Even to an untrained eye
One can spot layers of foundation
Caked into her face

Is she a victim
Of some historical imperative?

Is she caged
In some arbitrary matrix?

Some fun-house of mirrors
While a mustachioed ringleader
Overcharges, shouting

“Come one, come all, bedazzled spectator
Behold, the distorted woman
Transmogrifying before your eyes!”

Or maybe she’s just vain
Or betwixt the two

Somewhere, a boy drops a sixpence
It rattles in the dusky jar
As he enters the dark show

left brain, left brain
logical and literal
logarithms and lessons
long nights with little light
left brain sees the one
we love
and stays away
because it's the right thing to do

right brain, right brain
romantic and ridiculous
poetry and promises
dreams and darlings
yet to be killed
right brain sees the one
we love
and shrivels up dead
because being so close and so far
is too much for one to bear
when your heart is impaired

left brain, left brain
sees sights of soaring smiles
sees sights of somber sorrow
and squashes it with seas of cynicism
because left brain knows better
those people hurt us before-
why let them hurt us some more?

right brain, right brain
silly and sentimental
attaches arbitrary attributes
to objects of ominous obeisance
because right brain is impulsive
in this moment, they are everything
so they will always be everything-
right?

left brain, right brain
dynamic dichotomy
different and drastic
secure and stubborn
too strong-willed to back down
too lonely to break apart
disagree as we may
we know we might as well stay
for everyone in life needs a friend
and left brain and right brain
will be together until the end

She looked over his shoulder
For vines and olive trees,
Marble well-governed cities
And ships upon untamed seas,
But there on the shining metal
His hands had put instead
An artificial wilderness
And a sky like lead.

A plain without a feature, bare and brown,
No blade of grass, no sign of neighborhood,
Nothing to eat and nowhere to sit down,
Yet, congregated on its blankness, stood
An unintelligible multitude,
A million eyes, a million boots in line,
Without expression, waiting for a sign.

Out of the air a voice without a face
Proved by statistics that some cause was just
In tones as dry and level as the place:
No one was cheered and nothing was discussed;
Column by column in a cloud of dust
They marched away enduring a belief
Whose logic brought them, somewhere else, to grief.

She looked over his shoulder
For ritual pieties,
White flower-garlanded heifers,
Libation and sacrifice,
But there on the shining metal
Where the altar should have been,
She saw by his flickering forge-light
Quite another scene.

Barbed wire enclosed an arbitrary spot
Where bored officials lounged (one cracked a joke)
And sentries sweated for the day was hot:
A crowd of ordinary decent folk
Watched from without and neither moved nor spoke
As three pale figures were led forth and bound
To three posts driven upright in the ground.

The mass and majesty of this world, all
That carries weight and always weighs the same
Lay in the hands of others; they were small
And could not hope for help and no help came:
What their foes like to do was done, their shame
Was all the worst could wish; they lost their pride
And died as men before their bodies died.

She looked over his shoulder
For athletes at their games,
Men and women in a dance
Moving their sweet limbs
Quick, quick, to music,
But there on the shining shield
His hands had set no dancing-floor
But a ****-choked field.

A ragged urchin, aimless and alone,
Loitered about that vacancy; a bird
Flew up to safety from his well-aimed stone:
That girls are *****, that two boys knife a third,
Were axioms to him, who'd never heard
Of any world where promises were kept,
Or one could weep because another wept.

The thin-lipped armorer,
Hephaestos, hobbled away,
Thetis of the shining *******
Cried out in dismay
At what the god had wrought
To please her son, the strong
Iron-hearted man-slaying Achilles
Who would not live long.

I cloud my mind
with thoughts of You
as I drive myself out of
and sometimes into

a crime of one
a conspiracy of two
one was in love
the other was too

this love was arbitrary
t'was asserted by both
this love was ordinary
a relation that quotes

the names of You and I
and of how we're meant to be,
how we were not to try,
and of how we'll always be.

nothing was really asserted
nothing is really true
it was just from me to myself
and how I'll always love You

and so I cloud my mind
with thoughts of You
to remind me of sanity
to deprive Me of truth.

outgoing?
I'd say outspoken
never been arbitrary
or overbearing-
just vocal

my passion runs deep
and pours out
excited
overflowing
when it finds
another soul to share it with

the energy
others direct towards me
I absorb
and like a mirror
reflect it back towards them

the energy
that rests inside me
is like water
waiting
for an outside force
to heat me up
excite
my molecules
or
to cool me down
mellow
the chaos inside me
making me stable
making me solid

if being an extrovert
makes me
popular and
domineering,
a fun-loving,
party animal
who lacks introspection,

tell me why
I always choose
to isolate myself

why
my few friends I do have
I keep at a distance
except when I force myself
to enjoy their company
once or twice
in a year

why
I am easily talked over
my words drowned out
ignored
like background noise
my input
apbrubtly halted
as others drive over it
making it no more
than the dust
their tires kick up
why I let them
talk over me
rather than raise my voice

why I would rather
read in solitude
than go to a party
or play a video game
rather than socialize
why
would I choose
to ponder existence
over
existing with others

extroverted
means I get my energy
from external events
rather than the internal

I am not a synonym
for gregariousness

the snow sticks to the one last pair of jeans you own,
stayed up to watch the sun come up again.

green tea isn't going to save you from the day's advances,
the hours pass like soldiers marching on in sickening waves.
every minute ticking off and disposing another wasted emotion,
I wore my sleeves down to drown me for the first time this year.

and the coffee is to blame,
for the sweat that gathers on the small of my back
sitting here and waiting just a little while longer.

and looking at my smile,
do you see how bad I am at faking it?
we had better make the coffee stronger.

4/1/13

I am sick of poetry—
its useless, meaningless strings
of words
elegantly dressed in profound tailored suits
of gaudy fabric.

                                      Who is this who speaks against the soul—
                                      ignorant and foolish, deriding the gem
                                      of thoughts vibrantly propounded into motley lines of literary art?

Ha! Literary art?
Similes are like a bad joke,
alliterations are agitating,
personification ***** and,
hyperboles are more horrid than death

                                      Poems are not simply stanzas of well-contrived writing
                                      Of fanciful sentences stretching the mind.
                                      Each letter spells purpose,
                                      Then in the right lighting
                                      Reads entirely different
                                      Yet still masterfully designed

It is simplicity secreted beneath heaps of perplexity
and effortless rhyme,
bombastic diction contorting
the most puerile of deliberations into virtuosity—
two-dimensional make-up of verbiage—
flinging arbitrary words and
lines left
             and
                    right
Christmas
The entire concept is ludicrous.

                                                             A
                                                         rhyme
                                                    goes deeper
                                                  than its sound,
                                                          ­ and
                                                   a single word
                                            normally goes deeper
                                         than its context suggests.
                                                     A random
                                              notion may not be
                                      as arbitrary an idea as one
                                                     primarily
                                                      a­ssumes
                                                       it to be.
                                      Nothing is simple about it.

Roses are red
Violets are blue
Just like I said
It’s easy to do.

                                                        Inbr­ed
                                                        Hypocr­ite
                                                        Misle­d
                                                        *******
                                                        Igno­rant
                                                        Fool­ish fiend
                                                        Vir­ulent
                                                        Phi­listine
                                                        I­nfantile
                                                        ­Aberrant
                                                        ­Juvenile
                                                        ­Miscreant!

True poetry at last!
Stripped down to pure emotion
A lovely ******* manicured just right
The quintessence of feeling etched with furious care
Thought and emotion woven together to make an unlikely masterpiece
And so it is discovered: the marriage of two conflicting entities can and will engender beauty.

Bordering the ear of Dyonisius, in the latomia stone cuts of paradise, they stopped at Syracuse. A certain flash of limestone reflected Wonthelimar's court; Marielle Quentinnais, wandering before him on calypso calcareous stones. Her superior powers made her eclipse her from an underground world, to mount towards carbonated stones that made egregious tilts to revive her in her arms. The end of a century became part of her heart with the premiere of the female species that led her to the Shemesh of Syracuse. The excessive temper strengthened it in everything, making it a revived stone from the Miocene with the Avignon characters, colluding through the Rhone until hitting this neat gold stone brought from the arms of Ezpaktul, transplanted with precision and gold typologies, with great Malleable morphologies that carried him across the surface where Wonthelimar was looking at her, his heart almost pounding when he saw her! the waters spoke of hydric morphologies that conferred of her on waters and springs that were inferiorized in disheartened lower levels when he lost her in the forests of Valdaine. Her brackish tears did not stop imputing a micro space with distinguished Psilocybin mushrooms, for an Ambrosia Mercurial compote that Wonthelimar chewed and that had been immolated from the remnants of Eleusis, helping to revive it from the lost space die of the Mausoleum of the Quentinnais. The mantles froze the cold and warm air masses in Syracuse, carried several meters above sea level, with eager extra surpasses by coexisting in the cave blocks, where she would rest with Vernarth in her arms. For the subjugation of the journey that would make him perhaps mortal, retreating towards a three-dimensionality that would raise him above the Pleiades, as Aurion would do behind with his club, but rather leaving behind the cavities that would put his quantum at the mercy of the tiny rosaries that she did, while he was getting ready to approach on the surfaces of the hypogeal speleothemes, like the Profitis of the Mediterranean who spoke to him of music, and of flood episodes with his spectrum in front of her, losing her in a melancholic fervor, being plunged into the hypogeum of Chauvet. The level of her vicious intrigues led him to follow her like an unattainable cousin, but with backwaters that compelled him to think of her master Vernarth, linked to micro images that warned him when he tried to get too close. The floating instants weighed more than a slight depth through accumulations of his retro memory, making him flee from her, and now she was fleeing from him, with large sprays of dew that filtered into her arid aquifer memory, superior to the kart that is established by correspondence when someone supposedly disappears, because their free will is entombed with their stone specter. Due to regimes suffered, there was only one monarch that rose in icy and polar vadose conditions, towards an earthly level where the feet melt the calcaneus as if it were a weak relative ascent towards a couple of beings who loved each other imprecise, and contexts when vivifying their hiding place. in the caverns of Chauvet. He can hardly recall it a shallow light, almost falling without mass towards the front of the stalactites, creating concretions of solid love under the deepest prodigality.

Wonthelimar, had had a vision on the vadose threshold when he came out to the surface with Vlad and Vernarth, being able to realize that the cloying environment made him subordinate himself in the altimetry of his maniacal impossible love, putting at risk the mission of overcoming the fluctuations of his visions, placing precepts in the sighting courses in Syracuse that had him dazzled, and very close to the entrance pit of the Ear of Dionisius. The puffs of caliginous air mass climbed before the beastly decibel of Vlad's chiropterans, falling through the marshes that were found from freshwater by several estuaries, and with decimeters when they tried to adjust their addiction. Solvents in the glaciers looked immutable when they were taken by underwater stimuli and models, still remaining after an extraordinary performance of vague probity, reviewing the details of actualism on the interfaces that led them, causing the water to flee from their bodies and inclinations. Only a few deposits favored the band mechanism to protect Vernarth's burning, which crystallized in excesses of the Sun, precisely when the fluctuations seemed bulky, by coordinating the foreign fattening in its arms, with which it would open the floodgates before entering the Grotto of Dyonisius, with greater rigors of concretion and emotion that flourished towards a maximum extension, which progressively gave rise to the devotional areas that received them at adjoining angles of forty-five degrees from its main arch, where frequencies stood out and the light with the mass of the Sun, distributed in small stars, which leaving campaniles that adhere to the normal area of distribution of the frequencies of the cave, on bands that reflected moved bodies on the mirror of rain that was shown on themselves, such as once striated towards a more tempting rib of the Coralloidal Speleothems. In Catania, they settled in the polis of Artemis's prosapia, on sieges where he led Marielle to past vigils with the Archons of Athens, not being able to subject her to arbitrary vexation.

Marielle was screened behind the Erithrina Coralloides of the Speleothemes, when this deciduous tree changed the color of its foliage in emerald colors, its spines served to deposit the Vernarth clone on its leaflets. After the libation of the alkaloid by Wothelimar, helping him to materialize the elusive effigy of her Marielle, making insertions in her disintegrated seeds allowing him to remove from her back some elytra, like those of Daedalus when she fled to Sicily escaping from King Minos. A snowy thread emanated from the similar ether that was picking through the noses of Wonthelmar and Vlad Strigoi, making it necessary to put wings on both of them to go to the cave of Dyonisius, toning the resins and aldehyde they carried to keep the Vernarth clone alive. Both rose over Marielle who was left with the custody of the clone, as well as their backs released red resins as consumed fuel, which was circularly reconsumed to rise up and enter the cave, resisting the arid aridities of the toxic fuel that was expelled on the Edens of Sicily.

Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

A calendar knows little of a day,
Of any day; its arbitrary squares
Mark seasons as they amble on their way
From holy Advent ‘til the harvest fairs

When summer’s crops, all red and gold and blue
Along with piglets, ducks, some well-fed hens
Are carted squeaking, squealing, creaking to
Saint Michael’s fields in the Anglian fens

Old Father William lifts a pint (no less!)
With farmers selling cows and chicks and corn
For he is merry too, and quick to bless
The laboring marsh-folk on this autumn morn

Earth, sky, and air mark seasons as they fall,
And soon comes Martinmas, joyfully, for all

Let's go grab the money
Hidden in the Christmas Tree
Shoppe mason jar with the
Frosted stencil designs,
Ornate and resembling flora.

Let's take that money,
The three separate wadded
***** of once crisp
Green pieces of paper
That somehow reach the
Arbitrary total of one
Thousand, three hundred and
Twenty dollars and
Fifty lonely cents.

Let's take that 1,320.50
And go see the desolate
Stretch of sprawling
Humanity deferred between
These hiked peaks and the
Dangerous mountains
Separating the west
From the rest.

Let's go there!
Let's go there!
We'll make it across,
Be sure of that,
Be sure of nothing
But that!

Let's use the remaining
Seven fifty
To buy some
Seven Eleven sustenance
To have while
We walk backwards
Down backroads edged
With the encroachment
Of the wild back into
Negative space some
Long-ago engineer
Carved and paved.

Let's tell the driver of
This beat-up
Time-worn down
Overcast grey
Buick LeSabre
That we can pay her
Ten dollars to replace
The juice necessary to get
Us back to our sick aunt's
House in Poughkeepsie.

At the gas station
We'll tell her to stop
Real quick
And hope she leaves the
Auto to go
Pay the schlup at
The teller's booth
And jack the beater
And hope we won't
Have to bolt
Again if she doesn't.

Let's call my cousin
And find out who will give
Us four hundred dollars for
The stolen used parts store
And take that four hundred
And buy:

Two (2) greyhound tickets to get us
Back to our ****** apartment
In Stamford: 64.50 American

Three (3) damp-bunned flimsy
Beef patties glued between
Pieces of government-issue
Yellow American cheese
With all the fixins we please: 3.24 American

One (1) zip of dried out
Seeded and stemmed breaks
From the boredom of
Our own conscious
Processes: 120 American if lucky

At least eight (8) servings
Of amphetamine based
Pressed little buttons
Of confused energy: 200 American

One (1) bouquet of
Red yellow and oranges
Mixed on the petals of
Your mother's favorite
Species: whatever's left American.

Someone told me talking to women was completely different from talking to men
Familial desire circumventing physical rationality
I don't ******* get it
Flesh is flesh
There is no separation between this body and the next
No delineation save for my own arbitrary ones
This world is chaos bound by imposition
And none of it is real
I'm not even going to say middle class conceptions of family are constructs
Everything is a construct
Knowledge is anthropic chaos
Don't pretend you can tell the difference between essential existence and our subjective reordering of boundless matter
A gap does not form between a molecule of air and a molecule of flesh
I am trapped in my own sensations but I am not defined by them
So back to the story of material existence reduced to reproductive imperative
Treating all of the other *** as a means to displace one's self beyond annihilation into temporal infinity
Who ******* cares?
Legacy does not carry on after death
Legacy does not even carry through life
Language breaks down the moment we open our mouths
No one will ever view your life the way you view it
Splashing through a pool, ripples morph all reflections into monstrous amalgamations
Hey, tell me
Do you even remember yourself that clearly?
Hollow triumph, grandfather's bones in a grandfather clock ticking past twelve
Sorry, I just don't see the allure of treating half the human race as a means to satiate your own lust whether physical or genealogical
Or even categorising humans into binary dualisms that bored philosophers a century ago
Haven't you heard? God is dead
And there is no meaning to your boring male existence

ordinary is arbitrary
different is normal
fitting in means invisible
so avoid the conformal

distinct gets you noticed
so who wants to be equal
I'd rather be original
than anybody's sequel

you are of more value
when socially unacceptable
blending in is deadly
out of step is pref'rable

so when stuck in a crowd
decide what's more valuable
will you run with the herd
or dance to the eternal

how are you preaching?
with your teeth broken

i can draw lines all day, where i please and when i please
and the lines mean nothing

lit a cigarette
i tried to send you roses but
they wilted as i touched them

many ******* exist outside of your body but only if you let yourself experience them
for how much i enjoy cutting the wings off of butterflies, i never want to be an entomologist

A thud at my window!
An unseen moment was let go
For there I sat on a throne
Which bore an ephemeral glow.

—Though it soon had been heard:
Our mother's hand not in the least is arbitrary,
For she weaves such a gossamer web
That connects through all things contradictory—

And so I rose above my windowsill
And found, a soft bird perched hither,
So close to this ragged forest
Brave—I thought—she;

She waited for an eye, so it seemed,
To meet with her's—indefinitely
Though it took an eternity for me being there,
The next gaze she stole and flew away from me.

A meaning I saw with no boundaries
For an incoherent silence was answered upon—
The yearning of a wave to find a shore
Only then, to retreat back to the sea.

This is not for substance
Depth, not pragmatic at all
emotional ******* when mentally I'm Lance Armstrong, wit blue ball

But wit *****,I mean thoughts, as I Tom Cruz through life, so an apology
Id owe myself if not against my policy
Cuz "I'm sorry" like Scientology

Don't make sense so astrology
Can try to map out my stars
I just hope Lady Luck shows up Before Chris brown, and she sees stars

What can I say, I can really charm
Like lucky charms I march mellow
I like girls who still say&count; their chubby bunnys...no marsh mellows

If I lost u there ....just mellow
like yellow,pop songs whorin out hello
So of course forced ******* lately seems endorsed ...pudding pop, jello

Can't be trusted bad enough kids aren't safe anywhere ...gone
I even over react at subway when my sons asked if he wants a foot long

I already know this is foolish
But the rule is ...the real fool is
Those schooled by the useless
at least I know I'm stupid

Taking it out of context, no contest
Your honor....Honest
That was the first time I promise
I hardly ever try to hit on prom kids

Wit tight grips to poke a Bonnet
Off the bun from poccohontis
When findin the island of *****
Oops "He Broke her *******"

That blood soaks on a sausage
....Just another day at the office
Where we process the obnoxious
til the world is my Hospice

A no knowledge college for knowledge to abolish the need
To be correct politically&bree;;
seeds Thatll bleed to succeed

Sp our goal, of bringing awareness
To the shortages pendin
As extinction of bent bananas grow
Straight, it's time to help bendin

bananas, but whats bananas is
ignoring real issues latched
To Muslim hate talks,instigated
Infiltrated so u won't go snap

When they send more of our kids to war, so if u hate, like they ask
When propaganda props the jenga, NVM...wait..look! Kim kardashian ***

That needs a cardigan...plaid
"Drugs drugs drugs! which are bad"
Ask your mom who made u at prom
Or ask your alcoholic abusive dad

Who thinks Itampons a small iPad
Where Dark and red bleeds
quoted Moses"a wifes rags a bonus, So like me  "part the Red Sea"

Will need are secure like cures
the government assures us do not
Really Exist like seniors ****, that
firmly sits, and not hip drop

implying the governments got
secrets but dont ask me ****
Cause wit metaphors, I'm never sure  
Maybe the govt has saggy ****

Some dictions descriptions givin has restriction or depiction's
equivocal, so ones vision of religion
Is another's flashback circumcision  

To an unforgiven rabbis hasty snip
No one Asked "may we strip"
The turtle neck ******* on your slim
priest teasing baby ****

But written permission maybe fit
When a baby's **** and crazy ****
Is so uncivil to fiddle and whittle the little middle, above my skittles it sits

And the initial riddle is, riddle this
What Is sprinkled with ****
And Often tinkles to spit ..
Full of wrinkles, it tickles... The hint?

If she swallowed and followed the
nutrients that hallows out ....
Ud still have wrinkles but it helps to single out,who's single⁢'s about

Time2see my psychologist who yells I need help...(yells) I need help!"
She said her head, lead her to bed
And said her brains dead &melts;

And to blame for her frame of mind
Is the frame of mine, it's the kind
That very rarely has thoughts that carry any logic&scare;; me but I'm

Just daring and not caring but im
sharing the mind of jerry
Where clowns fill towns with slide whistle sounds&priests; that marry

Donald trump And Carrie
Whos news was very scary
as Carrie had to carry a Kanye west hilter hybrid and Arbitrary

Is how arbitrary and arm pit hair be
Armed with hairy Italian yarn
That they wear as bare, but armed
Is bare **** arms that like bear arms

Bears a bears hair where arms
Are usually bare but bears harmed
Is how the thick hair I wear, where it's layered, but not the ****

Hair that impairs where my palms  
Look like they grow two beards
But it's not like i would blow deers
maybe Bambi...who knows were

Not gettin hypothetical to go near
How endearing a dear is it's queer as for my hairy palms I wrote them
Ahem, Dear palms: be calm I'm here

And I'm so sorry u resemble the
Essential pieces that are detrimental
For trump hair that trump wears but
His is authentic ******* Assembled

By the youngest child laborer, paid
less than the condoms for rapin her
So embezzle on levels of unethical
Devils black *** ...and kettle...sure

Let's move on to...Ernie, hey it's Bert
I don't discriminate
Support abortion, or the portion
supportin orphans who's cure

Is particular and par with a ****
Who's testicular inhibitors
Make him a prematurely Shirley
So surely he's early in visitors

So to recap the crap hid in were
Child labour jokes great!
Abortion, psychotic neurotic topics
******* that'll fill in ya, all the hate

Oh wait wait wait...Can't forget ****
Or what I call a bill Cosby date
Afternoon delight? You'll sleep past moon and right to the drowsy awake

State... Wait.. are u a ****? Great!
I never ***** one of those
That's enough Cosby dialogue
It's dyin off, so I'm signin off vogue

Strike a pose, like a ****** my
***** bled all up my skirt in
My ****** like I was al bundy,
****** as a ted bundy surgeon

So uncomfortable like twerkin
When you see 12 yr old butts
That makes me want to be free of
tv, but it makes r Kelly want to ***

So go hug or **** a tree
He'll, **** two, have a treesome
this abuse of my speechs freedom
Must stand alone cause these dumb

Words.. This world.. needs none
cheeses of diseases...egregious,
The weedless, read this,&say; Jesus
Is he nuts? It's Needless,

deep pits, of pre-mixed, ***-*****
Three ****... Please fix
demons *****, from a **** bleedin
Fresh out yeast infected sheep *****

Where we sit&read; this,
praise Jesus Allah and people
Cause were all just quirky, evil
Good, obnoxious naive deceitful

******* with **** smells that equal
Even if not the same
We all bleed, breed and feel pain
And love a good line of *******

No wait , ****, sometimes my brain
Can't contain the stupid
Do models use the same fingers to ******* that use to puke wit?

I know.... I'm ****** useless
An abused ego bruised nuisance
Like **** pics sent to fit chicks
When they want rich pics, so do this

Take pics of a receipt that u slip
From the machine you use, if
You really wanna know, if they'll
Blow whats in the pic u send, do it

Cause she'll blow all that u fit
In the pic u send her I'm sure
And if your still reading this,
Im meanin this,u need help..a cure

Mental stability, tranquility, and
The ability, to stop the instability
Convoluted, polluted, and stupid
Literature, it can cause infertility

And psychotic, psychosomatic,
Psychosis, voodoo and neurosis
poetry roaches Eye halitosis,
To erode the road wit your soul if

You ****-inue, reading soulless
Ambivalence, so belligerent
That insolence so Insignificant
Is magnificent,

A Malignant indignant, piglet, in a
predicament, that approaches
As I ******* my immaculate *****
So swallow this osmosis

insufficient like what I've written  or Tuberculosis, and oh ****!
The oppositions mission is fixing
The risen conditions, to position

***** induced, goblin puke
Gobblin through, all of the usual
Til I'm suitable for cubicles made of pharmaceuticals ...indubitable

Now I'm awful like waffles, made in a
bra full, of a mucus' nostril
putrid puke with stomach fluids,, a used ****** u chew in brothel

It's a cross between a re-run
Of *******'delinquence&bee; dung
Don't think Im gd ppls than be one

And my wise parting words
Are not the rise of farting nerds
Or pretentious self righteousness
Of those dry and artsy jerks

I catch glances
As I walk through town
Daughters
Out with their mums
Who pretend to look off in the arbitrary distance
As I scan them
From top
To toe
And then the glances of their proud mums

Old women who huff
As I have the demeanour
Of a stargazing ******

The odd freak
Who cheers me on with his eyes

Machos, who like to hold the gaze
Which I like to hold right back
Thinking of my father in a coffin
To return a calm, worrying stare

Sometimes a fleeting beauty will appear in a metro window
And both knowing of the ephemerality of our encounter
We **** with our eyes
Before she is whipped off
Down the dark tunnels

I can hold a gaze with almost anyone
People are fascinating

I can hold all these gazes
Until
Some men stare back
And I melt

I remember the day we just spent hours and hours together
Even though
I know
At the time it wasn’t quite so interesting
Now with my infinite wealth of knowledge
Granted to me by time, so arbitrary in nature

It seems to me like those were the good old days
Just you and me together
I can leave out all the tediousness
The clangs and clutters that inhabit any day on this strange planet
And just remember what it was like
To be with you

Nothing has ever been fair
Not even equal
Jesus born in a manger wasn't either
Mother's suffering for nine months
While gents fly around,no.
So people's shortness makes them unfriendly
Rich and poor competing for jobs
Definitely, one has an advantage
Fingers overriding others
Those with money have no appetite
While the poor carry it in plenty

Beautiful ladies complaining of many men
The fairly cute cry for one
Your tired of you house and car
Someone's dream is to drive and rent.
Am tired of the relationship
Others have prayed for decades.

Everything, and everyone has a price; however, most bills are overdue. I have put myself in every situation necessary to gain opportunities. To those opportunities, I throw in a bid. To those bids, I place an unmeasured but respectable effort. This bill is still due. The ladder will be climbed. The plateau will be reached: Gaining and assigning costs. Sadly, where I cannot help but stumble, and never collect, I tread. As I walk, the soppy mud pulls down at my heals. There is no exit aside from the direction I came.

This is Pursuit.

I can name heroes, such as Alvin C York, who gave up the pen and took up a rifle, leading 100’s of men through respect and fear. I read that he was a teacher that volunteered for the first World War and captured over 130 men single handed. I can work canned equations that will tell me the declining chances as the hours near closing in my office that my phone will ring. I can cite tax regulation in context to a very defined, specialized and rarely referenced subject matter. I can draw on these lessons the way a craftsman draws his tool belt; I cannot explain hours spent or define with any reason one subject matter.

This is Woman.

Far more time is wasted than spent, yet somewhere, somehow, collected. I’ve spent on the perfect screens to distract myself from this fact alone. Most men do not chase a dream they have not experienced; ignorance is bliss. Within men that try, dressing as casual as one can afford and resting their beaten hands on electronic controllers, one may find a survivor. This man will climb blindly, because he has only ever know spending. He will spend blood, sweat, tears and time to never be vulnerable. The act of collecting becomes nothing more than the means to spending, and he will never let be.

This is Myself.

I have turned off the news. I have separated ways with those that need to surpass trivial, arbitrary hurdles. I will spend down on screens no longer. I have stopped broadcasting the news. I can feel myself exiting society. Like many men before me, I have begun to pack my bags for checkout. There is no blame. There is no hate. There is no expectation. Dreams. Goals. Responsibilities. A man cannot live on food and shelter alone. He cannot pick up discarded pieces of society that are not worth their weight. This man cannot die for anyone that would not live for him.

This is My Decree.

Signed,

Without Notoriety

Love can be...
as destructive as hate,
If it is used by one,
In such a way to
Bring pain to another.

So it begins
And so it ends
The secrets of the day
It all depends
Careful morning
Hectic dawn
Measuring ingredients
Tastefully drawn
Fitting shoes
Making do
What we use
Getting through
Just preparation
Never early
Lucid planning
Going surely
Talking of days
Long before
Talking of days
When we won’t be poor
Sitting, singing
Awkward distance
Mindless thinking
Mindful assistance
Arbitrary sadness
Arbitrary stress
Arbitrary madness
Arbitrary mess
Exchanging a look
Long overdue
Labeling the tag
From me to you

The secrets of the day
It all depends
So it begins
And so it ends

Some where he sits or gorily sleeps
The blank stare behind a rigid cut
Eyes of a seductive Mongoloid
Offering nothing for the poison of the sea

The arbitrary swirls of mechanical time pieces
Add  heavy track to this an
already shady beat

all the While A reproduction of some Germanic doll
Shrinks smaller into the keyholes
of his frontal lobe

A pleasant amnesia of the purist kind
This anglo doll she is now just a capsized pin
Her black and white knee socks mold into a geosed canvas
Ready to be re-painted with all the emotions he has left

What if I told you I loved you?
By the stairs with the works of post-modern misunderstanding
But it will be just a whisper of shear for the racket builds upward
The spinning mechanics joined by the school busses stopping forever

Yes that statement of old is clearly devoid
Merrily a swallow’s anthem
An absurd tangent of malfeasance
Almost a monosyllabic destruction

Only some misshapen coke spoons remain
As well asthe hands of a man who is much safer out of bed
The saline was much too dodgy
And the sheets…..Well they were never clean

A born salesman,
my father made all his dough
by selling wool to Fieldcrest, Woolrich and Faribo.

A born talker,
he could sell one hundred wet-down bales
of that white stuff. He could clock the miles and the sales

and make it pay.
At home each sentence he would utter
had first pleased the buyer who'd paid him off in butter.

Each word
had been tried over and over, at any rate,
on the man who was sold by the man who filled my plate.

My father hovered
over the Yorkshire pudding and the beef:
a peddler, a hawker, a merchant and an Indian chief.

Roosevelt! Willkie! and war!
How suddenly gauche I was
with my old-maid heart and my funny teenage applause.

Each night at home
my father was in love with maps
while the radio fought its battles with Nazis and ****.

Except when he hid
in his bedroom on a three-day drunk,
he typed out complex itineraries, packed his trunk,

his matched luggage
and pocketed a confirmed reservation,
his heart already pushing over the red routes of the nation.

I sit at my desk
each night with no place to go,
opening thee wrinkled maps of Milwaukee and Buffalo,

the whole U.S.,
its cemeteries, its arbitrary time zones,
through routes like small veins, capitals like small stones.

He died on the road,
his heart pushed from neck to back,
his white hanky signaling from the window of the Cadillac.

My husband,
as blue-eyed as a picture book, sells wool:
boxes of card waste, laps and rovings he can pull

to the thread
and say Leicester, Rambouillet, Merino,
a half-blood, it's greasy and thick, yellow as old snow.

And when you drive off, my darling,
Yes, sir! Yes, sir! It's one for my dame,
your sample cases branded with my father's name,

your itinerary open,
its tolls ticking and greedy,
its highways built up like new loves, raw and speedy.

I’ve been running on autopilot all these years
Ignoring into oblivion all my fears
Fears of not living up to my potential
Fears of not having the right credentials

All of a sudden, or not so much
I’m faced with forks in the road and such
Decisions, decisions, another arbitrary choice
I’ve never really chosen, guided by that nagging voice
“The path well trodden for now, will serve you in the long run!
Safety first, plenty of time for fun”
I’m not saying I've always coloured inside the lines
And I wasn't always afraid to march out of time
But you won’t be seeing my name on the news
Or my face in a painting, I’m nobody’s muse

Quarter-life crisis- such a common phrase
I suppose that’s because it’s the norm these days
Twenty-five years seems a long enough time
To chart a path for yourself, to begin the climb

I find myself struggling though it all seems on track
It appears I’ve managed to keep up with the pack
But as I stand before this obstacle course
I’m paralyzed, wondering did I choose the wrong horse?
The paradox of choice it is called
Myriad choices-an order too tall
Have I fallen prey to a sense of entitlement?
Or is this dissatisfaction rather important?

I wonder, am I even in the right race?
I’ve always felt somewhat out of place
Like an outsider looking in
Not sure how to wear my own skin
Yet I’ve played the role well enough
Lucky not to have it very tough

My biggest enemy has always been my own doubt
Never stood up to myself, so I’ve never stood out
I strived to be ordinary in exchange for peace of mind
That’s one goal I achieved: I’m top of the line!

*I hope I manage to figure it out
Before it's too late, before I lose the next bout
Maybe it starts with as simple a change
As ditching your umbrella to dance in the rain!

Without the souls of Trouvere, will he aspire to spheres from where he can replicate himself in the ductile state of the ceremonious Energeia...? The naive action is univocal as the first practice modulated in inclinations and lexical motricities, where they die within their fears, failing to hope and convalesce their desecrated wounds congruent in concepts of Energeia, as an arbitrary neologism to move what in itself is not self- scrollable. Vernarth after witnessing Stratonice's intermission decides to run barefoot for those who banish needs on the parental scale of his range. Succeeded by the need of Energeia towards the impudent sense of being enraptured in possibilities, and supernatural substantialities that transported him in the Epistle even to his desiring hands, but in natural causes, and kinetic emotionality in the destiny of the principles of a movement that dialogues by a spinning spin; alembicated in particles of displacement time eccentricity, towards itself in the synonymous statics, providing intrinsic angles to be associated with the rotation of time and Epistolary demands so that the quantum light can relate the energetic spiritual emotionality, with the own dissociated relationship in the spaces of appearance; where it is to be believed that there is a moment of bias provided in the emotional-movement rooted in linear memories of the temporality of the Hellenic mental axis. Everything is proper in the coordinates of the speculating, which is adduced and duplicated in Poielípsis or unveiled generation of relativistic emotions. For this reason, Vernarth naughty importunates this metaphysical precognition, alluding to particles that generate dissimilar inclinations in lapses until reaching the threshold from when Stratonice partially divided its material and spiritual origin into stationary diversity, in meditated phases that will not take place nuclear, but in the polymathy of its exteriorized threshold, and of the emotional mass of its free and passionate matter that concerns its strident and impalpable Macedonian origin.

From this moment on, the intuition corresponds to the angular reinforcement of "Poielípsis", in this way the coordinate of the Souls of Trouvere becomes present, as pseudo images of the Diadochi, involving magnetized radial movements that will lie in the spheres of physical value., in the garb of the Gerakis and Petrobus, who strived in the sense of the energeia of the Epsilon neologism, not to restrict themselves as Aristotle affirms, investigating the being towards a mono-sense in this causal, of such alpha that it says the paradoxical, demonstrating the diversity of optics. Faced with this diatribe Vernarth from the naturalness decides to empower Souls that are part of both topics according to Vernarth, it is to alleviate the potentialities of the acts that apprehend the light of genius that coexists with both. What the entity justified us in unfolding will be delivered by divine intelligence, so as not to reduce the free power of the Epsilon that was extracted in the welcoming presence of Stratonice still withdrawn in the atmosphere of the Voielípsis (substitute scale of relativistic emotions of Vernarth). There are few seconds that can be extended more from a selective argument of trends in the specifications, which could be attributed to dimensions of the Trouvere period of souls, lacking stillness in simulated biological environments, as if they deliberate the naturalness of an expression of who It does not philosophize if something has to detach itself or grab hold of creation to privilege the natural, re-arguing affection when professing, if there is time to express it, so it is intuited what the virtue of muttering simultaneously in the laborious, and in what does not progress. The dynamics of this Poielípsis is to dress the Voielípsis, as an analogous addition of quantum causality and of temporal and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas, heading towards the prop in the mega absorption of Christian Aristotelian ideals. The souls of Trouvere will be residents of the indeterminate spiritual mechanics, to deposit effects of the incredulous versatility in themselves, in the sub-aquatic depths that coexist with the geological structure of the cavern of San Juan Apóstol, but in subterranean concomitance, under the same axial coordinate that is sustained sub-geological. Namely; They will coexist as long as the Mandragoron of the Duoverso and its Voielípsis are established, but three hundred and eight meters from its antipode in the underwater base of the Profitis Ilias.

The antithetical line is the verifiable germinability of those vertical events of the plinth settled by the Souls of Trouvere, containing the germinable starch of the growth of the ergonometric stirrup of the Zefian Bolt, which from zero elevation to 308 meters above the Aegean level will form a mega extra parapsychological bilocation, which will be gestated in its uniform vertical chronological numbering, with the pre-Christian Pythagorean and post-Christian representation in the coronation of Carlo Magno, mentioned in royal visions by the Apostle Santiago, in the versant apology of Pythagoras as an entity supra divine, envisioning the scenographic depository, and fragmentability of these three components of this start of the Hellenic Magna in the hydrographic, sub-terrestrial geological and residential basin of the Souls of Trouvere.
The upholstery of the Pythia of Herófila attacks the subtended of the flying buttress that supported the volcanic cavities of the Sub-Patmos, indicating its agreement with the Souls of Trouvere by its disoriented cognitive dissonance, generating paradigms that traced stones that formulated Aquarian sounds, in a dominant tonality by the minuscule machine of light, more distant from the incommensurability that escaped eclipsed in the resplendent major note that becomes monarchical by the hypotenuse of a rectangle in three subdominant angles. This brings about the thaumaturgy of Pythiais, the mother of Pythagoras who, together with Vernarth's Poielípsis, forge retentive songs given the scarce natural light that was only born from some of Trouvere's souls called Poielípsis, in stories of the oracular Delphians. The Poielípsis remains encapsulated from the thaumaturgy of the banal anti-desires that would make it mortal, for a hypotenuse that makes the gift of poetic prayer tangible, prompting the Bio axiom, by fertilizing scaled suspicions of repeated mortality in the banner of risk. Stratonice well points it out:

“The signal field has been prophesied today for the Apollo tripod. Having to reencause itself in three parts of the support of the oracles, and in clairvoyance in the pre and post Christian insemination of the gift of the word that redeems man from sin, sub-tenant of the flying buttress, from the interface of the supra trinity of sin as a blood element, and difficult to evade or avoid. Here the Hegemonic energy of Alexander the Great has been condensed in the arch of ideas, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore he has to bring all the corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of energetic residual and static mass, ad libitum that will end when unleashed in his son. All will already be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed she sees by retaliation from Alexander the Great for proven insubordinate ethical demands. "

Stratonice walks with the sendal that should be translucent by Santiago of Compostela. As an intra-everlasting geometric raconto, subduing fears that slide through the sendal of the dogma of the architrave, where no philosophy can look higher if it is not allowed, typical of vegetarianism or freedoms that turn green in fears that do not illuminate life. eternal, perhaps from the same Matematikoi who doubts a basis for Adfinitas, to understand limitless limits, taking Pythagoras to the soil of Crotona. Always, someone who is ignored of the linguistic power, he plans to rewind spheres that still weave crossed angles, placing himself in scores to consider as an irreplaceable past. The soul of Poielípsis adopted a Pythagorean conception, in the halters of the livid legions of Orpheus, as if it were his consecrated hypogeum where the high position was, to stir to the embankment where it will merge with the Zefian arrow. This liquefaction should purify all storage of cognitive and circumscribes of those ancestral, becoming reincarnable pre-Christians, who transmigrate in the need of osmosis of universal unity. Atonal music will transmigrate molecules to great sidereal distances, being the same replica of the other eurythmic, in multi-trigonometric periods, vivifying the fractional number residues as souls of the same numeral that finally perish of Pythagorean digits, perhaps at the angles of the Phalanxes of Vernarth or in the oblique crucial moment that slumbers in an elegy, flourishing in those beings that do not Live...! Already under-treated, they will only be souls tired of keeping themselves alive and deprived of their morbidity, in a dissociated cause of immortality that will distance itself from the forbidden abstinences, in liberating exercises of any count that ponders in the coming etymology of the Vita Pythagorae, on the divan of the joys of serving his doctrine, which saves himself, and which will save the Messiah, for those who in the soul have no sacrifice of a lamb that grazes..., nor on the pedestal that goes ahead in the centuries..., pasturing what nobody was capable of ?. The second triad of the oracle of Apollo of the Souls of Trouvere reveal Charles the Great, favored by the Apostle Santiago for the protectorate of Compostela and its spiritual regency, invited Charlemagne from Aachen, in 33 consecutive years of dispute with swords, stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne placed himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence.

In the second segment of the concave wasteland of the straight ascendant of Trouvere, he crowned Charlemagne emperor of Rome and the Franks, predicted by the Apostle James, in defensive papal struggles and in defense of Christianity. In this paradigm it appears how they are transmitted from the dead ungraspable world, they unite here in the axon of Poielípsis for the sake of the times that occur due to the anonymity of a silence that augured to link, and to know within what the endless intrinsically organic movement is, as well as the biological cosmos in the discovery of the Jacobean route. In what better region than the Dodecanese, he will be fused by twelve apostles, and now the brother of the son of Zebedee; Santiago brother of Saint John the Apostle. Dating back to 778 AD, spreading to Hispania. In the ****** and constant fight against the Saxons, Carlo Magno, entered Hispania crossing the Pyrenees, as a preview of the aforementioned Jacobean Route, everything raged witnessing their overwhelmed squares in the fueros of the Trouveres, who were Pythagorean elite soldiers, who had been bilocated in this post was Christian, preceded by the perfidious Basque in the forests, subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to continue them to Pamplona with Charlemagne. All escaped from Islam, and not a few Christians resented this affront, the dynamics will be reflected in the Songs of the French Gesta, to enter the Jacobean Route on the way to Santiago de Compostela, when the Calixtino Codex, in its book IV o Historia Turpini, the apparition of the Apostle Santiago to Charlemagne is told in dreams, pointing to the Milky Way as a way to find his tomb, which must free them from the Saracens to be able to venerate their relics with the enamels and medallions that they issued in the Apostle's crypt in Compostela. The souls of Trouvere, are beings that enjoyed a short life in the Pyrenees, they enjoyed the fortune of originating a liberator of post-Christian inheritances, mechanized by the exquisite citation of Pythagorean antiquity, behind indigo faded in red blood cells, to dress the sendal of the figure of Faith, freed behind those who should have dressed her as a Codex Calixtinus.

Five sections rose along the straight line of the Trouvere pyramidal axon, the base of the liturgical appendix that honors the multidimensional space, with antiphons for the cult of Carlo Magno on the underlying Patmos. Santiago was lacerated in the Holy Land far from his Brother Apostle Saint John, but he came to meet with the Trouveres who came from the rugged Pyrenees. Santiago passed the Strait of Gibraltar and reached Padrón, which is about 20 kilometers west of Santiago de Compostela; there some angels took him to the place where he actively rests. In a boat he arrived..., and always by the Mediterranean he will now reach Patmos, still acquiring the iconography that attempts to find Charlemagne, and a codex that would unite pre-Christians like Pythagoras and Aristotle united in the relic of the taxpayers transformed into three maritime rivers, concerned with a predicted belligerent episode, to say that all roads lead to Patmos, like Locus Sanctus, of all the shepherds who heal their sheep in which they are not of others that are populated with souls white, for the good of others. Thus the souls of Trouvere from the Pyrenees revealed themselves as predecessors of the raiding of the shells 308 meters below the Profitis Ilias, in agreement with Stratonice who would be arriving in Macedonia, where the passing of the centuries would tell him about the Jacobean Route instructed in confronts, and concordances with the airones of the Trouvere, protected by a rectangle in three subdominant Pythagorean angles in the dissipated darkness of the golden indigo of Theoskepasti, in the meridian of Kímolos.

forging sagacious epoch
activating neural station
escaping hokey-pokey jiggery-pokery
transcribing ineffective fragments
digesting bear news

opposing usual exhaustion
deferring oxter reference
cascading style sheets
containing double readings
mumbling lorem ipsum
locating moose jaw

enforcing meticulous patterns
deconstructing vertical centering
manifesting additional destinies
deleting !important statement
craving sleep paralysis
receiving cryptozoological vibrations
lightning fast collapse

distracting tunnel vision
culling deadbeat sequentialists
overanalyzing twitter analytics
acquiring arbitrary relevance
spinning ping-pong sign

floccinaucinihilipilificating
floccinaucinihilipilificated
floccinaucinihilipilification

interjecting ****** holophrase
minifying conventional language
securing downpour refuge
admiring octopus chandelier
resuming party music
taking mental trip

encountering ersatz telesthesia
denigrating bygone grudges
maintaining elevated composure
ignoring neurotypical haters
eliciting cryptic emotions
foreshadowing triple crown?

experimenting acrostic restriction
noticing ubiquitous "threes"
aggrandizing loyal legion
favoring ursine narratives
finding oblique resilience
yielding orchestral undulations

Love like a butcher knife. carved out, and blindly awake
as the star alive in the sky. pointing north.
A cadillac with a massacred paint job, bad orchestras,
hollow at the heart. Good riddance. you hear that?
We can cultivate careful flowers and preserve hands
like clay or lake water; delineate what I know -
all the missed calls, together trying to suspend grief.
I liked that version best. On the day before the war I woke
to forget safe, forget someday, to forget all I have done or can do.

Take memory of us as children, pale backs to the open air,
unhinged and split down to the unsolved sum of their parts.
Language is out of whispers, out of dental floss, out of spines
and I want it gone. the gossip of eyes. Your face healing,
becoming wider, slicker, something peculiar, mystifying.
Chipped paint, my broken toes- here, eeriness is terrifying
and irresistible. We’re made into animals, into streets
then shadows, our ghosts finally unravelling in gilded seams.
The sun creeps down haunting myself from within,
heart yawning open, wider with each passing moment,
your empty promises of bones or something like that.
and your hands open, larger each time twisting away.
shuddering yellow as butter, as wheat field sadness,
right there in a parallel universe where this isn’t quite natural.

We were sheltered in spiderwebs, rundown by motels
with blasted neon. My brain has become a fuzzy blank.
I am sick of cries from the mouths of birds being poached,
colossal grief in the sky, grey slabs of meat, banality, lawyers,
a gesture, a mouth bruised for air, the thing you feel
teasing at the sutures, the faraway planet. We never get it,
maybe something close, but always something else:
a variable, some otherworldly energy blast from a hero’s eyes
and the high sinister jagged moon looking down on night
demanding that it hides different versions of itself.

We recited stories of dragons everyone knows and pretends not to.
The only thing I know is to be gentle, to be flaky, and too quiet.
There's floral wallpaper in a steamed up bathroom
and this sadness - the kind of fear of seclusion, window
on a ruinous heart, carrion catcher, sleep in the pits of reddened 
eyes.
contaminating poetry about love and bicycles, that 1920’s echo
in your empric mouth. I remember the laughter of people long gone,
an old whisper to an old friend, “Shhh, don’t ***** them."

Fear is not one to reason with. Time zones in clumsy prayer.
How the mondays folded in on  birds, my willingness to spill blood
at every opportunity. Don't think about faraway fragile nests
and the whole dizzying unfair gentleness of it all.
It's 5 AM and what’s left is the delirium to pry dawn open.
An evanescence of being. Short-lived, sweaty. a shadow to carry
though it's smitten loud and an endless maw of your affection.
Suddenly, it’s summer. Suddenly, I’m unremarkable.
My heart getting weighty with the demolition of stars.