Quincy Valero
Everybody’s best friend
Jet black hair
Shiny brown eyes
A boyish smirk
Standing six foot something
Coming out of catholic school agnostic
Attending state college

Every word that came out of his mouth was a riot
A funny story of a bad situation he was in that he can laugh at now
An awkward moment with a girl he tried to get in bed
God awful train rides with a clueless conductor

Quincy Valero
A wanna-be Casanova
The irish-italian self-proclaimed “Don Juan of Dumont”
Roaring down the suburb streets in his bright yellow mustang
From Bergen county to Trenton
Edgewater to Ewing
Bumping R&B; from the 90's

A main girl
A side chick
And a few back pocket broads
Leading them on
To where?
I’m not even sure he knows

Quincy Valero
My best friend since I’ve been here in Purgatory
My lifelong cellmate
My hetero life mate
My brother of second thought
Our token white boy

He’s had his ups
Wild ragers until day break
A four way with me and two girls in my four door sedan
He’s had is downs
Falsely charged with domestic abuse
Community service, endless court room hearings, suspensions and a whole bunch of nonsense

Quincy Valero
The quintessential example of the modern day male
Stays up all night
Sleeps all day
Opportunistic
Egotistical
Miserly
*****
And hungry

Always aching to put in his two cents
And leaving everyone in a howl of laughter
An Adderall popping
Seasoned drinker
A professional *** smoker, coached by yours truly
Fast talking baritone voice
With a half serious tone

Yes, Quincy Valero
The tight plain white t-shirt wearing
Chino sporting
Nostalgic, slightly racist, sexist, anti-semitic
Bust usually honest, friendly and apologetic
Good hearted dude we all love to hate
And hate to love

Bed-headed
Pajama bottom ***
Talking about his Svedka regrets
And we laugh and laugh and the stupidest things
Then remember events that seem so long ago
And then make plans for tomorrow
Yeah, one of my best friends
My oldest friend
That’s Mr. Quincy Valero

Vernarth and his companions delighted in the company of the biosphere since he was in the Eclectic Spiritual Portal, and in this dimension only he could be. Later, they communicated only through his donkeys, when they wanted to send them messages or share with him, they mounted one of these equids and they could pass into this atmosphere of ultraviolet light that separated them. More than an egregious Pythagorean calculation, he already stood out in his eon of matter-spiritual energy Vernacentricus, as a quantum station of the geodesy of the Megaron that has already begun to be built. At this precious moment the secular and demiurge satellites of him arrive, they came with the foundation of the points to refer to definitively raise the Ultramundis Vernacentricus. From the Vóreios or boreal the apocalypse of San Juan will be intertestamental with the canons of Zefian that transmigrated from the powers from the transversal valleys of the Horcondising, essentially following the sensory track of the Nothofagus Obliqua to attract the iterated populations of the forest.
The patriarchs and the orthodox mountain range appeared in the cords of the fungi called Ambrosiella ceratocystidaceae, to provide the Ambrosia Mercurial, as a nutritional addition to the main pilasters of the temple, with great influence of fungal fungi. Everything was beginning to demarcate from the eruv of the Zefian arrow that was named Tetarto Vélos, or fourth arrow that was already beginning with its culminating operation with the borer beetles, demarcating the urev of the Vóreios throughout the region and on the oaks of Patmos, that began to be located from the Meli Witran Mapu Mapuche winds, beginning with Pikún-kürüf Northwind with the first two arrows of the Taxotas, and Sur Waiwén, of the Pezhetairoi, of the quantum of transmigration of the Horcondising-Panhellenic sub-mythology. Then the Puelche drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the eastern vertical, to culminate with the Lafkén-kürüf all attached to the axis that supports them from this great bilocation. The boreal is demarcated, so that the Necromancer Ezpatkul with his Augrum and gold teeth, twisted the tendency of the beetles to move the main columns of the frontispiece, being colossal in reality with twice the diameter of the central ones. Then the conclusive and posterior ones of the rectangular quadrant of the Beit Hamikdash were bilocated, to bilocate the Bern Olive Trees from Gethsemane so that they finally joined the Meltemi, and towards the aeolian winds of Tramontane Eolionimia falling on the Tekhelet of Paul of Tarsus, dropping relevant heights of some cranes with gravitating silt on their extremities, and with garbeas that were secondarily colonized on the banks of the desert areas of the rocky Hamada. As was previously proverbial, three birds climbed reflecting the crown of the kings in Bethlehem, Arriving at the sacred native city, and beginning the choirs of Nativity and passion for the hiss in tenuity on the twelve Giant Camels, where they paid special attention to rebuild another temple with a sigh greater than a Sheba Dean. The canon of Policleto was renewed with Zefian who agreed with San Juan, for this kanon that will be the relevant line of topographic surveying. Thus the basal measurements of the golden number will begin with the acroteria concerted summer seats of prosperity next to the Metopes. Ezpatkul would bring with his magic the red blood cells of Betelgeuse along Leiak with all the Templar three-dimensional morphology, naming this singular parapsychology of Pope Urban II who proclaimed the First Crusade at the Council of Clermont, in France, on November 27, 1095, to delineate the paradigm in the anatomy of Gaugamela bled into Vernarth's breastplate, as the archaic and first crusade that would inspire Christian supremacy, which was already anticipated before the Christian era to come. It will be visible gestures of the trajectory of the arrows of the Zefian Torah that were deposited with their hallelujahs from the ***** of Crete. The sulfur yellow and red blood cells marked the radiosity of the Eclectic Portal that opened to give Vernarth material egress, so he would take his tools and go with his donkey's escorts for the chromatic that will be sulfur yellow and red blood cells, both dependent on the complementation with the Cinnabar, and in the raised bodies of Court V of the Helleniká Necropolis in Kímolos.

Under vileness or absence of light among darkness or apocryphal light of Evil, in contrast to the robust equanimity of light and shadow partisan of Saint John the Apostle, for the hegemonic good of his incorruptible vision. The naturalness made the world apologetic with the immune defenses of the polish textures, they invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times of Polykleitos, starting from the base to the feet as the base of the plinth or frieze until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David would recite the measures of the psalms, or beads in degrees with hoped-for dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolt when hitting the faint glow of the canon rays. Making himself the sustenance in the stone and the mound, towards the Vernarth counterpose when the Himathion was tried, he appeared disguised and in composing. After this initial task, they approached the fire and scalding water to **** herbs, which pretended to be the formula of the backhoe extracted from the palimpsest of the generals of Alexander the Great, when they distributed their illegitimate Ark with royal titles; they were Perdiccas, Antipater, Crátero, Eumenes de Cardia, and others like the satraps who came to be enunciated as kings; Antigonus, Ptolemy, and Seleucus. Residing only the most substantial military colleague of them in this parapsychological saga Vernarth; and his brother Etréstles de Kalavrita who seconded and predestined him in his monolithic, and in the constituent sovereignty of Polis, for the purpose of reigning and raising his Kopis and Xifos intertwined in aldehyde manumissions and in the alcoholic carbonyl residues emanated from the Backhoe ferment and Nepenthe, depositing LSD in substantial amounts to align itself with Seleucus, and materially present itself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing Seleucus in that totalitarianism over that of Alexander the Great, now extinct. On the last day after working and being satisfied with the construction work of the frontispiece, and its major columns, Vernarth joins them after temporarily leaving the eclectic portal, they sit by the fire to review the plans of the subsequent construction process del Megaron, along with his seven donkeys, mentioning Borker's necromancy. Since the omens of Wontehlimar, the linemen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibics rings were enlisted chorally by the patronage of the Hellenic Orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this dome the larnax of the Great Macedonian, a prioris, the schismatics of ancient Christianity, and orthodox Judaic will be derived, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to join them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos.

Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two- or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibics Rings, for each linear meter and cubic, traced by a nanometer which is one-billionth of a meter. Here, the borer beetles will catch the fungi ambrosiella ceratocystidaceae and will displace the virals that move geometrically from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magic vectors of the polyhedron internally, triangulating at the top of the ram that carries an illustrious triangular phalanx, opening up the areas with its prop. vulnerable, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, such that on all their faces were regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and Platonic guide, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and their foundation bases shielded by the icosahedron in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that borer beetles were developing. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the quantum support and its theological harmony.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the throat of the Mandragoron, and in the carbon nanotubes, essential elements of the biosphere and in useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make the three-dimensional shape and a large voluminous serial in the Austral Nótos ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely, the second step of consolidation of the Megaron was established in the linear that the seven donkeys eagerly left, as masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.

I found her savaged
Embodied luxuriously over
what evoked to be a torn up of sequence of awesome tapestries, adjourned past a thin web of carefully traced emblems.
To this day, I find not a thought so beautiful and out of many
those which may come about
and those which could’ve never come.

I find myself without a motive,
without a sacred scent of pride nor
stigma of freedom,
yet I am only enslaved to my very demons.
Were they not as grotesque,
were not in the hopeless, drunken sake
to revoke their perseverance
they wouldn’t be anywhere near as precious.

In fact, they are perhaps the most precious elements I can behold.
Though they have not always ruled over guidance,
they have never left my course
and my curse, is to fancy them dear.

For lord, how could one ever wish to cease dreaming?
I can only let go upon the rabid clearance of my faithful pen,
even the latter, couldn’t ever suffice the magnificence of the given.

For it’s not ignorance, nor enlightenment;
It is whatever I wish it to be,
and none which I’ll come close to explain.
It is the mere and absolute pleasure
one finds in darkness.
That which comes over me,
that which sways my tidings and gathers
my rhythms and rushes my rhymes,
that which tides my emotions to the velvet
envelopes entitled in marks,
to the sunken, undecipherable verses,
to the crimson, wilted rashes of a silvermoon
slenderlight.
Oh, for such foul words are now used to demean one’s art
“thou art my lady, my gleam of heaven in sorrowful sight”
What terrible night,
what a terrific subject
what tremulous manner to execute a
tremendous gal.

I could never stop dreaming,
not while the dances
on melted vine;
not even whilst it dwells my words
into senseless specters,
not while the mind yet thrives,
nor will I ever fear such a splendid rhyme.

I found myself upon a creature whose tender slight
had abandoned the very virtue
and could only see myself glowing vile,
tangling amongst amazement and disappointment
why should I deny one the pleasure
my very fate has forbidden to attire?

What makes me,
of all people,
the soul to advantage of given pride?
Cowardly, the stench of curiosity bewildered
by an apologetic reign of might.

Whatever may have become of me,
where I to act upon my gifted intervention;
I often wonder.
I often regret it upon the moments when the mind
speaks the soul’s verdict, and one consoles
over the truth, acclaiming to change by the night’s passing.
Yet lament, sorrow and forlorn
only help me remember her last stance ever so beautifully;
and in the quelled noise of a risen,
renders the violent solemnity of a kiss.
For a lady always rests upon the velvet of her silhouette.

ACT I

MR. REYNOLDS: university linguistics professor in his 30's.

MS. LENDER: 1st-year graduate student in the university linguistics program.

SARAH: university undergraduate.

Scene 1

MR. REYNOLDS' office. The walls are covered with prestigious accolades and degrees. MR. REYNOLDS and MS. LENDER are sitting together, both with good posture, on one side of the table. SARAH is sitting comfortably in a chair on the other side.

MR. REYNOLDS

Okay, first of all, Sarah, I want to thank you for taking the time out of your day to work with Ms. Lender and I.

SARAH

Oh, like no problem at all. When I saw the bulletin saying that you guys needed like research subjects, I thought to myself that I would like love to talk and help.

MS. LENDER

(Staring). Do you work in the Student Union? And do you know--

MR. REYNOLDS

Ms. Lender, those questions are irrelevant. Let's get right to the task.

turns to make direct eye contact with SARAH

Are you ready, Sarah?

SARAH

Yes!

MR. REYNOLDS

Great! We are delighted with how excited you are. First question, Sarah. Would a sentence like this be something close to what you might ordinarily hear amongst your peers: 'I think I like like John?'

SARAH

Yeah, totally. Except, if you want to get like technical, I need to ask you like a follow-up question.


MR. REYNOLDS

Oh, there's no need to, Sarah. We're not testing for content. Only grammaticality. There's no need to get--

MS. LENDER

No, please do. Do get technical.

SARAH

I'm just confused with the way the sentence was like worded. Does this person like, like-like John, or does he or she only like John like a friend?

MS. LENDER

I'm sorry, come again? All I heard was a series of 'likes' and what may have been English if we really--

MR. REYNOLDS

Ms. Lender! Excuse me, Sarah. One moment.

SARAH

Oh, no problem.

MR. REYNOLDS turns his chair around to face MS. LENDER. He motions her to do the same.

MR. REYNOLDS

(Whispering). What are you doing? Why are you being so hostile towards our subject?

MS. LENDER

I'm sorry, Mr. Reynolds. It won't happen again. It's just that one of my biggest pet peeves is like-insertion.

MR. REYNOLDS

I understand that, Kathryn, but you are damaging your professional integrity by getting mad at a test subject. Remember, we're only here to record the descriptive rules of English language as it is spoken on campus, not prescribe suggestions or ridicule.Do you understand?

MS. LENDER

Yes, completely.

MR. REYNOLDS

Splendid! Now, let us continue. (Turning). Sarah, may we proceed?

SARAH

Of course, just I have to like leave soon. I'm sorry about that. It was totally like unanticipated that my ride would be here so fast.

MR. REYNOLDS

Oh not a problem at all, we can continue this another time if we have to, but we'll try to speed things up for you.


Okay. So, the second question runs with the same conditions. Would a sentence like this be something close to what you might say personally or hear on campus, amongst your peers: 'John and I partied all weekend. Oh well, YOLO!'?

MS. LENDER

Yes, please think really hard to yourself about this one. Are there any John's that you may have partied all weekend with, or for several weekends in a row with, and decided to say at the end of a good run, 'You know what? YOLO! You Only Live Once, so why shouldn't I be an ******* and steal someone's boyfriend?!'

MR. REYNOLDS

That's enough, Ms. Lender! Out of my office, right now.

MS. LENDER grabs her belongings and exits stageleft. She sits outside the closed office door.

SARAH and MR. REYNOLDS make their exit. SARAH is halfway out the door with an apologetic MR. REYNOLDS following on her heel.

MR. REYNOLDS

I'm very sorry for the unexpected turn of events. You will receive due credit if we decide to publish any work containing your responses. Please take care, and once again, I am so sorry.

Sarah walks offstage


Kathryn, we need to talk. I am incredibly disappointed in you. What was that whole fiasco about? You are aware that she was an integral part of the research for your end-of-the-semester project, aren't you?

MS. LENDER

Mr. Reynolds, please forgive me. It's just, of all the kids on campus, it had to be her...I mean, I'm positive it was her. It's just my luck that it had to be Sarah Ross.

MR. REYNOLDS

Pardon? Where did you get Ross from? I'm afraid I don't understand, Kathryn. Her full name was Sarah Blackstone.

You smile like a wolf about to ****.
Your cruel, sharpened fangs barred in spite.
Your voice was gold, your white cuspids alight.
You smile at your prey; we deer stand still.

I know the smile shall end where it will.
I know it never reaches to your eyes
And I know, like one bitten once or twice,
That the wolf closes its eyes to ****.

The wolf leans in too close, panic sets in
Stumbling through apologetic speech in
An effort to get somewhere else, again...

The deer springs into action, can't win
For wolves hunt in packs, the wingman swoops in
Now trapped by foes unbeatable, I'm slain.

My Heart is a drunken bipolar maniac with masochistic tendencies .
My Heart does not care about your feelings,
or the fretting of my apologetic Mind.
It is ravenous and deranged;
it will devour your succulent hopes and spit out the bones.
My Heart is one mean *******;
it is a rabid wolverine with a hangover who ate razor-blades for breakfast,
and no, it does not want to go steady
or hold hands.
It wants to rip the soft white throat of your infatuation
and watch your eloquent offerings pool around your feet.

Unless, of course, you do not want me.
For met with that alluring indifference,
my unhinged pit-bull of a Heart will curl at your feet with doe-eyed meekness
and follow you from room to room in an agony of adoration
while Self-Respect and Dignity sulk in some dusty corner, thinking
"Please God, won't somebody muzzle that crazy *****?"

Like transient dogs,
the kind that come and stay on a porch
and leave later: the boys shifted in and out--swept up
through one door and out.
and They were a sorry lot
They were so proficient at being sorry
( it was a wonder anyone ever
accused Them at all)

Suppose that was the point.
remorse was Their method
of shameless safety

The twist of the Rainbow caused the labaros to mutate in each disseminated color, an incident is already descending in the chromatic and snowy Era, fading in the entrance Antiphon that says: “I will give you shepherds according to my heart, who feed you in consciousness and experience”. O God, who has raised up in the Church Saint Joseph, Mary and their Rabbi, wise priest, to proclaim the universal vocation to holiness of the Duodecim Evangelii, grant us their intercession and example, in the exercise of ordinary debit, disposing of ourselves to our Messiah, and Let us serve with fervent passion in the Redemptive work for our Lord Jesus Christ.

This great event takes place from the Sima del Apocalypse, where everyday inhabitants bound manuscripts and ancient treasures of Sakkelion-Sakellarios. They worried about conforming a new resolution in their scriptorium, in the Byzantine period they administered gifts and tributes. Interestingly related to Zacchaeus appearing in the New Testament verses - Gospel of Luke, 19, 1–10, when Jesus Christ enters Jericho. He was a publican, chief collector, and very wealthy. The tax collectors worked for the Romans and also asked for more money than the Romans demanded, thus becoming rich easily, for which they were doubly hated. Zacchaeus was short of stature and for that reason, when Jesus entered the city of Jericho, everyone crowded to see him and he stayed behind and did not get to see him. He then went ahead and climbed a kind of fig tree, a sycamore (Ficus sycomorus), as he was going to pass in front of it. When Jesus arrived at that place, he said to him: “Zacchaeus, come down quickly; because it is convenient for me to stay at your house today ”. At this, the people murmured that he was going to stay in the house of a sinner. Zacchaeus replies that he will give the poor half of what he has, and if he previously defrauded someone he will give him four times as much. Jesus responds that salvation has come to his house because he too is a son of Abraham. From this antiphon arises the Twelfth Evangelii, it appears in a record that concelebrates the haughty morals of tributes that have to be motivated by tribal crowds of Gaugamela for the presence of God, for whatever his will and No!

The wind tunnel tessitura transfigured the next level of the 103, posterioris of the lace and mercy of Abraham muttering in his tent, to generate altitude over Israel in Jacob. The sprinkling sinkholes evaporated the matter that was transformed into celestial plasma, with ranges of coercive metric, from what that up to is down and lives versa, for the hemispheres of the Sefirot, and for the Shemot or name of the beginning of the origin, transfiguring in Idolotraía of Creation in the Universe-Duoverse.

From all corners, they will leave to read this great incident that is not easy to read, hear, or even feel in its vibrations once happened by the immortality of the memorial events of history as the regent transporter of the meeting of all the frivolous voices that sin. Of ignorance, and those who know to become exalted. That the scrolls will be quadrupled to the combatants who end up alive or dead in Gaugamela, each one carrying one of them bled in their hands. All the crossroads of relationships of an ancient society infused parallels of the sustainability of Faith through generosity, almost transferred from an essential charism praised from the esoteric nucleus of the same dogma, becoming confused on the path that will transport it without being aware of the destination. That will take it, and it comes wrong from the limen of doubt from the beginning. Ever since an impious king Manasseh was imprisoned, imprisoned, and exiled, called the impious king, he lived in the depths of the heat of Hell. For modern Christians, Manasseh is an icon of Divine forgiveness, from which the traditional orative prayer of Manasseh arises from the ejaculations of Abraham, Isaac, and Jacob since after being one of the most bloodthirsty and pagan kings of the Jews, he forgave him and he was even buried in the city of David, a pantheon reserved only for faithful kings, with which it follows that God completely forgave him.

The Delphic sibyl bears the crown of thorns of the Coronation of Jesus, which also happened in the Praetorium, and as in previous cases to the scene that is represented in the corresponding neutral. In the Eritrean triad, rather Herophile, if chaste and Delphic clairvoyant and apologetic, her vernacular artery made her a native of Mar Peso, Troyana-Troade. As in fantasies of being the daughter of a Nymph and a Shepherd. Her elegy escorted him to the Duodecim Evangelii, from Samos we are docking towards Patmos at the foundations of the Megaron. With the same polygon of the Sistine Chapel, in the quattrocento, where Vernarth had assistance in the parapsychological Regression of the Quattrocento Duodecim Evangelii, announcing that Vernolatry would be part of his Apologetic life, inspiring prophecies with the Iaspis Parables, praising scholarship after the grave that he was in the forest of Apollo Smintheus, returning to his origins in a sinkhole in Mount Coric.

Winter is quiet, but always restless.
Irrevocably cold, and deceitfully burning.
Harsh at times, throwing storms of ice when tempered.
Apologetic, as it stews in silent shame.
Unforgiven, and tolerated.
A season which destroys beauty in order to create a kind of it's own.
Decorated, as if the beauty it created for itself hadn't been enough.

I never liked Winter very much,
but I've come to realize we've got a lot in common.

The rotting corpse of a dilapidated morning glory
Waxes poetic in the dry summer air-
Its wilted petals droop heavy
With the subtle presence of something
Close to the end, but of a different hue.
A sweet yet sickly scent
Engulfs the neglected shrubbery,
That so gracefully collapses onto
A rusted, barbed wire fence,
Caving in beneath the heavy traces of morning dew
Atop intricate spider webs and fallen leaves.
Its bitter laments of despair
Sound out to the iridescent moon,
Cursing god in all his putrid grace.
Somewhere in the night, the sad wail echoes
Tumbling off canyon walls and over priced gas stations,
Until all that's left is a hollow boom
And the faint whisper of the Holy Ghost.
The pagan wind  slowly creeps by,
Pushing the flowers further down,
Until their stems take on the silhouette
Of the stooped backs of apologetic sinners,
Face down at the altar, accepting their worthy penance.
Dawn waits beyond the bend,
Her seductive fingers trace the fragile outline
Of the sleeping buds, blushing a faint pink
The color of a newborn child-
Beauty is only real within the tender moments
Leading up to it's intricate destruction.
Is this how it feels to exist?
Beating up against forgiveness
With bloodied palms, imprinted with the
Wilted outline of an indifferent morning glory-
Too alive to ever experience eternity,
For, in accepting life,
All else perishes.

In Lalitpur, a small city,
a poem in
and of itself,
near to the capital city,
Kathmandu,
in the magic
word-world of
Nepal.

Who in the world is Simrik?

Girl, 15, apologetic,
with the heart of a deer.
who unlike most
kindly requests your criticism.

Ok, here is my criticism.

Your writes are a shotgun blast.
It cannot be that fifteen years
has been granted
a simple eloquence
that writes and feeds
tastes of visions
of a spiced life
far away, but
close by.

winding roads
and the trees,
the train station,
train tracks,
jeeps for taxis.
the market at night.
a few bookstores i wanted
to enter but couldn't/didn't
benches at chowrasta,
aloo chat.
penang momo,
the "aum sweet aum" poster
they had there.
pretty girls in chowrasta.
so well-dressed.

at fifteen I could not
see so well, see so fine.
not I.

i have fallen for boys, and i have fallen for men.
i don't know if it'd still be falling if i only ever
fell for pieces of them. and as for you, you were no
exception. my eyes never knew the ridges on
your body as soft as icing on a cake, or the
veins in your arms and they've only read
your words, your tastes, in pixels, but i
fell anyway, briefly. the heart is a muscle
the size of a fist, an ***** that has nothing to
grow and fit into. you never really know where
exactly in your chest it really is or if it's the right size.
there'll be growing pains in your ventricles and
dislocation to your spine or your stomach to tell you
of that before the cardiologist, and when you find the
cure or place it back to where it was, you'll have
stories written like prescription notes.

One time, when I was fifteen,
(For I have been
fifteen
many times),
I knew that
I didn't know
how to express
the potpourri
of what
was inside
of me,
the desire was
compelling,
the skills lacking,
for I lived in amidst a
family of writers, critics, historians,
and saw the birthmark of my incapabilities
embarrassed rosy red on my face every morning.

my incapabilities.

not Simrik.
oh no.

here's blood clotting where i got bit by a leech at a
monastery, from after the day i told you we needed to drop
to being friends from lovers. deserved it, totally. you had
blisters on your knees, from the day i sent you back.

you said i still had your heart with me.
when i reach the sea in 12 days,
i'll return with the crevices on them
mended with the pieces of
toughest seashells i can find,
wrapped in a sheet of prayer flag
i tore from the monastery,
so that when you place it back
between your ribs,
you'll have prayers
and the sound of the sea
flowing in your veins.

At fifteen, I read Camus
and the sport pages.
At fifteen, I peeked  
at my neighbor's *******
dreamt blonde dreams.
what I knew
was
what I did not know.

so here is my criticism.

you remind me now, this day,
of what
I still do not know
nor can ever hope
to capture as well
as you.

There was no before or after you
You didn't cut my life in half
You were just a blur
and a blur can't be loved or hated
blurs can barely be seen
blurs have no definitions
blurs are forgotten with ease
So don't worry stay calm
Don't pity me
Don't feel like you need to apologize
Because there is no need
I have already made peace with myself
And you are not in it
So, Blur away... Blur away

Where did you go?
I see the sun set.
I can actually see it go down.
The world gets darker.

So many bottles of champagne surround me.
I celebrate nothing.
I lose entire days.
But men that look apocalyptic fill me up
Until I put my ***** clothes back on
And trample back to my den.
Worn, apologetic, and wishing it would all pass.

Glittered nails and crooked teeth.
I think back on my past relationship and laugh.
Who was I?
Who was he?
I can't even remember anymore.
And that's a good thing.

I just want on vacation.
A long week in Florida.
Sun.
Oranges.
Kitsch.

I've said it about every ex
I'll say it again.

We're going to be okay.
It may take time.
But one day we will talk.
We will laugh.
And we will smile.
I wish you all the best.
And I know
Deep down
You do too.

A synthetic thunderstorm envelops me
and I forget where my life is.
I forget about you and your fluent tongue
of disinterest, puppetry, and misinformation.
I forget the speakers and soundscapes;
wires and ties and strings attached,
the way I struggle to sleep alone,
but cannot share my life with anyone.

I forget the next payday, the next lay;
the need to borrow words and feelings
just to make sense of my own.
Distraction and hunger for nicotine
become near-echoes of a past life-
an umbilical bond to old decades
of habit and mistrust for the sober mind.
I forget the ash and ends I have left behind.

The ocean is close but occupies no space,
only the airwaves with a rhythmic breath
to still my own, reducing my identity
to fractals of self-interest and oneness.
I forget who I am amongst the writing desk,
The Book Of Longing, the cooling tea;
the stagnant water. I forget flesh desire,
violent ***, and apologetic *******.

I forget, for once, the need to live,
amongst all of this living.

And so he broke,
Just as the clouds break.
Revealing everything that had built up Inside for the whole world to see.
The cracking of honest thunder, crying.
The apologetic downpour of rain, tears.
But if lightning strikes and no one's around to hear it, did he still break?

He broke.

with apology
a sonnet brave
I pretend to be
worthy
resending a message
meant to be slang
tongue-in-cheek
I speak
***** how
I smile happily, smirk.
Entrancing asking
no bitterness, I say,
Sorry. I do not repent!
As your servant I am seeking
no ill,
dirtily.

Who am I to hurt such a lovely soul?
To have the chance to make you feel whole
Like when we would walk and talk for hours in the cold
You would go home and think of me and I would be thinking why,
Why did you feel the way you felt about me,
When I barely felt that way about myself?
You didn't know you was falling for someone that was so perfectly imperfect
What I did to you was wrong
Making you feel warm and safe, like I can take all your worry away
Just to be the one thing you would worry about today
My head goes down when you are around
I can't stand looking at you because that smile turns to a frown
One day I want to be what you saw in me
But sometimes I wish you would forget about me and your heart can be free

i) do you remember? that night in the abandoned theatre; we were two bodies in the dark, tugging and pulling at each other; at all our rough edges, hoping to smooth them out, so we wouldn’t cut ourselves with the jagged bits.

ii) when the stars came out, we sipped on lime soda by the lake and I asked if you would love me; all ripped jeans, and messy hair. You laughed, and planted a hickey on my chest; I left it at that.

iii) why didn’t you tell me you preferred soft and meek; not loud and roaring, the way my voice filled up the empty rooms in your house. You could’ve told me you wanted peony pink not plum; that you wanted the moon, not the sun.

iv) but darling, I wasn’t meant to cave, to shrink, to make myself small.

v) so no, I’m not sorry, that my opinions occupy most of the space in bed, or that sometimes, I like kissing with my lips tinted cherry red. I will not apologize for my reluctance to get down on my knees for you; the last time I checked, you were not a ******* pew.

vi) and each time you kiss her neck now, I hope you remember what it was like to kiss mine, I hope you remember each and every groove that lies along the edges of my spine.

wind cutting through my hair
and my expressionless face is still
while nostalgia overcomes me.
what have we come to?
words of hatred once spoken to one another,
followed by kind, apologetic letters,
and pure innocence engraved on our faces
turned into hangovers,
excuses and more excuses.
the worries drag my eyebrows down
like bent, rubber arcs that have been straightened
and are moving slowly back into formation.
am i the only one?

am i the only one?

i grab a pen and paper and write
the words inflaming my throat,
the visions in my eyes.

everyone moves.
everyone moves on and grows
with intoxication in hand
and fire
burning through their sockets.
is this growing up?
to enjoy and to live;
is it necessary to poison one's self?
what have we come to?

why, a different location
will not change the way they act.
am i the only one?

it's peer pressure what they do,
it's peer pressure.

but i am left,
because i refuse.
does that make me wrong?

my friends; their love and trust
bestilled in my heart;
it's weakening, it's breaking.
i shouldn't feel this way.
what have we come to?

is a dream of sanity and beauty
not enough?
because that is all you need
in my book.
you step in my book and see
a bird soaring
a flower blooming
an idea growing.
it's beautiful.
you step out of my book,
you don't see.
you're trapped
in the fumes, in the heat
of the crowd, in the smell
of the liquor.
what have we come to?

love is not an object.
it cannot be thrown around
and pestered with whenever you
please. it cannot get
carried around to become
an STD.
it cannot.
why?
it is not love.
it's hurt, it's stupidity.
the love is the feeling,
the lights,
the faith.
where is it?
lost,
disease has taken its place.

what have we come to?

it's what is inside, it's in
your soul, not displayed
on your skin.
what you are is not a material
thing, so why don't they bother
to take
a
second
look?

all walk with a label
instead of a name.
what have we come to?

They look at each other,
blush,
look away,
It seems to be choreographed  like a dance between them

He looks at her,
She glances, giggles
He looks away
This is the infamous tango of hearts
They watch, They wait, They wonder

Until one day,
Someone makes a step that doesn't fit into the dance.

A new boy,
One who hasn't been observing their dance,
He walks up to her as she giggles
He smirks, saunters, and flirts

The dance shudders,

Stops.

Her heart has been won

He looks at her,
She glances up, meets his eyes,
Looks away.
The dance is still being performed,

This time though, it is a dance of friendship.

Of Worry
Of Desperation, both his and hers
For months he's seen her like this

The downcast look in her eye
A sudden pain when she is touched
An obvious flinch is she is so much as reached for

She comes to talk to him
They laugh
Almost like old times

Yet he can't mistake the pain in her eyes
He moves to touch her
A hand grabs her arm and jerks her away

He looks
She shakes her head
He frowns, pleads silently
She shakes her head again
He nods,

And he walks away

He looks
She is distrusting
She got out, alone,
The new boy, now old in her views comes to her

The boy is is apologetic, The boy pleads with her
She looks across the room to her boy,
Not one she's dated,
But one she shares an even more intimate relationship with
One she trusts.

This is the boy that has been with her all along,
He who danced the dance with her through it all.
The only boy that she could trust to know the steps

She needs help now, so she looks to him
He shakes his head,
Now she is the one who frowns,

He shakes his head again
And she walks away.
Away from her past
And towards her future.

around age 7 or 8 Odysseus adopts role of doctor to girls of his generation fascinated even driven by their differences from him especially  advanced development of ***** hair he examines their genitals once he misdiagnoses Junie Porter gets soap in her urethra Junie cries then forgives Odysseus apologizes she continues returning as patient also brings her curious sister and neighborhood friend who wants to be examined as well on another occasion Mimi Greer and her mom Ida stop by house for visit Mom and Ida are close friends Odysseus and Mimi are same age he has crush on her they go off play in kid’s bedroom after Greers have gone Mom receives phone call from Mimi’s mom Ida complains alarmed because she found toy soldiers in her daughter’s ******* Mom shrugs thinks it's funny

Aunt Rita and cousin Patsy who is two years older than Odysseus come to house for visit Aunt Rita gossips with Mom in bedroom Penelope and Patsy call Odysseus into kid’s bedroom Patsy is very pretty delicate features light tan skin thick brown hair she pulls down her ******* shows newly grown ***** mound she offers “you can pet me there if you want see how mature i am” Penelope briefly acknowledges Patsy’s sparse growth Odysseus begins to pet scrutinize both girls see his fixation they begin to giggle and go wild attack Odysseus with their hands tickling his sides crotch unbuttoning his jeans it is utterly innocent play but Odysseus feels something astonishing thinking he is about to *** or release he cries out at them to stop hearing commotion Mom calls out “what’s going on in there? you kids settle down get in here right now!”  girls run off laughing Odysseus feels incredible tingling sensation between his legs looks down sees he has made mess clear sticky not *** does not understand what happened wipes himself clean later asks Patsy when he can pet her again she answers “when you grow some hair of your own down there” he says “promise?” she says “yeah i guess i promise” Odysseus never forgets Patsy’s vow he waits for ***** hair to grow several years pass Odysseus often sleeps over at his cousin’s house in suburbs Patsy has grown into flowering beauty petite cheerleader physique Odysseus is in awkward stage bones jutting pimples on his face back braces on his teeth he approaches Patsy in her bedroom “i finally grew some strands down there remember your promise? can i pet you again?” Patsy scoffs “no way! i completely forgot that childish pact you don’t know anything” Odysseus replies “yes i do!” Patsy’s hands grip her waist “you don’t even know what the word **** means do you?” Odysseus answers “yeah sure i do uh maybe what does **** mean? tell me please” Patsy shrugs nods “you’re so childish now run along Odys you are such a little dip-****” he begs “Patsy please tell me what does **** mean” she points her forefinger to the door and yells “get out of here you little creep!” he feels trampled after imagining desiring for years early next morning still dark he tiptoes from cousin Chris’s bedroom sneaks into Patsy’s bed pets her furry mound while she seems to sleep later Aunt Rita calls Odysseus into her bedroom closes door sternly addresses him “Patsy told to me what you did how dare you? you should be ashamed of yourself i’m worried about you Odys i’m not going to tell your Mom and Dad because i know your father will blow his top and i won’t say anything to Uncle Burt but if i ever hear of anything like this again you will be severely punished! understand?” his chin drops down to his chest “yes Aunt Rita i promise never to touch Patsy again i’m sorry please forgive me”

Odysseus runs into Lynnie Sultan on back stairs at Harper he thinks she is very good-looking wants to play doctor Lynnie is fair-haired taller a grade higher than Odysseus pushes himself on her she growls “you little ****” yet reluctantly gives in he reaches inside her ******* pets her ***** hairs gently caresses soft mound smells feels wetness pulls out two hairs Lynnie cries out “ouch! why did you do that?” Odysseus answers “keepsake” suddenly math teacher Mr. McClennan appears catching them in act Lynnie is dismissed school principal calls Mom demanding conference Odysseus is detained in principal’s office waiting room Mom arrives apologetic to principal “what mischief did Odys do this time?” principal insists they speak behind closed doors when she walks out of office she flashes fuming glare at Odysseus driving home she questions “how dare you do this to me? what were you thinking? answer me! what’s the matter with you?” she guns gas pedal silently he considers how provoked Dad will get stomach claws once they arrive inside house Mom slaps his face yells "you’re sick weak selfish ******* up in your head! you need psychiatric treatment!" tears run from her eyes down her cheeks Odysseus hates himself for making Mom be so upset with him he feels guilt desperation nothing in this world is more upsetting than watching Mom cry because of his actions

i am vain
     and,
                   explosive

i am  jealous
      and,
                      insecure.

I am an umbrella, a rain jacket,
For the Cinderella, a stored away packet,
Till the day the skies sputter rain.
I am a tool box, a first aid kit lain
In a dark, webs-infested dusty corner,
Touching no light; seeing no cleaner.
The kitchen accident and toys’ breakdown
Are such welcome picnics to the town.
Could have been a willow, nor am I a pillow
To cry on in times of immense pains in kilo
And to hug out of a heart exploding joy.
But I am a bomb-shelter, a floating life buoy,
A tower of refuge in times of need;
A furrow-deserted land planted no seed,
Awaiting to be useful again in season,
Not Jesus, but bearing a crystal reason
To be also a rock in that weary land.
I am a handkerchief in a man’s hand;
Ironically stuffed useless in the back pocket,
To blow away flu mucus off the nosy socket,
Or wipe the intermittently rare solitary tears
That graces the dry eyes from heartbreak fears.
I am not a flowerbed; I am a mango tree;
Having no admirers save the monkeys, free
To shelter, mate, play and make all merry,
Spring has come with flowers and I draw very
Much attention; the promise of fruits abundance,
Needed, loved, and embraced in a scarce annual chance.
I am an audience for the sad breaking news;
The princess’s Eulogizer in dilemma to possible views,
I am a lawnmower in her abandoned backyard,
A joker of little importance in her game play card.
I am a muzzled ox treading the corn;
A mockery of treasure, glittering scorn,
In her darkest times, the cherished glow-worm;
An apologetic shelter in the times of storm.

You are unsympathetic.
I am so apologetic.
I miss your entire presence.
Can we be synergetic?

I love the way you hate me.
In your arms I breath in safety.
Is there room for me to stay, please?
You seem so empty lately.

Tell me so many lies.
Everybody cries.
Fiery passion burns out.
Everybody dies.

Let me be the first to say,
I'm not sorry for the words I said.
They may of been said in haste,
and put you in your place.
Enjoy the taste, of your own medicine.

Bittersweet quitter,
I could eat you for dinner.
There could only be one winner,
and I can't see you celebrating a victory today.

Take me away to the place where we doubled down,
your humbled frown,
in your dressing gown.
No one else around,
the screams in the backround,
no one will backdown,
at least for now.

I'm still not sorry,
Sorry.

I find myself locked
Between my flaws
In that I love too much
And I love too hard

There's not much I can do
Than just be apologetic
But living an apologetic life
Leads to apologetic stories

So I wish to not say sorry
For I cannot change this
My flaws are my flaws
And they are what make me

This is not an apology
Just a warning
For my love is large and strong
And I cannot stop for anyone

She came up to me one day in the office seeking help
She'd heard me talking about my nightmares
She was a lovely looking thing, she was big into dieting and health food and healthy eating
Some of the other girls used to consult her about such matters
Thinking her to be quite an authority on the subject
I think she might have had a sideline too selling some Health products
She was a...a gorgeous looking creature, she had lovely blonde hair which framed her beautiful oval face like a heavenly aura,
Maintaining always a resolutely bright and cheerful disposition
She radiated positivity and optimism wherever she went
(I suspected secretly that when she got home she probably kicked her cat around)
I'd be all agog just looking at her
I suppose yes! I probably had a little crush on her
Unfortunately I was a good deal older than she
So I could only see myself as a secret admirer, a dark lover from afar...

She'd been acting a little peculiarly of late since returning from her Easter holidays
I wasn't the only one to remark about it
Gone was her usual self assured poise and grace
Gone too her lovely bright positive glow
It was like some sudden terrible tragedy had befallen her
Like some big dark ominous cloud had suddenly appeared on her horizon
Now she seemed rushed and frazzled, strangely distracted, unsure of herself, hesitant
Clumsy, apologetic, not at all like her usual confident self.

So she came up to me when I was alone one day and asked "You know something about nightmares, don't you"
She proceeded to tell me this story
She used to drive to work but because of the unusually mild and clement sunny Spring weather coming up to Easter
She had decided to leave her car at home and walk to work
Probably thinking it to be healthier I suppose
The route she took meant she had to pass by a certain newsagents *** confectionery /sweet shop
Now coming up to Easter as it was
The owner of the shop had strategically placed in the front window of his shop a big Easter egg
Wrapped in pretty ribbons and bows and encased in a very colourful, most alluring box
Every day she had to pass this shop with its lovely chocolate egg prominently displayed
You probably know where this is going,
Yea! A secret longing began to grow in her
Passing that shop every day and seeing that big chocolate egg started to rekindle in her memories of the days when as a child she used visit her local Sweet shop
When the only ambition she had was to get enough money so she could buy the newest chocolate or sweet
She began to remember fondly thoughts of all the old chocolate bars and sweets she used to eat
Anyway this longing, this desire of hers... each day it grew stronger and stronger until finally, like a river bursting a dam
Yea, like a huge monster, it finally overwhelmed her
Yes! She... she SUCCUMBED!

One evening she drove her car to the shop and parked on the opposite side of the street
There she waited till the street was deserted, with no one around
When the coast was clear, she got out of the car carrying a big shopping bag
Wearing a big hat and dark sunglasses just like a movie star
She went into the shop and told the shop girl she wanted the big Easter egg in the front window
She lied telling her it was for her little nephew
She hastily paid for the Egg, then quickly bundled it into her shopping bag carefully covering it up with other items so no one would see
Then hurriedly she left the shop, crossed the street with her head bowed, got into her car and quickly sped off
Over the next two days, in an **** of orgiastic chocolate eating, she secretly gorged upon, devoured all by herself the entire Easter egg
When she had finished, she sat there, a sullen lump among the ruins of her feast
Bits of ribbons and bows and torn box strewn all around her
Almost immediately she began to suffer pangs of guilt, berating herself repeatedly and bitterly for her lack of will power and mental strength, for her perceived weakness of character
This went on for the next few days, she just couldn't bring herself to forgive her behaviour
And she couldn't fathom how she had let this desire overcome her
...Then curiously, she began to experience a strange recurring dream at night,
She'd dream that she went one evening to another part of town where she wasn't known again to buy her Easter egg
There was no one around at that hour
She'd buy her Easter egg, tell her little lie about her nephew, then bundle the Egg into her bag and cover it just like before,
Then she'd leave the shop and head down some backstreets not wanting to be seen by anyone she knew
At that time of evening the shadows had begun to lengthen, the backstreets were very quiet and deserted, had a very lonesome forlorn air
As she walked along, she suddenly began to hear what she thought were the sound of footsteps behind her, the tread of feet behind her...Big feet, Bom-bom-bom!
She'd turn around but couldn't see anything, not a soul and not a sound only silence
She'd continue walking and the sound of the Big feet would start up again
Naturally this began to unnerve her, she turned and called back at the shadows
"Is there anybody there?"
But no answer was forthcoming
She'd walk on and again the sound of the Big feet would come Bom-bom-bom!
By this time she had become so unnerved, so completely flummoxed that in a state of utter panic
She suddenly took off at a frantic girly gallop down the narrow backstreets
Behind her she could hear the sound of the Big feet quickening, coming after her
In a quick change of plan she decided to climb some steps that would take her back to the Main Street again
She hoped there'd be other people there who might be able to protect her
She was very disappointed then when she found not a soul upon the whole street
Well she ran and she ran, she tore down her own street and with key in hand she quickly opened her front door, then slammed it shut fastening all the locks and bolts as she did
With this done she heaved a huge sigh of relief, a huge 'Phew!" and wiped the beads of sweat from her brow
She backed slowly away from the door almost as if she was expecting at any moment, there'd be a mad pounding on it, as if some strange belligerent entity would be trying to gain entry.
She kept backing up, the suspense almost too hard to bear
Suddenly she bumped into something behind her, something big and soft... and furry
Soft and furry ???
She turned and well, her mouth, it dropped wide open in utter shock and disbelief
Her eyes, they nearly popped out of her head
For there standing before her was... THE CREATURE
"It was hideous !" she said tearfully
"What was hideous?" I replied quite intrigued at this stage
"It was a Big Rabbit !"
"A big...a Big Bunny 🐰 ?" I said
She went on explaining, standing before her was a giant seven foot Easter Bunny
"A seven footer eh!" I said as if I was knowledgeable about these things, which I wasn't
She continued with her story, the rabbit he had big floppy ears, big buck teeth, a twitchy nose and whiskers 🐰
And on his face he wore this pretty gormless vacant expression🤡
He was wearing a waistcoat which had all these Easter egg 🥚🥚 designs on it
And on his front paws were these two big red boxing gloves 🥊🥊
She looked around desperately for some means of escape but Alas!
For her THERE WAS NO ESCAPE, she swallowed hard
Suddenly the giant Rabbit's teeth began to
natter
As if he was considering some imminent action
Then totally without warning one of his boxing gloves
It suddenly shot out and punched her right on the nose knocking her clean out on the floor
As she sprawled there dazed and utterly confused, the Big Bunny, he looked down at her with his big eyes 👀
And then, with a sudden leap which surprised even her
He jumped right up onto her chest where he proceeded to bounce up and down on top of her
Of course, here she'd awaken from the dream drenched in sweat and screaming for the Giant Bunny 🐰 to get off her.
When she had finished her story she buried her head in her hands and sobbed quietly for a few moments before regaining her composure
She seemed very relieved to have gotten it all off her chest, the story that is not the Bunny
Well I suppose she was glad to get him off as well
She went on to say how stressed she felt during the day, how she found it hard to focus on anything as she was too busy thinking about the night to come and the arrival of her unwelcome guest
She looked at me pleadingly "He'll be there again, I know it, with those big eyes of his" she blubbed half in tears
It seemed obvious to me what'd happened, mentally she'd been beating herself up
And now her Subconscious was merely reciprocating by creating this giant Bunny to chastise her
It was just a manifestation of the guilt she felt for eating the Easter egg
For a moment I felt like I was Sigmund Freud.
I told her what I thought and said she shouldn't beat herself up, I told her we all had our temptations and that at times, few of us were strong enough to withstand their advances
I told her of the importance of forgiving herself
But nothing seemed to placate her
She still seemed overly concerned about the coming night and the prospect of the giant Bunny's re-appearance
She catastrophized and saw only dark things ahead
I knew I had to say something authoritive
Suddenly I had an idea, I put my arm around her shoulders as if to console her
"Look my child", I said really beginning to warm to my Father Confessor role
"The Beast! Do you really want rid of this Beast ?"
"Yes! I do! I do!", she replied emphatically
"Really! You really want to get rid of him!" I said as if to question her resolve
"Yes! Yes! I'd do anything" she replied
I felt we had to send a strong message to her Subconscious mind -
I told her "This is what you must do. After work go down to the same Sweet shop and there buy the most expensive ornate Box of Chocolates you can find 🎁
But this time instead of bringing them home with you, bring them instead to my house...
To the above advice I added a few more instructions
"And that's all I have to do" she said sounding surprised and hopeful once again
"That's all you have to do", I assured her, "you'll have no more trouble from IT ever again".

So in the evening she arrives at my house with a big box of fancy chocolates
I open the door and abruptly ****** the chocolates from off her
I say loudly "These Chocolates are all mine and you can't have any of them
Lovely Chocolates... and their all mine, all mine!!!
And you're not getting any!"
And I let out this evil cackle of a laugh
Then I said rather theatrically to her "**** off!, Get lost! Shoo! Begone! Begone!
And then I slammed the door right in her face
After a few moments I opened the door again
And began to chase her down the path shouting "Begone! Begone! The Chocolates are mine! All mine!"
I even picked up a stick and shook it at her.

The next morning she runs up to me at work with a big smile
"He's gone ! He didn't come last night"
She looked renewed, she positively glowed again
She assured me I'd be her friend for life and that she loved me to bits
For a moment I was beginning to fancy my chances with her
I had visions of the two of us together in some romantic scene
That was until she went on and said that I reminded her of her lovely Uncle Joe
"Her Uncle Joe", I thought, "****!... feckin' Uncle Tom"
Then I thought I should have charged her, yea! charged her just like a hospital consultant
$250 Euros upfront and come back in two weeks for another $250, sorry for a check up I mean.

Well that's it then... that's my Easter story, I've got to go off now and take my afternoon nap
Y'know I've been getting some funny dreams of my own of late,
Yea! I've made a new friend
He's been teaching me how to box.

the problem with us is that I have always loved you like you were leaving,
always left the door unlocked, like you might stagger into bed drunk with a few
different names on your tongue
in the spaces between breath, I love you, I love you
in the out breaths, I love you, I love you
in the inhales, I love you, I love you
maybe someday, I say when you're not looking
when you're not looking I think about how we have never looked out the same window twice
how it keeps me awake, that you and I will never be more than a story told to children
about the dangers of loving without breathing and breathing without sleeping,
I'm not sorry I lose sleep over you
the only thing apologetic about me is my mouth
and also my hands
and also my heart.
the problem with us is that you never believe me when I say that you deserve so much more
than lately
I'll go to my grave thinking you deserve firework eyes over dinner tables and hands
that hold more than they shake
you deserve a girl who is not more hero than honest
you deserve more than a good storyteller
the problem with us is that we settle for half way, never look both ways before crossing the street,
never care enough to anticipate a red light
you don't know the color of my eyes
some days I'm convinced the light's gone from them,
some days I'm convinced it's in your hands.