Submit your work, meet writers and drop the ads. Become a member
DancingEntWrites Jul 2018
In these days of
Feeling like we are wrong..
Wrong for having feelings
Emotions
We are told that we must always

BE HAPPY

Get a good job
Wife
Husband
Life
Kids
House
Car
Truck
And let's not forget all those toys we have to have in our kitchens, living rooms, and attached garages.
The latest game
The biggest TV
And anything that is the latest generation of Samsung or Apple

If you have all of these things, it is guaranteed: you will be happy.

But here is the FLAW.

You aren't happy because you dont have all of the things society says that you should have to be happy.
Once you get these things, society just replaces all of these things with new things.
Newer games
Bigger TV's
And of course!
The latest generation of anything Apple or Samsung
So what is the point of striving for all of these things when it is never going to be enough?
Something will always be better than what you have.

Unless you choose for it not to be.

You have the decision before you to be HAPPY.
Enjoy what you have.
The right game
The right TV
Apples in the fridge and *** is Samsung?

Once you stop worrying about being what society wants to be and be who you want to be

Isn't that happy?
Rantinnnggg
katewinslet Nov 2015
Do you find yourself going foward with your personal growth? Or perhaps, do you really expereince worry? Should you be for example the rest of us you choose to do! However, is the best fearfulness giving up you having the items you desire of gaining? It is really ceasing your existing growth? Does ones own fear help you become wait? Will you pick up paralysed due to have reasoning? Will you think about the nasty points that could happen to you actually when you are brave enough to attain out and about for what you wish? Is it time to do everything onward inside of your personal growth? The majority people are actually crippled in our personal growth. We attempt for more only to acquire virtually nothing, nothing and look at incredibly exact opposite going on in our lifestyles. Much of our expansion os standstill or even non-existant. Let's look at as to why lots of can't get through to their personal development ambitions? If you create a oft cursed party you probably did the trick by yourself to a craze pending this kind of awful thing that concerned that occurs only to find down the road that your potential anxieties was unfounded. Perhaps you have discover that the specific practical experience weren't nearly as bad as being the terror you initially enjoyed. Have done the skills aid you in your very own production? "The sole idea we should instead fright might be fearfulness itself" Franklin Deborah. Roosevelt 1933. That is a amazing self improvement assertion. So what is fear and just how do we overcom the idea together with self improvement? Dread is among the most greatest challenges to non-public growth. Fear develops when you permit your current damaging shows to influence your thinking. It all raises it's awful brain if you find yourself through your comfy section! Simple fact is that unheard of verdict brings about fright plus the thought about the most detrimental likely predicament occuring. Worry is false! Any time you look closely at your current doubts you will see that the great majority masters by no means happen and those that perform usually are not as bad since you supposed these phones be. The personal improvement solution to capturing anxiety is founded on your notions together with thinking about. As you are up against worry you'll want to prevent and additionally use a incredibly deep breath slowly. Taking in profoundly can be described as self improvement key which often rests one's body as well as eradicates the strain your concern is actually putting together inside your body. Then look closely along at the manner you might have been planning. Have you ever fill up the mind through pictures of all of the most severe final result? Turn back thinking having personal development! You must do requesting robust personal growth concerns about the fear.

The next Some Self improvement fear-buster queries allows you to reduce concern immediately! 3. Is that this worry about genuinely in line with whatever that applies? 3. If the dread were to grow to be inescapable fact could home actually be as bad as you have really been considering in the home Cheap Fitflop Malaysia.? A few. How is it possible that you could actually attain one thing coming from that great dreadful occurrence? Will it help your personal growth? This final self improvement inquiry may seem for a unfamiliar aspect to think about however, there is an important two-fold cause of requesting the application. For starters, any considered in any completely different path smashes a runaway practice involving bad frightened believed! Next, it all can make check out the worry about through a self improvement opinion and neutralizes its vitality. 4. Is it feasible that when My partner and i transform my very own thinking about today I'll definitely generate a few things i require? A particular progress rule is usually: as we alteration how you would presume we change how you will respond. Lots of individuals essentially bring about its anxieties as they are always making plans for these. From directed at ones own anxiety anyone are more likely to conduct yourself somehow which are linked to the anxieties and consequently anyone unconsciously make your anticipated affair. An instance will be a individual who anxieties they'll remove his or her's accomplice. These because of this endeavor to handle it in each and every way in order to ensure the person will never result in them all Fitflops Malaysia. Are you able to find trying to do this will genuinely produce the invert benefit and also propel anyone away.

To date in their eyes there're to ensure these products prevent the person! Every one of us behave on same means day-to-day : we tend to outwardly captivate each of our anxiety by using much of our procedures owing to your concentrate. Your current concentration is the best authentic personal development electricity! When we finally carry in your mind the concern in the we'd like the contemplating affects many of our methods and then we acquire themselves obtaining the particular details we would like Cheap Fitflop. This is definitely personal growth electric power on it is core. In order to avoid tempting occasions the ones that may assist you manifest ones own concerns frequently ask yourself several personal development fear-busting concerns previously. It's easy to discover that ones own fearfulness basically dark areas without realistic ingredient and that you will first improve in your own personal development as well as all of the instruction you prefer.
Relate Articles:
http://www.dailyexpress.com.my/iphone/FitflopMalaysia.asp
Cheap Fitflop,Fitflops Malaysia,Cheap Fitflop Malaysia
ryn Oct 2014
tell me...

will tomorrow bring,
     all the things
i'm longing...
    stowed upon its elusive wings,
tirelessly beating
    and fighting
to show what's dangling
and hanging...
          ready for the picking...

                          awaiting...
such time so it could begin its need for unloading,
                   delivering
                                      and dropping,
its gleaming
                      treasures
on those who are deserving,
        in no way lacking
so they could be at the receiving
end of this pressurising,
           inking
                      of dwindling
                                        words...

carel­ess thoughts conceived only to
              fuel
           my deranged ramblings...
incessant mutterings of a shattering
                         mind...

           bending backwards, almost breaking,
         risking...
the chance of ever fully
                                          mending...

hopin­g and praying
   for a sentence that's pending
dawn's approval...

allowing
   the rising
of the sun...
                  paving
            ways for thriving
                                          wishes,
unbarr­ing
                  gates for soaring
                                                dreams, unlocking
                   latches,

relieving...
the heightening
                     anxieties of grieving
                                                        ­ hearts.

constantly whispering
                               utterances, promising
good will, happiness
                              and titillating
                                                     ­ sanity.

we're thinking...
     the earth is spinning,
         the moon is setting,
     so the sun must be rising
                         but...

             tell me,
                           tomorrow...

                                *is it coming?
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
E Lynch May 2018
It arrives,
Unnoticed, unannounced.

Quiet,
At first.

Slow,
Seeping, dripping.

I put it down to a few stressful weeks.
I carry on.

It unpacks,
Worries, anxieties.

Gently,
For now,

Tiptoes,
Whispers, creaks.

‘It will leave soon’ I think ‘It always does.’
I keep going.

It settles in,
Getting comfortable.

Getting louder,
And louder.

Banging thoughts,
Insomnia.

‘Please don’t be happening again’.
I shuffle along my daily routine.

Claws in,
Insidious.

Screaming,
24/7.

Shame, worthlessness,
Hurt.

‘Please go away’.
I’m barely coping.

Growing roots,
Into my brain and heart.

Blossoming pain,
With every beat.

Emptiness, loneliness,
Abandonment.

Silence, Stillness,
‘I can’t move, I can’t cope.’
Nigel Morgan Oct 2012
Ah the persimmon, a word from an extinct language of the Powatan people of the tidewater Virginia, spoken until the mid 18th C when its Blackfoot Indian speakers switched to English. It was putchamin, pasiminan, or pessamin, then persimmon, a fruit. Like the tomato, it is a ‘true berry’.
 
Here in this postcard we have a painting of four kaki: the Japanese persimmon. Of these four fruit, one is nearly ripe; three are yet to ripen. They have been picked three days and shelter under crinkled leaves, still stalked. Now, the surface on which these astringent, tangy fruit rest, isn’t it wondrous in its blue and mottled green? It is veined, a ceramic surface perhaps? The blue-green mottled, veined surface catches reflected light; the shadows are delicate but intense.
 
You told me that it troubled you to read my stories because so often they stepped between reality and fantasy, truth and playful invention. When you said this I meant to say (but we changed the subject): I write this way to confront what I know to be true but cannot present verbatim. I have to make into a fiction my remembered observations, those intense emotions of the moment. They are too precious not to save, and like the persimmon benefit from laying out in the sun to dry: to be eaten raw; digested to rightly control my ch’i, and perhaps your ch’i too.
 
So today a story about four kaki, heart-shaped hachiya, and hidden therein those most private feelings, messages of love and passion, what can be seen, what is unseen, thoughts and un-thoughts, mysteries and evasions.
 
                                                                            ----
 
 
Professor Minoru retired last year and now visits his university for the occasional show of his former colleagues and their occasionally-talented students. He spends his days in his suburban house with its tiny non-descript garden: a dog run, a yard no less. No precious garden. It is also somewhere (to his neighbours’ disgust) to hang wet clothes. It is just grass surrounded by a high fence. He walks there briefly in the early morning before making tea and climbing the stairs to his studio.
 
The studio runs the whole length of his house. When his wife Kinako left him he obliterated any presence of her, left his downtown studio, and converted three rooms upstairs into one big space. This is where Mosuku, his beautiful Akita, sleeps, coming downstairs only to eat and defecate in the small garden. Minoru and Mosuku go out twice each day: to midday Mass at the university chaplaincy; to the park in the early evening to meet his few friends walking their dogs. Otherwise he is solitary except for three former students who call ‘to keep an eye on the old man’.
 
He works every day. He has always done this, every day. Even in the busiest times of the academic year, he rose at 5.0am to draw, a new sheet of mitsumatagami placed the night before on his worktable ready. Ready for the first mark.
 
Imagine. He has climbed the stairs, tea in his left hand, sits immediately in front of this ivory-coloured paper, places the steaming cup to his far left, takes a charcoal stick, and  . . . the first mark, the mark from the world of dreams, memories, regrets, anxieties, whatever the night has stored in his right hand appears, progresses, forms an image, a sketch, as minutes pass his movement is always persistence, no reflection or studied consideration, his sketch is purposeful and wholly his own. He has long since learnt to empty his hand of artifice, of all memory.
 
When Kinako left he destroyed every trace of her, and of his past too. So powerful was his intent to forget, he found he had to ask the way to Shinjuko station, to his studio in the university. He called in a cleaning company to remove everything not in two boxes in the kitchen (of new clothes, his essential documents, 5 books, a plant, Mosuko’s feeding bowl). They were told (and paid handsomely) to clean with vigour. Then the builders and decorators moved in. He changed his phone number and let it be known (to his dog walker friends) that he had decided from now on to use an old family name, Sawato. He would be Sawato. And he was.
 
His wife, and she was still that legally, had found a lover. Kinako was a student of Professor Minoru, nearly thirty years younger, and a fragile beauty. She adored ‘her professor’, ‘her distinguished husband’, but one day at an opening (at Kinosho Kikaku – Gallery 156) she met an American artist, Fern Sophie Citron, and that, as they say in Japan, was that. She went back to Fern’s studio, where this rather plump middle-aged woman took photographs of Kinako relentlessly in costume after costume, and then without any costume, on the floor, in the bath, against a wall, never her whole body, and always in complete silence. Two days later she sent a friend to collect her belongings and to deliver a postcard to her husband. It was his painting of four persimmon. Persimmon (1985) 54 by 36 cm, mineral pigment on paper.
 
‘Hiroshi’, she wrote in red biro, ‘I am someone else now it is best you do not know. Please forgive’.
 
Sawato’s bedroom is on the ground floor now. There is a mat that is rolled away each morning. On the floor there are five books leaning against each other in a table-top self-standing shelf. The Rule of St Benedict (in Latin), The I-Ching (in Chinese), The Odes of Confucius, The Tale of the Bamboo Cutter (10th C folk tale) and a manual of Go, the Shogi Zushiki. Placed on a low table there is a laptop computer connected to the Internet, and beside the computer his father’s Go board (of dark persimmon wood), its counters pebbles from the beach below his family’s home. Each game played on the Internet he transcribes to his physical board.
 
He ascribes his mental agility, his calm and perseverance in his studio practice, to his nightly games of Go in hyperspace. He is an acknowledged master. His games studied assiduously, worldwide.
 
For 8 months in 1989 he studied the persimmon as still-life. He had colleagues send him examples of the fruit from distant lands. The American Persimmon from Virginia, the Black Persimmon or Black Sapote from Mexico (its fruit has green skin and white flesh, which turns black when ripe), the Mabolo or Velvet-apple native to Philippines - a bright red fruit when ripe, sometimes known as the Korean Mango, and more and more. His studio looked like a vegetable store, persimmons everywhere. He studied the way the colours of their skins changed every day. He experimented with different surfaces on which to place these tannin-rich fruits. He loved to touch their skins, and at night he would touch Kinako, his fingers rich from the embrace of fifty persimmon fruits, and she . . . she had never known such gentleness, such strength, such desire. It was as though he painted her with his body, his long fingers tracing the shape of the fruit, his tongue exploring each crevice of her long, slim, fruit-rich body. She had never been loved so passionately, so completely. At her desk in the University library special collection, where she worked as a researcher for a fine art academic journal, she would dream of the night past and anticipate the night to come, when, always on her pillow a different persimmon, she would fall to ****** and beyond.
 
Minoru drew and painted, printed and photographed more persimmons than he could keep track of. After six months he picked seven paintings, and a collection of 12 drawings. The rest he burnt. When he exhibited these treasures, Persimmon (1989) Mineral pigment on paper 54, by 36 cm was immediately acquired by Tokyo National Museum. It became a favourite reproduction, a national treasure. He kept seeing it on the walls of houses in magazines, cheap reproductions in department stores, even on a TV commercial. Eventually he dismissed it, totally, from his ever-observant, ever-scanning eyes. So when Kinako sent him the postcard he looked at it with wonder and later wrote this poem in his flowing hand using the waka style:
 
 
*Ah, the persimmon
Lotus fruit of the Gods
 
Heartwood of a weaver’s shuttle,
The archer’s bow, the timpanist sticks,
 
I take a knife to your ripe skin.
Reveal or not the severity of my winter years.
Sia Jane Sep 2014
I'm made of all;
The books I've ever read
Poems I've ever written
Faces who have smiled at me
Hugs that have wrapped around me
Caresses that have graced my inner thigh
Countries & continents my feet have touched
The lovers as we simultaneously reach ecstasy within
Lonely nights shedding tear drops
Nights gazing black skies moon & stars
Children falling asleep to my heartbeat
Animals whose soul was found through reflective eye stares
Conversations spoken in French, Spanish, Italian, Xhosa, Afrikaans, Norwegian, German
Years of ******-, cognitive-, dialectical-, art-, drama-, music-, mindfulness-, trauma-, psychiatry-; therapies
The drinks & drugs & mind altering substances dispersing my mind
In all I'm made of;
Love
Lust
Greed
Fear
Joy
Freedom
Longing
Dreams
Despair
Sadne­ss
Anger
Frustrations
Happiness
Anxieties
Insecurities....

In all I'm made of;

A soul; securely contained within a body of battled scars;
over;
pain & triumphs, losses & gains, rejections & acceptances, dishonours & accolades...

With the hope; she too, can live life through.

© Sia Jane
Written at 1.53am
Atlas Dec 2016
I've fallen in love with a ghost, a man, an angel with crooked wings.
I've fallen in love with the way he speaks, every tick and twitch, the way he looks when he's anxious.
I want to preserve him in poems and picture books.
His soul bears the weight of every cigarette and tear he has shed.

Poor lonely ghost, why do you hide behind closed curtains and mountain man ****** hair?
Poor lonely ghost, no one can get close to you,
Only because you are too scared of getting hurt.
So instead, you hurt yourself because it's easier this way.
Poor lonely ghost, you live inside a cave, insist it's better being alone with your things and your heavy thoughts.
But the weight, it grows.
Poor soul, you were not built to hold the weight of a lonely mans world.
With all of his tears and broken hearts and anxieties and cigarettes and sad poetry.

Please take care of yourself, my lonely ghost.
And please try to open to curtains and watch the sunrise.
Natália Sep 2018
You said
That I can tell you anything
You said
That you are always there for me
Well it doesn’t seem like that

The other day
I told you a tiny snippet
Only a little drop in the sea
About my anxieties
About my irrational fears
I wanted to tell you for so long

But I am never going to do it again
Because the face you made when I voiced my feelings
That hurt

Your expression said that I don’t make sense
That I am crazy
That that’s totally ridiculous
That I am making it up

I mean, I can tell you the basic stuff
The everyday problems
But not about my mind
Not about my real reasons to cry
You said you want to hear
But you actually don’t

You know
it would be fine
If I had anyone else
to talk to
But you are aware that I don’t
And you make me think
that no one will ever want to listen.
ghost queen Nov 2019
You ask why I am anxious, why i am depressed, let me list for you the reasons why:

Global warming
Melting glaciers
Heatwaves
Polar vertices
Category 6 hurricanes
F5 Tornadoes
Droughts
Desertification
Floods
Wild fires
Snowless winters
Ice free arctic
Antarctic ice shelf collapse
Greenland glacier melting
Perma forst thawing

Ocean warming
Ocean acidification
Coral bleaching
Sea level rising
Coastal erosion
Over fishing
Fisheries collapse
Plankton extinction
Fertilizer run offs
Chemical pollution
Raw sewage dumping
Red algae blooms
Vibrio explosions

Ozone layer depletion
Lack of fresh potable water
Acid rain
Top soil depletion
Dead soil
Deforestation
Banana palm tree cultivation
Evasive species
Overpopulation
Urban sprawl
Insect apocalypse
Animal extinction
Lower biodiversity
Bird apocalypse
Bee apocalypse
Bat apocalypse
Amphibian apocalypse

Aging nuclear power plants
Superfund sites
Radioactive contamination
Three mile island, Chernobyl, Fukushima
Endocrine disrupters
PBAs
Autism
***** count collapse
Effeminization of men

Noise pollution
Light pollution
Chronic stress
Diabetes
Metabolic diseases
Over eating
Obesity

Drug resistances
New and emerging diseases
Epidemics pandemics
Swine and bird flu
Genetic modification
Biotech tech
nano tech
Crispr
DNA
genetic testing
Designer babies
Aging population
Health care rising
Unaffordable medications
Uninsured
Medicare of all
Medical bankruptcy
Social security bankruptcy

Rise of terrorism
Rise of extremism
Far right
Alt right
Lack of education
Masculine identity crisis
Emasculation of men
Decline of boys
Rise of girls

Increasing depression and anxiety
Increase anxiety depression among young girls
Lack of human connection
Social isolation
Social awkwardness
Snowflake generation
Disintegration of the family
Suicides
Social media addiction
**** addiction
Drug addiction
Alcohol addiction

Lack of equality
Political corruption
Kleptocracy
Corporatocracy
Plutocracy
Oligarchy
New American aristocracy
Too big to fail
Privatize profits, socialize losses
Decline of democracy
Fascism
Terrorism
Religious extremism
Religious tension
Political divisiveness
National unity
Second American civil war
Helplessness of the common man

Big data
Data protection
Algorithms
Internet tracking
Lost of privacy
Artificial intelligence
Singularity
AI white collar job lost
AI automation
AI back office
Autonomous AI
5G supremacy
Quantum computer supremacy
Virtual reality
Augmented reality
Cybernetics
Chronophobia
Outsourcing
Off shoring
On shoring

Over education
Under employment
Skills gap
3rd world immigration
La reconquista
Cultural dilution
Status quo
Declining economies
Housing crisis
Housing cost
Homelessness
Illiteracy
Hunger
Unemployment
Full employment
Racism
Intolerance
Race relationships
Increasing crime
Student loans
Credit card debt
High mortgages
7 year car loans
Inverse yield curve
52 week high

Wars
Military interventions
Social uprisings
Dwindling resources
Resources conflicts
Rare earth metals
Depletion of helium
Peak oil
Fracking
Water wars
Climate refugees
A list of worries people face today that is causing anxiety and depression
I thought it right to assess some antidepressants, which philosophers are more inclined to call mood enhancers.
(This was during my foray into human enhancement, substances intended to enhance physicality, cognition or mood. Nootropic compounds concern the latter two categories.)

The most commonly prescribed mood enhancers are serotonin reuptake inhibitors (SRIs), but it takes over a week for these compounds reach their peak effect. I therefore approached them with the notion that a limited dosage might point to their character which would further manifest in the long-term. (In addition, side-effect were less likely to manifest.) These considerations in mind, I set about acquiring a few miscellaneous anti-D's.

Fluoxetine was the first successful selective serotonin reuptake inhibitor (SSRI), better known by its original brand-name Prozac. Fluoxetine has an acute biological half-life of between 1-3 days. Presence of a trifluoromethyl group on the compound deserves note, I wonder what the presence of electronegative fluorine atoms add to the psychoactive flavour of a compound (subjective effects).
I administered a single dose by mouth, there was some indication of subjective character. Light serotonergic sensations and seemingly benign mood-dampening, there is a ****** towards the positive. Waking headspace relatively uninteresting. Observed hints of oneirogenesis, did not manifest in enough character to be detailed - a sort of vivid, 'pulsive wandering, more pronounced in contrast to its waking character.
Good experiment, intresting results.
Ligand     Ki (nM)   Ki (nM)
Target      Flx            Nflx
SERT        1               19
NET         660           2700
DAT         4180         420
5-HT2A   200           300
5-HT2B    5000         5100
5-HT2C    72.6          91.2
α1             3000         3900
M1            870           1200
M2            2700         4600
M3            1000         760
M4            2900         2600
M5            2700         2200
H1            3250         10000

Escitalopram is an SSRI commonly prescribed for major depression and generalised anxiety. It is the (S)-stereoisomer of citalopram. The biological half-life is of escitalopram is between 27-32 hours.
I administered a dose and thought the phenomenal serotonergicity less apparent than fluoxetine but then gastro-intestinal disturbance was noted, I correctly surmised it has a high affinity for 5-HT2C but was also surprised to find it is is quite adrenergic.
Any oneiric qualities were not readily apparent after a single dose, relatively little visual imagery which is understandable given its lack of affinity for 5-HT2A. I found this to be philosophically intresting. Mood elevation observed in bursts of conversation and as odd sensations, possible mental discomfort.
Ligand,
Recptr     Ki (nM)
SERT       2.5
NET        6,514
5-HT2C   2,531
α1            3,870
M1           1,242
H1           1,973

Venlafaxine is a selective serotonin-norepinephrine reuptake inhibitor (SNRI). Venlafaxine and its metabolites are active for about 11 hours.
Initial subjective effects similar to a very light empathogenic stimulant. Perception of altered attention-span/increased reflexive response; energising yet paradoxically much yawning.
Ligand,  Vnfx      Dvnfx
Recptr    Ki(nM)  Ki(nM)
SERT  ­    82           40.2
NET       2480        558.4

Tianeptine is a tricyclic antidepressant (TCA) with an unusual mechanism of action. It is an atypical agonist of the μ-opioid receptor and has been described as a (selective) serotonin reuptake enhancer (SRE). It has a short duration as sodium salts [prescribed form] of between 2-4 hours but as sulfate this can be notably extended, some of its metabolites are active for longer than tianeptine itself.
Definitely anxiolytic, quite artificial; possible aphrodisiac. I find its opioid activity dissuading, requires utmost caution.

Moclobemide is a reversible inhibitor of monoamine oxidase A (RIMA), its monoamine oxidase inhibition lasts about 8–10 hours and wears off completely by 24 hours. Inhibiting the decomposition of monoamines (e.g. serotonin, norepinephrine and dopamine) increases their accumulation at an extracellular level. It tends to suppress REM sleep and so it lacks oneirogenic properties.
Feeling of well-being, less constrained by the usual anxieties; openness. Relatively unnoticeable side-effects when diet is carefully managed. Made the mistake of eating a cheese and turkey sandwich (i.e. foodstuff rich in tryptophan), indications of a mild serotonin syndrome later became apparent. Symptoms included feelings of overheating and flushing, slight sweating, racing thoughts and anxious discomfort. A stark reminder of Shulgin's old adage: "there is no casual experiment".
Combination with a select few tryptamines (not 5-MeO-xxT) should be safe, and synergistic (perfect for pharmahuasca); reputed to potentiate GHB. However, generally it is extremely dangerous to combine with serotonergic drugs.
Ayad Gharbawi Dec 2009
THE STORY OF SARA






Or A Reflection on Ourselves


Ayad Izzet Gharbawi










2008














Table of Contents



Chapter 1: An Awakening. Page: 3.
Chapter 2: University. Page 12.
Chapter 3: Being an Activist. Page 23.
Chapter 4:  The Hallowed Purification Programme. Page: 32.
Chapter 5: The Party Self Destructs. Page: 55.
Chapter 6: Confusion after the Collapse of my Icon. Page: 64.
Chapter 7 Getting a Job as a Psychiatrist. Page 69.
Chapter 8: Afim: Sick or ‘Normal’? Page: 84.
Chapter 9: Having Children. Page 105.
Chapter 10: Omar Again. Page: 109.
Chapter 11: The Meaningless Existence of My Husband. Page 121.
Chapter 12: My Daughter: Lara. Page 127.
Chapter 13: Getting to the Top in my Job. Page: 131.
Chapter 14: Success & Emptiness. Page 142.
Chapter 15: The Shock. Page: 148.
Chapter 16: The Trap. Page: 153.
Chapter 17: The Punishment. Page 162.
Chapter 18: The Barmaid and the Alcoholic Conversation. Page: 166.
Chapter 19: Old Age. Page: 180.
Chapter 20: Seeing My Son: Noor. Page: 184.
Chapter 21: The Unexpected Visitor. Page: 191.
Chapter 22: Conversation with my Social Worker. Page: 195.
Chapter 23: My Visitor Returns. Page: 206.
Chapter 24: Isolation. Page: 210.

















THE STORY OF SARA



– OR, A REFLECTION ON OURSELVES



CHAPTER ONE:  AN AWAKENING



  
            Sara is my name.
  I feel the need to write down the words, or rather, the connected and the unconnected stories, of my life.
  I wish to say straightaway, that I am not an important person; on the opposite.
  I am, in fact, a no one.
  I achieved nothing meaningful in my life, and I was never famous.

  So, why you may think, should anyone read about my life, considering that I am a nobody?
  Well, I think, that precisely because I am a nobody, people should read about my life!
  Why?
  Because, since most of us are nobodies, therefore, I must be a reflection for a significant number of people.
  I am a mirror that most of us do not see; after all, who wants to see what they really look like?

  You see, if I were famous, then I would be in the minority of the population, and, as a consequence, I would reflect the lives of just a small fraction of the people.
  In other words, if I were rich, and if I were to write about my life as a rich woman, then most readers would have absolutely nothing to relate to such a story.
  But then again, to tell you the truth, I am plagued by insecurities and self doubt.
Why am I plagued by insecurities and self doubts?
  Because life itself is full of doubts and insecurities!
  Everyday there are so many events that happen that you do not fully understand - and so they have no certainty.
There are so many thoughts that come across your mind that you cannot believe in with certainty - in other words, you have doubts!
  Life is made up of events, people and thoughts that are themselves uncertain, vague, indefinite, unclear, ambiguous and ultimately blurred.
  That is why, for me, I found no certainty in my life, no sense of definiteness – and the end result is that my image of my personal reality was a blurred vision.

  I could never see an accurate view of my own reality - because I had far too many flawed characteristics.
  I am extremely temperamental.
  I am extremely impulsive; I speak, behave and act without thinking in a sober, rational, deliberate manner.
  I am not a very good judge of character when it comes to people. I often evaluate people wrongly. I misread who they really are.
  I am often very cold with other human beings; I am unable to sympathise and be compassionate to other people.
  I am not a good listener.
  I am a slave to my irrational passions, my dark urges and my undesirable needs.
  Now I am not saying that I have these characteristics all the time – but I confess that I do have them far too often.

  And all these awful characteristics make me quite unable to focus on myself in a logical, coherent and rational manner.
  I am unable to see my real Self; I cannot see where my rational mind tells me where I need to go with my life, rather than where my dark passions tell myself where to go.
  So, maybe my story isn’t worth telling at all.
  Should I write the story of my life or not?
  Will anyone read it?


  I am a member of the weak and the unknown and the unheard class.
  I am a member of the invisible classes, of what they call 'Humanity'.
  Even though, I don’t know what ‘Humanity’ actually means any more.
  I am one non-entity amidst this ocean of Humanity.
  I am a nothing.
  So, what’s the point of my existence and, more importantly, the story of my existence!?


  Actually, sometimes, when I’m in a good mood, I think, yes, come, do not be timid or afraid, and take a serious gaze at my own face, and I hope you will see yourselves – yes, you, the majority of the people out there, this night; for when you see yourselves in my face, you may learn so much about yourselves, and it seems to me, after I have been living and experiencing so long, you may learn from my mistakes.
  It seems to me, that one of the problems so many of us people out there are facing, is that nobody seems to want to take a serious, unbiased way that they really look like – and this is because of fear.


  But what is this ‘fear’?  
  I know that this fear is one reason that causes a nagging and persisting unhappiness.
  This fear is because we are scared to look at ourselves and find a picture that is severely deformed and far too horrible to behold.
  Do you believe that looking at your own face is an easy task?
  I hear you tell me: Oh Sara, all you have to do is to look at the mirror and you see yourself.
  How easy!
  But, I’m afraid, you are wrong.
  Because when you say to me, that all you have to do is to see your face in the mirror, that is not accurate.


  And that is, because the face you are seeing in the mirror is an image.
  That is not your face!
  That’s an image of your face!
  And an image is only one degree of reality.
  An image is never and can never be the whole reality.
  So, you say, why is it that I am seeing an image of my face in the mirror and not the whole reality of my face?
  Because you yourself are scared to scrutinize and stare so deeply at your own face.
  Fear is restraining you from seeing your own reality.
  You may see your real face and it may be a face that is far too ugly to see!



  Now, when I am in a bad, bleak, hopeless mood, I really believe in the depths of my angry heart, that it is utterly pointless to write anything, precisely, because I feel that my entire life is completely worthless.
  Emptiness.
  I feel my life is filled with emptiness.
  Ha!
  How can you ‘fill’ anything with emptiness!
  You know, I feel like ripping to shreds everything I’ve written, and yes, reader, I’ve done that many times – and, then I start all over again.
  And how dare I presume that anyone out there in the world would be in any way interested to read the life of an empty woman who happens to be called Sara?
  You see, at times like these, I have self hate.
  I confess.
  I hate every single thing about myself.
  And that includes my pointless story.


  And so many times, especially at night, when I’m able to write my story, I think, what if no one is reading these words?
  How frightful!
  Could I possibly be that empty?
  Could I – Sara - possibly be so utterly meaningless as a human being, to the extent that no one could possibly be interested, to give me more than a few precious moments of their time, from their important lives?
  Well, for all you people out there whose lives are brimming with happiness; for all those of you people whose lives are so full and busy, so they never experience the utter tedium of boredom; for all those of you people who never face an inner emptiness, a loneliness within their hearts and minds; for all those of you people who have no fears, no anxieties, and no insecurities – then I can honestly tell you to hurl this book away!

  And, yet, I would like to believe that - in the depths of my shaky beliefs and my uncertain certainties - that I have at least one listener with me!
  You know why?
  Because it gives me so much comfort and peace of mind to think that I have one human who is interested to know me!
  The most horrible thing to me is to live in total isolation.
  And to ease that unique kind of emotional pain, is to know that someone, somewhere in this planet actually cares for you.

  I was born in the City, in a middle to low class neighbourhood, where families tended to help each other.
  It was a closely knit community. You knew everyone, and everyone knew you and so, when there was any problem, people would help each other out. You see, in this way, problems became less heavy than they would have been otherwise, because when more people come to help you, the problem weighs less, as opposed to if each family had to cope with their problems all on their own.
  It was a happy childhood; I adored my parents and I thought no one could be better than them.
  They were my icons.
  As a child, they were good to me, and I could see nothing wrong with them.
  But how long did that last?
  By the time my mind was waking up, so to speak, by eleven or twelve, I began to notice, that what I saw wasn't all that rosy at all. My parents used to argue a lot; Dad would scream and Mother would howl.
  And what were the causes of these clashes?

  Both were guilty of countless faults.
  Dad drank too much; Mom didn't pay enough attention to housekeeping and so our house was rather *****; neither parent paid any attention to us; Dad would always invite his 'friends', and they would be rather ****** in their behaviour and with their jokes (or what they thought were 'jokes'); Mom would go for hours on end to her 'friends' houses, and leave us children alone; so, when they were in the mood to fight, good God, both sides of the trenches had lots of reasons, or excuses, to use as ammunition!
  And what battles do we young children witness!
  Dad would scream: "What kind of Mother are you when you do nothing for the house; you don't cook, and so we never have homemade cooking; you don't clean, and so the house stinks and is always in a terrible mess; and then you disappear for hours to God knows where, leaving us all behind! How much time do you even spend with our children? I’ll tell you how long – you don’t spend any time with our children! Children need love, attention and time spent with them; how do you think that affects our children? Do you think that makes then happy?"

And Mom would scream, at the same time: "What kind of Father are you? You're always drunk, and you're always socialising with drunk, ****** idiots. How do you think our children are reacting when they see their Father interacting with the most lewd, disgusting people? You're lazy in your job – and that is when you keep a job more than a few weeks – and, not surprisingly, you don't bring in enough money, and so we live a miserable lifestyle. And, you dare to ask me why I leave this house for so many hours? Of course, I want to leave this house – it's because I cannot stand the repulsive sight of you! And then, you have the nerve to ask me, ‘how long do I spend with our children’? You **** hypocrite! How long do you spend with our children? Not one minute!"


  I would usually rush off to my room, and hide my body and soul in my pillow.
  And as I grew into a teenager, my parents were fighting against each other even more.
  Who was right and who was wrong?
  Sometimes I felt for sure, that Dad was wrong; and, at other times, I felt that Mom was to blame; while at other times, I felt both were to blame; and then again, at other times, I would be so confused that I just gave up thinking about the whole mess, and just wish they never brought me to this world.
  How could I judge them?
  I could never really tell, because I didn't have the facts, did I? Who knows if Dad really was lazy at his job, and if that was the case, why he didn't he realize that we needed him to work harder, in order for us to have a better quality of life? Or, maybe he wasn't making enough money, simple because his job was a low paying one, and so it wasn't his fault that he brought such meagre wages.


  Who knows why Mom didn't take care of the house?
  Maybe she was depressed?
  And who knows why she went off to her friends' house for hours on end?
  Put simply, when you don't have the facts, how can you possibly judge in a reasonable manner?
  But then, maybe, you, my dear reader, will say I am wrong, because one ought to judge the situation by using one's emotions and not just 'facts'.
  To be honest, when I think of those wretched days, maybe they were both 'right' and wrong'; but in what measures – don't ask me!
  What I do know for sure was this: the fact that both Mom and Dad never spent any time with me really hurt me and made feel insecure. I really needed their company when I was a child and right through to my adolescent years, but, unfortunately, they were never, ever interested to sit with me and talk to me – not even for a minute.

  In my teenage years, I clearly remember that I felt that I needed Mom and Dad, because I remember feeling frightened for the first time in my life.
  Why did I feel ‘afraid’?
  I honestly don’t know.
  Strangely enough, before the age of thirteen, all my parents' fighting did not leave me scared; no, my response was one of sadness only.
  
  So, I tried to talk with Mom and Dad, issues that were bothering me, but I found out, to my horror, that they could not answer any of my questions.
    I would ask my parents endless questions like:
"Should I continue studying in school and go on to university, or should I leave and get a menial job?"
"At what age should I get married?"
“Is marriage worth it or not?"
"Should I smoke cigarettes and drink alcohol – or, are these things wrong?"
  “What characteristics should I look for, when I make friends? In other words, what are the good attributes versus the bad attributes in the character of any person?”
  “What is morality?”
  I remember that my parents were themselves confused by my questions, and at the same time they were irritated.
And, at other times, they were increasingly bored with my unending questions.


  Strange combination, isn't it – to be both 'confused’, irritated' and 'bored' with someone nagging at you all the time!?
  I know why they were 'bored'; that's the easy part – it was because, they gradually found me to be a nuisance or an irritant with my questions.
  They were 'confused and irritated', because they felt stuck as to how they could best answer my questions.
You see, they were, themselves, doing all the wrong things, so how could they advice me to do what was supposed to be 'good'?!
  For example, 'Can I smoke and drink alcohol?'
Good question, Sara, but a question that you shouldn’t really ask your parents, when you recall, that both were heavy smokers and drinkers!
  And, when I asked them: 'Should I get married?' How can they answer that one
harlon rivers Jan 2017
...a diary of the falling dominoes chapter

invisibly dying from the inside out
no one is looking into unseen eyes
no one can hear a muted voice fading
no one is close enough to be near

the deafening thrums echo
anxieties’ racing heartbeat
within morphing flesh shell ,
gasping for new breath
in a hovering stale silence

from a distance
the broken mirror ricochets a subdued light ;
much closer the reflection reveals
someone I once knew by heart

now an unrecognizable mask
enshrouds a terminal emptiness
inconspicuous at a fleeting glance ,
impossible to discern what storms rage
from the inside out ,... unnoticed  

an uncontained wildfire
smoldering within,  lies in wait
for the imminent winds of change
to fan the flames into the final
eternal silent ashes

a poet reaches out demurely
offering a candid look
into the window
of the imperfect human soul

there is no poetry
met by indifference
just gathered unread words scribbled,

squandered time
dripped slowly on an empty page ;
moments turn into days
days turned into years

invisibly dying from the inside out
an unfinished life trickles out
like seeping blood evanescing
from a bottomless puncture
wounding ... penetrating the heart,
leaching out the slow death of a poet

for poetry is only words unless they touch someone ...

befallen to indifference is poetic death
by salted paper cuts ...

a muting suffocation
that hiddenly erodes away,
silencing the passion
of a musing soul
one unread word at a time ...


© harlon rivers ... all rights reserved
it is an enigma how poetry evolves in meaning over time
― like a self-fulfilled prophecy, some become transformational, some become new beginnings or some become a finality of a metamorphosis of peaceful endings or deleted attempts at understanding the misunderstood...

... all to be determined and allowed to let be

― THE END ―
Shin Jul 2019
I think you told a lie today
about the shadow on your mind.
I think you plan to die today,
and leave these follies far behind.

I wish you would write me a song,
and ink the truth within its verse.
Happy or sad, it's fine, so long
as this does not end in a hearse.
Ashari Ty Jul 2018

It was a great relief to realize
That your anxieties are just cute lies
But only if I had strength to tell you
That the things you said are the things I do

Every time I remember you.
Martin Rombach Apr 2012
Sometimes I wonder
About all these screens
Reality captured and controlled
Designed and refined
Groomed to an idealistic state of too good to be true
Making it a bit too easy to day dream

Sometimes I wonder
About all those moments
Those times so clearly photographed
With a piercing sting behind the camera
Fantasy proposing the changes that can't be made
For those moments that you can't forget

Sometimes I wonder
About all I haven't seen
Billions upon billions of molecular possibilities
Shown through animals, forests, seas, circumstances
All going on beyond the length of my perceptions
Giving me a yearning for more than before

But...
Sometimes I know
Despite all the anxieties of self perception
The hindsight consumption pressuring pointlessly
And the necessary humility in a world that is small itself
That there's a lot I can do to find contentment in life
And plenty of time to do it
ok okay Jul 2018
Isolation and quietness are my two best friends
They never leave me
They don’t betray me
And they do not care
Isolation helps me think and comprehend reality
Isolation does not sleep and never decides to leave me
Isolation eliminates my pressures and anxieties
Isolation helps me relax and breathe
With isolation who needs real friends?
Quietness comes and goes but never decides to leave me
Quietness helps me sleep at night and stays with me till the morning
Quietness lets me focus and takes away my fears
Quietness is always trustworthy and is right around the corner
With quietness who needs real friends?
Isolation and quietness are always there for me
They never leave me
They don’t betray me
And they do not care
My two best friends never change and are always there for me
With isolation and quietness who needs real friends?
Second poem I wrote. Hope you guys liked :)
Esmena Valdés Sep 2018
Acts of love save.

They save from evil
from envy
from suffering
from disturbing memories.

Only acts of love save.

From the nightmarish and stagnant life.

From anxieties
from unnecessary tears.

Acts of love save.

From words that hurts
from the fiend of insomnia.

From self-flagellation.

From monotony and emptiness.

Only love saves you

from sadness lagoon

from yourself.
Kris Apr 2015
Tip one: everyone has problems, exploit that.
The main ones are money, love, death, and existential crisis;
it’s better to write about the former two because the other two…
well, they are the things that people are trying to forget
when they read about the trivial parts of their lives
in the cleverly-phrased lines of your horoscope.
So cater to their needs and help them escape for a moment
through the frivolous indulgence of your vague predictions.

Which leads to tip two: keep it vague.
No one cares about the details. Horoscopes are like Mad Libs:
you give them the starters and they fill in the blanks
with their personal lives and experiences.
Horoscopes should be empty boxes that people pack
with the cluttered thoughts in their head to make room,
to lighten the load up there in their minds.

And this treads on the territory of tip three: white lies.
Clear out all the anxieties, the mind needs the extra space
because that thing called hope? Yeah, it’s kind of claustrophobic.
It needs all that room to be comfortable. If the mind is filled with anxieties
that hang around like that roommate’s friend who’s always over
hope will check out. For good. So by the last line you better have them
picturing their perfect life that will unexpectedly fall into their laps
once they are, “receptive to the idea of changes to come.”

Your horoscope should be a cathartic, spiritual (albeit cheap) experience;
people want to hear that the stars are conspiring to bring them good luck
and the perfect lover. A piece of sincerity among lies and half-humor.
This is the formula for the perfect horoscope.
zebra Sep 2016
my darkest poems
blood letting streams
are a kind of ******
fetishy cognitive inventory
malformed denizens
of the subconscious
a well of torments
soup of Salmonella
the souls gut
its cauldron
yet not with out lurid enticements
and voluptuous supplicants
gorgeous
like an eight legged woman
with beautiful feet
drooling **** lips
drunk on sacrificial rituals
of blood black tongued kisses
and hideous contorted pleasures
*******

once
exquisite archetypes
gods and goddesses
are now
putrefied
cellar dwellers
moaning in nature bed crypts
of rock, stone
and engraved sigils

because honest pure desires
became fragmentary
and are now gimping amputees
by legions of primal disappointment

while faces blare in the world
like super bright L.E.D.s
shinning paths to others
our deep self
remains patinaed in tears
a black box pox with a lock
the skeleton key lost
in arcane seas

out of utter disgust
for those dark crawlers
that live within us
revealing them selves
as anxieties, depressions
suicides
and myriad quiet despairs
we appear undaunted
to others
and they to us

humanity
muffled ticks
and splintered sticks

my poems let my demons out

yoo who its me
my name is spray snake z
with my hooks and cries
and dark blood skies

in the misty night
i dragged out their earthen coffins
legends of the despicable
resurrected them
fed and loved those darklings
had every conceivable union with them
their healing, my own

ive sexualized them
and found love
albeit twisted

to be adored
in a hidden embrace
i bestow upon you a poetic fantasy
while obsession takes hold

bind it not
nor let it bind you
My poems remain explorations of the subconscious ******
If i where a film maker or a novelist  you  would see me telling a story not judge me  although i admit to my paraphilias  
These poems  are lunar anamorphic streams of consciousness from the deep chaotic subterranean glitz of transgressive  impulses we all share
Read them if you dare...You might find that part of yourself that you don't want you to know about
Izzy Nolan Apr 2012
sometimes my anxieties are like intricately built sandcastles. i have been known to worry and fret over these sandcastles for hours, even days, at a time. i will collect millions of grains of sand and sloppily sculpt them. they are not usually beautiful or special or anything worth my time at all, but i continue build these castles. it’s like i have to. if i stop, what else is there anymore? what do i do? there is a sandcastle for all of my worries, all of the things that shiver beneath my chest for too long, anything that leaves my bones aching after all of the clocks plead midnight.

a year ago i was sitting on a sun-painted beach surrounded by two thousand sandcastles. the wind was beating the breath out of my lungs. the ocean was far off, so far i could hardly even see the dancing silver waters. i kept building them. i was tired and i was crying and building these hideous sandcastles of anxiety with my bare hands. people would pass me by, briefly, shaking their heads like i was something broken. i was miserable. i was always alone and i did nothing but build sandcastles. a year ago i was sad but no one knew why. a year ago i was sad but i didn’t know why.

but now i know you and the ocean is much closer, i can see it pushing back and forth all hours of the day and feel its song, because you are the ever-present waters that collapse my anxieties. i still build them often, but you continually take them away from me and they are forgotten. i do not know where you put them. i just know that every time i speak to you, you extend your long arms around them and they crumble. most of the time now it’s just me sitting on wet sand as the white-wash curves of your waves swallow every one up. i make you laugh and my anxieties sink. every new worry i have, your edges swim to the shore and carry it off. no matter how quick i try to build them, every time i blink they will be gone. i don’t know how you do it.

sometimes i think about joining you in the sea, but i’m scared. i don’t want to lose that part of myself. i’m afraid of what i won’t have anymore if i leave this fragile collection of crumbled sandcastles behind. i’ve fallen in love with the call of the sea and the storms that it brews, but i can’t abandon land just yet. your waves silently ask me all of the time but i can’t let go of this just yet.

i hope one day, when i’m ready, the ocean will gently carry me away, too.
written april 21, 2012.
Patricia Tsouros Sep 2013
Our private bungalow
Leading to the private beach
On the Saronic Gulf
Turquoise water
The smell of pine trees
Chilled Champagne
No one else just us
Totally alone for five days
Mesmerised by the Sunio Sunset
The vibrancy of the Plaka
Danced to the early hours
Under the Island stars
Ate Moussaka and Baklava
We talked and talked
No phones
No net
Nothing, no one just us
We held hands
Like young lovers
We shared intimacies  
Never done before
I believed your words
Your intimacy
Your need for me
Your desire
Your love
And then
In the darkness
Of our room
A Stranger
And the struggle began

I gave you my love
You took that trust
You tore me apart
Filled my head with all your lies
Abused my passion
To suit what you wanted
My life rearranged
You manipulated how I saw myself
How I saw others
You played with my feelings
You abused my anxieties
Made it hard to be with anyone else
You took my faith in life
A Stranger in the room
Ayad Gharbawi Jan 2010
The Story Of Sara

Chapter 7

Ayad Gharbawi


Chapter 7: GETTING A JOB AS A PSYCHIATRIST



At around this time, I realized, that I was living with Sanji and I still wasn't working, and so, that dear soul was having to work overtime in order to take care of me.
  I swear Sanji never complained; not even a ****** hint – but, I to my embarrassment, I realized this fact!
  "Sanji I just want to tell you I'm so sorry for not working; I just want to,"
  "Don't worry, Sara; you've been under stress and so I can understand. You've needed time to emotionally recuperate from the traumas of the recent past."
  "Yes, but stress or no stress, it's high time to work again. Don't forget, Sanji, I've got a psychiatry degree?!"
  "And, work will do you good. It will be a good source of distraction. Get your minds off this whole subject of the party, guilt, Omar and God knows what else!"
  "You're absolutely right, Sanji. Tomorrow, I'll be looking for any vacancies.
  I felt happy; I felt that finally I was going to be useful again.
  After all those years working for the party and feeling that I was being 'useful' and then discovering to my horror that I had been of absolutely no 'use', now I can say that I shall be useful to society.
  I will be respectable again.
  I will have a sense of direction in my life.
  A clear sense of where I'm going with my life, rather than just drifting like a jellyfish in the ocean.


  Sure enough, the next day I set off for the job centre, and applied for any vacancies for a psychiatry post.
  Within days, I received an offer for an interview at my local hospital.
  I was to be interviewed by Dr. Tajim, who was the Head of the Psychiatric Department at my local hospital.
  I went to the department, and there I met Dr. Tajim who was to interview me.
  Obviously, I was tense.
  "Good morning; how are you Ms. Sara?" said the elderly doctor.
  He looked frightening.
  "Very well, thank you," I replied.
  He was about sixty five; a bit overweight, and as I looked at him more closely, I pleasantly discovered that he had a really pleasant face and gently inquisitive eyes.
  I relaxed.
  I totally misjudged the character of this kind man!
  He wasn't at all overbearing, or stiff or cold; in fact, he was a very welcoming old gentleman, and he made you feel utterly comfortable with him, so all your nervousness simply dissipated!
  I had heard that one of his own sons was suffering from depression and that he was in a hospital.
I also had heard, that that fact really affected him a lot, and, at times, it seemed to emotionally exhaust him; and, yet he would persevere and he was known to be really loving, compassionate and deadly serious in his efforts to help not only his son, but all his patients to get over their depression.
  "Now, you do know what the job offer is about?" asked the soft spoken doctor.
  "Yes Sir; I am to be a psychologist for patients who are in Category 'C'."
  "I see, and you do know who are patients in Category 'C'?"
  "Yes, Sir. They are patients with mild to severe depression."
  "Good, that's correct. Do you have experience in working with depressed patients?"
  I thought for a quick moment.
  I couldn't lie.
  "No, Dr. Tajim; I have no experience, but I wish you would give me the chance to prove myself."
  "But that is rather strange. You are twenty eight years old, and you graduated age twenty one – so, the obvious question, is what were you doing in those intervening years?"
What am I supposed to do here? I needed Sanji to be with me. How can I tell Dr. Tajim that I was 'working' with so-called 'political parties''? I couldn't. He would never employ me if I told him which 'party' I had been working for. If I had worked for a decent, respectable party, then presumably, he would have had no problems with me, but working Tony and Omar?!


  I had to lie.
  Lie to survive!
"Dr. Tajim, during those intervening years, I worked on a voluntary basis for charities broad, helping the sick."
  "I see, that's interesting; where did you work, and what exactly did you do for the sick?"
  Great!
  Now I had to dig the hole of lies even deeper!
  What else can I do?
  Tell him that I was joking and that I never really worked abroad? Of course not, that would make me a fool.
  I really didn't want to lie.
  But what choice did God give me?
  "Yes, Sir. I worked in Uganda, in a village called Sanji", my God, of all names that came to my mind, I couldn't think of anything else except Sanji's name! "Yes, and there in that humble village, I acted as a nurse for the sick, in a really small infirmary."
  "Sanji?" Dr. Tajim asked, narrowing his eyes with incredulity.
  "Yes, Sir; as far as I remember, the village was called Sanji, but you know the odd thing about rural Uganda, is just how one village can have so many different names, since each tribe would have their own names, that differed from other tribes. So, you must excuse me, it was a little bit confusing."
  Rural Uganda!
  What on earth was I talking about!


  And did Dr. Tajim actually believe me?
  I was insecure, because I had no idea if Dr. Taji actually believed the lies I was saying.
  "I see; I ask because Sanji is not quite an African name."
  "Yes, Dr. Tajim; indeed, I may be completely wrong, but, as I say, there were so many languages in Uganda, that it was really difficult to communicate with anyone."
  God knows what I was saying!
  I was just saying whatever came out of my mind!
  "I see. Yes, there are different languages in Uganda, and indeed in the whole of sub-Saharan Africa. But, I never knew that names of towns and villages would change, and certainly, no African tribe would give an African village 'Sanji' as a name. But anyway, maybe, as you say, the name may not have been 'Sanji'. Anyway, where did you get your training as a nurse?"
  Relief!
  Oh yes, but now I had to create another lie, in order to explain where I got my 'training' from.
I was getting deeper into this lying game.
  But I couldn't now worry about the morality of that.
  I had to come up, with an immediate answer to his pertinent question.
  "You see, Dr. Tajim, I went as a volunteer to rural Uganda, to help build homes and help women in their daily lives, and the next thing I know, is when the local doctor asked me for help. When I informed him that I wasn't a nurse, he said he would teach me. I soon learned the basic first aid medicine that was required. I guess, that I could be useful in the hospital in that sense too."
  "I see, Ms. Sara."
  Finally, Dr. Tajim paused, giving me time to think of what else he may ask me about my 'time' in 'rural Uganda'.
  "I see," he repeated, looking confused.
  Strange I thought, but this doctor would start every sentence with 'I see'.
  "So, for all those intervening years, you remained in this one village?"
  "Um, why yes, Dr. Tajim. I did spend all my time in Saji. Is that so strange?"
  My God, I called the non-existing village 'Saji', rather than 'Sanji'.
  Would he notice?
  "I see, but, I mean, as a volunteer, didn't your superiors relocate you to another village, or to another country, in all those seven or so years?"  
  I couldn't understand why Dr. Tajim was surprised at the time, which goes to show what a poor liar I was.
  Of course, later I would learn, that volunteers to Third World countries would get stationed in not more than a year or two in any country – let alone one tiny village!
  But, for that moment, I could only go on with my lies.


  "Yes, Dr. Tajim. I was posted for that village all those years."
  I simply stuck to my lie.
  Defend your lies, or else you drown.
  "I see, how strange. And now you are permanently back here?"
  "Yes, Sir."
  "I see," said Dr. Taji, looking uncomfortable.
  Silence, as he turned his attention to the papers on his desk.
   I felt that he was simply going to call me a complete 'liar' and to get out of his office.
  "Well, I shall get in touch with you. Give me a few days to get to a decision."
  "Thank you Dr. Tajim. I hope you will just give me a chance to prove to you, Sir, that I shall be really good at my job."
  What a surprise!
  With that, I got up and headed for the door.
  "Ms. Sara!" Dr. Tajim asked.
  "Yes, Sir?"
  I hope I didn't look nervous or startled.
  "Yes, before I forget, do send me by email the relevant documents from your charity organisation that gives me the official notification of your time you worked for them. Like a Letter of Recommendation from them."
  Yes, now I was startled.
  I know the colour of my face must have turned red.
   Where on earth would I be able to get any document from any charity organisation?!
  I felt that I was now caught!
  Was I going to be caught for lying?
  "No problem, Dr. Tajim," that's what came out of my mouth. And I found myself leaving Dr. Tajim's office.


  As soon as I was a safe distance from the hospital, I began to think once more: how can I forge documents that are supposed to be from a charity organisation? And, even if I did forge them with some expert computer person, wouldn't Dr. Tajim simply call the telephone number of the charity organisation and enquire about me, and then he would obviously be told that I had never worked for them, let alone having me fly off to Uganda?!
  Back at home, I sat down, and realized there was no exit.
  I lied and so now I must take the risk that Dr. Tajim simply would not call the charity organisation.
  I would choose one of the biggest organizations who would have hundreds of thousands of volunteers, and even if he did check, I could say that their computers get it wrong! They didn't register my name because they have so many volunteers!
  But, no, that's stupid of me.
  If I supposedly worked for seven years for one organization, then they would obviously have my name in their computer files.
  I was being stupid.
  Too rash.
  No, that's it.  
  I lied and so I must take the consequences.
  I would risk it.

  Well, I did forge a charity organization letterhead, and I wrote that I did 'serve' for seven years in rural Uganda.
  Next, I scanned the document, and had it sent by email to Dr. Tajim.
  To my complete surprise, within a few days, I got an official letter from Dr. Tajim's secretary, saying that I was accepted by the psychiatric unit in the hospital!
  I was so thrilled, that to be honest, I couldn't in the least be bothered about my lies!
  I was now going to be a useful member of society!
  At last!
  I was going to be a worthy, decent, respectable person!

**************

  As I got to work in the Psychiatric Department in the hospital, they began almost secretarial tasks to do. I would get 'introduced' to the depressed patients and, gradually, I was allowed more and more time to talk to the patients.
  I was really happy and pleased with myself, because I felt that I was, at last a 'respectable' person.
  For the first time since I had left, or rather since I was expelled from the party, I felt proud of myself; and perhaps, most importantly to me, was the feeling that I knew where my life was going.
  I would walk anywhere and, when asked, what I did for a living, I proudly reply that I was a doctor in the Psychiatric Department in our local hospital.

  It was at this time that I was watching television in Sanji's apartment, when the latter walked in and said:
  "You are not going to believe who is with me!"
  "Judging from the excitement on your face, it must be someone very important." I replied casually.
  "Yes, yes; so guess who?" asked Sanji.
  "Oh God, Sanji how am I to know? The Prime Minister perhaps?" I answered sarcastically.
  The next thing I know was that none other than Tony walked in!
  My goodness me! I was absolutely shocked and awed by his presence!
  What was Tony doing here?!
  This was the first time I had seen him since I left his party and joined Omar's party.
  And, I guess, he must have just left prison, because, it had been about one year, since I heard that he was prosecuted by our courts.
  He had changed a little bit.
  He was much fatter – which, I thought was a bit odd, since he had been in prison, and I thought that everyone in prison gets to lose weight!
  He looked older than his years. He had dark rings below his eyes, and for the first time in my life, I was really surprised, to find out, that he looked utterly dull, weary and tired.
  He seemed to have lost all that will power, charisma and charm.
  They were no longer part of his personality.
  "What are you doing here?" I managed to ask Tony.
  "And why not? Why shouldn't I be here?" he answered smartly.
  I got confused all over again.


After all, what had happened to him since our entire movement collapsed?
  I never thought about what happened to Tony, or Omar for that matter.
  Selfishly, I just thought about myself.
  That was typical of me.
  "You look dazed, Sara," said Tony laughing. "Is my appearance that shocking to you?!"  He joked.
  "No, not at all." I regained my composure, or at least, I tried to regain my composure. "It's just that, I never did understand, or know, what really happened to our movement? And what happened to you Tony?"
"Sara is confused about the entire movement." Sanji said to Tony.
  "Well, what happened is actually quite simple," said Tony, "the new government decided to take legal action against us for the first time. Previously, every government never even took us seriously enough to warrant a concerted attack to eliminate us. To them, we were just clowns."
  I was shocked.
  "Clowns? What do you mean Tony? What do you mean previous governments did not take us seriously? Of course they took us seriously; Tony, we were in a state of war, remember? What's happened to your memory? We were fighting battle after,"
  "Let me interrupt you, Sara; but you are so utterly naïve and blind that I just do not know how to face you with the facts."
  What do you mean? What are you talking about?" I asked frantically.
  Suddenly all those memories from the party days returned to me; for the moment I completely forgot that I was a doctor at the Psychiatric Unit; Tony had re-opened all my memories, anxieties and unanswered questions concerning those years.
  "Relax Sara, don't let your emotions take over your rational mind," Sanji said. "That's always been your problem. You simply allow your wildest emotions to highjack the rational part of your mind. I mean, you're supposed to be a psychiatrist and yet, you are so utterly impulsive in your thinking and in the actions you take."
  I knew Sanji was completely right. He was so rational and calm.
  "What 'battles' are you talking about Sara?" asked a perplexed Tony.
  Sanji laughed. "That's a good question Tony, go on, and ask her that one!"


  Tony joined Sanji laughing.
&n
Sol Dec 2014
anxieties
irrational fears
inadequacy
loneliness
depression
voices
sadness
apathy
wort­hlessness
worthlessness
worthlessness
Wrapped behind 32 teeth
and a smile from ear to ear
Smile for the camera
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Viromnibus Oct 2014
The world where I stood was a desert
thirsty for a pint of rain;
longing for a kiss that never came.
Not until you did.

Everything started with a droplet of your essence,
Out of nowhere. Unexpected.
YOU... yes you MANIFESTED.
Without notice, you took me by surprise.
A beautiful surprise I say.
For the first time in a while I felt,
my worries washed away by your presence.
Hot sand turned mud where then I lay.

In those moments I lost,
all anxieties brought by drought.
When through the years I thought
I'd never touch the rain I ought
to ardently pray for every night.
Imbued I was with your* "love".

clothes soaked. body wet. soul drunk.

your name the promise I mutter through the drizzle.
This body jived to the beat of a million sizzle.

Moments passed faster than it seemed.
I, taken away by lust of a parched soul.


I slurped. I gulped. I glugged.

as much as I could, never thinking of
what I would drink in the latter.
When the land runs dry;
when then again,
I'm deprived of water.

So then, what caught me by surprise,
left without a word... woah,
SURPRISE!
everything turned back the way it was;
an arid heart in a blink of an eye.

But what makes me wonder is this delusive sense,
of your cooling touch amidst this false pretense;


I smell–
Your scent stick to my chest like perfume odour.
My nostrils clogged with the aroma of your neck.
A waft that distorts the senses of this
consumed man.

Thoughts of you linger long after you are gone...
*Like the fragrance of rain that stays after the downpour.
A poem
for her.
or maybe
for myself.

#MovedOn
Spenser Bennett Feb 2016
My hands
Brought to ruin
Wasteland
Burnt to death by fruition
When every song will grind our souls
We will live to break our bones
In service of the name we cannot speak
Our life, our death an endless melody on repeat
Should I breathe or just give in?
Should I love or die my friend?
Love to death, breath to surrender
I, begin

To see the nature of all these monstrosities
Bound inside my hidden anxieties
But nothing helps when the sun still sets
On empty halls in houses not yet meant
To shelter the weak from the coming storm
To shelter us from the pulpit, mourn
Our insufficient gesture of goodwill
In the darkness we suffer soft and still
Should I breathe or should I just give in?
Should I love or die my friend?
Love to death,
breath to surrender
Decompose the sound of silence,
return to sender
Akemi Jan 2019
The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.
“Self-destruction is simply a more honest form of living. To know the totality of your artifice and frailty in the face of suffering. And then to have it broken.”
Hold on tight
For fear
The shaking hands
Will give away

Swallow knots
Cloging words back
Blocking
Air from my lungs

An unfocused
Spinning room
Becomes a furnance
Praying on its victim
Nico Julleza Oct 2017
Pretty Pictures; as you are embracing me
Lost in an earthly mood of tranquility
Evident than the shadows fusing my feet
Obscure like pretty lies melodically
Pretty Pictures; sailing, forever will be

Rhapsodize; vividly crossing in my mind
A face of cherubim winged up the sky
Cascading through visions abrupt
A star shoots afar than any distant eye
Longing endless of her passionate touch

We are novels, with so much stories to tell
Red laces, stamps of gold, a lush lullaby
I was the house you painted white
Agitate the deepest hues, then we'd fly
Midnight kisses, Dawn then traded goodbyes

Blithe; for we need nothing to pretend
The clearest blue water, a heaven's scent
To the grass wading courteously
Cloud nine's hanging then lifts my feet
Showering up above washing all anxieties

Pretty pictures; like ribbons untangled
A touch of silk as my heart would lilt
Inner feelings frolic then they'd tremble
For in you the excitement is always a thrill
From the simplest to a goddess divine
Pretty Pictures; moments as you were mine
#Pretty #Pictures #Love #Deep #Sansatuion #Eternal

(NCJ)POETRYProductions. ©2017
Melanie Melon Mar 2013
It was the time of summer where every kid had silently realized that it was ending,
No longer halfway through, no longer half full
Leaking and spilling out,
like the gas in my twenty two year old car
We couldn’t stop it,
And the moments of high school summertime
The moments that supposedly turn into stories we tell forever
Hadn’t seemed to have happened.

Both of us on the swing lazily swung
Dizzily from side to side.
Climbing forward, falling in reverse
Our combined bodyweight shifting back and forth
Tanned legs kicking up in an attempt at unison on every backwards glide.
Gravity hung us there,
Pulling the swing toward the ground no matter the rotation.

I sat on top.
I wore bleached shorts and bleached hair.
I worried that gravity or more so my value to it
would crush him.


At the same time, I felt unbelievably small.


The air pressed in on me from all angles,
it touched my bare legs
it easily waffled my shirt.

“Mel, if you were squishing me, I would let you know”,
he assured with a cocky tone of his very own that somehow made me feel special.
I couldn’t help but think he was only trying to be tough
Attempting to let sheer willpower overweigh my well earned quads,
My six foot frame.
The awkward body I never quite grew into
Never knew how to masterfully control
Never knew how to fill.
Though I secretly (wanted to) truly believe him

On this humid night I felt like the ball was in my court,
Like I could do anything and everything.
That nothing could go wrong
That the boy that I was sitting on was genuine
And that I could simply drive off to wherever.

(I had a full tank of gas and enough money to get me to Alabama).

I felt small in this,
in this infinity of possibility all around me.
Like a weight was pushing into me
Putting on pressure that couldn’t be ignored
That shrunk me just enough.
I felt powerless to fate
Powerless to this planet
To this grand, glorified hunk of earth which was so much greater than me
(and surely my insignificant weight anxieties).

I felt like the gas was leaking out faster than I could use it.
I felt like my infinity was disappearing as I swung within it.


Just like that, I let the ball drop and the gas leak out.
We just kept swinging.
Laughing,
Wasting,
Talking,

Dying.
lila Feb 2019
i was at work this evening
sweeping back and forth
back and forth
and back and forth
...12 times
mind plagued with compulsions,
ocd, anxieties
i hear the whispers
muttered by those who think
that u were the one
who did this to me
wow, u really drove me mad,
drove me crazy!

but back to the scene at hand
i hear the opening notes
of that band
i know and that song
that became so comfortable and
oh so familiar
...zz top, sharp dressed man

i’m taken into a trance
this image of you smiling on this couch
oh so deceiving,
yet so inviting
i give in and sneak a glance
of you
playing your own one man air band
drums and guitar
with you’re long hair flying everywhere
like a crown around your head
...before those toxins turned your hair
as thin and frail as you

there’s a tug at my heart
and it hurts a little
what’s this feeling?
i haven’t felt this towards you in a while
but it comes by sometimes
hand in hand with that deceiving smile
for a fleeting moment
...i miss u?
before i remember
what lay behind
that venomous grin

then i’m angry
for once not at you
but at myself
i hate you!
i hate you
i’m supposed to hate you
right?

i didn’t know what to feel
before i felt that familiar sensation
a heavy weight in my chest as
my heart rate speeds up
and i have to pull myself back
into reality
quick! before i lose control
thoughts spiraling around me
focus on something else
anything else!
anxieties, ocd, compulsions
maybe it’ll ease the weight on my chest
i grip the broom in my small, sweating, trembling hands
and begin to sweep
back and forth
back and forth
and back and forth
...24 times this time
1/22/2019
Amber S Oct 2013
i guess i need more mentally disturbed
friends.
i’m feeling lately like the scab that’s been picked off,
forgotten, dried up, designating.
people don’t understand when i say my heart feels like it will
explode out of my lungs, throughmythroat and get caught between
myteeth.
my anxieties need a **** buddy, because making eye contact
is even too
much. and i wish i could stop assuming the worst.
"jesus, you worry too much"
i can’t help that i find the flaws, the nit picky things,
the traits that i want to squish like
blueberries.
i can’t help that when i sit alone in my car,
i think too often of swerving into highways and wondering what a deer
sees before it
dies.
that’s why i don’t talk about this, i never can anyway,
they swell and sit upon my tongue like when you ate that pepper whole
and all i tasted was flames.  
my anxieties and i are the kind of friends where we speak nicely
and are all smiles in front of one another,
but as soon as we turn around,
all we say is venom.
JDK Sep 2013
It's hard to stay light
When these thoughts feel so heavy
When it comes to living life
I'm not sure if I'm ready

And maybe you feel the same way too
But then isn't that another reason to stay away from you?

I can never tell if my feelings are true
I feel so full of ****
I don't know what to do

Can you see through it?
I feel so exposed
Are you aware of my poems and prose?

If you liked what I write
Would that make it alright
Would you throw your dice in with a lot such as mine?

But my mind isn't sound
My feet aren't on the ground
I'll never pick you up if I always feel down

This is a warning
It's just insecure
Trying to appease
Cause I feel destined for war

I'm just afraid
That if you get with me
You'll be left wanting more
Whether from you leaving me, or me leaving you; I'm still not sure
Just Me Oct 2015
I find myself taking breaths but not breathing

Gasping even for the slightest chance of a comforting breathing pattern.

This anxiety has me on my knees. Like a thief it's stolen my breath and my strength

The dizziness sprinkles hovering over me slow and faint...

I'm lost, but not lost...

I'm here, but the room spins, and I fear I may faint

The more people I see and hear the more dizzy I get

Eyes find me...

They watch me pretend to be fine

I'm pale and clammy

I want to disappear

Tears want to fall but I'm able to keep them in for a while

When they finally fall I say that I'm fine

I only need to sit down and get home, I say I am tired

This will pass, it always does

Another day ruined, because I have to go home...

My families face blanketed with disappointment...

Another trip failed

I feel their eyes and thoughts of shame and frustration

In my mind I hear the wishes

This kills me more than the burden of anxiety alone

I feel as if I never should have left home

I want to be part of my family, but when I'm in my room...

I feel they are much more happy and things are as they should be

These thoughts bring me tears even now

I'm so **** tired of letting them down

I spiral into darkness and depression, with an anxieties jacket

And I feel them question me, as if I wasn't cursed and this was just me being mean

I sink down inside me and pretend I don't know what they think

Once in a while I'll hear I'm a control freak

Once in a while I hear I am ******

I get blamed out loud for all of my *******

Since I'm definitely flawed I know there's truth to it

This...

This, is what's heart breaking to me

And me, knowing I'm broken, it sends me deeper into my room...

I'll take my **** meds in an attempt to **** what feels like hate

But on this journey I'm still alone, even when they say they understand

I've seen way to many eyes rolls to think that they know my torture

And they will never understand my real guilt...

They will never believe that even with my emotions fighting inside my heart and soul, my real torment is that I ruin thier day

And I'm afraid that it makes me so much less...

To them.......

I feel some times I shouldn't even exist

My selfish heart won't let me leave...

I love them, so much I can't imagine giving in

I love them so much I feel shame and selfishness....
Feeling low lately. But I'm alive . tomorrow I'll be fine. Thanx for coming along for the ride. You Can also search me on FB under Life's Poetry . thanx for your time
M Salinger Jun 2018
The anxieties are there
about meaningless things
and the meanings behind them

Time is spent
wondering

What he's thinking?
What he's doing?
What he remembers
and holds on to?
If any?
If all?

Why he's with her?
If he thinks about me
like I think about him?
If he thinks about my touch
like I think about his?
If he yearns for me?
If he wants to ******* kiss
and all of me
again?

So many musings
driven by curiousity
by desire
by a muse,
in every sense of the word

Awakening something deep
within me
deeper than lust
deeper than longing

An intensity
that's intoxicating
addicting
terrifying

An insatiable hunger
to search and swim
within his soul
one touch,
one moment
at a time

Only felt
never acknowledged,
engulfed in secrecy
engulfed by secrecy

Drinking each other in
between nuanced subcontext
one moment
at at time

Setting each other on fire.
Julianna A Mar 2017
You've forgotten how to have a proper conversation
An award-winning dialogue is scripted in your head
Ready to bloom like bouquets from your mouth
But only petals drift down
And nothing takes root
berry Dec 2013
this is not a poem. this is a plea. this is me begging you to hear me when i tell you that i love you. my voice is weak and shaking like the branches of a willow in the wind. my hands are trembling like tremors under the surface of the earth. my vision is so blurred that i can barely focus my eyes as i type. i can feel the impending collapse of my lungs as they are further crushed by the weight of all my anxieties. my strength is fading, but i'm still screaming for you, only you don't seem to hear me. i'm reaching for you but you won't take hold of my hand. i swear to god i'm trying with everything i have to hold you together, but i'm terrified it's not enough. the very thought of your nonexistence consumes me in a fear i have never known. i have never been good at telling people i need them, but i can tell you how vacant this world would be if you left it. everything would change. you can't come in to my life like you did and then just leave it with no warning. you can't do that to me. you can't tell me that you want to marry me and then try to disappear without so much as a goodbye. you just can't. so i don't mean to make you feel guilty, i just need you to understand. don't you know what it would do to me if you left? how many times are you going to almost-die before you realize i will never be the same if you do?

— The End —