Basketball stands for war or battle.
That's why I think about the players'
personalities, in my foxhole or squad.
Danny and Ben are fast and smart. Dan
especially can pass making him master
and commander. To defeat them as we did
is very satisfying. Ben's five year old son
is intelligent but distant. Disdains to answer
my question Why are you you?
                                                       But I'm not here
to catalogue the men's personalities.
I like them. But each of us has moved on
many times, when  _______  suddenly died
the games went on with hardly a mention
and his name has since been forgotten.

But even this, absolute mortality
of not just our bodies but our names
and souls is not what I came
to talk about. Yesterday, between games,
I asked Joe how Molly his daughter likes
the high school. He mounted an impassioned
defense of reading as the indispensable skill
when I suggested math, the scientific method
and history are essential too.
                                                 Also between games
Bob diffidently asked why my kids are bald.
I was moved by the care he took to satisfy
his curiosity, concerned the subject might be
difficult. He's a political science teacher so
I took the opportunity to ask What ails
the republic? Of course I answered myself
wanting mostly to hear myself talk about Iraq
and how empire is self-correcting. For once I was amusing
I thought, treating the subject with a light touch
heretofore lacking.

But none of this is what I came to say.
A new guy, very big and strong, a
bulldozer under the boards with a good
outside shot if needed got into a dispute
with the other Bob who likes to tell people
what to do sometimes, about an offensive
foul Bob called which we almost never do.
The new guy said If you can't take it don't
play under the boards which is what I say
when I'm ****** and don't give a ****.
Bob said You've been pushing and shoving me
all day. I said He doesn't want to be
pushed and shoved which got a wry
smile out of Danny as I put the ball in play.

before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.
        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?
                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat

(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?

I hate the dripping dark hollow behind the little wood;
Its tips a cursed maroon with a blood-red heath.
I think I praised and lamented it too soon;
Before seeing its scent; I saw already its stray mystical death.

My crown is torn, outraged by florid winds and scorn;
Like a tangled old roots of the windblown thorn;
I shall feel scanty by my own poetry,
And throw it about, duly, like a static little joke.

I shall let my heart grow dull and illiterate;
I shall not taste joy, no more, in any clear--flowery fate.
I shall seek everything bitter, and not sweet;
Even not pure as the honey of a bee; for it shall be plain.

I shall curve and bend any straightforward light;
I shall harass it, and blind it--as if my ghost’s dead soul is very not here.
Ah, where is but Maud, Maud, Maud, and Maud;
Perhaps she is astray in my memory still, and not by my side.

I feel relieved so soon as glanced at her beside me;
She owns still that full lips like a perniciously tasty moon;
She is adorable like the flower of heaven itself;
She strikes me again when away, and tosses me about when near.

Ah, Maud, Maud, Maud;
Tame me again with thy rain of laugh;
Saint me once more like a fresh young bird;
Come to me now, and return my unheeded love.

Ah, Maud, Maud, Maud;
And kissing her forehead takes me back to that day;
A day of myths, a day of agile swans and storms;
An ornate time of hatred; a whirl of bitter fate; a dust of sorrow.

Ah, Maud, Maud, Maud;
And again I was alive in this tale, with a burning heart;
On one eve of tears, a mischief, and a wan poetry;
I caught about shadows in which there was no soul of Maud.

I could only see the stones, lying ghastly about the fireplace;
Ah, Maud, are you but still haunting those whimsical moors?
Their strange murmurs but I cannot hear;
But still they consume me, ah, I am scared;
I wish they would be gone soon, I wish you were but here.

These storms were amusing but peculiar;
They are bizarre, but intelligent and stellar;
And calling thy name out but breathes into me strength;
Ah, but should I be here, and bear away thy image alone?

Ah, and thou wert in but nymphic and lilac dream;
And my heart was still not massaged by the tender storm;
For it meant thee, and hungered but for thee only;
And in the midst of love had it longed, and yearned for thee.

Ah, where is but Maud, Maud, Maud, and Maud;
Her with her childish eyes and rounded head of bronze,
With her rapturous steps and wild glittering aroma,
With her atrocious jokes, and a wintry secret touch?

But still she was not anywhere about;
She dissolved like one romantic bough of soda;
And within a rough joke, she would be but gone;
And now the storm returned, but I was wholly on my own.  

Ah, and now the striking storm is mounting the earth;
Should I write alone and chill myself by the green hearth?
For I hath nothing to console and lengthen my parched logs;
I shall wait outside and drift about yon wintry bog.

Ah, where is but Maud, Maud, Maud;
Maud with her heart-shaped face and bare voice aloud;
A voice that soaked my senses and craving throat;
Maud but teased me and left me to that joke.

Where is but Maud, Maud, Maud and Maud;
Maud, the goth princess within my ancient poetry;
Who but remained symmetrical and biblical in her vain torments;
Who but stayed sturdy and silent; amidst her anger, and vain fellows’ arguments.

Listen to me. I am but full of hatred.
I am neither a gentleman nor a well-bred;
I, who is just a son of an infamous parson;
A malleable son; with a bleak aura of a putrid spring.

I, one who crafted ingenious jokes;
But interminable as they always are;
I made Maud sit still as I held my woodwork;
While she perched herself on yon bench, gazing at dispersed starry stars.

Maud the shadow in my pale mirror;
At times she ceased at morns, but retreated at night;
On her brother’s sight she fled in horror;
But on mine her smile turned me bright.

Maud was idle, sparkling, vibrant, and tedious;
Her heart was free and not marred by stupor.
She was the sun on my very bright days;
She made me startled; she always left me curious.

Maud the green of the farm, the red of the moon;
Without her everything would spring not and remain odious;
Everything would be bleak and stayed tedious;
Ah, but still I could not own her, though I was her saviour.

I was a farmer and perhaps still am;
Perhaps that’s why her mother ditched me with shame.
Maud said she had not places like home;
Her house was the mere shallow--and gratuitous throne.

Maud came often down and agitated;
Her mood shadowy, she cried and cried too aggravated;
I caressed her back, and placed my palms on her white knees;
She told me stories whenever no-one else would see.

She wanted not to mount the throne;
She giggled often, at our country escapade;
She loved my cottage, she sweetened my thin grass;
Even those apple trees had then her eyes, which sprayed tough, lonely seas of green.

Maud took to hymn and dear children’s little songs;
She was popular always among the talkative throngs.
She would love to dance and wiggle and turn around;
While village pupils gathered to sing a noble sound.

Ah, but when the mirthless prince arrived;
With white horses and swords of a knight;
Maud was swallowed every morning, all through day and night;
Maud was no more seen by my side.

I thought I was not alive, for dreams were unreal;
If they had been, then they I’d have want’d to ****;
But seeing Maud not gave me fretful chills;
I often woke up tensely, within a midnight’s shrills.

Ah, where is but Maud, Maud, Maud, and Maud;
Maud my bumblebee and my delicate little honey.
I kept waiting for her behind the rustic brook;
I fetched my net and fished by my old nook.

Ah, and where is Maud, Maud, Maud, and Maud;
My eyes were still and my chest could no more speak.
I wearily fancied she had been kidnapped faraway;
She would be jailed in a sore realm, and would no more be back here.

Ah, for had she been lost, then I had lost my ultimate pearl;
For there would no more be magic, there would be no more of her;
No-one would so restore my original spring;
Perhaps there would be no spring at all, and I would suffer in summer.

And I would lose anyway--my lyrical, elusive demon;
For Maud had always been elusive herself.
She wore that evil smile and thin laugh;
As I told her tales of fairies that she loved.

As I am fond of magical poetry and dramas;
Maud too used to read them with genuine personas.
She was my epic fanatical little devil;
She liked tropical cold and a faithful Mephistopheles.

I should be Faust, as she once said;
For had I fair hair, yet a bald head;
She said like Faust, I was cleverly amusing;
But to me, like Mephistopheles--she was unusually entertaining.

She danced before me a beautiful ballet;
She was young and keen to levitate as a ballerina;
She crafted me limericks and such fair lines of sonnets;
She made earth my heaven, and my melodies a twin cantata.

Ah, and where is Maud, Maud, Maud, and Maud;
I need my butterfly amongst this wheezy curdling cold.
I need my lover to soothe my chained hysteria;
I need to get out of here, and feed my love with her charms.

Ah, but where is Maud, Maud, Maud, is not she here?
I was then screaming in my solitude, could she but not hear?
I could speak not, no more--sore and wounded by this snowstorm;
I crept sick and weak like a dumb old worm.

She was not even heard of upstairs;
While I was dying here as a roaring beetle.
I hath almost lost all my creative flair;
I felt tormented and neglected and nearly feeble.

Ah, but a story like this is not such a fable;
So at that time I did shun sadness and seek a warm ending;
But indeed, to escape fate the poor were perhaps not able;
And the farmer’s son shall never be a king.

And ‘twas the nobles’ right to be idyllic;
To be deemed far then fairly righteous.
My charms were trivial, and so was then my wit;
My prayers were too parted and despaired; no matter how rigorous.

I kept my work along the countryside;
I toiled all night and behind fierce daylight.
I hoped Maud would see me back one day;
But what I found was to my dismay!

Ah, Maud, for she was now engaged;
To that pathetic creature the cursed morn brought about;
And parties arranged, voices too raised;
The union was now what people had in thought.

Onto my shoulders my head kept sinking;
I killed myself nearly, for my irksome defeat in this rivalry;
A rivalry that failed to transgress vital destiny;
A rivalry I could not even bear to think.

But again, this love had always been everything;
And thus Maud’s union would equal my death;
One night I crept out of my bed;
I had in hand a keychain and a net.

The soldier was infused by sound sleep;
And into Maud’s grand chamber I crept;
Everything was pink and quite neatly kept;
But woke I her not--as I heard her breast breath slowly.

She was tremendous still--in beauty;
Maud in her splendour; so young and free.
Ah, she was free but not free, I fathomed;
I looked at her over and over again.

I looked at her violet bed and comfort net;
Ah, my Maud too ****** and temptingly red.
She was too abundant in her young and chaste soul;
Ah, I could not imagine how she would soon be one else’s.

Long did I stand; ‘till morning streamed back again;
Still I remained unmoved; I stared at my darling in vain.
I jumped startled as the door opened;
And showed me the horror of the Queen!

‘Come, ye’ fool’, she voicelessly instructed;
Her face emotionless as these words emanated;
‘And embrace thy very fate’, to the handcuffs me she directed;
‘For daring look into my dame’s immaculately flawless chamber’.

She pointed thereof--a black gun at my chest;
It would soon burst out and tear my vest;
And even fly me straight to death;
So drifted I, without further haste nor breath.

Those poor soldiers imprisoned me there;
A cellar room at the top of filthy stairs;
I stayed awake only for grief and tears;
And most of the time I laid about sleepless and stared.

I grew skinless as my bones squinted;
And laughed at me with their sordid might;
Flies were about me, bending onto my rotten pies;
And slices of meat left out by sniggering guards.

I hit my head on witnessing Maud’s cold marriage;
‘Twas on a Saturday on the castle’s rain-wetted field.
I heaved myself onto the windowsill and saw;
How the couples were blessed and sent thereby back.

I could not see Maud’s face and fleshy cheeks;
But didst I feel her discarded tears;
Marred and defiled her lovely fits;
Though just those innate, and not out there.

I struck the lifeless paint with my bare palms;
Now the walls were tainted; they smelled like my blood.
Time passed and desire for Maud was never killed;
I’th missed her every day, since then, and perhaps always will.

But my love for Maud was never probable;
I was decent, honest, but indeed not preferable;
I was not even preferable by fate, as thou might see;
Fate who is neither truthful; nor frankly urges us to lie.

I often laid hopeless by the moonbeam;
Until night came and eyesight grew more and more vulnerable.
I waited ‘till it was dark and left to day no more gleam;
Then took my journal of Maud’s jests and read her affable poems.

I turned around--and would disgrace my bed still;
I was plain starved but had no desire to be properly fed;
Of a dream of death I grew instantly pertinacious;
And of my future tomb I grew fonder--and yet rapidly curious.

Ah, but my sweet Maud, Maud, Maud, and Maud;
And deliriously she somehow became pregnant;
But remorse said she kept the souls of two;
And fatefully could not make them both perfect!

I indeed plain prayed for Maud’s survival;
I cared not whose sons they might be;
Ah, but the twins were still sinning babies--as I comprehended,
For they were formed not from cells of mine!

Ah, Maud, Maud, Maud,
And during those last days she was cautiously ill;
And a drive of cholera had again grown widespread;
But she was not maddened; by it she was not marred.

She was sickened by temper still;
And the prince found dead, she grew more terrifyingly ill;
She had a pure heart, so she flourished not over the beast’s death;
Nonetheless, he remained the father of yon sickly offspring.

Ah, Maud, Maud, Maud,
I was duly growing perfectly anxious;
She was to give birth--ah, to those little ignoramuses;
And within a little chord in one or days of two--she would do so.

But without a father to care for her notorious sons;
And even I was locked away, and could not do so;
I was terrified, I was horribly undignified;
To learn this stern reality we were so sullenly faced with!

Ah, not now! I could not too believe my ears!
Maud and her children were dead--they’d been stillborn;
Before they left Maud alone to receive her fate;
Her locksmith would not come; he had another due in a nameless town.

By the time he arrived my darling had gone;
Perhaps she was now shimmering in heaven;
Enchanting her children with her enormous spells;
Narrating stories no plain human could ever tell.

Even in heaven my love would perhaps be famous;
Her tenderness would make other angels jealous;
And angered by envy, they would gather and complain to God;
How an earthly soul could be more vivacious than their heavenly were.

Ah, but where is Maud, Maud, Maud;
Maud and her chain of songs that were never to be broken;
Maud and her familiarity with gardens and blue lilies;
Maud and her immaculate pets of birds that still sweetly sing.

Ah, but where is my darling, my darling, my darling;
My eternal ocean, my hustling flowerbed, my immortal;
My poem, my enchanting lyric, my wedding ring;
My novelty, my merited charm, my eternal.

And now she was longing for her grave, as I’d been told;
For I’d been told by the dimmed torches and fuss and mirthless air outside;
By the endless wandering and the prince’s wails and wordless screams.
Ah, my Maud had now migrated from her life--but attained her freedom!

And he was thus unworthy of being in her heaven;
Her heaven where there would be me, her true love;
And thus he would be glad to greet his fires of hell;
He would marry an evil angel there--and make himself again full.

But I’d be with Maud, Maud, Maud and Maud;
I’d be again with my gem, indefatigable little darling;
Whose voice was unsure, whose poems were never known;
But ‘twas enough that they’d been known to me, her secret--ye’ dearest lover.

So took I, that spinning penchant and a circle of strings;
The edges I matched to the chains on my ceilings.
I braced myself for my very own fiery death;
But again, I’d be with Maud and death would no more, aye, be sad.

Thus the above poem was done by my spirit;
But with the same token and awe of genuineness and wit;
I feel tired--I shall close my eyes, and thus enjoy my heaven now;
For my wife and starlings are all waiting for me to-morrow.

It is now nighttime in heaven;
And there is indeed, no place on earth lovelier;
I gaze into my wife with a loving madness;
Her cheeks sweeter still, than any proudest swiftness.

I shall take my vow of marriage tomorrow;
My proud wife sitting in yon angelic chair by my side.
I shall cradle, then, those white little nuptial fairies;
They are Maud’s children’s, but lithe and gracious and bow to me in chaste mercies.

Ah, Maud, Maud, Maud, she is but all mine now;
I am still surprised now, as sitting by this heaven riverside.
One even grander than the one I’d had beside the lake;
Which I often farmed when I had needs to bake.

Ah, Maud, Maud, Maud, she is a ghost but as ever lively;
We are both dead but she boldly remaineth lovely;
I know she is worthier than serene jewels or mundane affairs;
And still she is worthier all the same, than any other terrific palace--or heir.

Ah, Maud, Maud, Maud, and this war is but all over now;
Thus let us dream dead of the exciting tomorrow.
We shall see life and our children grow;
We shall witness delight--and miracles none ever knows.

Love’s game
   vivid romance
   lover’s
   slow dance
Amusing billet-doux*

Amusing game
   playful kisses
   missing
   the Mrs.
Love’s billet-doux

Amusing game
   lips meet
   it is
   almost sweet
Love’s billet-doux

Love’s game
   sneaky meeting
   just a
   moment fleeting
Amusing billet-doux

World According to Cosmos Updates March 3, 2019

Note: I am taking a two week trip to Vietnam and will update my blog when I return with my reflections on my trip, updated publications etc.

Cosmic Dreams and Nightmares

I don't dream dreams.  I dream movies complete with action, music, food, smells everything.  In this one I had a vision of  a possible future. it was so vivid, almost as if I were watching the hearing take place.

Three stories

Dream Girl (true story)
General Zod (flash fiction
Sam Adams Vs. the Social Cleansing Board
Six Poems
Morphing Images from Hellish Nightmare
Endless Movie
Worlds within Worlds Lost in Hell
Rafting to Hell
Satanic Torture
Micro Stories

Don’t Go Jogging in the Middle of the Night
Don’t touch this button!
Don’t open the door
Don’t go to the theater tonight stay home with me
Don’t go to Dallas I have a bad feeling about the trip


Dream Girl
Cheating Death 100 Times
Guardian Angel
Medical Mystery
SLA Hit List

Dream Girl – A true Story – reprinted from Dreams and the Unexplainable
You know you’re in love when you can’t fall asleep because reality is finally better than your dreams.

Author Unknown

The dreams started when I was a senior at Berkeley High School in 1974. About a month before I graduated, I fell asleep in a physics class after lunch and had the first dream:

A beautiful Asian woman was standing next to me, talking in a strange language. She was stunning—the most beautiful girl I had ever seen. She was in her early twenties, with long black hair, and piercing black eyes. She had the look of royalty. She looked at me and then disappeared, beamed out of my dream like in Star Trek. I fell out of my chair screaming, “Who are you?” She did not answer.

About a month went by, and then I started having the dream repeatedly. Always the same pattern.

Early morning, she would stand next to me talking. I would ask who she was, and she would disappear. She was the most beautiful, alluring woman I had ever seen.

I was struck speechless every time I had the dream.

I had the dream every month during the eight years during which I went to college and served in the Peace Corps. In fact, when I joined the Peace Corps, I had to decide whether to go Korea or Thailand. The night before I had to submit my decision, I had the dream again and it made me sure that she was in Korea waiting for me.

After the Peace Corps, I still hadn’t met my dream woman. I got a job working for the U.S. Army as an instructor and stayed in Korea. I kept having the dream, until I had the very last one:
She was standing next to me, speaking to me in Korean, but I finally understood her. She said, “Don’t worry, we will be together soon.”

Why was that the last time I had the dream? Because the very next night, the girl in my dream got off the bus in front of me. She went on to the base with an acquaintance of mine, a fellow teacher, and they went to see a movie. I saw her and found the courage to speak with her.

We exchanged phone numbers and agreed to meet that weekend.

The next night, she was waiting for me as I entered the Army base to teach a class. She told me she was a college senior and she had something to tell me. I signed her on to the base and left her at the library to study while I taught, and then we went out for coffee after class. She told me she was madly in love with me, and that I was the man for her. I told her not to worry as I felt the same.

That weekend, we met Saturday and Sunday and hung out all day. On Sunday night, I proposed to her. It was only three days after we had met, but for me it felt like we had met eight years ago. I had been waiting all my life for her to walk out of my dreams and into my life, and here she was.

Her mother did not want her to marry a foreigner. One day, about a month after we met, she invited me to meet her parents. I brought a bottle of Jack Daniels for her father and drank the entire bottle with him. He approved of me, but her mother still had reservations. After a Buddhist priest told her my future wife and I were a perfect astrological combination, she agreed, and we planned our wedding.

The wedding was a media sensation in South Korea. My wife explained it to me years later. At the time, I was overwhelmed just by the fact that we were getting married and I didn’t fully understand how unusual this was. My wife was of the old royal clan, distant relatives to the former kings of Korea. In the clan’s history, only two people had ever married foreigners: my wife, and Rhee Syngman, who was the first President of South Korea. My father, who was a former Undersecretary of Labor, came out for the wedding, which fueled even more media interest. Our marriage defied the stereotypical Korean-foreign marriage where the women married some hapless GI just to escape poverty and immigrate to the U.S. We were the first foreign/Korean couple to get married at a Korean Army base. Over 1,000 people came to the wedding, and my father was interviewed on the morning news programs.

This all happened thirty-seven years ago, (45 years since the first dream) and I am still married to the girl in my dreams. Now in my dreams she watches over me when we are apart.
 
General Zod Conquers the World
SETI and the search for extraterrestrial life goes on overdrive when scientists report what appears to be radio and television broadcasts from a planet eight light years from earth, the same planet as the Vulcans came from in the Star Trek universe.  The programs show a world where dinosaur-like creatures are running the world and there appears to be a civil war.  Over the next six months, the world is transfixed watching the alien broadcasts which are translated in English via a supercomputer program.  In the broadcast, a nuclear war has occurred. The surviving party regains absolute control and announces the formation of the Galactic Empire.  General Zod is the First Emperor.  They have discovered Earth as well. The aliens launch a crash project to develop interstellar travel so they can come to earth and conquer the earth.

The revelations that there is an external threat to the planet causes the United Nations to get together with the help of the United States and Russia another space powers, they put together Space defense International organization and also invigorates efforts to make the UN a real Planetary government including finally conquering climate change.

But it was too late. General Zod’s son arrives to take over the earth. He makes a broadcast saying that they were liberating Earth in the name of the Galactic Empire and that resistance would be futile.

They land at the White House and when President Trump comes out to greet them,

General Zod cuts off his head, and then cuts off the heads of all the staffers as they come out White House. After an hour of unimaginable horrors, including mass rapes, blowing up the Pentagon and the CIA,  General Zod announces that he had taken over the world.

Life will continue as before as long as people behave and follow the rules they would be fine Resistance to the new empire will be met with instant death.  Life in the Empire is not a democracy. They would not tolerate Freedom of speech, and Freedom of Press, and Freedom of Assembly And the freedom to oppose the State. The state is everything.  As long as humans remember that they would be just fine. They took over the United States because it was the biggest country in the world. And that his forces will take over the rest of the world but in the next couple weeks. If people on earth accept the new order, their safety would be guaranteed. Companies would be taken over by Galactic Empire companies, and everybody would have to learn Galactic standard. Within one year older languages will be banned.
 
Sam Adams Vs. the Social Cleansing Board

the summons
Sam Adams was worried. He could not sleep. He got up at 4 am and wrote in his journal and tried to cope with the dread that was overwhelming him. He had received the summons yesterday that he was to report to the social cleansing board for a review on whether he would allow to continue to be on the automatic permit list or would be referred for final status determination. Sam was a retired Federal worker trying to live on dwindling savings.

Sam had Alzheimer’s and was rapidly depleting his life’s savings. Two years before he had been released from prison, one of millions of ex political prisoners. His crime? Authoring anti-government poems just before the beginning of the Christian States of America, right after the second civil war. Unfortunately for him and his millions of ex-prisoners, his side lost the war. He wanted to flee to the United Provinces and settle down in California but lacked money to move. And getting a job at his age, with Alzheimer’s and his political rating was proving difficult at best.

All of which added up to a 90 percent probability his last days were approaching.

Under the new rules imposed by the Christian republican party in the newly established Christian states, all citizens over the age of 18 were on the permitted list if they met all of the following criteria. He tried to think why he was being referred to the board. Perhaps it was because of the recent crackdown on social deviancy. Millions of homosexuals, transgenered people, atheists, drug users, alcoholics, and non-religious people had been rounded up and eliminated according to the rumors. Perhaps someone had fingered him as a possible deviant. He fit the stereotype, no children, known drug user, known alcohol user, suspect politically, atheist and now Alzheimer’s patient. And he was not racially pure having some black blood, some Asian blood and some Jewish blood. And he had married across the racial divide which was now illegal.

The story was that if you flipped and named names you would sometimes be spared for now, and if your info was correct, you could be rewarded. Of course, those whom you flipped were not too fortunate. That was probably the story or someone could have heard that he was an ex political prisoner, or simply that he had Alzheimer’s’.

He had no children. And he was a secret atheist and had been involved with the dissent movement and had spent five years as a political prisoner at the start of the Christian Revolution. He was determined to make a stand and denounce the whole rotten system before the board although that would probably seal his fate.

As an Alzheimer’s patient he could no longer work. His wife had died the year before while he was in prison after she had been deported to her native Korea. She left him some assets but he had little idea how to manage his finances and he was behind in his rent and had received an eviction notice which had probably triggered the visit by the social cleansing staff who recommend a final status determination. But it was just as likely he was on the list because someone flipped on him.

He also did not make it last time when they came for him at midnight. Always at midnight the story goes.

The soldiers came took him away from his wife and locked him up for two years. They deported his wife whom he heard had died shortly afterwards. He spend two years at hard labor in the dessert near Las Vegas and was released into Las Vegas.

Las Vegas was a different town now that the casinos had left town. All that was left were back office operations, and underground ***** and *** operations and underground casinos. It was a hot bed of political dissent and there was an underground railroad to California, which was not part of the Christian states. Sam had been preparing to leave which was a crime and perhaps that is why he was on the list.

The hearing would be at 10 am. He was meeting his lawyer at the hearing board but his lawyer was not too optimistic.
the Permit Criteria
The basic criteria for being on the permit list were:

For Males

Age 18 to age 70
White race
Married to a white woman with children
Must be either working, in school full time, serving in military duty, or working in prison if convicted of a crime.

Homelessness was not allowed. If unemployed and or homeless, would be referred to social cleansing department unless one had a relative who was willing to take care of your needs.

Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Females

Same basic rules applied but if one were married, and had children one would be on the permitted list, if children are older, if spouse’s income is sufficient one would be on the list.
If single or divorced, and homeless one would also be subject to social cleansing unless one’s relatives would willing to sponsor you. Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Aged People

Additional requirements for the age you were expected to take care of your basic needs through employment and savings and the help of relatives. If you were evicted for non-payment of rent, or judged to not have sufficient assets left to sustain your basic needs including medical care, you would be referred for final status determination.

For all people additional requirements applied.

****** deviancy, drug use, alcohol use, gambling, *** outside of marriage, homosexuality would result in immediate referral to the social cleansing board as all were banned conduct that could result in final termination.   Being a member of a prohibited religious class could also be grounds for referral as would a pattern of not attending Christian services. Finally, if one had been arrested for political crimes one would be marked forever.
<h2>Sam's Rating</h2>
One had a government social rating. Sam knew that his rating was a D meaning that the government would be watching him all the time, and it would be difficult to get a job. Only the A’s and B’s were guaranteed to be on the permit list.

To be a A you had be to a true believer, had to be white, had to attend church on a regular basis, and had to be employed naturally.

To be a B same thing but you could be a B if you were a minority, or had engaged in alcohol or drug use under the old rules.

C meant that there was something wrong with your background, you were an atheist, you were a minority etc.

D mean that you were a serious threat to the regime.

E meant that you would be terminated.

F met you were terminated as it met Failure to survive, and family members of F were also labeled F as they were usually terminated at the same time.

Being associated with banned political movements, including reading banned materials could also lead one to being referred to the social cleansing board as all were grounds for either termination or criminal prosecution if under the age of 70.

The board has three choices - granted temporary status extension, referral for termination, or referral to criminal prosecution.

The termination would be carried out quickly. There would be an optional funeral at your Church, then the execution through the method of your choice - firing squad, beheading, electric chair, or gas. The default was gas where you were put in a room with up to ten other people and put to sleep.

Afterwards your body would be cremated in an electricity generating plant with the ashes turned into fertilizer products. There were no burials allowed unless one was rich enough and connected enough to request a burial exception. Most people did not qualify.
the Hearing
The hearing started. The presiding Judge, Judge Miller was a stern face white man in his 70’s and a true believer. He was sent to Las Vegas to clean it up as Las Vegas was the wild west, a hot bed of dissent, illegal drug use, illegal prostitution and illegal casinos. It was also near several political prisons so many ex cons lived there.

The Judge was the chairman of the Nevada state committee that did not exist and was a senior official in the Federal committee that did not exist that brought together government, business and church leaders to coordinate government policies and that secretly ran the Christian States of America.

Probably a score of A thought Sam.

The judge announced that he had reviewed Sam’s file and was shocked that Sam had escaped final termination. He said that the previous board had erred in simply sending him to prison. He should have been eradicated as a social evil, as a cancer that needs to be removed from the pure body politics. Sam and his ilk sickened him. Sam was a free thinker, an atheist, a mix race mongrel, married to a non-white and was therefore guilty of crimes against the white race which was a crime. The Judge was determined to see justice done.

He asked Sam a series of questions. Sam’s answers sealed his fate.

Sam, what is your occupation?

None for now.

You realize that under the law you must be working, in service, in school or in prison?

I can’t find a job due to my age, my Alzheimer’s; and my political record.

That’s irrelevant. You are just a lousy atheist *******. You deserve no sympathy. And have none from me.

Are you white?

No, I am mixed race, part native, part Asian, part black.

I see you were married to a non-white and had no children. Good for you we would not want to see more mongrel children. Such children should be eliminated at birth in my opinion and will be starting next month when we begin enforcing the racial purity laws.

What was your crime? Let’s see reading prohibited writings, keeping a journal, publishing an anti-government blog, authoring anti-government poems and stories. You served two years at hard labor?

Yes

Do you still write?

Yes, everyday but I no longer publish on line.

Good. No one would want to read that trash anyway.

Do you go to church?

No

Do you believe in God?

No, I do not believe in an imaginary man in the sky.

One more anti-religious statement from you will result in an immediate ruling of termination.

Do you drink?

If I can find it yes

Do you gamble

Yes, when I can

Do you support the Christian Republican Party and the Christian States of America?

No, I do not.

Okay, I have enough for a ruling. Sam Adams, you are hereby sentence to termination. Tomorrow morning at 7 am you will be turned into electricity and fertilizer. Take him away.

Next please.

At midnight there was a knock at the door. A black man appeared and said he was a friend and he was being smuggled to California. Sam rejoiced and went with his new friend and reached SF in the morning, escaping death for the 23rd time in his life.

the End

Poetic Nightmares

Morphing Images from a Hellish Nightmare
Note: From a real nightmare End Note

I am in a room
Drinking at a party
And smoking ****

Watching people all around me

Change into hideous creatures
Monsters from the deepest depths of hell

Everyone in the room
Has been transformed except me

The Chief of them all
Wears a Trumpian mask

Complete with orange hair

Half human half pig

His deputy
Wears the face of Putin
But his body
Half human, half horse: if

The other creatures wear masks
Many of them wear
Green Pepe the alt-right
Symbolic frog masks

And have T-shirts
Bearing alt right slogans
And **** symbols

And as they prance about
They chant alt. Right slogans
And neo-**** chants

Jews will not Replace us

And the rest of these creatures
Are hideous ugly beasts
With only a vestige of humanity left

And these monsters are engaged
In all sorts of foul evil deeds
****** violence death

All around
And non-stop
violent drug-fueled ******

As these creatures
Half human half monsters
Half male, half female creatures

Snort coke, *******, speed
Smoke **** and drink ***** shots
Scotch, bourbon and beer

The Trumpian Pig leads the charge
Starts engaging in ****** with Putin
Who chases after people

Cutting off their heads with his sword
They turn on to their fellow creatures
****** and killing each other
and eating their fellow creatures

All night long

Then they attack me
Screaming

Jews will not replace us
And I wake up
Screaming

As the sun comes up
Just another nightmare

 
The Endless Movie

Watching the TV coverage
Of the great government shut down
Of 2018-2019

I am reminded of a movie
As I fall asleep
Listening to the TV

Blather on and on
About what it all means

Mr. Natural pops up
And screams

"It don’t mean s….

“Dude, the endless movie
Is about to begin”!

A middle-aged white man
Down on his proverbial luck
Just been fired

Replaced by a foreign worker
Or a robot

Or just fired
Because he was no longer
Deemed useful
To the masters of the universe

If he was lucky
He'd  be given a watch
And an IOU worthless pension

And the man wanders into a restaurant
Pulls out a gun

Eats his breakfast
After the official breakfast hour

Puts on a Pepe the green frog mask
Drops acid, Snorts speed
Drinks a shot of *****
And coffee smokes a joint

Snorts ******* for good measure
and smokes a cigarette

And walks outside
steals a bus at gun point
Filled with passengers

He tells them
They are hostages

And he puts on his vest
With the dead man switch
Next to the bomb

He announces
Via tweet

He is going to take the bus
To the proverbial *** of gold

Hidden deep in a cave
And when he got there

He would release the hostages
And disappear into the mine
And never be found again

And as the bus careens around the mountain
At 100 miles an hour
The dude sprouts out

Conspiracy after conspiracy theory
About Obama the Muslim communist

secret gay working with George Soros
the Jewish money people
in league with the shapeshifting lizards

and Mueller is one of them
they are all after him
because he knows the deal

And the passengers are transfixed
Half hoping, he would make it
Half hoping, he would be blown away

And as the bus careens out of control
With the wheels falling off

And the cliff looming ahead
You realize we are all doomed

 
Worlds Within Worlds Lost in Inner Space
A man woke up one day
Lost in inner space
Went so far down
The proverbial rabbit hole

That he did not know
Where he was
Nor what time it was
Nor when it was

As he stared out
At a bewildering world
A world lost in inner space
Deep down in his dreams

Filled with nightmarishly real
Monsters, demons and ghostly apparitions
He saw them and began running
Running running running

With the hell hounds behind him
Leading him to the edge
of the pits of hell itself

abandon all hope
ye who enter here
the sign read
above the entrance to the pit

and there was a devil standing there
armed with a clipboard
and a computer spreadsheet
Satan was the ultimate bureaucrat

Name barked the devil
Date of Birth ?
Date of Death?
Don’t know? That won’t do at all
Hmm

Car accident due to drunk driving
And you killed a child
Bad on you

But here in hell
The punishment fits the crime
And the devil laughed
Joined in by the hell hounds
And other nightmare creatures

A bell ran out
In the purple crystalline sky
And slowly the worlds receded
And he found himself alive

In his room
And vowed
That today
Was the day

He would quit drinking
Quit taking drugs
And quit chasing strange woman
And having wild libertine ***

He picked up the phone
It was Satan’s aid
Be careful what you vow
We are listening

If you fulfil your vows
You might find yourself
Escaping life in Hell
It is up to you to choose

And the man got dressed
Went to work
Thinking deep thoughts

And drove off a cliff
And back down the endless
Worlds within worlds
 
Satanic Torture

I find myself
In a dark room
Strapped to a bed

The light turns on
The large TV comes on

A smiling image
Of Satan fills the TV
He is dressed
In a conservative business suit

Looks like he came
Out of a corporate
board meeting

surrounded by demonic aides
who constantly shove papers
at him

He looks up from his lap top
And smiles
A deadly so insincere smile

His voice booms out

Welcome to Hell
My satanic slaves

I am Satan
Your new master

Each of you
Has been sentenced
To an eternity of torture

And the punishment
Must fit the crime

So, for you
Mr. Jake Cosmos Aller
Failed aspiring poet
And novelist

Your torture
Is to be strapped
To that bed

Unable to move
As you are filled
With the need
To **** and ****

But you cannot move
And your skin
Is crawling with bugs

And itchy
as Hell so to speak
and you are so sleepy

but you cannot sleep

the TV will play
endless repeats

Of some of the worst TV
and movie shows
ever produced

Starting with my favorite
A Series of Unfortunate Events

Featuring your favor annoying little girl
Carmetta! Singing for you forever
As you are the ultimate cake sniffer

Welcome to Hell
 

Rafting Towards Hell
I woke up
To find myself
Rafting down a river

I looked up
At the cliffs
Towering above
the roaring torrent

and see the dark demons
of my terrible nightmares
chasing the boat
firing flaming arrows

and I see werewolves
goblins, ghosts and monsters
running along the river bed
screaming obscenities

as they chase me
to my doom

and I see the waterfall ahead
and see my pending doom

as I rush over the edge
of reason



Micro Stories
53 word stories regarding unheeded warnings
Don’t Go Jogging in the Middle of the Night
It all started with a jog in the middle of the night. Despite my wife’s warning don’t go jogging in the middle of the night.  Broke me heal in a million pieces, 14 operations ensured, mutant MDR Staff almost killed me, almost lost the leg. . should have listened to her warning.

Don’t touch this button!
Don’t touch this button the former President said.  I said, what this button? And that led to the launching of nuclear weapons, going to defon three, and world war 3 with millions of people dead end of civilization moment. Should not have touched the red button.
Don’t open the door
When you find yourself running for your life chased by demons from hell and backed into a corner in a burning house filled with flames and are about to die in a million horrible ways you remembered that they warned you not to open door number three in this crazy reality TV show.
Don’t go to the theater tonight stay home with me
Mary Todd Lincoln had a vicious headache and was not in the mood to go out.  The President though ignored her wishes and told her that he had to go to the theater that night to show the world everything was okay now the war was ending.  Should have listened to her.
Don’t go to Dallas I have a bad feeling about the trip
Jackie was known for her moods and her premonitions. Something the President found both amusing an annoying. She told him that she a vision of death waiting for him in Dallas that day.  The President dismissed her foolishness as he put it and went to Dallas to meet his fate.
true love story.
In 1974 I had the first dream. While sleeping in a boring class, I saw a beautiful Asian woman standing at me speaking a foreign language. I fell out of chair yelling who are you?   I began having the same dream month after month for eight years.  One day I realized she was in Korea so I went there in the Peace Corps to meet her. In 1982 I had the last dream.  She said don’t worry we meet soon. That night she walked off a bus, out of the dream and into my life.  We’ve been married 37 years.
Cheating Death 22 Times
Also, a true story.
I have cheated death 22 times in my life.  I was born a preemie, almost died at birth, and had all the childhood illness at once.  In 1979 I came down with Typhoid  fever in Korea in the Peace Corps.  In 1991 almost got hit by a train. In 1996-1997 had 14 operations due to a mutant drug resistant staph infection, almost died several times.  In 1997 I had an acute stomach ailment that almost killed me, due to excessive antibiotic usage, if I had waited 30 minutes more would have been dead.  And had dengue in 2010.
Guardian Angel Saves My Life
Another true story
In 1990, I was teaching ESL in Korea.  My wife and I drove to the East Coast of Korea for a weekend away. She was in the US Army then.  As we drove towards Sorak mountain, I was filled with the need to get off the road right then. I had a premonition of doom, so did my wife. We got off to drive around another park returned a few minutes later and saw a 25 car pileup. We would have been dead if we had not listened to that inner voice telling us get off now.

Medical Mystery
Another true story
Back in 1996, when I was in the hospital fighting a mutant staph infection after a disastrous jogging accident that led to 14 operations, the internal medicine doctor said that there was something else going on. He finally discovered that I had a rare parasite, a tape worm of sorts that remained inert, its only becomes active if you take steroids then it blows up like a basketball killing you instantly. Six months later I had to take steroids due to frozen shoulder syndrome, and if I had not gotten rid of it, I would have died a medical mystery.

SLA Hit List
True story

Back in 1974 my father was a local politician in Berkeley, California who was on the SLA’***** list as “an enemy of the people, a fascist insect that needed to be killed”.  His crime?  As President of the community college district, he began requiring IDS for students and staff to combat campus crime at the local community colleges.  We had 24/7 police coverage for a while. One morning I saluted my father, “good morning fascist insect”.  My father, being of Germanic stock did not like the joke as jokes are alien to the German DNA.


the End

I find you so scary and amusing
I'm scared to experience you
And I find how amusing it is that people are controlled by you
I'm scared of falling for someone
Someone who's going to break my heart to pieces
I'm scared of hurting more than I already do
You're amusing
Cause I don't think you can touch me
And if you do I can escape easily
I know it's not true
That you can't touch me and I can run away from you without you catching up to me or coming back
I'm not clever nor cunning enough to do that
I never want you to touch me
That's maybe why I hate being touched and touching other people
Or feel you
But I will

You're scary and amusing
So light and heavy
And you help fix and break hearts
People who use you breaks hearts
People who are broken sometimes get fixed by you
Saved by you
I find you scary and amusing
*And for a good reason too

Drunk, we staggered home.

Aware of having been
some
other where
a while

That woman, she could answer

any question rebbi axt,
Ohhhhmyyy

she laugh and say, Dude, I got the Intent-net,
in my hand

That's more than a list of numbers, this
accounting idle words going on, on going, as fast as

lightning, at the scale, of, say

cat-ions ifiying an-ions
at random,
seen systematical, from a distance
zoom out
at the scale, of, say
Great Deep Field.

Center you, I'm no matter.

synchro
now

zoom out
Use that steam program
Universe Sandbox,
you gotta see that to imagine this, right,

and next is what you keep saying is unbelievable,
but its not.

Good things come to them
to whom
good makes more sense.

Earth from the moon POV

Confusion flux, spurtual,  caused by the solar flare of all solar flares,
one side

Whooshing the Ice left from Patton's flood
into steam, the stuff, not the app,

which swooshhhesssssssssss smack
into the freezing repurcussions
from the daark side…

The Noah event, that was bad,
This one, the last one, this just previous one,

was spiritual. Magnitudes incomparable
(save in parable and example, exemplar gratis,
says the bodiless being, with a roll of  my wrist and a bow)

At that very time on the side away from the flare,
the daark side of the planet, this one…

a Donald Patton nitrogen snow ball
that nearly breached Roche's limit,

too not nearly enough,
dis -integration
The atmosphere freezes
to the quark level, snap,

the cold
explosive
forward momentum
booms a nitrogen bubble now
minusminusminus
solid nitrogen
melting

any heat locked in flare fired steam,
what was once the water
that washed away the gods and locked their cities
of ivory under the ice

on the sunny side,
where now, then,

a solar flare like legends build empires upon
has passed, fires rage

there were survivors who lived to tell

and old stories never die. Old story tellers do,

Only miners survived, gold digger mostly,
few alchemists who knew the mystery in mercury,
Lost was all knowing but to a very few,
who truth be told had been the owner's
well kept servants, ministers of this and that
they perished with all the fires touched

we diggers, we only marvel

How bits of time, exact as ours, can be seen happening
all in bubble of Mercury. Cooked out red rock like these.

"Blood o' the gods of old, swat I'astold."

Messages from the gods, grandma, said, "Mercury calls for gold, gold listens, when fire's hottern fire can be,
unless
the breath of men blow on the coals", we all said that last part and blew out the light. G'night


but a story told a wee bit here a qubit there
here a little, there a little
line upon line,
precept upon precept,

'cept no body knows what I know about cept,

capere, a story starts, a provisioning tale. Wait.

it means grip. like a tool. rock breaks nut.

Paper covers rock, but scissors are so far in the future
that now, my time, my mind wanders after whys

this authoritative telling of the story, in it,
none know the terminal tale.

As in times past, there were survivors who lived to tell

and old stories never die. Old story tellers do,

Tho' here's a clue.
Meek's not bad,
stupid, for no reason, is.

Living long for the sake of a song heard once,
in dream luring me on, promising right now, I'll

know what it's like to see, oh

POV I made this clear some time ago,
time is less predictable than any imagined, before 2018
when, you know…

Even those tales old drunk Hesiod sold
in the Hittite tavern at Delphi,

Chronos thought wrong in those,
he ruled but for the merest gleam o'

Time, then a bubble gen erated by the thought of
opposition to transition,
nothing to something,
pushing /pushing back
stretch/snap/spark
that takes power, pulsing power, throbbing power

push/stretch
glow/snap
you know, imagine, glowing - cheat, think 2018 CG
glow/snap
Planc time,
each time the bubble pushes back
a ripple
imagine a clock, later, if you believe then, you must.

Now, see the bubble of all men have imagined,
since the time when such a bubble was only evil,
continually.

It went viral.
Noah we know for sure, almost, survived, ? Cushites kept records. In Africa.
Akkad kept record, too.
Some Hopi survived somehow and they have a tale.

They say they know the story is ten thousand years old,
I've been to a crossroads
on their journey,
stories
tell of it, still, today.

Holy means marked for good reason.
Marked with clues, not riddles, maps

Sacred means secret means hidden away for use,
not common, every day, quotidian use, right use.

Time, the opposing force, is precious to us all.
In time, we do all we can and die,

in ever, we expand, in no time at all. I imagine.

You fill it. Now, Your expandable mind's time,

time pushes from the outside,
wisdom pushes from the inside,

And so it goes, life goes on and music grows on ya,

Amusing how they do that, teeny muses dancing
shiva on the tip of my tongue,

singings songs in tongues I've never known
if they
are words on tongues
or sounds on tongues,

notes,

Baysian Binary Cross Validation
still ends with some people thinkin'
"it is finished" left them with a ton o'weight,
that's wrong, insist resistance.

Some, heavy duty, leaders of lambs, they claim
power in their mouths, spoken from fixed hearts,

but fixed upon, is truly the song,
said, words are only
little bits of whole sym ulacrum of re-ify-ing

where broken things re-pair, and life goes on…

"fixed, my heart is fixed",
no, your heart is machine of the most magnificent design, perfected,
a time at a time.
Flexing, pacing time itself, faster slower,

try some time
alone
be still, pond still

I know the story broke,
I could not hold it.

In the night, bitter cold
Frozen fragile...

There are pieces scattered every

where, everywhere
there is time, there is at least, a point

a story may stand upon and ask an angel
to dance.
Dance, give it some flare, what do we care?

Nobody's watching, but that fly.

I mean it
I'm in it
I'm initiating intrusive
I'm bruising
Amusing
You

You are
You mean
You are a dream
I mean it
I'm in it

“It really is,” I whispered, “It really is a beautiful world."


     “This really doesn’t feel safe,” Jamie said, her voice holding just a hint of fear. She was probably right. By anyone’s standards, this was straight up stupid, and here I had convinced her to come along with me.
     “Nah it’s totally fine. I wouldn’t do anything to put you in too much danger.” I said this without a hint of doubt in my voice, confident as usual. I had to keep the fearless and confident image or she might change her mind. I hoped the risk would be worth it in the end, but I couldn’t really be sure. How could I know unless I tried? If I didn’t try, I would just be left wondering how great it might have been.
     “We are really freaking high.” This time Jamie said it deadpan, more of an emotionless observation than anything else. Again, she was right. I looked down the long white ladder past her. It was probably 80 yards to the ground from where we were. Above us was another 20 yards of ladder, leading up to a narrow platform. We were climbing a water tower. The platform above us circled around the tower just below where it began to bulge outward into a spherical shape at the top. There was no safety cage around us, nothing to break our fall except for the climbing harnesses we wore. Each harness had two straps, each with a clip on the end. One clip would be snapped onto the first rung, then the next clip to the second, and so forth until we reached the top. It wasn’t fool proof but it was better than nothing.
     “But seriously my hands are getting tired. How much further is it?” Jamie was great, but complaining was one of her most annoying flaws. Most people wouldn’t have made it this far anyway. The fact that she had was just a testament to the athleticism and strength she had underneath all that complaining.
     “Close. Maybe fifty rungs. Hang on for another five minutes and we can sit down and rest.” Yet again she was right. My hands and forearms were burning like crazy. I had long ago learned that climbing with gloves on a slick painted surface was asking for trouble, so today we had no protection from the narrow rungs pressing into our skin.
     For the next fifty rungs, the only sound I could hear above my heavy breathing was the clink and snap as each clip was removed and replaced. It was surprisingly calm this evening, the sun not quite finished slipping below the horizon. It was late August, so the temperature was still somewhere in the 70s this time of day. The backpack on my back seemed to get heavier and heavier the higher we went. I could feel the straps digging into my shoulders and trying to tip me over backwards. This bag was far too big for what I was doing, but I needed some way to bring a sleeping bag and blanket up. Finally, my hand left the last rung and found the top of the steel platform. I unclipped from the last rung and snapped on to the hand rail that went around the outside edge before I reached down to take Jamie’s hand.
     “Thank you sir,” she said, “I see chivalry is not dead.” Her hand brushed a few loose strands of long blonde hair out of her face as she stood upright next to me, looking out over the edge.
     “Ok, you were right. This is worth it.” She said in a matter of fact tone. I laughed softly.
     “This isn’t actually what we came for,” I said with a grin, “We aren’t done climbing yet. I just didn’t think you would actually come if I told you how far we were going. But the view is really nice here.”
     “You can’t be serious. I didn’t see anything going up any further.” She sounded rather incredulous.
     “We have to follow this platform around to the other side. There is a set of stairs going up to the very top. At least it isn’t another ladder.” I tried to sound confident, like it had already been decided that we would go on, but I couldn’t stop a tiny bit of a pleading tone from leaking in. I knew there was a small chance that she would want to stop here, but I also knew that going just a bit further would be completely worth it. I had scoped this tower out from the ground several times, using my trusty binoculars that I bargained for at a neighbor’s yard sale. When I discovered the stairs going up past the platform, I used an online satellite map to take a peek at the very top of the tower. From what I had been able to tell, at the very top there was a completely level platform, twelve to fifteen feet in diameter, with a secure looking rail around it. Amazing what a person can find online.
     My hope was to spend the night on that platform, hence the sleeping bag and blanket in my massive backpack. Tonight was supposed to be the brightest and most active meteor shower of the year in North America and the weather had decided to be kind to us star gazers, leaving a clear and cloudless sky for the evening. It would be perfect. Perfect if Jamie would go along with it, that is.
     “You are the worst kind of person,” she said. She wasn’t facing me so I couldn’t really tell how she felt about it. Finally she turned around and rolled her eyes. “Ohhhkaaaay. Let’s go. We’ve already gone this far.” She was used to situations like this. I was the one who always wanted to push the limits, go a little further, risk just a bit more, and she was the one who always asked me to reconsider and then went along with it anyway. I always felt bad for a little while, but I got over it pretty quick. It’s not like she didn’t know me well.
     “You are the best kind of person,” I said with a wink and a grin, “But let’s rest for a bit. My arms are tired now.” We sat down and I took off my backpack, setting it on the platform beside me, digging through a side pocket. I pulled out two bottles of water and a box of Poptarts.
     “Poptart?” I offered, “Snack of champions. All the professional water tower climbers eat them I heard.”
     “How are you not fat,” she replied, taking a delicious cherry snack from the silver wrapper. It wasn’t a question really, it was more a running joke between her and I about how much I should actually weigh. She’d usually joke that one day all the junk I eat would hit me at once and I would wake up weighing 400 pounds. Even though she joked, she wasn’t beyond being bitter about my eating habits since she worked hard to keep a perfect physique.
     Next I pulled out two plain white pieces of paper and handed one to her. I began folding mine delicately into the perfect paper airplane, using the flat section of the water tower for some of the more delicate creases.
     “I don’t know why I hang out with you. You are literally so freaking weird. Like who the hell would bring paper up the side of a water tower just to make a paper airplane.” She laughed even as she criticized. I knew she didn’t really mind. She had on multiple occasions told me that my “quirkiness” as she put it definitely made me more interesting to be around. I guess I was a little odd, but I didn’t really think that was a bad thing. I did what I thought to be amusing or entertaining. It wasn’t my fault the rest of the world didn’t seem to feel quite the same way about life.
     “In fifty years don’t you want to be able to set your grandchild on your lap and tell them all about the time you tossed a paper airplane off the side of a water tower? Grandkids don’t want to hear boring stories. I would know. I was a grandkid once.” Jamie just shook her head with a grin and started folding her airplane. Mine was finished and ready to be launched into the great unknown.
     “This is Air Farce One to ground station Loser, requesting permission to take off.” I did my best Top Gun impression, trying to remember how cool Tom Cruise sounded when he said it.
     “This is ground station Awesome to Air Farce One. Ground station Loser could not be located but we can go ahead and give you permission to launch. Have a nice flight.” Jamie still had at least a little bit of a child left in her. I tossed my paper airplane over the side, watching it glide several hundred yards before landing in the low branches of a tree. Mission complete.
     “What perfect throwing form you have,” Jamie said sarcastically, "You were probably one of those nerds who just made paper airplanes in class all day as a kid." Ouch. Yea, that had been me. Jamie wound up and threw her airplane with all her strength. She had made more of a dart than a glider and it flew fast, eventually landing in a tree considerably further than mine had.
     “You win this round,” I said with mock disgust, only barely able to hide a smile, “Let’s keep going.” I removed my clips from the rail and began walking along the platform. The bulb at the top of the tower was much bigger than it looked from the ground. I could just imagine the thousands of gallons of water above and beside me.
     Eventually we reached the stairs. It was nice of the designers to have taken pity on the poor inspectors who had to climb this far up. A ladder going around the outside of the bulb would have been terrifying. The stairs curling around the side felt much more secure. Reaching the top, there was a narrow platform leading from the edge of the bulb where the stairs ended to the flat space in the center of the tower. There was only a handrail on the left side so Jamie and I were sure to snap our harnesses on. The sun had almost fully set by now, the last tendrils of light just enough to see by as we made our way to the center.
     “Okay this is cool. You know what we should have done? We totally should have brought an air mattress up here and slept or something,” Jamie thought aloud. “I’ll bet the stars look amazing from here. Oh and look you can already see the city lights over there!” I loved seeing her excited. She would take one hand and play with her hair while the other would point at things. It was kind of weird when I thought about it, how she always pointed at things when she was excited. But that was just Jamie being Jamie.
     “You read my mind.” I pulled the sleeping bag and blanket out of the backpack and laid them on the flat steel. I probably should have realized how cold that steel was going to be. Oh well.
     “We are so in sync right now,” Jamie laughed. “This is awesome. You were right.”
     “Wait so what did you think was in the bag?” I asked. She hadn’t mentioned it before and I never said anything about it.
     “Honestly I thought it was a parachute or some **** and you were going to try jumping off the edge,” she laughed, “I would have tried to stop you but I decided I really won’t feel guilty when you die doing something stupid.”
     “Brilliant!” I exclaimed, “I am so going to try that next time!” I wouldn’t really. I liked doing risky things, but I wasn’t suicidal. We spent the next few minutes getting the sleeping bag and blanket situated. I loved the fact that Jamie could be spontaneous sometimes and that she was totally okay with just camping out on top of a random water tower on a Wednesday night. How many people in the world would have been okay with that? I was lucky to have her as a friend.
     We had everything settled by the time darkness fell completely. The climbing harnesses had been stuffed into the backpack and the backpack had been strapped to the railing on the side of the platform. With the sleeping bag laid completely open, there was still at least five or six feet of open platform on all sides of us. It felt secure enough.
     “I also forgot to mention that tonight is a huge meteor shower.” Jamie and I were on our backs, looking up at the infinite blackness.
     “I love shooting stars.” She said softly. Her eyes were wide and I could see her making fake mustaches out of her hair. She had kicked off her shoes and socks and was wiggling her toes in the night air. There was only a sliver of moon, just bright enough that I could see the glow of it on her cheeks.
     “It makes me feel small,” Jamie whispered, “I feel like that should bother me, feeling small, but it doesn’t. It’s weird because it’s almost comforting to me. Here I am, this tiny speck of dust, floating around on a larger speck of dust in the middle of infinity.” She wasn’t usually one to enjoy philosophy, but on the rare occasions she spoke like that, her point of view and opinions usually inspired me. She had a beautiful mind. She just didn’t often care to open up and share it like this.
“It makes me feel like it can’t all be an accident. Some people say that we got here through a series of random and fortunate events, that there is no great plan or design. But I just don’t see how that can be. How can mere chance create something like this? Of all the possibilities, of the infinite infinite possibilities, I just can’t believe that people, that you and I or anyone else were put here by accident. I don’t think that life could be an accident.” She spoke softly the whole time. Her voice never raised or quickened. Words seemed to flow forth effortlessly, as if this all were prepared and practiced. She was able to speak without doubt or hesitation, with such certainty that even the greatest cynic might have stopped to listen.
     She continued on, weaving words as though spells, playing ideas as though harp strings. She talked about her life, telling me things she never had before, teaching me things even I didn’t know. Jamie didn’t seem to be Jamie for the next while. Instead, she seemed to have become a font of wisdom, ideas, and genius. At least, that is how I saw her. She was able to take a single idea, and examine it from all perspectives. It was as though she held it in her palm, slowly rotating it to peer closer. She made connections that I had never thought of, inspiring me to think even deeper, loving the moment. All the while she lay there, watching the stars, wiggling her toes, and making pretend mustaches out of that long blonde hair. Eventually, she turned silent.
     “But what if it is an accident?” I said. My voice was unusually soft. “What if it was all an accident? What if there is no plan, no fate, and no reason for anything? What if there is no beginning or end and we are just insignificant bits of space dust? The idea of it not being an accident just seems so conveniently comforting, almost too convenient.” Jamie was silent after I finished. My heart was beating fast and my mind was alive. I didn’t feel close to being tired.
     “So what if it is,” she said eventually, “What difference does it make? Even if it is all an accident. Even if there is no meaning to life at all, it seems like a beautiful accident to me. Here we are, you and I, able to share this with each other. That seems like a beautiful accident to me. Here is this great big world, all the adventure, all the excitement, and all the love that it is filled with. That seems like a beautiful accident to me. Here is this infinitely huge sky, filled with stars that are incomprehensibly far away. If this is all an accident, it is the most beautiful I can imagine.” She paused for a while longer. “I feel that whatever you believe, it doesn’t really matter. Perhaps you believe there is a supreme design and plan, or maybe you believe that life is an accident filled with chaos. It doesn’t matter. We all live in the same world. We all see the same beautiful sights, we are surrounded by it. It is only our perception of it that differs. I choose to believe that such an incredibly beautiful world cannot be an accident.”
     I was quiet for a long time. Jamie had, for all intents and purposes, rocked my world. Hers was a perspective I had never thought of before. I, who believed I had thought it through from every angle. I, who believed myself smarter than the world. I realized then, at that moment, laying on the top of a water tower in late August watching a meteor shower, that maybe I was not a genius. Maybe I did not have the world figured out like I had believed. Maybe, just maybe, I was just a cynic; a cynic blinded by the misfortunes I had seen and suffered; a cynic disappointed in a world that had not treated me well.
     Jamie took my hand in hers, interlocking her slender fingers within my larger ones. She turned her head to the side and looked at me, still sporting a fake mustache. The sliver of moon was reflected in her eyes just so that I could not really look into them. Her lips were curled into just the slightes

small cheap rooms where you walk
down the hall to the
bathroom can seem romantic to
a young writer.
even the rejection slips are
amusing because you are sure that
you are
one of the best.

but while sitting there
looking across the room
at the portable typer
waiting for you on the table
you are really
in a sense
insane

as you wait for
one more night to arrive to sit and
type Immortal Words--but now you
just sit and think about it
on your first afternoon in a strange city.

looking over at the door you
almost
expect a beautiful woman to walk in.

being young
helps get you through
many senseless and terrible
days.

being old
does
too.

This is a fictional account of the abuse suffered by a young boy. Any resemblance to persons either living or dead is purely coincidental.
Chapter 1

Lady Macbeth remarked “Tis the eye of childhood that fears a painted devil”. All children have their terrors. The bogeyman who lurks in dark corners patiently waiting to harm the unwary child. The ghost who haunts the attic where, even on a bright sunny day the child fears to go alone or some unspeakable terror, a horror with no name which lies just below the surface of every day life. In my case the ghoul who cast an all pervasive shadow over my childhood was Colin, a man small in stature but, to a child a monster of epic proportions.
I have, on occasions tried to comprehend why my abuser acted as he did. As a boy I had no desire to understand Colin. I hated him with an all consuming loathing. He was the devil incarnate who, if it had been in my power to do so I would have destroyed with as little compunction as a man would show when exterminating a rat. As an adult the hatred remains although now tempered with a desire to understand why Colin abused a small, defenceless child, physically and mentally over a prolonged period.
Was Colin abused by one (or both) of his parents? And, if so does this help to explain (but in no way excuse) why he took such great delight in inflicting pain on me? I met both of Colin’s parents and stayed with them on several occasions. At no time during those visits was I subjected to any kind of abuse. This does not of course prove that Colin’s mother and father where not abusers. It demonstrates that they did not abuse me, no more, no less. However, looking back at my visits to their home and, in particular the fact that neither of Colin’s parents abused me, I am inclined to believe that he was not ill treated by either of them. So what turned Colin into the monster who took delight in twisting my arm so hard behind my back that I thought it would break? The answer is, I have no idea. What turned apparently normal Germans into mass murderers in ******’s *****? The answer is the same, I don’t know. As with the concentration camp guards who committed mass ****** I can speculate that some where subjected to abuse as children and that this led to them becoming psychopathic killers. However not all of those abused in childhood go on to commit abuse, while many in the SS experienced apparently happy childhoods untroubled by abuse. Colin may have been abused by someone other than his parents but even if this is the case this does not explain or justify why he became an abuser.

Chapter 2

I was born on 7 February 1971 in the north of England. Soon after my birth it became apparent that all was not right with Donald Myers. I cried far more than any normal child ought to. In addition I banged my head against hard surfaces on a frequent basis which, obviously gave rise to concern. My mum, as any good mother would took me to the hospital only to be told that there was nothing amiss. However a mother’s instinct told her that something was terribly wrong with her son. She refused to leave the hospital and demanded a second opinion. This was provided by a Polish doctor who, having examined me diagnosed a blood clot on the brain. My distraught family was informed that I required an urgent operation and even if the blood clot was successfully removed I was likely to be severely mentaly disabled. Fortunately the blood clot was removed and I am not mentally deficient. The clot did, however leave me with very poor vision (I am registered blind and use a guide dog as a mobility aid although I possess useful vision which assists with orientation).

Chapter 3

As a young boy I spent a great deal of time with my grandfather. This was due to my sister, Janet being ill and my mum not being able to look after 2 young children simultaneously.
I have fond memories of playing in what I called “the patch”, a piece of the garden which my grandfather allowed me to do with as I chose. I recall making mud pies and coming into the house caked in mud literally from head to toe.
Being blind I relied on my grandfather to read to me. Most weekends found us in a book shop. Whenever I walk into W H Smiths the scent of books brings back happy memories of time spent with my grandfather, me sitting on his knee as he read to me.
My grandfather was a dear, kind gentle man. Had he known how Colin was abusing me he would, I am sure have gone straight to the nearest police station to report him. However he never knew and, being a small child I never confided in him.
I am amazed when I hear people ask “why didn’t so and so report the abuse?” As a small child I was terrified of Colin. Had I told anyone I was sure that he would deny everything and the abuse would intensify. I was not aware of the existence of the National Society For The Prevention Of Cruelty To Children (NSPCC) and even had I known of their existence I would, as a frightened little boy have lacked the courage to pick up the phone and call. Colin would, no doubt have accused me of lying and in the 1970’s and 1980’s children where rarely believed when making alegations of abuse.

Chapter 4

I used to dread leaving the safety of my grandfather’s home to spend time with Colin and my mother. My heart would sink when Colin or my mum came to collect me from my grandfather’s. On one occasion I deliberately dropped the car keys behind the kitchen worktop in the forlorn hope this would prevent my mum taking me to stay with her and Colin. Oh vain hope, the keys where discovered and I found myself in the lair of the abuser.
Colin took care never to abuse me in the presence of others. He was, however adept at tormenting me when my mum or other people where nearby but couldn’t see what he was doing. One incident is indelibly etched on my memory. I was sitting on the sofa, in the living room. The room opened straight out into the street and I was seated close to the front door. My mum called to me from outside asking whether I wanted to accompany her to the supermarket. I replied “yes” but before I could leave to join her Colin, who was sitting on the same sofa twisted my arm behind my back and whispered that I should tell my mum that I had changed my mind. I continued to attempt to leave but Colin increased the pressure saying that if I didn’t inform my mum that I had changed my mind he would break my arm. Naturally I called to my mum that I no longer wished to go with her and she left without me.
Being outside my mum did not see the abuse taking place a mere few feet from where she was standing.
On another occasion, while Colin and I where sitting in the living room, he forced a chipped mug into my lip which drew blood. Again my mum was present in the kitchen, which was located next to the living room but did not observe the abuse. On entering the living room and noticing the scar a few minutes later she enquired what had caused it. At this point in time I don’t recollect whether Colin put the lie into my mouth or whether I concocted the story in order to avoid further abuse. In any case I informed my mum that I had cut myself with a chipped mug, a version of events she accepted.  
At times I thought that I was going to die. No small boy likes washing but I used to dread bathing due to Colin’s own unique method of assisting me to wash. This consisted of holding my head under the water so that my nose and mouth filled and I felt as though I was going to die. I would emerge, terrified coughing and spluttering.
Colin obviously derived tremendous pleasure from half suffocating me. On numerous occasions he would place a cushion or pillow over my face and hold it there until I felt that I was about to die. Years later when I attended counselling with the mental health charity Mind, the counsellor asked me why I thought that Colin had not killed me? I replied that he probably derived more pleasure from having a living child to torment than he would have gained had he murdered me. Also, had he murdered me the prospect of detection and Colin spending a long period in prison would, I said have acted as a disincentive to  him taking my life. .  
Colin was a sadist. In adition to systematically abusing me he also abused my mum. I remember him hitting her on a regular basis and on at least one occasion pushing her down the stairs. He was (and is) a ******* of the first order.
Colin didn’t confine his cruelty to people. I recall him flinging the family cat at me. The poor animal stuck out it’s claws to gain purchase with the result that it scratched my face badly. Like all bullies Colin was, at bottom a coward. I never once saw him abuse the family dog. I am sure that this was not out of any affection for the animal, rather it stemmed from the fear that had he done so the dog would, quite naturally have bitten it’s tormentor in self defence. Oh how I wished that the dog had sunk his teeth into Colin.          

Chapter 5

We all have nightmares. As a young boy one of my recurring bad dreams concerned being chased by a hoover. To anyone unfamiliar with the abuse inflicted on me the relating of my dream will, no doubt result in mirth. However my nightmare was no laughing matter as to me the vacuum cleaner was a thing of terror. We owned an upright hoover which Colin would, periodically place on my head while the motor was running. I well recall the terror as the wheels of the machine ran across my head. Colin was nothing if not inventive as in addition to putting a working vacuum cleaner on my head he also made me hold the machine above my head. My arms would ache terribly but I dare not put the hoover down until ordered to do so by Colin. For many years following the ending of the abuse “the chasing hoover dream”, as I refered to it stubbornly refused to go away. While the nightmare no longer plagues my sleeping brain, whenever I use a vacuum cleaner the recollection of a terrified little child being tortured by a hoover comes back to me.
In another of my childhood nightmares I would enter the spare bedroom only to be grabbed by a clicking monster which wrapped it’s hands around my neck attempting to strangle me.
Colin choked me on numerous occasions. One incident remains vividly imprinted on my memory. It was evening and my mum, sister, Colin and I sat in the living room. All of the family accept for me where watching television. I was listening to a talking book about a footballer which contained many amusing stories. I laughed uproariously throughout much of the book. Later on that evening, following the departure of my mum and sister to bed Colin choked me telling me never to laugh like that again as I had “disturbed” people. As I recall Colin’s strangling of me the old terrors reassert themselves. At the time I felt that I had, perhaps done something wrong. However the logical part of my brain told me that I had done nothing whatever to justify Colin’s barbaric treatment of me. He ought to have gone to prison for that incident alone. He was (and remains) the personification of evil to me. To this day I can, on occasions feel self conscious about giving in to the natural desire to laugh at a great joke when in the company of friends. I can (and do) let myself go and laugh uproariously but Colin remains in the background, like Banquo’s ghost putting a dampener on the feast.

Chapter 6

Colin possessed considerable charm which is, perhaps how he came to entrap my mum into marrying him. I remember sitting around the dinner table with guests present and Colin holding forth on Charles Darwin amongst other topics. Although not university educated Colin was by no means unintelligent and could, if one was unfamiliar with his propensity to abuse, appear to be charm itself, a man whom it would be a pleasure to have over for dinner.      

Colin possessed the capacity to make people laugh which he used to devastating effect when making barbed comments at the expense of my mum. I hated him for his comments but laughed none the less which is proof of the idea that hostages frequently try to please their captors by forming some kind of relationship with them. I can not at this juncture in my life recall in detail how, precisely Colin undermined the confidence of my mum, I suspect that this inability on my part stems from the fact that I was, quite naturally concerned with my own suffering and the abuse perpetrated on my mum was of secondary concern. My own pain preoccupied me. I had little time for that of others.

Chapter 7

My counsellor and my dear friend, Barry have raised the issue as to whether my mum was aware of the abuse to which Colin was subjecting me. I have thought about this question long and hard and I still can not provide a categoric answer. I am sure that my mum never actually observed Colin in the act of abusing me. She was, as explained in the forgoing chapters, never in the same room when the abuse took place. The fact that her son showed a profound disinclination to be alone with Colin should though have caused alarm bells to start ringing. Colin was clever. The only time I can recollect when he caused me to bare a physical manifestation of abuse was the incident of the chipped cup related earlier. On all other occasions the marks where deep psychological wounds not visible to the casual observer.
I have tried discussing the abuse with my mum. Her reaction has osilated between stating that the abuse occurred a long time ago and that I ought to forgive and forget, to questioning whether it did, in fact take place. My gut feeling is that my mum does not doubt my veracity. The anger she manifested on discovering that I had informed my wife of the abuse perpetrated by Colin demonstrates that she does not doubt me.
Shortly prior to my wife and I separating we went to stay with my mum and sister. One morning my mum, my daughter and I went for a walk during the course of which my mum received a call from my sister. Janet said that my wife, Louise had told her that I had informed Louise of the abuse to which I had been subjected to by Colin. My mum rounded on me asking “why the hell I had told Louise about the abuse”. There ensued a blazing argument during which my mum hit me. On returning home the argument continued with Janet stating that I should talk to Colin about the situation. The fact that Janet did not defend Colin and state that he couldn’t, possibly have abused me indicates that she was, to some extent aware of the abuse.
I love my mum deeply and have no doubt that she loves me. Yet whenever we are together the elephant in the room (Colin) stands between us, seen by both but mentioned by neither. In my case I fear the eruption of a blazing argument. I have always shyed away from arguments which is, I suspect down to me having grown up in a family in which vilence and arguments where commonplace. As a small boy I developed strategies for minimising the likelyhood of being abused. My main strategy was to make myself as inconspicuous as possible. I became a master at sitting quietly, not speaking unless I was spoken to and doing everything in my power not to antagonise Colin. While I don’t fear being physically abused by my mum I shrink in terror at the prospect of a verbal tyraid eminating from her.
In my mum’s case she does, I believe feel guilty due to her not having protected her son from Colin. The fact that she refuses to discuss the abuse to which I was subjected shows her inability to acknowledge to me her own sense of culpability at her failure to prevent Colin’s behaviour. On at least one occasion my mum has told me that the abuse could not have taken place as, if it had she would have been aware of it. This is contradicted by her statement (refered to earlier) that it was a long time ago and I ought to “forgive and forget”. Both statements can not be correct and in her heart of hearts my mum knows that I am telling the truth, she lacks the courage to admit her own failings and apologise to me.      

Chapter 8

At this distance in time I can not pinpoint the precise point at which the physical abuse stopped. At some indeterminate point (I think during my early teens) I began to challenge Colin’s behaviour. I remember wishing to join a social club and Colin informing me that I could not do so. Full of fear and trepidation I said that I would join to

School was always humuorous to a degree in my opinion because of the underlying idea
that the more damaged you were, the cooler you were in the eyes of the rest of the school.
I have heard numerous conversations that began with something along the lines of, "Oh, you
think YOU got it bad, well my dad blah blah and my best friend blah blah and my life is hell."

I decided to get a little personal and share with you guys something I have never actually
told anyone in entirety yet. I am pretty sure the whole story is still only here in my brain.
I will, out of respect for these people, change their names.

It's October 31, 2012. It's about noon, and all of us sixteen to twenty-two year olds are just waking up.
Brianne woke up probably a few hours ago already to tend to her son, Aaron. He is adorable, one
and a half, blond hair, blue eyes. I have been living here for nearly two months. I am supporting her,
Aaron, and myself with food stamps. I get two hundred dollars a month to basically smoke **** and drink
on the government's budget. Trust me, I'm not proud of it either, and if I could I would pay it back.
Since Brianne is a single mother and an adopted child, she has a single-digit monthly rent (I was *******
baffled to hear this) and receives support from her foster parents. Basically, if I want to stay here forever
with absolutely no consequences save to miss out on a life of my own, I can.

Brandon is putting on clown make-up so he can troll the streets as a juggalo. I find this amusing as I always
liked to mess around with ICP fans, but he's a really cool kid so I let it go and I even help him perfect it.
I notice he has a bottle of Stolichnaya in his backpack and it's practically full. That, to me, is temptation.
I ask if he would mind me taking a few drinks here and there from the bottle and he says it's fine, so I proceed
to get a nice one p.m. buzz. It was always my favorite drunk, very light, and airy, almost like you're still asleep.
Something bogs you down, but it doesn't bother you, somehow it makes you lighter.

For the rest of the day, we hook up with a few friends, go out and trick or treat in the pouring rain, get soaked
and wait for two hours under an overpass while Brianne goes and gets her car. From there, we proceed home.

At this point, everyone is over at Breanne's and we're all making dinner and drinking beer and having a good time
(Aaron is with the grandparents tonight). I guess I started getting angry about the recent events (for about a month,
everyone in our group with the exception of Brandon have been slowly losing items...but they're obviously being stolen.
At a point, a few of us did some research and determined the only person who could possibly have stolen
a good deal of these things has to be Brandon) and I decided I was tired of sitting on the news waiting for no one to make
a move after a solid two weeks of being certain that we had our guy. So I called him out... and proceeded
to begin burning bridges slowly and very surely for the next few days. I am pretty sure a fight would have broken out
if Bri hadn't taken me into her room to relax. When I finally do, it turns out I woke up the upstairs neighbor,
her baby, and everyone in the house has left save for my friend Jeff and his girlfriend Marissa. This concludes night one.

I later learned that Brandon was not actually the person who was stealing from us (unless of course
he just happened to not get caught when we found out who had done most of it) and I feel bad for bringing the whole
thing up because I would have liked to stay in touch with him. We got along swimmingly and he actually did have
a lot of interesting things to talk about. Smart, nice, hilarious... Well, maybe he'll turn up one day.

The next morning, I woke up to find the house empty save for Jeff and Marissa in the next room, but where I am,
it simply appears empty. I don't know what happened but I intuit that I have been sleeping all night without
my girlfriend. This upsets me and I begin to weep like a confused child, which is exactly what you do when you're
helpless and too drunk in the brain to figure out how to pull yourself out of a helpless situation (trust me,
I own the handbook). Marissa walks in and begins to explain to me that I had scared her too much and she slept
on the couch and that she had left to go pick up her son. So I realize I need to calm down, but I can feel
Jeff is not happy with me in the slightest, considering he will not come and talk to me (this is extremely painful
because he is probably one of the best friends I have ever had, with a mind that vastly exceeds that of everyone
I have met save one other, and he's a different story). They leave and I decide to stay in the house all day.

This is a very bad idea. I stay home, watch re-runs of a show I have seen billions of times, and considering
that Brandon and I are no longer on good terms, like a complete *******, I drink the rest of his *****.

In walks Bri, it's around 7. She's not happy. She proceeds to tell me that the night before I asked out a friend of mine
and she said yes. And I was a bit shocked because I couldn't remember it at first. Then it all hit me.

A few days before, Aaron called me "dad." Now remember, this is not my child. I am dark, dark, dark, and she had this kid
about two years after we had any past relationship. I am extremely worried in my mind and I realize I am headed toward nothing.
That I am stagnant and can not even afford to go back to school. This scares me, so I drunkenly asked out Tanya.

Tanya...we had been friends for about five years, and I had tried to get with her so many **** times... she was like
one of those girls you see and you're instantly reminded of an anime character. Tall, thin, beautiful hips, perfect
proportions, lovely hair, eyes, voice, and a personality I can liken to a Disney princess/black metal lumberjack.
The kind of girl who has a tough exterior, but inside, she just wants someone to tell her everything is going to be ok.

After about two hours of pleading with Bri to let me stay, I finally send Tanya a message, and we hang out for the next
two days, whence I whisper in her ear that everything is going to be okay and we proceed to have quite passionate ***
for those nights, where I discovered the secret to making a woman ****** with my tongue (tip: if the underside of your
tongue isn't completely torn apart, you're doing something wrong). But alas, I could not stay.

This is the part I dreaded, because I know I have to go back to Jeff's house and ask him if I can stay there for a while.
And I got the answer I expected.

The words he used...

"I'm *******...extremely ******* at you, and disappointed." It was like a father saying it to you. And him and I
have a very interesting friendship built on such an extreme understanding that I knew exactly how badly I had been spiraling.
I began to leave and he gave me a slice of pizza, with that slight smile that told me "just go find yourself, we'll be fine."

I hobbled off into the night drunk, with one piece of pizza and all my food at Bri's, which could have lasted me another few days,
easing the transition into homeless. And it could have prevented a horrible occurance that took place the following afternoon. I
was crying, because I knew I was dying, but I didn't want to ask either of my parents for help, because this was the first time
I was out on my own and I was far too proud to give up and let the world make me its victim. So I walked...

Sixteen ******* miles...

To the next town. Took me all night because I was dodging traffic, easing into trees, avoiding on and off ramps, trying to stay
away from any police that may exist on the road. When I finally arrived in the next town (where I knew I may have one contact)
I decided to sleep until the morning came so I could have the energy to find my next venture.

It was five thirty am. I had 3 hours until sun-up, I had just walked enough to be burning, and there was plenty of whiskey in my veins.
I had left my sleeping bag with Tanya hours earlier, wishing in the park that I had not been so naiive as to think I would be allowed
back in the house. So I pulled out a pile of ***** clothes and put them over me like blankets, in some random corner of the local
park, under some bushes, hidden from cold and sight, with great hope...

Fifteen minutes pass. My eyes shoot open. I am freezing. The sweat has dried and frozen to my body. This is hell.

I grab my things and with the worst effort I can ever remember myself mustering, I drag myself to the toilet.
When I open it, the first thing I check for is cleanliness. It's spotless. I am so relieved. I sit in the corner of the room,
which my knees to my chest, head in my hands, wrapped in a leather jacket I had gotten from Jeff (ha, he really is my
guardian angel, though he would laugh to hear it).

I catch winks, occasionally looking up to check if the sun is rising. When it finally is, I get up, change my clothes (I had
ONE clean set of clothing and it had been rotting with the rest in the backpack) and immediately head to a thrift store where
a family friend is working.

On my way there, I notice in a little parking lot near the store a sight I had never actually come across but I always thought
would be the most amazing luck, and it was timed in such a spot in my life that it was the ultimate miracle...and a curse in
disguise.

In front of my eyes (this miracle appeared in my path as I was walking looking down, so it startled me) was the worst possible thing
for me: A half finished fifth of Smirnoff, and a half smoked pack of Marlboro 100 Reds. I open the pack and sure enough, the celophane
protected every cigarette inside from any water damage. I am ecstatic. This is not only amazing, but highly unlikely.

So I down the bottle in one go and take the rest of the smokes with me.

When I arrive at the thrift shop, it turns out I am there on a day when my potential savior is not working, so I get her number from the clerk
and head over to a payphone and realize... I have no money. So I decide to go on a quest for dropped pocket change.

Before I even leave the parking lot, I see a young man, no older than 23, sitting on a nice red classic-style Corvette and he's
reading William S. Burroughs. So naturally, I decide to strike up a conversation with the young man. Turns out he's the nicest guy
and his name is Jordan. So him and I got together and decided to go out for a game of disc golf (some may not know what this is;
Imagine frisbee but with a golf theme, so you need to get from a tee pad into a basket. Really fun, centering, and extremely popular
with potheads, Californians, beer-drinkers, and hippies) and before we go, he asks if I would like to snag a few beers first.

I tell him a piece of my story and he can tell I am down on my luck and broke so he decides to help me out. He buys us both some beer
and we proceed to disk.

Turns out he's an ex-****** and has been through quite a bit of hell himself, so we find that we're in a good position to help each
other make some better decisions in life. After the game, we go over to a payphone and he gives me money to call my friend.

Buzz (this the only name I am not changing because her name is ******* badass) answers the phone and unfortunately informs me that
though she would take me in any day of the year, she just moved in to a house with one older lady she takes care of, and its a single
bedroom apartment, so there is just no way it can work.

So I go back to his car and tell him the news, and he says he thinks he may be able to put me up for a few days until I can sort
everything out. We go back out to the store and grab ourselves a fifth of *****.

We end up in the park playing music, talking, performing standup for one another, and I begin to realize I am drinking too fast,
so I try to ease back a little. He was playing a version of a Radiohead song I had never heard before

"Everyone this way. Okay, get your hands against the wall. Spread your legs. Don't move."
The doors clanking, some ******* won't shut up in the next cell over.
More slamming of doors, someone rubbing my body all over trying to find my knives, no doubt.
And my AK 47 I conceal, and my ****, and my ... oh ****, I really did have **** on me.

"Move forward. Turn around. Alright, go to bed."

----------------------------------------------------------­---------------------

"Get up. Come on, slowly... There you go. There's a few more coming in so we got to get you to another cell."

Clank, clank...

"Pick a bed."

----------------------------------------------------------­---------------------

Something is wrong. This bed is not covered. There is no comfort. It's just a mat. And I have no pillow. This is not a house
of any sort, my bag isnt what I am sleeping on. Something is very wrong here.

I am in jail. Oh of course.

I know the answer before I hear it, but I ask anyway: "What are my charges, ma'am?"

"Drunk in public."

-------------------------------------------------------­------------------------

I'm about thirty miles or so North of inner Seattle. Not a bad place to be. I'm working for a Safeway. It's somewhere around
the first of June. I receive word that Bri has been on ******. And I may have left at a crucial time in her life thinking
only of myself, but I needed to go somewhere I could be productive. Yet my decision left her in a position where she turned
to hard drugs...

I can't help but feel I am to blame. I am listening to the dull, stupid words of my ex boss, Rod, who is telling me
that even though I may feel like I need to help her, there is nothing I can do for her, so I should bury myself in my work
instead. He tells me this in about six hundred different ways before I leave the room after twenty minutes. Well great.
I may have no focus here at work today, but at least I killed almost a half hour of the day just listening to someone
*******.

I am at a loss of what to do here, but I eventually get a hold of her, and after a long time not talking, we come to
somewhat of a closure, and she is beginning to sober up herself. I realize we were both in incredibly hard times, and I still
wish with all my heart there could have been some way I could have helped her raise that boy and stayed and been her
love, and at the same time, still go to college, and progress and get a good job...but I was in a small Northern California
town. There was nothing left, all the old shops were out of business. It was time for me to move on then, and we have
all seen better days for it. She looks incredible these days by the way. She lost an insane amount of weight, and I know
a lot of it had to do with the drugs, but if she truly is sober like she says she is, she'll be getting much better.

A few weeks ago 3 people I used to know and hang out with died in the span of a week. It was a terrible tragedy, and I have been
thinking back on all the names of people I used to love very, very much before they got lost in some way.

There's Lorne Holly, who killed himself after a few weeks of detoxing from crank.

Layla Harmon, who died in a car crash, blunt head trauma, with a drunk driver (I have a tattoo for this, I will never drive drunk).

Heavy Eagle, who killed himself after years of drug problems.

Chaz Lipman, who died in a car crash as well.

Ren Rain, who I am still not sure about...

And of course, Tray Beraldi, who was my closest friend's cousin... I wish I were there to mourne with him...

Last night I got a text from my best friend, who said he couldn't sleep and he barely eats anything anymore, and he feels like his throat
is going to explode, and he cant swallow and his neck is killing him constantly. He has been this way for a year, and he is talking constantly
about getting a gun and blowing his head off. And no one believes him because he constantly talks about it because he is in so much pain.
No doctor can diagnose him so far, he has no idea what's wrong with him, he's been tested all over the place, he has no hope, he's barely
cligning and he doesn't know how much longer he can hold on.

All I really want to say is

Lord? What I have done? I don't pray, I never pray, I don't even know who I would pray to. But WHAT ELSE DO I HAVE TO DO?!

I bring myself across hell and I pull myself from the worst depression I h

A cumulonimbus caused the gloom that day. It went shedding drops of rain that looked like bead of pearls glittering in the grey autumn sky, vanishing as they plunge on leafless laurel trees and solitary cypresses. He watched them dance to pitter-patter on every umbrella that opened towards the heavens, their colors of rich black calling out to such empathy. Finally, the drops kiss the graze of withered grasses and thirsty dandelions, reviving their foliage and greenness. Slowly, the rainfall collect to become one with soil and mud crawled down to the six feet depression where a coffin was laid. It was white like ivory and carved with elaborate insignias as a token of love and undying memories. Soon, it was all covered with crimson roses that carry the last parting words of the bereaved. The priest waved out his hands above with mournful eyes, lisping his beseeching of earnest favors while spades of loam filled up the burrow. He saw faces of despair around the pit, gasping for reprieve and sympathy. If only the rain could also bring back her life, he implored.

This, in his senses, was belongingness. This, in his heart, was death.

It had been two long weeks since Roxanne’s death and Vincent couldn’t get his feet back on the ground. He still couldn’t believe he had lost her and that their seemingly endless love has flown away from him for all eternity. He’d make believe that this was all just a dream and at some point of this nightmare he would finally be unchained and awakened. Days became niches of shackled memories that kept haunting his love-fletched soul and nights were nothing more than a requiem of lovelorn longings that still linger in his mind. He remembers it all, the feel of her name on his lips, the smell of her hair, and the sound of her laugh. Everything is still as fresh as the dewdrops of June and as vivid as the most cinematic imagery a mortal could immortalize. The ultimate fight of this melodramatic transition was to remain whole when all the strength Vincent has built up begins to crumble by a mere reminiscence of the tragedy that gets freeze-framed from beginning to end over and over again.

It was a rainy Friday evening on the 22nd of May and everyone’s feeling the smell of the weekend rush. Vincent was already at a friend's house party and called Roxanne that he’ll be waiting. Roxanne was driving the Lexus behind a small truck that seemed to plod toward the upcoming red light. She was a few minutes late on her way and watching these two people ahead of her jabber away in that truck was getting her out of her ecstatic  mood. The light turned green, but the truck too slowly moved forward. Roxanne became frustrated as the driver fixated to the right. He visibly gasped at what was just about to come into her view. A brand new grey-blue Chevy Silverado blazed through the opposing stop light to broadside his little truck. Roxanne tried to stop, but her car slid into the Chevy's rear side and went tossing down the highway to an explosion.

All these is what Vincent needs to drown himself to agony. It’s as if Atlas gave up the bearing of the world for him to endure. Wretched and perplexed was he, blaming the world for such a prejudiced conspiracy. How could an angel like Roxanne be bound to such an end? How could an invincible love become vulnerable on the visage of death? But then again, his heart starts to concoct a spell of phantasm, bringing back the most prized memories of him and her together, infiltrating his whole system and gaining power over the bitterness and pain. In this test of sensations, he himself wasn’t sure if this two-edged delusion is a boon or bane. But one thing was becoming clear to him-he cannot be like this for the rest of his life. If this nightmare must be proven real, he must find a way out. Whatever may lie ahead, he must keep going, recreate his own world and be able to break free from the fetters of this mishap that surely promises him nothing but living scars, frustrations and sorrow.

Two years have passed and the town of New Hope has undergone a lot of changes. New coffee shops and cafes run down a block away from the University premise as well as convenient stores and parlors. New establishments stood welcoming and billboards mushroomed the skyway. The streets are crowded with more and more busy people, indicative of a metropolitan evolution of lifestyle. Summer has ended and without a trace, the arid autumn and the frigid winter fluttered to oblivion.

The same is true for New Hope University which, in its current enrollment period, has its student population increased by two thousand. The institute’s remarkable performance rating in board examinations and national competitions attracted other towns to invest their education to the latter. It was nearly the start of class and everyone is busy catching up the enrollment pace. But not Vincent, who, in the first day of inception has already completed the enrollment process. He was ecstatic, more of curious how his life as a senior student could turn into this academic year. He met faces of different kinds-some familiar and some entirely strangers. Those he doesn’t recognize would just pause and pay a smile while others he knew jsut pass by and make him feel invisible. On a ledge in front of his course department’s office he sat. He in himself was New Hope town in human transfiguration- braver, brighter and better. He looked from afar, with eyes playing on the nimble of heads and shoulders of people passing through the corridor. He drenched himself to an illusion of how each head turns toward him with a infectious smile, that once in a while, happiness is sought even in the gallows of solitude. Solitude-it wasn’t a strange name to him anymore. It never was. He was entangled with it on that day the sickles of death took his love away. Somehow, through the passage of time, the wound that was scourged deep in his heart has mended and the thought of being alone became amusing that he has managed to laugh about it over the seasons. He is more human now, away from the devious portal of his mundane imagining.

The daydream was shattered when out of the blue a silhouette of a familiar figure took the stage. She was elegantly tall, with hair of pure ebony lolling on her shoulders. Each step enraptures, and each gentle sway of a hand is a compelling rhythm. She draws closer to where he was and he's left slack jawed. She entered the office and he was back to his senses. Maybe not. What he beheld was something farfetched, something that he cannot comprehend. Vincent saw it all coming back to him. A remnant of his long buried love has come to life. It was Roxanne and it is more certain than breathing. He couldn’t explain what he felt. It was a maelstrom of joy and surprise, of hope and fear. It was the face he yearned to see, so long that the yearning turned to hate and despair. But now that it came to pass, his humanity fell apart. Although he is a mere victim of his own circumstances, the serendipity took a shot straight to his heart and there is nothing he could do about it.

Perhaps there is, and he is now pretty preoccupied. He wanted to know her. He must unknot this puzzle that has challenged his whole conviction. He must find every answer and throw all of its questions behind. Whatever there is that the road has in store for him is not essential anymore. He couldn’t care less to fathom this enigma and once more, find something worth living. But now that he is hanging in midair, he planned to fall back. He jumped out of the ledge and headed out the campus, afraid that she might be at sight and all the strength in him shall subside. He was up all night, thinking of how he could get a chance to meet and talk to her. He had thoughts of crafting schemes, devising methods and inventing tricks.

And nothing of it worked.

The first day of class commenced. New Hope University is buzzing with ecstatic students. Vincent giggled with utmost excitement, carelessly bumping shoulders and brushing elbows with other students in the corridors.  He molested his tattered COR and skimmed for his first class. It is in room 101 scheduled 9:00. He reviewed through the digital clock and he hurried as it ticked to 8:58. Luckily, he is safe from prime tardiness, though he seemed to be the last comer. He seated at the back, knowing that after thirty minutes, he’d helplessly succumb to napping since it is his favorite subject-English 8, Technical Writing.

And so she happened.

It was her, Roxanne’s doppelganger who broke the charts. She was 15 minutes late and unforgivably beautiful with her sequined tee and skinny jeans. She realized what she has gotten into and apologized with the kindest gesture. The professor gave her a hand and led her to the seat beside Vincent. She felt awkward. He was worse. They both sat like lifeless puppets with the puppeteer gone until she broke the silence.

“I’m Katherine,” she muttered. “Katherine Evans, glad to be your block mate”. She took it off with a smile that sent Vincent to hyperventilation. He couldn’t shake her hands. They’re already shaking with butterflies. The poor guy mounted his strength. He could not afford to lose the chance. “Vincent, Vincent Smith”. That was all and a nod. It was rare for Vincent to survive the thirty-minute nap attack but he did this time, although the victory seemed unnoticed. They enjoyed the remaining hour sharing thoughts and ideas with Vincent succeeding in all his attempts to stint his best jokes. He has come to know who she is at the basics-a transferee from Dakota University, a cheerleader and an adventurist. He also looks forward to know more about her in the days to come- hoping that she likes cheese, watching live wrestling fights and attending Sunday mass.

Perhaps she doesn't.

Two weeks was enough a time for the two of them to get closer to each other. They were both open to let the affinity they share to grow and blossom. It was very apparent that the two knew where their relationship is going and they both seemed ready for it.

Months have passed and the two were no more than couples. But Vincent was too overwhelmed of what he had let enter his life. Katherine is no Roxanne. She doesn’t like cheese, wrestling or Sunday masses. She was more self-driven, conceited and unwelcoming. Sooner he realized that he isn’t in love with Katherine, nor will he ever be. He just created his Utopia by painting Roxanne’s memories on Katherine’s facade. He believed to have loved again and he believed in vain.

It was a candlelight dinner at Katherine's and it was all set. She suggested it herself. She would always do this, steering their affair on a one man tag and turning the tides whichever she likes it to be. She seemed obsessed about Vincent, about their friendship, about their bond. This was her biggest mistake: to let Vincent get drowned in her self-consumed devotion.

Vincent is on his way. To break her heart.

When he came, Katherine pranced in glee. She presented the menu. And the drinks too. She was on the midst of telling Vincent her summer getaway plans when he told her to stop and listen. He undid it to her gently by taking all the blames, that it was his butter fingered actions which led them both bruised and bleeding. It was a self-defeating battle preordained by the gods. A tear fell down from Katherine’s eyes, and she didn’t want to show him more. She fled her way out the dining room with a tormented soul, like Aphrodite torn by Adonis, and hurried to her room with the banging of the door. Vincent was left with only the deafening silence, keeping his severed heart together.

As he sat out there slowly losing substance, he began to notice a set of picture frames that showed two happy faces, one of them Vincent was able to recognize in just a matter of seconds. But what puzzled him most is the picture's relevance to Katherine. He thought of a reason to make his way out the riddle. He looked closer to the girl beside Roxanne and found a spot of mole that was identical to Katherine's.

Vincent stumbled to a discovery he wished he had never known.

On the night Roxanne met death, she was not alone. She was with company. The girl that happened to live is Vicky Duran, Roxanne’s best friend. She was secretly in love with Vincent. And she was prepared to change her entire life for a streak of a chance that she’ll have what she was living for.

And she almost succeeded.

Vincent, still staggered on how things turned out insane, went to Roxanne’s grave. He shattered from an implosion of mixed emotions and he cried out like a child who lost his treasured toy. He curled on the ground with so much pain and bearing contained inside him. He called out Roxanne’s name with pure longing, bringing back his old self and his memories of that grey autumn, of that unwanted Friday that took her life away.

Footsteps cracked from the ground and Vincent ceased his outburst of melancholy.

“Let me end your misery,” a trembling voice came from behind him. It was Vicky, whose face is neither Roxanne’s nor Katherine’s. It was a face of a hopeless woman, wretched and determined for something. She was wearing rugged clothes and she held a gun on her hand. To Vicky, living is no different from death. She has now understood why the very person she loves has turned away from her when she gave all that she never was. But the realization priced too much of her reality that she cannot anymore take back. She decided to **** him and then take her own life.

She pointed the gun towards Vincent. He jumped at her to take the gun away. They grappled on the ground, the weapon still on Vicky’s hands. Vincent managed to overpower her but she kicked him, tumbling back to the gravestone. A shot was heard from afar with a man’s cry.

It rained that day. Brown withered leaves of tall laurels hovered with the wind while branches of solitary Cypresses dance to every whirl. The breeze whispered to the clouds of grey, a mark of autumn’s return. Vincent crawled to Roxanne's grave. It was a weeping of a true love that echoed away. Raindrops keep descending from the heavens, washing away the blood that kept flowing to the ground of mud.  Perhaps, on the last moments of his life he found happiness, even from a love that was never his to keep.

 

- by Larry Potter

The overripe mango that sits promptly on my desk stares at me through its one eye, indignantly asking to be eaten – before it goes bad.
I consider, strongly, the mango’s proposition.
Contemplating the level of hunger, or desire I have for this demanding piece of fruit.
It may be that the latte I just finished burnt off any remaining taste buds I have, or it may be that I find
something amusing about holding a mango hostage of its pride – but I just can’t eat it.
A once firm, confident specimen edging ever closer to becoming a wrinkly, seeping, sack of rotten juice.
Knowingly, I chain it to its fate by refusing to slice the skin back and swallow its sweetness.
It demands to be mutilated rather than aged.
As I sit here writing of my hostage, it continues to stare through its eye – spiting me.
Cursing me with future putrid fruit, with worms in my apples, and with brown bananas.
Oh, how I hate brown bananas.
This mango has learnt well in the time it’s spent in my room, it knows my weaknesses.
I always knew that fruit had character, but this mango – I tell you, it’s something else.

sample precursor: there are three binding directions of a chemical group (e.g. CH3) to the benzene ring - the ortho-, the meta- and the para-... but i'll ask a different question: what is copernican north what is copernican east a copernican west or a copernican west without a "flat-earth" / how else to read / navigate a 2D map going from point (a) via vector (c) to point (b) along the short-cut of the hypotenuse - which, isn't a short-cut, but the logical conclusion of walking neither the middle path nor the right path, but the logical path? we're no astronauts... we didn't see the proof... we can only entertain the "idea" of a 3D object we live on, but we're still strapped to a "flat earth" in order to navigate... endless stories of how GPS tech. fooled people off the edge of a cliff... "flat earth" is no reverse psychology ploy... i'm no ******* astronaut... i never stood left right or center on the moon to have the foggiest sense of admiration for that awe-balancing moment that leaves so many deluded in it being otherwise: first come first served, last come: what's there's to serve that last man if not merely the drudge-report of a commute? besides... trans- and cis-, why are people borrowing from chemistry and attaching gender to what is exlusive to chemical compounds? look at them... pop chemistry... cis-trans isomerism... fine, let these people have that... my new n.e.w.s. (north, east, west, south): orthography, something clearly missing in the anglophone world (no diacritical markers, i and j do not count)... ergo? orthography = east... paranormal = west... since the west is obsessed with either aliens or hush-hush military projects... now... both north and south are meta- coordinates... on the basis, on the basis of what? two words really work well to establish a foundation: from ars poetica? metaphor (borrowed from a change of mind - meta- and -phren - mind, a change of mind, all mental illnesses are changes of the mind, alternatives to alleviate the stranglehold of the commune of the greater picture known as society)... but... there's also metaphysics... which is in the interest of philosophy... how else not to explain the obvious, how else to treat both the reader / audience as the well informed genius(es) but mistreat them as would be grander genius(es) if the socratic endeavour of "pretense ignorance" was not to be established? it's a hard juggle... east is already well established in orthography, west in paranomal... literally: metaphor - a change of mind, literally metaphysics - a change of groundwork physicality of things... a rock remains a rock in either "heaven" or in "hell"... metaphysically there seems to be a direct translation... this is why i'm terrible at crosswords, this whole puzzle structure of either working from a direct definition to the word itself, some random geographical posists, some historical posits, some outdated out-of-vogue words related to specified period idiosyncracy, a tinge of the therausus... my current crossword is an interchange: meta-phor, meta-physics, meta-phot, meta-physics and on and on it goes: even with the isolated prefix of meta-, if i return to the words: as they are... would: denoting a change of thinking (state of mind) or... denoting a change of physics, i'm met with metaphysics, i.e.: a branch of philosophy that deals with the first principles... sounds like a priori physics, yet all i can fathom if i wrestle this word to its casual use: isn't it a posteriori physics?! the what comes after physics? i should think that most people understand metaphysics on an a posteriori basis rather than an a priori basis... hence the question: what happens when we die? last time i checked: death happens last... birth happens first... any question-worthiness (according to heidegger) should begin at: the beginning rather than begin at the end, in the same way that all questions should be sought in a medium of predating the dates of events, rather than with a spirit of hindsight, hindsight belongs to the "what if" of history in that dynamism of expressed time... on the canvas of an infinitely expanding space: we seem to be riddled by a very cul de sac concept / expression of time: our quill - given that ****** didn't learn from napoleon when it came to russia... perhaps finding out what copernicus found out: "we" figured: get me off this ******* celestial carousel where i can't even feel the dizzy immediate of a ferris wheel! again: i'm terrible at crosswords, sudoku? no problem... but words: if not gushing out of me, waiting like a lizard predator for a linear narrative spew? count me out... i don't play with words, i use words... i'm a wordsmith, hence the ethnic origin denote: słowianin: slav - i don't know where these west-saxon punks derived their etymology from: słowo = word... *****-liquor juice teens thought it was: oh fo' sho' smart... still: metaphor, metaphysics... metaphor... metaphysics... disgruntled with the immediate compound readied for pop use... meta-physics... the vector is the prefix... why do philosophers push metaphysics so much, but in turn rely on the crutch of metaphor? to change their mind, if metaphysics is an abstract theory with no basis in reality, then the schizoid / metaphorical mind is an abstract in an abstracted theory of the mind - which has "no" knowledge of reality, or rather: "reality" excludes such a mind from ever absorbing an expression in it... a schizophrenic can't explain the reality of a person who can solve crossword puzzles... just as someone who solves crossword puzzles with a fear of alzheimer's: who treats the fatty tissue that's the brain as a muscle... given that the cells of alzheimer's disease are killer proteins... proteins as the antithesis of white blood-cells that feed of fat tissue... after all: what else could the brain be if not fat and water? slow burner... first the sugars, then the more complex carbohydrates, then the fat: last? the proteins... the process of starvation... you want up? you want down? again: metaphysics / metaphor... ta meta ta phusika... the things after the physics... so what's with the inverted: prior things? hence people associated a life after death... hence how philosophers have to escape into the poetic realm to quickly change their minds on the definition... a change of mind is much easier than a change of what physicality entails... most spew metaphors but keep on course... after all: given the genesis of the metaphor, a metaphor is just a tool, a humble stop-off pause... born from humble poetics: it's only a literary tool, it's not some grand pillar of morality associated metaphysics, which nonetheless dictates: first principles come last and last principles come first... here's my crossword puzzle: metaphor, metaphysics, meta-alpha, meta-beta, metaphor and the meta-alpha, metaphysics and the meta-beta... etc. etc., i will not solve this crossword puzzle, even though it doesn't look like a crossword puzzle... it's a narrative crossword puzzle, i'm just looking for the sort of fixed point people associate with prime words: red, left, blue, right, up, fox, dog... words of readied vocabulary, readied vocabulary dissociated from puzzled vocabulary... i want to established a fixed permanence of the dissociated close proximity grounded in the meta- prefix of the words meta-phor and, meta-physics... i'm starting to find this impossible, given how the words have dissociated themselves from the grounding in the meta- prefix... phor alias phren (mind) and the whole gush of isolated metaphysics of beginnings: meta a priori vs. meta a posteriori - and of course: meta a- apriori... hell if i can't solve crossword puzzles: since i already have a crossword puzzle in my head... what am i to do? try writing pop?! a dog does what his master orders, a jester tells a joke his king would find amusing... i'll just treat this enclave of an audience as a bunch of people subscribed to ulterior forms of voyeurism (dissociated from pain / pleasure gratification, esp. that of a ****** nature).

.you know like in latin you had the interchangeable tongue twisters æ and œ? well... english resurrected one more... au... oh stralia... auntie; ******* hell i've been speaking this since aged ate and i still can't get my tongue into that phonetic plughole... or what's that onomatopoeia for: it really hurts? awe... nah... aw... aw... well no cute kitten about to say aww.

well it began with the usual... i wish i didn’t...
sitting in the autumnal garden
drinking coffee and eating a nicotine croissant,
watching the fog recede into nothing
while the earth showed its naked cleavage
after what seems like centuries of arcane dryness
befitting a story of an egyptian idol...
then the panic set in...
what to cook?! what to cook?!
my mother is away visiting her parents in poland,
who celebrate the feast of all saints with the usual
tackle formidable in poland:
forget the paris fashion week, forget the london fashion week...
forget the next gucci advert...
all the action happens in poland’s annual all saints’ fashion week...
through the cemetery (ahem) cat walks
(more like death on rollerblades donning a tutu
and looking fatter than size 0 models)...
because that’s when the fur coats are worn,
the make-up is heavier and everyone comes
to discuss the materialistic jealousy of a small town...
it is a small town after all...
death knocks with all the nine cat’s lives just to prove
the point...
anyway, so i’m the head chef, and in panic
i search for a recipe... i’ve only got pork on the ready
in the recognisable frozen state...
but i also have shrimps... tiger prawns...
so i look through the usual suspects... thai green curry...
ah ****! no coconut milk!
what’s it going to be? prawn korma curry
(better mild than hot i say, with all this maple syrup
and honey colours about... talk about decay),
active ingredients? chilli powder (1/2 tsp), cinnamon
(1/2 tsp), turmeric (1/2 tsp) and ground almonds (2 tbsp),
there ready... looking suntanned my gorgeous twirls of seabed manure...
enough to spare my father making himself sandwiches (i always
disguised my “dyslexia” by associations... sandy witches...
the t broke the barriers and the floods entered)...
with toasted nannies / au pairs... relatives of some sort...
then onto writing my father’s invoices:
project plaistow hospital and some housing development near
the city airport... beckton we call it... backwards and forwards
stink crowned with drinkers regurgitating on the pave...
now that is a *******... recycling centre or horse manure?
then to tesco... for the nightcap...
oddly enough tesco has become a friend of mine once more,
i divorced the turkish shop, they added 10 pence to the polish beers,
now i’m on the sedative medication of this bottle bavaria beer
and whiskey... 1 quid for the former... 10 quid for the latter -
i’ve sold my soul! never mind...
then to the beacon that’s home... it’s night... it’s spooky...
it’s essex: that non-touristy place in england people with passports
never dare to visit, shambles.
well one thing came out true... none of the above though:
you ever consider the theory of the aeroplane syndrome in writers?
you know, like with rock stars you get the full package,
you get the aeroplane and the retrieved delay of the engine mushroom,
but with poetry (which is competing with music,
philosophers just wait in that queue for the cheese, wink, whine and wrinkle)
you only get the sound... that delayed mushroom...
you see the poet but never hear him...
it’s a typical delusion i’d call parallel or even adjacent to narcissism,
you walk down the street and the closest you come
to someone recognising you is a stranger uttering out: ‘hey richard!’
‘name’s matt mate.’
‘oh... sorry.’
it’s this aeroplane syndrome theory... it’s perfectly acceptable...
you have the image but don’t have the delayed sound...
you have the delayed sound... but you only get a photograph...
you have the english national health service mental health unit crisis...
and then you have people shunning intellectualism
trying to cure people by burning / not reading philosophical books;
the day ends with drinking and reading
an article about keith richard’s antics in the sunday times’ supplement
and the thought: well i gave her a stabbing chance
at feminism... she thought the active ingredient in anti-contraception
pills was placebo... she phoned and gave birth to me...
i said abort... you’re no post-teen mum at university, you won’t be...
******* was great but i’m not that much of a match from a cosmopolitan magazine quiz
(as duly taken on my way from st. pestersburg to moscow to see
metallica play), plus there are no roofing jobs in scotland...
the scots have mountains already... there’s no point building
scratched sky skylines with mountain ranges nearby...
so even though i went to a catholic school...
i did my first redemptive act by reading about gnostic heretics...
and not getting confirmed being the second...
i would have not taken first communion... but playing the xylophone
at the nativity play was too much fun...
plus it is the only salvador dali bit of the story...
after that you have st. sebastian...
plus you see where this is going... the greeks translated
the tetragrammaton into the gospels
of st. matthew, luke, mark and john...
and the romans were duped into the legality of
things... first name, second name, confirmation name...
surname.

So amusing
just abusive
Words are blessings
in disguise

Pierce right
through me
Words of violence
deceitfully

Vows are choking
Only to be broken
Leaving pleasures
to blame


Just like
the viloence
the silence comes
crashing down

So amusing
Just abusive
Words are blessings
in disguise

in making Marjorie god hurried
a boy’s body on unsuspicious
legs of girl. his left hand quarried
the quartzlike face. his right slapped
the amusing big vital vicious
vegetable of her mouth.
Upon the whole he suddenly clapped
a tiny sunset of vermouth
-colour.  Hair. he put between
her lips a moist mistake, whose fragrance hurls
me into tears,as the dusty new-
ness of her obsolete gaze begins to.  lean….
a little against me, hen for two
dollars i fill her hips with boys and girls.

En l’an trentiesme do mon aage
    Que toutes mes hontes j’ay beues…


Pipit sate upright in her chair
     Some distance from where I was sitting;
Views of the Oxford Colleges
     Lay on the table, with the knitting.

Daguerreotypes and silhouettes,
     Her grandfather and great great aunts,
Supported on the mantelpiece
     An Invitation to the Dance.

     . . . . .

I shall not want Honour in Heaven
     For I shall meet Sir Philip Sidney
And have talk with Coriolanus
     And other heroes of that kidney.

I shall not want Capital in Heaven
     For I shall meet Sir Alfred Mond.
We two shall lie together, lapt
     In a five per cent. Exchequer Bond.

I shall not want Society in Heaven,
     Lucretia Borgia shall be my Bride;
Her anecdotes will be more amusing
     Than Pipit’s experience could provide.

I shall not want Pipit in Heaven:
     Madame Blavatsky will instruct me
In the Seven Sacred Trances;
     Piccarda de Donati will conduct me.

     . . . . .

But where is the penny world I bought
     To eat with Pipit behind the screen?
The red-eyed scavengers are creeping
     From Kentish Town and Golder’s Green;

Where are the eagles and the trumpets?

     Buried beneath some snow-deep Alps.
Over buttered scones and crumpets
     Weeping, weeping multitudes
Droop in a hundred A.B.C.’s

“My heart wanders the mossy mess of wet country, reliving a time when youth had charm, hand held hand, letters were written with not a classroom blot in sight, kisses were blushed.. and boys ran home to hide their eagerness.

Life was what it was, merely a game of engendered differences.”

scribbled the poet with his special pen. Leaning against an oak - as proud a tree as he was a man.

There was no need to make excuses for his silence here. Why apologise for watching space fill with swirling prisms across such a wonderfully vast panorama? So many greens in this god-forsaken county. But it was refuge for someone like him, was an escape route to whatever the future held. Anyway, where he was concerned, guilt was neither muse nor amusing, it merely lay a rough stony path ready to trip the careless walker he‘d almost become.

‘Oblivious to life in the real world’, he’d been told at least once a week for far too many years. He laughed, those words would never be uttered again.

“Shadows
of buttery budding green
dripping flavour ‘cross soil,
moaning,
muttering,
life.to.come.
fruitful.”

He shook his head, trying to be rid of thoughts, emotions: ‘I don’t want to think of her. ‘HA, too late! There and then the six o’clock in the morning drew his woman from the shadows of deception. He smiled. In his ragged mind she became .. she became a sapling formed of malleable clay. ‘I want to shape her.. a touch here and here so her ******* flourish with pleasure. Then, I‘ll stroke her right side.hip.thigh. to where the skin is both silk soft and a touch of treble plaited gossamer, that trimmed topiary of woman awaiting her future.

Who knows, in my next life perhaps I’ll be a sculptor and lay claim to the master’s crown. I’ll become lord of much and more.. why not, someone has to!’

“Memories,
hands soft as sugar spun
in quadrants arched quiescent,
harmonic pleasuring,
all.frantic.full.
ripe as berries brown
and fatal flawed.”

Man scratched the pen against vellum, then.. oh then, heard its crickling cry; remembered the rippling of her moan.. the call of his name.. the echo of his weeping into her. Then her - fingers gripping where space permitted.. palms moist and made fluorescent.. back arching.. hair flying.. falling onto each of the four crumpled pillows. Then, then.. becoming a streaming sway of tressed love battling breath. And the smell of wild garlic filled the air

never to ward off his fears, nor outsmart his demons. He was meant to be taken by the sight of a woman both too good and bad for him.

“Feeling night
a creep of nails tip touch
in devil’s bliss
where all men meet a foe,
but headlong thrills
deep.diving.hot.
as hell”

He took his pen and with a mighty shout, ****** a myriad of dark memories into his own heart - his memories, his memories - not hers. She’d laughed when he asked her to stay with him, to be his .. forever. Until that moment the pen had been softly ****** between his full lips but moved to be gentled between index finger and thumb. Her rampaging words struck home. They broke his silence, they hurt.

Whirling and swirling it over her *******, his pen became a weapon. He taunted her skin with a pen ripe with red ink, swore and wept, swore again. His hand fell screaming into her flesh, not once but a dozen frantic times. Finally her breath became a dense gushing cloud which swiftly rose so dark that, within seconds, once pure angels fell to earth looking akin to a chimney sweep’s boys - unregonisable as once human.

“Harvesting
kiss kiss full lips
gleaming at the point of red,
so sharp whilst ..
poppies parchment pollen
trembling.moisted.dark
unloved”

The body was found months later. It had laid until bronze leaves and golden were drifting upon and across what had once been a face, and now discovered by shocked, sickened walkers. When the police arrived, all they found lying near to the man was a pen and dulled pages within a leather binding.

A forensic scientist is still trying to decipher the wording on the vellum, what words he’s found to date are quite beautiful - or so he told his wife in an aside. She shrugged, he’d always been a strange man. Should have married her own kind .. too late now. Marianne looked away, unused to anything remotely like conversation from him. She smiled, turned the mirror to the wall and waited ..



© 2012 Emma Joy

Around 4 in the evening, I proceeded to Karaikkal, a Union Territory.

By the time we reached Nagapattinam, I noticed that the driver was tired and asked him to have a strong cup of tea. When he was gulping it reluctantly, I, who did not like strong tea, watched the cows walking along the narrow ways. But, the cows did not look at me. The cows I watched. The cows that did not pay any attention to me. I was a bit out of breath realizing how quickly nonexistent relationships were formed in an unknown Tamil village.  I lit up one more cigarette. I remembered the doctor in Britain, a stunning beauty, who prescribed that as soon as I found it difficult to breathe I should light up a cigarette. ****! When it is hard to breathe because of nonexistent relationships and when I light up a cigarette as an antidote to that, there appear row upon row of relationships of some sort or other.  

I began to detest bitter strong tea. I was irked by the cows that went along the narrow ways. I felt hatred towards their not so small udders. An afternoon dawned one day when I felt the same kind of vengeance towards udders. The blood stains from the udders that were slashed down emerged on my hands, legs, back and under belly.

Once again I felt revulsion for bitter strong tea. The driver sipped the hot bitter tea. I hated the moment when I asked him to have tea. I loathed the words that I used to say that. I despised even the words that I had kept in reserve to say that.

Then, I watched the people etching tattoos by the roadside. I wondered how it will be if I got a tattoo for myself.  I tried to recall how deep I was to get a tattoo done.

A person I liked.
A name I liked.
A place I liked.
A digit I liked.
A syllable I liked.
A memory I liked.

I felt a lot of aversion. Wondered if I should tattoo my mother’s name on my shoulder. I found it amusing that when I die people may identify me by my mother’s name. But, I felt sad when I thought that stranger women may plant their kisses on it. ****! I felt so sad.  I abhorred those bitter cups of tea and narrow ways. I lit up one more cigarette.  Then, I, who tattooed my mother’s name on my shoulder, started decaying on the spot.  Rotting with a terrible stench. The people, the cows and the goats that I did not mention before bolted.  Abruptly, the driver came and told me that we could move from there.  I felt so bitter towards even the bitter tea that was inside him.

Somehow, we reached Karaikkal. Yes, at 630 in the evening. Even though I had never been to Karaikkal, a Union Territory, I sat on the same chair in the same corner of the same bar. The bearer poured me the wine.

He kept pouring the wine.
He kept pouring the wine.
The wine kept emptying.
The wine kept emptying.
The wine kept unraveling.
The wine kept unraveling.

It was a Dutch woman who gathered me up and took me with her when I got totally unraveled. She was older than me. There was no power in her room. The way she washed my body in lukewarm water could have put to shame even the midwives giving a bath to babies. When I rose up sometimes and asked her name, she sealed my lips with hers. When it was repeated many times, I thought that her name must mean something like a kiss. And, she never spoke a word except with lips.

Unraveling wine, lukewarm water, the nonstop conversation by lips. Though lips got tired, I heard the murmur from my pelvis. She too must have heard that. She touched my *****. Quite a guy she exclaimed cracking a joke. Told her I salvaged it from the sea at Tanjore and it was some temple mast some sculptor abandoned. If it’s a temple mast, let the festival begin she said.

It was some festival.
Festival of festivals.
Black lacquer bangles, vermilion, ribbons
Hydrogen balloons
Spinning tops
It was some festival.
Festival of festivals.

A simile as washed out as a festival ground emptied of crowds. For the lack of a better one.  Returned from Karaikkal, a Union Territory, at some hour.  I dumped that taxi driver on the way. Not only because I was disgusted with bitter tea, but also because his name was not Thintharoo.

I can never again put up with a driver whose name is not Thintharoo.




**(trans by Ra Sh)

How many heroes have chosen this path,
Of least or no resistance?
In the face of overwhelming odds,
Or staring at cubicular, corporate submission;
Elect instead the stance
Of simply
Doing
Nothing?

Victorian ladies thought it amusing;
20th Century Centurions and Puritans condemned it.
The spoon-fed rich live it and lose nothing.
Russian aristocrats sometimes recommend it…
When spurned in love & up against it.

Oblomov, for instance, whiled his time away,
In bed, or staring out at the wood,
Writing meaningless letters and ignoring the day,
Yet it still did him some good.

Marat in his bathtub, Proust in his bed,
Still accomplished SOMETHING
Or we’d have forgotten them instead.
Is there still no virtue in doing nothing?

Against the tide of corporate work,
Aquarians rebelled with dance.
Later on, Generation X
Came to work in a greedy trance.

Peter Gibbons was hypnotized,
To escape his lifeless job,
Destroyed the office as it was downsized,
But was promoted by “the Bobs”.

Some lesson there, for those who strive,
That work alone is not enough.
Attitude is more important to our lives,
That revolt by nothingness is not that tough.

Abbie Hoffman was thrown through windows,
While preaching peace instead of wrath.
Despite nobility of cause, does humanity still go,
The inexorable way of sloth?

Sharon Talbot

She yelled out her back porch and into the alley as if one calling home the hogs. “Johnny! Johnny! You get home for supper! John—nyyy! You spend all day in that godforsaken tree that you’re gonna grow branches! Johnny, get home now!”

Up in his friend’s tree house, Johnny slammed his card down from his good hand that he was planning to win from. “****! She always does that to me”, he complained. “Just when I’m right in the middle of—“

Zack laughed. “Your ma’s voice carries down the whole neighborhood—practically to China!”

Everyone laughed. Iris’s daughter, Violet, said to her mom. “Grandma and Dad always butted heads.” She loved when her mom told stories of her childhood, especially when it was amusing.  

Iris’s good friend and neighbor, Bree, asked Iris, “I bet you never thought in a million years that she’d eventually be your mother-in-law”

“No, I sure didn’t”, Iris answered. “I am just glad that she liked me!”

Everyone laughed. Telling that small tale took her back to 1961 when her and her twin brother Isaac—known as Zack to most everyone—would hang out together with his best friend, Johnny Lindstrom. Because Iris was like one of the boys, she fit perfectly in the mix. Zach and she were fifteen and were referred to in good humor by their father as “double trouble”. It was that summer that they lost their dear dad, Ray Collier, and memories of him became as precious as gold. If it wasn’t for her brother and his friend, Iris be lost. Hanging out all day—from dawn til dusk—with Zack and Johnny was her saving grace.  Her mother was glad to have them out of her hair, not enforcing their chores very much.

“I was a tomboy to the fullest”, Iris told everyone. “I had long, beautiful blonde hair that I put back in a pony tail, and the cutest bangs, but I didn’t want to be seen as girly. I wore rolled up jeans and boat shoes with bobby socks, tied the bottom of my boyish shirt in a knot—but I guess I could still get the boys to whistle at me. I think it was my blonde hair that did it.”

“Oh, Mom”, Violet said, “You were beautiful and you know it! Such a gorgeous face!” She’d seen plenty of pictures of her mother when she was younger. Both Iris and Zack were tall and blonde. Zack’s hair could almost turn white in the summertime.

“Were beautiful?” Iris asked, giving Violet a concerned look, her hands on her hips in a playful display of alarm at her daughter’s use of the past tense. She may have been an older woman now, but she didn’t think she has aged too badly.

“Are beautiful”, Violet corrected herself. She leaned over and kissed her mom on the cheek. Iris was nearly seventy, and she aged pretty gracefully, and she was content with herself.  

They all sat in the living room sipping wine or tea and eating finger food. It was a celebration, after all—or just an excuse to get together and have a ladies night out. Not only had Iris had invited her daughter and friend, she had her sister-in-law—Zach’s wife, Franci—and her daughter-in-law, Rowan, married to her youngest son, Adam.

“Weren’t you going to marry someone else?” Bree asked Iris.

“Yes”, Iris responded. “We all wouldn’t be sitting here right now if I did. My life would have been very different.”

“A guy named Frank”, Violet stated. “I used to joke that he was almost my dad.”

Iris said to Violet, “Ha…ha. You know it took both your father and I to make you you. Everyone laughed at how cute that this mother-daughter duo talked. Iris went on, “I actually went on a couple of dates with your dad when I was seventeen. I was starting to get used skirts and dresses and went out of my way to look really nice for guys, but it was just high school stuff. After I graduated, I met a guy named Frank Hautmann, and we were engaged within several months.”

“What happened to him?” Rowan asked.

Iris sipped her tea and seemed a bit melancholy. “We did love each other, but it just didn’t work out. I know he eventually married and moved out of state. I ran into John about two or three years later, and everything just clicked. His family moved several miles away once we all graduated, so being best friends with Zack kind of faded away for him. But once I saw him again, we were really into each other. We took off in our dating as if no time ever lapsed. Soon we were married, and that was that.” There was an expression of “aww” going around the room in unison.  

Bree stood up and raised her wine glass. She announced, “Here’s to true love!” Everyone lifted their glass or cup in response.

Franci stood up next to have her own toast. She said, “Here’s to my husband and father of my three, handsome sons being declared officially cancer free, to Violet’s little bun in the oven soon to be born and also to my *****-in-law, Iris, for finally finding that pink pearl necklace that she thought was hopelessly gone forever! Cheers!”

“Cheers” everyone echoed and sipped on their wine or tea. “That’s some toast and makes this get together even more meaningful”, Iris complemented Franci.

Almost eight months pregnant, Violet restricted her drinking to tea. Her mother was so thrilled that she found out Violet was having a girl. It was equally wonderful that Iris’s beloved brother had recovered from his prostrate cancer, for throat cancer had taken their father’s life when they were young. So really finding the necklace that her mother gave her many years ago—that was misplaced while moving seven years ago—was just the icing on the cake to all the other news.    

Iris said, “My brother being in good health and my daughter having her baby girl is music to my ears. It trumps finding that necklace that I never thought I’d ever see again—even though it was the most precious gift my mother ever gave me.”  

At age thirty-five, Violet had suffered two miscarriages, so having a full-term baby in her womb was such a relief. It would be the first child to her and her husband, Paul, and the first granddaughter to her parents. Iris had three children altogether. Ray was named after her father, and then there was Adam and Violet. Only Adam and Rowan had any children—two sons, Adam Jr. and Jimmy. Ray and his wife, Lorene, lived abroad in London because of his job, and they had never wanted any children.  

“What name have you decided on?” Rowan asked Violet.

All eyes were on Violet who had quite a full belly. “Paul and I have agreed on a few names, but we still aren’t sure.” She turned to her mom and said, “Sorry, Mom, we won’t be keeping up the tradition.”

Iris was puzzled. “What tradition?” she asked.

Violet smiled. “I know it’s not really a tradition”, she admitted, “but didn’t you realize that your mother, you and I all have flower names?”

Everyone laughed at that observation. “That’s hysterical!” Bree noted. “Flower names?”

“That’s news to me” Iris said, not getting it.

“Me, too”, Franci agreed.

“Okay”, Violet explained to her mother “Grandma was Aster, you are Iris and I am Violet. Get my drift?”

The others started laughing, but Iris never even thought of this connection. She responded, “Well, my dad’s nickname out of Aster for my mom was Star.  I never thought of her name as something flowery but more heavenly…I guess. And I never thought of Iris as the flower—more like the colored part of the eye comes to mind. And Violet was my favorite name for a girl and also my favorite color—purple—but you can’t really name your daughter, Purple.”

The others laughed again. Everyone began to get more to eat, mingling by the food.  The gathering lasted for almost two hours, and eventually lost its momentum. Meanwhile, everyone took turns passing around the strand of beautiful, light pink pearls that Iris displayed so proudly in its rediscovery. It was a wedding gift from her mother in 1971, and Iris was painstakingly careful with it, swearing she’d never lose it again. She’d make sure of it. She prized it above anything else she owned, for she had no other special possession from her mother. Her sister got all of their mother’s items of jewelry, for Aster always felt it was the oldest girl’s right to it and this other sister gladly agreed.  Aster was never flashy or showy, and didn’t desire much. Her mother’s wedding ring, silver pendant necklace and an antique emerald ring from generations ago in England was all she wanted. Anything else was up for the grabbing by her two younger sisters.  

Iris learned the hard way to be mindful and not careless about her jewelry. An occasional earring would fall off and be lost, but any other woman could say the same thing. There was only one other incident that happened when she was a teenager that she never shared with anyone other than Zack. If she would confide in anyone, it would be him. Not even her husband knew, and she wasn’t going to tell anyone now. It was too embarrassing to share in the group, especially after tale of the pink pearl necklace that went missing.  

Bree told her, “Keep that in a safe or a safety deposit box—somewhere you know it won’t form legs and walk away.”

“Oh, ha, ha”, Iris remarked, flatly. “I don’t know how it ended up boxed up in the attic with my wedding dress. I sewed that dress myself, by the way. I guess too many hands were involved packing up things, and I am sure I did not put it in that box. Tore this house apart while it was stuck in the attic. Tore that apart, too.”
  
“And yet you didn’t find it until now”, Rowan stated. “It is as if it was hiding on you”.

“Well, I wasn’t even really looking for it when I found it, Iris said. “I was just trying to gather things for my garage sale, and thought of storing my old dress back in the closet. Luck was on my side. It’s odd that I didn’t find it earlier… but it sure did a good job of hiding on me.”

“Like it had a mind of its own”, Franci said, winking, “and didn’t want to be found.”

“Yeah”, Iris agreed. “It was just pure torture for me thinking I may never lay eyes on it ever again. All I had were a few pictures of me wearing it. I was convinced it was gone. ”

After a while, Iris’s friend, sister-in-law and daughter-in-law left one by one, but Violet remained with her mom.  They went in her bedroom to put the necklace back in its original case and in a dresser drawer —or at least that is what Violet had thought.

Iris placed the necklace into the case and handed it to her daughter. She told her, “I’m sure you’ll take good care of it.”

Violet’s jaw dropped as she sat on her parent’s king-sized bed. “Oh, Mom—no!” she exclaimed. “You can’t do that! You just found it, so why? Grandma gave it to you!”

Iris sat down beside her daughter. “I can give it to you, and I just did”, she insisted. “Anyway, it is a tradition to pass down jewelry from a mother to her firstborn daughter. And since you’re my only one, it goes to you. Someday, it can go to your daughter.”

Violet had tears in her eyes. She opened the box and smoothed her fingers over the pearls.
“Mom, you won’t lose it again. I am sure you won’t!”

“Because I’m giving it to you, dear. I know I can see it again so don’t look so guilty!” Violet gave her mom a huge hug, her growing belly pressing against her. The deed was done, for Violet knew that she couldn’t talk her mother out of things once her mind was set.

Iris shared with her, “You know that when I was born—Uncle Zack, too—my parents thought they were done with having children. My sister and brother were about the same level to each other as me and Zack were. It was like two, different families.”

Iris’s sister, Miriam, known to everyone as Mimi, was fifteen years older than the twins, and Ray Jr. was almost thirteen years older. Being nearly grown, Mimi and Ray were out on their own in a few years after the twins were born. Mimi married at nineteen and had three sons and two daughters, very much content in her role as a homemaker. Ray went into the army and remained a bachelor for the rest of his life.

“I never knew I was any different from Mimi or Ray until I overheard my Aunt Gerty talking to my mother”, she told Violet. “I mean I knew they were much older, but that was normal to me.”

“What did she say?” Violet had wondered.

“Well”, Iris explained, “I was going into the kitchen when I stopped to listen to something I had a feeling that I shouldn’t be hearing.”

Her mother was washing dishes, and Aunt Gerty was drying them with a towel and putting them away. Gerty said in her judgmental tone, “You’ve ended up just like Mother. You entered your forties and got stuck with more children to care for. How you got yourself in this mess…well…nothing you can do about it now. Those children are going to wear you down!”

Gerty was two years younger than Aster, and considered the family old maid, never walking down the aisle, herself.  She prided having her own freedom, unrestricted from a husband’s demands or the constant needs of crying or whiny children.

Aster replied to her sister, with defensive sternness, “Yes, I’ve made my bed and I’m lying in it! Do you have to be so high and mighty about it?”

“I couldn’t even move”, Iris told Violet. “I was frozen in my tracks. Probably was about eight or nine—no older than ten. I heard it loud and clear. For the first time in my life, I felt unwanted. It just never occurred to me before that my mother ever felt this way. Now I heard her admit to it. She didn’t say to my aunt that she was dead wrong.”

Iris’s mother came from a big family—the third of eight children and the oldest daughter—so she saw her mother having to bring up children well into her forties and older, and it wasn’t very appealing. Her mother never acted burdened by it, but Aster probably viewed her mother as stuck.

“That’s terrible. I don’t have to ask if that hurt.  I can see how hurt you are just in telling me”, Violet told her with sadness and compassion. “I don’t remember Aunt Gerty. I barely remember Grandma. She wasn’t ever mean to me, but she seemed like a very strict, no-nonsense woman.”  

“Oh, she was, Iris admitted. “I don’t even know how her and my father ever connected—complete opposites. Unless she changed from a young, happy lady to hard, bitter one. I don’t know. You would have loved your grandfather, though, Violet. He liked to crack jokes and was fun to be around. My mother was so stern that she never knew how to tell a joke or a funny story. Dutiful—that’s how I’d describe her. She was dutiful in her role—she did her job right—but I began to realize that she wasn’t affectionate. Except for your Aunt Mimi—their bond was there and wished I had it. Mimi was more ladylike and more like a mother’s shadow. Their personalities suited each other, I suppose.”  

Iris pulled out an old photo album out of a drawer. There was a black and white, head and shoulders portrait of her mother in her most typical look in Iris’s childhood. She had a short, stiff 1950s style bob of silvery gray hair and wore cat eye glasses. Not a hint of a smile was upon her lips—like she never knew how.

“Do you really think Grandma resented you and Uncle Zack?” Violet asked.

Iris responded, “Well, I’m sure my mother preferred having one child of each and didn’t wake up one day and say, ‘I’d like to have twins now’. I mean, she had a perfect set and my mom liked perfection. That’s all it was going to be—at least she thought. Nobody waits over a dozen years to have more. If my mother really resented getting pregnant again, now she had to deal with two screaming babies instead of one.  Must have come as quite a shock and she was about to turn forty.”

“It’s a shame, but woman have children past that age”, Violet pointed out.

“Sure, and some wait to start families until they have done some of the things they always wanted to do. But if I was to ask my mother if she wanted children that time in her life—which I never dared to—I think she’d have wanted to say, ‘not at all.’”

“It’s a shame”, Violet repeated. “Grandma should never have treated you two any differently.” Iris wasn’t trying to knock her mother, but Violet felt the need to be very protective for her against this grandmother that she barely remembered. Aster has been dead since Violet was six-years-old, and she had a foggy memory of her in her coffin, cold to the touch and very matriarchal in her navy blue dress.

Iris admitted, “I knew Mimi was her favorite, and I was my father’s favorite because I was the youngest girl. Zack and I we

By Arcassin Burnham





when you looked in to my eyes,

i had the strangest feeling,

flying rodents in my tummy,

retro waves came rolling in,

witches and their brooms,

soldiers at war , fighting and weaponry,

car crashes into the lake, with fire and debris,

clowns making entertainment amusing at the circus,

make you happy with one kiss unless its worth it,

stuck in a dream wave,

retro waves that came rolling in.

You’re a poisoned rose in a wedding band,
A glad eye with a stabbing hand,
A tumour ,vicious rumour surrounds you,
BP Exxon -death abounds you,
I first found you amusing and witty,
cutting remarks a stick with both ends ******-

Gutter scumbag with a glaze of charm,
Only interested in doing harm,
A sociopath with a crocodile smile,
always had the last laugh,- real fight? Run a mile,
Backstabber Judas priest,but **** was I deceived,
Each Lie you sold I truly believed.

I stood by you ,defended you til the bitter end,
Bitter irony I know,with you as a friend,
Who the **** needs enemies, its all a front,
An affront to my instincts,get out of my life you ****.

chorus

"My toxic friend this is the end get out of my life for good,
Every time you smile a child dies you’re up to no good,
Don’t call me-text me unfriend me before you end me,
You’re the epitome of the new word-Frenemy."

Now I hear you’re spreading rumours behind my back,
Bad move,wrong play better stand back,
Your malicious manouevery no longer stands,
I’m two steps ahead your end is planned.

You better watch your back,you’ve got no back up and no spine,
Juggling hedgehog maze lies through a field of land mines,
I’ve got my eye on you ex pal,don’t worry your time’s come,
we’ll see who can outrun the .45 from a gun,
That you’ve been begging for for years no tears at your end,
You’re a poxy oxymoron my toxic friend.

So come out to play my way and see who draws first,
I guarantee you a surprise not my blood burst,
Flying in the air like a hose god only knows,
You’re a fly in my eye a burr under my skin so out she goes,
The left that hits your jaw will saw your head from your neck
You talk a good fight,good night,I’ll leave ya wrecked.

chorus

"My toxic friend this is the end get out of my life for good,
Every time you smile an angel loses wings you’re no good,
Don’t call me-text me unfriend me before you end me,
You’re the epitome of the new word-Frenemy."

LOVE POEMS by Michael R. Burch

These are love poems written by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating, making out, relationships and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



I was so drunk my lips got lost requesting a kiss.—Rumi, loose translation/interpretation by Michael R. Burch



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
~~~~~~afloat~~~~~~
on her reflections...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en,
and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Who Can Understand Her?
by Michael R. Burch

Who can understand her? Can the stars,
uncertain in their radiant argosy,
who never saw such love, nor such desire,
as when she bent to tower over me,
her hair a perfumed waterfall descending,
and then her *******, and then—ah!—Ecstasy!



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



Enigma
by Michael R. Burch

for Beth

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior.

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this -our reclamation;
fallen wren,
you must strive to fly
though your heart is shaken;
weary pilgrim,
you must not give up
though your feet are aching;
lonely child,
lie here still in my arms;
you must soon be waking.

"O Terrible Angel" is the title of my second collection of love poems for my wife Beth, who is more formally known as Elizabeth Steed Harris Burch.



She Gathered Lilacs
by Michael R. Burch

for Beth

She gathered lilacs
and arrayed them in her hair;
tonight, she taught the wind to be free.

She kept her secrets
in a silver locket;
her companions were starlight and mystery.

She danced all night
to the beat of her heart;
with her tears she imbued the sea.

She hid her despair
in a crystal jar,
and never revealed it to me.

She kept her distance
as though it were armor;
gauntlet thorns guard her heart like the rose.

Love! -Awaken, awaken
to see what you've taken
is still less than the due my heart owes!



Once
by Michael R. Burch

for Beth

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame;
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant...

Once, only once, something bloomed, of a desiccate seed:
this implausible blossom her wild rains of kisses decreed.



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love's antique prayer,
I did not love her at once.

Though she would dare
pain's pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable to bear.
I did not love her at once.

And yet she would care,
and pour out her essence...
and yet -there was more!
I awoke from long darkness

and yet -she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.



Will there be Starlight
by Michael R. Burch

for Beth

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Oh, will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



Kissin' 'n' buzzin'
by Michael R. Burch

for Beth

Kissin' 'n' buzzin'
the bees rise
in a dizzy circle of two.
Oh, when I'm with you,
I feel like kissin' 'n' buzzin' too.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own -
such kisses I had never known,
nor a heartbeat in my fingertips!



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



If I Falter
by Michael R. Burch

for Beth

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
for even a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn -one moment less brightly,
one moment less true -
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget, "
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget, "
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in damp linen: "NEVER FORGET, "
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



She Spoke
by Michael R. Burch

for Beth

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.



Virginal
by Michael R. Burch

for Beth

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth! "

But she is mine;
her lips divine
and her ******* and hair
are mine alone.
Let the wildflowers moan.



the last defense of Love
by Michael R. Burch

for Beth

... if all the parables of Love
fell mute, and every sermon too,
and every hymn and votive psalm
proved insufficient to the task
of proving Love might yet be true
in such a cruel, uncaring world...
the last defense of Love, my Love,
the gods might offer, would be You.



Your Gift
by Michael R. Burch

for Beth

Counsel, console.
This is your gift.

Calm, kiss and encourage.

Tenderly lift
each world-wounded heart
from its near-fatal dart.

Mend every rift.

Bid pain, "Depart! "
Help friends' healing to start.
Keep every reason to grieve
for your own untaught heart.



Rehearsal Reversal
by Michael R. Burch

The wonder of a first kiss
is:
the next will be better,
if less memorable...

and what’s unforgettable’s
this:
that, somehow,
although you just met her,

in the exchange of eclectic eyes
love came, an electric surmise,
with the smell of cordite hair
on a warm wool sweater

more than amply bosomed.
Use
any excess static to light
the fuse.

Fumble-fingered, her bra strap’s cinch
refuses to budge an inch
in either direction.
Who’s

ever prepared to be so stymied?
Smile,
lean back, drag, “relax” awhile
from practice imperfect. I’ll

leave you two jaybirds alone.
Yes, tomorrow she’ll
answer the phone,
show up for your first real date:

late, breathless, and braless!
(WAIT —
before you celebrate:
still celibate).



Reverse Strip
by Michael R. Burch

She cupped her ******* in cotton, wire-cinched,
pulled a pale taupe sheath across red-gilded toes,
across sun-auburned thighs, to midriff, rose,
paraded nimbly to her dresser, pinched
a winsome pair of *******—white with hearts—
between thumb and forefinger, just to show
how well she knew my taste. Then, bowing low,
she stepped into them (here, the music starts,
a vampish tune), slow-wriggled them waist-high.
She used her thumbs to snap elastic to
its proper place. She chose a slip—sky blue—
then shrugged it on, and patted down each thigh.

She then sat down and smiled (there’d be no dress),
uncrossed her legs, shrugged free one talcumed breast...



Dawn Flight
by Michael R. Burch

for Martin Mc Carthy

What is it about love
that defies explanation?—

the weightlessness of being,
the long elliptic climb

into darkness
amid the world’s constant uproar,

the sea’s black waves crashing
incessantly like thunder beneath us,

the long triumphant soar
into thinning contrails of nothingness,

like meteors through ether,
seeing the earth’s dark curve

outlined,
spinning softly beneath us...

gliding, suspended at last,
over the earth pliant and motionless...

feeling, suddenly, the vast
onrush

and illumination.



Of Transience
by Michael R. Burch

How many nights her vulnerability
leaned close and softly pressed its cheek to mine,
held fast by tiny buckled straps impressed
on shoulders white as swans’ white eglantine...

And many were the marks which left their trace,
then soon were gone. The thinnest finest veil
of ashen hair revealed her *******, betrayed
all that I wanted most, but still would fail

to keep me there till morning. For her sighs,
I kissed her lips in wonder; we became
one with the distant thunder. Love is wise
when it comes in flashes, streaking moonlit rain,

but leaves no mark—as transient, as bright
as the searing imprint lightning pens at night.



*******
by Michael R. Burch

It was not for the feast of docile eyes
she shed her latex jeans, her vinyl blouse;
it was not for the catcalls that her thighs,
black-gartered, parted slightly, to arouse
limp dreams, limp organs as onlookers cheered,
revealing paunches belts could not belay.
She shunned their touch, as lepers to be feared,
swerved half-way through her dance, then waltzed away.

But something in her eyes—a mystery
as old as lust, half-veiled by raven hair—
bespoke this certain knowledge: love is free,
but *** must have its fee, transport its fare.
They pay for what they want, and in return
she teaches them what men will never learn.



At the Natchez Trace
by Michael R. Burch

for Beth

I.
Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Beside me stands a woman,
a stanza in the song
that plays so low and fluting
and bids me sing along.

Beside me stands a woman
whose eyes reveal her soul,
whose cheeks are soft as eiderdown,
whose hips and ******* are full.

Beside me stands a woman
who scarcely knows my name;
but I would have her know my heart
if only I knew where to start.

II.
Not every man is as he seems;
not all are prone to poems and dreams.
Not every man would take the time
to meter out his heart in rhyme.
But I am not as other men—
my heart is sentenced to this pen.

III.
Men speak of their "ambition"
but they only know its name . . .
I never say the word aloud,
but I have felt the Flame.

IV.
Now, standing here, I do not dare
to let her know that I might care;
I never learned the lines to use;
I never worked the wolves' bold ruse.
But if she looks my way again,
perhaps I will, if only then.

V.
How can a man have come so far
in searching after every star,
and yet today,
though years away,
look back upon the winding way,
and see himself as he was then,
a child of eight or nine or ten,
and not know more?

VI.
My life is not empty; I have my desire . . .
I write in a moment that few man can know,
when my nerves are on fire
and my heart does not tire
though it pounds at my breast—
wrenching blow after blow.

VII.
And in all I attempted, I also succeeded;
few men have more talent to do what I do.
But in one respect, I stand now defeated;
In love I could never make magic come true.

VIII.
If I had been born to be handsome and charming,
then love might have come to me easily as well.
But if had that been, then would I have written?
If not, I'd remain; **** that demon to hell!

IX.
Beside me stands a woman,
but others look her way
and in their eyes are eagerness . . .
for passion and a wild caress?
But who am I to say?

Beside me stands a woman;
she conjures up the night
and wraps itself around her
till others flit about her
like moths drawn to firelight.

X.
And I, myself, am just as they,
wondering when the light might fade,
yet knowing should it not dim soon
that I might fall and be consumed.

XI.
I write from despair
in the silence of morning
for want of a prayer
and the need of the mourning.
And loneliness grips my heart like a vise;
my anguish is harsher and colder than ice.
But poetry can bring my heart healing
and deaden the pain, or lessen the feeling.
And so I must write till at last sleep has called me
and hope at that moment my pen has not failed me.

XII.
Beside me stands a woman,
a mystery to me.
I long to hold her in my arms;
I also long to flee.

Beside me stands a woman;
how many has she known
more handsome, charming,
chic, alarming?
I hope I never know.

Beside me stands a woman;
how many has she known
who ever wrote her such a poem?
I know not even one.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



She Was Very Pretty
by Michael R. Burch

She was very pretty, in the usual way
for (perhaps) a day;
and when the boys came out to play,
she winked and smiled, then ran away
till one unexpectedly caught her.

At sixteen, she had a daughter.

She was fairly pretty another day
in her squalid house, in her pallid way,
but the skies ahead loomed drably grey,
and the moonlight gleamed jaundiced on her cheeks.

She was almost pretty perhaps two weeks.

Then she was hardly pretty; her jaw was set.
With streaks of silver scattered in jet,
her hair became a solemn iron grey.
Her daughter winked, then ran away.

She was hardly pretty another day.

Then she was scarcely pretty; her skin was marred
by liver spots; her heart was scarred;
her child was grown; her life was done;
she faded away with the setting sun.

She was scarcely pretty, and not much fun.

Then she was sparsely pretty; her hair so thin;
but a light would sometimes steal within
to remind old, stoic gentlemen
of the rules, and how girls lose to win.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



ANCIENT CHINESE EROTICA

The Song of Magpies
Lady ** (circa 300 BC)
loose translation/interpretation by Michael R. Burch

The magpies nest on the Southern hill.
You set your nets on the Northern hill.
The magpies escape, soar free.
What good are your nets?

When magpies fly free, in pairs,
why should they envy phoenixes?
Although I’m a lowly woman,
why should I envy the Duke of Sung?

A Song of White Hair
by Chuo Wen-chun (2nd century BC)
loose translation/interpretation by Michael R. Burch

My love is pure, as my hair is pure.
White, like the mountain snow.
White, like the moon among clouds.
But I lately discovered you are double-minded.
Thus, we must sever.
Today we pledged our love over a goblet of wine.
Tomorrow, I’ll walk alone
beside the dismal moat,
watching the frigid water
flow east, and west,
dismal myself in the bitter weather.
Should love bring only tears?
All I wanted was a man
with a single heart and mind,
for then we would have lived together
as our hair turned white.
Not someone who wriggled fish
with his big bamboo pole!
A loyal man
Is better than rubies.

Spring Song
by Meng Chu (3rd century AD)
loose translation/interpretation by Michael R. Burch

One sunny spring, either March or April,
when the water and grass were the same color,
I met a young man loitering in the road.
How I wish that I’d met him sooner!

Now each sunny spring, whether March or April,
when the water and grass are the same color,
I reach up to pluck flowers from the vines;
their perfume reminds me of my lover’s breath.

Four years, now five, I have awaited you,
as my vigil turned love into grief.
How I wish we could meet in that same lonely place
where I would have surrendered my body
completely to your embraces!

A Song of Hsi-Ling Lake
by Su Hsiao-hsiao (5th century AD)
loose translation/interpretation by Michael R. Burch

I ride in red carriage.
You canter by on dappled blue stallion.
Where shall we tie our hearts
into a binding love knot?
Beside Hsi-ling Lake beneath the cypress trees.

A Greeting for Lu Hung-Chien
by Li Yeh (8th century AD)
loose translation/interpretation by Michael R. Burch

The last time you left
the moon shone white over winter frosts.
Now you have returned through a dismal fog
to visit me, still lying here ill.
When I struggle to speak, the tears start.
You urge me to drink T’ao Chien’s wine
while I chant Hsieh Ling-yun’s words of welcome.
It’s good to get drunk now and then:
what else can an invalid do?

Creamy *******
by Chao Luan-Luan
loose translation/interpretation by Michael R. Burch

Scented with talcum, moist with perspiration,
like pegs of jade inlaid in a harp,
aroused by desire, yet soft as cream,
fertile amid a warm mist
after my bath, as my lover perfumes them,
cups them and plays with them,
cool as melons and purple grapes.

Life in the Palace
by Lady Hua Jui
loose translation/interpretation by Michael R. Burch

At the first of the month
money to buy flowers
for several thousand waiting women
was awarded to the palaces.
But when my name was called,
I was not there
because I was occupied
lasciviously posing
before the emperor’s bed.

The End of Spring
by Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

The wind ceases,
now nothing is left of Spring but fragrant pollen.
Although it’s late in the day,
I’ve been too exhausted to comb my hair.
The furniture remains the same
but he no longer exists

leaving me unable to move.
When I try to speak, tears choke me.
I hear that Spring is still beautiful
at Two Rivers
and I had hoped to take a boat there,
but now I’m afraid that my little boat
will never reach Two Rivers,
so laden with heavy sorrow.

Sung to the tune of “I Paint My Lips Red”
by an anonymous courtesan or Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

After swinging and kicking lasciviously,
I get off to rouge my palms.
Like dew on a delicate flower,
perspiration soaks my thin dress.
A new guest enters
and my stockings flop,
my hairpins fall out.
Pretending embarrassment, I flee,
then lean flirtatiously against the door,
******* a green plum.

Spring Night, to the tune of “Panning Gold”
by Chu Shu-Chen
loose translation/interpretation by Michael R. Burch

My jade body
remains as lovely as that long-ago evening
when, for the first time,
you turned me away from the lamplight
to unfasten the belt of my embroidered skirt.
Now our sheets and pillows have grown cold
and that evening’s incense has faded.
Beyond the shuttered courtyard
even Spring seems silent, forlorn.
Flowers wilt with the rain these long evenings.
Agony enters my dreams,
making me all the more helpless
and hopeless.

The Day Nears
by Huang O
loose translation/interpretation by Michael R. Burch

The day nears
when I will once again
share the sheets and pillows
I have stored away.
When once more I will shyly
allow you to undress me,
then gently
expose my sealed jewel.
How can I ever describe
the ten thousand beautiful,
sensual ways you always fill me?

Sung to the tune of “Soaring Clouds”
by Huang O
loose translation/interpretation by Michael R. Burch

You held my lotus blossom
between your lips
and nibbled the pistil.
One piece of magic rhinoceros horn
and we were up all night.
All night the ****’s magnificent crest
stood *****.
All night the bee fumbled
with the flower’s stamens.
O, my delicate perfumed jewel!
Only my lord may possess my
sacred lotus pond,
for only he can make my flower
blossom with fire.

Sung to the tune of “Red Embroidered Shoes”
by Huang O
loose translation/interpretation by Michael R. Burch

If you don’t know what you’re doing, why pretend?
Perhaps you can fool foolish girls,
but not Ecstasy itself!
I hoped you’d play with the lotus blossom beneath my green kimono,
like a ****** with a courtesan,
but it turns out all you can do is fumble and mumble.
You made me slick wet,
but no matter how “hard” you try,
nothing results.
So give up,
find someone else to leave
unsatisfied.

The Letter
by Shao Fei-fei (17th century AD)
loose translation/interpretation by Michael R. Burch

I trim the wick, then, weeping by lamplight,
write this letter, to be sealed, then sent ten thousand miles,
telling you how wretched I am,
and begging you to free my aching body.
Dear mother, what has become of my bride price?



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism

I didn’t sleep tonight
Well.
I did something kinda
I never remember being a typical child. I was always wary. And very aware of everything. And I can’t remember a time where my brain wasn’t bouncing around, inquisitive. No matter who you are, there are small things you do that aren’t actually unique. All humans twitch in a spot on their face when they’re disgusted. We all have a nervous tick. Etcetera. Knowing this as a child made me very self conscious. My ego would say it made me self “aware”. But I watched my movements. And paid attention to my nervous tick. Phrases I would pick up and find amusing, and why. I was so careful not to do anything that would put me in a vulnerable spot. I wanted to be perfectly unnoticeable.
And I decided tonight, I’d go through the years that were especially hard for me and addresss the trauma in a chronological order.
Some of my very first memories ever in my life were of violations. I was touched and caressed, but not by my mother. This terrible man with a bit of a belly. And I would have thought it was normal, except for the sick bottomless pit in my stomach. And my rigid muscles. And it hurt sometimes.
Then I remember being with my mother. And staying at the white house with the flower pots filled with cigarette ash instead of soil. And I kinda liked it. The flower pots I mean. But I absolutely loved being with her. So many memories with her. So many sunny memories.
But I started seeing her less and less. And it was just weird. And uncomfortable. I had somewhat numbed myself, and hence there were many years spent I’m a daze. I was dreaming. But it was a melancholy dream. And I remember the foster kids my parents fostered. And they made me do things with another family member. Multiple times. And it was just so odd to me that this would happen, I didn’t know if this was normal or not. But I thought all this time I was somehow responsible and I’m trouble. Or at least, if I discussed this with any adult, it would be entirely unorthodox. Ludacrious.
And there was so much pain.
Then I had grand mal serizures (or however you spell it idc) for around two years I think. Only about like 8? Seizures. But every time it happened I just felt my memory going away. It was the strangest sensation. I would lose an entire week here or there, and days after they happened I would be a little dysphoric. And maybe there is a god that had mercy on me, and gave me those seizures as a way to literally forget some of what I had been through. Or repress I guess.
Anyway, then I was a very charismatic, secretly introverted girl during junior high. I had my first kiss and it really ******. It was just... tense-*** lips smushing against mine. I also had my lips closed though because I didn’t know you parted them for kisses. Like I had always seen my mom and dad do a quick peck so I didn’t know what to do really. But he said I was a good kisser, but what junior high boy wouldn’t say that about any girl he kissed tbh.
And I became VERY devout in the religion I had been raised in. Full-on future missionary. I read the scriptures frontto back multiple times. Blah blah blah.
Then I met my first love, and there was an electric shock that went through my body. I was mesmerized by this feeling. I shook his hand, told him my name, and he told me his. That went on and off from 9th? Grade? until I graduated and a little after. It was a long relationship, full of a lot of different times. Good times, bad times. But mainly we were toxic to each other. We didn’t know how to love properly. He was fighter, who believed he was the king of kings. And I thought that in every single way, he was. I was truly bewitched. And he’d hold me tight, and wouldn’t let me go, even when I wanted to be let go. He collapsed at my feet and sobbed in my lap. And I did the same with him. We were so wounded, but similar. And found solace and endless banter in a moment together.
At this point my mother died. And I travelled barely out of state to attend her funeral. I saw all of my siblings. And stuff slowly started coming back to me. Weird snippets of early childhood existence. I couldn’t process it all, and so I emotionally shut down for the billionth time. But my first love was here for me.
Leaving a note on my doorstep that I remember particularly. “On sunny days, on rainy days. You are just as sweet.” With cherry blossoms.
Funny, my mother smelled like Japanese cherry blossoms.
So eventually we had raging hormones, young teens, and we started becoming intimate. But I was rigid. And in the back of my head, I knew why. I had repressed the repeated acts of abuse throughout my entire life. But I just wanted to forget about that. It didn’t make sense, I loved him, so why should I shy away from physical/****** interaction. I believed I was broken, something more was wrong with me. And one night he fingered me, I guess he had learned that from watching ****? Because I had no idea what he was doing. And it hurt because I wasn’t even wet. But I just was silent with a clenched jaw, not wanting to be a disappointment. The next thing, I lost my virginity to him. And what’s funny is the way he convinced me to is by saying, “For Science!”
I still find that amusing. I was like 17 or 18 I think and still a ******. I should have stayed one. The first time we had *** and I lost my virginity just seemed like I was sleepwalking. I was watching myself interact sexually with him, but I wasn’t present. Every single time I was sexually abused rushed back to my mind. And I felt as though somebody had cut off my limbs, severed my head, packed my whole body (piece by piece) into a business briefcase. And walked out the door with my body.
After that I kind of freaked out. Just too much going on. I couldn’t handle it. And my first love tried to **** himself in the months following. I think, after almost four years of companionship, we had *** only a handful of times, and it got easier and easier for me. But he tried to **** himself after we were “off” again. So I went right by his side, trying to piece together his life so he could be at peace. And not have the turbulent mind he had. And we were together. But then I had gotten up the courage to break it off again, and for good. We needed to move on. I knew what I was going to say to him, I knew I wanted to be close and have one last moment together. Finality. Closure.
But he said, “you kissed another guy. You cheated on me.” And in my head I was like no **** really what about the multiple girls that were your “friends” that you cheated on me with. Throughout the entire relationship? But I said yes, he kissed me. And I’m sorry. And he said, “We’re done.” And got up and walked off, leaving me on the curb in front of his house. No words can describe the torture it was to finally be done. And to have it be on his terms, with no closure. He was so cold. I hated it when he was like that. It was like looking in a mirror.
And that’s all I can talk about.
Funny timing, it’s 7:30 am. No sleep since yesterday at 8:00 am. Ramblings of a tormented soul.
But that was the thing I did tonight. Remember my earliest memories, and go through my life in chronological order. Accepting that it happened. At least to this point. I think I’ll keep going tonight, we’ll see.
But it’s wednesday, and I definitely need to shower for work.
-nobody

My unrequited golden dove,
you are a merchant banker
them bloomin' groovy bars
are sad tonight

but given the chance I wouldda gotten
cash & carried
& spent me porridge knife
loving your mince pies

had I not known
you'd treat me golden dove thus
& yes, been your trouble & strife
with all me Horse & cart.......

I know, not smart
I know, not smart


Translation:

( In English tis not a very impressive poem... it's just amusing how you can make cockney rhyming slang into a poem, so I've been experimenting.... I really want to send this to the guy I'm unrequitedly in love with actually... & leave him (hopefully)confused & in the dark as to what I wrote....mostly I just really want to call him a ' merchant banker' e.g ' ******' & get away with it!! xD ' ******' is a particularly offensive term to use when referring to a man!)

* My unrequited love
you are a ******
them ****** stars
are sad tonight

but given the chance I would have gotten
married
& spent my life
loving your eyes

had I not known
you would treat my love thus
& yes, been your wife
with all my heart

I know, not smart
I know, not smart

Honest,

that meaningless word left dangling before children,

a damoclean sword held fast in a gordian knot tied with scarlet thread,

finer than the spider's that once tied men's souls to an angry American God,

birthed in Transylvania,

over the woods, and through the dale, no lie

There is a tale of lies told in Nobel houses, never reachin' ground,

Down here, we situations manifested to, vain, again, stem the tide,

We flounder, fish out of water, why are we sent if

wait



he hears, he listens, haps he knows, and

how such as we came

to be here,

Welcome and see, dare ye ask me in? Might I ply you with lies

and you, believe 'em?

I could make a mindless robot out of your parts, but

that would take forever and

that's not how

Wisdom's child would tend to be, for first,

You must believe a lie and I, amusing as can be,

can't tell lies.

Discernment, fine points, per-spicacity per se, the only way.

Good luck (Luc, said luck in many tongues, is said Lose- as in Luc-ifer.

It means light, as in light, regular old granted light.)

Lightifier, good, take some, good light, for the travail, in the night.



You see, not so long ago, for me, five years before I'as born,

my momma moved to town.



What was that like, I axed my old uncle, while back,

movin' t'town, in 1943?

Well, he says,

We had electricity.



USA, 1943, some folks still was poor, and all the good men

was gone to war.

Cities, it was different,

if the movies got it right, Bowry Boys, n'em.



In the desert we did, okeh, in town, though,



we had electricity.



He was ten back then. He'd been huntin' rabbit's,

to buy Christmas presents from Sears and Roebucks,



since he was five.

C'mon, I say. No lie, he say,

BLM or some gover'ment

whatsajigger, was payin' 2 cents a pair fer jack rabbit ears.



'Said he bought Christmas presents for his mom and dad,

and my mom, with his first rabbit money, at five.



Shootin' with a single-shot 22, 12 cents a box,

Jack Rabbits, 2 cents a head.



Three Christmas presents, plus postage, $2.56.

Do the math, I think, and go -



Five years old, at ten, he moves to town, 1943,

we had electricity. That's all.

You find yourself so bored out of your mind,
that it becomes amusing to drive others out of theirs

Good girls will leave their heart at your doorstep
and days later, you'll have the pieces scattered around your bedroom

Your old drug of choice just doesn't seem to cut it any more,
but manipulation has never felt more addicting.

Make them say your name, make them tell you they love you
Keep that memory alive when you stop returning their calls
and when your words have cut deep enough, don't flinch when you see your mother cry for the first time
and don't think twice when you know that you're the reason why

Where did your feelings go?
You see how red your anger can be,
but do you remember what shade remorse is?
You prey on the people that love you most and run them dry
You feed off of their hope that maybe you'll change.
But you don't entertain the thought of love anymore
and you'll never see that people are not just another notch in your belt.

On the land molded by footsteps and ruled by obnoxiously bleached clowns,
Visited by swarms of neighborhood guttersnipes and the opulent from uptown.

Allured by the traditional Irish circus music and the grinding of rusted gears,
To arrive at dawn and to leave only when the night sky is tired of fireworks and flares.

Skittish and gleaming eyes would roll on the floor, struck by daze and lost in wonderment,
At the marvel of giant steel rides and god forsaken and socially foretoken genetic mutants.

The word of a woman with two faces and the boy with a tail would make any catholic priest run.
Amusing the rational ones, alongside the man with elastic skin and the girl with the forked tongue.

The opera lady with outlandish proportions and tumorous lips sings to break a piece of cheap glassware.
Little do people know,that the magician’s red gloves are actually stained with blood of rabbit that disappeared.

Their noses get caught in the medley of fragrances from the exotic perfumes shop,
Blended with the saccharine tang from the stall that sells candy floss and soda pops.

Indulging over the overly priced confectioneries at the stall of the baker with the forbidding grin.
Try it a hundred times,try it a thousand,you’ll never get the fifth one right in the game of rings.

People will come out screaming from the haunted house,only to laugh about it later,
Little do they know,that skeletons that drove them pale and white couldn't get any realer.

They’ll jostle and struggle to make their way through the crowd to various rides and attractions.
Hustling to navigate through the maze the carnival is, encountered by countless illusions.

And once your body wears out and senses give in,that’s when you've truly entered the carnival state of mind.
Your ears stinging ,nose stifled,tongue baffled, eyes exhausted,and your sense of judgment blinded.

That’s when my masked act begins,the most profitable act at the carnival,
Diving into the heart of the crowd,to draw an act of brilliance lasting an ephemeral.

Slithering across the crowd in a different disguise every hour,concealed by stealth.
Sneaking into every nook and corner and slipping my furtive hands into your pockets for a little bit of wealth.

Only to dine with the clowns and the carnival family at the haunted house at the end of the day.
**And of course, rabbits for dinner,if the baker may

☺☻☺☻

When painters who paint about painting
meet writers who write about writing,
self-conscious redundancy
bordering lunacy
ends in esthetic in-fighting.

These modernists, right about nothing
(mostly nihilists mad about something)
are so lost in the process
they vent all their excess
in metacognition: dull writing.

You poets who muse about musing –
unaware you are reader-abusing,
provide a terrific
verbose soporific,
yet not of the hearer’s own choosing…

I long for some righteous verbosity –
but I’m stifled by all the pomposity.
This dull erudition,
“sub-metacognition”,
is but an artistic atrocity.

You thinkers who think about thinking
drag my spirit far lower than sinking.
What we want is a Word
which we haven’t yet heard –
so till then I’ll just drink about drinking.

You are my muse
and that, to me  is amusing
you think you're using me
but i'm using you
to produce a substance that is a part of me
It is a substance that many men have dubbed poetry

O, the Horror! Halloween Poetry!

Halloween Poetry: Dark, Eerie, Haunting and Scary poems about Ghosts, Witches, Vampires, Werewolves, Reanimated Corpses and "Things that go Bump in the Night!"



Thin Kin
by Michael R. Burch

Skeleton!
Tell us what you lack...
the ability to love,
your flesh so slack?

Will we frighten you,
grown as pale & unsound,
when we also haunt
the unhallowed ground?



The Witch
by Michael R. Burch

her fingers draw into claws
she cackles through rotting teeth...
u ask "are there witches?"
… pshaw! …
(yet she has my belief)



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we dread the dark, but the light destroys them...
sunlight, or a stake, or a cross ― such common things.

Still, late at night, when the bat-like vampire sings,
we shrink from his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, he earnestly prays to find us...
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.



Styx
by Michael R. Burch

Black waters,
deep and dark and still...
all men have passed this way,
or will.

Charon, the ferrymen who carried the dead across the River Styx to their eternal destination, has been portrayed by artists and poets as a vampiric figure.



Revenge of the Halloween Monsters
by Michael R. Burch

The Halloween monsters, incensed,
keep howling, and may be UNFENCED!!!
They’re angry that children with treats
keep throwing their trash IN THE STREETS!!!

You can check it out on your computer:
Google says, “Please don’t be a POLLUTER!!!”
The Halloween monsters agree,
so if you’re a litterbug, FLEE!!!

Kids, if you’d like more treats this year
and don’t want to cower in FEAR,
please make all the mean monsters happy,
and they’ll hand out sweet treats like they’re sappy!

So if you eat treats on the drag
and don't want huge monsters to nag,
please put all loose trash in your BAG!!!

NOTE: If you recite the poem, get the kids to huddle up close, then yell the all-caps parts like you’re one of the unhappy monsters, and perhaps "goose" them as well. They'll get the message.



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;

if shadows fly
moon-sickled skies,
while children toss their heads

uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;

if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams

of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise

to plague nightmarish skies
one night without disguise,

while children toss about
uneasy, full of doubt,
beware the Devil's lies...

it's Halloween!



Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell

Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.



All Hallows Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term “banshee”) and, eventually, to the Druids? One might assume that with the passing of Merlyn, Morgan le Fay and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil’s
fen...

if nevermore again.



Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs ― white ― baring,

revealing her lust,
and her eyes, pale, staring...



Like Angels, Winged
by Michael R. Burch

Like angels ― winged,
shimmering, misunderstood ―
they flit beyond our understanding
being neither evil, nor good.

They are as they are...
and we are their lovers, their prey;
they seek us out when the moon is full
and dream of us by day.

Their eyes ― hypnotic, alluring ―
trap ours with their strange appeal
till like flame-drawn moths, we gather...
to see, to touch, to feel.

Held in their arms, enchanted,
we feel their lips, so old!,
till with their gorging kisses
we warm them, growing cold.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on mine like a snake’s on a bird’s ―
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and while I hear everything,
he says nothing I understand.

The moon shines ― maniacal, queer ― as he takes my hand whispering

Our time has come... And so we stroll together creaking docks
where the sea sends sickening things
scurrying under rocks and boards.

Moonlight washes his ashen face as he stares unseeing into my eyes.
He sighs, and the sound crawls slithering down my spine;
my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard, his face bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes ―
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must...



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.

Published by The HyperTexts



Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her...

How can they resist
her faint voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.



How Long the Night (anonymous Old English Lyric)
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast ―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels’ tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.



The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory up to her nostrils in the blood of her victims, with their skulls floating in the background.



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore!
shall the haunts of the sea
― the swollen tide pools
and the dark, deserted shore ―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips,
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure...
She sleeps, forevermore!

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely smothered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way...
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea...

their skeletal love ― impossibility!



Dark Gothic
by Michael R. Burch

Her fingers are filed into talons;
she smiles with carnivorous teeth...
You ask, “Are there vampires?”
― Get real! ―
(Yet she has my belief.)



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.


Athenian Epitaphs (Gravestone Inscriptions of the Ancient Greeks)

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
― Michael R. Burch, after Plato


Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
― Michael R. Burch, after Glaucus



Passerby,
tell the Spartans we lie
lifeless at Thermopylae:
dead at their word,
obedient to their command.
Have they heard?
Do they understand?
― Michael R. Burch, after Simonides



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here―among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire―
What use, O things of erstwhile loveliness?


Reclamation
by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me―progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically―her dowager figure,
and there is something about her that my words transfigure
to a consuming emptiness.

We are at peace
with each other; this is our venture―
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts
to the first note.

Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.



Deliver Us ...
by Michael R. Burch

The night is dark and scary―
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Duet
by Michael R. Burch

Oh, Wendy, by the firelight, how sad!
How worn and gray your auburn hair became!
You’re very silent, like an evening rain
that trembles on dark petals. Tears you’ve shed
for days we laughed together, glisten now;
your flesh became translucent; and your brow
knits, gathered loosely. By the well-made bed
three portraits hang with knowing eyes, beloved,
but mine is not among them. Time has proved
our hearts both strangely mortal. If I said
I loved you once, how is it that could change?
And yet I watch you fondly; love is strange . . .

Oh, Peter, by the firelight, how bright
my thought of you remains, and if I said
I loved you once, then took him to my bed,
I did it for the need of love, one night
when you were far away. My heart endured
transfigurement―in flaming ash inured
to heartbreak and the violence of sight:
I saw myself grow old and thin and frail
with thinning hair about me, like a veil . . .
And so I loved him for myself, despite
the love between us―our first startled kiss.
But then I loved him for his humanness.
And then we both grew old, and it was right . . .

Oh, Wendy, if I fly, I fly beyond
these human hearts, these cities walled and tiered
against the night, beyond this vale of tears,
for love, if it exists, dies with the years . . .

No, Peter, love is constant as the heart
that keeps till its last beat a measured pace
and sets the fixtures of its dreams in place
by beds at first well-used, at last well-made,
and counts each face a joy, each tear a grace . . .



Horror
by Michael R. Burch

What I ache to say is beyond saying―
no words for the horror
of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as a tormented wind howls through the teetering floes
and the cold freezes down to my clawed hairy toes ...

What use to me, now, if the stars appear?
As I moan
the moon finds me,
fangs goring the deer.



Strange Corps(e)
by Michael R. Burch

We are all dying, haunted by life―
dying, but the living will not let us go.
We are perishing zombies, haunted by the moonglow.

With what animation we, shuffling, return
nightly, to worry Love’s worm-eaten corpse,
till, living or dead, she is wholly ours.

We are the dying, enamored of “life”―
the palest of auras, the eeriest call.
We stagger to attention ... stumble ... fall.

We have only one thought―Love’s peculiar notion,
that our duty’s to “live,” though such “living” means
night’s horrific wild hungers, its stranger dreams.

We now “live” on the flesh of eroded dreams
and no longer recoil at the victims’ screams.



Love, ah! serene ghost
by Michael R. Burch

Love, ah! serene ghost,
haunts my retelling of her,
or stands atop despairing stairs
with such pale, severe eyes,
I become another pallid specter.

But what I feel
most profoundly is this:
the absolute lack of her kiss,
the absence of her wild,
unwarranted laughter.

So that,
like a candle deprived of oxygen,
I become mere wick and tallow again.
Here and hereafter ...
gone with her now, in the darkest of nights, the flame!

I lie, pallid vision of man―the same
wan ghost of her palpitations’ claim
on my heart
that I was before.

I love her beyond and despite even shame.



Eden
by Michael R. Burch

Then earth was heaven too, a perfect garden.
Apples burgeoned and shone―unplucked on sagging boughs.
What, then, would the children eat?
Fruit indecently sweet,
redolent as incense, with a tempting aroma ...



Outcasts
by Michael R. Burch

There was a rose, a prescient shade of crimson,
the very color of blood,
that bloomed in that garden.

The most dazzling of all the Earth’s flowers,
men have forgotten it now,
with their fanciful tales of apples and serpents.

Beasts with lips called the goreflower “Love.”

The scribes have the story all wrong: four were there,
four horrid dark creatures―chattering, bickering.
Aduhm placed one red petal in Ehve’s matted hair;

he was lost in her arms
till dawn sullen and golden
imperceptibly streaked the musk-fragrant air.

Two flared nostrils quivered, two eyes remained open.

Kahyn sought me that evening, his bloodless lips curled
in a grimacelike smile. Sunken-cheeked, he approached me
in the Caverns of Similitudes, eerie Barzakh.

“We are outcasts, my brother!, God quickly deserts us.”
As though his anguish conceived in insight’s first blush
might not pale next to mine in Sheol’s gray realm.

“Shining Creature!” he named me and called me divine
as he lavished damp kisses upon my bright scales.
“Help me find me one rare gift to put Love’s gift to shame.”

“There is a dark rose with a bittersweet fragrance
as pungent as cloves: only man knows its name.
Clinging and cloying, it destroys all it touches . . .”

“But red is Ehve’s preference; while Envy is green.”
He was downcast a moment, a moment, a moment . . .
“Ah, but red is the color of blood!”

Disagreeable child, far too clever for his own good.

Published in The Bible of Hell (anthology)



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One is not one to rush;
he lies in grasses greenly lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s white eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise . . .
something lurks where the riptides sigh,
something old and pale and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and with tentacles about it squirming,
it feels the cloud above it rise
and shudders, settles with a sigh,
knowing man’s demise draws nigh.



Ceremony
by Michael R. Burch

Lost in the cavernous blue silence of spring,
heavy-lidded and drowsy with slumber, I see
the dark gnats leap; the black flies fling
their slow, engorged bulks into the air above me.

Shimmering hordes of blue-green bottleflies sing
their monotonous laments; as I listen, they near
with the strange droning hum of their murmurous wings.

Though you said you would leave me, I prop you up here
and brush back red ants from your fine, tangled hair,
whispering, “I do!” . . . as the gaunt vultures stare.



Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her ...

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.



Dark Twin
by Michael R. Burch

You come to me
out of the sun―
my dark twin, unreal . . .

And you are always near
although I cannot touch you;
although I trample you, you cannot feel . . .

And we cannot be parted,
nor can we ever meet
except at the feet.



East End, 1888
by Michael R. Burch

Past darkened storefronts,
hunched and contorted, bent with need
through chilling rain, he walks alone
till down the glistening cobblestones
deliberate footsteps pause, resume.

He follows, by a pub confronts
a pasty face, an overbright smile,
lips intimating easy bliss,
a boisterous, over-eager tongue.

She barters what she has to sell;
her honeyed words seem cloying, stale―
pale, tainted things of sticky guile.



A rustle of her petticoats,
a flash of bulging milk-white breast
. . . the price is set: a crown. “A tip,
a shilling more is yours,” he quotes,
“to wash your privates.” She accepts.
Saliva glistens on his lips.



An alley. There, he lifts her gown,
in answer to her question, frowns,
says―“You can call me Jack, or Rip.”



East End, 1888 (II)
by Michael R. Burch

He slouched East
through a steady downpour,
a slovenly beast
befouling each puddle
with bright footprints of blood.

Outlined in a pub door,
lewdly, wantonly, she stood . . .
mocked and brazenly offered.

He took what he could
till she afforded no more.

Now a single bright copper
glints becrimsoned by the door
of the pub where he met her.

He holds to his breast the one part
of her body she was unable to *****,
grips her heart to his wildly stammering heart . . .
unable to forgive or forget her.

Originally published by Penny Dreadful



Evil, the Rat
by Michael R. Burch

Evil lives in a hole like a rat
and sleeps in its feces,
fearing the cat.

At night it furtively creeps
through the house
while the cat sleeps.

It eats old excrement and gnaws
on steaming dung
and it will pause

between odd bites to sniff through the ****,
twitching and trembling,
for a scent of the cat ...

Evil, the rat.



Temptation
by Michael R. Burch

Jesus was always misunderstood . . .
we have that, at least, in common.
And it’s true that I found him,
shriveled with hunger,
shivering in the desert,
skeletal, emaciate,
not an ounce of fat
to warm his bones
once the bright sun set.

And it’s true, I believe,
that I offered him something to eat―
a fig, perhaps, a pomegranate, or a peach.

Hardly the great “temptation”
of which I’m accused.

He was a likeable chap, really,
and we spent a pleasant hour
discussing God―
how hard He is to know,
and impossible to please.

I left him there, the pale supplicant,
all skin and bone, at the mouth of his cave,
imploring his “Master” on callused knees.

Published in The Bible of Hell (anthology)



Role Reversal
by Michael R. Burch

The fluted lips of statues
mock the bronze gaze
of the dying sun . . .

We are nonplused, they say,
smacking their wet lips,
jubilant . . .

We are always refreshed, always undying,
always young, forever unapologetic,
forever gay, smiling,

and though it seems man has made us,
on his last day, we will see him unmade―
we will watch him decay
as if he were clay,
and we had assumed his flesh,
hissing our disappointment.



Excelsior
by Michael R. Burch

I lift my eyes and laugh, Excelsior . . .
Why do you come, wan spirit, heaven-gowned,
complaining that I am no longer “pure?”

I threw myself before you, and you frowned,
so full of noble chastity, renowned
for leaving maidens maidens. In the dark

I sought love’s bright enchantment, but your lips
were stone; my fiery metal drew no spark
to light the cold dominions of your heart.

What realms were ours? What leasehold? And what claim
upon these territories, cold and dark,
do you seek now, pale phantom? Would you light

my heart in death and leave me ashen-white,
as you are white, extinguished by the Night?



Liar
by Michael R. Burch

Chiller than a winter day,
quieter than the murmur of the sea in her dreams,
eyes wilder than the crystal spray
of silver streams,
you fill my dying thoughts.

In moments drugged with sleep
I have heard your earnest voice
leaving me no choice
save heed your hushed demands
and meet you in the sands
of an ageless arctic world.

There I kiss your lifeless lips
as we quiver in the shoals
of a sea that endlessly rolls
to meet the shattered shore.

Wild waves weep, "Nevermore,"
as you bend to stroke my hair.

That land is harsh and drear,
and that sea is bleak and wild;
only your lips are mild
as you kiss my weary eyes,
whispering lovely lies
of what awaits us there
in a land so stark and bare,
beyond all hope . . . and care.

This is one of my early poems, written as a high school sophomore or junior.



The Watch
by Michael R. Burch

Moonlight spills down vacant sills,
illuminates an empty bed.
Dreams lie in crates. One hand creates
wan silver circles, left unread
by its companion—unmoved now
by anything that lies ahead.

I watch the minutes test the limits
of ornamental movement here,
where once another hand would hover.
Each circuit—incomplete. So dear,
so precious, so precise, the touch
of hands that wait, yet ask so much.

Originally published by The Lyric



Keywords/Tags: Halloween, dark, supernatural, skeleton, witch, ghost, vampire, monsters, ghoul, werewolf, goblins, occult, mrbhalloween, mrbhallow, mrbdark

Published as the collection "Halloween Poems"