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"architecture" poems
Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.   Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them. Here then is what I might call                                                   My Reverse Bucket List Towns and cities – architecture & atmosphere    Barcelona, Spain    Venice, Italy    Oxford, England    Jerusalem, Israel    Luxor, Egypt    Varanasi, India    Hiroshima, Japan Pompeii, Italy Other locations    Galápagos islands, Ecuador    Great Barrier Reef, Australia    North Woolwich, London Churches    St Paul's Cathedral, London    Sagrada Familia, Barcelona    Coventry Cathedral    Córdoba Cathedral, Spain    Blue Mosque, Istanbul Other structures    Taj Mahal, Agra    Auschwitz concentration camp, Poland    Royal Festival Hall, London    London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.    Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)    Bayeux Tapestry     "Angel of the North" statue, Gateshead, England    "Christ the Redeemer" statue, Rio, Brazil Events    Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife    St John's night, Spain, early 1990s (?)    Death and funeral of Diana, Princess of Wales, Aug 1997    Oberammergau passion play, 2010    Destruction of World Trade Centre, Sept 2001
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Sep 17, 2018
Sep 17, 2018 at 9:16 AM UTC
Bucket List? -- Not Me!
Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.   Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them. Here then is what I might call                                                   My Reverse Bucket List Towns and cities – architecture & atmosphere    Barcelona, Spain    Venice, Italy    Oxford, England    Jerusalem, Israel    Luxor, Egypt    Varanasi, India    Hiroshima, Japan Pompeii, Italy Other locations    Galápagos islands, Ecuador    Great Barrier Reef, Australia    North Woolwich, London Churches    St Paul's Cathedral, London    Sagrada Familia, Barcelona    Coventry Cathedral    Córdoba Cathedral, Spain    Blue Mosque, Istanbul Other structures    Taj Mahal, Agra    Auschwitz concentration camp, Poland    Royal Festival Hall, London    London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.    Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)    Bayeux Tapestry     "Angel of the North" statue, Gateshead, England    "Christ the Redeemer" statue, Rio, Brazil Events    Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife    St John's night, Spain, early 1990s (?)    Death and funeral of Diana, Princess of Wales, Aug 1997    Oberammergau passion play, 2010    Destruction of World Trade Centre, Sept 2001
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38
You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.
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20.9k
Enigmas
You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.
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38
Photography, Photo journalistic, Everyday, realistic. Commercial, architecture, landscape, artistic, Industrial, fashion, ethnographic, pornographic. Big Brother, fallace, stealer of souls, vouyer. News seller, instant gratifier, man pleaser, woman abuser. Barthes, Sontag, Cindy Sherman, Virginia Woolf, Warhol. Weegie, Francesca Woodman, Leibovitz, Adams, Arbus, Tina Modotti, Nan, Evans, Hoffer and even the Paparazzi. Cheap ***** digital manipulator, image poser, Center fold, coupons, Jackie O and Marilyn Monroe. Where did they go: Lifeless paper product, painter's picture mess, C-type, digital archival, Sepia, black and white, hard drive retrival. Image addict, Image taker, Image maker, image seller, image buyer. Newspaper, magazine, graphics and ads, TV, dreams, even the trash. Billboards, subways, phones and buses: Utopia: Surreal, crop, stretched and air brushes. Modern ideal. Surface manipulator. Brain conditioner. Consent manufacturer. Oh Photography, I got you in my eye. A few thousand dollars, A BFA, A critical scholar. Or maybe a nerd, Just boys with toys. Telephoto genitals, with motor drive action. Studio lights, umbrella traction. Oh Photography, You proprietor of obscene. Detailed, de-sensitized. Court ordered, jury analyzed. Click, image, copy, edit, paste, print or post. Myfacespace, twitter, flicker, An internet media overdose. Pry, spy, your friend's friend's acquaintances. Parties, picnics, reunions and shows. Visits, vacation, style, shoes and clothes. Pics, photos, images, jpegs and giffs. Snap shot, portrait, panoramic, Kodak kiss. Exacerbate: Divorce, break-ups, jealousy, envy, love and fears. Devour and captivate society for years. Slaves to Western and Capitalist desires, Destruction of Earth with psychological, monetary empires.
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Jan 11, 2010
Jan 11, 2010 at 7:05 AM UTC
On Photography
Photography, Photo journalistic, Everyday, realistic. Commercial, architecture, landscape, artistic, Industrial, fashion, ethnographic, pornographic. Big Brother, fallace, stealer of souls, vouyer. News seller, instant gratifier, man pleaser, woman abuser. Barthes, Sontag, Cindy Sherman, Virginia Woolf, Warhol. Weegie, Francesca Woodman, Leibovitz, Adams, Arbus, Tina Modotti, Nan, Evans, Hoffer and even the Paparazzi. Cheap ***** digital manipulator, image poser, Center fold, coupons, Jackie O and Marilyn Monroe. Where did they go: Lifeless paper product, painter's picture mess, C-type, digital archival, Sepia, black and white, hard drive retrival. Image addict, Image taker, Image maker, image seller, image buyer. Newspaper, magazine, graphics and ads, TV, dreams, even the trash. Billboards, subways, phones and buses: Utopia: Surreal, crop, stretched and air brushes. Modern ideal. Surface manipulator. Brain conditioner. Consent manufacturer. Oh Photography, I got you in my eye. A few thousand dollars, A BFA, A critical scholar. Or maybe a nerd, Just boys with toys. Telephoto genitals, with motor drive action. Studio lights, umbrella traction. Oh Photography, You proprietor of obscene. Detailed, de-sensitized. Court ordered, jury analyzed. Click, image, copy, edit, paste, print or post. Myfacespace, twitter, flicker, An internet media overdose. Pry, spy, your friend's friend's acquaintances. Parties, picnics, reunions and shows. Visits, vacation, style, shoes and clothes. Pics, photos, images, jpegs and giffs. Snap shot, portrait, panoramic, Kodak kiss. Exacerbate: Divorce, break-ups, jealousy, envy, love and fears. Devour and captivate society for years. Slaves to Western and Capitalist desires, Destruction of Earth with psychological, monetary empires.
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56
finally this moment is here, I've been watching and waiting, I've been hearing it all along in between your words, in the center of the stories you tell so eloquently, so clever, so wise there is light in your right eye, some shadow in your left eye the evening light is sweetly illuminating the magnitude of loneliness some feelings need at least two people in order to be bearable you sat and listened you looked deeper into your body language receded, obscured itself like the moon sometimes there is no need for words something more important needs to be created in between bodies and minds, the flow of connection, of true partnership the waves started, the waters of loneliness surfaced you cried your tears and I cried mine as I listened to the silence of tears I understood: this was the moment for a few simple words: I see you, I am here there is no falling deeper than this for now truth, this scarry creature, was there in your flesh and mine your loneliness was like a sea without horizon but the shiver of depth  like a voice without screaming, a bird without flight perhaps this tango with tears will fill your lungs with innocence as you imagine a new horizon, a new architecture for happiness
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Jul 10, 2023
Jul 10, 2023 at 1:47 PM UTC
encounters (1): loneliness
Static, memories Emanating, separating   The postcard- perfect Still life speaks From its storied past. Invisible, to drift Among   The florid aphorisms, Ending in Deleterious debris, Aftermath of The inevitable. Empty room, echo hollow Tabula rasa - Carpet clean, quite candid in it's Return to callow. Consciousness athirst, Absorbing phenomena Effervesce, inquisitive Ideas foment, Sealed inside a question. The what - Against the narrow Scarcity, And fatigue of should. A tender malleable Youth, Betrayed, under An assumed decorum - Residue of truth, Flattened emotion Privations of a self Unheard; Misplaced affirmation, Buried pathologies   In architecture Fear manifests symbolic. Harboring apathy The lunacy of pious Pedigree, Import contagion, Fetters of benignity Doubt and indecision   Into ****** Cognizance, Fallow spirits Seep fumes of decay, Credulity bleeds a human stain. Social edifice, inoculated   Heirs of neurosis; Palpable, sensual pain And transience, though Tacit - remain, Our haunted history, The blind hyperbole, Maudlin Forbearance, this haven, A portrait Of immaculate condition, Nurtured with precision Under sterling pretense. Provincial domicile - House beautiful, Savage irony - Unseen treasure Innocence unabridged, Faces, tiny creations; Compliant vessels Wounded,   While modernism murmurs   Its promise. Brave New World, In a late model sedan, Domestic ranch on a Corner lot, Suburban natives, Silence means security. The misunderstood Speak louder - Consumerism beneath     Unvarnished ambition, Never could Repair the brokenness within... © 2011 & 2018 W. S. Warner
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Oct 20, 2011
Oct 20, 2011 at 5:38 PM UTC
Hollow
Static, memories Emanating, separating   The postcard- perfect Still life speaks From its storied past. Invisible, to drift Among   The florid aphorisms, Ending in Deleterious debris, Aftermath of The inevitable. Empty room, echo hollow Tabula rasa - Carpet clean, quite candid in it's Return to callow. Consciousness athirst, Absorbing phenomena Effervesce, inquisitive Ideas foment, Sealed inside a question. The what - Against the narrow Scarcity, And fatigue of should. A tender malleable Youth, Betrayed, under An assumed decorum - Residue of truth, Flattened emotion Privations of a self Unheard; Misplaced affirmation, Buried pathologies   In architecture Fear manifests symbolic. Harboring apathy The lunacy of pious Pedigree, Import contagion, Fetters of benignity Doubt and indecision   Into ****** Cognizance, Fallow spirits Seep fumes of decay, Credulity bleeds a human stain. Social edifice, inoculated   Heirs of neurosis; Palpable, sensual pain And transience, though Tacit - remain, Our haunted history, The blind hyperbole, Maudlin Forbearance, this haven, A portrait Of immaculate condition, Nurtured with precision Under sterling pretense. Provincial domicile - House beautiful, Savage irony - Unseen treasure Innocence unabridged, Faces, tiny creations; Compliant vessels Wounded,   While modernism murmurs   Its promise. Brave New World, In a late model sedan, Domestic ranch on a Corner lot, Suburban natives, Silence means security. The misunderstood Speak louder - Consumerism beneath     Unvarnished ambition, Never could Repair the brokenness within... © 2011 & 2018 W. S. Warner
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84
White folks: pack your bags and go. Our nut-brown world is quite offended. Make your shame-faced exit NOW, And leave your mansions unattended. Wait—before you pass the doors, It's time to settle ethnic scores. No more ragtime Minstrel Show. Our Moorish Science took it down. Black lives matter. White, less so— Now move your pale face out of town . . . But first, shell out for racial shame Caucasian losers of the game. Cultural pride is ours alone: Kings and Egyptian queens we were. The glories of our race, well-known Bedazzle in a darkened blur (Clear to Africa's descendants— Puzzling to you white dependents). Blackness lent your world its light, Taught the Dutch to tend those flowers. Scandinavia grew bright Under our beneficent powers. Negroes gave your blondes their beauty; Helped those Norsemen shake their ***** The Seven Wonders of the world: We built them all. No vain conjecture Dims our banner, black, unfurled, Above eternal architecture. Arts and knowledge gained from us Are what we threaten to discuss. We invented math and science Which you robbed from Timbuktu. Swarthy wisdom's brave defiance Caused Old Europe to renew. All our treasure that you plundered Testifies: your days are numbered. Classics of our Greeks you stole: Philosophy was never yours. Shame upon your racist soul; For Bach and Mozart both were Moors. Misappropriated treasures call for ruthless hard-line measures. Latino fate falls next—but, where ? Jews, Turks, and Arabs: are you. . . white ? Orientals everywhere: Choose your side and join the fight. Blackness rising! Late the hour; Heed your call to fight the power. Crackers need to check your race— Stop rooting for that ****** clown. Rednecks all up in our face; Racist throwbacks got us down. But as your statues bite the dust Your light goes dark (you know it must). So move on out, oppressor, thief. Long have you held our nation back. In some white galaxy seek relief— But here the light itself is black. Stars are racist. So is the sun. Now let God's great black will be done.
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Sep 23, 2017
Sep 23, 2017 at 12:03 PM UTC
Betting on the Races
White folks: pack your bags and go. Our nut-brown world is quite offended. Make your shame-faced exit NOW, And leave your mansions unattended. Wait—before you pass the doors, It's time to settle ethnic scores. No more ragtime Minstrel Show. Our Moorish Science took it down. Black lives matter. White, less so— Now move your pale face out of town . . . But first, shell out for racial shame Caucasian losers of the game. Cultural pride is ours alone: Kings and Egyptian queens we were. The glories of our race, well-known Bedazzle in a darkened blur (Clear to Africa's descendants— Puzzling to you white dependents). Blackness lent your world its light, Taught the Dutch to tend those flowers. Scandinavia grew bright Under our beneficent powers. Negroes gave your blondes their beauty; Helped those Norsemen shake their ***** The Seven Wonders of the world: We built them all. No vain conjecture Dims our banner, black, unfurled, Above eternal architecture. Arts and knowledge gained from us Are what we threaten to discuss. We invented math and science Which you robbed from Timbuktu. Swarthy wisdom's brave defiance Caused Old Europe to renew. All our treasure that you plundered Testifies: your days are numbered. Classics of our Greeks you stole: Philosophy was never yours. Shame upon your racist soul; For Bach and Mozart both were Moors. Misappropriated treasures call for ruthless hard-line measures. Latino fate falls next—but, where ? Jews, Turks, and Arabs: are you. . . white ? Orientals everywhere: Choose your side and join the fight. Blackness rising! Late the hour; Heed your call to fight the power. Crackers need to check your race— Stop rooting for that ****** clown. Rednecks all up in our face; Racist throwbacks got us down. But as your statues bite the dust Your light goes dark (you know it must). So move on out, oppressor, thief. Long have you held our nation back. In some white galaxy seek relief— But here the light itself is black. Stars are racist. So is the sun. Now let God's great black will be done.
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60
How wonderfully mysterious the life is A beautiful architecture,a puzzle,a bliss I am a composer trying to write his song But half of me is missing, Surrounded by the crowd i still feel alone I feel incomplete,my melody is scarce I am drowning into notes to which i divorce My other half... I wish i knew how she looks like, I wish i knew where her presence resides But my soul is still rummaging... It remains just the desire that deep inside me hides
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Aug 4, 2014
Aug 4, 2014 at 8:32 AM UTC
The Strings of My Soul
The greatest injustice in life is the flawed architecture of our mind. Man is the measure of all things and of himself. Therefore, one measures himself in relation to another. Life is an injustice unto itself. Life must exploit itself to continue.
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Oct 28, 2015
Oct 28, 2015 at 11:25 PM UTC
Life's greatest injustice
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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58
I am the entourage Of a fantastic mirage I am the agent Of my mind's figment I am a believer Of mythical creatures I am a builder Of splendid architecture I am a drunkard Tripping on futures so absurd I plan construction Of my own destruction I am the feeder To dreams of grandeur I am a magician Of wild, potent concoctions I am a tycoon Of emotional typhoons I am an adept Skilled in exploiting concepts I am a parasite Brandishing fangs that bite I play host To a monstrous, hideous ghost I am an addict Of thoughts derelict I am the dreamer Incapable of anything lesser I am a diver Sinking deeper and deeper I am an insatiable thief Claiming trophies without grief I am an emotional hermit Hoarding my all in a bottomless pit I am a weaver Fabricating tales that meander I am a Neanderthal Adopting behaviours and habits that appall I am an ape Mending wounds that gape I am but me I'm blind, fighting to see I am rhymesmith I lie through my teeth Getting hard to breathe Heart to words, I seethe...
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Sep 21, 2014
Sep 21, 2014 at 7:28 AM UTC
Me
You really have to watch those liberal males, they'll spend hours and hours with you having deep intellectual conversations. They'll discuss deep ideas, contemplate esoteric theory and spiritual ideas. They'll make love for hours and write deep and meaningful poetry about you. Sure, they will probably wear their hair long and most likely won't own a television. But, they'll understand art and architecture and literature. It's true that they probably won't give two shakes about who won what football game, but they'll dance with you late at night under the stars and they're always looking for new ways to please you and usually understand your deepest thoughts, often before you understand them yourself. They'll be your best friend and always treat you as an equal, in fact, it will never even enter their mind that you're not. They're almost always physically fit, too, because they're usually the outdoorsy type and love to hike. They never make fun of others, or discuss small ideas. They enjoy discussing ways to improve the world and the lives of others. Sure, they won't slap you on your *** and tell you to get in the kitchen and cook them some dinner and bring them a beer while you're at it like those macho men on the right. Instead they'll probably tell you to relax while they whip you up a gourmet meal and serve it to you on the best dishes. Yeah, you really gotta watch out for those liberal males.
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Sep 13, 2015
Sep 13, 2015 at 10:06 AM UTC
Those Pesky Liberal Males
I was never looking into you I was only pouring an image of myself onto your canvas Of course I didn’t know it was me looking into me this was the mirage of my desire always in the shape of a question mark and you a sweeping mystery oozing something toeing the peculiar line between *** and titanium (cold, edgy, sharp - trembling between pain and principle like blazer and tie or more like halfway-unbuttoned-shirt-and-slacks on-with-no-tie (it was like you were making an effort!)) It was *** but it also wasn’t *** (I am empty I am full) I keep building up and up and up all these images in my Mind (which never shuts up) (a never-ending narrative She spins and spins and succumbs only in those rare and passing circumstances) constructing people like buildings only the scaffolding is imaginary and when the architecture folds in on itself soulless and my beloved figurines come toppling down on me why do I still get so surprised so stung so lonely in that hollow and distant way (like your Mind is echoing in on Itself)? My Mind is like quicksand devouring streams of memory with ease forever unsatisfied and craving more of the same sharp edges and all praying for a satiation in some distant future She knows will never come Only here in this tiny universe can I spell out anything resembling rationality from the mess and junk and tangled tendrils of my Mind Only here can I extract bits and pieces of thoughts and try to puzzle them together until they make sense until I can separate “Me” from “Reality" And what doesn’t make sense what I need to understand is why I feel so beset with this heavy magnetism that overpowers me to the point of paralysis (with little to no room for breathing) and why it was you who pushed me into this feeling and you who is still pulling me along far past the threshold of my resistance and I am done and it stings
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Sep 13, 2018
Sep 13, 2018 at 12:51 PM UTC
If I Figure Out The Source Of Your Power, Can I Unravel It?
I was never looking into you I was only pouring an image of myself onto your canvas Of course I didn’t know it was me looking into me this was the mirage of my desire always in the shape of a question mark and you a sweeping mystery oozing something toeing the peculiar line between *** and titanium (cold, edgy, sharp - trembling between pain and principle like blazer and tie or more like halfway-unbuttoned-shirt-and-slacks on-with-no-tie (it was like you were making an effort!)) It was *** but it also wasn’t *** (I am empty I am full) I keep building up and up and up all these images in my Mind (which never shuts up) (a never-ending narrative She spins and spins and succumbs only in those rare and passing circumstances) constructing people like buildings only the scaffolding is imaginary and when the architecture folds in on itself soulless and my beloved figurines come toppling down on me why do I still get so surprised so stung so lonely in that hollow and distant way (like your Mind is echoing in on Itself)? My Mind is like quicksand devouring streams of memory with ease forever unsatisfied and craving more of the same sharp edges and all praying for a satiation in some distant future She knows will never come Only here in this tiny universe can I spell out anything resembling rationality from the mess and junk and tangled tendrils of my Mind Only here can I extract bits and pieces of thoughts and try to puzzle them together until they make sense until I can separate “Me” from “Reality" And what doesn’t make sense what I need to understand is why I feel so beset with this heavy magnetism that overpowers me to the point of paralysis (with little to no room for breathing) and why it was you who pushed me into this feeling and you who is still pulling me along far past the threshold of my resistance and I am done and it stings
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64
when you asked me about certainty and if my mind was a tree rooted in cement and truth i was on my unaccustomed knees blinking into a sunbeam's architecture when the brilliant wind brought you to me to cure me with the miracle touch i was alone by a window dreaming through glass you bent toward me in a mile wide sky a butterfly with a skinny voice or an adorable tomato in a retail uniform before that i only knew the clouds as bears wrapped in pastel baby-blankets before i first kissed you in the street i knew the sunset as a drop of fire in a barrel of whiskey and suddenly your eyes like a deep pool in a forest seeking out my past with the molecular traces of your fingers across my abdomen mandalas blooming out of our palms only touching at the fingers as flames from mosquito torches filled the round coral faces of my gauges with apricot light
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Dec 3, 2014
Dec 3, 2014 at 12:16 PM UTC
adorable tomato in a retail uniform
The snow drifts were quite high, piling up into the northern sky, burying towns and trees and the poor souls who had fallen asleep on the grass and had awoken with shivers as snowflakes left little kisses on their eyelids. Except that, it was never grass. There was never any grass to begin with. There was no grass or spring or sun or summer or birds. There was only winter and snow. And the blinding, white terrain had become both a place of desolation and s a n c t u a r y. The Aroura Borealis danced like a beautiful blue fire across the night sky. Stars blinked in and out of existence. And somehow, the halls always remained. The blue halls. Imagine, if you will, the Colosseum cut into halves and shaped like an elbow macaroni. Drop it out in the middle of an arctic wasteland and wash it in the blue glow of the northern, night sky. A bright yellow light poured out of the windows and onto the snow, but no one was ever inside. Some say it's the doorway to heaven. Others say it's the gates of hell. And then there are the strangers. Strangers who wear their lavender, silk headscarves and avoid the rumors of such an exquisite and eclectic piece of architecture. Others like myself. "If there is no one inside, then where is the music coming from?" He asked me, his blue eyes shining as blue as the heavenly hues against the midnight clouds. " The halls will hum if the wind passes through them just so." We listened to them once more. A low and ancient hum emanated from the structure. It was an old sound that resonated within me-unnerved me. The mysterious blue halls were not a simple door to some glorious silver city or the passageway to a fiery lake. The halls were the most beautiful and interesting instrument the universe has even known. "It's the harmonica of the gods!" Perhaps one of them dropped it. Perhaps it was a flaw in design. Perhaps it was meant to be silent and with one teensy miscalculation, an entire orchestra of notes were born by the wind. Perhaps it is telling me to tell you that you should look not towards all that makes you perfect, but the imperfections because that is where true beauty rests. And you are so beautiful. The kind of beauty that doesn't know it's own beauty. Like when you are sleeping, and the moon washes over your face. I like when you are sleeping, for you are so beautiful, yet so unaware.
0
Feb 23, 2021
Feb 23, 2021 at 9:45 PM UTC
Blue Halls
The snow drifts were quite high, piling up into the northern sky, burying towns and trees and the poor souls who had fallen asleep on the grass and had awoken with shivers as snowflakes left little kisses on their eyelids. Except that, it was never grass. There was never any grass to begin with. There was no grass or spring or sun or summer or birds. There was only winter and snow. And the blinding, white terrain had become both a place of desolation and s a n c t u a r y. The Aroura Borealis danced like a beautiful blue fire across the night sky. Stars blinked in and out of existence. And somehow, the halls always remained. The blue halls. Imagine, if you will, the Colosseum cut into halves and shaped like an elbow macaroni. Drop it out in the middle of an arctic wasteland and wash it in the blue glow of the northern, night sky. A bright yellow light poured out of the windows and onto the snow, but no one was ever inside. Some say it's the doorway to heaven. Others say it's the gates of hell. And then there are the strangers. Strangers who wear their lavender, silk headscarves and avoid the rumors of such an exquisite and eclectic piece of architecture. Others like myself. "If there is no one inside, then where is the music coming from?" He asked me, his blue eyes shining as blue as the heavenly hues against the midnight clouds. " The halls will hum if the wind passes through them just so." We listened to them once more. A low and ancient hum emanated from the structure. It was an old sound that resonated within me-unnerved me. The mysterious blue halls were not a simple door to some glorious silver city or the passageway to a fiery lake. The halls were the most beautiful and interesting instrument the universe has even known. "It's the harmonica of the gods!" Perhaps one of them dropped it. Perhaps it was a flaw in design. Perhaps it was meant to be silent and with one teensy miscalculation, an entire orchestra of notes were born by the wind. Perhaps it is telling me to tell you that you should look not towards all that makes you perfect, but the imperfections because that is where true beauty rests. And you are so beautiful. The kind of beauty that doesn't know it's own beauty. Like when you are sleeping, and the moon washes over your face. I like when you are sleeping, for you are so beautiful, yet so unaware.
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37
From blossoms released by the moonlight, from an aroma of exasperated love, steeped in fragrance, yellowness drifted from the lemon tree, and from its planetarium lemons descended to the earth. Tender yield! The coasts, the markets glowed with light, with unrefined gold; we opened two halves of a miracle, congealed acid trickled from the hemispheres of a star, the most intense liqueur of nature, unique, vivid, concentrated, born of the cool, fresh lemon, of its fragrant house, its acid, secret symmetry. Knives sliced a small cathedral in the lemon, the concealed apse, opened, revealed acid stained glass, drops oozed topaz, altars, cool architecture. So, when you hold the hemisphere of a cut lemon above your plate, you spill a universe of gold, a yellow goblet of miracles, a fragrant ****** of the earth's breast, a ray of light that was made fruit, the minute fire of a planet.
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6.8k
Ode to the Lemon
When his eyes first fell upon her She was choosing avocados In the fruit and vegetable aisle. And he watched how her thumbs lingered On the base of the alligator pear And pressed, maternally. He feigned interest in the cabbages Whilst sensing her delicate architecture Through his peripheral gaze. He thought that somewhere, In real or imaginary life, They would soon bathe together. And when they did, They soaked for years in secrets, Details suffusing through their lips and arms, Water-hole satisfaction and moonlit deserts To make them feel they might have transcended cabbages And be pervading a rhapsodic realm They forgot their friends watching in greenery, Subsumed by each-other, They felt no need To live in a world of relativity and apples. Their love-traced sphere tightened around them, Until it ****** at the edges of their skin And wailed when they parted. Tighter it grew, elastic dug into their humid thighs Contorting their once harmonic bodies That used to fit like crosswords. And they each became ugly to the other As the seconds ingested their perfection And they bickered like flailing urchins In a deep sea soiled darkness. Decisions were made and paroxysms detonated And they were taken back by their Fungal friends with tissue offerings And ethanol. Time passed, and memories were binned Periodically on tuesdays Until neither knew the other And they would pass in the supermarket With no more than a quickened gait And a silent thud in each ribcage. But neither could buy avocados.
0
Nov 16, 2011
Nov 16, 2011 at 12:18 PM UTC
Avocado Pear
When his eyes first fell upon her She was choosing avocados In the fruit and vegetable aisle. And he watched how her thumbs lingered On the base of the alligator pear And pressed, maternally. He feigned interest in the cabbages Whilst sensing her delicate architecture Through his peripheral gaze. He thought that somewhere, In real or imaginary life, They would soon bathe together. And when they did, They soaked for years in secrets, Details suffusing through their lips and arms, Water-hole satisfaction and moonlit deserts To make them feel they might have transcended cabbages And be pervading a rhapsodic realm They forgot their friends watching in greenery, Subsumed by each-other, They felt no need To live in a world of relativity and apples. Their love-traced sphere tightened around them, Until it ****** at the edges of their skin And wailed when they parted. Tighter it grew, elastic dug into their humid thighs Contorting their once harmonic bodies That used to fit like crosswords. And they each became ugly to the other As the seconds ingested their perfection And they bickered like flailing urchins In a deep sea soiled darkness. Decisions were made and paroxysms detonated And they were taken back by their Fungal friends with tissue offerings And ethanol. Time passed, and memories were binned Periodically on tuesdays Until neither knew the other And they would pass in the supermarket With no more than a quickened gait And a silent thud in each ribcage. But neither could buy avocados.
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43
From the ripple in a glass of water to the sonic boom of this internal Pompeii, the erosion of her etymology is the only sense of movement in her dilated, cave-pupil eyes, those two ghost towns spanning and encircling all the way back, stretched like an elastic blindfold past the moment the first brick was laid, perhaps her first vivid memory, or anecdote, or first word uttered in a Cuban slum. There are mountains of tumbleweed over the once thriving metropolis that expanded towards America; who threw herself into the architecture of seven pillars, borne from her land and minerals. Gone are the huts that housed her knowledge of basic motor skills. The women who once imagined Mami and Mima as her birth name now scrub off the graffiti of her excrement; they saw a swarm of pink moons the day she told the same story to every visitor that came their way, each day then becoming a missing surveillance tape, a sinkhole dismantling the awareness in her bones and stubborn will, until she became these dust-engulfed plains with a daughter and granddaughter archeological in their efforts to chase down the remains of a girl still breathing in those eyes from time to time. Every other ten-millionth blink of the eye rides the silhouette of a post-infant girl on the high tides of her quick visit, looking in horror as the nation of her life's nightmares, heartaches, broken promises, romances, spiritual breakthroughs, life-changing seconds drowns with morbid unity en cien fuegos, desperately attempting to assemble the remnants of her psyche past her cognitive bloodclots with the awareness of one who speaks no languages. Gone is the moment she first learned to feed her several children before the slip of sunset. One of seven pillars remain intact, the others long dismantled of their stick and straw infrastructures. One pillar remained, housed her own colony for nine months, and now both descendants travel the mind of their greatest influence with perplexed dedication, caustic humor the decoy for swarms of exhaustion and asphyxiation from the truthful atmosphere, reveling in the seconds of humanity lurking in an abandoned etymology.
0
Jun 29, 2010
Jun 29, 2010 at 11:19 AM UTC
Erosion
From the ripple in a glass of water to the sonic boom of this internal Pompeii, the erosion of her etymology is the only sense of movement in her dilated, cave-pupil eyes, those two ghost towns spanning and encircling all the way back, stretched like an elastic blindfold past the moment the first brick was laid, perhaps her first vivid memory, or anecdote, or first word uttered in a Cuban slum. There are mountains of tumbleweed over the once thriving metropolis that expanded towards America; who threw herself into the architecture of seven pillars, borne from her land and minerals. Gone are the huts that housed her knowledge of basic motor skills. The women who once imagined Mami and Mima as her birth name now scrub off the graffiti of her excrement; they saw a swarm of pink moons the day she told the same story to every visitor that came their way, each day then becoming a missing surveillance tape, a sinkhole dismantling the awareness in her bones and stubborn will, until she became these dust-engulfed plains with a daughter and granddaughter archeological in their efforts to chase down the remains of a girl still breathing in those eyes from time to time. Every other ten-millionth blink of the eye rides the silhouette of a post-infant girl on the high tides of her quick visit, looking in horror as the nation of her life's nightmares, heartaches, broken promises, romances, spiritual breakthroughs, life-changing seconds drowns with morbid unity en cien fuegos, desperately attempting to assemble the remnants of her psyche past her cognitive bloodclots with the awareness of one who speaks no languages. Gone is the moment she first learned to feed her several children before the slip of sunset. One of seven pillars remain intact, the others long dismantled of their stick and straw infrastructures. One pillar remained, housed her own colony for nine months, and now both descendants travel the mind of their greatest influence with perplexed dedication, caustic humor the decoy for swarms of exhaustion and asphyxiation from the truthful atmosphere, reveling in the seconds of humanity lurking in an abandoned etymology.
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74
Today, the color yellow reminded me of you. It reminded me of your fondness with mangoes It reminded me that those memories were real I could feel the humid sea breeze brushing through our sandy skin I felt the coldness of the stark night when I was gazing through your shadow The beautiful architecture of your face, and your lanky frame. We owe it to ourselves, not the stars that blanket us The beautiful disaster, that we have become...
0
Nov 23, 2018
Nov 23, 2018 at 3:30 AM UTC
Have you met someone for such a short period of time and miss them like you've known them for a lifetime?
relaxing? relaxing would be a sin against myself. see God spun and wove golden bits of wisdom in these curls that are mine. see these curls spring loud with songs of my Nubian mothers and war cries of my Rasta fathers. see these curls bounce proud to the rhythm of tribal drums and the foot prints of my sisters from Manila reside there as they roll lumpia between the coils and springs. see these curls have moved sandstone bricks cross deserts, building divine architecture so perfectly aligned with cosmos and planets until Moses told Pharaoh to Let My People Go. these curls have traveled cross oceans and triangles packed like sardines squalid below the decks of ships. see these curls have been ***** by the nasty ***** in the big house and suffered sun strokes in cotton fields. see these curls sing loud and strong. See these curls were branded and forced at gunpoint behind ******** barbed wire fences gassed to death in the name of so called purification. see these curls bleed the pain of fire hoses and dog bites and whites only signs. see these curls wont back down gainst no burnin crosses gainst no swastikas gainst no elephant ******** talkin all that jazz on fox and cnn. see these curls dance wildly off beat to straight rhythms that drone on in 4/4 time c major sixty bpm. see these curls are Mas and my Grammas. see my curls are too proud to sit back and chill and won’t take no **** or heat or hot air. see these curls cannot be contained in braids or scarves or jars of creamy crack. see these curls dare you to force them to coerce them to straighten up their act. my curls. my curls. my curls. my curls. my curls. my curls. my curls. my curls. my curls. my curls will not ******* relax.
0
Nov 30, 2012
Nov 30, 2012 at 12:03 PM UTC
soft and beautiful just for me
relaxing? relaxing would be a sin against myself. see God spun and wove golden bits of wisdom in these curls that are mine. see these curls spring loud with songs of my Nubian mothers and war cries of my Rasta fathers. see these curls bounce proud to the rhythm of tribal drums and the foot prints of my sisters from Manila reside there as they roll lumpia between the coils and springs. see these curls have moved sandstone bricks cross deserts, building divine architecture so perfectly aligned with cosmos and planets until Moses told Pharaoh to Let My People Go. these curls have traveled cross oceans and triangles packed like sardines squalid below the decks of ships. see these curls have been ***** by the nasty ***** in the big house and suffered sun strokes in cotton fields. see these curls sing loud and strong. See these curls were branded and forced at gunpoint behind ******** barbed wire fences gassed to death in the name of so called purification. see these curls bleed the pain of fire hoses and dog bites and whites only signs. see these curls wont back down gainst no burnin crosses gainst no swastikas gainst no elephant ******** talkin all that jazz on fox and cnn. see these curls dance wildly off beat to straight rhythms that drone on in 4/4 time c major sixty bpm. see these curls are Mas and my Grammas. see my curls are too proud to sit back and chill and won’t take no **** or heat or hot air. see these curls cannot be contained in braids or scarves or jars of creamy crack. see these curls dare you to force them to coerce them to straighten up their act. my curls. my curls. my curls. my curls. my curls. my curls. my curls. my curls. my curls. my curls will not ******* relax.
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27
The farthest man made object in space, Voyager 1, is over 20 billion km away from Earth. On board is a phonograph record, brilliant gold, containing sounds and images of what life is like on earth, A message to whoever is able to listen, a literal shot in the dark. On it is an inscription that is perhaps the most beautiful sentence I have ever read TO THE MAKERS OF MUSIC ALL TIMES ALL WORLDS a time capsule, a gift, from us To anywhere and everywhere A hundred years from now or a thousand Our belief that no matter what time Or world you belong to, melody and harmony and rhythm, can bring us together, can communicate. On the cover Are figures, explaining how to operate this record Hieroglyphics from what by then Would be ancient history Messages in binary, the 1s and 0s Our position in the universe marked by our distances from gigantic pulsars, the star map to our home, the creators of this message There's beauty in this marriage of math and art Code and music As a way to communicate with the universe. Some of the images on the record are the most beautifully simple ones, Of us, humans, drinking and eating, laughing, of animals, nature, food and architecture. Then there are images of our scientific observations, mathematical calculations, our discoveries, Like a child showing off Look, look what I can do! Black and white and in colour, Pictures, proof that we, indeed have lived and achieved. The music, classical, our very best from Bach and Mozart to Blind Willie Johnson's Dark was the Night. But all of this can only matter, can come to fruition if someone exists to receive it, and is evolved enough to comprehend what it means. But that's the thing, everybody knows, That's there's a slim chance of this record ever being heard, and it's much more possible that the Voyager will simply end up as floating debris in the cosmos, but it doesn't matter! We just want someone to know that there was a species of bipedal, intelligent animals on this blue planet, no different than finding graffiti in alleys that read I WAS HERE. WE WERE HERE, WE EXISTED. And it's all about that hope, the hope that someone will see us, our pictures, listen to our languages, our greetings, our music, and remember us, even after we're long gone. Or perhaps we will one day be interstellar space faring people as well, following the path of the Voyager, doing what we do best, Explore.
0
Jan 2, 2016
Jan 2, 2016 at 9:32 AM UTC
Space graffiti
The farthest man made object in space, Voyager 1, is over 20 billion km away from Earth. On board is a phonograph record, brilliant gold, containing sounds and images of what life is like on earth, A message to whoever is able to listen, a literal shot in the dark. On it is an inscription that is perhaps the most beautiful sentence I have ever read TO THE MAKERS OF MUSIC ALL TIMES ALL WORLDS a time capsule, a gift, from us To anywhere and everywhere A hundred years from now or a thousand Our belief that no matter what time Or world you belong to, melody and harmony and rhythm, can bring us together, can communicate. On the cover Are figures, explaining how to operate this record Hieroglyphics from what by then Would be ancient history Messages in binary, the 1s and 0s Our position in the universe marked by our distances from gigantic pulsars, the star map to our home, the creators of this message There's beauty in this marriage of math and art Code and music As a way to communicate with the universe. Some of the images on the record are the most beautifully simple ones, Of us, humans, drinking and eating, laughing, of animals, nature, food and architecture. Then there are images of our scientific observations, mathematical calculations, our discoveries, Like a child showing off Look, look what I can do! Black and white and in colour, Pictures, proof that we, indeed have lived and achieved. The music, classical, our very best from Bach and Mozart to Blind Willie Johnson's Dark was the Night. But all of this can only matter, can come to fruition if someone exists to receive it, and is evolved enough to comprehend what it means. But that's the thing, everybody knows, That's there's a slim chance of this record ever being heard, and it's much more possible that the Voyager will simply end up as floating debris in the cosmos, but it doesn't matter! We just want someone to know that there was a species of bipedal, intelligent animals on this blue planet, no different than finding graffiti in alleys that read I WAS HERE. WE WERE HERE, WE EXISTED. And it's all about that hope, the hope that someone will see us, our pictures, listen to our languages, our greetings, our music, and remember us, even after we're long gone. Or perhaps we will one day be interstellar space faring people as well, following the path of the Voyager, doing what we do best, Explore.
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51
Even as a statue without being hand crafted by the architecture she would mach it. Molded in a sway like detail, whoever designed this woodworks would be amaized howmuch she perfectly blanded with it. A melody of nature's rhythm flowing from her hair to her shoes. She was a sensational feel.💋🌹❤️😍📳📳📳🙏🏾 Off the woodworks -Swoo
0
Apr 6, 2021
Apr 6, 2021 at 12:36 PM UTC
Off the woodworks
/                           beelzebub *(given employs the spider a posteriori and spiderweb a priori, and then back into a bicemeral reverse psyche-analogy - the id est contra the id erat - but there is no latin revival - given that the latin encoding has been translated into a.i. algorithms... forget putting the pandora into a box into a box into a box, into an etc. or what is a russian cultural artefact... forget it... a black fly would not take upon itself to make a dustbin, a ******* maggoty brothel, like a green bottle fly might... black flies have character, style... they're the ones that take to tango, with spider architecture, akin to the theological spider analogy about an ad infinitum a priori argument)*:    a bit like watching a black fly - "washing" itself - rubbing it's front limbs together, "attempting" to start a fire...       god, those awful green bottle hypers -   with maggot excesses - in a potential well expressed into practice - black flies?      i can entertain them - like i might entertain spiders that do not require aquariums - the non-exotica types... so i sometimes find myself rubbing my hands together, like a catholic amounting to an altruistic prayer symbolism... so kommen faust,   so kommen faust,                    so ist pseudo-faust - or rather:    england?              deutschland jr. america?               deutschland sr. and if that wasn't the case?     oh me, little old slavic                     babuшka... i still can't explain rubbing my hands together, like a black fly might...       keeping standards of where to take a maggoty dump's worth of procreation value... black flies? compared to the others? the priests of the whole spectrum...      i sometimes wish they were red,    so i could call them: the cardinals... alas...    not to be, god said otherwise... but i can fathom the priesthood, like i can fathom -    an aspiration of a sleeping samurai, devoid of the zodiac delusion,    encouraged to make chiromancy initiatives                         (readings) to alleviate, ******** monotheism.
0
Jul 24, 2018
Jul 24, 2018 at 11:02 AM UTC
beelzebub (with revision)
/                           beelzebub *(given employs the spider a posteriori and spiderweb a priori, and then back into a bicemeral reverse psyche-analogy - the id est contra the id erat - but there is no latin revival - given that the latin encoding has been translated into a.i. algorithms... forget putting the pandora into a box into a box into a box, into an etc. or what is a russian cultural artefact... forget it... a black fly would not take upon itself to make a dustbin, a ******* maggoty brothel, like a green bottle fly might... black flies have character, style... they're the ones that take to tango, with spider architecture, akin to the theological spider analogy about an ad infinitum a priori argument)*:    a bit like watching a black fly - "washing" itself - rubbing it's front limbs together, "attempting" to start a fire...       god, those awful green bottle hypers -   with maggot excesses - in a potential well expressed into practice - black flies?      i can entertain them - like i might entertain spiders that do not require aquariums - the non-exotica types... so i sometimes find myself rubbing my hands together, like a catholic amounting to an altruistic prayer symbolism... so kommen faust,   so kommen faust,                    so ist pseudo-faust - or rather:    england?              deutschland jr. america?               deutschland sr. and if that wasn't the case?     oh me, little old slavic                     babuшka... i still can't explain rubbing my hands together, like a black fly might...       keeping standards of where to take a maggoty dump's worth of procreation value... black flies? compared to the others? the priests of the whole spectrum...      i sometimes wish they were red,    so i could call them: the cardinals... alas...    not to be, god said otherwise... but i can fathom the priesthood, like i can fathom -    an aspiration of a sleeping samurai, devoid of the zodiac delusion,    encouraged to make chiromancy initiatives                         (readings) to alleviate, ******** monotheism.
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75
oh right...     back in h'america it's called patriotism - but 'ere, over, Here - it's called nationalism... back on the old continent where and when all politics is far-right mantra and then you have your Victoria and Abdul - love the curry... but like the **** said... i'd prefer the aura and sauna of the... don't get me wrong: i love the food... but watching the Indian caste system?    of Indians employing slaves to build their upper-middle-class homes? more tanned? oh, you mean the Sri Lankan or the Bangladeshi poor ******** sorry... i thought all slave owners were white...       no?               oh...                                  alright... **** you then! because? next time you ask... i'll do what the Nazis did to the ******** i'll twist the star of David sideways... exposing the prayer mat and an opened book... and, as far as i am concerned, Islam is equivalent to the bubonic plague... now...    compare the geographic literature and spot the quarantine areas on a map that constitutes Europe. i'd rather die... than fiddle with a phallus for a taste of the Arabian quasi harem orchestra of... absolute... ********   Arabian women? fat hands... their hands are too fat...      they have to inter-breed to get rid of their         farmers' market of fudge fingers and knuckles... Arabian women expose what is the most **** aspect of a woman's body... their hands... Arab women have pork chops for fingers... and i'm not even sorry making this observation...     fatty extensions that you wish could at least succumb to the esteem of a pork head terrine. Arab women can wear their niqab, or whatever the hell they wear... one problem... FAT..... HANDS... FAT.... FINGERS... hell, hide them... these women are worth half the erection's worth in the *********** market of feminine hands... Arab women are no possessed with geisha hands... porcelain architecture... they're not tender... slight, polite... the hands of Arab women are the hands of European women... who have a legitimate sway on arable land, that is fertile with either potatoes or cabbage; well... fat fingers eager to harvest ginger (roots) - what can i say... no matter the diamond, or the European ***** the hand is still looking readily available to milk a ******* camel.
0
Sep 2, 2018
Sep 2, 2018 at 8:32 PM UTC
karma
oh right...     back in h'america it's called patriotism - but 'ere, over, Here - it's called nationalism... back on the old continent where and when all politics is far-right mantra and then you have your Victoria and Abdul - love the curry... but like the **** said... i'd prefer the aura and sauna of the... don't get me wrong: i love the food... but watching the Indian caste system?    of Indians employing slaves to build their upper-middle-class homes? more tanned? oh, you mean the Sri Lankan or the Bangladeshi poor ******** sorry... i thought all slave owners were white...       no?               oh...                                  alright... **** you then! because? next time you ask... i'll do what the Nazis did to the ******** i'll twist the star of David sideways... exposing the prayer mat and an opened book... and, as far as i am concerned, Islam is equivalent to the bubonic plague... now...    compare the geographic literature and spot the quarantine areas on a map that constitutes Europe. i'd rather die... than fiddle with a phallus for a taste of the Arabian quasi harem orchestra of... absolute... ********   Arabian women? fat hands... their hands are too fat...      they have to inter-breed to get rid of their         farmers' market of fudge fingers and knuckles... Arabian women expose what is the most **** aspect of a woman's body... their hands... Arab women have pork chops for fingers... and i'm not even sorry making this observation...     fatty extensions that you wish could at least succumb to the esteem of a pork head terrine. Arab women can wear their niqab, or whatever the hell they wear... one problem... FAT..... HANDS... FAT.... FINGERS... hell, hide them... these women are worth half the erection's worth in the *********** market of feminine hands... Arab women are no possessed with geisha hands... porcelain architecture... they're not tender... slight, polite... the hands of Arab women are the hands of European women... who have a legitimate sway on arable land, that is fertile with either potatoes or cabbage; well... fat fingers eager to harvest ginger (roots) - what can i say... no matter the diamond, or the European ***** the hand is still looking readily available to milk a ******* camel.
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92
you can hear the echo via Zizek the Slovak, well, attire me in slavic myths and i'll be mumbling purrs in mud too for a helium bubble to become a comedian, i know a jittery ******* addiction when i see one... if one thing the catholic schooling system taught me was how to avoid sniffing glue and how to recognise a Freudian apostle - still, with all the hippy **** you'd think sniffing glue was what Ukrainian existentialism prescribed with paracetamol, catholic education just said: no no. **** me it's the late 90s and we're talking post-Chernobyl antics... but that's how i see the left, leftist politics, the right                utilises prefixes and suffixes in the old stance of simple pre- pro-                                     anti-                                             qua-                                                                -so so... the left? oh they're right in there... their prefixes are                                 Marxist- liberal-                                          Hegelian-              whatnot...                                                 they don't use abstract prefixes,                                           their prefixes are concrete,                         they want the porridge in their mouth to ensure a slur that never comes, among a range of onomatopoeias they argue from the perspective of the hushed and ushered crowd, via one observation: Stalin clapped after a speech to enjoin with the crowd, a real big brother, ****** never clapped, a sitting-duck method; i'm not advocating, but by a proxy placebo dynamo experimenting, it's called experimenting with thought rather than practising with will, former no chance of footstep evaluation for cult status imitable -                                       the left intellectual has no rubric of thought concerning to and fro - it has to be concrete layered and a shut off perfect architecture without fault - it can't be what it is -                                       con- has to be conservative                                                   pro- has to be socialist                                      you once said legitimate transparency - but you didn't say legislation - well, the left understood it as legislation, the right too wanted legitimate transparency - the green party said we could have neither but could have the replanting of a thousand oak trees with a Robin Hood placard on the first oak tree replanted in Sherwood Forest... b. ~ d. ~... shot ~100 bent arrows into a bullseye - hurrah! hurrah! maid marian lost her virginity too! to a broomstick rather than maradona's fingernail toothpick! at an essex market the cockney shouts (out of place): *** yer courgettes! *** yer courgettes! ta fa a pudding! ta fa a pudding! *** yer cucumbers! tooth firth 'un!
0
Apr 20, 2016
Apr 20, 2016 at 9:50 PM UTC
i don't talk
you can hear the echo via Zizek the Slovak, well, attire me in slavic myths and i'll be mumbling purrs in mud too for a helium bubble to become a comedian, i know a jittery ******* addiction when i see one... if one thing the catholic schooling system taught me was how to avoid sniffing glue and how to recognise a Freudian apostle - still, with all the hippy **** you'd think sniffing glue was what Ukrainian existentialism prescribed with paracetamol, catholic education just said: no no. **** me it's the late 90s and we're talking post-Chernobyl antics... but that's how i see the left, leftist politics, the right                utilises prefixes and suffixes in the old stance of simple pre- pro-                                     anti-                                             qua-                                                                -so so... the left? oh they're right in there... their prefixes are                                 Marxist- liberal-                                          Hegelian-              whatnot...                                                 they don't use abstract prefixes,                                           their prefixes are concrete,                         they want the porridge in their mouth to ensure a slur that never comes, among a range of onomatopoeias they argue from the perspective of the hushed and ushered crowd, via one observation: Stalin clapped after a speech to enjoin with the crowd, a real big brother, ****** never clapped, a sitting-duck method; i'm not advocating, but by a proxy placebo dynamo experimenting, it's called experimenting with thought rather than practising with will, former no chance of footstep evaluation for cult status imitable -                                       the left intellectual has no rubric of thought concerning to and fro - it has to be concrete layered and a shut off perfect architecture without fault - it can't be what it is -                                       con- has to be conservative                                                   pro- has to be socialist                                      you once said legitimate transparency - but you didn't say legislation - well, the left understood it as legislation, the right too wanted legitimate transparency - the green party said we could have neither but could have the replanting of a thousand oak trees with a Robin Hood placard on the first oak tree replanted in Sherwood Forest... b. ~ d. ~... shot ~100 bent arrows into a bullseye - hurrah! hurrah! maid marian lost her virginity too! to a broomstick rather than maradona's fingernail toothpick! at an essex market the cockney shouts (out of place): *** yer courgettes! *** yer courgettes! ta fa a pudding! ta fa a pudding! *** yer cucumbers! tooth firth 'un!
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70
You choked on chariots raw. Red egg yolk suppers, churned of the milk oceans this morning you kept. The lintel of stone turned toward dusk. Some great dynasty of submissive spirits catering your morning Out on a cart of muse, forms of heaven cannot even hear you. You are a soporific knot in the tale of your Old womanhood. In this infinite Tuesday morning your small black eyes, like an oil tanker toppling over The intense azure sea- shipwrecked, and lost. Departing from your childhood you slurp Coca-Cola from a silver straw. From the corner store and inside Winter yawns. There is no face, only strikingly beautiful black hair. The body under you is at home in all My hand's fingers have to fill. All the clothes that you could carry for the two-way adventure. There are Never enough bubbles between your lips and the glass bottle you have. Only the score of the whistleblower. And the poor symphony you had prayed for into the dial-tone phone, the deep Wilderness, that stiff forever-ago budding from your coffee cup. Neurogenesis lifted from your Fingerprints and emblazoned into this lump of human ingenuity. The hopeless octave that cut us all short. Every short story that was left untold. There are the brief deaths recoiling in your spiritual architecture. The ****** of morphia has bourn me awake. Inside you are often unscathed, vanishing as some of Tonight's parts assemble you, on you blue is a beautiful color. The sweet retreat that gave you life or the bountiful deaths that counted you too cutely by your side. You are the sun in my black coat. Here is my sea, your sea, you'll see.
0
Apr 26, 2014
Apr 26, 2014 at 5:34 AM UTC
Coca-Cola at 2:00AM
You choked on chariots raw. Red egg yolk suppers, churned of the milk oceans this morning you kept. The lintel of stone turned toward dusk. Some great dynasty of submissive spirits catering your morning Out on a cart of muse, forms of heaven cannot even hear you. You are a soporific knot in the tale of your Old womanhood. In this infinite Tuesday morning your small black eyes, like an oil tanker toppling over The intense azure sea- shipwrecked, and lost. Departing from your childhood you slurp Coca-Cola from a silver straw. From the corner store and inside Winter yawns. There is no face, only strikingly beautiful black hair. The body under you is at home in all My hand's fingers have to fill. All the clothes that you could carry for the two-way adventure. There are Never enough bubbles between your lips and the glass bottle you have. Only the score of the whistleblower. And the poor symphony you had prayed for into the dial-tone phone, the deep Wilderness, that stiff forever-ago budding from your coffee cup. Neurogenesis lifted from your Fingerprints and emblazoned into this lump of human ingenuity. The hopeless octave that cut us all short. Every short story that was left untold. There are the brief deaths recoiling in your spiritual architecture. The ****** of morphia has bourn me awake. Inside you are often unscathed, vanishing as some of Tonight's parts assemble you, on you blue is a beautiful color. The sweet retreat that gave you life or the bountiful deaths that counted you too cutely by your side. You are the sun in my black coat. Here is my sea, your sea, you'll see.
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