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"antiquated" poems
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
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Aug 12, 2018
Aug 12, 2018 at 12:17 AM UTC
Viral
What's it take These days To write a poem That makes the world go mad That brings the crowds to their feet That spreads like wildfire Through a dry winter forest Is it those excessively long words? The ostentatiously loquacious Platitudinous ramblings Of an insecure mind aspiring To authentic intellect? Is it perhaps...      the "creativity"                of      varied      spacing   or...    could it be..... the lack                               of capitalization                the loathsome little letters                screaming out                          hey, look at us!          ... or maybe it's                the punctuation marks,      littered, haphazardly           through the text                     (whether used correctly)                or, theyre not?!      despite worrds mispeled           and a grammar might is broken    can these gimmicks increase interest         though miswritten or misspoken? Is the trick alliteration Whose bite brightly bids us To center on the snappy sounds? Although all along      unvoiced underneath Ideas idle in the isles    (or perhaps the aisles) Of the mind To meld and craft and bind Our thorough thoughts And worthy words Into lines Which Heard by herds Raise the                   Praise for which we                   Privately, desperately                   Pray Maybe it's a magical mix Of splendid in-your-head rhythm Marvelous meter that perfectly clicks Flowing smoothly without schism Well-spaced stanzas Well-used time Well-crafted phrases Well-thought-out rhymes Well, maybe not...      those gems are often ignored      cast-aside, unread, even abhorred Why? Because the modern world doesn't need your rules your restrictions your regulations your misguided boundaries your oppression your antiquated ideas    of "the right way"    to write    to speak    to act    to live    to (fill in the blank) No, what the modern world needs is Negation! Contradiction! Resistance! Revolt! And poetry whose words Say the same thing Repeat the same meaning Echo the same lyrics Rephrase the same thoughts But in an ever-so-slightly Different Varied Altered Adjusted Changed up way Line After line Of synonyms           over                and                     over                          and                          over                          again ----- What's it take These days To not give in To narcissism's spiral? But more importantly: What's it take To make my poem go viral?
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107
born in illusory chains gnarled metal encrusted in my broken skin the copper colored dust of rusted steel infectiously envelopes shaving off antiquated layers of fundamentalist religion encrusted for generations unpeeled until raw an unsophisticated method unveiling ancient lodged glass shards colored with deceit brought before their court interrogated unfathomably skewered an eerie salem witch trial in modern times barbarically they shun me banished i wander aimlessly smelling the rotten decay of deceased community as splinters pierce my feet from the crooked wooden plank i walk alone now an unfathomable inner ache kindled a residue within igniting a wildfire from the darkest shadows uncontainably erupting i dance savagely naked in the orange moonlight and in every shaded edge lit my soul ablaze i am a nomad sheep ‘tho not one of their color no pasture to contain me no shepherd i can follow theological safety nets no longer there to catch me bohemian-like i plunge free falling plummeting stripped wide open magically fearlessness reverses gravitation floating untethered i soar amongst apricot tinged clouds my skin still wet from rebirth and rise with the flaming coral sun you cannot destroy me i twisted in your decrepit pencil sharpener and with fresh mettle cut through the chains that bound you can have my ego but you cannot have my soul dismantling domestication transcending limitation wildly untamed i fly ©2016janetaylor
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Jun 2, 2016
Jun 2, 2016 at 6:40 AM UTC
fly
Albert had an ARTHRITIC knee which gave him curry The core of a BOIL is oft hard to extract Yesterday June experienced a server stomach CRAMP Too much dry weather can cause the outer DERMAL layer to peel Never read in a poorly lit room for you'll have EYE strain After eating spicy pickles dad had bad FLATULENCE Some twenty eight years ago my friend Helen had her GALLBLADDER removed They say that a glass of water will stop HICCUPS From end to end our INTESTINAL tract is thirty foot long On Sunday afternoon John broke his JAW playing football Some people have very boney KNUCKLES One of my work colleagues is prone to getting LARYNGITIS Colin suffers terribly with MIGRAINE headaches Sometimes people tend to endlessly NAVAL gaze A woman's OVARIES need to be checked on a regular basis for any abnormalities The PANCREAS secrets a hormone known as insulin QUININE once was extensively used in the treatment of Malaria Since my sister has put on weight she cannot find her RIBS The STIRRUP bone lies within one's ear Dan Aykroyd the famous comic star has webbed TOES Should you bump your ULNA bone it may give you reason to groan The VARICOSE VEINS is great aunt Ruby's legs were very pronounced Does anyone know of a good remedy for unsightly WARTS At our local hospital we have an antiquated X-RAY machine As tiredness and weariness sets in one YAWNS quite a lot ****** ZOSTER can make a person constantly itch
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Oct 20, 2013
Oct 20, 2013 at 1:31 AM UTC
ABC Poem (Medical Stuff )
Forever neglected Forever dismayed Forever deafened By the cacophony of the trade The antiquated digger stands by A sentient guard of the worker It watches as the tree slowly dissipates Its life slowly crumbling As the voracious chipper Devours the tree whole The worker stands by The digger stands by The chipper chips away The taciturn worker remains Ruminating the existence of the world. Why was he put here? For what reason must he stay with these hallowed construction tools? Do they feel any remorse for the change that they've enacted On the world around them? Are they aware that they transgress the laws of nature? The bellicose chipper Wages war with nature As the people watch so distantly. Its sound makes the neighbors quite belligerent Yet the zealots watch attentively. The pure ignorance The pure neglect The blatant apathy Is something to be seen. Whatever could possess you To follow in the footsteps of the worker To feel his pain as the trimmer Chips away at the trees' centuries The sound of shattered glass Punctuates the air. Perhaps there has been an accident.
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Apr 15, 2015
Apr 15, 2015 at 9:33 PM UTC
The Jurisprudence of the Construction Worker
Truth is the product of the pursuit of knowledge. Though most people, I have found, do not embrace but fear knowledge. I believe this to be due to the fact that knowledge is something that cannot be tailored to an individual. What is, is. Whether you like it or not. Knowledge can often be daunting and go against the very foundation of everything you hold "true". But truth is not there to keep you complacent, it's there to drive you, it's what you should live for. The pursuit of knowledge is an ongoing process, constantly evolving. One day you can feel without a shadow of a doubt that you "know" something, and the next day be proven utterly wrong. This is why it confuses me so that people hold steadfast to antiquated "truths", catalogued by humans, and passed down through generations. Like high school gossip, slipping from one grimy hand into the next, riddled with the stains of ignorance and manipulation. Knowledge can often isolate. Spark hatred in those comfortably numb. But those on the pursuit are not to be feared or confined, they're to be celebrated and joined! Because truth is freedom, and it will only unify. Don't give up, don't give in.
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May 19, 2015
May 19, 2015 at 3:22 AM UTC
The truth will set you free
1514 An Antiquated Tree Is cherished of the Crow Because that Junior Foliage is disrespectful now To venerable Birds Whose Corporation Coat Would decorate Oblivion’s Remotest Consulate.
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3.2k
An Antiquated Tree
We met through a latched gate down a straight concrete path With flowers and grass on either side To a white cottage with a Thick thatched roof. To the right of the front door Was a climbing, yellow,’ Chelsea’ rose. The garden was an orchard of tenderness with Five elderly leaning apple trees bearing fruit. And David Austin roses in a variety of colours Many wild and cultivated flowers grew and plentiful Of bird song. Roger and I sat together at a small Table and chairs And were given a delightful meal Of chicken and vegetables Followed by ice cream and mixed fruit salad After resting with cups of tea I wandered round the garden to see all the Beauty of this wilderness and a boat in a large Rather dilapidated shed Later to be rebuild into a fine garage of Original Suffolk stone and two wooden doors. Our time together was very precious to me. Filling in much that I had heard about, but Never encountered, from a very dear relative. In the afternoon we went into Bury St Edmunds central To see the Cathedral, Abbey Gardens, with resplendent Flower beds frequently replenished in an abudance of colourful changes and the antiquated book shops. The day was concluded with strawberries and cream in the Park sitting on a bench in the sun. We had a long journey back to Watford. I never forget this day so unusual was it Made by my friend. Love Mary xxxx
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Jan 28, 2019
Jan 28, 2019 at 4:51 AM UTC
Meeting a friend.
'CONDEMNED' screams the offensive yellow tape wrapped around my door like an angry snake I'm a crumbling abandoned city apartment and the letters of your name can be found carved into my scattered bricks. The memories we shared were sweet, but you've moved on now. To a newer part of town, all gaudy gold and glowing neon and soulless silver. Even though you're hypnotized by its fraudulent shine I wonder whether you remember the love and mortar that once held us together. For these walls still stand tall through countless stormy nights, scorching days and freezing evenings. But I don't know how much longer I can last. Because my very foundations were made with your smile in mind, and they are sinking into the mire now that we are forced to stand alone. But what need to you have for such antiquated architecture? I have been replaced. Your new home is far prettier. More efficient. Even still, I hang on by crossbeams and rotting wooden studs and hope that you will find your way back to the home I forged for you here in my arms. I rot and moulder in solitude the memories that echo in my hallowed halls the only comforts that keep me from collapse. Far too proud to admit, though I'm sure you see the bitterness of your absence eating away at me like termites. The lord only knows how I'd like to feel your feet upon my wooden floors again, but who am I to even dare to ask? For now I am just a house no longer a home vacant and alone patiently waiting to be made whole again. - r.j. & m.f.
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Nov 19, 2013
Nov 19, 2013 at 1:17 AM UTC
Derelict
'CONDEMNED' screams the offensive yellow tape wrapped around my door like an angry snake I'm a crumbling abandoned city apartment and the letters of your name can be found carved into my scattered bricks. The memories we shared were sweet, but you've moved on now. To a newer part of town, all gaudy gold and glowing neon and soulless silver. Even though you're hypnotized by its fraudulent shine I wonder whether you remember the love and mortar that once held us together. For these walls still stand tall through countless stormy nights, scorching days and freezing evenings. But I don't know how much longer I can last. Because my very foundations were made with your smile in mind, and they are sinking into the mire now that we are forced to stand alone. But what need to you have for such antiquated architecture? I have been replaced. Your new home is far prettier. More efficient. Even still, I hang on by crossbeams and rotting wooden studs and hope that you will find your way back to the home I forged for you here in my arms. I rot and moulder in solitude the memories that echo in my hallowed halls the only comforts that keep me from collapse. Far too proud to admit, though I'm sure you see the bitterness of your absence eating away at me like termites. The lord only knows how I'd like to feel your feet upon my wooden floors again, but who am I to even dare to ask? For now I am just a house no longer a home vacant and alone patiently waiting to be made whole again. - r.j. & m.f.
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36
*stepping back into the west chills reverberate up and down my spine chiseling open obsolescent padlocks dangling with dust on ancient treasure chests pallid colors in the attic release a blossoming familiarity faint hints of retrospections float on faded paper granting me access to roads where no map is needed as i peruse the streets my heart flows coalescing with the vicinity caressing each detail i transform to fluid and fuse with the past through fresh strokes of watercolored memories recollections flash before my eyes revealing antiquated stories though thought forgotten an etched history endeavors to define me renewing itself as i turn each corner i shudder at some remembrances while encompassing others through synchronicity realization hits that I am all of it yet none of it at the same time familiar faces paint meaning onto me no longer do they know me yet they airbrush vestiges of yesteryear and coat me with connotations i allow them to think i am whatever they imagine i morph into their canvas temporarily then break free in multi-dimensionality they don't hear me with a new listening no longer invested in their projections once sharp triggers now appear in soft focus an auspicious mist lies around the edges of my former life it is as if i never left yet traces of the east lie sandpapered in me a maturation commingles with my former self flushing out on my skin tethering newfound emotions a gentle gratitude for home territory nestles softly inward i listen to the clicks of my scuffed cowboy boots on acquainted yet somehow distant sidewalks the echoes layering multiple impressions glimmering with the utter beauty of this terrain as I wander through the majestic rocky mountains drinking in the quaking aspen's crimson edges interfacing the evergreens hushed whispers of autumn loftily rest juxtaposed neatly against futures waiting to unfurl in the wind an amalgamation of intimate sights and scents dance in open wounds dazzling homesickness cured a wholeness returned as winter's crystal dawn blooms i realize the depth of my growth for in leaving here and returning i cherish the west my home ©2016 janetaylor
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May 1, 2016
May 1, 2016 at 3:50 AM UTC
returning west
*stepping back into the west chills reverberate up and down my spine chiseling open obsolescent padlocks dangling with dust on ancient treasure chests pallid colors in the attic release a blossoming familiarity faint hints of retrospections float on faded paper granting me access to roads where no map is needed as i peruse the streets my heart flows coalescing with the vicinity caressing each detail i transform to fluid and fuse with the past through fresh strokes of watercolored memories recollections flash before my eyes revealing antiquated stories though thought forgotten an etched history endeavors to define me renewing itself as i turn each corner i shudder at some remembrances while encompassing others through synchronicity realization hits that I am all of it yet none of it at the same time familiar faces paint meaning onto me no longer do they know me yet they airbrush vestiges of yesteryear and coat me with connotations i allow them to think i am whatever they imagine i morph into their canvas temporarily then break free in multi-dimensionality they don't hear me with a new listening no longer invested in their projections once sharp triggers now appear in soft focus an auspicious mist lies around the edges of my former life it is as if i never left yet traces of the east lie sandpapered in me a maturation commingles with my former self flushing out on my skin tethering newfound emotions a gentle gratitude for home territory nestles softly inward i listen to the clicks of my scuffed cowboy boots on acquainted yet somehow distant sidewalks the echoes layering multiple impressions glimmering with the utter beauty of this terrain as I wander through the majestic rocky mountains drinking in the quaking aspen's crimson edges interfacing the evergreens hushed whispers of autumn loftily rest juxtaposed neatly against futures waiting to unfurl in the wind an amalgamation of intimate sights and scents dance in open wounds dazzling homesickness cured a wholeness returned as winter's crystal dawn blooms i realize the depth of my growth for in leaving here and returning i cherish the west my home ©2016 janetaylor
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66
He shambles along picking the scabs off the street, meet the pauper likes Cyndi Lauper and listens on an antiquated walkman and he walks the talk man. I met him in Stepney a proper old Cockney he asked me for cigarettes I gave him a quid. Some say, better to be rid of them and by them they mean the poor men, but if we did that who then would pick the scabs off the street?
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Nov 12, 2015
Nov 12, 2015 at 6:33 PM UTC
The midnight of Meccano.
We are the change we are searching for. It's no surprise we're having a hard time finding it, like a trick question the answer's inside. Some, like me have high expectations we're trying to erase because they limit the places our minds can go. And we know it's not to race to conclusions or exclude any info but like a kid on Christmas our impatience can sometimes take hold. But it's ok, we're humon. We are youth in revolt of the old ways that are clearly keeping us chained to the ground like slaves to didactic socio-political religious segregation. And like me, sometimes we forget that change brings growing pains. Do you know how much force it takes for a flower to sprout through pavement? We are growing everyday, that's scary to some, leaving many parents to wonder why their children aren't driving on the roads they paid to pave and ride on. It's because WE have our heads higher, in the sky and beyond. Roads are antiquated when you can fly--dropping the gas pump for light trying for a brighter future with nature as a guide. Don't get me wrong, it's a long flight and there's going to be lonely low dark parts in the timeline but I find some comfort in knowing I'm going with my own flow on my own ride and no one elses cause then I'm not myself which is where all our pride should lie. Not on material & wealth, but health, body and mind.
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Sep 10, 2013
Sep 10, 2013 at 1:09 AM UTC
A Message For All Those on The Path/For The Ones Answering the Call
*for Joe A., who wishes me that "may your best days be in love's sight" your kindness in words, over the top, unduly undue "my best days" très charmant, mais aujourd'hui students surpass the teachers, cause sad, bad and life tag trending and we~me, are simply Sunday~done with those nowadays, grandpa's tools outdated, shelved, in their final resting place, blades dulled, the technology of his verbiage, rusted by old age the reads diminishing, his touch, antiquated, his best days, resting on top of the ocean internet waves his summertime buddies, sand sun grass and sea air perfumes, singing, awe we got ya, cosy and comforted, awaiting you in your chair, overlooking our truest sheltered applause my best words turned inwards, collecting recollections, rereading my solaces, and content that my body, still stirs, when joined by Barry White and Lionel, forgot like me, yet happy, in bed with us so you see, Joe, you are half right, the right half *on my bare chest, blonde tresses, blanket, keeping me warm, easy like a Sunday morning so turns come and go, no more down the slide, running to the back of the line, up and down again and again time of the tool and die maker, to cut loose, learn by crafting daily, and not from the books* ***Ooh, that's why I'm easy I'm easy like Sunday morning That's why I'm easy I'm easy like Sunday morning^*** write for me, write for her, for with her, in love's sight, life is easy like Sunday morning, and that's why I'm easy, like Sunday morning
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Mar 23, 2014
Mar 23, 2014 at 9:13 AM UTC
easy like Sunday morning
*for Joe A., who wishes me that "may your best days be in love's sight" your kindness in words, over the top, unduly undue "my best days" très charmant, mais aujourd'hui students surpass the teachers, cause sad, bad and life tag trending and we~me, are simply Sunday~done with those nowadays, grandpa's tools outdated, shelved, in their final resting place, blades dulled, the technology of his verbiage, rusted by old age the reads diminishing, his touch, antiquated, his best days, resting on top of the ocean internet waves his summertime buddies, sand sun grass and sea air perfumes, singing, awe we got ya, cosy and comforted, awaiting you in your chair, overlooking our truest sheltered applause my best words turned inwards, collecting recollections, rereading my solaces, and content that my body, still stirs, when joined by Barry White and Lionel, forgot like me, yet happy, in bed with us so you see, Joe, you are half right, the right half *on my bare chest, blonde tresses, blanket, keeping me warm, easy like a Sunday morning so turns come and go, no more down the slide, running to the back of the line, up and down again and again time of the tool and die maker, to cut loose, learn by crafting daily, and not from the books* ***Ooh, that's why I'm easy I'm easy like Sunday morning That's why I'm easy I'm easy like Sunday morning^*** write for me, write for her, for with her, in love's sight, life is easy like Sunday morning, and that's why I'm easy, like Sunday morning
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77
Beggars line the busy streets cup and cloth outstretched the look of desperation etched on their faces like the dawn shadow of a carved lithograph they don't ask me for spare change just a simple nod of acknowledgement; even after a shower and a change of clothes I must have their look, that broken beaten look the look of the street. George Square is busy today tourists happy clicking panoramic memories admiration of forced foolish bravery at the Cenotaph a list of names they will never know and marvel at the antiquated architecture to later revel in the wonderment of how anyone in a civilised and modern society can do without skyscrapers while they grudgingly share a half-measure of a single malt I sit on a bench that marks a families love and remembrance to the passing of a woman named Judith the pigeons flock in carnal mass gatherings knowing I've been there for 3 hours already because I have the look of someone who hides his crusts because I have the hungry eyes of the look of the street. The well dressed man at the end of the alleyway, the plume of carcinogen cigar smoke like a coal fired power station  in the sunlight this is where they go for over-priced craft ales with Sautéed Wild Rabbit starter and £65 Wagyu Tomahawk Steak a place for fine pickings in the alleyway ashtrays dispensed cancer sticks left disregarded the half-finished defiance of another £9 packet that was simply spare change to begin with I hover around making false promises on a deadline phone call pretending in mime to be semi-OK that the compadres are running late and "tell me about the theatre show later" the misdirection amid the camouflage of plastic peace lilies while my other hand rummages the unspent tobacco and the black-on-black door steward keeps clocking me because I have the look of the street.
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Apr 19, 2016
Apr 19, 2016 at 7:53 AM UTC
Pigeons & Demons
Beggars line the busy streets cup and cloth outstretched the look of desperation etched on their faces like the dawn shadow of a carved lithograph they don't ask me for spare change just a simple nod of acknowledgement; even after a shower and a change of clothes I must have their look, that broken beaten look the look of the street. George Square is busy today tourists happy clicking panoramic memories admiration of forced foolish bravery at the Cenotaph a list of names they will never know and marvel at the antiquated architecture to later revel in the wonderment of how anyone in a civilised and modern society can do without skyscrapers while they grudgingly share a half-measure of a single malt I sit on a bench that marks a families love and remembrance to the passing of a woman named Judith the pigeons flock in carnal mass gatherings knowing I've been there for 3 hours already because I have the look of someone who hides his crusts because I have the hungry eyes of the look of the street. The well dressed man at the end of the alleyway, the plume of carcinogen cigar smoke like a coal fired power station  in the sunlight this is where they go for over-priced craft ales with Sautéed Wild Rabbit starter and £65 Wagyu Tomahawk Steak a place for fine pickings in the alleyway ashtrays dispensed cancer sticks left disregarded the half-finished defiance of another £9 packet that was simply spare change to begin with I hover around making false promises on a deadline phone call pretending in mime to be semi-OK that the compadres are running late and "tell me about the theatre show later" the misdirection amid the camouflage of plastic peace lilies while my other hand rummages the unspent tobacco and the black-on-black door steward keeps clocking me because I have the look of the street.
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40
1369 Trusty as the stars Who quit their shining working Prompt as when I lit them In Genesis’ new house, Durable as dawn Whose antiquated blossom Makes a world’s suspense Perish and rejoice.
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2.1k
Trusty as the stars
Daisy Chain As summer daisies locked in chains, inexplicably joined. In an inevitable twist of fate. The other daisies may wither and die. Not you and I. Coherent in an understanding. In a murky world we dwell. In a vague vacancy. Such comprehension. It is decreed. That as summer fades, we will not die. Chill of winter. Will worry us not. We shall be pressed together. Wedged between the pages in an antiquated book. In a love to withstand the touch of time. By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Aug 31, 2013
Aug 31, 2013 at 4:17 PM UTC
Daisy Chain!
1345 An antiquated Grace Becomes that cherished Face As well as prime Enjoining us to part We and our pouting Heart Good friends with time
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1.8k
An antiquated Grace
I will not repent My daily sins To an antiquated verse Or bind myself To a definition I do not acknowledge To be a sinner, as you say To be the villain Before I have my own story To wear guilt and shame As constant wardrobe I don’t buy it Give me my flaws,faults And misdeeds Tattoo them to my skin I will build an epic origin tale Layers upon my body Until my soul bleeds And the words from my mouth Will be sonnets for misfits Gathering into bonfires My smirk, dancing sparks And trouble, a forte To be sinner, as you say And plaster your prayers As hollow blessings To cure me To iron out my wrinkles Tuck me safely into a social norm I don't buy it Fray the edges Pull myself off the frame Not all butterflies will be pinned Pluck the pins of expectations Use those antiquated words To set fire To every criticism you used To create this prison Repent, you say For being myself And I will tell you no
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Jan 6, 2021
Jan 6, 2021 at 2:16 AM UTC
Repent
One of the many secrets, for facing Life’s adversity is a change of perspective; adjusting the lens, we see things from a Heavenly view- whereby old problems are seen as new opportunities, teeming brightly, unsullied by routines of dull, antiquated thinking. Address all challenges head on, without any semblance of fear; employing some spiritual brawn ensures that final solutions can be found and implemented; real satisfaction comes, when by God, you’re complimented.
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Oct 28, 2016
Oct 28, 2016 at 1:46 PM UTC
Poem: Facing Adversity
.. …. …... …..... …........... ….................. …............ …..................... …............ …......................... …................. …..... barometric tendrils psuedo-random and hybrid sets growing like ivy in the clutches of time such a            chocking                    but actualising     grasp ..huh? what? oh yes! sorry, sorry come in, come in,                        ..you know, I too, once, like how you are now, was here too so                    very                                very                                              present. Aha! Oh yes! Permit me a mock stifled cry of ostentatious self derision, 'hee hee hee' aaaaaahhh.. I really was pitiful back then. seeing you there now, I feel oh so whimsical and overcome with ahem sorry. ..dank and musty cellars,     hashish and a can of beans. (baked, not fried, -we were really naive enough to believe that?- ) had it all back then though, didn't we? By which I mean we had nothing, but the conviction that obligation was something that actually meant something rather than a Cryptocurrency in a Ponzi scheme, (with a slice of lemon) confidence intervals stockpiled in the stocks of confidence men. Derivative markets oh, so very much so so very derivative idiomatic and ******* asinine.   ..Still, it does harken to its era, doesn't it? 'detached and disposable.' toothpicks limbs ideals all that goodness! I was supposed to be offering advice, wasn't I? Interpolate up some mediated conjecture. But the kids can look after themselves just fine, can't they? So our fiscal policy seems to think; 'I wager we shear up the youth to buy shares in implementing youth wages.' sorry, I guess it's an antiquated complaint, “think of the children!” , they say? Can't they see, the whole **** market's aimed at the proto-teens?? we do it all for them the little snots. laissez faire welfare hedge or double down? A shrubbery? Or a bacon butty with bread as ****** chicken and cheese? (I just vomited in my mouth a little, (how pastiche)) See, and people ask why I’m trapped in the past; the future's got me car sick. and honestly we're just brimming with history (the scourge of post-modernity) like a black moss spewed on the walls Poisoning visions and Rheumatic fever tearing up our lovely lovely pacified pay and display psuedo proto posterity …..... …................. …......................... …............ …..................... …............ ….................. …........... …..... …... …. ..
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Nov 14, 2014
Nov 14, 2014 at 3:33 AM UTC
dialogues ii
.. …. …... …..... …........... ….................. …............ …..................... …............ …......................... …................. …..... barometric tendrils psuedo-random and hybrid sets growing like ivy in the clutches of time such a            chocking                    but actualising     grasp ..huh? what? oh yes! sorry, sorry come in, come in,                        ..you know, I too, once, like how you are now, was here too so                    very                                very                                              present. Aha! Oh yes! Permit me a mock stifled cry of ostentatious self derision, 'hee hee hee' aaaaaahhh.. I really was pitiful back then. seeing you there now, I feel oh so whimsical and overcome with ahem sorry. ..dank and musty cellars,     hashish and a can of beans. (baked, not fried, -we were really naive enough to believe that?- ) had it all back then though, didn't we? By which I mean we had nothing, but the conviction that obligation was something that actually meant something rather than a Cryptocurrency in a Ponzi scheme, (with a slice of lemon) confidence intervals stockpiled in the stocks of confidence men. Derivative markets oh, so very much so so very derivative idiomatic and ******* asinine.   ..Still, it does harken to its era, doesn't it? 'detached and disposable.' toothpicks limbs ideals all that goodness! I was supposed to be offering advice, wasn't I? Interpolate up some mediated conjecture. But the kids can look after themselves just fine, can't they? So our fiscal policy seems to think; 'I wager we shear up the youth to buy shares in implementing youth wages.' sorry, I guess it's an antiquated complaint, “think of the children!” , they say? Can't they see, the whole **** market's aimed at the proto-teens?? we do it all for them the little snots. laissez faire welfare hedge or double down? A shrubbery? Or a bacon butty with bread as ****** chicken and cheese? (I just vomited in my mouth a little, (how pastiche)) See, and people ask why I’m trapped in the past; the future's got me car sick. and honestly we're just brimming with history (the scourge of post-modernity) like a black moss spewed on the walls Poisoning visions and Rheumatic fever tearing up our lovely lovely pacified pay and display psuedo proto posterity …..... …................. …......................... …............ …..................... …............ ….................. …........... …..... …... …. ..
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105
Once, long ago I gazed upon the world with conformity’s eyes and found it absurd And I cursed existence and my fellow man I built a wall to defend the tattered remnants of the sanity I perceived I still possessed I built a wall that quickly became a desolate prison standing cold in the face of forgiveness and love I ignored beauty’s gentle bliss I insulted love in the name of an antiquated morality Oh spirits Oh demons Oh harbingers of what lies beyond perception It was to you that I entrusted my salvation It was to you that I prayed in expectation of deliverance I begged for naught but a cessation of being to relieve the nightmare of existence In desperation I grasped the reins of intolerance I drew the sword of superficial righteousness carving a swath of condemnation through the ranks of my brothers for the sake of a disapproving God I wounded virtue in the name of heaven I exchanged reason for faith I threw compassion to the dogs of indifference What pain has my existence brought my fellow man? My path to salvation lies hidden among the bones of those I once held dear Heaven should not exact such remuneration for paradise cannot be purchased with the blood of hatred and the tears of martyred tolerance I will not kneel before such an altar Not again Never again
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Sep 7, 2013
Sep 7, 2013 at 10:46 AM UTC
Conquistador
When she folds into me and weeps, The world of empty things falls into me Like the wetness of July in antiquated Rome, Mother of tears, Mater Lachrymarum, in Forum stone, The rain-addled veneers of Octavia’s portico. Gather up these black sickened bellies of ruins, Turn them out to make hunger the den of the skies, Let the cracked whisper of each monument and temple Breathe as Caesar, in unending stillness like a bare road. A road is the sadness of seeing our beginning But knowing love its far-off end is foretold.
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May 14, 2021
May 14, 2021 at 10:17 PM UTC
Mother of Tears
I imagined we’d grow gray together and take winter sun holidays somewhere we could warm our bones cut out coupons from newspapers stacking up in a jam jar next to the fruit bowl you’d rent guidebooks out of the library and I’d take evening classes so that I could understand black tied waiters you’d find it cute and impressive and you would hold my hand tightly during take off the plan was that we’d walk around foreign supermarkets and guess the contents of the cans they’d be faded beach towels and the sticky scent of tanning lotion our antiquated skin would burn easily if we didn't smother it but I’m not sure it matters anymore, fretting over factors we already have tumors growing like doubts in our chests we have nurtured them, tended to their hungers and thirst until we have none of our own
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Aug 30, 2013
Aug 30, 2013 at 1:59 PM UTC
Winter Sun
I’m not afraid to admit very few things she thinks, head nestling on the window, over the sleeping Atlantic, eyes, like drowsy oceans, swelling over combers of clouds: she watches herself drift away     *do I arrive             or depart (a return or restart) to the city of light that has warmed, since girl dreams were born, the tomorrows of my lamp lit heart?* yet what could I do, but dawdle and pine, write this and offer art: and hope it speaks mine, am I not a wonder? keen, sonorous in stride, industrious, strength, brimming with pride; bonafide, –zut alors you and me, divided. I abhor the wind that blew          (your delicate cloud)                from my Rhine. is your love sewn in guilt, cold repentance and blame, is your sweet foolish heart, here chained to mistakes? what if you are a photograph, captured among many, held by each but for one fleeting frame, (will you forget my antiquated name?) which of your colours: Manet unsentimental, or Impressions in variation, french vanilla in tumble, or, contours, postcards, and maps, shall fleshen our past– these stilted and dwindled days. I think, for me, forever in evening, in fear of the fast falling night, or moving slow, pale window glow, afternoons, sunlit in the space, between grace, clocks, and tunes: I fumble like a stone to breathe l’espirit of you. I know and you know.  I suppose, unfurl in a brave new start, above bonds of looming crows, blankets of Western valley snows, the beating red of my radio spire; think of a lingering dusk, when you see that Eiffel tower on the lush fields of March, but imagine us as that point, over fresh Champs du March, a glimmer at the peak, on the flat earth, apart.
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Dec 17, 2012
Dec 17, 2012 at 5:08 PM UTC
Farewell to Your Dissolving Back: Prelude for la Fille aux Cheveux de Lin
I’m not afraid to admit very few things she thinks, head nestling on the window, over the sleeping Atlantic, eyes, like drowsy oceans, swelling over combers of clouds: she watches herself drift away     *do I arrive             or depart (a return or restart) to the city of light that has warmed, since girl dreams were born, the tomorrows of my lamp lit heart?* yet what could I do, but dawdle and pine, write this and offer art: and hope it speaks mine, am I not a wonder? keen, sonorous in stride, industrious, strength, brimming with pride; bonafide, –zut alors you and me, divided. I abhor the wind that blew          (your delicate cloud)                from my Rhine. is your love sewn in guilt, cold repentance and blame, is your sweet foolish heart, here chained to mistakes? what if you are a photograph, captured among many, held by each but for one fleeting frame, (will you forget my antiquated name?) which of your colours: Manet unsentimental, or Impressions in variation, french vanilla in tumble, or, contours, postcards, and maps, shall fleshen our past– these stilted and dwindled days. I think, for me, forever in evening, in fear of the fast falling night, or moving slow, pale window glow, afternoons, sunlit in the space, between grace, clocks, and tunes: I fumble like a stone to breathe l’espirit of you. I know and you know.  I suppose, unfurl in a brave new start, above bonds of looming crows, blankets of Western valley snows, the beating red of my radio spire; think of a lingering dusk, when you see that Eiffel tower on the lush fields of March, but imagine us as that point, over fresh Champs du March, a glimmer at the peak, on the flat earth, apart.
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70
**Put down that pen Relax your hand Please quit writing Smash your keyboard With a sledgehammer Please quit typing** I’ve had enough with the compliments On your half assed verses of antiquated love On your verses of woe is my childhood babbling ******** On your verses of epiphanous enlightenment I can’t believe that you’re what passes for good poetry All that praise must be going to your head making you loco Thinking that you can get away with writing that utter crap I can’t believe you have so many admirers, so many followers Hanging on to your every unsurprising word Mad-Lib poetry, paint by numbers It’s nice to see that that thesaurus and rhyming dictionary Are working wonders for your writing Like you’re some ******* messiah Writing the perfect words for how they feel deep down Like you're some ******* prophet That speaks the word of the masses Listen to the masses speaking from my tongue: **Put down that pen Relax your hand Please quit writing Smash your keyboard With a sledgehammer Please quit typing**
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Mar 4, 2012
Mar 4, 2012 at 3:01 PM UTC
I Can't Believe What Passes For Poetry