Hello Poetry
Submit your work and get some sparkles! Create free account
"apogee" poems
You are a sailor if life is a vast ocean.. Here sail-n-surf,very thrilling notion.. Heart does trade with silly emotion Desires ditch reality,if you lack devotion Trusting too early is not so very wise.. People turn strangers in their uprise... Be an artist not the tyrant of ur life Anger at its apogee, cut like a knife In dejection time,even silence is noise Enduring other's hatred is a better choice Speech is razor-sharp,can easily slice Before making a decision,think twice Eyes turn coy when the truth is caught Just keep it simple n filter ur thought Like weather, experiences are cool n hot Hardwork is perennial but luck is not Deeds are examined,so keep the token Progress is still when hopes are broken Pain is felt when own soul is shaken Just believe in God when all is taken Pearls come out during ebb at the shore.. Money gives gold but manners shine more Success is urgency,patience is the cure Nothing stays forever,expiry is for sure Life has its fragrance,life has its taste Laughter is healthy, worry is waste Love is water, dilutes colour n caste Polish your soul,skin goes ashes at last
0
Aug 19, 2018
Aug 19, 2018 at 2:59 PM UTC
Life taught me this!
Once, a boy came, new to the coast tall figure, his skin supple dusted with white, he was silent at times, quite sometimes laughing like a child, vulnerable yet strong, she sees. The mermaid was in awe, but she didn’t realize, a crashing wave, that’s what he is. Day by day, she drowned herself In thoughts under her ocean dream; baffled by his presence, in doubt she continued. On the third tide of their apogee, without warning the boy vanished, like a wind, leaving no trace, not a foam. Devastated, in losing her one precious pearl, the mermaid cried in remorse. Every night she sang to the skies, until she felt an ethereal glow, deep down she knew what was needed to be said. A celestial granted, for once again they met. In valor with trembling hands, a note she had professed. Prospective and believing still the prince she had wished for, turned out to be nothing but a loving sin. The mermaid smiled as she disappeared into the sea with every song now comes a broken, and shattered dream.
0
Sep 27, 2016
Sep 27, 2016 at 10:33 AM UTC
A Mermaid's Plea
in complete melodies the frequencies i hear can not be contained by anything love is drifting through the hills and you are home to its trills she dreams of light, the fire bright and full of crystal skulls and eyeballs dozens of monuments are built just to mark the moments when we could have said i'm sorry merge with the mountains find the source of fountains shine the diamond compass if that's what you are really here for broken dams are our business feed the swans their luminescent lunch-boxes duck for cover, its a wonder that we are all together here that's clearly redundant the tendency to dream is the most important human faculty its a tragedy that the lack of nuclear power showers the atomic world in rainbows as forlorn teenagers in the ice-age of America govern our equipment from their parent's basements and carouse with comfort upon chairs, cushions and couches a million times the victory a million miles of rope to weave a million are the paths to god and a million more are the souls who've learned to cope with tragedy i come cherishing and bearing gifts figures of speech are my playthings i am furniture remodeled daily and intuitively placed around your home the finer things in life are free so see me there upon your television set i am electromagnetic static within the black and white of advertisements i am figures of forgotten speech so record the unwatched programs in your mind’s virtual memory the hard drive of work and play creates hundreds of new retirees each day hundreds of haunted expatriates knuckle-headed people that couldn't tread lightly even if they wanted to so will you please untie me and remove these binds and chains it's time to free the lover from the psyche for that is all she wrote i am a silent p i am a violet apogee i am a cosmic minority i am a message in your tea leaves but if you stand too long in my shoes you’ll likely drown in solitude
0
Sep 6, 2018
Sep 6, 2018 at 2:34 PM UTC
a violet apogee
in complete melodies the frequencies i hear can not be contained by anything love is drifting through the hills and you are home to its trills she dreams of light, the fire bright and full of crystal skulls and eyeballs dozens of monuments are built just to mark the moments when we could have said i'm sorry merge with the mountains find the source of fountains shine the diamond compass if that's what you are really here for broken dams are our business feed the swans their luminescent lunch-boxes duck for cover, its a wonder that we are all together here that's clearly redundant the tendency to dream is the most important human faculty its a tragedy that the lack of nuclear power showers the atomic world in rainbows as forlorn teenagers in the ice-age of America govern our equipment from their parent's basements and carouse with comfort upon chairs, cushions and couches a million times the victory a million miles of rope to weave a million are the paths to god and a million more are the souls who've learned to cope with tragedy i come cherishing and bearing gifts figures of speech are my playthings i am furniture remodeled daily and intuitively placed around your home the finer things in life are free so see me there upon your television set i am electromagnetic static within the black and white of advertisements i am figures of forgotten speech so record the unwatched programs in your mind’s virtual memory the hard drive of work and play creates hundreds of new retirees each day hundreds of haunted expatriates knuckle-headed people that couldn't tread lightly even if they wanted to so will you please untie me and remove these binds and chains it's time to free the lover from the psyche for that is all she wrote i am a silent p i am a violet apogee i am a cosmic minority i am a message in your tea leaves but if you stand too long in my shoes you’ll likely drown in solitude
Continue reading...
57
Her shoulder rose like the moon above the black velvet of bolero jacket She took his arm, his eyes-- An apogee She took the room in reverence So slowly shed the mountains shed the light hand to touch their wonder Gazing after her noiseless ascent which never happened while they watched.... Pearls— roll against warmth luxuriating offspring cool encircling contents iridesce their energies’ warning: Nothing quite that simple Nothing quite that still Nothing like the opulence on the Proud Eve of catastrophe Pearls— caught in the lining of what never happens the first time.... She heard them before she saw them rip their orbits! fission her universe! in the mezzanine of the symphony hall Pin ball in the Fun House Bingo bounce off— the hardwoods of space.... Universal Theory of Scatter? Even now I can still hear the clatter of their round smooth souls in the doorways of distant relatives How could I know? You would condemn me to find them all?
0
Jan 25, 2017
Jan 25, 2017 at 8:31 PM UTC
String of Pearls
With eyes of restless mental fraught, ...in-kind with dancing dreamy thoughts, and hope in lovelorn passion’s play, prismatically amorous frenetic fray; ...yet your heart at apogee to mine today? And if I say solemnity? As you presage a beauty… And if I say solace? While you oh petulant beauty… And when I premune peace? You stir it with such beauty… And as I yearn with much desire? Commanded by your beauty! Burning in my chest a fire, An Eros to your beauty. With eyes of restless mental fraught, in-kind with dancing dreamy thoughts, and hope in lovelorn passion’s play, prismatically amorous frenetic fray; yet your heart at apogee to mine today? And you the beauty of my dismay. . .
0
Jun 6, 2016
Jun 6, 2016 at 11:19 PM UTC
Beauty
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
0
Dec 15, 2011
Dec 15, 2011 at 4:22 PM UTC
The Golem
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
Continue reading...
9
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
0
Jan 5, 2013
Jan 5, 2013 at 3:13 AM UTC
On playing the Prelude from Bach’s Second Suite for Violoncello
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
Continue reading...
1
Poetry is the altruistic apogee of the individualistic emotional egoist. The lack of feeling, and the lack of empathy, the petty attempt to hide them with creativity. It’s truly astonishing how we can fool ourselves into thinking we’re kind When we’re just wasting our time, pretending to see when we’re blind. How could we ever emulate our chemical imbalances on one another? The only way to do it is the kindly overrated feeling of love and affection. And why would we need words, if we’re sure about our love for each other? Oh, we’re puzzled to believe that our puny poetry represents felt perfection. Yet we just walk through the valleys of lyricism, Lost in our own wishes for joy or demise And yet we become shadows of perfectionism Filled with the detachment we criticize. Our representation is our perdition We've lost ourselves in our own mission.
0
Apr 1, 2014
Apr 1, 2014 at 10:04 PM UTC
Egoism
Daddy belongs to an exclusive club, out beyond the rules of atmospheric pressure. On our precocious little fingers we count, on tracer paper Mommy checks our figures. Being she was never clever with math, she consults with the slide rule. No crystal ball needed, we all know where Daddy's been: at the apogee of his ride, hanging out in zero orbit, checking on his own figures. He must be lonely up there, fishing off the dock of a satellite, until the moment he reels one in. He does his best philandering once we've shuffled off to school and Mommy's found her solace underneath the hairdryer. She's stopped looking up at night to observe the starry heavens. They only made her cry, which, in turn, made us cry— for her. One time we heard Mommy tell Daddy she knew all about his long division and how he misused his slipstick. With the cruel turn of a smile he reminded her her math is routinely wrong. "Usually...but not always," Mommy whispers in her sleep. Tomorrow is lift off again for Daddy, hunting exponentials from heavenly bodies. For us, the ones left behind in the wake of his rocket trail, it's addition by subtraction.
0
Dec 21, 2019
Dec 21, 2019 at 11:46 PM UTC
Moon of the Sociable Fathers
another broken day a reminder of how far i am from where i need to be thoughts of you have become traps littered through my mind my only victory lies in its dwindling frequency its effect however never flounders as the pain in my chest seems only to grow this journey is getting old and colder upon every shooting star, I wish for a newly paved road one that is not just orbiting around the pain of us where i take solace at every apogee but one that takes my aching heart beyond the pull of our broken infinity
0
Apr 7, 2015
Apr 7, 2015 at 7:19 AM UTC
broken infinity
The flowing water in the dawns mist Whispers memories of our youthful bliss Carried away, downstream, endlessly Into the open arms of a restless sea This shall be the place we forever rest Intertwined and woven like the cape weavers nest Never again to know solidarity Cradling the life of tomorrow is our apogee
0
Dec 17, 2016
Dec 17, 2016 at 11:05 PM UTC
Harmony
Dear Mr. Harlon Rivers, When I was young, I wrote like a young man, With fervor and righteousness, But heartfelt was not eloquent, only self-satisfying. Now that I am an old, old man, My mind does the best it can, Simple lyrics born in the poverty Of a mind in an angular decline. But never did I command the Troops of this language that You have under your command, At this, your peaking, your apogee. Your master key unlocks all And set our souls soaring, But yet we cannot reach you, For you orbit at the point farthest above our modest reach! Your Admirer and Devotee, _________________________ Please sign your name below if you agree. You know how.
0
Aug 20, 2013
Aug 20, 2013 at 3:56 PM UTC
Dear Mr. Harlon Rivers
I am the coy smiling handsome man and my feet beat the darkness away when I rush. And I rush, in the alleys, sightless, an actor led by lines of wilting dialogue. And jasmine litters the gutters, fit to be dredged, the aroma and the petals streaked with reminiscence. I rush. I am the man toward an apogee, a scalpel, with tastes as keen as winter lavender, and eyes that feel the weight of tastes behind them. As I dredge the depths for rarer tastes I rush toward the gutter. And like the gutters I thirst, in the levees and fen- In the fen the rush of prey caught Idling fills the space inside my eyes like oil, and I dredge the lake for traces. I am the actor, the dredge, my wit rehearsed and I am acquainted with the lady of the night. I smile as she caresses my oily deluged eyes- And her eyes are filled with bile, accented by jasmine, even in the dimmest light of gutters are rushing to an apogee, fiercer than I'd like them to appear, but I am the scalpel, to incise the insincere- I am the prince, an heir to exacting the coerced- I watch her eyes like windows from the gutter like a vigil and hold tight to her breath. I pour her blood in paper cups until her breath is weightless- And I rush, an actor, in the scene that we portray- I am the giver, the oily deluged eyes that close around the flesh and rend the fruit from the rind.
0
Mar 27, 2010
Mar 27, 2010 at 12:52 PM UTC
Artificial Intelligence
Sirious ******** Study is ******** Will you let me be. There'll be other days to write more poetry. Smirking, missed you too. She's studying with language barrier, under repression. Taking years to slowly do what we can accomplish in a day. I see, but what are we to accomplish? Blow it up? rip it down? to rebuild? or embroider?   Like repairing a tapestry. Fill the in gaps, complete her story with hard data and prettier pictures. Half on one hand, six in the other. Make do and mend. Change the world for a second Which of us drew the short straw again? Zzzzxxx Tripping over myself and our humongous marriage of minds. Apologies. Apogee. Nadir ©Atalanta Undigested, 2013. All Rights Reserved.
0
May 1, 2013
May 1, 2013 at 5:54 PM UTC
Studious ********
Look who's found who Look who stole you from your rest ... And in believing, we cheated death September's fall is warm and crisp, on the road and on the path I could make you an empath. Introducing empathy. What do you owe me and I owe you, Or do we own it all collectively? I'm not a healer Let's forget about the stealers I thus am nearing apogee. Have to write this poem for you. And me ... Introducing all that blooms into our home. While the tribal does a dance of revival And we're harvesting (what's sown). When I see you through the windows open wide, A watched *** never boils. But 7 kettles resonates. We all go away some times, But your picture's in my mind so when I'm many metres away Even then, I cannot stray I go and climb the tallest tree. I sit and wait for you and me. Introducing empathy Introducing empathy Introducing ... you and me
0
Sep 27, 2014
Sep 27, 2014 at 11:27 AM UTC
Introducing Empathy
Formless words...broadcast scribbling space, their diagram of poetic motion washes over you...formed on impact. Dark room's glow in broad daylight--your fully developed picture...deepest blue of two worlds in one, betwixt vibration. Hue of the canonized, twanging entire a cloudless sky... enriched tenfold in mimicry of you. If only stained glass and silk would wed, search light's spectrum...distill the most affecting gradation of blue-- then would you see a just replica? Visionary's shield...where earthen wend unveils the abysmal... that eyes may remain upon you--till one is ferried, and vision seen through. Apogee of seventh sea...epicenter of dancing Nine Muses, whose round keeps the Blue Flower earthbound. Blue Flower of the poet's pilgrimage, whose synesthesia electrifies. Blue Flower...a nebula pinned to earth, the name of spring born of you. The golden section of angels fly their flawless form to you... that High Art may pray to High Art. ...Blue Flower, commended spirit rife with grace...whose ceaseless hour at hand holds beauty alone. Mind, quill to tongue riven--if ever...ever is now--Blue Flower... ever is Now! The words of this poet have begun fasting...not to eat of what they cannot sacrifice...their Blue Flower.
0
Nov 17, 2014
Nov 17, 2014 at 1:48 PM UTC
Blue Flower
My life burns down 'round my ears My pain a bright flame that sears No way forward can I see The world arrayed against me I'm cast into the Abyss Feels like there is no justice Reality, darkest fear I scream but no one can hear When I feel adrift at sea Farthest from my apogee Up from the ashes I shall soar Pain and sorrow will be no more My life's mission is polemics I rise, for I am the Phoenix!
0
Aug 29, 2016
Aug 29, 2016 at 10:37 PM UTC
I Am The Phoenix
do you know how much light you have to have to play in the dark ask the lady of the moon my trilling lover of comatose dreams **** queen dressed in fallen roses on her knees her head a cocked jaw throat; a giraffes for shirts of skin and magic wands she prays to be broken split saliva jewel kink clutch little crying angel hugging her ball and chain shawled *** a trussed cathedral bound in silk a vomiting flower of ******* her feet bound puddled black crimson crumbling at every teasing cuddle and darkened bite like ghost fire flame on flame her ****** buttered Kasbah dark fruit casaba i take a bite red teeth and stretched tongue adorn the hood of lust and sink flying into blood scape's womb she screams hooked on satin's *** nail wailing; hideous mirth and folds sweet and sour siracha tang her mouth a gagging river of ***** and oleo tubes eyes gazing globe video games **** brewing perfume's of delirium **** star ships at apogee riding the glitter rim my **** a rabid swoon of towering babble is full tonight brimming with white blood red and trembling milk to fill your mouth my love and the bitter honey of my soul
0
Jun 3, 2019
Jun 3, 2019 at 12:07 PM UTC
Black Dust Orbit
"...Hello...?" This is a cry for help, Is there anyone there? I can't take one more skelp, Is there anyone that cares? "Hello?" This is a prayer, quick, someone save me, The weight on my shoulders is too much to bear, And my lungs are collapsing at my sadness' apogee, Please, please, can anyone hear? "Hello." This is a plea for intervention, For I can't stand life any longer, Each breath and day an invention, The dedicated instruments of my torture. "Hello!" This is a final goodbye, For no one has heard, no one has cared, About the man next to the tracks with his final sigh, Who jumped from salvation, his soul, despaired.
0
Dec 18, 2015
Dec 18, 2015 at 8:00 AM UTC
Hello.
Towering over the rocky shore, mentoring the intractable,discordant waves. Rigid and stubborn,over which the eagles soar "They" come here for absolution,the murderers,the soothsayers,the knaves. Tweleve kilometers away from the tower,she watched, living in sweet sardonic solace,in an ancestral cottage. how "they" climbed the crumbling earth,body and soul parched, desperate to be purged,freed from guilt-driven ******* Ruminating over the storm swept silence, she loathed man's dependence on belief. Comatised, mentally enervated in its absence, The belief commands discipline, our obedience. Scrambling over the jagged rocks, she climbed to the base of the dominating column, A vulture sitting high above,looks down to mock. the blinding circulating light,an eerie feeling she could not fathom. Ascending the two hundred and forty eight iron spiral stairs, as surreal force encompassed her, she instantly felt possessed, her mind awakened by last night's nightmare. As she stood high above,adjacent to the vultures, She acknowledged her mind grow vacous,empty , free. There was something calming or demanding about this structure, exterminating her inner thoughts and memories,reaching an ******** apogee.
0
Oct 31, 2011
Oct 31, 2011 at 12:52 PM UTC
The Lighthouse
artists of flesh wielding shades of exertion splashing on canvas sheets bright through closed eyes I'm your thumbprint expressionist mattress impressionist bristles for taste buds  make broad strokes the emphasis aptly utensil fills focal to edges though tipping the easel conception seems effortless brilliantly tincture accentuates fervor while crescent depressions raise apogee further
0
Sep 29, 2014
Sep 29, 2014 at 2:46 AM UTC
Ten Crescent Indentations
life is a gestation whom due time is like no other every cramp of it is a question to a hint to an answer too many ways, paths, hopes and names to consider umbilical cord is to feed, from reality, thirst and hunger the embryonic soul and soul ought to suffer or to suffer shall it ignore ignorance, it will drink thirst and eat hunger places to materialize in, moments, similitudes to buffer may it illuminate ignorance, it will eat thirst and drink hunger questions to answers, labyrinths in mazes, thanks to prancer pica seeks pleasure whom apogee reality will witness never but to baby senses ****** is the eternal supposed starter life is due, life is dead, illusion, O soul here is your answer
0
Jan 5, 2013
Jan 5, 2013 at 1:50 AM UTC
life
Give me stairs To attain some lofty pinnacle For stairs are sheer simplicity An elegant solution to reach some apogee Incapable of failure unlike the Mechanical complexities deriving from indolence Presumed superior to the apparent drudgery Of clambering upward unhurriedly and Thus assembled ultimately to fail and frustrate my overwrought soul While archaic stairs continue unwavering ever upwards   Give me stairs
0
Dec 23, 2015
Dec 23, 2015 at 1:04 AM UTC
Give Me Stairs
Your imprint's emplacement Massed fate's apogee, Where words become pavement Whilst time sets them free. Too bad you didn't like it. I actually wanted to make you feel special. I don't write love poems For this reason.
0
Feb 18, 2016
Feb 18, 2016 at 5:02 AM UTC
Bear Synergy (No Longer)
Born at the age of sixteen To again experience the cusp of noon sun At the bottom of orangeade syrup Indelible on your tongue, permanent In a mid-summer twilight At the touch of sweat skin and wet ears On maple arms and black foot night Singing to the will o’ the wisp (Leather bound a thought They will read it, perhaps pay And take pleasure in your hymn As verse of summer knows the animus Which lightens the load of e’ryone) Ineffable are his hands on terra cotta walls A hot whisper in the ear and cotton lips Which press the skin on beachy nocturne To the ocean, the unforgiving expanse That vomits all my woes Which I throw back into it To again experience the cusp of heat And boiling blood and salty extravagance The emotion at an apogee That makes the world a rumination of wonder (Not to live without fault But to thrive in its decadence) The heat of twilight cakes my legs in shorts On yellow sunspots, glowing in his amber eyes Soon, to appear on the cusp of gothic moor During the late ombre effect of dusky sky When its nighttime cataract reveals, the moon A pitted moonscape The moor is silent and whispers to its dwellers If I were to find him there, in the fresco Etched into the crystal caverns of night Would he respond in the marsh With the crickets between the reeds Or the owl on the ground mole As the whispers of naiads?
0
Apr 30, 2011
Apr 30, 2011 at 7:25 PM UTC
Saudade