Dear Poet Friends, and all true lovers of Jazz!  Being a lover of Classical and Smooth Jazz, I had composed first two parts in Verse on the History and Evolution of Jazz Music. Seeing the poor response of the Readers to my Part One here, I was hesitant to post my Second Part. I would request the Readers to kindly read Part One of this True Story also for complete information. Please do read the Foot Notes. With best wishes, - from Raj Nandy of New Delhi.


THE STORY OF JAZZ MUSIC : PART-II
               BY RAJ NANDY

        NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND :
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
(Founded in 1718 as a part of French Louisiana
Colony),  -
Stands the city of New Orleans.
New Orleans* gets its name from Phillippe II,
Duc d’ Orleans , the Regent of France ;
A city well known for its music, and fondness
for dance.
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish
Colony.
But in the year 1800, the Spanish through a
secret pact, -
To France had once again ceded the Colony back!
Finally in 1803 the historic ‘Louisiana Purchase’
took place ,
When Napoleon the First sold New Orleans and  
the entire Louisiana State, -
To President Thomas Jefferson of the United
States!     * (See notes below)

THE CONGO SQUARE :
The French New Orleans was a rather liberal
place,
Where slaves were permitted to congregate,
For worship and trading in a market place,
But only on Sabbath Days, - their day of rest!
They had chosen a grassy place at the edge of
the old city,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street,
Which came to be known as the Congo Square,
Where one could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying
dance forms,
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant Colonies of the British,
Had found a freedom of expression in the Congo
Square by the natives; -
Through their Bamboula , Calanda, and Congo dance!
The Wolof and Bambara people from Senegal River
area of West Africa,
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the Banjo.
And during the Spanish Era, slaves from the Central
African Forest Culture of Congo,
Who with their hand-drummed polyrhythmic beats ,
Made people from Havana to Harlem  to rise and
dance on their feet!       (see notes below)

CULTURAL MIX :
After the Louisiana Purchase , English-speaking
Anglo and African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-
comers settled ‘uptown’,
Creating an American Sector, separate from older
Creole ‘down-town’ !
This black American influx in the uptown had
ushered in,
The elements of the Blues, Spirituals, and rural
dances into New Orleans’ musical scene.
Now these African cultural expressions gradually
diversified, -
Into Mardi Indian traditions, and the Second Line.^^
And eventually into New Orleans’ Jazz and Blues;
As New Orleans became a cauldron of a rich
cultural milieu!

THE CREOLES :
The Creoles were not immigrants but were home-
bred;
They were the bi-racial children of their French
Masters and their African women slaves!
Creole subculture was centred in New Orleans.
But after the Louisiana Purchase of 1803,  -
The Creoles rose to the highest rung of Society! @
They lived on the east of Canal Street in the
French Sector of the city.
Many Creole musicians were formally trained in
Paris,
Had played in Opera Houses there, and later led
Brass Bands in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet
were all famous Creoles;
About whom I now write as this true Jazz Story
gradually unfolds.
In sharp contrast on the west of Canal Street lived
the ***** musicians,
Who lacked the economic advantages the Creoles
possessed and had!
The Negroes were schooled in the Blues, Work Songs ,
and Gospel Music;
And played by the ear with improvisation as their
unique characteristic !
But in 1894 when Jim Crow’s racial segregation
laws came into force,     # (see notes below)
The Creoles were forced to move West of Canal
Street to live with the Negroes.
This mingling lighted a ‘musical spark’ creating
a lightening musical flash;
Igniting the flames of a ‘new music’ which was
later called ‘Jazz’ !

INFLUENCE OF THE EARLY BRASS BANDS:
Those Brass Bands of the Civil War which played the
‘marching tunes’ ,
Became the precursors of New Orleans’ Brass Bands,
which later played at funeral marches, dance halls,
and saloons !
After the end of the Civil War those string and wind
instruments and drums, -
Were available in the second-hand stores and pawn
shops within reach of the poor, for a small tidy sum!
Many small bands mushroomed, and each town had
its own band stand and gazebos;
Entertained the town folks putting up a grand show!
Early roots of Jazz can be traced to these Bands and
their leaders like Buddy Bolden, King Oliver, Bunk
Johnson, and Kid Orley;
Not forgetting Jack 'Pappa' Laine’s Brass Band
leading the way of our Jazz Story !
The Original Dixieland Band of the cornet player
'Nick' La Rocca,
Was the first ever Jazz Band to entertain US Service
Men in World War-I and also to play in European
theatre, came later.     (In 1916)
I plan to mention the Harlem Renaissance in my
Part Three,
Till then dear Readers kindly bear with me!

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century,
When Las Vegas was just a farming community,
The actual ‘sin city’ lay 1700 miles East, in the
heart of New Orleans!
By Alderman Story’s Ordinance of 1897,
A 20-block area got legalized and confined,  
To the French Quarters on the North Eastern side
called ‘Storyville’, a name acquired after him!
This 'red light' area resounded with a new
seductive music ‘jassing up’ one and all;
Which played in its Bordello, Saloons, and the
Dance Halls !         (refer  my Part One)
Now the best of Bordellos hired a House Pianist,
who also greeted guests, and was a musical
organizer;
Whom the girls addressed respectfully as -
‘The Professor’!
Jelly Roll Morton, Tony Jackson author of
‘Pretty Baby’, and Frank ‘Dude’ Amacher, -
Were all well-known Storyville’s ‘Professors’.
Early jazz men who played in Storyville’s Orchestra
and Bands are now all musical legends;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk
Johnson, and Sydney Bechet.      ++ (see notes below)
Louis Armstrong who was born in New Orleans,
As a boy had supplied coal to the ‘cribs’ of
Storyville !          ^ (see notes below)
Louis had also played in the bar for $1.25 a night;
Surely the contribution of Storyville to Jazz Music
can never be denied!
But when America joined the First World War in
1917,
A Naval Order was issued to close down Storyville;
Since waging war was more important than making
love the Order had said !
And from the port of New Orleans US Warships
had subsequently set sail.
Here I now pause my friends to take a break.
Part Three of this story is yet to be composed,
Will depend on my Reader’s response !
Please do read below the handy Foot Notes.
Thanks from Raj Nandy of New Delhi.

FOOT NOTES:-
New Orleans one of the oldest of cosmopolitan city of Louisiana, also the 18th State of US, & a major port.
Louisiana was sold by France for $15 Million, & was later realized to be a great achievement of Thomas Jefferson!
Many African Strands of Folk Music & Dance forms had merged at the Congo Square.
^^ ’Second Line Music’= Bands playing during funerals & marches, evoked voluntary crowd participation, with songs and dances as appropriate forming a ''Second Line'' from behind.
@ Those liberal French Masters offered the Creoles the best of Education with access to their White Society!
# ’Jim Crow'= Between 1892 & 1895, 'Blacks' gained political prominence in Southern States. In 1896 land-rich whites disenfranchised the Blacks completely! A 25 year's long hatred
& racial segregation began. Tennessee led by passing the ‘Jim Crow’ Law ! In 1896, Supreme Court upheld this Law with -  ‘’Separate But Equal’’ status for the Blacks. Thus segregation became a National Institution! This segregation divided the Black & White Musicians too!
+ Birth of Jazz was a slow and an evolving process, with Blues and Ragtime as its precursor!    “Jazz Is Quintessence of  Afro-American Music born on European Instruments.”
++ Jelly ‘Roll’ Morton (1885-1941) at 17 years played piano in the brothels, – applying swinging syncopation to a variety of music; a great 'transitional figure' between Ragtime & Jazz Piano-style.
++ BUDDY BOLDEN (1877-1931) = his cornet improvised by adding ‘Blues’ to Ragtime in Orleans  during 1900-1907, which later became Jazz! BUNK JOHNSON (1879-1849 ) = was a pioneering jazz trumpeter who inspired Louis Armstrong.  KID OLIVER (1885-1938) =Cornet player and & a Band-leader, mentor & teacher of Louis Armstrong; pioneered use of ‘mute’ in music! ‘Mute’ is a device fitted to instruments to alter the timber or tonal quality, reducing the sound, or both.
KID ORLEY (1886-1973) : a pioneering Trombonist, developed the '‘tailgate style’' playing rhythmic lines underneath the trumpet & cornet, propagating Early Jazz.  SYDNEY BECHET (1897-1959) = pioneered the use of Saxophone; a composer & a soloist, inspired Armstrong. His pioneering style got his name in the ‘Down Beat Jazz Hall of Fame’! LOUIS ARMSTRONG (1890-1971) = Trumpeter, singer, & great improviser. First international soloist, who took New Orleans Jazz Music to the World!  
% = After America joined WW-I in 1917, a Naval Order was issued to shut-down  Storyville, to check the spread of VD amongst sailors!
^^ ”Cribs”= cheap residential buildings where prostitutes rented rooms. Louis Armstrong as a boy supplied coal in those ‘Cribs’.
During the 1940 s  Storyville was raised to the ground to make way for Iberville Federal Housing Project.
ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY **
E-Mail : rajnandy21@yahoo.in

Dear Poet Friends, I had posted Part One of the Story of Jazz Music in Verse few months back on this Site. Today I am posting Part Two of this Story in continuation. Even if you had not read part one of this true story, this one will still be an interesting portion to read especially for all lovers of music, and for knowing about America's rich cultural heritage. I love smooth & cool jazz mainly, not the hard & acid kind! Kindly do read the ‘Foot Notes’ at the end to know how the word ‘Jass’ became ‘Jazz’ way back in History. Hope to bring out a book later with photographs. Thanks, - Raj Nandy, New Delhi.


STORY OF JAZZ MUSIC  IN VERSE PART – II

    NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND:
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
Founded in the year 1718, as a part of French Louisiana
colony.
New Orleans* gets its name from Phillippe II, Duc d’ Orleans,
the Regent of France;
A city well known for its music, and fondness for dance!
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish Colony.
But in 1800, those Spanish through a secret pact,
To France had once again ceded the colony back!
Finally in the year 1803, the historic ‘Louisiana Purchase’
had taken place, -
When Napoleon First of France sold New Orleans and the
entire Louisiana State,
To President Thomas Jefferson of the United States!
(See Notes below)

THE CONGO SQUARE:
The French New Orleans was a rather liberal place,
Where slaves were permitted to congregate,
To worship and for trading in a market place, on
Sabbath Days, their day of rest.
They had chosen a grassy place at the edge of the
old city ,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street;
Which came to be known as the Congo Square,
Where you could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying dance
forms, -
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant colonies of the British,
Had found a freedom of expression in the Congo Square
by the natives, -
Through their Bamboula, Calanda, and Congo dance forms
to the drum beats of their native music.
The Wolof and Bambara people from Senegal River of West
Africa, -
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the string banjo.
And during the Spanish Era slaves from the Central African
forest culture of Congo, -
Who with their hand-drummed poly-rhythmic beats,  
Made people from Havana to Harlem to rise up and dance
on their feet!   * (see notes below)

CULTURAL MIX:
After the Louisiana Purchase, English-speaking Anglo and
African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-comers
settled ‘Uptown’,
Creating an American sector separate from older Creole
‘Downtown’.
This black American influx ‘Uptown’ brought in the elements
of the blues, spirituals, and rural dances into New Orleans’
musical scene.
These African cultural expressions had gradually diversified,
into Mardi Gras tradition and the ‘Second Line’. ^^ (notes below)
And finally blossomed into New Orleans’ jazz and blues;
As New Orleans became a cauldron of a rich cultural milieu!

THE CREOLES:
The Creoles were not immigrants but were home-bred.
They were the bi-racial children of their French masters
and their African women slaves!
Creole subculture was centred in New Orleans after the
Louisiana Purchase of 1803,
When the Creoles rose to the highest rung of society!
They lived on the east of Canal Street in the French
Sector of the city.   @ (see notes below)
Many Creole musicians were formally trained in Paris.
Played in opera houses there, and later led Brass Bands
in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet were
famous Creoles,
About whom I shall write as this Story unfolds.
In sharp contrast on the west of Canal Street lived the
***** musicians;
But they lacked the economic advantages the Creoles
already had!
They were schooled in the Blues, Work songs, and Gospel
music .
And played by the ear with improvisation as their unique
characteristic,
As most of them were uneducated and could not read.
Now in 1894, when Jim Crow’s racial segregation laws
came into force,       # (see notes below)
The Creoles were forced to move west of Canal Street to
live with the Negroes!
This racial mingling lighted a ‘musical spark’ creating a
lightening flash, -
Igniting the flames of a ‘new music’ which was later came
to be known as JAZZ !

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century, when Las Vegas
was just a farming community,
The actual ‘sin city’ lay 1,700 miles East, in the heart of
New Orleans!
By Alderman Story’s Ordinance of 1897,  a 20-block area
had got legalised and confined, -
To the French Quarters on the North Eastern side called
‘Storyville’,   - a name which was acquired after him.
This red light area resounded with a new seductive music
‘jassing up’ one and all;
Which played in its bordellos, saloons, and dance halls!
The best of bordellos hired a House Pianist who greeted
guests and was also a musical organizer;
Whom the girls addressed respectfully as ‘The Professor’!
Jelly Roll Morton++, Tony Jackson author of  ‘Pretty Baby’,
and Frank ‘Dude’ Amacher, -
Were all well known Storyville’s  ‘Professors’!
Early jazz men who played in Storyville’s Orchestras and Bands
now form a part of Jazz Legend;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk Johnson,
and Sydney Bechet.    ++ (see notes below)
Louis Armstrong who was born in New Orleans, as a boy had
supplied coal to the ‘cribs’ of Storyville!   ^ (see notes)
He had also played in the bar for $1.25 a night,
Surely the contribution of Storyville to Jazz cannot be denied!
But when America joined the First World War in 1917,
A Naval Order was issued to close down Storyville!   % (notes)
Since waging war was more important than making love,
this Order had said;
And from the port of New Orleans the US Warships had
set sail!
Here I pause my friends to take a break, will continue
the Story of Jazz in part three, at a later date.
                                               -Raj Nandy, New Delhi
FOOT NOTES :-
NEW ORLEANS one of the oldest cosmopolitan city of Louisiana,
the 18th State of US , & a  major port city.
LOUISIANA was sold by France for $15 million, which was later
realised to be a great achievement of President Jefferson.
*Many African strands of Folk music and dance had merged at the
Congo Square!
^^ ‘SECOND LINE MUSIC’ = Bands playing during Funerals & Marches evoked voluntary crowd participation, with songs & dances as appropriate forming a ‘Second Line’ from behind.
@ =THOSE LIBERAL FRENCH MASTERS OFFERED THE CREOLES THE BEST OF EDUCATION WITH ACCESS TO WHITE SOCIETY!
#’JIM CROW’= between 1892&1895, blacks gained political prominence in Southern States. In 1896 LAND-RICH WHITES DISENFRANCHISED THE BLACK COMPLETELY! A 25 YRS LONG HATRED &RACIAL SEGREGATION BEGAN. TENNESSEE LED BY PASSING ‘JIM CROW LAW’. IN 1896, THE SUPREME COURT UPHELD THIS LAW WITH ITS ‘’SEPARATE BUT EQUAL’’ STATUS FOR THE BLACKS ! THUS SEGREGATION BECAME A NATIONAL INSTITUTION. THIS SEGREGATION DIVIDED THE BLACK & WHITE MUSICIANS ALSO.
+ BIRTH OF JAZZ WAS A SLOW AND EVOLVING PROCESS, WITH BLUES AND RAGTIME AS ITS PRECURSORS . “JAZZ WAS QUINTESSENCE OF AFRO-AMERICAN MUSIC BORN ON EUROPEAN INSTRUMENTS.”  See my ‘Part One’ for definitions.
++ JELLY ‘Roll’ Morton (1885-1941): At 17 yrs played piano in the brothels, applying swinging syncopation to a variety of music; a great Transitional Figure- between Ragtime & Jazz Piano-style.  ++ BUDDY BOLDEN (1877-1931): His cornet improvised by adding ‘Blues’ to Ragtime in Orleans; which between the years 1900 & 1907 transformed into  Jazz! BUNK JOHNSON (1879-1849): pioneering jazz trumpeter, inspired Louis Armstrong; lost all teeth & played with his dentures! KING OLIVER(1885-1938): Cornet player & bandleader, mentor& teacher of Louis Armstrong; pioneered use of ‘mute’ in music. KID ORY(1886-1973): a pioneering Trombonist, he developed the ‘tailgate style’ playing rhythmic lines underneath the trumpet & the cornet, propagating early Jazz !
SYDNEY BECHET (1897-1959): pioneered the use of SAX; a composer & a soloist, he inspired Louis Armstrong. His pioneering style got his name in the Down Beat Jazz Hall of Fame!
Louis Armstrong(1890-1971): was a trumpeter, singer and a great
improviser. Also as the First International Soloist took New Orleans music to the World!
% = After  America joined WW-I in 1917,  a Naval Order was issued to shutdown Storyville in order to check the spread of VD amongst sailors.
^ ’cribs”= cheap residential buildings where prostitutes rented rooms.
# "JASS" = originally an Africa-American slang meaning ‘***’ ! Born in the brothels of Storyville (New Orleans)  & the Jasmine perfumes used by the girls there; one visiting them was  said to be 'jassed-up' . Mischievous boys rubbed out the letter ‘J’ from posters outside announcing  "Live Jass Shows'', making it to read as ‘'Live *** Shows'’! So finally ‘ss’ of ‘jass’ got replaced by 'zz' of JAZZ .
DURING THE 1940s  STORYVILLE  WAS RAISED TO THE GROUND TO MAKE WAY FOR ‘IBERVILLE FEDERAL HOUSING PROJECT’ .
  * ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY

Somewhere on the moon last night, Neil Armstrong came back to life and was standing in the middle of the Sea of Tranquility in complete darkness.  His frail, decaying hands that were no doubt filled with formaldehyde, held a rather large and sure-to-be extremely heavy boombox that loomed up and over his head, blasting “Total Eclipse of the Heart” on repeat.  He said that it crossed his mind more than once to replace the six faded white American Flags with the stereo, but ultimately decided against it.


In mythology, bleeding is considered to be a feminine attribute:  
                                     “I bleed, therefore I am.” 
(But this is also the downfall of a version of feminism that is not intersecular.)  ((Your lunar cycle does not necessarily need to function in order to be considered a woman.))  (((I am not sure of which, if any, version of feminism Neil Armstrong subscribed to.)))

                                                ­              ­                            When a woman is bleeding, they say that she is at the height of her power; she is aligned with the tides and the cosmos.  She is celestial.  Blood is sacred,
eternal—the very essence of our beings—
                                                ­        ­      ­             but if the Blood Moon was
                                                ­                  really just the moon on her period,
what could she do last night she could do at no other point in her life?  
Where was her power?  She was isolated,
                                                                ­              forgotten by the sun,
                                           hidden away inside the umbra of the earth.  

(Which is the part where the masculine power of the sun rejected the most important feminine attribute of the moon.)


Michael Collins flew solo around the moon while Neil Armstrong and Buzz Aldrin played with dust and rocks.  For 48 minutes he was completely alone, radio silenced behind the shadow, and he thought about death and being the last man standing from Apollo 11.


Inside Neil Armstrong’s speakers, Bonnie Tyler was crooning that
                      “your love is like a shadow on me all of the time,”
and I have not yet decided if this is                      
                                                                ­       good      or      bad.  
Instead, I am wondering if Buzz Aldrin feels sore for
eternally being second best?  Or if he still thinks that the view from the
moon is still one of “magnificent desolation?”  And
does he feel this way about all three of his ex-wives?  
Do they know that the moon was his first love?


We name missions to the moon, to
Luna’s surface, to Diana’s territory, after a
Greek and Roman god of the sun, when
                                                            ­          wolves howl to the goddess
                                                         ­                              instead.

I see trees of green, red roses, too,
I see them bloom, for me and you
And I think to myself
What a wonderful world.
I see skies of blue, and clouds of white,
The bright blessed day, the dark sacred night
And I think to myself
What a wonderful world.
The colors of the rainbow, so pretty in the sky,
Are also on the faces of people going by.
I see friends shaking hands, sayin', "How do you do?"
They're really sayin', "I love you."
I hear babies cryin'. I watch them grow.
They'll learn much more than I'll ever know
And I think to myself
What a wonderful world
Yes, I think to myself
What a wonderful world

I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin

Chasing Pegasus deep into the void
hurtling like Sagitta the arrow
Cassiopeia my soul mate
the depths of the Hyperion shallows
paradoxically gnawing at my
heightened perceptions and
out there I meet Neil Armstrong
I have a feeling we may be passing through a place
where souls gather and he tells me
all he needs is
information all he wants
is knowledge
and we connect and shake hands
[well as best as we can do being in
spacesuits, you know,
all things considered]
and then Elvis appears and tells me I’ve
come a long way
and I laugh and say tell me about it
and he is more interested in Old Earth
he tells me he could always sense he
had a affinity with Ancient Egypt it was something
that had preyed on his Earthly perceptions
dancing around his peripheral vision
like some demented djinn
then he told me
not to worry tell them all back home
when the right song comes along
I’ll be back
and the glories of Ra will be bestowed upon us
and everyone will be entitled to free access
to the best burgers
angel can produce
and everyone will live in a world of song and applause
everyone will have their own spotlight
and beds will be made of marshmallow
with rice paper sheets
just imagine
and I did
one arm over Elvis Presley’s shoulder
deep in space.

1
five moons for earth
sometimes I wish
dear moon
sometimes I wish
the earth had five moons
and all so positioned
we can see
one every night and then in twos and in threes
never four (just so for mystery’s sake)
and then all five
all in perfect alignment once a year
just three nights so
and then we’ll all here on earth
go ga ga ga
or moo moo moo looooney
those nights and go crazy
and climb up trees and enact our ape ancestry …

and don’t you be jealous
I asked for four others;
I just want more of you –
just never seem to get enough of you


2
I see you moon
I see you moon
this cool autumn morning
you sing over the river and trees
and you are supported
by your belly-dance troupe of stars




3
ah poor moon
ah poor moon
you're just hanging around
and through no fault of your own
you attract all these weirdos
these lunatics
and the vampires and the blood-******* bats
and the sleep-walkers and murderers
and the flesh-eaters
(the moon made me do it!)
and the lunatics
and the werewolves
and even stock-pickers
and wild women who want to **** Orpheus

O poor moon
you're just about your own radiant business
and all these freaks put it at your doorstep


4
dear moon, you will understand
darling moon
dear moon
do not be offended
we have stripped you
down to rock and a plain face
and we show pictures of you
in black, gray and white;
and though a writer of verse,
in this verse,
I strip you of your romance and aura;
be not angry
for after all,
you will understand,
we are children who come after
Galileo
and Neil Armstrong



5
Li Po, the moon and me
You know
lovely moon
Li Po
was drunk
and he paddled out to you
seeing your reflection
and he jumped in to the lake
embracing you in the waters
and so he drowned;
but,
you know
loving moon,
I will not come to you thus;
instead you know my time
and you will drown
in the lake shadows of my quiet


6
in praise of the moon
I will not sing you a song of praise
O gentle moon
there are too many modern people around
too many enlightened minds tonight
they reckon they don't need your light;
there are too many elect
and too many going to Heaven
and if I sang in praise of you
they will throw their Blessed Books at me
and they will say
'You moon-worshiper, you go to hell!'
(they fancy words like idolator)

O so most divine moon
O godly moon
O most sacred moon
I shall not sing in praise of you;
there are too many bloodthirsty wolves around


7
was it you, mooon?
cold moon
I am sad;
was it you,
distant moon,
who made me so
tonight?


8
you are there moon
you are there moon;
I thought you were not
and I went to sleep
and I sighed: "She will not come, not tonight;
she has some other lover";
and I went to sleep
and then much later now I wake up
and you've come, out there
and your light full within my room
and your fingers on every cell of my being



9
you witness my dying
you witness my dying
as you see my life, my hopes and desires
and all my embarrassments
and my achievements too,
dear moon;
O quiet presence,
O radiant presence all one's life;
and what do you look at these days
in my life
darling moon
what do you see?
you who have seen the child grow old
and you hang out beaming by the window
patiently
to see one more death
to add to the countless you witness
since the day you came

10
M for Man, Money and Moon
M for moon
M for Man
M for Money;
and at last Man has seen the moonlight
and now they know
Man can make Money out of the Moon

11
Moon, I hear you are moving away
Moon, I hear you are moving away
Why moon, are you moving away?
Don’t you like your neighbor
earth so blue and green
and earthlings so adorable?
Did you not come so near
to get to know your neighbor well?
why then are you moving, moon?
maybe you’ve come to know us well
I hear you’re moving slowly,
so slowly your neighbor doesn’t notice;
how considerate of you
Anyway, I’ll be gone before you

The line didn't move, though there were not
many people in it. In a half-hearted light
the lone agent dealt patiently, noiselessly, endlessly
with a large dazed family ranging
from twin toddlers in strollers to an old lady
in a bent wheelchair. Their baggage
was all in cardboard boxes. The plane was delayed,
the rumor went through the line. We shrugged,
in our hopeless overcoats. Aviation
had never seemed a very natural idea.

Bored children floated with faces drained of blood.
The girls in the tax-free shops stood frozen
amid promises of a beautiful life abroad.
Louis Armstrong sang in some upper corner,
a trickle of ignored joy.
Outside, in an unintelligible darkness
that stretched to include the rubies of strip malls,
winged behemoths prowled looking for the gates
where they could bury their koala-bear noses
and **** our dimming dynamos dry.

Boys in floppy sweatshirts and backward hats
slapped their feet ostentatiously
while security attendants giggled
and the voice of a misplaced angel melodiously
parroted FAA regulations. Women in saris
and kimonos dragged, as their penance, behind them
toddlers clutching Occidental teddy bears,
and chair legs screeched in the food court
while ill-paid wraiths mopped circles of night
into the motionless floor.

This is for the soul searchers
This is for the song writer who feels like who he is doesn’t fill the space

of who he was meant to be. This is for the depressed cigarette smoking chain smokers.
This is for the poet who writes a thousand lines and keeps them all to
herself, because nobody else deserves to hear them.
This is to fight the starless sky of every midnight wanderer who looks up
wondering, cause if there were more like you the night time streets wouldn’t be so empty.
This is for the traveler who never got a chance and lies below a rock with
his name.
I don’t even know if I’m old enough to say it, but it’s for the generations
of baby boomers of old women and men whose ideas and values are shushed by an obnoxious generation.
This is for the wedding planners whose weddings never seem to come.
This is for the beautiful girls that somebody told otherwise.
This is for the 15 year old gang member who can’t leave.
This is for the second place finishers and the C students.
This is for the guitar strings never threaded and the scripts never
written and the thrill voices that never cried hallelujah because they didn’t believe they could.
This is for the incapable,
Because you and me both are incapable.
This is so you can look at me differently like I was an amputee.
And what I’ve had cut away was my expectations.
I was supposed to be huge—
I was supposed to be the first rose ever planted in the desert—
I was supposed to be the first paint on the ceiling in the Sistine chapel—
I was supposed to be either Axel Rose or Frodo Baggins, and whether
you’re cool or not you understand that line.
I was supposed to be the first pope with a full body tattoo—
I was supposed to be Neil Armstrong—
I was supposed to be the first life on another planet—
I was supposed to be bleeding iron and nails—
If you saw me as I was supposed to be the contrast between me and the
rest of the world would be unbearable, but I’m incapable.
‘Cause nobody ever pushed me,
Nobody ever pushed me,
Nobody ever pushed me and said:
Be something bigger,
Be something bigger,
Be something!

Nobody ever told me I had the power to leave a hole when I withdraw
my hand from water or move a crowd with mere words or play notes on a piano like bullets to your eardrums.
And in all of this, I wonder if the big things know how important they
are, because I’m a mustard seed and nobody expects me to move a mountain,
Or even cover its slopes in yellow.
But I still feel vastly important, so what then?
So this is my push, my push that you may never get from another person, ever. So, listen carefully:

I EXPECT A LOT OUT OF YOU.

Don’t be discouraged when you can’t cross one line, ‘cause you’ll pass a
hundred others learning you can’t go over one.
This is a dare: go to your fridge and get out all your eggs and put them in
one basket and tell me if you’re still incapable.
And if you are, go back to your fridge and get all your egg based
products, ‘cause you missed them, you missed them and you need them and the neighbors not lending any ingredients.
And when you get there, wherever it is that I pushed you to, don’t worry
about telling me—
Cause I
Will notice
And most of all remember that if you’ve been pushed, if you’ve really
been pushed, you’ll be dearly missed when you’re gone.

                                                         -Marty Schoenleber III

Dear Best friend,

You know who you are. You are the beautiful girl in the back of the class, who keeps to herself, but is still strangely likable. You are the girl with the piercing blue eyes and dark, dark sense of humor.

Dear Best Friend,

I know you literally are always willing to listen, whether it is talking about our mutual crush on that guy in our favourite class, or complaining about society, or my parents, or when I just need to talk about the weather to distract myself from the looming fear of everything going wrong.


Dear Best Friend,

I still remember when you first told me about your depression. I had always sort of known, but hearing you say it out loud, I honestly didn’t know what to do, because I don’t want you to end up like me, I don’t want you to feel like you have to turn to sharp inanimate objects, I don’t want your world to be dark, hopeless, I don’t want you to fall because depression is a slippery *****, trust me. I don’t want you to forever be broken. I don’t want you to be scared.

I just don’t want you to end up as ****** up as me.

Dear Best Friend,

I know I’m not perfect, I’m not even close, and I ***** up... A lot. But I will do what ever I can to ALWAYS be there for you. I will always be the dorky, idiotic, annoying sidekick.

Dear Best Friend,

You are beautiful, don’t let anyone, ever tell you otherwise. Especially not some 12 year old boy with a stupid haircut.

You are short, there is no denying that, but so is Billie Joe Armstrong and we still think he is the hottest thing since wood stoves.

You have blue eyes, that I know you think are weird, but they are like oceans only not as dark.

Your hair is almost as straight as the members in half the bands we listen to, but each curl falls in it’s own special place

You are beautiful, stunning, breath-taking, and every other synonym for that word.

Dear Best Friend,

I’m sorry you have to put up with me when I am like this. I know I should just bottle it up, but for whatever reason it always seems like I can’t stop the words from escaping. I’m sorry, I am so so sorry that you have to deal with me.

Dear Best Friend,

I really want to smack you upside the face with a brick sometimes. But I won’t, because I am more scared of you hitting back than I am of doctors (and that’s saying something)

Dear Best Friend,

I promise that I will always be there as long as you need me, whether it’s in the middle of the night or when I am thousands of miles away with timezone barriers between us, just call me. When you are scared, call me. When what you are scared of is yourself, call me. When you need a friend, call me. When you want to gush about your new boyfriend, call me. When you want to just chat, call me.

Dear Best Friend,

At this point I think of you more like a sister that a friend.

So, Dear Sister, I love you so much. Thank you for showing me that even the darkest nights have a sunrise, and that those sunrises are always the most spectacular.

Hinanya Kematian Mustafa Kemal Attatürk yang Dikenal sebagai ‘Bapak Modernisasi Turki’ dari perspektif Barat, dia sebenarnya adalah tokoh yang meng’sekuler’kan dan ‘membunuh’ syiar Islam di Turki. Siapa lagi jika bukan Mustafa Kemal Attatürk yang diberi gelar Al-Ghazi (orang yang memerangi). "Attatürk" berarti "Bapak Orang Turki". Attatürk adalah orang yang bertanggung jawab meruntuhkan Khilafah Islam Turki pada tahun 1924. H.S. Armstrong, salah seorang pembantu Attatürk dalam bukunya yang berjudul Al-Zi’bu Al-Aghbar atau Al-Hayah Al-Khasah Li Taghiyyah telah menulis: "Sesungguhnya Attatürk adalah keturunan Yahudi, nenek moyangnya adalah Yahudi yang pindah dari Spanyol ke pelabuhan Salonika". Golongan Yahudi ini dinamakan dengan Yahudi "Daunamah" yang terdiri dari 600 keluarga. Mereka mengaku beragama Islam hanya sebagai identitas, tetapi masih menganut agama Yahudi secara diam-diam. Ini diakui sendiri oleh bekas Presiden Israel, Yitzak Zifi, dalam bukunya Daunamah terbitan tahun 1957. Attatürk mengubah ucapan Assalamualaikum menjadi Marhaban Bikum (Selamat Datang), melarang menggunakan busana Islam dan sebaliknya mewajibkan memakai pakaian ala Barat. Dalam tempo beberapa tahun saja, dia berhasil menghapuskan perayaan Hari Raya Idul Fitri dan Hari Raya Idul Adha serta melarang kaum muslim menunaikan ibadah Haji, melarang poligami dan melegalkan perkawinan wanita muslim dengan non muslim. Dia membatalkan libur pada hari Jum'at, melarang adzan dalam bahasa Arab dan menggantinya dengan bahasa Turki. Tindakan yang dilakukan oleh Attatürk ini nyata sekali telah memisahkan budaya Turki dari akar agama Islam dan menghapuskan Islam sebagai agama resmi negara Turki. Attatürk berusaha keras untuk menghancurkan para penentangnya. Dia membakar majelis-majelis, menangkap para pimpinan majelis dan juga mengawasi para ulama. Attatürk pernah menegaskan bahwa “negara tidak akan maju kalau rakyatnya tidak cenderung kepada pakaian modern”. Dia menggalakkan minum arak secara terbuka, mengubah Al-Quran yang kemudian dicetak dalam bahasa Turki. Bahasa Turki sendiri diubah dengan membuang unsur-unsur Arab dan Parsi. Attatürk mengubah Masjid Besar Aya Sofia menjadi gereja dan setengahnya untuk musium, menutup masjid serta melarang shalat berjamaah, menghapuskan Kementerian Wakaf dan membiarkan anak-anak yatim dan fakir miskin. Dia membatalkan undang-undang waris, faraid secara Islam, menghapus penggunaan kalendar Islam dan mengganti huruf Arab ke dalam huruf Latin. Attatürk mengganggap dirinya tuhan sama seperti firaun. Ketika itu ada seorang prajurit ditanya “siapa tuhan dan di mana tuhan tinggal?” karena takut, prajurit tersebut menjawab "Kemal Attatürk adalah tuhan”, dia tersenyum dan bangga dengan jawaban yang diberikan. Saat-saat menjelang kematiannya, Allah mendatangkan kepadanya beberapa penyakit yang membuatnya tersiksa dan tak dapat menanggung azab yang Allah berikan di dunia, diantaranya penyakit kulit dimana dia merasakan gatal di sekujur tubuh. Dia juga menderita penyakit jantung dan darah tinggi. Kemudian rasa panas sepanjang hari, tidak pernah merasa sejuk sehingga pompa air dikerahkan untuk menyirami rumahnya selama 24 jam. Attatürk juga menyuruh para pembantunya untuk meletakkan kantong-kantong es di dalam selimut untuk membuatnya sejuk. Maha Suci Allah, walau telah berusaha keras, tidak ada yang dapat mereka lakukan untuk mengusir rasa panas itu. Oleh karena tidak tahan dengan panas yang dirasakan, dia menjerit sangat keras hingga seluruh istana mendengarnya. Karena tidak tahan mendengar jeritan, para pembantunya membawa Attatürk ke tengah lautan dan diletakkan dalam kapal dengan harapan beliau akan merasa sejuk. Maha Besar Allah, panasnya tak juga hilang!! Pada 26 September 1938, dia pingsan selama 48 jam disebabkan panas yang dirasakannya dan kemudian sadar tetapi dia hilang ingatan. Pada 9 November 1938, dia pingsan sekali lagi selama 36 jam dan akhirnya meninggal dunia. Ketika itu tidak ada yang mau mengurus jenazahnya sesuai syariat. Mayatnya diawetkan selama 9 hari 9 malam, sehingga adik perempuannya datang meminta ulama-ulama Turki untuk memandikan, mengkafankan dan menshalatkannya. Tidak cukup sampai disitu, Allah tunjukkan lagi azab ketika mayatnya akan dimakamkan. Sewaktu mayatnya hendak ditanam, tanah tidak menerimanya (tak dapat dibayangkan bagaimana jika tanah tidak menerimanya). Karena tidak diterima tanah, mayatnya diawetkan sekali lagi dan dimasukkan ke dalam musium yang diberi nama EtnaGrafi selama 15 tahun hingga tahun 1953. Setelah 15 tahun mayatnya hendak dikuburkan kembali, tapi Allah Maha Agung, bumi sekali lagi tak menerimanya. Sampai akhirnya mayat Attaturk dibawa ke satu bukit dan disimpan dalam celah-celah marmer seberat 44 ton. Lebih menyedihkan lagi, ulama-ulama yang sezaman dengan Attatürk mengatakan bahwa jangankan bumi Turki, seluruh bumi Allah ini tidak akan menerimanya. Naudzubillah.

Hidden Weapon
By: James Desire

See me walking on the vacant street
What’s your first thought?
Black kid up to no good
See me- surrounded by others, my brothers
What is your second thought?
Black kid in some gang
Must be tattooed and tough
Discrimination- Hidden Weapon
See the clothes I am wearing
Big baggy pants, dark Du-Rag and Ripped shirt
What is your final thought?
Poor old ****** living in a ghetto
Discrimination- Hidden Weapon
Now Listen,
You see me jetting through the silent streets
What would you assume then?
Arrest!
Call the cops
Must have been a ******, a robbery,
Another black boy crime
Discrimination- Hidden Weapon
I am just a black boy trying to survive
Trying to enjoy-just to stay alive
On the street
People judging me cause
The blackness of my skin
The types of clothes I’m in
Discrimination- Hidden Weapon  
Unsuspecting black child taunted, haunted…
Fearing that one word-*****
Should I be blamed for crimes committed in the past?
Choice-less decisions made
Pressure reaches ******
Everything seems lost
At the end
I feel blamed
Nevertheless, I blame you
Whites
Rejecting
Hurting
Me- hopeful
Pride-earned-not given
Defending
Defending my dignity
Discrimination- Hidden Weapon  
Should I be judged/blamed for past generations?
Then, blame me for…
The jazz of Louis Armstrong
The voice of Billie Holiday
The poetry of Langston Hughes
The photography of Gordon Parks
The character of Martin Luther King Jr.
The power of Coretta Scott King
The dignity of Fredrick Douglas
Finally, the individuality of James Desire
You seek evil in blacks
The past has also proven a positive…
A positive outcome
That helped the development…
OF OUR WORLD!

Susie gazed out at the atlantic. Great waves crashed against the cliffs . A gust of wind caught the girl almost knocking her off her feet. She seemed not to notice, her eyes remained fixed on the wild sea. Unbidden the words came to her
“Till the slow sea rise and the sheer cliff crumble,
    Till terrace and meadow the deep gulfs drink,
Till the strength of the waves of the high tides humble
     The fields that lessen, the rocks that shrink,
Here now in his triumph where all things falter,
     Stretched out on the spoils that his own hand spread,
As a god self-slain on his own strange altar,
                      Death lies dead.”
Susie’s salty tears mingled with the sea water which the ever increasing wind blew into her eyes.
“I’m not crying, it’s the sea water making my eyes sting” So what if I am crying? All this will pass and go. Long after I am dead this will remain, the uncaring ocean buffeting the cliffs as it has for millennia. Eventually the cliffs and the surrounding habitations will be claimed by the sea. Out of the sea life came and to the ocean humanity will return.
But I’m 20, I don’t want to die”.
All flesh is dust a mocking voice intoned. Susie whirled around. There was no one save for the gulls which wheeled and screeched overhead.
“Yes I will die but please god not yet. I have my whole life to look forward to” Susie said burying her face in her hands.  
“Stupid girl” the voice, like some  insidious demon crept into her brain.
“Shut up, shut up” the girl wept sticking her fingers into her ears attempting to silence the tormentor.
“Stupid slapper. Silly *****” the voice said undaunted by Susie’s attempts to silence it.
Doing her best to ignore whatever devil was taunting her Susie reached into her coat pocket. She felt the plain brown official envelope.
“I can’t, I won’t open it. I’ll throw it away. Better not to know”.
“Ignorance is bliss, little miss a coward is” the voice sneered.
“*******, *******” Susie screamed. Her words where lost in the howling of the wind and the crashing of the waves. Susie became aware of the crumpled envelope in her hands. In her agitation she had ******* it into a ball. How easy it would be to rid herself of the thing. One flick of her wrist and the letter would be lost forever in the depths of the Atlantic.
“Coward, coward” the voice taunted.
With a supreme effort Susie unscrewed the envelope and with trembling hands opened it. Reluctantly the girl extracted a crumpled letter.
“I can’t read it, I can’t” Susie wept. “Why did I do it? God let it be good news. Please, oh Christ I can’t bare it”.

Susie’s mind went back 4 months. She was drunk. She had never been so drunk in her entire life. The thump, thump of the music transported the girl into a world where only she and the beat, beat of the bass existed. She danced wildly letting herself be taken by the music to another realm.
Susie didn’t remember him arriving. One moment she was dancing alone, the next Susie was spinning around in the arms of a total stranger. Later that evening Susie recalled having *** in a cubicle in the gents toilets. Susie thought that she had consented but she had been so drunk she wasn’t sure.
“Christ, no ******. How could I have been so ****** stupid. I went to a good school, got all the right exams and I’m now at uni. I should have known better”.
Susie had gon to the hospital on the following day and had been tested for sexually transmitted diseases.
“You have ****** but that can easily be dealt with by antibiotics” the nurse had said.
Susie breathed a sigh of relief.
“You will, however need to come back in 3 months time for a *** test”.
“Can’t I have that today?”
“The *** virus can take upto 3 months to manifest itself so any test conducted today would be extremely unlikely to show whether you are, or are not carrying the virus”.
Susie had thrown herself into her studies for the next 3 months. When not studying she partied hard. Alcohol helped her to forget for some of the time but, in the early hours of the morning she would wake up sweating.
“What if I am infected? Christ only knows how many other girls that bloke slept with before we had ***”.
Eventually the 3 months passed and Susie returned to the hospital for her *** test.
“You can call in for your results in a few days time or, if you prefer just telephone the number on your card quoting your clinic number” the nurse said handing Susie a small slip of paper.
Susie had meant to call. She really had. However there always seemed to be something preventing her from making that call. There had been her friend’s wedding, her mum’s birthday and so, so many other things.
“Don’t make excuses. Of course you could have found a few minutes to make such an important telephone call” the insidious voice whispered in her ear.
“Yes, OK, I could. now ******* back to whatever rock you crawled out from under” Susie shouted.
Slowly Susie raised the paper to her face.
“Dear Miss Armstrong,
I refer to your visit of 4 July and the test conducted on that date. We have, unsuccessfully attempted to contact you on several occasions. Having been unable to do so I am writing to inform you of the result of your test for ***. I am pleased to advise that the test is negative (I.E. you are not *** positive).
Should you have any queries regarding this letter please call the number above and quote your clinic number to the health adviser.

Yours Sincerely “.
Susie wondered idly why doctors signatures almost always resembled squashed spiders. For the first time in many hours she smiled.
“Thank you god. Thank you”.
The gulls screeched overhead, the icey wind buffeted the girl and the great waves continued to crash against the crumbling cliffs. Susie no longer cared. She embraced the storm for it represented nature of which she was an integral part. It felt good to be alive. Susie took deep breaths.  The touch of the wind on her face  was wonderful. She smiled as her long black hair blew wildly in the sea breeze.  
“If you exist god, thank you, thank you” Susie said.

it usually happens like this, the moment you expand and exfoliate in vocab gymnastics worthy of poetry, and cannot fathom the mundane lumberjack constraints of writing fiction, were the use of a thesaurus is in plain sight... people start calling your sentence construct a "psychiatric" symptom of making salads... too bad these critics have such a limited vocab bank account, that they still have to use the thesaurus, in order to "spice things up"! i tried and i tried, but i can't make language rigid, systematic; i tried being the bricklayer of language with paragraph rooms: but i just end ******* it up, like a picasso.

a man might as well have said:
                      to have *shared an experience,
is to also have paid  a remissions for qualms
of having lived a life: mostly apart -

and is that not so?
this "shared" experience,
   is nothing but a reinvention
of the dionysian cult -
and by that i mean:
nothing more than the obliterate
target practice against
any mould, or "biased" glue
to fathom beyond the thought:
something good.

fool the man and folly another,
should he come from an age
of technological "investigations"
and replica interventions -
seems only the nomad,
the less civilised is the one:
who sought wisdom, and found it...
*****-strapped in diapers
and mosquito bites...
    truth to power!
i once had e lake, now aye av a bog,
my my: a fine wide ranging
toilet crouch moment:
but my my, wh'ah a woo!
  i mean view... neever took a ****
and felt so exasperated by the canvas,
than the ease of me giving birth to
a ****-worm...
  oi! armstrong! stretch!

have you noticed why stand-up comedy
is a wholly black vs. white affair?
these days us peeps can't say
anything profound, nothing biblical,
so, we resort to not being taken seriously
and, crack a joke...
    i mean... it doesn't matter that i don't
come from a non-colonial white group,
i still can't say anything profound...
i have to crack a joke, to be taken seriously...

problem is: i might actually crack a bad joke...
i actually might not be that much funny
as a dog chasing its own tail...

a man might as well have said:
to have shared an experience,
is to also have paid
a remissions for qualms
of having lived a life: mostly apart -

and that's true, in that,
a "shared" experience is never a lived
experience...
      the ****'s up with these shamanic
holidays?
   we know we end up on cruise ships
trying to celebrate "thinking",
while at the same time succumbing
to "being" bored...
          
         the only lived we ever had was
down the pub...
    and the "shared" we attempted to
capitalise on?
    bad acid trips, bad shroom trips,
post-scriptum of a white girl
  injecting concentrated ayahuasca...
yeah, really "lived" through it together...
the sharing is not the living,
the week doesn't concentrate with
a weekend, with friday binge, saturday binge,
sunday rest...

     the left? do the capitalist infiltrators
even know what the left stands for,
the left orthodoxy? jew.
you have too much time on your hands,
scrap the 0-hour contracts, and make people
work the mandatory 6, as it was done
in post world-war II "******" states...
less time to riot and chant ******* slogans...
maybe these people can learn
the orthodox way...
        
           people with 2 days off usually waste
one of these days on utopia, and the other
on the status quo...

     **** me, that's decent, i'm going to stutter:

           people with 2 days off usually waste
one of these days on utopia, and the other
on the status quo...

oh yeah, and make army conscription mandatory,
given that universities are obsolete,
just for the boys out there, save the "boys",
bring back mandatory conscription;
it'll be like ilford county high vs.
the ilford ursulines: secular segregation,
and the mosques can just *******;

you know, i this idea of being a social engineer...
it's titillating! like saying the word scone
or crumpet to a russian girlfriend!
**** gives me the giggles!

b.t.w.: shhh, don't tell anyone...
it might be the *** talking...

no, i don't believe in ******* mud sweat
soaking condoms and cheap beer glastenbury of
shared experience...
      i don't believe in "sharing" an experience,
i don't believe in group yoga, group detox,
group schmuck worth of l.s.d. or a dope get-together
to listen to some impromptu jazz and recite
poetry like those beatnik quacks of the 60s...
if it's not a lived experience,
   like preparing dinner, and sitting by the table...
well... nothing is worth sharing... n'est-ce pas?

you either experience a lived experience,
or you experience a mockery of life -
   this... thing, called "shared" experience,
3 days at a festival, and then?
off you go vermin! back into your cages!
chop chop!
            on the ******* treadmills, pronto!
most of these people can't even imitate autism,
or the child, or concentrate within the focus
of solipsism, given the theory, some *******
even claim that it's a mental "illness":
or as i like to call it: the proper state of affairs
of being an only child.

these people do know that they're breeding really
******* patients, hiding behind the label
"mental illness", while at the same time not
calling islamic terrorists as also being mentally ill,
they know that, don't they?
   i mean, the media is breeding really angry people
with this dissociative-dissociation -
yes, i know, but this imminent tautological blunder
can't be metaphorical, akin to plain sighted
interaction of prefix-magnets...

        oh wait... associative-dissociation actually
does make more sense... d'uh: tautological prefixation
never works: the paradoxical blunder...

       oh ****, have a party,
   step it up with "tautological":
as i might also add: existentialism and the inverted
commas - the laziness regarding the aristotelian
genesis of proper nouns, and quick-hand-draw nouns;

and when you write so "confusingly" as to make
your reader distrust you, in that you have read
enough books, for them to not be able to make
identical references of a chronology of reading.

to be honest, given this western media punch-bag?
i'd rather be called a terrorist,
   than someone who's mentally ill...
  god's honest truth, since then i'd be dealing
with puritanical matters of conviction -
and as one theist said to another theist:
much easier contemplating a "non-existent"
being, than being stuck in an atheist's head
pretending to reinvent the wheel,
and the cave man, and return to mama chimp;
just saying... at least the idea of "god"
either brings the desire to procrastinate
by gesticulating the existence of: via prayer -
or being ****** by the void,
    of a non-existence of, the thing that consumes
thought - res edere cogitans;
still, much better than being cannibalised
at an atheist banquet;
i much prefer shoving my ego up his ***,
than into the mind of some atheist,
and then start nodding in approval like
some zombie carrier pigeon,
which scratches its delivery confirmation
with a hook of gangrene.

I learned on the Saturday I met you that "love at first sight" is a serious illness.
It infects the body and consumes it whole, leaving nothing but happiness and affection in place of the empty, hopeless shell it once was.
I learned on Tuesday that good music and Star Wars references assist the speeding up process of a first kiss,
And just how good knowing that it would be your last first kiss ever felt.
On Wednesday, I learned how hard it was not to say "I love you" out loud.
Instead, I resorted it to silently mouthing the phrase when your head is turned.
On Thursday, I learned that you like to swirl the New York Cheesecake and Red Velvet Cake flavors of frozen yogurt, just like I do.
It reminded me of the concept of being soulmates. Our secret dance reminded me of a movie from the 1920s. Thank you, Louis Armstrong, and the lake in San Angelo for providing the perfect atmosphere.
I learned on Friday how easy it is to talk to the person you love for seven hours.
I also learned that I don't care how tired I look in the first photograph we took together, because I've been a different person since last Saturday.
On the second Saturday that I met you, I learned how hard it is to watch a movie alone with you while your lips are so close to mine.
I learned a lesson on willpower, and also that it's easier if we watch movies in theaters. But even theaters can't keep us from sneaking kisses every once in  a while.
That day I learned how easy it is to dance beautifully with the soulmate you've known only for a week.
I also learned that I'm not the only person who sees the beauty I see when we are together. I glanced over your shoulder during the Jimi Hendrix guitar solo, only to see our group of friends staring at us in awe. It didn't distract me from the butterflies I had from your arm being around me.
Later that same night, I learned how anxious I feel, slipping love notes into your pocket, and saying goodbye, if only for two weeks.

That week, I learned that two Saturdays is all it takes to make you certain of whom you want to spend the rest of your life with.

I'm the best, there ever was
Can't get with me, at da club
Other poets, need to respect
My reputation, I'll protect
I got a 9, pen in my hand
Write your name, in the sand
To me, you can't never stand
I ain't afraid, to let out a curse
Write you in, an ugly verse
I'm da best, you da worst

You can't, stay with my meter
I spit sick, iambic pentameter  
I'm da truth you da cheater
You rhyme like Armstrong rides
You have to dope, ya got no rhymes
You da Cheech I'm da Chong
I write, you smoke da ****
You da burger, I'm da veal
I earn likes, you freakin still
You got da, cheesy *** rhymes
Droppin' words, like love & sublime
I put the free, in free verse
You all about, Nonsense Verse
I drop a sonnet, makes his head Shake
I'm the Chaucer, you da fake
I'm a Lyric, you the Lune
You can't quit writen', too crazy soon
Your stuff is dirt, mines the moon
You want a challenge, get in the ring
I'll make you cry but your mama sing

You'all poets, you got to know
You da fluff, I'm da show
I'm the king of the poets, HELLO

Life without a wife
Is like a knife
So strife
For a better life.


Friends,

Life is short, but it is so beautiful. Make use of every minute. Do not waste your time on something worthless. Be always good and wear a smile all the times. Give a hand to all those who are in need of it and always expect the unexpected.

Sam

Today is Thursday, Sept. 25, the 267th day of 2014 with 98 to follow.

The moon is waxing. Morning stars are Jupiter, Uranus and Venus. Evening stars are Mars, Mercury, Neptune and Saturn.

A thought for the day:

Jim Henson, creator of the Muppets, said, The most sophisticated people I know -- inside they are all children.

QUOTES FOR THE DAY:

I don't like being told what to do.

------------------------

I don't need a lot of money. Simplicity is the answer for me.

------------------------

I think hard drugs are disgusting. But I must say, I think marijuana is pretty lightweight.

Linda Eastman McCartney

Half of the American people have never read a newspaper. Half never voted for President. One hopes it is the same half.

Gore Vidal (1925 - )

"Don't worry about failure; you only have to be right once."

Drew Houston


POETRY


MANIC PANIC

Marisa Crawford


Live fast
and dye your hair.

That's what I wrote on my
Converse in 8th grade.

Maybe it was the way
the feeling pulled me

like a girl
pulling a ponytail.

Maybe I didn't get the job
cause of the polka dots.

Maybe I don't care
cause of the wave.

Today I'm blue.
Tomorrow I could be anywhere.

All these pop songs about dying young
like it's gonna be so epic.

The only difference between 8th grade
and now is the blowing up

the use of color
& perspective.

Things that are with you
when you wake up

& you feel like
someone's there.

Same rainbows
under her eyes

clouds floating in the air.


About this poem

"When I wrote 'Manic Panic,' I was thinking about mass violence, about being a kid versus being an adult, about our culture's obsession with staying young forever contrasted with the reality of dying young in some form of violence or tragedy. There's so much focus all around us on the power and allure of youth, on 'stopping aging,' for women in particular, but this poem is about what happens to that power as you keep on living."
-Marisa Crawford

About Marisa Crawford

Marisa Crawford is the author of "The Haunted House" (Switchback Books, 2010). She lives in Brooklyn, N.Y.


*
The Academy of American Poets is a nonprofit, mission-driven organization, whose aim is to make poetry available to a wider audience. Email The Academy at poem-a-day[at]poets.org.


(c) 2014 Marisa Crawford.
Distributed by King Features Syndicate


A TIP FOR WOMEN


Change your pillow case

What does changing your pillowcase have to do with health and beauty? Everything! Think of everything you use in your hair and on your face ... where do you think it goes at the end of the day? Change your pillowcase often -- about every other night is good -- to prevent breakouts.


JOKES


Barbecue?

As the coals from our barbecue burned down, our hosts passed out marshmallows and long roasting forks.

Just then, two fire trucks roared by, sirens blaring, lights flashing. They stopped at a house right down the block.

All twelve of us raced out of the back yard, down the street, where we found the owners of the blazing house standing by helplessly.

They glared at us with looks of disgust.

Suddenly, we realized why.........we were all still holding our roasting forks with marshmallows on them...


Swimming Lesson

A member of the Country Club asked the lifeguard how he might go about teaching a young lady to swim.

"It takes considerable time and technique." replied the guard. "First you must take her into the water, then place one arm about her waist, hold her tightly, then take her right arm and raise it very slowly..."

"This is certainly most helpful." said the member. "I know that my kid sister will appreciate it."

"Your sister?" said the lifeguard. "In that case, just push her into the deep end of the pool. She'll learn in a hurry."

Tidbits

"To celebrate the 30th anniversary of the moon landing President Bush met with Neil Armstrong. There was one odd moment when President Bush said, 'I hear you're doing well in that Tour de France.'" --Conan O'Brien

---

After examining a woman the doctor took the husband aside, and said, "I don't like the looks of your wife at all."

"Me neither doc," said the husband, "but she's a great cook and really good with the kids.

---

"My son's into extreme sports, my daughter's into extreme makeovers, and my husband's into extreme denial."

Insurance

A client called to report an accident and ask if her insurance rates would go up.

"Our underwriting department determines that", I said. Then I asked for her license number. Verifying her information, I asked, "NMF? Is that N as in Nancy, M as in Mary, and F as in Frank?"

"Well... yes," she said. "But could you please tell your underwriters that it's also N as in Not, M as in My, and F as in fault?"

Computer Virus Humor

Recently, the "Love Bug" Virus circled the globe, damaging computers in it's path. There have recently been some new mutations or variationsof this virus that you should be aware of.

* The "I Love You, But I'm Shy" virus never actually invades your computer, but collects data about it worshipfully from afar.

* The "Love The One You're With" virus hangs around your computer, but the whole thing is just temporary until it can find the computer that it really wants to invade.

* The "Happily Married" virus invades only one computer and stays with it for life.

* The "Unhappily Married" virus spends a long time negotia- ting with a computer, finally invades it, and then strays to other computers from time to time.

* The "I Want A Divorce" virus sends repeated, hard-to-read messages that your computer isn't working and takes half of your computer's best data in an ugly network session.

* The "Stalker" virus spends unnatural amounts of time monitoring your computer, collecting data your computer has thrown away and tries to record all of its functions. And it writes rude messages to any other computer with which yours connects on any regular basis.

* The "Forever Single" virus causes your computer to focus solely on other computers with which it is totally incompatible or prove generally unavailable.

* The "Deadbeat" virus invades your computer, spawns an entirely new database, then refuses to help update it as it grows.


HAVE A DAZZLING THURSDAY!

It's time
to stop complaining
and move on.

I did
what was necessary
to win.

That makes me smart.

You know,
lots of things
get said and done
during a race.

But the only thing that matters
is the result.

So I'll have
those trophies back,
please.

Rugby, Warwickshire
16/10/2015

Unholy streets of G-d, liquid tobacco,
gentle froth and steam
from the coffee estuary, split beneath the clock tower
on the idle hour; more pigeons than people,
more buildigs than choices
on this small-town, charity shop parade.

The women are still beautiful, still unattainable,
still on the brink of a breakdown
in the most confident dress.
Street-pastors carry the drunks home,
the street-cleaners appear by the afterparty,
clear out the old bottles
before the commuter picks up cigarettes
from the newsagents that never rests.

Tattoo parlours, barber shops,
Christmas on the radio come Hallowe'en-
this is the town that crazy built:
war-time poetry, jet propulsion,
chief inventor of sport,
of mild alcohol addiciton.

There's hundreds of places to get drunk in this town,
hundreds of places to hide away;
a foreign face in a sea of family and friends.
Landlocked, gridlocked,
centrally located but left out on a limb;
this town clings to the tracks,
it's avenues of escape
the only margin to keep the residents
out of mind and in their place.

But this is where I grew up,
always more car-park than parkland,
my first steps on Campbell Street,
on Armstrong Close,
first time I broke the law on Bridget Street,
on Selborne Road.
I'd push my bike all around this town,
no stopping off for a smoke,
for to get my fix-
I'd push on and on past graveyards and open bars
without a second gance.

Now, it's all shooters and soul-singers
and happenstance;
chicken wings on a late-night binge,
a box of wine, a night of sin,
wake up in shame,
life's a guessing game
and guess what, you'll never win.

Chewing gum, patches,
vapour that scratches the back of my throat,
nicotine in my blood,
you know, I'm trying my best to get clean.
Blister packs of vitamins, bowls of fruit,
buying coconut water over the counter-
green tea by the rising moon,
incense sticks and vegetables in the garden,
yet by the time night rolls on by
the locus of my eyes, they darken;
I'll be back on the beer,
I'll be smoking a carton.

This is the town that crazy built,
even the flowers by the roadside wilt,
cement factory, hum-drum poverty,
post-code belonging to Coventry,
kept out of the war
by a matter of minutes,
kept from the future
by corporate interest.

Hospital lights, supermarket glow,
I can't remember the last time
I wasn't loaded with chemicals
every time I get home,
every time I sign out
and put my head on the pillow,
I see familiar streets, familiar signs,
the job centre, the floodlights,
the 12% lager, the twist of lime.
I struggle with rhyme,
I struggle most days to get out of the house,
but at night, I know, that sea of doubt
is a river of light, to ruin my liver,
to spike my fever, to calm me down.

There's hundreds of places to get drunk in this town,
and this world it don't spin,
it just throws me around.

Luna is a silent world,
a wasteland of sere beauty.
It’s “seas” are dust and waterless;
Rainfall? Zero, absolutely!

In this place where birds don’t sing
and nothing green can grow.
We built the Armstrong Geodome,
in secret, years ago.

Here, on the “dark” side of the moon,
in a Mare without a name.,
a climate controlled paradise
was built, and workers came.

Some were miners, strong and buff
who search for this world’s gold.
Some are research scientists
one hundred fifty men, all told.

In Twenty Forty Seven
all hell broke loose on Earth
There were nuclear exchanges
and what followed next was worse.

A winter like none other;
we listened, helpless, as they died.
Starvation is the cruelest fate
for any mother’s child.

One by one they all fell silent,
the great cities of that Orb.
Deaths occurred in magnitudes
the human mind can not absorb.

We struggled, yes, but we survived
without the ships from home.
One Hundred fifty adult males,
like the mariners of old.

We mourned the Loves we’d left behind,
We shuddered at their fate.
Our Refuge was our prison;
We lived deprived of child or mate.

The streets of Armstrong are always clean
as cleaning bots are on patrol.
but here no children laugh or play,
it’s a town without a soul.

Two decades we spent in that place
then came the words for which we yearned:
Atmospheric radioactivity
to safe levels had returned.

I was on the first ship home
to San Francisco Bay.
The landmarks all were flattened
The Golden Gate in ruins lay.

We mortals wept, I will not lie
Our cradle had become our grave;
The streets of home were silent,
there was no one left to save.

Terra is a silent world,
a wasteland of sere beauty.
It’s “seas” are toxic, lifeless now;
Children? Zero, absolutely!

No, no, no, Dirtbreath. I say we call the big one an elephant,
and the small one a mouse.
                                             Eve

I'm sure red's a better color for me.
                                              M. Monroe

She has a face that could sink a thousand ships.
                                              Ulysses

N­ow that Hawking's dead, I'm the smartest
guy on Earth.
                                             D. Trump

You're too Jung to understand the Superego.
                                              S. Freud

No. You keep it. I have enough.
                                              B. Graham

Are you sure that's the Delaware?
                                              G. Washington

E=Mc Donalds.
                                              A. Einstein

Go pound salt.
                                              Gandhi

Wha­t day is it?
                                               Roosevelt

T­hat's one small.... oops!
                                               N. Armstrong

I don't remember any of my dreams.
                                               M.L. King, Jr.

Hey, John, I can see your house from up here.
                                                Jesus

Beaches, fields, streets, hills. Did I leave anything out?
                                                W. Churchill

Yeah, yeah, yeah, of course I wrote 'em all.
                                                 R. Starr

It's just too big to wrap your brain around.
                                                 S. Hawking

Don't lose your head. This won't change a thing.
                                                  Robespierre

Before I was fined, I walked the line.
                                                   J. Cash

Could you lengthen the title and shorten the book?
                                                  Tolstoy'­s editor

What if we put the workers on conveyor belts?
                                                   H. Ford

I have a splitting headache... hmmm, interesting.
                                                   ­Oppenheimer

I've never liked orange juice.
                                                    N. Brown

Really? You want to blame me?
                                                    ******

He stings like a butterfly.
                                                     S. Liston

#timesup #metoo
                                                     A. Boleyn

Mr. Watson. Come here. Spare me a dime?
                                                      Bell­

Roebuck said he'd be back in ten minutes.
                                                      R­.W. Sears

To be or to do be do be do.
                                                      Shakes­peare/Sinatra

When you call me Whitey, I get cotton pickin *******.
                                                      E. Whitney

We're the team to beat!
                                                      Toro­nto Maple Leafs

Don't call me a Mother!
                                                      Mo­ther Theresa

Is that a Cuban*?
                                                      M. Lewinsky

I learned on the Saturday I met you that "love at first sight" is a serious illness.
It infects the body and consumes it whole, leaving nothing but happiness and affection in place of the empty, hopeless shell it once was.
I learned on Tuesday that good music and Star Wars references assist the speeding up process of a first kiss,
And just how good knowing that it would be your last first kiss ever felt.
On Wednesday, I learned how hard it was not to say "I love you" out loud.
Instead, I resorted it to silently mouthing the phrase when your head is turned.
On Thursday, I learned that you like to swirl the New York Cheesecake and Red Velvet Cake flavors of frozen yogurt, just like I do.
It reminded me of the concept of being soulmates. Our secret dance reminded me of a movie from the 1920s. Thank you, Louis Armstrong, and the lake in San Angelo for providing the perfect atmosphere.
I learned on Friday how easy it is to talk to the person you love for seven hours.
I also learned that I don't care how tired I look in the first photograph we took together, because I've been a different person since last Saturday.
On the second Saturday that I met you, I learned how hard it is to watch a movie alone with you while your lips are so close to mine.
I learned a lesson on willpower, and also that it's easier if we watch movies in theaters. But even theaters can't keep us from sneaking kisses every once in  a while.
That day I learned how easy it is to dance beautifully with the soulmate you've known only for a week.
I also learned that I'm not the only person who sees the beauty I see when we are together. I glanced over your shoulder during the Jimi Hendrix guitar solo, only to see our group of friends staring at us in awe. It didn't distract me from the butterflies I had from your arm being around me.
Later that same night, I learned how anxious I feel, slipping love notes into your pocket, and saying goodbye, if only for two weeks.

That week, I learned that two Saturdays is all it takes to make you certain of whom you want to spend the rest of your life with.

A caveman discovering fire,
he can now stay warm in the cold and see light in the dark,
It feeds him and protects him, and he does likewise.

Electricity suddenly figured out,
the harnessing of lightening used to capture the suns impressive illumination,
Dark corners seen where shadows once resided.

Neil Armstrong's foot touching the surface of the moon,
as stars swirl around him,
and the Earth looks innocent, safe, and beautiful.

The first successful flight of an airplane,
finally feeling free like the birds,
and touching the once elusive clouds.

A heart surgeon looking at a sensitive beating *****,
knowing that rhythmic pulsing is necessary to sustain the body,
and caution must be taken not to hurt it.

Like a free-falling with a parachute.
Like a delicious appetizer, entree, and dessert all at once.
Like puppy kisses, or kitten purrs.
Like looking down from the top of a mountain.
Like every single sunrise and sunset you've ever seen, combined.
Like tearing up when you see people reunite.
Like meeting up with an old friend.
Like laughing until your stomach hurts.
Like that refreshingly calm breath after crying real hard.
Like holding a *** for too long but then finding a bathroom.
Like your first cup of coffee in the morning.
Like snow, a fireplace, hot cocoa, and a blanket.
Like a flower blooming.
Like the sound of the ocean.
Like a cool breeze on a sweltering day.
Like a good, long embrace.
Like a shot of hard liquor that warms your insides.
Like getting promoted.
Like finishing a creative endeavor.
Like your favorite sports team winning.
Like a baby smiling at you.
Like finding a good book or a good series.
Like fixing something properly all by yourself.
Like finding blue or purple sea glass.
Like mail with your name on it that isn't bills.

It's probably not like any of these things,
*it's probably a whole lot ******* better.

The Pedicab drivers of Gotham all say
You should ignore a "Whale Hail"
because it just doesn't pay.
The city is hilly and
to pedal gets tough
when your passengers are,
shall we say, overstuffed.

Two tubby tourists out on the town
between them they weighed about
Eight Hundred Pounds.
They had wiped out the Sushi
at an all you can eat.
Much too lazy to walk
on their overstressed feet.

They hailed for a Pedicab
of which there's a multitude
Thats the sole explanation
for accepting their pulchritude.

Their ride started slowly,
but pleasant enough.
But then came a hill
and the going got rough.

He groaned and he struggled
as he trucked up the road,
but not even juiced Armstrong
could handle this load.

With two tubby tourists
ensconced in the back.
He slowed to a crawl
then stalled in his tracks.

Something had to give
with those two in the rear
The cab then turned turtle
chucking him in the air.

The two tubby tourist
were down on their backs
Their driver unconscious
and two tires flat.

An Ambulance came
and gave him first aide
The two tourists rolled off
and he never got paid.

If we banned too large colas
and sixty ounce beers
could we hope that these
land whales
might,one day, disappear?

Until then its risky
to pick such fares up
unless in a limo
or a truck thats Ram tough

I see mine queen, her brown eye's, to,
I see her view, so much beauty, so true
And I think to mineself
She mine mi amour'............

I seeith the sky with her moon, moon of night
The luminescent sun, with her smile so bright
And tis, I think to mineself
She's mine mi amour'!!!!!!!!

The colors of her words, so unknown to mankind,
An angel of God, a writer in disguise...
I seeith her showing love, asking other's ( how dost thou do?)
She's just being her, as tis she loveth helping me and thou to...

When I heareth her crying, I heareth her moan.
She's mine all, I'd taketh her pain, and cleareth her white as snow
Because I think to mineself.......
She's mine mi amour'!!!!!

Yes, tis, I think to mineself..........

SHE'S MINE MI AMOUR'..............

I know Henry the VIII had six wives
   and that bees live in hives.
I know blue and yellow put together make green.
   and that the populations the biggest it's ever been.
I know the quick brown fox jumps over the lazy dog
      is the greatest sentence on Earth
    And that male seahorses give birth.
I know Neil Armstrong was the
     first man on the moon
and that the dish ran away with the spoon.

I know that peanuts are present in dynamite
  and that Einstein wasn't always right.
I know you shouldn't bite off more than you can chew
  and  that Tom Crapper invented the loo.
I know that Ben Franklin flew his kite into a storm
to prove that lightening's an electrical form.
I know that goldfish have a three second memory span
   that my dad will never be a Man United fan.
I know that Eric Clapton went Knocking on Heavens door.
  and that the Swiss aren't helpful in a war.


I know the Russian Prime Minister's Vladamir Putin.
I know who discovered Penicillin
I know that seven times seven is forty nine
    and that the French enjoy their wine.
I know ostriches lay eggs bigger than their head
   and that pencils used to be made from lead.
I know flowers survive because of  photosynthesis
  and that Chuck Norris is good in a crisis.
I know that Darwin didn't say we came from apes
   and the story of 'The Great Escape. '
I know you should always let your conscience by your guide
   and the tenth main cause of death is suicide.

I know that lemon is an anagram of melon
   and that Guy Fawkes was a convicted felon.
I know that life the Universe
    and everything is forty two.
   That I'm too old to play Guess Who.
I know the reason for having a leap year .
   and that Beethoven couldn't hear.
I know Walt Disney was afraid of mice
and that Jesus made the ultimate sacrifice.

I know Pluto was stripped of it's status in 2006
and that some problems just can't be fixed.
I know Amelia Earhart was the first woman to fly a plane
that diamonds are harder than John Mc Clane.
I know that Americans dial 911 in an emergency
that more monopoly money is printed than real currency.
I know the electric chair was invented by a dentist.
And that Josef Stalin ruled with an iron fist!

I know that cats have nine lives
and that Elvis Presley could really jive
I know that no one does drugs like Charlie Sheen
that I couldn't survive a day without caffeine
I know that an insufficiency is called a dearth
and that some things cost more than their worth.
I know Neil Armstrong was the
     first man on the moon
and that the dish ran away with the spoon.

reinventing the resurrection of the Roman Empire with
a pseudo-Christ in tow will prove fatal -
or simply propelled to an established
norm for all the wrong reasons
other than a quasi-Narcissism fully embracing
fetishes beyond the standardised
practises of human evolutionary concerns -
see how Darwinism is incubator
of fatalist vocabulary? too much arrogance -
they're nothing more than Spanish
Inquisition leeches - because when was
atheism intended as a fashion statement
with mismatched socks and matching
loafers? probably never.
we already sought to put atheistic economics
on the guillotine tablature -
the temple named: all men are born equal
was always Samson's prize for demolition's
just escapade, in or anywhere outside of
a Glasgow housing estate -
a Scot making a joke about Scots:
how was copper wire invented?
two Scots arguing over a 2 pence coin...
a stretch Armstrong moment i'd like to see.
all we need is Hillary for the unholy alliance
to materialise - the birth of horse racing
and womanised politics -
and are you the baby tarantula on the back
of mama tarantula? no? oh... don't
expect much from mama tarantula
if you're not part of her family and genetic vector.
the resurrection of the Roman empire as cited
by Divine John has a major fault...
the original intention prior to the authority of
Augustus was based on republicanism -
not democracy - the autocracy evolved from
republicanism, not democracy -
and if this be the McDonald model of work
ethic and success, it will be hard finding a few wise
old men to quench a rise in despotism -
the naive-expectation will over-power them -
we could see America as our safety laboratory once -
where the fates of Greek democracy and Roman
republicanism were played out -
rule of the many v. rule of the informed worthy few -
if elections came about the former would
have a lot of numbers anonymously signed X -
while the latter a few numbers but identified with
articulate signatures - democracy is basically
a stab in the dark, that precipitates to a vote of
no confidence - and an immediate imitation of
Pontius Pilate's quest for conscience and washing his
hands in pseudo-Dostoyevsky's the machinist,
with bleach - ****** courtroom -
when older poets recite their republicanism knowing how,
the newer ones recite their democracy knowing neither
how or why - thus the resurrection of Rome built
around democracy and not republicanism -
the washing of the hands and loss of conscience -
this prophesied resurrection of Rome was not based
on republicanism but on democracy, for the simple
fact that democracy had its martyr - a republican member
should another be fixed to compete with him -
no Platonic notation of the idea behind the republic
was ever established - but indeed a lot was noted
concerning democracy - which in practice wasn't
a practice in dialectics, but in dichotomy -
the polarisation of opinions in the simplest terms:
man v. woman, old v. young...
the republicans only had one dialectics ruining them:
the dichotomy between one man and the many -
is man to be as automated as insect or Satanically
rebellious and in his own sway "himself"?
there need not be a conjuring of biblical myths with
this concern - man was not temped for insight
into the disparity of good and evil and subsequent
confusion of attributing each its invested share
of expression in the world of choice -
but man was made an ontological alliance with
the famous villain (i too, akin to Milton's sympathy
a pledged allegiance do make an oath to consummate
a rival marriage, kindred of celibacy shared
by truth or perception, royal, named Elizabeth I) -
for if not by rebellion Satanic not make elemental conquests
or at least improve on them?
Francis Bacon died attempting to conjure up
a refrigerator with a dead chicken - dying from
hypothermia, or a really bad cold; never mind that,
if the resurrection of a united pseudo-Rome is to be
established it cannot take root in democracy -
but it already has, and is doomed to fail
given one of its former provinces risked all to exit -
it has to be rooted in the origin, in republicanism -
but it can't take root there, given the lost vitality of ancient
old age and modern old age leaving behind
only disparity - audacity of youth in every sphere
of life - and the blatantly over-stretched comforts of
old age - the American experiment of having
democracy v. republicanism staged failed -
that was the intention - to see which one was more the success
story of the revival - i appears neither or precisely both -
in that democracy has fuelled the city-states once again:
globalisation and the city-states: London, Paris, Germany...
they exist as separate entities in a web segregating
themselves from national politics and associating themselves
in global politics with only their counterparts -
the Greek city states have been revived by such dynamic;
so if democracy fuelled that, then surely republicanism
has fuelled what happened in the British exit from the union?
coup d'état in Turkey (on the waiting list, joining in
2020 along with Serbia and Albania etc.) - if you can't see
xenophobia and a choice of politically correct vocabulary
you don't see the naivety of Polish pensioners and English
pensioners - Turks at home in Germany - but let's revitalise
the memory the Iraqis share with Mongols and the sacking
of Baghdad and the Siege of Vienna between Turks and Poles -
i've assimilated into British society i don't identify with
such ethnic historicity - i was taught history including Roman
conquests; do i think the Scots will break from the Union?
i think they'll break for ethnic moral - that's
the other member of the unholy alliance, a real cat fight,
2nd Ms. Thatcher in Downing Street? the youth voted
in - the old voted out - when they were concentrating
on the gender gap a milieu gap was convening -
outside of London the impression of the family environment
suggested the youth didn't vote, in the urban environment
youth mingled with youth, to later hear their parents
or grandparents were dying ****-stained in care-homes...
strange: you always seem to wish to be part of a Mongolian
horde in such times for the oddest but the most blatant
reasons... oh yeah, and i read 5 books today...
well, i told you, once you read enough books of your
own choice you end up reading poems and reviews to
give yourself some slack...
- les parisiennes by Anne Sebba (review by Daisy Goodwin)
  (always women reading books by women,
   and men reading books by men... what sexism
   in this post-sexist culture of FEMININE EQUAL)
- Paper: passing through history by Mark Kurlansky
    (review by John Sutherland) p.s. best citations
    from this review... maybe some other time...
-  The Age of Bowie: how david bowie made a world of
     difference by Paul Morley (review by Will Hodgkinson)
-  the Girl who Beat Isis: my story by Farida K(h)alaf with
    Andrea C. Hoffman trans. by Jamie Bulloch (review by
    Catherine Philp)
-  Pinpoint: how GPS is changing our World by Greg Milner
    (review by Damian Whitworth)
and finally...
- All things made New: writing on the Reformation by
    Diarmaid MacCulloch (review by Robert Tombs)...
                                indeed,
                                 the terrible has
                                 already happened;
never leverage on
a positive thought when
working from Pompeii -
as the lessons of failure
from the past magnify -
there is nothing
but hindsight and pessimism
in the past to unearth -
while uncertainty and optimism
toward the future readying
itself for the burial rites
of the already unearthed artefacts
in continuum imito (in a continuum of imitation).

Sono sposata con un pilota e sono sicuro al 100% che non importa quanto duramente ** pregato .che non ha potuto ottenere le foto di fidanzamento questo freddo .Queste due devono avere alcune connessioni piuttosto sorprendente per avere Josh Dookhie Fotografia sparare loro sesh impegno sulla pista .Sono totalmente geloso .

Condividi questa splendida galleria

Da sposa.Una sessione day-to -tramonto impegno esclusivo sulla pista di Winnipeg James Armstrong Richardson International Airport .con scatti del suggestivo terminale vecchio prima che fosse abbattuto .

Non solo ci piace viaggiare .ma mio marito Nevin e ** incontrato all'aeroporto quando entrambi abbiamo lavorato lì.quindi era giusto che fosse l'impostazione per la nostra sessione di fidanzamento .** usato per lavorare lì abiti da sposa 2014 in Marketing durante il tempo che il nuovo edificio terminal è stato costruito.Nevin lavora ancora lì come elettricista campo d'aviazione .Ecco come siamo arrivati ​​accesso alla possibilità piste - un quasi nessun altro sarebbe in grado di avere!Il padre di Nevin è stato anche un controllore del traffico aereo fino al suo ritiro .quindi nel complesso l'aeroporto è un posto speciale per noi e la nostra famiglia .

Nel momento in cui abbiamo fatto il servizio fotografico .il nuovo terminal aveva appena aperto ( che ha fornito una splendida cornice ) e il vestiti da sposa vecchio



terminal .dove avevamo incontrato - era stato abbattuto in un paio di settimane .E 'stato così speciale per noi essere in vestiti da sposa grado di ottenere scatti che caratterizzano sia gli edifici - il nostro passato e il nostro futuro
fotografia: Josh Dookhie Fotografia | Aeroporto : Winnipeg James Armstrong Richardson International Airport | Coordinamento + Styling : LouLou
http://www.belloabito.com/abiti-da-sposa-c-1
http://www.belloabito.com/goods.php?id=14
http://188.138.88.219/imagesld/td//t35/productthumb/1/3803335353535_391851.jpg

i actually like the way slavoj žižek understands fascism, given the fourth movement of Beethoven's ninth symphony... as it stands: i really had to take pleasure in my suffering... i once called it: an exquisite pain... it's not that acknowledging pain is difficult, what's difficult is taking pleasure in it... on a whim... nothing as flamboyant as baron sacher-masoch's take on it, transcending toward the ****** thesis... i am the grey matter, the everyday comparison to a factotum sort of analogue of what pain constitutes... and i'm actually free from depressive apathy... i am sometimes prone to laugh like i might be experiencing what the Fore women experienced... the kuru "disease", otherwise known as the creutzfeldt-jakob "disease"... yes... mm... uncontrollable laugher... akin to St. Vitus' dance... sydenham's chorea.. it's hard to see why there should be any cure to the experience... given that the experience is so liberating and has no materialistic mono-mania of a well tended to economy... cannibalism really has a great array of noun-arsenal... a bit like the poetry of Christianity it's akin to... to really believe this *******: you have to take it to the extremes and make every word: utterly isolated, and in a sentence utterly meaningless... it's like a swarm of wasps honing in on a body of a bear that mistook its ash-phlegm nest for a beehive feast... sometimes it happens... but sure as all else concerning: why not take pleasure in an anti-cross crucifixion, i.e. a sick-bed? sure, it's less theatre and many less marble statues worthy of a church... but, if according to žižek / rzirzek / really? ź ż vs. ž... a fascists takes pleasure from suffering... i must be in this club, since i do, the pain in my brain with its sizzling quiz of blood emeshed in synapses has moved to my *******... ******* ahoy! i sit in a chair, and when drink (esp. when drinking): they are goosebump prone, titilating me... amusing me... all the pain concerning my brain has moved into a pleasure reaction bound to the testicles... i couldn't have foreseen this waterfall if i didn't explore the word fascist beyond the communal horror of spotting an orthodox practitioner in either street or cyber-space...

e.g. the fore of papua new guinea
(ghee-knee... later the debated about
quinoa... apparently it's not qui-
       or french agree, we-noah...
  but something else... oh, it's related to a quiz
asking me whether i could possibly be a 5% liberal
elitist... well, if you were reading
the sunday times magazine: it would ask you
that... i did cut it apart as qui- -noa...
  but apparently it's pronounced:
kin-wah...                 once again my point:
you don't use highly concentrated phonetic
units, i.e. diacritical marks...
you're bound to leisure in this linguistic hell
of constantly "correcting" people....
just saying... what's the matter, toad stole
your burp?)

   and i really wanted to write a neat poem...
poems like this emerge,
you go to a shop, by the cheapest whiskey
two cans of beer and a bottle of cola...
it's early February... the cars parked
have the eerie circumstance of jack o'fogfrost
breathing onto the windows...
    your fingers itch from the cold...
you start to really see a skeleton walking
rather than something resembling protein
fat and carbohydrate...
    thankful for winter: to naturally imagine
a skeleton walk in the cold
   smoking a cigarette and drinking the beer
while the whiskey cools in your rucksack...
all you end up needing is
   a square mile, and outer English suburbia...
and a look into that forest you once frequented
walking as if with gauged eyes into
the custard darkness...
   then sitting on a stump, taking all the clothing
items from your torso and listening in
as something neared, cracked a branch
and you uttered into the forest:
  no animal would dare come so near...
      
... (man has to drink, take a break...
         sneaky ******* get to see
a work in progress... lucky them...
           too much of a sober me)...
hey! i'm warming the stove, it's not going to
shoot out firecrackers made from words
into a
     hoghmony celebration.... oh look...
another googlewhack!
      http://tinyurl.com/z8xeqpsn
(billionth of another! this is how i play the "lottery")
ah freckle feckle ****... scoot for new years...
hogmaney...  hogmoney...
  hagmanny...
                 ­  ****! Hogmanay!
    what was i "saying"?
                            
ah wait... i know... i know...
i was watching this film goat (2016)....
with james francko doing cameo but mainly producing...
if anything could put you off going to
university, well, notably an american university
it's this film... now i drink, i really do, heavily...
but what went on in that film was nothing short
of happens when people lack any respect for liquor...
i could watch the roman empire in a zoo...
what i witnessed in this film was:
well... can't see a point of caging a lion,
but i can see all the reason for caging man...
but the problem arises with:
you can take children to a zoo...
          you couldn't even want a child
to experience this sort of Iraqi **** made in
America...
                       i drink, i really do...
i slurped on a prostitutes ****** when drunk...
hell... i even wrote this...
          and i am really starting to believe
that going to university was the worst mistake of my life...
i left it, educated as a chemist,
without a clear move toward a career as a chemist...
    would i care to learn the use of language
to university level? i.e. get an english degree?
      not if i were a middle-class woman
   who's daddy was a doctor or a dentist...
                            people from my background,
double that up with a father who works in construction
and me being of immigrant stock (when will i get
to say expat?) -
  it was the biggest mistake of my life...
you see... other immigrants start to get jealous...
     they say you have to die: for raising for head
above the water...
         a bit like they kicked the hell out of
Jamie Redknapp's career in football...
now he's a pundit... but not a football player...
they smacked him about...
good thing my grandfather was a Silesian miner
for some time... i decided to dig trenches...
yes, metaphor: write poems...
   because i still can't see what nature ordained me
to possess... and why these little hitlers decided wasn't
fair for their "sense of worth"... oh i can name them...
one of them, a childhood sweatheart of a friend,
egyptian / persian, used to call me during
weekdays and sing to me over the phone...
   apparently he could ******* 20 times a day...
i tried 4 times in one day... nothing came out...
      the other was an add on to being in school from
the age of 16 to 18... a paddy-sikh...
   loved barrington levy and driving a car while
******... loved the whole gansta gimmick...
a complete *******...
                           and to think i was fooled into their
little of jealousy... this will make absolutely no sense
to you... given we (a) never spoke outside the realm
of my tornado... and (b) had a coffee?
               well... let's just say: one stupid move on
my behalf while intoxicated on marijuana
aged 21 taught me all i needed to know...
  from the age of 21 through to the age i am now:
some could consider me a monk...
                 or that infamous word: cenobite -
oh i'm just obsessing about how i want to
put my top 3 picks into classic.fm's hall of fame,
and write 3. christopher young's something to think about,
2. christopher young's something to think about...
1. christopher young's something to think about...
as i realised the past two days...
  collecting a personal library of classical music
makes no sense... unless it's Händel... (æ, i.e. :)...
and classical music only makes sense
with a d.j., and yes: a radio...
            there's no point being poncy about classical
music when you collect it...
        unless it might be something by Hans Zimmer
or any other movie soundtrack...
      and you can just sit back, listen to the radio,
and the classics just come and come...
i spent today lying in bed, because classic.fm
was playing from about 6am to about 1pm...
  and then i extended it to 3pm because
of aled jones and the voice so necessary as
that of alexander armstrong... in between?
                     bill turnbull... a news anchor
if i'm not mistaken... couldn't handle it...
  no, not the voice: the choice of music...
but even such people are absolutely necessary...
and would anyone care to remember
the ****** megastore on oxford street?
  the classical music department?
does anyone remember is being sealed off by
   glass like an aquarium from all the other music
genre departments in the store?
   a bit like walking into a lunatic asylum:
everything had to be cork-lined waiting for a Proustian
novel... first you had to appreciate
and build up a palette for silence... before
some concerto could be "ate" like refined sushi...
    radio and classical music does work,
i might have made a mistake collective obscure tastes,
i.e. proto-folk examples in Polish and compositions
of German industrial music...
   i might have done that... yeah, so true with the jazz...
but you have to have a Houdini weak-spot...
so in bed... rummaging through the radio and
television listings and reviews...
   after doing a bit of a crossword (which i can't
for the love of god) and a 6 x 6 su doku...
        now that's definitely sunday activity...
looking through the radio and tv listings...
   esp. noting the day's programme of bbc radio 4...
well, it's not that i'm a convert, with a house
in south-west london...
                i just heard that england is famous
for its eccentrics... i wanted to experience
    the most eccentric practice on these isles...
      tending to a garden would have made sense...
if it wasn't February...
   so reading the listings and reviews was the next
best thing...
    what with confusing Aled Jones with Alex Jones...
that famous britpop bassist turned cheese-maker.

then how do you begin taking fatal
mortal steps, simply motivated by biological
dynamics? i could have ended that
servitude to the waterfall, or should
i correct myself: required it to continue...
      but then interludes in the case of opera
leave me peasant-like, most ignoble...
      there's the 15 minutes were no fame is mentioned,
and no one forces art to become advert...
   since we're talking of the thin-red-line,
i can't but help myself reading more book reviews
in English, than actual books in Polish...
because i care for the cognitive labourers,
i really do... i think they are needed
to bypass actual books, meaning they do all
the work... or should i say arbeiten?
well.. enough critics about, you get to
dissociate yourself from the actual origin...
     a bit like waving your hand at god
and embracing the "awe" inspiring profusion
of the human tongue becoming over-bearing...
not even bearing grudges...
  but no gratitudes either...
                it just is what you care to make of
germans the sole originators of
   the proto "bayeux" tapestry given a.i. -
but then you treat the germans as they
are currently given the sway,
and you awake a humanity in them:
a humanity only germans know how
to acknowledge: a collectivisation -
germans know no concept of individualism
akin to the late-removed isle Saxons...
i.e. the English... the English are always
blitzkrieg specific about the individual,
the fact that so many individuals get a chance to vote
leasves me with blisters of what i can best
estimate as noted to being conscience...
          the germans are best appropriate to
express the volk... the english are like stuffed
animals worshiping the name Byron... Milton...
Blake... Newton...
         and let's leave them there, because if they
finally manage a homogeny of an ethnic
accord to give a momentum unto it via their lack
cohesion... i am assured a passage to
the houses of parliament to laugh,
as a test of my carve to veto, rather than vote.
mainland europe calls them: the islanders!
you can't help but see a care to blow up
the tunnel la mange... the channel tunnel...
because if a 2nd ****** arose...
the tanks would flod that serene countryside...
     i come across foxes all the time...
once i picked a dead fox near the bus station
in romford using two bin bags from the nearby skip...
and walked with it home, weighed it,
just under 10 kilograms... i weighted myself first,
then with the dead fox enclosed in the bin bags...
then i walked with the fox and threw it into
a meadow... i was thinking along the lines:
at least the sanitation officer will have a day off..
  obviously i was tattooed with the idea that
i was some sort of shaman, given two people witnessed
me picking up the corpse...

900 gull herrings eating their own...
      chimanzees also take to a nibble...
        banana slug females are fond of eating
"******", when the mating gets heavy...
not ever, as ever, but with Darwinism had i ever
managed to see a woman like a mantis...
  sorry... looking at the ***-hole of nature like that
will eventually leave you paralysed and
not even awe-struck but fear-woken...
             because it really can't be so much a desire
to look at it as if it was necessarily needing
incorporation, but was necessarily incorporated
nonetheless...
         the ogasawara incident... 1945...
       yoshio had a fine fine palette...
                          cannibalism was never suggested
as equivalent of a war crime...
  and one said: human thighs tasted like chicken,
another said: a bit like raw tuna...
          judeo-christian food prohibitions...
    well... once the prohibitions come along with
the poetry... left can mean right...
and right will evidently mean left...
                 during the yuan dynasty...
         pedohpiles were more or less reductive in
their transgressions... they ate more: than they ******.
two freedoms then, china prone to omnivore status
and hindustan prone to vegetarianism...
               both examples lead to a success rate of
a billion examples...
                       it's only these pest-like infections of
mono-this omni-that are keen to always give their
i love yous as politico dictates...
  maxims even... so very fond they are: of their maxims...
they even infected their youth in the 21st century
stating that: no one is akin to us,
if not in his youth, having been ***** by abou10
10 favourite maxims... most kept, hardly any employed...
1261 edict: when children were asked to stop
plucking out their eyeballs...
   horror films are therefore, equivalent to soft-core
******... history is thrice over the real horror movie...
    but given our faculty of memory is so
(putting it mildly) "biased"... i think we're over-sensitive
in giving imagination the scenes from both
horror and Disney... we've already gave the former
and the latter we have just sold...
           but hey! a placentta fry-up like a setting sun,
illuminates with more choice of hue than
noon and the "dehydrated" shadow (yes,
i know, a better word would be suited, but i have
no time to ascribe it to a tailor-fitting, a neat and tidy
resonance... treat dehydrated as a dwarf shadow,
mingle that with photon and phonetic -
that light illuminates, and traps things into bites,
like H or He denote hydrogen and helium
respectively... and qui- and -noa denote
necessary argument of what sound goes where,
rightly)...

evidently i did take the quiestionnaire about
whether i am a liberal elite...
it had to be done... why would i otherwise read a sunday
newspaper?
            end result? 0-50 (norm), 51-100 (aspiring),
    101-150 (not quiet there), >150 (elitist snob)...
(ref. the 5%, charles murray, coming apart,
   the bell curve... superzips)
q1: what is the top prize in the thunderball and when
is it drawn?
   a1: i play the googlewhack lottery.
      alt. a1: 0 (alright), 5 (days rights), 10 (what is thunderball?)
             talk of chav tax...
q2: how many people in your vicinity voted for
    Brexit?
    a2: i just had an opinion... voting is cheap
when you can't express a ballot veto.
   alt. a2: 0 (all of them), 5 (one or two)... 10 (aghast at the question)
              a bit ******* obvious, no point explaining....
q3: what is your favourite dish on th

1969, one voice sent the world's radios to dancing because we were passing the torch from dreaming to reality as we took to the soft landing
That's one small step for man, one giant leap for mankind
and for just a second, everyone alive got to feel like Einstein but
I bet you as Armstrong looked down he didn't picture the strife and denial of life to so many in sight 40 years later
street riots and technology gone violent controlling the fears of children peering through glass stained in dust as nightmares rush passed the idea of life, crushing everything in sight
we even wrote it in our constitution
Excessive bail shall not be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted.
but you'd have to sell your soul to bail from a life ended where money knows no measure
and you can not tell me that shooting an innocent human on mistake is neither cruel no unusual
but the constitution has turned into a wall
to push people so far back on that they couldn't turn and run
or read what was suppose to be a guarantee in the land of the free
and that's just the beginning
we're denying people from entering a country for body modification
when we've been altering our appearance longer than we have had boundaries to deny people from
because we're still leveling cities like we did when we were daydreaming and knocking block castles down
because we're still enslaving humans because of their genetics
but behind sheer curtains, it's all ok
because if you don't see then there's no need to worry
it's easy to ignore it when you have comments and feeds to read  before you give the world news a chance at your attention
but what i've never understood
is how innovation and careful thinking placed a device in your hand
and all you came to do with it was carefully craft a 140 character string of *******
but i guess it goes to show
like our constitution
that though manifested to be great for the people by the people
at the end of the day, we're still too self obsessed to look at the rest of the picture
we're still too afraid to peer down at the entire world
so, Neil, I'm sorry, one giant step for man but mankind hardly remembers

Ma Jalouse, Mon Unique, Mon Ultime
Sais-tu ce que Lord Invader, Sam Manning
Cyril Monrose, Charlie Parker, Louis Armstrong
Jack Sneed et Ernest Rangling
Sans oublier Blue Glaze Mento Band et Phil Madison ?
Et je m'arrête là pour l'instant,
Sais-tu ce qu'ils ont en commun ?
Eh bien vois-tu, ce sont tous mes ombres.
Tu ne pourras jamais me comprendre
Si tu ne les comprends pas
Et si tu ne sais pas ce que représentent pour moi
La mangouste et le raccoon.
De même que pour te comprendre il faut avoir lu tout Dostoievski
Pour me comprendre il faut avoir écouté tout Sly Mongoose
Car peut être n'as-tu vu en moi qu'aria et boléro, symphonie et concerto
Alors je t'explique : pour comprendre, n'essaie pas de philosopher
Lève-toi et bouge tout simplement et tu toucheras l 'essence
C'est du folklore, c'est du reggae, c 'est du mento, c'est du calypso, c'est du jazz,
C'est instrumental ou c'est vocal
C'est moi, mes ascendances et descendances.
Sly Mongoose c'est mes Frères Karamasov
Smerdiakov, Aliocha, Ivan et Dmitri
C'est mon Idiot, mon prince Lev Mychkine
C'est mon Joueur, mon Alexei Ivanovitch

Mon Rêve d'un Homme Ridicule
Et Raskolnikov errant dans la nuit dans Crime et Châtiment.
Sly Mongoose c'est l'histoire d'une mangouste maline
Qui a baptisé la fille du pasteur
De son eau sainte
Et qui fuit la Jamaïque
Et part à l'étranger
Après son forfait.
C'est l'histoire d'une mangouste qui vole les poules les plus grasses de la cuisine
Et qui les met dans la poche de son veston
C'est l'histoire d'une mangouste qui entre dans la cuisine d'un prédicateur
Et qui repart avec une des poules les plus grasses
Et tous les chiens savent son nom.
il s'appelle Sly Mangoose
Il est malin, il est vicieux, le compère
C'est mon ombre, que veux-tu
Et parfois pour échapper aux prédateurs
Il prend l'apparence de l'ombre d'un raccoon.

365Nectar #8    Crescent City Blues                      
Tues. Oct 1,2013 10:21 P.M.

In the deepest attic
the thumping blues
paint pastel portraits
of the Crescent City

In burning ripples
words slap strangers
taking refuge in Armstrong Park

Slender, ****, and Shorty
growl muted tones that ravage old bones
whip thru Mid-City
and saunter thru the Garden District
all just practice to sizzle in a wild tap dance in the Quarter

High steppin Indians
march toward God
and defy gravity.

Roaring second line
being led by woman powered Pinettes Brass Band
hold rush hour traffic hostage for days
belting greasy mingling tunes
in the eye of the dusty moon

A pitch black struggle
with the old moon
liberated old souls
entangled in soaked strings
and sobbing fingers

A quintet churns and
challenges the loneliness of pain

Strumming fingers
make out with
humming strings
under a starry blue grey sky

Stomping down long black Oak-lined roads
blowing thru shotgun homes
like winter cold howling
lifting heavy weights
from shoulders
like the sun shifting against bad weather
the blues lady
open the veins
of drunken roses

Lungs full of tears
Irma holla's, cries, and moans remedies
north south east and west of a street called Desire
Oh Etta
At Last

Dim Misty light
cast a heavy shadow
on wiggling spirits
as they cast off pain
Allen Toussaint
in smokeless blaze
tips the night air

Kermit blows
Dusty blues
seducing suffering souls
bounding them to each other in bliss

Whispering around town
in a perfect velvet midnight
sweet exhalations of song birds from corner joints
dance the Ruffin groove

fiery trebles wave at people passing by

Down right ***** blues
muzzles twilight
trombones,tubas, and trumpets
lay harmony
under the harmonious thunder
of the Marsalis Masters
and low down deep
in a musty sleepless corner
is the missing Bass-man..

hung over.

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