to the next level. Instead of creating shadows with contours, strobing illuminates the parts of the face where light hits. You'll want to apply a highlighting product to the centre of the forehead, the bridge of your nose, your Cupid's bow, and above your cheekbones.

-How to beard balm

Mane maintenance went below the chin in 2015, with artisanal ****** hair products going through a boom. Among them was beard balm, a pomade made of nourishing conditioners for making face fuzz soft and silky.

-How to put box braids into a bun

Long-lasting and low-maintenance, box braids are a style that always looks good — especially piled high into a bun. To get a top-knot bun, tie hair into a ponytail, twist around, and then tuck loose braids in. Bobby pins will be your best friend for this.

-How to wear matte lips

Popularised by the Kardashians, the matte **** lip made a comeback in 2015. To mattify any lip, apply a light dusting of face power to your lips (but not so much that your lips dry out). Or buy a matte lipstick, which come at luxe and drugstore prices.

-How to do the Kylie Jenner Lip Challenge

This digital dare inspired by the youngest of the Kardashian/Jenner clan had those aspiring for fuller lips ******* on shot glasses. Suction created by the cups cause a temporary swelling reminiscent of Jenner's pout. However, it might not be a good idea to jump on this long-gone bandwagon now — the challenge inflicted swelling, bruises, and drew controversy that Jenner herself spoke out against.

read more:http://www.marieaustralia.com

www.marieaustralia.com/plus-size-formal-dresses
RJ Days Mar 2018
How cool I was with undercut
pretending then Mohawk
playing rugby pretending
brunching with fab hipsters
pretending enjoying arcane debates
about particle physics pretending
and social justice pretending
loving tall beautiful black boy
pretending and playing Tetris til dawn
or napping on the couch pretending
in fashionable Old City coworking
space pretending cuddled alone
as rain struck clear panes windowed walls
facade pretending that was my life once,
author in a zine pretending, cheese day denizen
pretending amid all that a sprawling
vacuum of identity pretending
and isolation pretending despite
lunching with a priest I met
pretending online or long, meandering
walks to the park pretending
with Mr. Wiggles and biking up
Passyunk pretending through the market
that smelled of live chickens and grease
bemoaning my loneliness pretending at
row-house holiday parties hosted
by midlife fairies & queers pretending
with dreams with drugs
pretending alcohol *** and roof deck
skyline views pretending pop up gardens
live music filling midsummer streets
pretending same streets
filled with seasonal dirt
artisanal water pretending
bottle cap eyes cigarette **** nose
garbage mouth snowman melting
away pretending going
the way of brotherly
love. How cool I was inhabiting
my urban life pretending
I was there.
Where Shelter May 2017
~
took and tucked her in my pocket



a rare Monday holiday, and whomever, undoubtedly
an impractical man-someone, (always our fault),
decided to dampen the lawn and the entire countryside with a steady, not drizzle and not rain, something in between, and a dolloping, artisanal, organic, grey creme fraiche fog that
permits hinted glimpses of sea and land, home from away

a perfect day to finish that overdue library book,
and the deletion of unanswered email notices of your ever increasing criminal status,
both a delicioso rainy day, deep dish pizza pleasuring

or
go for a "walk and talk" in the rain with oneself,
properly attired, naturally, in a yellow slicker and silly hat,
(a perfect car target)
observing how the bay gets refilled, and the elm and the oak
drink themselves tipsy on an all-day-grey goose ******,
all the while looking for side-of-road weedy, wordy poems
that will look nice in a vase day or on a colorful plate from
Saint Paul de Vence


more a "walk and compose" insists the brain,
denying the legs and feet the full advanced three credits,
for providing nothing more than cerebral transportation,
poor brain, inferiority complexion, thinking the female does all the truly heavy duty thinking stuff and of her,
nobody ever thinks or kisses!

so I took and tucked her in my pocket,
(your brain's gender contrarian to one's lower physical gifts),
and poem-picking, away we went, to wet sand beaches
looking for shells, bones, forgot plastic buckets and shovels,
i.e. articles of inspiration incorporation composting composition

just me and she for the other 'her' chose to curl,
herself upon her spot under the always shedding blanket,
watching Richard or Henry or one of the Mary's plotting,
on what we agree must be a perfectly British style
spy's rainy day, or an Agatha ****** mystery
or a visit to the Towers

a little pause between showers, the seeding clouds,
catching a breath, allows the birds to exchange trees
in what appears to man as suicide by diving musical chairs,
while the seagulls oink, "perhaps a cucumber fish sandwich with a nice hot cuppa?"

alas, alas, only flowers that must perforce remain unpicked,
here and there a solitary dorming daisy uprising,
from cracked concrete protruding, but nary a poem of somber consequence found

so to home and hearth and some telly,
me and she, where upon arrival
took and untucked her from my pocket,
my empty poem pocketed persona somewhat mocked
by she who regales splendiferously on her couch throne

our composure discomposed and discombobulated and wet,
instead wrote this trip report and submitted it to the teach
as a homework assignment

5/29/17 8:00am precisely,
upon the where shelter isle
for the overdue book keeper, daughter of the recliner, story teller, sister,
mother to cat, babes (including one that shaves), patron
of empty student minds,
one homework assignment submitted
Nat Lipstadt Oct 2016
~

walk with me in the
under-grounded passage ways,
the city veins,
that bring the arterial, variegated subway lines
to a consensual transfer adjoining,
permitting the rhythmic, exchanging flow of
***** for cleansed humans

observe the compost of
plasma and a city's red, bloodied cells,
bleached white by the cells called overnight

I travel in these tunnels, north-south, others, east-west,
like most, to and fro, homeward bound,
just another salmon of human capital,
cursed to swim upstream, always

signs adorn, positing hope,
giving out points, helpful directives -
"this way to"

example: this way to the nucleus, haughtily christened
by deaf and dead mortals as the
Grand Central Station

in one such tunnel, cut from the earth with dynamite and blood,
a busily traversed one,
so busy that no one looks but me,
is carved in grey Vermont granite,
high above the
gum and spit stained, concrete sodden, trodden walkway,
by order of some bureaucratic joker
taunting sandblasted "art"
cut into the taxpayer-paid-for-stone,
some of Ovid's long ago words

"dripping water hollows out stone,
but not through force but persistence"


am I the only to ken,,
this is a subtle mocking,
of the rushing, hasty, daily-making-their-way commuters,
whose sentences persist,
but are never commuted, never paroled,
who pass by as if entering under Auschwitz's gates,
where work made no one free

each of us a hypotenuse sliding,
gliding from to hook up from angle to angle,
work to home, home to work,
drip, drip of life to no life,
needy for an overnight charge,
to enable a once more unto the morning breach

for long time  now, my glide path remarkable,
my hypotenuse swinging wildly, ignoring its proposed flight plan,
that presumably shows a proposed radar course of semi-certainty

know it to be a bright screen flashing light
of yellowed missed forecasts,
on a dark green background

my poetic words longtime set aside,
in the lost and unfounded, though they continue to
Ovid drip and drip, agonizingly, persistently
hollowing this man

this ever deepening, eroded void
more keenly felt now by the irritating granulated pecking,
of residual specks of detritus,
minimalist poetic notions, a phrase, a gleaning, a touch,
caught in the grate of my eyes,
yet that make not a whole poem,
or human

but Ovid mocks me true,
my dripping sentence persists,
but, the hollow is not hallowed

my secondhand superficial skin, worn as worn,
a sensual recording of all mine history,
an oral history that speaks from within

can you read my lengthy, literary tears?

a sham, this art,
this tunnel of no ending,
to/from/form of deception,
recording the millions roaring waterfall drops of
drip, drip, dripping, slapping footfalls  

great shovels dug this tunnel, but
the days of our lives erode it ever deeper,
wearing it into a burial ground,
where the ocean of forever,
persists as we pass by
an artisanal lie

~

postscript

*oh Steve, my Steve, guilty do I plead,
too loon, too long this recapture of a walk in a life,
emblematic that it speaks not of solstices,
but of chapters in an unfinished novel,
some finished and some unwritten,
but the ending fully scripted and the plot's author
foolishly thinking the beginning can be
reverse engineered

this poem comes from where the words drip into a soul,
one-by-one, as if to create a single one-a-day one time whole,
a vitamin-poem emerges as a
child born, greeting clean the world,
in black and white word amnesiac fluidity,
measured as one measures a mighty waterfall's flow,
weighty beyond pounds and ounces,,
busting the trusted butchers white scales,
busting into wearied and busting open,
here, ends, worn now, worn by time and time again,,
written on shredded, softened-skin scales

I could not give you less,
I could not give you more...
written recently
Brandon Jul 2013
Jared held his breath.

He knew this was going to be a very close race going into the final weeks of the election but he did not anticipate such a nail biting last minute count. He took a long swig from a local artisanal beer that had been brewed as a tie-in with his campaign. His slogan was emblazoned on the side of the glass and a scene showing the peace that would come when he was in office was depicted on the label. he knew the beer was a campy campaign gimmick but he felt above his opponent by bringing in local businesses as part of his election. Jared knew his win would be won by the proletariats and not the business classes that the other candidates catered to. He savored the hoppy taste on his tongue as he gulped the ale back and sat the bottle down on the table allowing the beads of condensation to puddle up and leave a ring. His wife would be mad at him for not using a coaster but he had made it okay with himself by reasoning that when, not if, he wins the election he will buy her a new table. One that matched a certain house painted white.

Jared ran his fingers thru his slightly balding blonde hair and couldn’t believe he had made it to this moment in his life. It felt like just yesterday when he had passed the bar exam for New Vegas and celebrated with his buddies by renting out a tennis court and getting wasted.

But that was nearly forty years ago and much had changed. He saw his country torn apart as he reached his thirties and watched the States die and be reborn as new states, watched with tense shoulders and determination the outcome of the second Cold War as it became the Third World War. He watched his brothers and many of his friends take up arms for their countries and lose their lives in combat. He became a lawyer and fought old and new laws. He saved lives and condemned others. He listened to the politicians spread lies as their power grew and he saw the people grow tired of it and rise up. He saw the tearing down and building up of a new government.

He watched and watched until he could watch no more and had to be a part of the solution.

It was hard going at first getting capital and endorsements to run but he did not let that stop him. He would politic on every corner and his charisma would draw people in and he would win them over with his platform. Soon the street corners became auditoriums became venues became local tv became national tv and the gathering of people grew all the time as well. He was announced as a candidate and immediately went into political overdrive, getting himself, his brand, and his message out to the people as quickly as possible. He was for the people and by the people. A real presidential hopeful in the days that needed a hero to lead them.

He drank some more beer and watched the television as it reported ninety three percent of jurisdictions were reporting in saying that his opponent, Warren, had won but that the race was still too close to call.

The phone rang and he picked it up. “Hello?" “Hey-o j-loser," warren said. “Have you seen the good news, looks like I’m winning. Guess you shouldn’t bet against big business. After all they’re the ones with money and we know everyone can be bought, he-haw-he."

Jared put the receiver down, he didn’t feel like listening to Warrens donkey like laughter.

Jared checked his beer and it was empty so he left the tv and walked to the kitchen to grab another one. He twisted the top off and put it to his lips as he walked back to the living room. As he was about to take another drink the news flashed on screen and reported that all precincts were now reporting and that the winner and new president was Jared.

He had won.

The people had voted him in.

The phone rang.

It was Warren again, conceding the race. Jared laughed and told him it was a hell of a race and hung up.

The phone rang again.

This time it was friends and family calling him up to congratulate him.

He took the phone off the hook and finished his beer and grabbed another one and went to looking out the penthouse window at the city celebrating below. Tomorrow he would start on all the promises he had made and he would get his country back on track but tonight, tonight he would drink his beer and celebrate the race being over.
Unedited.
I woke up contemplating bourbon and bitters.
Pu-Erh, with local honey, has always been more sensible.
It is warm and it heals a hoarse throat.

After two bags and a little Marquez, I sat at my desk staring at a spider in the opposite corner of my office.

I stared at it for a length of time that is too embarrassing to mention and never once had the inclination to smash it.
Not that it did not deserve it, I simply lacked the motivation.

It occurred to me that I would not trade a deep sleep under the sunlit blinds for a week's pay. How long can one get away with this?
For as long as one's wit will float them is my guess.

No one knows exactly how they want to be perceived when their ego barges into a room, but they know exactly how they do not want to be perceived.

But If I had the power, I would perceive being wanted.
To know I am here on purpose. What does that feel like?

If Hell is my fate for my living sins, then let me die in the arms of the woman that lit the fire within!

When I'm amongst the great race, brooding over my artisanal mug-of-joe, the constant chatter and open planning of the day becomes a spoken roar and I want to scream out, "Keep it down, I'm trying to plan my escape!"

What do I associate with happiness? My dad pouring M&M;'s into my mouth before a football game. Of course, I won't play, but one must be prepared!
The look on my mother's face when I sang well. Getting picked first in a game of pick-up. All the fellas whispering legends.

Ah, to be wanted!

Of late, the pain in my torso has become more persistent. I think of it and my imagination gives way to bouts of sheer panic.

And even this is not an excuse for concern and a peaceful night.
How about a kiss on my neck and chest for a change?
Must I always make you hot?
What if this is my last stand?
What if this is it?

In that final glimpse of consciousness, in my minds eye, all I make out is a faint light far above me and the brown soil and rock digging into my feet below.
What walls did I allow to be built all around me?
Those three words will never be enough
To tell you how much I really feel
Even if I could catch all the stars in the sky
Of this ever-expanding universe
And fit all of them in an artisanal bottle
It would not suffice for half of the feeling

My heart could jump out of my chest
And sing the most beautiful ballad on earth
For hours upon hours upon hours
Until it shrivels up and dies
And it still wouldn't do

I could write you millions of poems
That each have millions of stanzas
And it would never be able
To tell you how much
I love you
Death of mother hallowed out silence
   more painful then  buzzing power tool,
aye never again saw,
   nor heard industriousness jollity eviced,
   contrasted when mourning did rule

wrought immediate cessation
   from his strong lance throwing arms,
   where artisanal magic did un spool
and ample tears streamed down raw cheeks
enough   o fill a pool

uncertain if sparring with depression sprung
   via loss of a Coney Island jewel
whose poverty she claimed (shamefully)
   most meals comprising thin gruel
rescuing a damsel in distress thence deceased didst fuel

   unwonted burded, and forced him to spar
   with fear he might lose the duel
left alone in a old mansion
   with only fond fading memories utmost cruel.
----------------------------------------------------------­----------
Suddenly without bedmate and counterpart
   one month shy of fifty years, no deity could answer
razor sharp emotional pain cut to the quick
   recollecting ballroom dancer

himself as a handsome youth so graceful and suave,
   fast as Bill Haley, or comet
   and lightly afoot in seventh heaven as a prancer
oh..and ever the debonair, humorous, and loving romancer
where pixie dust sprinkled via an invisible en trancer.  
-----------------------------------------------------------------­---
Uterine/ovarian Cancer metastasized
   dealing deathblow, and took more than mother away
her rigor mortis terminated love labor lost,
   whence second love sans father,
   his hands no longer did oh bay,    

whose once passion to ply his creative handiwork
   heartfelt interest hardened as sun baked clay
where formerly, he spent energy and time
Page Number Two:  

drafting designs and building ornate creations
   most every night and day,
which lifelong penchant to draw
   (deepseated and etched within his genes)
   until profound grief did flay  
dealt mortal kombat towards,
   whence toiling at basement workbench

   colored his world blackish gray
nor would he respond, and only tearful sorrow
   exuded upon losing the special maiden, whom he lay
down and begot thyself and two sisters,

   during living years sans lightness of being an a may
fly expert designer, creator and builder –
   during me chilhood objects like play  
house and Flintsone car

   (with license plate to boot), beaming with ray
dee ants at products of imagination got wrought,
   until grim reaper did slay
purposefulness and will power to remain alive  
   pronounced sadness witness loss of appetite

   and considerable diminishing beefiness obvious
  without him getting atop scale for a weigh
but fate smiled upon accursed widowerhood,

   and now for quite some time,
   a gal took hull hiking to history
   and the restaurant at the end
   of the galaxy they went – yay!
John F McCullagh Aug 2015
The day was clear, a touch too hot. Summer’s end was drawing near.
Sidewalks vendors were making their pitches, selling their artisanal wares.
That was when I saw my girl, a vision in a pale green dress.
Blood red lips, a fair complexion and long black tresses framed her face.
Where and when could it have been that I had seen her like before?
Thought took me back to Hunter Mountain, late in the summer of Seventy four.
Back then I saw one just like this, a beauty with a special grace
With blood red lips and fair complexion and long dark hair that framed her face.
She wore the tartan of her clan as she competed in the dance.
Pipers played and tenors sang; it was the substance of romance.
A rare beauty, ripe for taking, if one was brave enough to chance….
The memory was broken then, my daughter touched me on the arm.
“There you are Dad, where have you been? I was sent to look for you by Mom.”
We had lingered at the fair, wandering separately among the stalls.
It’s Time now to sit down to our meal and share good wine as darkness falls.
Like Mother, Like Daughter
Michael Johnson Jan 2015
Your hair,
Lips,
Eyes.
Artisanal movements made,
Hands entwined.
Fragrance, spring blossom.
Almost divine.
Walking with another,
Future unseen.
Arke Sep 2018
I wait for the ground to reclaim me
organic tissue, clothing of cotton
biodegradable, degraded
metallic dirt with soot and wood
blood spills from my mouth
uncontrollable
I am injured and waiting
I gurgle through a deep reverie
where the ground swallows me whole

cold soil poured over flesh
artisanal grave keepers
bury me along the elms and oaks
and I become strong enough
to conquer my darkest self
to dig out of the night
and somehow, somewhere
find you with my last breath
in my final hour
to say the words I mean--
it is you
it has always been you
the answer
to the unasked question
the vision late at night
before my sweetest slumber
the craving when I don't know
what I want
has always been you

but I stare at the sky
feel cold, sticky blood
leave my body
and wait for the ground
to claim me
Maniacal Escape Aug 2020
Golden shoes walk a silver path.
Jeweler looks on through enviable emeralds.
Dull hum of green, backstage shine.
Jade blocks.
Then to the sapphire lake. Clattering, rolling over each other. Chance to shimmer lost in waves of chips and tarnish.
The jeweler is happy with his work, and so shall charge double.
Bryant Aug 2018
These days are for the daisies, accented with juniper and babies breath
A gazebo beneath a tree like shade on a cloudy afternoon

With our glasses more vertical than not; I drink you in and swear away the day

She smiles, because I stare off for long periods of time
Reasoning, that I don't want her to catch me gazing at what I have no right to love

A gardener's guilt
Plucking the ripe and ready
It's the time of season for cessation
The paradoxical harvest
An event of sustenance and death

A consumer has no sensation other than taste
A carnivore only taste one flavor

Your flesh on the vine
A rare and coveted commodity
Past vintages become quartets of meaningless digits, like discarded combinations on a constantly changing tumbler

The fortuitous ones will eventually get their chance, but only after the
horticulturist has gotten his fill

For I have forced breath into you
Developing your unique character
With subtle augmentations to your composition; and experience above all else

Only the most bitterly tortured fruit becomes wine of notoriety
A sadistic vintner periodically sampling the evolution of his wares

Very often the inflictions are bored by both master and slave

I feel it in you
It's the only time I do
Feel
Misery is contingent upon company

A fool's philosopher
With flawless adages and quips

He is no different

Eventually we all will be met with the contradictions of our exasperated convolutions

Then where will you be?

Why, you have been made golden!
A hopewell beacon amongst the treacherous and ******
You are now nebulous and immaculate
Like the figure encased with in the marble

Does the sculpture recall the stripping sensation induced by the artisanal hands of the craftsman?

Or is it's ears filled with the clamoring?

Ingrates and dolts who only appreciate the product rather than the steadfast passions of it's means

Amongst the gawking gazers I am indistinguishable; as you are now to me
Sanek May 2020
A glorious sight befell my eyes
A pristine untouched bearer of supplies
Made of wood, of steel, or anything buildable
The Table

Possessing an essence unlike anything else
Hearkening to an unalterable purpose and tableness
Providing unending sustenance on a platform that's stable
The Table

Though the lingering presence in this perceptual world is illusory
The unchanging, uncleft presence is perfection conceptually
Artisanal glyphs adorn its sides unmatchable
The Table

While strife and pandemonium reign in this material domain
There remains a bastion of stability man cannot attain
Indeed, this mystical countenance attains a fable
The Table

Weathered and wizened through inummerable epochs
Joyous outpourings bestow praise not enough
Remaining of unmatchable nature even with the made-in-China label
The Table
Beatrice Oct 2020
For lived experience beyond the carnal;
Topknot explored an inner life.
Then with Slipknot who was his wife,
They embraced art rather than artisanal.
At first their dream fell flat in liminal
Where worm cast actors played the fife,
And whalers waved a flensing knife,
And stoic chic was seen as criminal.

A wall dive away from the stepped revetments
Of leggy fledgling skipped ropes of foam,
Where deep blocks slowed down coast erosion;
(Despite negative equity and mad investments
In sand-sunk rubble from a broken home)
They found a world beyond shallow explosion.
This is a sonnet.
Paul Glottaman Mar 2020
I'm looking for artisanal  language.
Prose with a maker's mark.
Words that contain perfect imperfections,
evidence that a person first touched these letters and then my heart.
I need a personal touch to color the paragraphs that fill these pages.
I wanna see the hands that craft a stanza in the body of the text.
I want something real and alive.
I want these words to burn with the incurable human spark.
I'm on a quest to look at the tome and see the beating heart of the man.

I once read a note you left on the fridge and I could read in your word choice the shape of your smile.
My god! I would read volumes of your missives left throughout our life on CVS receipts.
They contain a warmth that I can feel even in memory of them.
I don't know if it is talent
or magic
or love.
Or all of the above.
My words...I guess, I fear that they're hollow.

Do they reach you through space? Is my pen alight with intelligence?
Does my writings evidence my soul?
I don't know that they do.
Certainly they do not seem to.
I've tried different theory, different pens.
I've written sonnets and songs with this and also the other hand.
The results are robotic.
Bland.

I want to explain you, my love...
I don't have the words.
JP Goss Sep 2019
The worst advice I’ve ever gotten in my life
Is always be authentic, always be yourself.

There is a difference between what a word can promise
And where the eye my wander toward the unspeakable

Or the strange and intangible pieces to an uncommon
Puzzle, what a soul may occupy, or the unreasonable

Where, among metaphysics, one floats, pleasure
Without pain, skinless outliers and schizies—

That’s why you got those bangs, that tattoo,
That pair of large glasses: a spirit manifests

In all, the individual in closed doors and lovely curtains
Scented by Marlboros, ****, and eclectic music

That’s why you have that copy of Infinite Jest
You’ve never read, with Joyce and the Beats

Next to you as you, infideliously, meet the daydreams
You only flirt with at work—

Ah, the stranger seems so much more enticing
Than all the young beauties we’ve known our whole lives

For they are the silver screen, the metallic perfection
To a world in disarray; courage in a frightful world intoxicates,

The embattled image of a perfect world plastered allwheres
Streaming, on demand, inside those drapes;

Ah, to chill in one’s own skin, to be the room
Where love is made, where the labor of being

Sits like neon lights in shop window rows,
Feeding the night air with their entrepreneurialism

Doctored eagerly to look natural, roughly hewn
To seem artisanal, open-concept, industrial within ego

Dimly light, large filaments invite others with familiar
Defamiliarity, to stare into the windows that stare back

Smiling; they know what it means to be me on the surface
Of my skin, and so, you know what it means to be them.

Like any hustle, you follow their eyes in real time
As the reflection of a stranger, the connection

Is merely the inverted image of one’s own desire—
The individual is but the ungrateful child of the collective,

The city street illumes with lamplight, far too luminous
Far too luminous as we see its ugliness,

This self-styled exile to pit one’s self against the entire city
Begging for laws, for maps, for something to hold on to

Some purchase in the cliffs with barricade this ivory tower
A suffering for something like god, that is and is not

The sum of belief, the sum of appearance, the sum of consumption
Rings in the tiny doorway bell, but only on the festival days

That attract social capital, enough to invest in the dream
Of you, only to buy out the cute downtown strip

To leave the streets littered with yellow receipts
And glass containers dried of their memories.
(scoured from dregs of me muss held head)

I shore up a vignette to free
my ("FAKE") grandfather Hymie,
whose scrunched countenanced
evinced beetle that of browed monkey
he spent his entire life at sea
his thick calloused hands

and ruddy complexion re
enforced non verbal body language
voluminous tomes smoothed
nick holed money
to countless years (spilling into decades)
exposed to salty spittle nee
where watery terrain spumed
raw elements piscine

art finest artisanal blended, crafted, nein
mean feet resources dredged reluctantly
relinguished by mother nature mean
craftily pared within each trough and crest
found thee old man with privateer mein

whose skin fiercely weatherbeaten
leathery and lean,
epidermis tanned tough
as rawhide, reptilian, prithee
chafed skin to me
not surprising, since

this mariner born, bred and near lee
schooled within briny deep ever since knee
high (or so he claimed truth
to swirling rumor), jovialy
pleased that his purportedly
learnin' myth writ tik ne'r included

NEVER settn' foot in formal classroom,
his knowledge icy
anecdotes aced, surpassed,
and trounced that of what he
referred to as grenadier landlubbers
green behind the ears – glee

fully jabbing with his
unsheathed scabbard play flea
actually downplaying any exploits,
that didst educate him, 'ee
got taut learn'n survival skills asper
pre ponder hunt via eddy fied tests frequently dee
siding a life or death outcome,

yet our Dickensian
mutually bonding friendship
via shared exploits while
he dressed not in tatters,
but self made clothes from cree
chores comfortable furs, and though

a striking appearance cut, ne'r
did this ole codger (fit as a fiddle
with tall slender build),
said middle aged man
appeared quite becoming.

An aura, charisma, dogma
amazingly graced stalwart, gestalt,
deportment aie
found added an air of charming debonair,

esteeming flair, genteel heir
which tasked guessing years old,
aye presumed him to exit the uterine lair
at least a few score tours round oblate sphere

as aspect of youthfulness played across his eyes
one colored green like a spring day in the country,
the other jetblue sans burnin'
four pearl jam oyster cult year.
Benjamin Reed Jan 2020
it was done raining
by the time we were done.
you, looking at antiques
and myself, trying not to appear
too interested
or forward.

maybe i should have said so
in the train tunnel.

but there was
amelioration
to the unease.

excitedly,
we ventured to the glass blowing
store, and apart from
the beautiful artisanal works
sat a christmas cactus
in full Bloom.

having never seen it, myself
was wholly enraptured.
what divine prescience that i
should receive this gift
on this day
in all places.

soft pinks and whites
held aloft by the clamoring streets
of succulence.

maybe i should have said so
in the train tunnel.
Butch Decatoria Dec 2020
Dead leaves fall from a living tree,
captured by a breeze, to gather at my feet
tiny mounds
of earth browns
and ill-colored greens
piled on one another / rustling / autumn winds
serpentine screams

tiny graveyards
un-esteemed;
reminding me of last evening's
public television’s episode (almost
appalling)

a special / they call it
on letters from the holocaust,
readings / from surviving
members now lost
Gone grey and slowing

as they speak unnerved (aging)
deep sepia slideshows during
their somber, teary-eyed recollections / lifting
ghosts and rocks of faithful memory

heavy, from the loss
of their progenies...
Those silver photos of nannas, sisters,
brothers and fathers
fading details of what it cost
the camaraderie of suffering

which time has (and they gladly)
frost, depressing
me/ with my big screen magnavox,

i remote control a pause...

&

So...
The still dead leaves of cemetery browns
and soldier greens,
lifeless and lifted by the wind
without empathy / or guilt of sins

an airy power, a commanding force / unseen
gathering / stems or limbs
of these casualties / of autumns
Long winters so profound
none following the flight

of cold fronts in blithe

clustering together / piled / artisanal scenes
at my sandals, toes wriggling
crunching underneath / souls

weathered / beaten / down

death seems simple - like a mindless breeze,
nature’s indifferent devil
dust to rust
it is the way of things
We shifting / graveyards of leaves
as if a memorial of use-to-be's
from a roar of sightless tragedies
memorium of wars
tombs of bodies / images of defeat

not so simple or beloved

the nature of such things
in these leaves i see
of thee i sing....
Ryan O'Leary Aug 2019
Italian, pressed sandwich is
a great way to make two crusts
edible for people with no teeth.

Pack the space between two end
slices of bread, with ones choice
of filling ( Tomatoes were always
used in Italy) as they tend to offer
the required moisture, which, after
being pressed for an hour or so, will
soak into the crusts and thus, soften.

Can be used on stale bread, to bring
back its sell by date (for those who
purchase mass produced commercial
supermarket additive and stabilised
with ingredients that are forbidden by
the Artisanal Society of French bakers.
While on the topic
of blood kith and kin,
I relate another
fabricated poem about
blimey bloke of a fisherman.

Courtesy webbed whirled wide net wit
cursing thwarted life,
liberty and pursuit of happiness
if eavesdropper, you would discern
nasality – cause uvula split
holed within mancave unit b44,
a regular run of the mill hermit.

Any resemblance between
said character and living persons
purely (off fish shilly) coincidental
material scoured from dregs
of me muss held head.

I shore up a vignette to free
my ("FAKE") grandfather Hymie,
whose scrunched countenanced
evinced beetle that of browed monkey
he spent his entire life at sea
his thick calloused hands
and ruddy complexion
reinforced non verbal body language
voluminous tomes smoothed
nick holed money

to countless years
(spilling into decades)
exposed to salty spittle nee
where watery terrain spewed
raw elements piscine
art finest artisanal blended, crafted, nein
mean feet resources dredged reluctantly
relinquished by mother nature mean
craftily pared within
each trough and crest

found thee old man
with privateer mean
mien whose skin fiercely weatherbeaten
leathery and lean,
epidermis tanned tough
as rawhide, reptilian, prithee
chafed skin to me
not surprising, since
this mariner born,
bred and near lee

schooled within briny
deep ever since knee
high (or so he claimed truth
to swirling rumor), jovially
pleased that his purportedly
learnin' myth writ tik ne'r included
NEVER settn' foot in formal classroom,
his knowledge icy
anecdotes aced, surpassed,
and trounced that of what he

referred to as grenadier landlubbers
green behind the ears – glee
fully jabbing with his
unsheathed scabbard play flea
actually downplaying any exploits,
that didst educate him, 'ee
got taut learn'n survival skills asper
pre ponder hunt via
eddy fied tests frequently dee
siding a life or death outcome,

yet our Dickensian
mutually bonding friendship
via shared exploits while
he dressed not in tatters,
but self made clothes from cree
chores comfortable furs, and though
a striking appearance cut, ne'r
did this ole codger (fit as a fiddle
with tall slender build),
said middle aged man
appeared quite becoming.

An aura, charisma, dogma
amazingly graced stalwart, gestalt,
deportment aie
found added an air
of charming debonair,
esteeming flair, genteel heir
which tasked guessing years old,
aye presumed him
to exit the uterine lair

at least a few score
tours round oblate sphere
as aspect of youthfulness
played across his eyes
one colored green
like a spring day in the country,
the other jetblue sans burnin'
man four score and seven
pearl jam oyster cult year.
Ryan O'Leary Mar 2019
Construction colour codes
for safety helmets begin in
white and range through a
prism of relative denominations
right down to Yellow, which is
the lowest of the low in regards
to ability, creativity, intellect or
artisanal training of any sort.
They are the Go For's, they are
dispensable, superfluous easily
replaced, the glut, surplus to
requirements, worker bees,
drones, yellow jacket's, yellow
pages, fast found, freely dismissed,
tidal debris, if one could read
the invisible ink in the thought
bubble's over the Do Ron Ron's head.



         ˚
˚   merde   ˚
                
         ˚
Ryan O'Leary May 2023
Stage 2 Brexit


   In an ideal world the

   landmass would be

   a borderless island

   where the language

   is Italian, Buddhism

    the religion, Greek

    vegetarian cuisine

    served by Spanish

   waiters. Julius Meinl

    Coffee from Austria,

artisanal French bread

  traditional Irish music,

  but NO British tourists.



This is Stage 2 Brexit.
Ryan O'Leary Aug 2019
One can safely say that
bakers are not Bread-heads.

Au contraire, en effet.

Traditional Boulangers in
France, classified as artisans,
were not driven by, nor could
never make an excess of money.

Since the mass production of
commercial (Non Artisanal)
bread, real bakers are struggling
to survive.

Quantity versus quality has always
targeted the non discerning consumer,
which unfortunately is the majority,
thus threatening the future of tradition.

— The End —