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"anvil" poems
“I am a warrior, so that my son may be a merchant, so that his son may be a poet.” John Quincy Adams, 6th President of the United States <> a bad weakness, mine, mess with the perfect of others, unsure what to add that will addictive illuminate further, but as homage, a tribute, a salute got to got too, no middle class delayed gratification for me, none, whatsoever, read the words and my own hands choke me as if to pull out, to free the upsurging words in my chest-forming, to uplift me up, from the floor where I am roiling in wonderful wonderment at a prophecy come true my recent family history, about 400 years worth, got it written down someplace, escapees from a Spanish Inquisition, a Roman one before that, meandering Jews who found a respite, a small welcome in a small village in Germany (the irony does not go unnoticed) from villager to merchant, from tiny town to big city folk, we went, warriors if any, kept secret, best unheard, attract no attention, but do what survival doesn’t always politely request here I am child of the proverbial wandering jew, fancy me a poet with, at best, a very small p, one of three children, historians, book writers, scholars and even poet~traders, and so a President’s words, hammer my cells upon an anvil for human skins, the future shape of me foreseen and I think to myself, alone and out loud: This, This! is what makes America great,  welcoming the stranger, even predicting their possible pathway to a peaceful existence, giving their descendant’s generations liberty, liberty to become poets, free, who can stand upright*
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Jun 25, 2019
Jun 25, 2019 at 1:47 PM UTC
“I am a warrior, so that my son may be a merchant, so that his son may be a poet.
“I am a warrior, so that my son may be a merchant, so that his son may be a poet.” John Quincy Adams, 6th President of the United States <> a bad weakness, mine, mess with the perfect of others, unsure what to add that will addictive illuminate further, but as homage, a tribute, a salute got to got too, no middle class delayed gratification for me, none, whatsoever, read the words and my own hands choke me as if to pull out, to free the upsurging words in my chest-forming, to uplift me up, from the floor where I am roiling in wonderful wonderment at a prophecy come true my recent family history, about 400 years worth, got it written down someplace, escapees from a Spanish Inquisition, a Roman one before that, meandering Jews who found a respite, a small welcome in a small village in Germany (the irony does not go unnoticed) from villager to merchant, from tiny town to big city folk, we went, warriors if any, kept secret, best unheard, attract no attention, but do what survival doesn’t always politely request here I am child of the proverbial wandering jew, fancy me a poet with, at best, a very small p, one of three children, historians, book writers, scholars and even poet~traders, and so a President’s words, hammer my cells upon an anvil for human skins, the future shape of me foreseen and I think to myself, alone and out loud: This, This! is what makes America great,  welcoming the stranger, even predicting their possible pathway to a peaceful existence, giving their descendant’s generations liberty, liberty to become poets, free, who can stand upright*
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42
Terrorism, **** Car bomb, ********** She feels vulnerable, No love to keep her warm 9/11, kidnap, Human trafficking... She’s been forgotten, Left alone in the dark Serial killers, H1N1, Child molesters, *** She shudders with the cold, And Port Au Prince is flattened Hijack, ****** Drive-by shootings... She feels groggy, Influenza sets in Weapons of mass destruction, Cuban nuclear tests... There starts a tingle in her nose, Her eyes pinch shut Genocide, organs on the black market, Xenophobia, suicide bombers... With a bellow from her bowels, From flaming ice the cumulus anvil that infects the world
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May 23, 2014
May 23, 2014 at 5:04 AM UTC
The day the earth sneezed
It is December in Wicklow: Alders dripping, birches Inheriting the last light, The ash tree cold to look at. A comet that was lost Should be visible at sunset, Those million tons of light Like a glimmer of haws and rose-hips, And I sometimes see a falling star. If I could come on meteorite! Instead I walk through damp leaves, Husks, the spent flukes of autumn, Imagining a hero On some muddy compound, His gift like a slingstone Whirled for the desperate. How did I end up like this? I often think of my friends' Beautiful prismatic counselling And the anvil brains of some who hate me As I sit weighing and weighing My responsible tristia. For what? For the ear? For the people? For what is said behind-backs? Rain comes down through the alders, Its low conductive voices Mutter about let-downs and erosions And yet each drop recalls The diamond absolutes. I am neither internee nor informer; An inner émigré, grown long-haired And thoughtful; a wood-kerne Escaped from the massacre, Taking protective colouring From bole and bark, feeling Every wind that blows; Who, blowing up these sparks For their meagre heat, have missed The once-in-a-lifetime portent, The comet's pulsing rose.
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8.1k
Exposure
This weight on my chest This feeling of 100 punches to my gut The pounding of hammers in my head The feeling of a blade slip through my fingers The smell of iron in the air as the thick red water drips and flows All these pains and yet the worst feeling I've felt was the crushing blows of your words echoing in my ears. Your words weighing heavily on my heart like an Anvil defying physics. I feel the pressure and it's caving in...
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May 31, 2015
May 31, 2015 at 9:37 AM UTC
Crushed
*I feel your heart's heavy and your mind trailing off to places I'm not allowed to go...* - Dajena M My body... Lays battered under unforgiving weather I amble forth with unsure In search of pastures much greener My face... Wears my despair Mirrors wouldn't recognise Reflecting back a faceless stare My eyes... Stung red with tears Conveying the murmurs from my soul Clouded by despondence that never clears My limbs... Bent awkward with time Arms hang lifeless; legs sore from bearing Load of my past of crime My mind... Trails in the wake of fallen dreams Searching for an oasis Instead finding only brackish streams My soul... Holds the weight of an anvil Still I trudge to the farthest reaches Through barren lands where all is still My heart... Yet beats with rhythm so true It keeps me alive It gifts to me... you...
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Jan 8, 2015
Jan 8, 2015 at 9:59 AM UTC
Worn But Not Weary
The light touches of the wind, caress the blush in reddened cheeks. Gentle fingers abscond with the moisture in hapless tears. Teasing playfully, the obstinacy of wayward strands. Inciting a smile from a heavy heart, lifting off the anvil that carry all fears.
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Nov 8, 2016
Nov 8, 2016 at 11:24 AM UTC
Blush
Tyger Tyger. burning bright, In the forests of the night; What immortal hand or eye. Could frame thy fearful symmetry? In what distant deeps or skies. Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat. What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp. Dare its deadly terrors clasp? When the stars threw down their spears And watered heaven with their tears: Did he smile His work to see? Did he who made the lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?
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7.6k
The Tyger
With every set, my anxious heart beats with silver Each of the beats, counting away the reign of the sun Before finally taking my shift as guardian of the night sky In my entirety, pulses of incandescent blood does run As the sun leaves, I rise and and take my rightful place I'd find my usual nook on my bed of black Surrounded by familiar friends scattered all over A million jewels spilling out of heaven's sack I'd silently watch the earth, reaching with gentle translucent fingers Silver searchlights scour the lands, I harvest all in view But my beams were never meant for others Do believe that... I've saved them only for you Amongst the sea of hopefuls, I'd always find yours Looking up with my reflection branded into those eyes Let us merge our dreams of mercury and red Rest in the cradle of my light, as I soothe all your cries Dear Moongazer, it's been a few nights now Bound by my predestined orbit, I can't help but turn away Believe that I am resisting with all that I have in me Unseen defiance in this futile fight so that longer I'd stay Several more had passed... I feel the promise of fate encroaching The crushing weight of universe's anvil bearing down Tearing a little at a time, leaving me lesser than whole Now I'm half draped in darkness' gown As the nights go by, I've long been eaten I peer from my side as I float a slim silver crescent The time has arrived, my love, I shall leave you in the company of the stars They will keep you safe even if they seem indifferent Fully turned away, I now see only fresh new hearts They all sing the same but none like you Still I glow to rekindle their hopes and dreams But what I long is for this tour to be through After what seemed like an eternity, I'm coming back round Looking for your beacon as I shine bright and clear Let our entities intertwine as the moon and her gazer *I am your lunar love...                                     and I am here...* .
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Oct 24, 2014
Oct 24, 2014 at 1:32 AM UTC
Lunar Love
With every set, my anxious heart beats with silver Each of the beats, counting away the reign of the sun Before finally taking my shift as guardian of the night sky In my entirety, pulses of incandescent blood does run As the sun leaves, I rise and and take my rightful place I'd find my usual nook on my bed of black Surrounded by familiar friends scattered all over A million jewels spilling out of heaven's sack I'd silently watch the earth, reaching with gentle translucent fingers Silver searchlights scour the lands, I harvest all in view But my beams were never meant for others Do believe that... I've saved them only for you Amongst the sea of hopefuls, I'd always find yours Looking up with my reflection branded into those eyes Let us merge our dreams of mercury and red Rest in the cradle of my light, as I soothe all your cries Dear Moongazer, it's been a few nights now Bound by my predestined orbit, I can't help but turn away Believe that I am resisting with all that I have in me Unseen defiance in this futile fight so that longer I'd stay Several more had passed... I feel the promise of fate encroaching The crushing weight of universe's anvil bearing down Tearing a little at a time, leaving me lesser than whole Now I'm half draped in darkness' gown As the nights go by, I've long been eaten I peer from my side as I float a slim silver crescent The time has arrived, my love, I shall leave you in the company of the stars They will keep you safe even if they seem indifferent Fully turned away, I now see only fresh new hearts They all sing the same but none like you Still I glow to rekindle their hopes and dreams But what I long is for this tour to be through After what seemed like an eternity, I'm coming back round Looking for your beacon as I shine bright and clear Let our entities intertwine as the moon and her gazer *I am your lunar love...                                     and I am here...* .
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38
Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate’er he can, And looks the whole world in the face, For he owes not any man. Week in, week out, from morn till night, You can hear his bellows blow; You can hear him swing his heavy sledge, With measured beat and slow, Like a sexton ringing the village bell, When the evening sun is low. And children coming home from school Look in at the open door; They love to see the flaming forge, And hear the bellows roar, And catch the burning sparks that fly Like chaff from a threshing-floor. He goes on Sunday to the church, And sits among his boys; He hears the parson pray and preach, He hears his daughter’s voice, Singing in the village choir, And it makes his heart rejoice. It sounds to him like her mother’s voice, Singing in Paradise! He needs must think of her once more, How in the grave she lies; And with his hard, rough hand he wipes A tear out of his eyes. Toiling,—rejoicing,—sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night’s repose. Thanks, thanks to thee, my worthy friend, For the lesson thou hast taught! Thus at the flaming forge of life Our fortunes must be wrought; Thus on its sounding anvil shaped Each burning deed and thought.
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5.6k
The Village Blacksmith
Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate’er he can, And looks the whole world in the face, For he owes not any man. Week in, week out, from morn till night, You can hear his bellows blow; You can hear him swing his heavy sledge, With measured beat and slow, Like a sexton ringing the village bell, When the evening sun is low. And children coming home from school Look in at the open door; They love to see the flaming forge, And hear the bellows roar, And catch the burning sparks that fly Like chaff from a threshing-floor. He goes on Sunday to the church, And sits among his boys; He hears the parson pray and preach, He hears his daughter’s voice, Singing in the village choir, And it makes his heart rejoice. It sounds to him like her mother’s voice, Singing in Paradise! He needs must think of her once more, How in the grave she lies; And with his hard, rough hand he wipes A tear out of his eyes. Toiling,—rejoicing,—sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night’s repose. Thanks, thanks to thee, my worthy friend, For the lesson thou hast taught! Thus at the flaming forge of life Our fortunes must be wrought; Thus on its sounding anvil shaped Each burning deed and thought.
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48
[From Fragments,  The Following...] ... so it was that the Urth bled less. The Birch Moot was becalmed by the Anvil Cloud of Impending Deluge. The Young Gods made sport of Their Names, and aimed to Oblique the colony of clever flesh groping at the tender roots of an insipid devastation. The First Ones had vanished. But Time was born and the Mortal Whirl released the Hounds of Change. Transition fused - with the Eternal; and the offspring of unloved Spirits, roamed the Tangible. All Suffering was amplified in the diamond lungs of a divine corpse, dreaming. ... for when the iron heart of The Cast Out was retrieved, the Legion of Heaven poured unseemly Grace upon the Fathoms and the High King of Doubt, forced his blade ' Nimue ' into the soft palette, of the First Mouth.  The Stars were born and The Void overheard the First Naming. A solid drizzle of enchantment cloaked the oaken Yggdrasil and The Pattern unleashed the folly of Pattern to mask the virtue of succinct Chaos. The Children of The Lower Sky ate their Masters and thereby swollen - gathered in the underbrush of the Fecund. They came to Know Regret by Answering Prayers. The Kingdoms of Wane were waning in the fearsome riot of Creation and not a boy, a man from no woman and no woman a man. ... the siege lights of the petty stars, babbled in the wake of yawning eruption and nullification. the ****** theater of blood was made Holy by way of forcing camels into eyes of needles in constant dystopian joy. ... and that's how the rain gets in. [ From the ' Kingdoms Of Wane ', a Lost Tome from Antiquity and Dada ] What ?
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Jan 27, 2013
Jan 27, 2013 at 7:07 PM UTC
LOST TOME LULLABIES, THE KINGDOMS OF WANE [ WITH COMMENTARY ]
[From Fragments,  The Following...] ... so it was that the Urth bled less. The Birch Moot was becalmed by the Anvil Cloud of Impending Deluge. The Young Gods made sport of Their Names, and aimed to Oblique the colony of clever flesh groping at the tender roots of an insipid devastation. The First Ones had vanished. But Time was born and the Mortal Whirl released the Hounds of Change. Transition fused - with the Eternal; and the offspring of unloved Spirits, roamed the Tangible. All Suffering was amplified in the diamond lungs of a divine corpse, dreaming. ... for when the iron heart of The Cast Out was retrieved, the Legion of Heaven poured unseemly Grace upon the Fathoms and the High King of Doubt, forced his blade ' Nimue ' into the soft palette, of the First Mouth.  The Stars were born and The Void overheard the First Naming. A solid drizzle of enchantment cloaked the oaken Yggdrasil and The Pattern unleashed the folly of Pattern to mask the virtue of succinct Chaos. The Children of The Lower Sky ate their Masters and thereby swollen - gathered in the underbrush of the Fecund. They came to Know Regret by Answering Prayers. The Kingdoms of Wane were waning in the fearsome riot of Creation and not a boy, a man from no woman and no woman a man. ... the siege lights of the petty stars, babbled in the wake of yawning eruption and nullification. the ****** theater of blood was made Holy by way of forcing camels into eyes of needles in constant dystopian joy. ... and that's how the rain gets in. [ From the ' Kingdoms Of Wane ', a Lost Tome from Antiquity and Dada ] What ?
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23
These eyes have felt their fair share of tears that burn Forgive my eyes for they are yet so green They have seen much but still they do not learn These lungs have breathed The air both fresh and acrid Forgive them for they are yet so green They only do what they must when all runs turbid These ears they've heard Hurtful promises and whispers that have stung Forgive my ears for they are yet so green They're know not to ignore the language of forked tongues These lips have served The most callous of opinions Forgive them for they are yet so green They can't seem to curb pent up notions These hands have grown tired From shielding my tear-stricken face Forgive these hands for they are yet so green They're still so afraid to welcome the gift of future days These legs are sore For they have travelled far Forgive them for they are yet so green They knew better than to enter through doors left slightly ajar This mind is weary From thinking of a life meant only for dreamers Forgive my mind for it is yet so green They know not of the inexistence of greener pastures This heart... My heart Pounding each beat that betrays Beats with an anvil in tow Forgive it for it is yet so green It's having more trouble than it cares to show This face I wear A weathered mask I'm unready to shed Forgive it for it is yet so green There's still life in it... For there's yet much to be said
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May 21, 2015
May 21, 2015 at 12:54 PM UTC
The Greenhorn
Your mouth is made of metal, Your kisses taste like gold. Your lies they strike like bullets, But I enjoy the holes. Your mouth is made of metal, Your truths begin to rust. Your blade edge may be jagged, But I love the way it cuts. Your mouth is made of metal, Your words feel like steel. Your smile strikes like a hammer, But I’ll still be your anvil.
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Dec 26, 2014
Dec 26, 2014 at 3:47 PM UTC
A Mouth Made Of Metal.
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head The world was fair, the mountains tall, In Elder Days before the fall. Of mighty kings of Nargothrond And Gondolin, who now beyond The Western Seas have passed away; The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote, There forged was blade, and bound was hilt; The delver mined, the mason built, There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen cold; No harp is wrung, no hammer falls, The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.
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4.6k
Durin
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head The world was fair, the mountains tall, In Elder Days before the fall. Of mighty kings of Nargothrond And Gondolin, who now beyond The Western Seas have passed away; The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote, There forged was blade, and bound was hilt; The delver mined, the mason built, There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen cold; No harp is wrung, no hammer falls, The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.
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46
white clouds swell up anvil bloom a lowering gloom scuds by stacatto drops on the windshield punctuate   powerline sway radio crackle sparks sheets of tenor sax and blunt gusts of cool I lower the window and steer into the storm Tom Spencer © 2018
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Jul 8, 2018
Jul 8, 2018 at 8:33 PM UTC
storm
speculation pulls down on the body the quick switch into panic, akin to the comedic drop of an anvil when you realise that things aren't as simple as they seemed it's amazing that you could even be shocked but when has anything ever been simple? what else is life to you but a riddle? the questions which rush through your brain sweeping you off your feet and onto the gravel curiosity lunges at you, hungry and ready to feed to claim another life, to rip each "what if?" out from your curled fists you should have already known the murders it is capable of but you would never take the proverb literally, would you "things are the way they are, because they are" do not lie back in the mud and be defeated pull the mystery apart, unravel the string with your mighty claws seize the day and avenge the cat
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Aug 5, 2013
Aug 5, 2013 at 8:55 PM UTC
heavy weight
red lights yet, seeing signs in the green. are you friend or fiend? may we both come in peace? crop circles get dusted off. all curfews must dissolve. if our virtue is up to par, please let us be. upheld laws will get disregarded. cops caught off guard by gargoyles gawking at dawn's sweet offspring, this broad's in a stand still. villains chill alleys these foes just can't **** as the girl cops an anvil ready to drop her mans onto a large canvas full of hurt, red paint and tequila as her quills dry up does she still see city lights as freedom? curbside dances in the moonlight earning keeps for a teen son.
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Sep 27, 2015
Sep 27, 2015 at 1:27 AM UTC
Alien Mom (The Green Card)
setting myself down on an anvil pillow. sleep is an anvil pillow. anvil and stone are a suicide dressed in 8 hours of mini-Godheads.. you become a repeat offender in the ever expanding realm of emerging fractal patterns sewn upon the quilt you lay across your sleepy bones like rushing water in an underground cave miles below the Yucatan Peninsula.. by electronic firelight they lay on my leather couch with the scraps of bedding I could afford to share, as if for some reason I can't escape the money analogy and see this, too, as a transaction.. buying.. a transaction.. as transfat is to nutrition.. money is tao.. my hate for money is tao.. I'm a love-and-lost buddhist like every other dreamer before me. I'm tired of giving myself a ******* All I ever give myself is a ******* I refuse to bend over and at least try to give me a ******* or go to the next level in love and **** myself. I keep telling me to do it. Keep grabbing my own *** during passionate tongue-twisters but I keep on insisting that I just CAN'T go any further.. rationally I may be right, but irrationally I still get shrieks of jealousy because I see that ******* sneaking out to kiss girls all the ******* time* as if I didn't exist. As if I wasn't always watching. I stalk myself. It's a terrifying state of affairs. No matter where I go, there I am. Watching. One night, I invited me over, and as usual, I gave myself a ******* yet refused to go any further. This was the straw that cracked the camels back.. and come 4 AM I kissed myself softly on the forehead as I slept and slipped into the night, hailing the first taxi to sail past me on the concrete river. I awoke slowly the next morning and.. still dazed.. noticed I was nowhere to be found. A great grief flooded my solar plexus and moved into my hopeless bones. I had not even left a note. What a ******* I am! I had not even left a note. The rest of the day was spent in sordid grievance. I shivered, lonely, under my ever expanding realm of emerging fractal patterns sewn upon the quilt I lay across my sleepy bones like rushing water in an underground cave miles below the Yucatan Peninsula..
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Jan 15, 2014
Jan 15, 2014 at 8:37 PM UTC
self-love
setting myself down on an anvil pillow. sleep is an anvil pillow. anvil and stone are a suicide dressed in 8 hours of mini-Godheads.. you become a repeat offender in the ever expanding realm of emerging fractal patterns sewn upon the quilt you lay across your sleepy bones like rushing water in an underground cave miles below the Yucatan Peninsula.. by electronic firelight they lay on my leather couch with the scraps of bedding I could afford to share, as if for some reason I can't escape the money analogy and see this, too, as a transaction.. buying.. a transaction.. as transfat is to nutrition.. money is tao.. my hate for money is tao.. I'm a love-and-lost buddhist like every other dreamer before me. I'm tired of giving myself a ******* All I ever give myself is a ******* I refuse to bend over and at least try to give me a ******* or go to the next level in love and **** myself. I keep telling me to do it. Keep grabbing my own *** during passionate tongue-twisters but I keep on insisting that I just CAN'T go any further.. rationally I may be right, but irrationally I still get shrieks of jealousy because I see that ******* sneaking out to kiss girls all the ******* time* as if I didn't exist. As if I wasn't always watching. I stalk myself. It's a terrifying state of affairs. No matter where I go, there I am. Watching. One night, I invited me over, and as usual, I gave myself a ******* yet refused to go any further. This was the straw that cracked the camels back.. and come 4 AM I kissed myself softly on the forehead as I slept and slipped into the night, hailing the first taxi to sail past me on the concrete river. I awoke slowly the next morning and.. still dazed.. noticed I was nowhere to be found. A great grief flooded my solar plexus and moved into my hopeless bones. I had not even left a note. What a ******* I am! I had not even left a note. The rest of the day was spent in sordid grievance. I shivered, lonely, under my ever expanding realm of emerging fractal patterns sewn upon the quilt I lay across my sleepy bones like rushing water in an underground cave miles below the Yucatan Peninsula..
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15
As a poet I seek to give words A form of sorts I feel as though I am a blacksmith The hammer a pen The paper my anvil Words the steel Viciously shapeless at first Once refined, beautifully curved Tempered with my emotion To form a crafted sword Not meant to pierce flesh But instead the soul Surface can be of gilded gold Ornate and pretty A blade meant to dazzle and woo I say this resolutely, absolutely Because in the breath of a sentence One can live forever
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Jan 9, 2016
Jan 9, 2016 at 3:53 PM UTC
The Poet and the Blacksmith
The cool winter air makes the grass sway like the ocean's waves. Makes the limbs of trees, both young and old, dance fancifully without care of who's watching. The brilliant sun, bold as it is, is shy this morn Only peaking over the icy mountain tops. The sky is as clear and beautiful as a newly forged glass sculpture. As I turn around, I see my home, The furnace still warm from yesterday's work sits quietly in the center The bellow, old with use waits impatiently for it's next push The anvil, stubborn with age tightens it's muscles, prepared for the torment of the day The mallet and hammer, young with ambition remember the creations so recently forged with creativity The ground is riddled with steel and coal The grass here is burnt and covered with the now stagnant embers of the furnace The walls are filled with the tools of my trade, all made in this very place. The day has begun. I act with repetition as I have so many days and nights prior. I lay fresh coals upon the furnace I push the bellow with all my strength The furnace begins to roar with vigor like a newly awoken bear I pull new, unworked steel from the bin Laying the steel upon the fire, I can see the color change and shift rapidly I prepare the hammer and mallet for use, and hear their excitement fill this place Pulling the steel from the fire, I lay it upon the grouchy anvil. Then I begin my work of creation. Hammer meets steel, sparks and embers fly, steel morphs it's shape, the day is now warm in this place. For hours, this process continues The furnace only grows warmer, The bellow only grows more worn, The anvil only tires with work, The mallet and hammer only become more ecstatic. Until the creation is complete. The day is complete. The wind has all but ceased. The grass now as still as all the sleeping creatures. The trees' festival is complete. The air is now freezing. The furnace is cooling again, The bellow is at peace again, The anvil is relaxed again, The mallet and hammer are quiet again. I sit here now, watching the sun retreat behind the lake. It's setting as colorful as a painting. My work today is done, My tools are silent, My creation is complete. I too, can now bask in the serenity of the night.
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Mar 19, 2013
Mar 19, 2013 at 11:15 PM UTC
The Blacksmith
The cool winter air makes the grass sway like the ocean's waves. Makes the limbs of trees, both young and old, dance fancifully without care of who's watching. The brilliant sun, bold as it is, is shy this morn Only peaking over the icy mountain tops. The sky is as clear and beautiful as a newly forged glass sculpture. As I turn around, I see my home, The furnace still warm from yesterday's work sits quietly in the center The bellow, old with use waits impatiently for it's next push The anvil, stubborn with age tightens it's muscles, prepared for the torment of the day The mallet and hammer, young with ambition remember the creations so recently forged with creativity The ground is riddled with steel and coal The grass here is burnt and covered with the now stagnant embers of the furnace The walls are filled with the tools of my trade, all made in this very place. The day has begun. I act with repetition as I have so many days and nights prior. I lay fresh coals upon the furnace I push the bellow with all my strength The furnace begins to roar with vigor like a newly awoken bear I pull new, unworked steel from the bin Laying the steel upon the fire, I can see the color change and shift rapidly I prepare the hammer and mallet for use, and hear their excitement fill this place Pulling the steel from the fire, I lay it upon the grouchy anvil. Then I begin my work of creation. Hammer meets steel, sparks and embers fly, steel morphs it's shape, the day is now warm in this place. For hours, this process continues The furnace only grows warmer, The bellow only grows more worn, The anvil only tires with work, The mallet and hammer only become more ecstatic. Until the creation is complete. The day is complete. The wind has all but ceased. The grass now as still as all the sleeping creatures. The trees' festival is complete. The air is now freezing. The furnace is cooling again, The bellow is at peace again, The anvil is relaxed again, The mallet and hammer are quiet again. I sit here now, watching the sun retreat behind the lake. It's setting as colorful as a painting. My work today is done, My tools are silent, My creation is complete. I too, can now bask in the serenity of the night.
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The moon came into the forge in her bustle of flowering nard. The little boy stares at her, stares. The boy is starting hard. In the shaken air the moon moves her arms, and shows lubricious and pure, her ******* of hard tin. "Moon, moon, moon, run! If the gypsies come, they will use your heart to make white necklaces and rings." "Let me dance, my little one. When the gypsies come, they'll find you on the anvil with your lively eyes closed tight." "Moon, moon, moon, run! I can feelheir horses come." "Let me by, my little one, don't step on me, all starched and white!" Closer comes the horseman, drumming on the plain. The boy is in the forge; his eyes are closed. Through the olive grove comes the gypsies, dream and bronze, their heads held high, their hooded eyes. Oh, how the night owl calls, calling, calling from its tree! The moon is climbing through the sky with the child by the hand. They are crying in the forge, all the gypsies, shouting, crying. The air is viewing all, views all. The air is at the viewing.
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3.4k
Ballad of the Moon
The night is coming. The moonlight strikes on evening's anvil. The night is coming. A giant tree clothes itself in the leaves of cantos. The night is coming. If you came to see me, on the path of storm-winds... The night is coming. ...you would find me crying, under high, black poplars. Ay, girl with the dark hair! Under high, black poplars.
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3.3k
Remanso, Final Song
It is not the city air that ignites the forge It is the wind the that weaves through the souls of its people It is the spark that lives in the artists heart. And the Blacksmith, mighty Blacksmith. Sets all into motion. So I place my dreams upon the anvil. Apprentice & Master ****** hammers as fire forges the heart. Blacksmith, He who breathes the wind that flows through all righteous ambition. The desire to create. The desire to change. City. It is good to be back. The coals are burning.
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Feb 25, 2013
Feb 25, 2013 at 7:31 PM UTC
The Anvil
i really do wish you no harm. i hope you don't get pocket lint on your dum-dum, because that would be tragic. i hope the next girl you date doesn't bite. even though, you deserve a gnarly girl who can get low down and gritty. i pray you don't fall going up the stairs and slide all the freaking way down. i wouldn't want a concussed friend now would i? i cross my fingers and shut my eyes, wishing you a pretty girl with perfect teeth and pale skin and an american accent cuter than mine. in bar. or no- in a basement. i would never wish you the worst hangover that you've ever had with a headache so bad you feel like you tried to go out with a bang (literally) like kurt d. cobain, and survived. if you aren't an uneducated swine and know who that is. i hope you never feel heartache like this. feeling your chest tighten with anvil heavy memories and sun-kissed, barebacked truth because you had to let go what you love and love what you let go. crying when you see "message me i get bored x" in their bio on a tuesday night, for the first time in six months.
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Oct 11, 2016
Oct 11, 2016 at 9:02 PM UTC
passive aggressive's my middle name baby
Have you forgotten? The Iron The Fire The hammer and anvil of it all The pile of **** and scrap metal The dirt ore heap in the corner of your soul The useless heavy burden On your shoulders, and in the heart of you Have you forgotten the forging and the beating The sweating and the bleeding The swing and the crash, And the pain and the smash; The heat from the fires that purify And the hiss from the waters that solidify Have you missed the bending and folding and the way that you're constantly molding? Have you forgotten You are the hammer You are the anvil You are the iron and the forge fire That creates the steel of your character The sharp sweeping sword of your soul For no one else can change you Except for you So slam the hammer down! Swing it without flinching Tense yourself, your muscles your nerves and sinews Grit your teeth and clench your jaw Grip the metal like a white knuckled vice of certainty Focus on the spot and Slam the Hammer Down! Beat it into something useful Beat if into something beautiful Beat it with meaning for it is meaningful! Did you forget that! No, You did not forget You dreamed of throwing it off, You dreamed of being rid of it You  hoped to wake one day And find that it had melted away But “You cannot dream yourself into a character: you must hammer and forge yourself into one.” ― Henry David Thoreau
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Jun 9, 2012
Jun 9, 2012 at 11:22 PM UTC
Character
THE KNIGHT IN THE PANTHER’S SKIN ***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend. The Knight in the Panther's Skin by ***** Rustaveli loose translation/interpretation by Michael R. Burch excerpts from the PROLOGUE I sing of the lion whose image adorns the lances, shields and swords of our Queen of Queens: Tamar, the ruby-throated and ebon-haired. How dare I not sing Her Excellency’s manifold praises when those who attend her must bring her the sweets she craves? My tears flow profusely like blood as I extol our Queen Tamar, whose praises I sing in these not ill-chosen words. For ink I have employed jet-black lakes and for a pen, a flexible reed. Whoever hears will have his heart pierced by the sharpest spears! She bade me laud her in stately, sweet-sounding verses, to praise her eyebrows, her hair, her lips and her teeth: those rubies and crystals arrayed in bright, even ranks! A leaden anvil can shatter even the strongest stone. Kindle my mind and tongue! Fill me with skill and eloquence! Aid my understanding for this composition! Thus Tariel will be tenderly remembered, one of three star-like heroes who always remained faithful. Come, let us mourn Tariel with undrying tears because we are men born under similar stars. I, Rustaveli, whose heart has been pierced through by many sorrows, have threaded this tale like a necklace of pearls. Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan
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Apr 22, 2021
Apr 22, 2021 at 1:38 AM UTC
THE KNIGHT IN THE PANTHER’S SKIN
THE KNIGHT IN THE PANTHER’S SKIN ***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend. The Knight in the Panther's Skin by ***** Rustaveli loose translation/interpretation by Michael R. Burch excerpts from the PROLOGUE I sing of the lion whose image adorns the lances, shields and swords of our Queen of Queens: Tamar, the ruby-throated and ebon-haired. How dare I not sing Her Excellency’s manifold praises when those who attend her must bring her the sweets she craves? My tears flow profusely like blood as I extol our Queen Tamar, whose praises I sing in these not ill-chosen words. For ink I have employed jet-black lakes and for a pen, a flexible reed. Whoever hears will have his heart pierced by the sharpest spears! She bade me laud her in stately, sweet-sounding verses, to praise her eyebrows, her hair, her lips and her teeth: those rubies and crystals arrayed in bright, even ranks! A leaden anvil can shatter even the strongest stone. Kindle my mind and tongue! Fill me with skill and eloquence! Aid my understanding for this composition! Thus Tariel will be tenderly remembered, one of three star-like heroes who always remained faithful. Come, let us mourn Tariel with undrying tears because we are men born under similar stars. I, Rustaveli, whose heart has been pierced through by many sorrows, have threaded this tale like a necklace of pearls. Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan
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