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Mateuš Conrad Jan 2016
the proust edition of la recherche i had, which i gave away to a charity shop; if you could stitch or strap the edition to my hands clenched into a fist (it was, after all a cheap 2 vol. edition), i could have knocked you out. no, i didn't read it, which is why many people never bother to use the dictionary, because it's always a one volume edition.

it became so haunting to have sang with david
with the lyre the lyrics:

             i'm happy, hope you're happy too...
             ashes to ashes, funk to funky
             we know major tom's a *****
             strung out in heaven's high
             hitting an all time low

it was so eerie i felt goose bump hoofs on my
cheeks adding for extra five o'clock shadow
that i never knew i had.

that's the thing about having european editors,
the ****** day, the whole theatrical approach,
it's just a ****** book of poetry,
it's not exactly an atom bomb,
but they sent the draft which i'm hoping to add
to with my *hoc erat in votis
to armenia,
Armenia, yes, once an incorporation of
the soviet rather than tsar's empire:
so jui-seph shtalin involved himself with the russians
from georgia, and my first idea sparklers will
come from armenia - good place to ask napoleon
to escape elba, i say, ol' chap.

and after the teenage girl hype period of an artist,
ziggy, you know what i'm talking about,
you get a process where an artist matures,
becomes prone to criticism, has no hype factor,
has no real monetary appeal to the less
hyped-up juice-of-genitalia army,
has to become a sensible economist -
there! catch him! that's where an artist
translates to other mediums his actual worth,
i feel privileged to have lived at a time
when david bowie released his heathen album,
one critic pointed that it was his best album
since the 1980 release of scary monsters,
so then i bought scary monsters...
i worked backwards...
i didn't feed the ziggy & space spiders from mars
gimmick / egoism, or even the rebel, rebel choir
of cult followers, and you know what?

              i'm happy, hope you're happy too...

it worked, now i can listen to the music like a distraction
tool, refrigerator buzz, ambiance, the freelance
artistry of it all, less care for kids, more care for
the insolent kids that aged and donned their employment
qualifications as 'art critics.'

but what i listen to isn't exactly what i write with,
it would plagiarise the thought process
so much that it would destroy it - the moment's gone,
the ingrained concept of time has allowed
for the same space of the origin of the narrative
to look different, even though nothing was moved.

so with this anglo renaissance circa 1950s -
1990s (nietzsche was critical of the reformation
when martin luther attacked the renaissance creativity,
no great composer in the counter-reformation,
just ignatius layola and the jesuits),
with the beat generation poets (preceding them,
the spirit of influence that was ezra pound
and no other i dare to admit, a seal-off point,
built a hydroelectric dam in nevada f. d. r. did)
you then had the explosion, and i mean it,
the EXPLOSION! 1960s psychedelia,
1970s ******* infused black sabbath etc.,
depressive 1980s with depeche mode iconoclasm
and the cure's slit your lips if not wrists,
the great digging of ***** duran duran,
scandinavian love hopes of a-ha, etc.,
then the shift back to the geographic place of origin,
seattle, grunge, rekindling of thinking man's
rock amiss the ******* fuel of the decade
with prog rock bands, i.e. tool;
and then of course the brit pop decade
(oasis, blur, the stone roses, the la's among many,
bands that still invoked a sing-along even
in such odd places like taizé in burgundy
for the wonderwall chorus)
and then... the death of it all...
artists getting rich, flamboyant, eccentric,
and the people seeing how they were "duped"
deciding enough was enough...
came napster, came pirate - ye har me mateys! -
and the death of the anglo renaissance
with kareoke culture - indeed if
the germans never conquered england,
and that book man in the high castle
by philip k. **** isn't true...
why did we allow the japanese to conquer
our culture? huh?!

p.s. when you realise all those 5.5K reads,
all those so called morale boosters... on websites
such as these, don't have a £ / $ in front of them;
and as i learned, after being reported to a website
similar to this accused of being a troll
for simply asking the long-ago standard
a.s.l. (age, ***, location) but only sticking to location,
losing some of the haul i'd liked to keep,
i realised i can lose that, no problem,
i rather lose that than lose what i have inside of me.
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<”Its your choice to have or not have the happiness in your life”>
Max Neumann Dec 2019
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Why? Because people from all over the world have found something here: a place of belongingness.

Please note that I am just a poet on hellopoetry who loves this website sincerely. I am not affiliated or personally related to the founders of hellopoetry.

I rarely ask to get my poems reposted, but I would encourage everyone to spread the message, possibly even outside of hellopoetry, for new active users and possible contributors.

It would break a lot of hearts if hellopoetry wouldn't exist anymore.
Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey
The Alexandrians were gathered
to see Cleopatra's children,
Caesarion, and his little brothers,
Alexander and Ptolemy, whom for the first
time they lead out to the Gymnasium,
there to proclaim kings,
in front of the grand assembly of the soldiers.

Alexander -- they named him king
of Armenia, Media, and the Parthians.
Ptolemy -- they named him king
of Cilicia, Syria, and Phoenicia.
Caesarion stood more to the front,
dressed in rose-colored silk,
on his breast a bouquet of hyacinths,
his belt a double row of sapphires and amethysts,
his shoes fastened with white
ribbons embroidered with rose pearls.
Him they named more than the younger ones,
him they named King of Kings.

The Alexandrians of course understood
that those were theatrical words.

But the day was warm and poetic,
the sky was a light azure,
the Alexandrian Gymnasium was
a triumphant achievement of art,
the opulence of the courtiers was extraordinary,
Caesarion was full of grace and beauty
(son of Cleopatra, blood of the Lagidae);
and the Alexandrians rushed to the ceremony,
and got enthusiastic, and cheered
in greek, and egyptian, and some in hebrew,
enchanted by the beautiful spectacle --
although they full well knew what all these were worth,
what hollow words these kingships were.
judy smith Aug 2015
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Her hair was worn styled in a spiky fashion and she didn't forget to glam it up with vintage sunglasses and lipstick.

Khloe was playing good auntie as she carried Penelope, who was cute in a white dress.

The girlfriend of NBA star James Harden had on a black sleeveless mini dress and black high top sneakers. The E! babe carried a large neon yellow Hermes purse and wore her blonde locks up in a messy top knot.

Kim, who carried daughter North, was the most dressed up by far.

The pregnant wife of rapper Kanye West had on a tight beige dress that showed off her baby bumpy (she is expecting a son in December), beige rain coat and strappy beige heels. Her hair was worn down and parted in the middle.

North had on a summer dress and beige sandals, and her hair was worn in a top knot.

Kendall had on a plunging blue outfit with black and white Adidas sneakers.

The Calvin Kelin model had a black purse on her shoulder and gold-rimmed aviators on, copying her older half-sisters Kourtney and Khloe.

Her younger sister Kylie, who turned 18-years-old over the weekend, was not seen.

The crew for Keeping Up With The Kardashians could be seen holding cameras and a boom as the stars walked off a red, white and blue private jet.

The family has been shooting the next season of the E! show, which will air after I Am Cait ends.

The Kardashians often film their reality show when on vacation as they did in Armenia earlier this year and in Greece in 2014.

This show of unity comes the day after Kim and Khloe were seen arguing with Cait on I Am Cait.

Jenner's comments about her family in her Vanity Fair cover interview have become a running bone of contention among the Kardashian clan.

Kris confronted her ex-husband over what she has said about her in a powder keg moment that was teased after Sunday night's episode.

Kris tells her in a video posted on E: 'You're sensitive and amazing to all these new people in your life, you're just not so sensitive and amazing to the family that you left behind.'

Caitlyn gives her side, responding: 'I try to do everything I can to be nice, reach out. You have to see it from my perspective, be an ally when it comes to dealing with the kids.'

Then the former Olympian says, 'Don't go there, this is not the issue. I was defending myself. It was a distraction from the sense of who I was, that doesn't mean I didn't love you or the kids.'

Throughout Sunday night's episode Caitlyn is shown getting into arguments with her stepchildren, first with Kim and then with Khloe.

When Kim comes to visit Caitlyn first complains about how her family had all kept their distance.

She said: 'Nobody's come out [to visit], Kourtney hasn't made a move at all, obviously Khloe hasn't come close - I feel so isolated out here. All of a sudden there's this wall that's up there.

'I just want everybody to be happy. I love, love, love all my kids. I wish you guys were here every **** day.'

But it is not long before Caitlyn is also being criticized, firstly due to her nature and then due to what she has said about her family to Vanity Fair.

Kim said: 'You still have a little Bruce in you. I thought Caitlyn would be a little kinder. I think that there's some things that you said that you might not realize are hurtful.

'You said that Kendall and Kylie were a distraction. When they read that - I don't know that they'll quite understand that.'

The conversation then turned to Kim's manager mother, with explosive results.

Kim said: '[The interview] said, "had Kris been accepting to who I am, we still would be together" - and that is the most unfair thing in the world to say.

'You're a woman now and she is not a lesbian - she does not want to be with a woman, that's not fair to ask.'

Caitlyn defensively insisted: 'As time went on our relationship changed drastically. In my eyes it's like, "Well, I don't need him any more - I've got all the girls." I felt it in the way she treated me. She wanted me out of the house.'

Kim, insisting Caitlyn should have been thrilled and saying 'good riddance' to a relationship that 'wasn't mean to be', told her: 'If I was with someone for 25 years I would look for the positive things and try to end it on a good note.

'You said "Kris mistreated me" - it sounded like she beat the s**t out of you. You could have a little more respect.'

read more:www.marieaustralia.com/princess-formal-dresses

www.marieaustralia.com/blue-formal-dresses
Joe Cottonwood Aug 2017
Curtains thick as carpets
shut out the courtyard, neighbors, society.
She’s a gentle, cane-walking woman.
Posture of a question mark. The cords of her neck,
withered stalks as she peers up at me.
From eye to jaw a scar like a dried fig.
The world has run roughshod over this woman.
Pointing at the baseboard heater, she folds
arms over chest, shivers in drama.
“Okay,” I say. “I get it.”

With screwdriver and flashlight I kneel on a rug
woven with exquisite patterns of dangerous beasts:
dragon, eagle, serpent. A nudge on my arm.
Holding a tray of baklava and apricots, she says, “Take.”
In a minute she’s back with a tiny cup. “Take.”
Brew so thick that if you spilled, the coffee
would not splash. It would shatter.

Soon my belly is grinding like a coffee mill.
And the heater is fixed. I kneel over the baseboard,
rubbing my hands in a pantomime of heat.
She takes my face between her fingers.
She beams, nodding her head.
It’s a thank you, but more.
Be nice, she seems to say, and conquer evil.
Opening the door, she sends me outside
with my tool belt and work boots
to the bright sunlight of California, USA.
First published in *Dove Tales*
Eslam Dabank Jun 2019
Deception feeds on ignorance in every lane,
Missiles are wrong symphonies in Ukraine.

The world won't rise with the cries of a thousand,
Corruption sneaks into the bones in Thailand.

Humans and bodies are wars' cheapest lance,
The riots take back stolen rights in France.

Starvation is stronger than the dignity of men,
Begging for food is integrity, in Yemen.

Moms paid, with their children, the fees.
Souls taken, are countless in greece.

There, living in an empty land is the plan,
Women, children and men, murdered, for power, in Sudan.

"Spending eternity in peace, is a ban",
Told the people, between Armenia and Azerbaijan.

Depravity spreading in man like Ameba,
A losing game of change played in Cuba.

Billions of harassment cases, you bet,
Are, will be reserved in god's eyes in Egypt.

Buried her father, brother and,
desire of existence, dear Haya,
She, and millions another, in fenced Libya.

In the name of religion, crimes covered, disgracefully,
Chastity thrown, in land of churches, the Vatican City.

Shattered wood under a phloem,
Are the confused inhabitants of oriental Jerusalem.

Too many sects, invading the minds, anon,
Conflicts will split the one entity of Lebanon.

Washing souls with lies of worship, is a key
Says the elected president of Turkey.

To be served, pure blood awaits in the line.
It rains glory and sacrifice upon Palestine.

To regain true reality, they had to wham,
Under snow, through fog, numbed rain, in Vietnam.

Lost a thousands of years worth of legacy,
Guns are the rulers in Damascus city.
It is "loaves" not "loafs" - I know. But it is written that way, to show the ignorance some has, and still are proud of it, and show it confidently.
Hal Loyd Denton Jan 2014
We came from the forever sea then we walk the land and after certain days we are again called
To The sea as the natural sea it is vast its waves its ceiling dazzle the eternal structure pulsates
Mesopotamia encompasses the land between the Euphrates and the Tigris rivers that again
Depicts life it rests between all powerful rivers these natural rivers have their head waters in
The mountains of Armenia in modern day Turkey our head waters are in the ancient spiritual
Dwelling of all power and glory we don’t live in yesterday or tomorrow we live in the moment
These special moments when we embrace touch cheek to cheek this releases waves of love and
Emotions I live then as no other time the faraway doe’s crash on our minds as great water from
A powerful waterfall we feel delirium our knees weaken we press hard against one another
Forcing more exhilaration we draw back and look into one another’s eyes we are subdued by
The beauty we behold with abandonment we plunge into these deep waters created by the
Special and completeness of one another it contains a slow swaying an engaging wonder
Develops its boundaries are from your head to your feet I touch your hair it is finer than silk my
Fingers tremble my voice is filled with exaltation golden words flow paying you homage they
Course through a heart filled with love at that moment I am capable of feats of expression
Drawn from my lips by the truth you seek silently I am attuned to the depths of your soul
Without voice you make demands that I know only in dreams and the essence of cherished
Thoughts explode over head true riches that can’t be exploited hear my cry hear my sigh it all
Bleeds together I stand before you I put my hands to my face I speak and **** frost appears I
Kneel I ring your feet with it as a garland where your heart goes my whole being follows
Yearning to be close what is life without you in my eyes you are dressed with crest and plume
Of sea birds exotic the beauty of sun and water hold you transform you into a vision that is
Mine alone your soul is as chimes that bear the sounds of angel wings all the glory that they
Brush against music divine holy utterance makes my mind go blank you stand silent not
Disturbing this awe filled space it all leads to a kiss it’s not just the pressing of two lips its hopes
Robed in bliss you have a treasure the last steps is only to surrender let go of all fixed points
Immerse your all to one another in this act you have mastered life and all questions I thank you
And I am beholden to you with my whole heart if I see the day that your life is at its end and it is
Poured out back into the overriding sea my heart will always wonder the sea shore its
Completeness disallows total destruction I cling to those moments and they will rise like
Peaceful waters that rush into my soul they will have such realness of you I will for brief
Moments know unbroken joy you continue to hold my heart in your hands without end
Nomkhumbulwa Oct 2023
Twenty years ive known you,
Shocking as this sounds,
Back then I was a different person
My identity not yet found

I remember it well,
Meeting you online,
Intruiged by another culture
You were the mysterious one online!

I was obsessed with Geography
Knew every flag of the world
Spent hours staring at maps
I would never get bored

I knew I never belonged
In the land I was living then
So the atlas was an escape
From the confusion since I was ten

You spoke a different language
From the mysterious side of the world
I was fascinated by and drawn to
This different side of the world

It was an honour to meet you
I felt I was so lucky!
I now had a Russian friend
Although his English hard to comprehend

This made it just more interesting,
It showed language didnt matter
We were still able to communicate,
Even by postal letters!

I was young, insecure,
Brainwashed too at that time,
So this escape was a relief
The mysterious person online!

You temporarily rescued me
From the weirdness of my home
I dont have many fond memories
But meeting you was one

I bought a book because of you,
Called "learn Russian in 3 months"
I was drawn to the Cyrillic alphabet,
But only now 20 years on can I use it!

Russian in 3 months was hilarious,
It was never going to work
Three years yes maybe,
Thats what the title should be!

But such was your desire for English
Your skills overtook mine,
Now im surrounded by Russians,
....I wish Id learned more at the time!

By the time you came to visit
Id escaped to Scotland,
I was somehow free,
Although not yet entirely

The brain is great at deleting
Large parts of my life
But you kept all the postcards and letters
I was so surprised!

These things are like treasure,
Reminders of lost time,
Its good to regain the happy parts
And leave the rest behind

The phone call still makes me laugh
It took you so long to say each word
Even my cruel mother gave up
Trying to wait for the words

I remember the day so well
She called me to the phone
Told me theres a message
Then she left me alone!

Weird behaviour for my mother
The perplexity on her face
As she listens to the message
From a mysterious place

Now twenty years on
You've rescued me again
I got myself in a pickle
And you came up with a plan

Most people didnt care
Those I chose to tell
Except an angel, Patricia,
Her Nigerian name too long to spell

She didnt even know me
I met her through a friend
A friend from Burundi,
Now living in Scotland

In my hopeless depressing reality
Sat in a place called Gillingham,
I spoke to you most evenings
You again allowed me to escape

I looked forward to reading your writing,
Learning more about your life,
Now with your improved English
I wanted to read it all night

You knew I was desperate to leave,
And you suggested Armenia,
A country I had heard of
But shamefully only little

Meeting you in Armenia
Was the best decision by far
The best decision I had made,
Since being torn from Africa

I knew very little about it,
And yet I was ready to go!
It just shows how desperate I was
To escape from where I never planned to go

I have to say, you saved me,
If only from myself
And of course from the NHS
Who probably would have killed me

They say things happen for a reason
The universe makes a plan,
So I guess if I wasnt deported,
I might not have seen you again

You have changed my life for the better,
Although you say you dont do charity,
You even left me with your bank card,
As well as a way to make money

You may not see yourself as kind,
But that is all I see,
And I have always loved you
Ever since I was twenty :)
Mateuš Conrad Apr 2016
the art of biblio- (+) -philia -
caress them and don't stone them -
never fold the edges to create a book
mark, by all means
        insert toilet paper
markings for reminder -
             but nothing else -
my birth will come from Armenia -
in cold sweat wondered if
the publisher replied, the Armenian
is on the translation -
i imagine him working agile and juggling -
never mind that - not out of want
but out of rubbing shoulder to shoulder;
although i must say that poets
fear punctuation -
          hence the cascade,
hence the            w
                                 a
                                   t
                                   e
                                   r
                                   f
                                   a
                                   l
                                   l
oh indeed poetry is a natural with gravity,
it's not fudge thick prose packaging
of lettering - (after all,
for such a long time poetry wasn't
economic, but since we've turned
digital, and give only two
hazelnuts worth of care for
the Amazon, you know,
in the digital age of endless pixel
paper, we kinda won -
we needed an endless source
of toilet paper to write on) - it's a waterfall
without a fear of falling, but punctuating
the pose in which to fall,
like Gibreel and Saladin in the satanic verses -
one ends up flapping his hands,
the other is falling like a coffin -
where's the real comedy? i think in the latter -
but never mind what i think -
the goddess of Mecca allāt had a *** change -
allāh became - and henceforth with
some other minor alternatives wishing
for a stealing an apple bobbing in Mecca -
cut the head off! but not my hand!
apple bobbing in Mecca - pig's snout thief -
but at page 625 canto XC i do a page flipping
cartoon of what i have read -
all those cantos - obviously there is no
cartoon of matchstick men dancing
tango in jazz#, you can mingle poetry with
jazz but not tango -
i don't know how they pulled it off,
jazz and poetry? hmm, poetry and painting?
i agree - bibliophile the one with
a cf. joker card up his sleeve and the ace in
his wallet -
                    instead of a cartoon movement
you have the words encrypt the days
you spent with the book;
honest to god he makes the poetry a thing
of the past for all the classical guises of
strict routine, there're no techniques
call them what you want: metaphor, item,
pun, item, onomatopoeia, item...
those aren't techniques, they're identifiers,
the boas - constricting or constipating?
whichever - cheap jokes are hardly worth
anything in a monologue since
instead of a punchline you get digression
and the jokes aren't cheap by this method -
they'll brim with bulls charging in narrow
alleys - except, well, except you keep calling it
an ******* of short-lived albino tadpoles -
ah ***... hot sauce and gravy and the only
time you dare to not think -
                                              and no, no one
forced anyone to think, on your own
you go and streak to buttocks ****
waiting for the blind barber.
i know the ones that made it, they escaped
indoctrination of what's deemed a paragraph on
education, in england they still have the imperial
units concerning education:
how much longer a student who achieved an
A grade said 'a' longer than the student who
achieved a D grade and said 'd' with a shortening -
but never mind that -
                                       the really really
famous ones dropped out, did menial bits and bobs
for peanuts and then hit a crescendo of Icarus -
took to the populist stance and never involved themselves
in higher tier affections of affairs -
politics was sidelined as themselves in role
of the water-boy - 40 years march more desired but
somehow derided - yet by some the crucifixion
embraced - mainstream vs. pantera -
                         a legionnaire -
the star of joseph hovering over Bethlehem -
and they still complain, 11 and 1 together twelve
that the concubine of Abraham was shamed
and left to wander into the sands under which
rich black gold was hidden,
Muhammad's neurotic approach toward
origins - Abraham's concubine that did more
than simply muck about in repenting -
took the short-cut and started a martial arts
movement in Japan with the ninjas.
Mirza Lazim Jul 2020
It is me - Azerbaijan!
The hero of the history
On the shore of The Caspian
living manfully and free!

Many times enemies tried
to destruct and divide
Among three aggressors
we defended our pride

And the 'world community',
full of all shames and pity,
Just tell me a rotten lie
that support my integrity!

Let me hear your cry
for Karabakh, everyone!
Respect the real history!
Will we hear anyone?!

For centuries we were wronged
Will you wait for another?!
The son of my father's killer
Is beating my brother!

We faced through the history
Armenian hypocrisy
Put your hands on your conscience,
just show your democracy!

We condemn the historical aggressive policy of Armenia and the insensitive attitude of the world community.

Karabakh is Azerbaijan.
Stop believing provocative and fictitious history.
Research, respect and support the real history!
Greenie Jan 2015
sometimes the
stars seem to clink
like glass and then fall
out of place and drop and drop
until maybe I guess they land in some
farmers field in Armenia or Laos and then
perhaps a young boy will go out to play and find
a feat that will take away his boyish charm
but oh those boyish fantasies will
soar
Mirza Lazim Nov 2020
Tartar (the city beyond the conflict area) bombed by Armenia

https://www.youtube.com/watch?v=Bp4jh11uHUQ&feature=youtu.be

#PrayForTartar
#StopArmenianTerrorism
#StopAr­m­e­nianOccupation
#JusticeforAzerbaijan
Mirza Lazim Nov 2020
Barda (the city beyond the conflict area) bombed by Armenia

https://www.youtube.com/watch?v=DLDhQy-xpXQ&feature=youtu.be

#PrayForBarda
#StopArmenianTerrorism
#StopAr­me­nianOccupation
#JusticeforAzerbaijan
Paul A Moon Jun 2016
I. Double edged swords

Every evening, spring keeps its marriage
to winter. Twilight is crazily quilt
in orange as purple with scattering grays, sage

stars calmly coalescing and being built
into constellations… The twilight air
imposed winter’s silence. People slit

these pavements as capricious walkers. There
is a squirrel within and out of trees, or cat
eating a rat in a squeaking swallow. Are

the homeless equal to BlackWater’s scrounging what
state alms exists? No…Night’s misery
is never silent, so unseen more---that

is civilization…****** of industry
are its captains. Blood subsidies, ****
ravage and revile Eve and Mary:

our Mothers in regret over humanity. Keep
Palestine’s Olive Tree in heart…
Eastern Star, and Western Constellations, weep

for the nameless and defenseless ramparts
of refugees: Moses again… Here in Queens,
Manhattan’s gaudy skyline rapports

a look of 11th Avenue’s Rahab’s face. Scenes
of red and blue, white broken teeth buildings
from too many *******, and pained spleens

of her here and there, everywhere, “It’s a living…”
Ugliness has a pretty face, it progresses…
Winter’s chill will soon be here, not forgiving

those who are homeless from God, homeless
from being brethren’s keepers. We are quick
winter. Death is us, and we are death, endless

because of our need for a monied physique .
Poems are for poets, sing. As you were silenced,
your song was written in winters oblique

in their endings, its prayers against the NKVD
KGB and un-repenting CIA, a spoken
covenant to the people, and the words rhymed  

against the powerful from Stalin to Reagan…
We’re blessed for the verbal and intellectual
knife of verse. We must sing against state’s sin.

As you did scrawling on soap bars habitual,
writing, with burnt matches, ritual.

II. Your Legend

Called ***** and nun, there’s a price
for being a poet: never sequestered
in black and white terms, clerk or captain
king or peasant, Christian or pagan:

our stamps earned in civilization.
By seeing things in gray, a poet intuits
monsters we knew as children are
real as warheads once aimed at one another.

Our hands, their lingering fingers and palms,
can either be nailed on a martyr’s arms,
or holding a scythe or Wesson. Your wishes
were fists wounding your heart---your anguishes.

Why did subtle music bloom from your lips?
Why hadn’t your tongue expressed bitterness
from the Muses of lonely Siberia
or **** bombs---destroying statues of Maria

in Saint Petersburg?  Why did your voice remain?
There are only questions about you, for
your  pain and joy seemed the same: you cried.
It surely seemed both should have died.

Drinking ***** was surcease from bureaucrats,
to your son’s exile to Siberia, these cruel cascades
of the state. Watch the platoons, and
see their eyes in long ceremonial parades

for the state’s saints: dying from heart attacks before
your mourned demise. Did one shed a tear?
Only posterity knows. As the present can infer,
veterans are always “was” and “were”, never now here…

In here, where the written word was a noose,
and sentences were genocide, thus a paragraph,
a stanza, or even an essay was inconceivable
horror people receiving an order’s end.

In here, where order promulgates,
where time is counted by snowflakes
where space is counted by snowflakes,
why is never asked, it’s just struck with, “Do.”

But, it was when despair was thick withered
winter branches, without hint of leaves or spring,
love needed anguish to show its strength
love needed this psaltery against death.


III. The seen and unseen

Thinking of you Anna, ah this world.
Then, as the world lives and does
as just bearing witness,
the guts to live and bear pain
is in the poet’s voice,
in the saint
the seemingly graceless soldier
******, Matthew, Saul, Romero.
Song found, song lost
Song of Songs,
the poet names the names
of all to give monsters and empires
a voice
to be seen and unseen,
with a cold lunar heart,
and to let prayer
come as souls decapitated from this Palestine,
this Armenia, this Navajo nation,
with a left-handed signature, tear written.
Mirza Lazim Oct 2020
Gandza (the city beyond the conflict area) bombed by Armenia

https://www.youtube.com/watch?v=ETwvBpXv0Pc&feature=youtu.be


#PrayForGanja
#StopArmenianTerrorism
#StopArme­nianOccupation
#JusticeforAzerbaijan

— The End —