Attention seeker?
Na, I'm far worse than that
What I seek is Approval.
What use is attention?*
I don't want to be seen,
Not yet anyway
Until I'm sure
It will be greeted positively,
And I resent it
Why should I let you be
The judge of me?
I Shouldn't.
I should just be ME

If you are uncomfortable when you look in the mirror,
keep in mind:
We spent thousands of years
trying to convince the earth
she was flat.

We wrote her maps as evidence of the things we saw;
and she believed them.
She cried tsunamis, and had earthquake breakdowns.

Keep in mind: the Sun never gave up hope.
The earth will keep spinning and breathing
the star-dusty space void of encouragement.

Next time you look in the mirror
and second-guess your potential divinity,
remember you will keep shining and living.

Because the Sun is out there
believing in you,
compensating for lack of the human capacity
to treat each other empathically.

You don’t need proof or approval
to be exactly what you are;
Eventually everyone will see
your infinite beauty.

She walked in with a cut up eye, stardust in her broken bones and a smile
And before he and I could ask, "what have you done now" she held out her hands
In her palms she collected galaxies that sprouted not from this universe but strength.
And when you looked in her eyes instead of brown,
You'd see songs from seabirds that I never heard because,
Seabirds don't sing,
But in this scope they also tight line across the ways her eyes lit up the moon in the sky.
And then she says, "little sister, never let anyone make you manageable. Always remain untamed."
The swirls in her dress when she spun out of the room
Burst out flared frayed and flamed.
She was an atomic cloud of energy, but her rain didn't fall; it splattered.
Then that night wrapped in white sheets that failed to hold me still
Watching her from the bed across from mine,
I whispered: "welcome home, I’ve missed you."
But instead of peaceful prayers and stories of springing surprises,
I hear the sounds of hurt dripping into soft pillows and wet tears.
My sister never cries.
Sitting up in bed with the streetlight glowing on her face
The only thing she tells me using sea salt and lemons,
Dangerous dreams from swimming with the devil
And daggers made from hopeful rising levels
Is, "please don't fade away.”
The cobwebs on my lips where spiders have spun intricate art
On my teeth told her I don't speak very often.
This individuality has been stripped off my tongue
Now I only taste fire made of wooden chips, not adventure.
The sand grains from the park on school premises
And not the beach where at least they'd be water kissed.
Please don’t fade away.
I could be the replica of everyone else; my shadow kind of looks like yours doesn't it?
I sunk back in the sheets afraid of her tears but before I could disappear into blankness
She gathers feathers in her words and asks,
"Who wouldn't drown the stars for you?
You painted yourself with the colour of the ocean
But only you understood the ocean is not just blue
During sunset it’s the colour of fire running through your veins
As you sink your teeth in the bar of yogurt, ambitions, dreams and raspberries.
In the middle of the night it is the colour of the moon
And the ruffles of waves that shake you awake.
During the birth of dawn it is the fight in your heart bleeding electricity in your eyes,
The light of illumination never lacking loyalty in those dreams of the sea you swallow."
What’s more familiar to us, time? Or memories?
Instead of playing life on the record player
We play it by the clock and repeat the same day over again
Our air smells the same, and we all play the same games.
The message is urgent and it lies in all of us.
Please don’t fade away as I lose all of my trust.
Dying in secrecy that no one wants to touch
It’s a boundless barrier, scary bordering scarier.
Please don’t fade away.
Everything inside of us that craves to be heard,
Is bottled up in the same fashion trends clothing our bodies
The same career choices that teach no new hobbies
The same sentences cling to the walls in hallways and lobbies.
The ignorance in not trying new things
Flies into everyone
Maybe it was a plane crash
Made of rumors and old traditions
That killed people’s appetites for new choices
That suffocated the volume in people’s voices
That left me swimming between everything but rejoices.
When I cant think right I walk left
But we are not old photographs that deteriorate our personalities
We are bodies of water but no one needs a shore
No one needs to send you approval when you’re so sure
Like I was told using sea salt and lemons
I’ll build on that with cucumbers and daisies,
Break out. And please, don’t fade away.
How can someone made of flowers be degraded to dust?
How can you sit there in chains that turn you to rust?
How can ugly gnomes manage to catch stardust?
How can monsters keep murdering like they must?  
I don’t know which way the wind will blow
But when it does it will blow strong
And I will not blow with it.
I heard you say society tells you to be yourself
You are yourself, and then society says no you’re doing it wrong.
Here, watch me, it’s like this.

didn't you ever know what it was like
to be just so sad and lonesome
like touching your face was another stroke
on the wrong key of a broken old piano

there are those who'd understand
the thoughts running through your head
but there are those who'd soon forget
cause it's too hard to try and help

so you'll feel like you're the wrong one
for anybody else to love
cause wasting their time is so wrong
when there's better things to be done

and you'll push them away at once
then you'll bleed a little blood
cause why leave a mark on the world
when you could leave another scar

but soon enough it'll be too much
and they'll say it was so ****** sad
that you were always so hopeful
why'd you go and do a thing like that

cause people miss even the quiet ones
it's your presence that comforted them most
but without a word of their approval
no way you'd get a word of your own

I. The Mermaid

I am six years old,
and I am obsessed with Ariel
from The Little Mermaid--
she is, by far,
my favourite Disney Princess.

I want to be exactly like her--
hair billowing in red swirls
around a heart-shaped face
and eyes so blue they put the very
ocean to shame
(my sister has blue eyes too, you know,
and, to this day, I still envy her,
for her eyes are the loveliest
characteristic of her Beauty--
and believe me, there are many);
purple clam shells vibrant
against porcelain-doll skin
and fully blossomed *******
(in three years from now,
I will begin
to grow *****--
elementary-school style,
over-ripe.
B Cups going on C cups
fated to become D Cups,
plum-sized
in comparison to the
budding mosquito bites of
my fellow classmates.
Barely a child,
womanhood threatens
to sexualize my girlish body
before I truly know
what sexualization is);
fins cutting through the water
gracefully in all their
green, iridescent glory
(little did I know that,
as I grew older,
"cutting" would adopt
a far more sinister meaning
in the context of my life).

But,
despite my admiration for Ariel,
I fail to understand her desire
to abandon her
under-sea rendezvous,
sunken treasures,
oceanic melodies to
"be where the people are."

This lack of approval I foster
exists due to the fact that I am
a firm believer of the magic
the aquatic realm (and Disney)
has to offer.

To this day,
I continue to maintain my stance--
that Ariel had been terribly wrong
in the choices she made--
but I have become cognizant of
different (and better) reasons
to argue my position;
after all,
and as a cartoon crab
had so wisely declared once,
"The human world--
it's a mess."

Nobody believes in me. But, neither do I, and that’s OK. But they don’t really know how I am, and if they knew, I am pretty sure they wouldn’t feel the same way. I sometimes feel like coming out of the closet, not because I am gay, but just for my personality. Then, I realize we are all in the closet. Even when you come out of the closet, you search for somewhere else to hide. But basically nobody will get out of the wardrobe, which makes sense, because we judge. We dislike everything. How people talk, dress, look, or even walk. We are so caught up on ******* that we don’t even get to evolve as people. I know I don’t. Could that be part of the system we grew up in? How do we differentiate a critique from simply judging. The critique highway goes straight into judge, or does it not? We might say — this is just a critique, it’s for your own good— but in reality, most of the times, we have already spoken about it to someone else. Why do we always need to get people’s approval to fit into this world, and therefore, are most unpopular “outcasts” really the most honest people to be around. I will never know, because I am as guilty as everyone else. Involved in the society that simply sits in the caffe window watching people pass by as you consider yourself better than them. Whatever. Once again, I am no better. I just find it sad to think that I am always searching from approval by bashing on other people, who have decided to live their life without caring about the dumb girl sitting by the window.

Do you love it when I smile?,
Do you love it when I open MY heart ?,
IF so, you never say.

Are you glad that you're MY friend?,
Have you got blessings for ME this week?,
IF so, you never say.

I am the one at the back of YOUR class,
I am the muse aching for YOUR attention,
When your praise is all,"yeah yeah".

I don a dunce hat, and sit here,
In the corner,
Waiting,
For YOUR approval.....

(with poems from the Chinese translated by Arthur Waley)

My bed is so empty that I keep on waking up.
As the cold increases, the night-wind begins to blow.
It rustles the curtains, making a noise like the sea:
Oh that those were waves which could carry me back to you!

Suddenly she was awake. She could feel a cool breeze on the cheek that wasn’t warm on her pillow. She could smell the damp fields, the waterlogged moorland and the aftermath of recent rain. The action of rain on wood or stone seemed to release particular vapours wholly the province of the night in a small town. There was also the not entirely welcome residue of the past evening’s cooking from the kitchen below. But such sensory thoughts were overwhelmed by the rush of conversation clips; these from a day of non-stop voices that had invaded and now occupied her consciousness. She had listened furiously all day, often fashioning questions as the listening proceeded, keeping it all going, being friendly and wise and sensible and knowing. She could hear her tone of voice, her very articulation in the playback of her memory. It was so difficult sometimes to find the right tone, that inflection suitable to different aspects of ‘talk’. She didn’t want to appear pompous or too serious. That would never do. The thing was to be light, but intelligently light so her colleagues would say to one another – ‘Helen is a treasure you know: brilliant person to have on the team. You can always rely on her. ’ She knew she was often anxious for approval, for a right recognition of her efforts, to be thought well of. ‘Doesn’t everybody?’ she thought wistfully.

There was a momentary flurry of what Helen often dreaded when she found herself awake at night – yesterday’s embarrassing moments. These invariably began with ‘Am I wearing the right clothes?’ It was Caroline’s jacket that came to mind first. That mix of informal but simply smart that can only be bought with serious time and a clear conscience with the credit card. Her favourite blue affair (mail order) with big pockets and the slight pattern on the hem suddenly seemed very ‘last year’. Anna had chosen all-over black, loose trousers with a draw string, no jewellery, but flashy sandals and make up. She’d painted her toenails green. Helen did make up – a little, but not to travel in. She knew she had the right shoes for a long day. Then, those first conversations with Paul, who she’d never talked to outside a meeting before. ‘Keep it light, Helen’, she’d say, ‘Don’t say too much – but then don’t say too little.’ She had found herself – her independent womanly self, speaking with an edgy tone she didn’t always feel happy about. As she spoke to Paul about the coming evening’s football – he’d brought it up for goodness sake – she found herself being funny about the inconsequence of it all, then remembering the passion with which people she knew and loved followed the intricacies of this sport. She saved an own goal with some comment about the game’s social significance she’d picked up off some radio interview.

As the long journey had proceeded she’d been able occasionally (thankfully sometimes) to fall into observation-only mode. There was this sorting of images into significant, memorable, able to forget about, of no consequence at all. She’d been caught by the strange geometry of yellow cones that seemed stitched onto the rain-glistening road surface. There had been a buzzard she’d glimpsed for a moment, a reflection of Sally in the window next to her seat, that mother and her new born in the Ladies at the services, the tunnels of dripping greenery as the coach left the motorway for the winding minor roads, then the view of a grey tor on distant moorland followed instantly by the thought of walking there with her sketchbook, her camera and his loving company, with his admiring smile as he watched her move ahead of him on the path; she knew that behind her he was collecting her every movement to playback in his loneliness when they were apart.

Oh how she wished for his dear presence in this large half-cold bed, as the dark of night was being groped by dawn’s grey. There and there, and now the pre-dawn calls of local birds before that first real chorus of the dawn-proper began. She thought of them both on their last visit to this ancient countryside, being newly intimate, being breath-takingly loving, warm together for a whole night, a whole day, a whole night, a whole day . . . the movies in her mind rolled out scenes of the gardens they’d visited, the opening they’d attended, all that being together, holding hands, sitting close together, sitting across from each other at restaurant tables (knees touching), always quietly talking, always catching each other’s glances with smiles, and his gentle kisses and slight touches of the hand on the arm. She began to feel warm, warm and loved.

As she was drifting back into a shallow sleep she remembered his voice recite (in the Rose Walk at Hestercombe) that poem from the Chinese he loved . .

Who says
That it’s by my desire,
This separation, this living so far from you?
My dress still smells of the lavender you gave:
My hand still holds the letter you sent.
Round my waist I wear a double sash:
I dream that it binds us both with a same-heart knot.
Did you not know that people hide their love,
Like a flower that seems to precious to be picked?

that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
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        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an

You bounce about in peoples faces
Like some kind of advertisement
Flicking your hair about
And beaming through resentment
You are far too pathetic to be considered
An adult or even a responsible creature
You pile makeup high on your lips
The deemed favourite feature
You throw yourself at every man woman and being
And smother them in compliments
They'd never return
In hope that you are everything
They shouldn't be seeing
You could never love again
You are not worthy of the kisses you steal
You cry at night and cut so much
Disappointment is your favourite meal
Please please save yourself
Stop desperately seeking our approval

Never trade your authenticity for approval
Always be the exception

so dangerous, so destructive, so isolative, such a waste of time and energy. Insecurity... the thing that destroys relationships, self confidence, and innocence. Oh, it's not just puberty, it effects all ages. Why do I let you effect me, why do I have to care what other people think of me, why do I strive for people's approval, why can't I be ok with myself, why do I care about things I've never cared about before. Why I am jealous of some person's cooler stuff, why can't I be appreciative about what I already have? Why am I so intimidated of higher powers. Why do I care if somebody's better than me at something. Insecurity, it all comes down to Insecurity.

There was once a girl who had her peers’ approval: skin like silk and her eyes could be compared to a freshly polished wooden floor, her laugh could light up a whole town - the hearts of the broken. This girl’s heart was said to be golden – the kind of gold used to build the streets of Heaven, the kind the kings yearned for; delicate and sweet too, that heart of gold. The way this angel walked wasn’t **** nor was it seducing; the way this Mona Lisa walked: dumbfounding. The way this Mona Lisa walked: beautiful. The way this Mona Lisa walked: full of grace. Grace. She spoke of this word: grace. Grace to this girl was more than just a word, it was a lifestyle. She spoke of the grace of God and God’s grace descending upon His children. This wonderful girl – who spoke of God’s grace – had her peers’ approval, yet not her family’s. This dumbfounding girl, who did not have her family’s approval, started giving up on the grace of God. This girl whose laugh could bring life to the dead souls couldn’t find life in her own, couldn’t light up her own heart not made of gold, but of cheap metal, and it was rusting faster than God’s grace could find her. This graceless girl got tired of waiting for God’s grace to arrive. This graceless girl was yearning for the same gold the kings did. This graceless girl wanted to turn her heart to gold. This graceless girl wanted to touch the golden streets of Heaven. This graceless girl wanted to be one of “His children”. This graceless girl wanted to find the grace of God on her own terms.
Twenty four hours later.
There was once a girl who had her peers’ handkerchiefs and flowers. Her skin of silk was almost colder than her family’s hearts, not made of gold nor metal, but of ice. They would not go to her wedding (if she had one, they said).
She didn’t.
Instead, this girl who had her peers’ flowers in respect laid there exactly like a carcass: dead.

I don’t get feminism.
The term, that is.
When they ask, "Are you a feminist?"
I reply, “Sure.”
They nod in bobble-head approval.
“I’m also a childist and animalist”
A confounded grimace glazes over
“Huh?”
“Of course. Aren’t YOU a childist?
Aren’t YOU an animalist?”

“Uh. What do you mean?”

“Well, don’t you believe that children
and animals should be treated with love?”

“Well, naturally.”

“Well. There you go. You’re a childist
And animalist.”

"Besides,  you would extend this love
To all sentient beings, I’m assuming?”

“Ummm. Yes...”

“Well, then, you’re a masculinist too,
Just like me!”

This is about the time their cell buzzes
Or their double soy frap is ready

They whisk away

“Oh, I’m also a worldist!” I belt out

Before they exit

As I resume reading
Remaining clever, and

Alone.

Words Studied For This Writing:
------------------------------------
English: Zoup, please.
What it sounds like in German: Die Zoup bitte "Or" The Zoup? Bitter.
English: Uh, the night tea is great!
Pronounced in German sounds like: Eww. Is nachte. It's Gros "Or" Eww! Is nasty! It's gross!
English: Here.
Pronounced in German: Here.
English: Ha! I see an icky Sir's downin' Zoup.
German: Huh? - Ick- Taste. -Sie - An Icky herran down en Zoup
English:Yes.
German: Ja "Or" yeah
English: Skinny rides here. Skinny? Hmm.. horseback.
German: Dunne fahrten hier, Dunne. Hmm?  Holtzit back! Or.. Do not **** in here; do not! Hmm?  Holds it back!
English: Oh! I beg!
German: Oh! Ich bitte "Or" Oh! It's better!
English: Come back, Father.....
German: Comeback, Vatter "Or" Come back, Fatter
English: Nexxinline
German: Next in line.


Let's make a story with this .

First Act

-Enter Customer 2 in an American diner. She orders a
unique zebra-flavored soup called Zoup, created on American soil, but it's claimed to have had its origins in a restaurant located in Worms, Germany; as per usual proud fashion.

Customer 2 to Rude Waitress: "Zoup, please."

She sipped the complimentary drink placed before her as she awaited her order. Iced tea, ***** glass. It was reportedly their best tea, brewed by the Barista on the night-shift, whom did only speak in broken English and Spanish. Therefore, when the customer enjoyed her tea, she was glad it was nightfall and privy to the better drink and expressed her approval.

Customer 2 to Night-Shift Barista in simplified language:

"Uh, the night tea is great!"

The Barista nods politely.

Rude Waitress, apparently jealous because she makes the Day-shift tea, is curt to Customer 2:


"Here." she growled, slamming the Zoup on the table.

Things get quiet.

Just then, Customer 2 recognizes a crusty man who claims to have been knighted in a former life before joining a Native American tribe. She addresses him sardonically.

Customer 2 to Crusty Man

:
"Ha!" " I see an icky Sir's downin' Zoup!"

Crusty Man responds, unmoved:

"Yes."

Customer 2 cautioned him that he was being tracked by the infamous international assassin, Skinny.

Customer 2 to Crusty Man in mock Native American tongue:


"Skinny rides here ...

Crusty Man: "Skinny?"


Customer 2 (deepening voice)

"Mmm, horseback."

She makes gestures with her hands of a man riding a horse.
And follows it up with mimicking a successful hit on Crusty Mans life, complete with tongue hanging out of mouth.

The rude waitress then pleads to a deceased priest aloud to return to save them whilst making holy gestures frantically.

Rude Waitress to a deceased Holy Man:

"Oh!" "I beg." "Come back, Father...
Father Nexxinline?"

End First Act


This Final Act was created using the same exact words used in the English language, those in  quotations that is, as were in the First Act: but then translating them into German, the conversation then became a bit more humorous. The Background was filled in to fit the context of the meaning of the words sonic qualities, as certain German words sound similar to English words, though they generally have different meanings. The German word sounds brought a whole new meaning to the English words spoken, and with this contrast I finished the Final Act. Since most do not know how to pronounce certain words and dialects of German language, I took the sounds created within the language and converted them to English words of phonetic similarity. These words were not translated back to English, as that would put the conversation exactly where it began -I rather made them easier to perceive.

Background Final Act/. Skinny from First Act is now in a diner in Worms, Germany, (pronounced like Vorms with  a V.)

We begin with Skinny's response to being asked how is the Zoup by the German Waiter.

Skinny dryly to German Waiter: "The Zoup?" "Bitter."

He takes another spoonful into his mouth.

Skinny: "Ewww!"  "Is nasty!" "It's gross!"

Skinny to German Waiter in disgust: "Here!"

And he pushes the bowl of Zoup into the waiters face.


German Waiter to Skinny expressing consternation

: "Huh?"

Skinny commands him: "Taste!"

The waiter does so reluctantly and winces in clear disgust.

Skinny:

"See?" " Icky heron down in Zoup!"

German Waiter to Skinny knowing German Zoup  is flavored with heron, not zebra, and failing to see the point retorts

: "Yeah?"

Skinny then crude and vengeful 'expresses' a good one from his basest dwelling silently; but deadly with a grin. It was a most foul smell.

The waiter is exasperated with this crudeness and makes commands of his own.

German Waiter to Skinny

:
"Do not **** in here!" 'Do not!"" Hmm?"  "Holds it back!"

The odor horrid reached culmination with another waft of steam from Skinny and  resulted in the excommunication of Skinny.
Skinny yet found himself vindicated and agreed to leave the establishment as was demanded. As he exits in self satisfaction, our waiter tells him not to forget his Zoup and the prideful waiter Stolz mocks him in jest by spooning a mouthful into his jabbering jowls, as he does, he turns pale and ill and silenced, reassuring Skinny he had a reason to be disappointed.

The German Waiter refusing to admit defeat tells him:


"Oh, it's better!" Referring to his bias to the Zoup from Worms, which should be renamed Houp, but the words don't translate that way.

THEN Stolz realized his best customer, Skinny's hefty brother, Fatter, was running out the door in an attempt to escape the stench which lingered and but grew in force, and the waiter pleaded with him to return.

German Waiter to Skinny's brother:

"Come back, Fatter!" but Fatter kept running and giggling sophomorically.

The German Waiter to a diner full of people gasping for fresh air and no desire for Zoup at this moment said in defeatist sheepishness, gulping before asking wishfully... pouting, whispering:


"Next in line?"

I want to make him proud
But all he sees is loud
I want to prove that I'm worthy
But everything I do seems to come back to bite me
And it be real

Why do I crave is approval?
When the reaction I get seems to be wishing of my removal
Why do I wish that he'd say
You did good today
And mean it

Why does he keep hurting me?
That's not the way its meant to be
He's suppose to keep me safe and warm
Instead of the one who brings me harm

Shouting for longevity,
Slamming at the counterers…
- upon your dignified respite!
Would-be detractors without brevity,
Before the wine-dark Sea at night…
A pleading to philosophy of commonly renowned,
Beating sand and posturing, uncouth before a crown;

“Priam please!”

Sun and Moon,
two sons shall plead,
nay, -beg in tandem with the man;

“He serves the seas, trust him please, our father; this priest of Trojan-land!”

Laocoon

“Fear the Greeks, of mind I speak, approval by a van-i-ty; it surely is a death you seek!

An asp this horse, gift no more and tragedy in due remorse,

I beg of you my call to heed, wooden-burnt this crispy steed,

…alight in flame, glorified name; Poseidon shall endorse!”

Priests of Apollo

“Ridiculous! Worship we must, now bring it to the City thus!”

Laocoon

“The actions of accursed Kore,

Need I remind you all Paris caused this war?

For he mocked this god, the abyss it knows, with terror comes a deadly tide,

**** that fool and his fiddling pride!

Burn this beast we must with haste for Greeks they have a certain taste,

Their acts meant always to confound, wily, since they were unbound.

What harm may do, to rest at shore? Consult the stars of yester-yore.

Assign no chore, one heaven’s night, plus a day, to sit upon our princely shore?”


Setting
(read/spoken at the fastest pace the reader can go)

A horrid hiss above the wave as two doth slither from out the cave…

  The creatures from the darkest days, ancient spectacle for the knaves, bear witness to the punishment, commanded by a great trident, hearing screams of bannermen, for King and council a shocking twist, serpents ****** from out the mists, encircling priest and his kin, the howling they had done no sin, never be forgot-ten, as Typhon cried out merrily, serpents and the tragic sea; swallowed up all the three.

Priam

“Farewell dear Laocoon and two sons with thee!”

And in the end,
You begin to realize who your true friends are.
The ones who stand by your side
Through thick and thin
Trial, error, and sin.

In this day and age,
Not many stand the chance
In nomination
For the sacrificial commencement of honour.

Nature plays its part indeed.
Because it is only in time
The veil is lifted.
Root by root,
Seed by seed.
Humanity reveal their true colors.

Next thing you know,
You've been cursed by a plague.
A whole school of fish
Swimming to discover their own island.
That is only for thyself.
You've been contaminated
By the human race.

Look at the social media blow up.
The narcissistic selfies,
The I, me, my's,
Gaining daily acceptance
All in disguise.
The public audience is their show.
It's needed for everyday approval.

Nobody really cares about you
It's all about
"Look at me!"
"Look what I can do!"
"You are so cool."
"Thumbs up to you!"
I'm going to abuse the word "love."

Forget the hoopla
Here today
Gone tomorrow.
Everyone feeding off of
Self loathing attention.
There is no more room for pitiful sorrow.

Truth is
Sheep lie among the prey
Victims...
Don't be another
"Nodding Acquaintance"
A distortion of the facts.

Don't get fooled.
Not by social grace
Not by exploitation of the face.
You'll just be a bargain commodity,
For their convenience.

Stand true
True to yourself
Because in the end,
Nobody else really cares.

The first time a man ever pointed a gun at me and asked me to love him was at Granny's Kitchen in Greensboro, North Carolina.

The waitress, a soft spoken white woman with her hair pulled back in a bun, had just dropped off my plates --- a simple mix of scrambled eggs, two pieces of greasy bacon, and a short stack of pancakes. Now, no matter how cheap, I always feel like I'm cutting loose at breakfast places for the sheer abundance of plates. While I'm sure the eggs and bacon could have shared real estate, each component had its own china.

The waitress lingered at my table, her fingers fidgeting with straws in her apron. I made eye contact. Well, my eyes contacted hers; she was staring at my lips.

Sure I can't get you something to drink? she asked.

This was approximately the tenth time she'd made sure. She was uncomfortable that I had supplied my own beverage -- a Big Gulp. But even more than that, she was uncomfortable by the deep red stain taking over my lips. Contents of the Big Gulp: merlot, boxed.

(That is an unnecessary detail. I've only written it so I never do it again.)

Before Greg hopped up on a table and announced to the restaurant, If I could have your attention, my name is Greg and this will only take a second, blah, blah blah, I poured a copious amount of syrup on my pancakes. Then I moved the bacon to my pancake plate. In my experience, very little in this life is better than syrup on bacon.

I shut my eyes for that first bite, just like the commercials. The syrup dribbled a bit onto my beard, and when I opened my eyes, I discovered it had also landed on my shirt. I grabbed a napkin. Heard a chair slide backwards. I started with my beard, peering around the diner, making sure no one saw. I think I heard someone gasp. But I was busy, working that napkin then against my shirt. Jesus, I thought. My grandma, who's got a splash of the Parkinson's, could eat with more grace.

If I could have your attention, my name is Greg and this will only take a second, a very official voice boomed behind me.

I turned around to see if I recognized him as one of those cuffed jean-sporting, wild plaid-loving NPR hosts. He wasn't one of those. He was a sunburn with mop hair in a black tank top and hemmed jean shorts. He did, however, have a cleft chin. That's actually worth noting. Don't see a lot of them these days.

I know you guys are busy, he said. I know that like me, you guys are probably broke as hell. I mean no offense Granny's, I love this place, but it ain't exactly four stars. Or three. Anyway, all I want from each of you is five dollars. If you ain't got five, give me four. Ain't got four, three. And so on.

He started with the stringy Japanese couple on the west side of the restaurant. Nobody really seemed scared, not the freckled brat in canvas sneakers, not the liver-spotted gentleman with a copy of that day's paper.

My old friend Jerome used to say that white folks are the only romantic criminals. He tacked it up to that whole Bonnie and Clyde crap. Greg, it seemed, was privy to that information, too. He smiled and thanked each person as he robbed them of a few presidents. The victims, smiling back, seemed to be thinking of their names tagged at the end of some newspaper dialogue. A few even gave more than he asked.

Here, take fifteen. Times will get better.

Aren't you just a charmer.

It was all very moving.

So he gets to me, and of course, I don't have any cash. I carry a debit and an arsenal of credit cards like a normal American. I don't know how he made it to me before running into this particular problem.

No, I don't have one of those iPhone card swipers, he said. Well, you gotta give me something.

I offered a gift card to Harold's Clothes for Men, it had like two bucks on it, but he wasn't interested.

What's your name?

Henry.

How much do you weigh?

Enough to keep me prohibited from most amusement park rides.

I like you, Henry. Well, let me ask you something. Have you ever loved a man? he asked, pointing his smudgy revolver just past my ear.

I shook my head no.

Me neither. I've always been curious, though. You been curious?

There was a time when I was thirteen -- Blake Hinton was changing after basketball practice -- and I remember thinking, that is an incredible chest. These lines just sprawled from his sternum, lines leading to these almond *******, and I specifically remember wanting to eat them like, well, almonds. But that hardly counts as curious. So, I said, No.

To which Greg responded: Get curious, boy. You're coming with me.


In the spirit of honesty, I was in a bit of a haze before Greg made me climb into his beat up Cavalier. Not just from the Big Gulp brimmed with merlot, no, I hadn't slept in two days prior to the whole gun-in-face incident. Reason being, I was, as Greg would say, broke as hell, and the rent was due. I stayed up both nights conspiring (and drinking). So, really I was pretty thrilled to be kidnapped away from the whole situation.

I had visions. I guess from the lack of sleep. Maybe they weren't visions, maybe just dreams, or fever dreams, I don't know. All I know is I blinked, and we were in the Appalachians. And there was a grey longbeard in the backseat rattling on and on about how change is easy, movement is easy; it's that whole nesting thing that takes courage and strength, blah, blah, blah. I told him to be quiet. Greg told me to get some sleep. I blinked.

We were in a karaoke bar in Madison, Tennessee. There was a gin and tonic in front of me. I took a drink. There was a water with lime in front of me.

Greg asked, Where did you go?

I told him, your dreams, trying to be cute. He turned and asked the bartender for a Yeager bomb. Reaching for the server in -- granted -- an overly dramatic gesture, I said, Make it two. We made it three. We made it four. Seven. Then some vague, but perfect number, because my head rang right. The words came right. And I was a journalist, asking Greg all the right questions.

I'm not a criminal, he said.

I was just bored, man, he said.

You see, I was in a rut, he said. Last month I put up a personal on Craigslist. I know, it's pretty ******* desperate. I've read the kind **** people put on there. But mine was different. I just wanted some time with my ex-wife. Some couch ***, you know? We hadn't done it on a couch since I dropped out of college, and I hadn't even really thought about it until a couple weeks after the divorce. Then it was all I could think about.

A black woman, whose teeth glowed under the black light, began singing "Wild Horses." Then he read my mind, I think.

Yeah, she answered it. Did our thing on her sofa. It was nice and all, and like all nice things, you just want more, but she said I couldn't have no more, this was a fluke, a one-time, or no, a one-off thing, she said. Had to relocate, so that's why I did that whole thing at Granny's.

You ever get it on a couch? he asked.

No, I said. I've see a bra though --- two actually.

He took that as a joke, which was good.

Though wild horses couldn't drag me away, a gasoline horse could.


He handed me a courtesy breath mint after I finished throwing up. The Nashville skyline looks perfect, he said. Especially at night.

My stomach was gravel in a washing machine. Masculine love. At gunpoint, I had agreed to indulge it. I was going to make love to a man -- not just a man -- a criminal. Not something to write about on a postcard.

Mr. Winters, my esteemed landlord,
Apologies about the rent. Got kidnapped by a *******, and I'm presently banging and being banged by him in Music City, USA.

I blinked.

We laid on opposite ends of the queen-sized mattress.

I always liked Super 8s, Greg said. I don't see the point in spending so much on a hotel. A bed is a bed.

And I tried to be funny with something about the confidentiality of dark bedsheets, but it fell flat.

Greg cried. I love my ex-wife, he said.

Can I help?

Will you hold me? he asked.

The air conditioner kicked on in the already freezing room.

I'm sorry. You don't have to, he said.

I scooted against him. He smelled pleasant in a family-vacation-kind-of-way, like a fresh pretzel covered in salt. I put my arm under his neck. He buried his face into my shoulder. I blinked.


The front end of his Cavalier was held together with copper wire and coat hangers. It was a two-door. Both doors dented from, according to Greg, hit-and-runs. It had a Vermont plate on the back. It was red. I mention all of this to say: if we kept moving, we were bound to get pulled over.

In the parking lot of 3B's Breakfast, Burgers And Beer, Greg asked me to retrieve his revolver from the glove compartment. You kinda have to uppercut it, he said. And I did.

I don't want to do it again, but we have to. I'm not staying put, not until I hit the ocean. But don't worry, I'm not going to hurt anyone.

He showed me the revolver. No bullets. I nodded, in approval, I guess.


The second time a man ever pointed a gun at me and asked me to love him was at 3B's Breakfast, Burgers And Beer in Bellevue, Tennessee. Of course, it was the same man, Greg, but the circumstances were a little different.

I went with two orders of biscuits and gravy --- or B & G as my dear friend Chance affectionately calls it. Four bites in and I'd yet to hit biscuit. For a moment, I wanted to tell Greg, C'mon man, ***** the ocean. Tennessee does gravy the way God intended. Nobody would find us in this suburb. We could be sharecroppers. Do they still have sharecroppers?

Do you like fresh corn? I asked. It was the first crop that came to mind.

Greg didn't answer. I noticed his plate of hash browns and eggs -- sunny-side up -- were untouched. You okay?

He was, he said, trying to get in the zone, that's all.

Alright.

Our waitress looked like a poster child for ******'s Youth. She couldn't have been much more than sixteen. She had blonde -- almost white -- hair. Her eyes changed color with the intensity and direction of light, a gradient between seaweed and dark ocean blue. She appeared to be an amish girl gone defective, and I was about to inquire into that very supposition when Greg stood on the table, and said, If I could have your attention, my name is Greg and this will only take a second.

Tennessee is not North Carolina. In North Carolina, they got a healthy aversion to firearms. In Tennessee, however, once a babe can walk, the *******'s got a BB gun and an endless supply of empty soda cans for target practice. I say that, to say this: when Greg stood on the table, so did three other men. Their three guns pointed right at him.

Lower that gun, brother. You ain't gettin' any money out of us.

Hate to shoot you in front of your boyfriend.

Coffee spilled and ran off the tray our waitress held. She shook so hard, it wasn't clear how many women she was.

Greg's cleft chin centered on one gunman, than the other, than the other.

Just drop the gun, *******.

We don't want to ruin no one's breakfast.

Fellas, I said, he doesn't have any bullets in his gun. We need a little money that's all.

That ****** is just trying to protect him.

I'm calling the cops, a purple-haired old woman yelped from under her table. Silverware clanged against the floor. Then the buzz of a fly. Then the pop of fries drowning in grease. Then the bell chimed as some idiot walked inside.

Greg's arm was shaky as he pointed the gun at me. Do you love me? he asked.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I put my arms up. Slid my chair back a ways. Stepped on the chair, then unto the table.

Do you love me? Greg asked.

His breath smelled like last night's alcohol and that morning's coffee. He was a child, a sunburnt child with a cap gun. He wasn't going to hurt anyone.

I put my hand on top of the revolver and lowered it. He crumpled, as if I were scolding him. They still pointed their guns at us. But for the first time in my life, I felt secured, tethered to a space.

I lifted Greg's chin up with my index finger. Covered his eyes with the palm of my hand. And I kissed him. I kissed him, keeping my eyes closed tight.

Ah shiny approval,

Warm and soothing on the skin,

Absorbed like a lizard,

When one is hypervigilant.

Hateful tears slice my skin like razors in the bathtub
I’ve been hurt by the bare hands that once bound us together too many times
You were an angel to me and you loved me like a child
But when I come home and your breath smells like cheap whiskey you twist and thrive underneath burning skin belonging to a type of corruption only the Devil could endure

My bruised eyes are proof of your demons
My broken arm is proof of your demons
My always plentiful supply of makeup to cover your loving blue outline is proof of your demons
My battered body is proof of your demons

The pain doesn’t scare me. I accept it as my own.
I understand your need for attention and your need to be left alone.
I just haven’t mastered the ability to sense when you’ve been left alone with your thoughts for too long
Flashbacks of your own childhood-the ******* that your daddy forced upon you
The sound of skin tearing, the scent of blood. Your fathers voice. His silhouette hovering.

You linger in the doorway for too long when I walk in.
I look in your eyes; the **** videos play back to me. I know I shouldn’t touch-I remind you too much of your father.
Threats to leave me, swinging your fists.

Tomorrow you will say how mistaken you were-you thought I was your father you thought I was a monster but you know now that I’m the most intimate version of a mother you should know
Curling up, weeping your apology. Comfort me, hold me, you beg.

I know better than this. I picture my mother “Once and you leave him.” But its been 16 months now and i cannot leave a fallen angel.
I can’t bring myself to walk out because I know you chose me.
Distrusting; you chose me. You saw I had flowers splurging from my veins and all anyone else could see was self abusing thorns.

The blood from your knuckles soak the blood resting upon my face
It tugs and pulls and I bring you in
Your beautiful, tear filled eyes make me feel special
“I’m sorry, I love you, I’m sorry, I love you”
I’m sorry I love you.

I got sick of shaving
Every day
So I started growing a beard
For a while, it was technically stubble
But now it would make William T. Riker proud
Or at least smile and nod in approval
At the effort
I bought a beard trimmer at Walgreens
And I trimmed that *****
Made it nice and even
But it itches a lot
So I have to use dandruff shampoo on it when I can
I get compliments on it
From my mom and my brother
Whose beard should belong to a Canadian lumberjack
(Not my mom, my brother)



I love this beard
But I still get the urge to shave it completely
And return to baby-face

Ropes and chains
Twine and twigs
Every ounce of burden
Straining, straining
Step again, drag my feet
Too heavy, it's too heavy

Crumple like paper
Knees in the mud
Weight on my shoulders
Sinking, sinking

Shouts and screams
Fall deaf on my ear
All I've ever heard
Now as silence

Spit while I'm down
Useless, I'm useless
Selfish for want of freedom
I owe you this
You insist I owe you this

Slaves do not dream
Do not think on things
Other than the master's approval
This is what you've done
This is why I am

To serve, to serve
Faithful, without question
To validate your own life
That, you say is my purpose

I'm crawling
But you add more weight
Sinking, sinking
You tell me to stay
Trap me with your ropes and chains

I slip, you threaten
To cast me out
To wolves and beasts
And vicious criminals

To cast me out of these walls
You scream
To leave me to fend for myself
In an existence of terror

"No!" I beg, I try harder
"Please, strike again!"
I beg for the pain
The pain is love

The whip is love
The shouting is love
These walls, these chains,
Love and protection,
Protection

Tie me down
To a place of expectations
That are self serving
To a world of rules
Of certainty

I trusted you
I believed in you
Believed I was doing the right thing
Blinded by your ignorance
As you taught it to me

Trapped, trapped
I can't move
You taught me
To not want to

Those wolves,
I can hear them
Laughing behind you
Laughing is wicked
You taught me that

Laughter is delusion
Is cruel
This is real,
This is certain,
This is safe
That is what you said

I look to that laughter
In disgust
What is that garish brightness?
It must be one of their tricks,
One of their deceptions

"It is light,"
Someone calls from
Behind your wall of safety
What is light?
It must be bad

There is none here,
And things not here are not good
It must mean lies
Light must be
Deception

You hit again
For looking
I should not look
It will lead me astray
Please, let me stay I beg

But it haunts me
That curious light
I do not know what it is
You do not know what it is
I want to see

What is that light?
That star behind you
Do stars exist?
In what is that, air?

My eyes sneak past you
Past the door
You yell at me for looking
But you always yell
I don't hear
But I see
For the first time, I see

Is that green stuff on the ground?
Not mud, not unyielding stone
Something soft, something gentle
Do such things exist?

"Grass," the distant voice names
Grass… it is something
Can something so different be?
What does it do?
What is its purpose?
To serve?

"No, not to serve,"
Then what?
Why does it exist, if not to serve?
To serve…

You add more weight,
To remind me
Remind me,
Of my place

There is familiarity,
Familiarity in rock and stone
And pain
I could ask you to strike me

One more time
So I could feel the love
You taught me
That is what pain means

Grass is scary
Flowers are scary
Sun, wind, sea,
These pleasantries that are
Evil in your eyes

But they beckon to me

I shift in the mud
Of this home
Restless
Restlessness is new
Restlessness is dangerous

HALT! You do not want me
Looking that way
Halt, stay,
Obey, obey,
Head down
More weight

I don't think to question
But I look
I look to see
Something different

Something so soft,
Something so sweet
How does it taste?
How does it feel?

Like evil, you say
Like the destruction of certainty
And society
And all that makes us strong

I almost believe
You sound so sure
You taught me never to question
And for so long I knew it was right

But… that light…

I take step forward
You scream and snap your whips
Dishonor, dishonor

They are like hugs
As you have taught
Out of love
I open my mouth to ask
"Disrespect, Disrespect!"

Anger, fury
I am disobeying
I dare question,
This world you have built
Out of rules and ignorance

Another step,
The burden is slipping
Disappointment,
Disappointment

That light ahead
Feels good
Feels warm
Feels right

So strange that
There be happiness
Outside of certainty
Outside of law

"Stop stop!
I will cast you out
I will disown you
And you will never return!"

You shame me
With claims of hate
Of betrayal
I betrayed, I betrayed

Your orders
Are the orders
Of nature, you say
And I disobey them

"Betrayal, Betrayal"
But the 'wolves' say "Courage"
What is courage?
Courage is good? Or bad?

What do those smiles mean?
Can a face truly be that way?
How can this exist, if it is
Against nature

No,
It is against
Your nature
Something, something
Outside of your world
Exists

I am in awe
Fascination, imagination
There is color, there is life
All of these things I never knew

It draws me forward
This world outside of my own
Things I cannot name
Warmth and faith

"Betrayal, betrayal,"
But you
You dare not follow
You lock the gate behind me

"Never return,
Never return"
You growl,
You threaten
You turn your back on me
On one you claimed to love
Through slaps and whips

I am scared
Of not knowing
These soft colored
Blossoms

But you…
I realize,
I think,
For myself

You… you instead are afraid of knowing of them.
Your walls, I see now
I can see
Built with rules
Built with eyes closed
So you can feel safe

You protect yourself
You shut me out
I am contaminated
I am evil

I am not you,
Betrayal, Betrayal
I disappointed you
I am not welcome

There are fingers through my hand
There is softness in this touch
If pain means love, does this mean hate?
I don't understand

An embrace
This is soft
This is good
This light is the world

And to look back on yours
Yours is small, is closed, narrow
Cold and dense as stone
Unyielding, Unyielding

So small, so dark
"So safe"
You would argue
But I pity you

You feel strong
You command those beneath you
As little as they are
You feel safe

But I walk away
And see sky
See possibility
I feel fear, I feel uncertainty

But I feel freedom
I feel grass,
I feel light,
I feel love,

I feel life, I feel life.

Why do I do this?
To both you and myself?

Why do I crave your approval?
Why do I need your respect?

Can't I just be strong?
And move on?

Nope. I still need someone to tell me I have potential.
            I still need someone to let me know i'll make it big one day.
            I still need someone to give me that little but of encouragement when I'm too ******* myself.
            I still need someone to sit me down and say, "I believe in you".
            I still need someone to give me advice.
            I still need someone to look up to.
I respect you so much.
We had our differences but all in all, you're still my role model.

But to you, I'm nothing.
Hurtful words roll off your tongue so beautifully.
                     I don't understand!
One day you think I'm amazing
                                                         The next, you're telling me im just mediocre

I may say your words are empty to me
....But I hang on to every last
**Sy-lla-ble

I'm so lonely and it feels like there is nothing I can do about it.
How could I convince myself that it would be ok to find someone to be with in a physical way, knowing that I am just using them to make these miserable loneliness feelings go away?
What am I doing wrong to cause these feelings to relentlessly incinerate my mind every night?
Why does my desire to be close to someone else override my instincts, dull my sense of priority, and numb my enthusiasm for life?
What kind of person am I if I am ruled by pleasure-seeking cravings that probably can only be temporarily satisfied anyway?
When will the time come when these lustful alarms ringing in my mind calm down enough to disguise themselves, allowing me to pretend to not be a desperate love-starved clingy loser who can never escape the top of my own priority list, no matter how many other things compete with being close with women who I am attracted to?
When will I live and breathe through a day without thinking about ways to find myself in situations with women who I am attracted to, knowing all the while that my toxicity stands a more-than-fair chance of either running them away or misrepresenting myself to manipulate until I can no longer hide who I disgustingly am?
What will it take to quell my constant need for approval and attention?
How will I ever satisfy this desire, anyway, since I am consistently attracted to women who have no interest in approving of who I am and humoring or ignoring women who see me as a good person?
What am I doing chasing women who don't want to be with me?
Why do I think that if I keep texting, complimenting, or joking with girls who I am attracted to, they will suddenly find me completely attractive, even though they clearly don't?
How low would I have to go to be more interested in unraveling a girl physically instead of thinking about getting to know her, understanding her mind, and prioritizing her own interests and well-being above all else?
Why does my lustful and obsessive nature have to so strongly contradict my ability to behave in a way that makes me sexually attractive?
Why do I selfishly choose to express myself even though the only person who benefits from it is me and everyone else either laughs at me and thinks I'm a fool or decides to smile and walk away since I am not giving them any benefit?
What kind of person would be attracted to a passive reluctant caring individual such as myself, and then remain attracted to me when they learn that I am truly a passionate aggressive obsessive over-the-top unstable rambler?
What am I supposed to do if the years go by and I keep adding questions to my list of insecurities and my perseverance in this constantly losing battle fades away?
What am I supposed to tell my family and friends and grandparents when they ask me if I have been meeting any girls?
How can I try to sell myself to girls knowing what a toxic mess I am?
How can I try to sell myself to girls knowing how frequently girls who get close to me no longer want to spend time with me?
Why does everyone look at me with pity?
Why do I keep chasing girls who don't love me, or like me, or think I am sexually attractive, at all?
Why do I think I deserve that?
Why do I tumble around with fear in my head instead of getting up and doing something about the lust that I feel?
Why can't I participate in hook-up culture?
Who would really care if I did?
Why can't I go into it imagining that I will just ignore the person I hookup with and hope that they reciprocate and ignore me so that they don't have to realize how dumb I am?
Why can't I be charismatic enough to at least have some friends with whom I have ****** relationships with and not get carried away with?
Why do I take everything so seriously?
Why do I still feel like I did seven years ago?
Why do I still have the same obsessions?
How am I so mature in some ways and so stunted in others?
How come I excel in areas of my life that I don't care about at all and I can't even come close to being successful in the ones that I really do care about?
Why does being sexually attractive mean so much to me even though I already reject girls who find me attractive?
Why am I so shallow?
Why do I question and mourn the decisions girls who I am attracted to make when I hypocritically do the exact same thing to girls who are attracted to me?
When did I become such a hypocrite?
Why am I so happy and joyous and optimistic for the people I love when I don't have what I want?
If I got what I wanted, would I just take it for granted like I do everything else and then just want more, or want something else?
Why are we so greedy?
What am I going to do with my life when my lust declines and I no longer have a humongous problem to obsess over?
Why is this problem so consuming that I can't just ignore it and try to be normal like people do, and like I usually do?
Why do all of these thoughts form during the day and then explode all over my perception at night?
Will I ever be ready to love someone?
Will I ever be ready to love someone and not be selfish?
Will I ever love someone who loves me back?
Is love just mutual ****** attraction with linguistic agreements and complacency?
Will I ever love someone who doesn't eventually hate me?
Am I made to do everything but be a romantic partner?
Is there something absolutely wrong with me that I am in denial about?
Do I seriously need to become more self-aware? I doubt it.
Will I ever be enough for someone who I want to be enough for?
Could I maybe even be more than enough?
Can I increase my worth to make these problems go away?
Do I constantly put myself in these situations and relationships to torture myself?
Will I eventually give up?
Would that be good?
Will I ever learn?
Will I ever change?
Does doing stuff like this hurt me or help me?
Does it help you?
Hopefully.
I am on a roller-coaster of fear, insecurity, loneliness, lust, and depression and I can't believe how many emotions I have.
I'm so lonely and it feels like there is nothing I can do about it.

Picketed, another generation pushing for advancement in the age of reason,
Logical, radical movement
Trying for less invasive measures of medication
To take the blinders off the prejudice of non-conformity and reach the masses
A promise to ease the pain, promote healing, the overall good
Met with violence, verbal slander, from mommies and daddies afraid of a world outside their white fence,
Fearing independence, the expansion of the mind, an openness in their youth to allow radical change.

The bloated belt bent backwards, white collar replaced by hedonistic practical libertarians in pursuit of happiness for all
Sick, disgusted with the man, the one behind the podium whom allows for this animosity on a group that did everything right, legally sound
Tired of hearing the whispers across a university, the hopeful gushing’s of elated individuals bright- eyes naive
Of a system that won’t allow something this controversial into the public, afraid to lose their hold on a potential capitol
On something that should be as easy to find in a free market as Captain Crunch, Coca-Cola, and Rice Krispy Treats.

Grinding down, fluffy-green-crystal bud
Dank yellow smoke smoldering out of pipes end, seeping out of closed lips billowing out of nostrils
Dragon fire down a throat coated with a week worth of soot, and experience
Choking, coughing, laughing away the misery
The disappointment in her fellow man to refuse to even consider the validity of a proven product
Knowing that if it was anything else a miracle drug composed of fairy dust, unicorn hair and the ***** of a thousand angels; approval would have been immediate.
Whip lash.

Flick, flame, fumigating
Baking myself into a calmer state, watching with ******* grace
Twitching with the need to take action
To control this negative reaction, to slap the of face limp **** conservatives
So consumed with themselves, blind to the pain of people who have lost hope in other forms of relief
Alternative therapy shut off by a system obsessed with its war on drugs.

my desire for His Affection
my devotion for His Adoration
my obedience for His Authority
my gratitude for His Approval
my love for His

Snake

The snake sits coiled in on himself
low in the dark ground
props his heavy head against the wall
he is sick and cold
it's in his blood to be sick and cold
he's too afraid to ****
knows he can swallow a rabbit whole
but doesn't want to see the rabbit leave
everyone loves the rabbit
so he turns invisible
becomes the dotted line on the floorboards
sinks into the heavy air
sometimes the snake can feel his venom leak out into his teeth
feels sickness in his belly
festering purple words in his mouth
too sick to be hungry
the snake takes to the ceiling
he likes how nobody looks for him
he can just watch
be silent
the snake loves to watch
listen to the goat bleat
or the rabbit make a scene and twitch around
it's quiet and peaceful and he can't be trampled
he can just coil up and love them all
if he is quiet nobody will know he is sick
they will only see his friends, the goat and the rabbit

Goat

The Goat Loves to be pet.
to be milked
trade himself for the love of another
to marry, sacrificial Goat.
viscera and smoke for the gods to be nourished
The Goat always comes back to life
Bones whole like the Milk, Zeus fed him
Rewarded with immortality for his submission
the goat lives like he knows he's immortal
does not listen to reason
acts on gut instinct
he has four gut instincts
they never agree with each other
the goat still has one horn
the second was shaved and polished so he did not
harm anyone
the first stomach breaks it down
the second passes it through without much thought
the third feels sick as it passes
the fourth sends it's nutrients through the body
The Goat feels a mixture of fulfilled and tricked.
he is still not certain if it was worth it
but sacrifice is familiar to the goat.


Rabbit

The rabbit thumps his big white feet against the door
sends it flying into the bar.
all eyes
twitchy hops
busted hinges
door frame
his bright white fur,
blue glitter suit
chatters his teeth
in approval of the attention
finger guns his new audience
his manic smile
huge attentive eyes
take in the room
glow as he speaks
fast and clear
commanding everyone stand
form a circle
most of them do
except the snake hugs the ceiling unnoticed
the goat has no motivation to participate
Goat distracted by his sketchbook.
Goat is drawing the snake
the snake is coiled up trying to disappear
Snake does not want to think about the goat watching
wishes for the goat to just watch the rabbit.
the snake is upset and can't sleep
the room is all dancing now
spiraling around the rabbit and laughing.
the rabbit leaves the circle and sits next to the goat
rabbit asks what the goat is drawing.
the goat points at the snake and says

"there is a beautiful creature that the world deserves to hear about"
the rabbit agrees
says how phenomenal an artist the goat is.
rabbit looks at the goat in his rectangular slit eyes
delicately touches the goats polished horn nub.
the goat leans into the rabbit and feels comfortable
the snake is very happy the goat stopped drawing to cuddle the rabbit
and starts to smile
less sick with less attention
up here alone without being seen
he can lift up his heavy head again
he looks at the rabbit
the rabbit looks for a split second at the snake
just long enough to wink
rabbit goes back to petting the goat
who is nuzzled into the rabbits chest
as rabbit watches the room of people dancing
all circling as he left them and commanded
the rabbit bathes in his power for a minute
bathes in his love for every creature in this room
how much love he is getting and obedience
complete control and omnipotence
all these individuals
the rabbit is a god in his own mind
he values the snake for watching over the room
values the goat for being immortal
mostly the rabbit values himself
for being their manic god, keeper. protector.

when the room stops dancing they look towards the rabbit
but the snake has descended the wall and eaten the rabbit
the goats gut instinct told him to swallow the snake
the the room looks at the goat
rectangle eyes one polished horn
and a look like he just brought himself together
the venom
from the snake
mellows the vibrations from the rabbit
the rabbis feet give the goat
unfathomable luck
Goat is level headed and looks
at his former dancers no longer under the rabbit spell
all separate
with their own lives
properties
the goat is no god
he is not a shadow like the snake
he is not distracted or indecisive in his art and mind
he just exists. talks.
listens. learns
he shows the room his drawing of the snake
they for the first time feel they are not alone
the goat, the snake, the rabbit, they all understand
they have so much love.
they complete each other.