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Kara Rose Trojan Dec 2014
My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.
Michael W Noland Sep 2012
[A] is for
Archer with
Arrow through his
Apple, very
Applicable, to the
Amounts of
Adorning his heart, in
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Admirals of
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Angels in
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak

[B] is for the
Bah of
Black sheep, and
Bit¢hes, fat cats,
Bombarded in the
Bastion of
Berating the
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Back the
Bank rolls of
Betterment, from the
Back of the
Bus, as i'm
Busting guts, in the
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Butchery into
Brains, in
Bouts, of
Bobby's for
Bags of
Before, affording to
Bombs, is just
Bottles on the
Benefactors of
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to

[C] is for the
Courting the
Choreography, in
Circumventing the
Contrivance of
Calibrating, to the
Contours of
Celebrating the
Cylinders of
Correcting the
Calculations, of
Coughing, in
Coffins of
Cobble stones, from
Catacombs, in the lands of the
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self

[D] is for the
Dip *****, as they
Deeper in the
Deliverance, of
Dying to
Delivered in the throws of
Defiance of
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Dooming us for
Deploy the,
Damsels in
Defiled and
Detestable and
Dead. in the thump of
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Diluting night into
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the

[E] is for
Everything in nothing,
Eating the
Enigmas of
Exceeding in the
Essence of
Escaping the
Elegance of the
Elements in the
Eccentricity of
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Easily to appease
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errors of
Every man,
Enslaved, of flesh and
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Ever present in
Ever made to take

Funk the
Ferocity of
Fandangos, with
Fooled in the
Fiasco of
Falling through the
Farms of
Flying in the
Fame of
Fornicating on the
Fears of
Fish getting their
Fillet of
Feel me in the

Granted with
Giblets of
Gratitude and
Greeting the
Goop and
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Going, in the
Gallows of a
Gaffed by

Hello to the
Horizon of
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hobos in
Horror, to
Honor the
Habitats of
Herbalising the work
Horse, named
Have Not, in the
Houses of

Ignore the
Idiots, too
Illiterate to
Indicate the
Instances of
Idiom in the
Inaccuracy of
In the
Intellect of
Irritated with the
Illusion of
Illustrated upon the
In the
Illumination of

******* the
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Jousting off the
Jumps, in
Jokes, and
Jukes of
Jesting for
Jury's to
Judgment from the
Jeans of

**** the
Keep of
Kool aid men,
Kept in the
Kilometers of
Knifing the
Knights of
Keeling over the
Keys of
Kaine, with the
Kick of a

Love the
Levity, in the
Laments of
Levitating in
Living in
Laps, of
Looping, but
Lacking the
Loom of the
Locked with
Leeches of the
Leering of
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of

Marooned in
Masqueraded as
Memorization's of
Mantras, but
Mikha'el the
Mundane, who is
Mused of
Mangling the
Monitor, but
Maybe just a
Moniker of

Never to
Navigate the
Nether of
Not to
Nit pic the
Naivety of
Neither take
Name the
Noise of
Nats in the
Nights of
Napping in the
Nets of

Ominous in the
Omnipotence of
Orifices in
Offers of
Ordinances in
Optionally an
On-call Oracle, in

Perusing the
Pedestals of
Pursuing the
Plumes of
Piety with the
Patience of a
******* on the
People with the
Pianos of
Portals, in the
Points in the
Pats of
Poor, but

Quick to
Qualify the
Quitter for a
Quill in
Quivering of
Queried in the
Quakiest of
Quarantined to a
Quadrant, of
Questing the
Quizzing of

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rock to
Rate the
Rep of the
Roar in
Rendering of the
Readiness in the
Rallying, of the
Refracting of
Realigning, the
Rearing of the
Realm, and

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Secrete the
Sobriety of
Salivating upon a
Slew of
Supplied in
Slain in the
Steam of
Sadly, i

Titans in
Turbulent in
Teething of
Telemetry of
Tortured of
Told in
Turrets of
Terribleness, from
Tikes unto
Toys for
Thrusted upon by the
Tyranny of

Unanimous is the
Ugliness in the
Undertones of
Undergoing the
Unclean in the
***** of
Uplifting the
Ushers in
Undergoing the
Ultra of

Venial in
Viciousness of
Vilifying the
Vials of
Villainy in the
Veins of
Validity of
Violence, is
Valiant in the
Vacationing of

Whelp in the
When you can
Wave to the
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
Worms, as
War shouts are
Wasted in the
Walks of

Xenogogue, of
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my

Yearned from
Yielding, to the
Yodel of
Yeahs, to the
Yapping of
Yanks, over
Yucking it up with the
Yawn of a

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zest, upon a
Zionist, or
Zeros or ones, just
Zip your
Zip locked. and
this is a work in progress
Marco ASF Couto Oct 2013
You wanted to separate Your sickness from your genius.
Donate to each of your brain hemispheres the resposibility
to deal with your differente delusions.
You wanted to be a little bit more morbid than genious or vice versa.
Never is such equal amounts.
You wanted fame, whatever it was the side of the coin.
You wanted to defended the colors of Manson.
You wanted to defended the colors of Sagan.
But You are stucked in a spiral where you aspire to breath
the air that only the freedom, of being something without conscience to self judge
or being something the world wont even dare to judge, can give.
But You are not so morbid... or so genius.
You're just like everyone else. In equal amounts.
S Mar 2014
nights like these when
I want to drown my sorrows
in copious amounts
of *****
but I also want to drown myself
in copious amounts
of you.

King Panda May 2016
mud and grass
common prayer
good weather
good people
and umbrella bags
because who wants to
get wet?
unless it’s with you
I could
I would
jump into the lake
for that rock
initials made in sharpie
and unclamp
we run
around the park
the afternoon surrounds us
the woman in the bikini
and we laugh
iced tea
decaf coffee
cake without teeth
and that airstream camper
you always wanted
I could live in your
I could live somewhere
not here
in silver
with my back to the
like dead
like a mummy
like a mirror
and life would make sense
life would be beautiful
like this run
with perfect amounts of sweat
and conversation that runs
waves in the sand
and tells the squirrels
goodnight, tractor
see you tomorrow

and the land that billows
is dug up
and chewed
like a goodnight poem
this run with you
takes rest
on my soul
and I crack my ribs
to take the spring’s
Yenson Jul 2018
A while ago in East London, in an area called Poplar
a black man lived with his wife
Quiet, hardworking, law-abiding they both were.
never courted a scandal, never committed a crime
Just went about their business, working for  better tomorrows

Then next door a Scottish family of five moved in
and immediately started borrowing from couple next door
Do you have sugar, do you have bread, can I borrow a fiver
till our Giro arrives next week, please another tenner for Jim
He has to pay a fine.

Empty beer cans littered their doorway, they all drank like fish
fights and arguments rang late into the night
Police visited twice, thrice weekly and it was known Jim burgled.
and was always doing time, when not drunk and fighting
Joan eldest girl was pregnant at sixteen and Tom fourteen had
done two stretches in juvenile detention
Last daughter Kelly was also to end up in the duff at sixteen

Amounts borrowed was now sizable, the odd fiver repaid
stolen items regularly offered and rejected by quiet couple next door
Invites to the black man to visit while Jim in jail politely declined
Come and have a drink with me and my young daughters
No thanks, got to go and cook, my Mrs would be returning soon.

The family from hell has turned the neighborhood to hell
constant break-ins all around
strange men coming and going, fights and noise, beer cans
for carpets, stairwells reeking of ****, Tom and friends and
Marijuana fumes graced the stairs and veranda.
Mrs Scottish and two young daughters constant smiling invitations
to black man next door, duly always deftly rejected.

Black man and Mrs decided to stop lending money
it was all going on beer and smoke and never paid back
By the end of the week, their car had been vandalized and four
wheels removed, racist leaflets started appearing on veranda.
No more smiling coyly invites, now just loud music and loud
intermittent bangs on walls from next door.
We must complain, we most report all this to the Landlords.
No, lets just ignore them, not worth the hassle.

Then it happened, black man arrives home one afternoon
and finds his front door ajar, they had been burgled.
Seething with anger he stormed next door to be met by Mrs S
'you ******* thieves have robbed me, how can you be so low,
after all we've done to try and help you. None of you work, You are a bunch of lazy
workshy, welfare scroungers, you are pathetic lowlife. why don't you go and get a job instead of burgling houses and getting drunk all day long
I will start a petition to move you away from the neighborhood.
You no-good non working class scums'  a disgrace and an affront to the hardworking working classes. You ******* racist bullies, I will show you, you can't
mess with me'

Mrs S smiled wickedly and said, you will see
'character assassination, public humiliation, we'll ruin your life and you'd wish you are dead by the time we finish with you and your chicken legs wife. I will show you who runs the manor in East London.'
You can't do that, black man replied, I have done nothing wrong, you are the bare-faced thieves, you shameless woman. We have had enough of you and your anti-social behaviour. You are not going to mess with us no more!

OH, YES! they can and by jove, they did.
Mrs S retorted' You are the foreigner here, you are the one that would be leaving the country
and going back to your Jungle'.
Black man called wife to tell her, she came home immediately
the police came, no evidence, here's a crime report, get your door
fixed. How about searching next door, we can't, no witnesses.
And then Black man's life changed FOREVER.

Should I write about the intimidation from other white families
in the neighborhood, should I write about how the Local Socialist
Party got involved, and launched a propaganda campaign about a black Conservative member dissing the Working Classes,  should I write about how one of his beloved dogs was
killed, should I write about a rumour campaign that black man was a wife-beater, a ****, a con man, a greedy parasite, should I write about sudden hostilities and bullying at his work place, how his wife was also sacked, about being randomly insulted and abused in the streets, about kids spitting on him, about being shunned inexplicably by locals
he's known for years. Should I write about outrageous fabrication, smears and humiliation.
Should I write about political victimization, about the black man 'who thinks he is better than us all,' about how a wedge was driven between him and his wife, till she broke and upped and left without warning,
should I write about how strangers shouted 'solidarity with the working Class' at him, should I write about daily torments and constant harassment everywhere he goes, should I write about Criminal gang stalking,
should I write about being informed they were going to ruin his career, ruin his marriage and ruin his reputation, check, all done. S I write about how they said they were going to chuck mud at him everywhere he went and blacken his name forever, should i write about pure isolation, about being made a target and being  hounded and stalked and disrespected everywhere. Should I write about how they stated they were going to drive him insane and drive him to suicide.

Just  know that somewhere in London, a decent, law-abiding progressive, and innocent black man, is now on his own, broke, in debts and on Welfare benefits, unable to find a job, friendless and isolated, discredited and shunned.  He is still being stalked, harassed and hounded, round the clock. All for daring to stand up to CRIMINALS.

ryn Sep 2014
Life throws at us the worst practical pranks
Some call them challenges... I call them sick ironies
With challenges you might emerge victorious, and slide up the ranks
Ironies are just mean, bad jokes; locks with no keys

Call me godless, sad and trodden, bitter man
Call me a cynic, call me all including jaded
I've arranged it all in various permutations, much as I can
But my view at this point cannot be compensated

Allow me to illustrate...

•It's funny how you feel very certain or strongly
About the bog of sadness and depression you wade in deepest
You know it's real, you fan it with strength your mind could carry
When it could be better used to rise from when you're weakest

•What's this about having to crash to your fiery death
Into the realm of darkness; into the belly of hell
You'd have to almost die and lose your last breath
Before granted an epiphany, a slim chance that you could turn out well

•When life throws you in the deepest end
Fills your lungs with copius amounts of bad water
Tries to **** you before allowing time to mend
When if we were first taught to swim, it would've been much easier

•Sure... A treasure trove of splendours, life does offer
But like a spin of the lottery, you mightn't get even if you deserve
No matter how far you reach into it's elusive coffers
No matter how hard you worked to get ahead of the curve

•Life is like Christmas at times when it feels like giving
Like the gift of love much coveted by most individuals
Gives us all these fanciful things that need extensive assembling
But mischievously hoarding all the instruction manuals

•Fraught with grey areas and blind spots to fight
Presents ample opportunities to find the place that you'd belong
You go through shitloads of wrongs to get a right
And finally you think you're right, in actuality, you're dead wrong!

"More", you say?

•Friends during good times but not the bad
•The perfect red apple hosting a worm inside
•Faking a happy smile when you're deep down sad
•Putting our blind faiths in politicians we know who've lied

•Achieving superstardom only after death had ensnared
•Using heavy machinery to rid the Earth of impurity
•Shooting your mean motor mouth and wonder why no one cared
•Starlets dying for attention but crumble under scrutiny

•Health warnings on cigarettes but still sold for revenue
•Acquiring your sought after sports car but drive within the limit
•Promotions to idiots in suits who haven't got a clue
•Stretching up for the stars even when you know you'll never reach it


I could give more examples but I've typed enough
Life is but a game we're all playing; a circus we're all living
We can't help being helpless when unable to read and call its bluff
All we can afford is to keep siphoning water out of our boat that's sinking
I know I have been whiny in my recent writes. I also know that living a hard life makes you stronger... When life gives you lemons, make lemonade... Blah blah, yada yada... YAWN... SNORE... Zzzzzz. I know these already and I'm sure they're true to a certain degree. Just want to rant and complain. Please forgive my whining.
Chano Williams Apr 2014
What puts a smile on my face
is a smile on yours
When we sit and talk
and your problems you pour
I like you even more
when the same you do for me
When you say, "I understand,"
you're the friend of the century
I welcome your presence
because every moment counts
Time with you is like love
taken in large amounts
There's no such thing as too close
You never stray too far
What I really like about ya
is that you know who you are
You never spend your time
trying to convince others
that you are nice and kind
You just let them discover
We know where we stand
Outsiders need not apply
They see not what I do
when looking at your eyes
We connect on a level
different than most
You're my constant guest
I'm proud to be your host
You and me together
is so uncomparable;
what dreams are made of
or a love parable
High school poem
How would you feel if you had someone else in your head?
Another personality that could take over at any minute.
Anyone with DID can tell you that it's not easy.
DID stands for Dissociate Identity Disorder.
This is where a person has more than one personality.
It's caused by trauma that has happened in their lives.
Mostly from childhood to in their teens.
People with DID have "alters".
Alters are the other personalities that come out.
If you only have one, then it is known as Split Personality.
It's actually very interesting and there are signs for it.
Like having black outs and not remembering parts of a day.
Speech and movement become different, along with wardrobe.
And then the personality itself changes, likes and dislikes.
No person with DID is the same.
Everyone has different amounts and different lives.
The only thing that's the same is that they have it.
So if someone goes from being normal to being different.
First see if they are just trying something new.
But if the way they speak and act aren't right.
Then you need to know that something might be wrong.
So if someone says that they have Multiple Personalities.
Or just a Split Personality.
Don't run away and don't call them liars.
Because they are still people and they need their friends.
Besides, once you get to know and understand them.
Then things will seem alright.
It won't seem normal, but it'll be fine.
I've been really into this for the last two or three years. And I will write more when I know more. Just in case you like this. Thanks for reading!
cameran Jun 2014
it hurt to hurt,
and watch them hurt,
but we had to hurt,
because if we didn't,
then the hurt wouldn't go away,
and if the hurt didn't go away,
then we'd never stop being hurt,
and it would be a never-ending cycle
of watching them hurt,
while i hurt too.
"pain demands to be felt."
Darkness is replaced by light. Like a cup of water it's poured out of the soul and filled with goodness that the boy tries to take in. He knows the darkness can take hold easily so he closes the door says babe I can't open it you aren't good for me. The darkness isn't a girl it isn't a person it's him it's who he is or was or is or was or isn't at all and never was. The boy grows tired, mind going faster than an old Windows computer which if you don't know isn't really fast at all. Speed-dial static manifests in his mind he craves a cigarette he's never smoked or some **** he cannot ****. He won't dip his fingers into greed so instead he'll dip his fingers into ****, or friends who smoke **** or just friends who he knows aren't good for him. One's who call him fat *** even though they probably don't know that he'd spent approximately two years starving himself so the one time he indulges they decide to say that. To call him fat and put him down why is it that he chooses the things that aren't good for him? Every. Single. Time.
   The computer finally boosts up faster, words spill out faster than the darkness coming out of him so finally he has something to write about. His angst turned bitter spills out, his anger spills out, his sadness spills out there's just a various amounts of spilling from his body like an **** in Japan he's soaked in juices...of emotion.

   (I can't think of anything else so end).
ju Apr 2015
Mum had been gone a couple of months, six I think… (An ordinary day. Feeling hollow but doing OK) …when I realized I could get rid of the sofa.

I thought it was ugly. She thought it was a bargain. A sofa’s not a keepsake and it was certainly no heirloom. I’d not inflict it on my kids. I got rid.

If I could’ve had her back then? I would’ve done. Even if it meant keeping the sofa.

Redecorated. Bought a new telly. Spent frivolous amounts of cash on scatter cushions. She disliked scatter cushions. I thought they were cosy.

My little boy drew on one of the cushions. On purpose. I was about to smack the back of his legs… (Mum would have. She smacked me when I was little) … but I stopped.

I never wanted to. I had known all along, somehow forgotten.

If I could’ve had her back then? I would’ve done. But she would not smack my children.

Mum had been gone a year… (Planting bulbs. Feeling conspicuous carrying a shovel ‘round the churchyard) …and I missed her .

It was as hot as the day she died. There was no breeze up on that hill. No cloud. Beautiful views stretched right out to the sea.

My little boy had grown. He helped carry water and dig holes. My baby was learning to walk. She wobbled on uneven turf between the headstones. I wanted Mum to see.

If I could’ve had her back then? I would’ve done. No question.

Mum had been gone three years… (Bulbs were doing OK. There was nothing left to plant that rabbits wouldn't nibble) …and I realized it was time to move on.

I kept the ghosts quiet while agents showed people round. The house sold. We moved away. A warm, terraced place in a small town by the sea. Dad died.

Mum has been gone eight years and I miss her.

Looking out from the Downs across cliff-top and sea, the churchyard seems nothing more than a soft-grey fleck on the green edge of town.

If I could bring her back now? Everything’s changed.

Ghosts exist. They sit in empty chairs and speak kettle-whistle. Wishing us well.
Styles Sep 2019
Her mound
amounts to
a mouthful of
of the most remarkable
thing I have ever tasted.
namatsar Aug 2013
Oh you know
The usual

The usual
Well- copio

us amounts

us amounts
LSD, Listening

LSD, Listening
to the
Doors, eatin

G to the
Doors, Eating

ng sum

ng sum
kiwi fruit

with a big

kiwi fruit
with a big
mug of

with a big
mug of
Tea- and

mug of
tea- and
The glow

the glow
from the

The glow
from the
mobile is

from the
mobile is
Styles Jan 2017
Creep in the night
Resists as they might
to their bodies invites
to reap what they like
Prisoners of flesh
until their souls delight
His ******* **** between her thighs
Her ******* ***** squeezes and he sighs
He wants to turn her out without a doubt
Teach her what real loving is all about
She screams out loud
he covers her mouth
The climb max raises
as the pressure amounts
Daddy doing it right
laying the pipe so deep
It may never come out
The pleasures out of sight
She’s so wet from being tight
He’s hitting her spots like a spot light
From the look on her face the pleasure is out of sight
He uncovers her mouth and she screams for her life...
Edinette Feb 2018
The stigma that sensitive people are weak needs to diminish.
Just because she feels things down to her bones does not mean she is weak.
She carries everything. Her feelings, other people’s feelings, the world around her as she takes it all in.

* *
Sensitivity is deemed feeble.
Thick-skinned people are the brave ones, right? They have endured so much that they no longer feel anything. Snide remarks, rude comments, and stressful situations roll off their skin like water during a storm. If it’s already pouring, why worry about each droplet?

That is the problem, she thought to herself. Are brave people truly brave?
Brave people are the true cowards. Rather than taking their experiences and feeling them, letting them seep into their bones to become the marrow which fuels their bodies, they shut them away; skeletons in a closet.
They have become numb to the baggage they carry at the expense of growing numb to everything else.

People around her are merely living in this world, she decided, whereas she was absorbing it.
In the spring she lays in the grass, running her fingers through each blade as if it were the Earth’s hair.
When summer nights bring a light breeze, she imagines spirits are hugging her.
In the fall when it rains, she spreads her arms wide and gazes up to the sky, knowing that each water droplet that falls is Mother Nature peppering her skin with kisses.

Others are too preoccupied making sure their skeletons do not peer out of the closet.
Strength, after all, is the ability to withstand vast amounts of pressure and God knows how much force those skeletons must bear.

In the middle of the night, her father hears her talking to someone, except there is no response. It is as if she is conversing with herself when in actuality, she is conversing with her skeletons.
After midnight when others have drifted off to sleep, hoping that their skeletons do not come to haunt them, she is wide awake, her closet door open.
She lays in bed and asks her anxiety how it’s day was, laughs at a witty comment that her depression has made about her life, and gives thanks to the insult a bully gave her in the first grade for making her the person she is today.
The things that should weigh her down, she has befriended. They come to visit so often, anyways.

* *
She wonders how someone who has mastered the art of suppressing their feelings is braver than someone who has mastered the art of acknowledging their feelings.
The strength it takes to keep the closet door shut is immense.
However, it takes an unsurpassable amount of resilience to carry the world in her heart and soul while still having the courage to open her closet without being afraid of the things that could jump out at her.
mark john junor Oct 2013
this place where peace of mind
is a material device
where its tangible depth
can be measured in more than words
this fortification of stout heart
and decided mind
i fall back to reside here for
a moments reprise from the clash
of the seeming armed conflict
that must rage about this place
you cannot have dark without light
peace without war
isn't peace of mind measured by the conflict around it
isn't the measure of a mans serenity
in the struggles he must endure to achieve
i fall back to this segue between
dark of ignorant bliss
and the blinding incandescence of misinterpretation
of that so called enlightenment
peace of mind is a state difficult to discover
because it cannot be truly achieved
it is the illusion of sophistry
peace can be found in small amounts
in the laughter and love of friends and family
in the arms of a lover
in the warm sun of summer's day
in the grandeur of summer night
Arcassin B Jun 2015
By Arcassin Burnham

We could play with guns like cowboy bebop,
Slay demons like inyunasha,
The blue lights in Tokyo couldn't be anymore beautiful,
Getting a little sensual with small amounts of ******,
That's pretty lame,
Kissing me with purple and pink lipstick,
And for that I'll make you anything kawaii,
You could be the crazy chick on fooly cooly,
It wouldnt be bad if you Could do me.
01. Anime Love - (Roses mEP)
Maha Salman Jan 2015
Have you ever felt...
That feeling?
Where you're so empty you can actually fall inside the void which consumes you,
When you're so broken that whenever someone touches you they pull back hissing,
When you are so lonely you call out to the birds which paint the sky-in hope that they will sit on you shoulder,
Have you ever felt it? That feeling?
That horrible slimy whisper wordlessly chanting "You are useless"
Well I have.
And it is crap.
But one day you'll wake up and a small drop will fall Into that void
Day by day
Night by night
Hour by hour
Second by second

And it may not seem like much
                         But it amounts to a lot in the end
Until that feeling you feel
                                       Is nothing more
Than subtle laughter

               **Coming from you.
Pagan Paul Jan 2019
Jerrica had found Lost.
The treasure buried above ground.
The memory foam with dementia.
The quill with no nib …
she thought about feather pens.
Catching herself from falling
the swoon had caught her cold.
This **** ****** sword
was proving to be elusive
and now she was under sustained attack.
From a personal fetish.
It just wouldn't leave her alone,
creeping into her mind unbidden.
She needed to scratch an itch,
if only she knew what that itch was.

Trolls are magickally bound to their bridge.
Leaving it is usually fatal.
But Gyb had bones to gnaw,
and once he had his teeth employed
his mind was a captive onlooker.
A crazy plan formed in his head,
possibly avoiding the brain.
He took mud and formed a figure,
then some of his hair clippings
moulded into the head.
Then he took a leap of disbelief!
He looked into the river and … Click!
Snapped his fingers and fixed the image.
He cut it out of the meniscus
and attached it to the doll familiar.

“Did Achilles have damp ankles
or was he well heeled?”
Morfine had asked Choklut.
“Neither. He was the one who sneezed
and opened the Fête of the Suitors”.
“No. I think he was called Telemarketing,
he sneezed and they drew the tombola raffle”.
“Wasn't there a Goddess involved as well?”.
“Um … Yes, maybe the Goddess of Tissues?”.
“Snivel? No, she is more tears than snot.
I think its the one who turned her husband
into a swan, and made him ****** her handmaiden”.
“Oooo Nasty!”
“No, Nasty fell in love with his own profile,
and called things off with his nymph,
the reverberations can still be heard today”.
There was a brief pause … then,
“What are we doing Choklut?
We found a magickal sword and …
talking of which, where is it?”.
“I don't know. You had it last”.
Just then a serving girl gave them a note.
It said. Tomatoes, Peppers, Onions, Eggs …
“Not that side you dyk” she said.
Morfine turned the note over and read.
“Quick, no time to lose.
Someone saw the sword in the river.
We have to get to stanza 8
before it goes over the waterfall!”.
“Oh” said Choklut “I've never seen a stanza belly flop”.

It was true.
Contrary to the laws of physics.
Kelm saw the sword floating down river.
It looked like any other sword.
So he let it be, dismissed it.
He couldn't swim anyway.
He mused on the irony of that.
Nobody learnt to swim and yet drowning
was an undignified death for a barbarian.
If he could swim
he could find the fishes hiding places.

Jerrica had also been musing.
With a Poet.
That was during the last 3 stanza's.
But now …
she saw a sword floating in the river.
Something didn't quite fit.
Something was not in the right place.
She placed the Poet back in her breast pocket.
'If only he wasn't just 4 inches high' she thought
'he is rather handsome and intelligent'.
Bingo! She had it. But she didn't want it.
Armydiseases Principle of Liquid Dispersement!
It states!
Introduce a solid object into a body of liquid,
then the corresponding volume of liquid is dispersed
back to the nearest solid.
So, right now there is a very small flood
in the shape of a very small sword
ravishing the local area.
She decided, quite rightly as it turns out,
that she was feeding herself a red herring.

Slim stood on the bridge
staring at the churning water below.
How did it happen?
A stanza all of his own,
ruined by the intrusion of morons.
“Morfine and Choklut” he bellowed
“I'm going to eviscerate you”.
The wind carried a few of the words away,
but that was the gist of it.
“Hello” a voice said.
Slim had an accident, and jumped out of his skin.
And plunged into the cold water.
A strong arm pulled him out,
and he was face to face with a troll.
“My name is Gyb. I hate Morf Chok also”.
Nothing had prepared Slim for meeting a troll.
Not even the etti-queue-etti lessons at school.
'Would you care for afternoon tea?'
seemed rather inappropriate.
Gyb broke the awkward silence.
“Look! Sword floating”.
Slim didn't look.
Convinced the troll would eat him.
Thats their way. Distract and devour.
But he couldn't help it, he snuck a look.
And the sword slid on by gently bobbing,
tiny little runes glinting in the sun.

For its part the sword was serenity itself.
Chilled out to the max.
Resting on the water. Relaxing and reclining.
Life was good for the sword.
It had just passed a boy fishing,
poking his rod down a fish hole.
It had passed a young woman,
who looked confused and flustered.
It slid under a stone bridge.
A troll with a doll,
and a man with questionable odour.
And then he heard the roaring.
He sent out his senses,
no mean feat for a sword,
and 'felt' its surroundings.
Its image eye caught sight of the future.
It was an effing great waterfall.
And the future was the way he was heading.
For now.

Narrative Interlude

At this point in the story the author, Pagan Paul, is compelled
to inform the reader/listener of a complaint received
from Messrs Morfine and Choklut.
The substance of which amounts to the following:
That the said author is willfully under using their talent
as supporting cast and denying them access to many stanza's.
Furthermore they are threatening to expose the authors
'irregularities' in his relationship with Princess (name redacted).
The author, Pagan Paul, responds thus:
I should like to remind Messrs Morfine and Choklut
that, with astroke of my quill, I can eradicate them.
Drop them from the story all together.
And with reference to Princess (name redacted) -
'Its my Poem and I'll irregularit if I want to'.
Dear reader/listener prepare yourself for stanza 9.
It has a waterfall in it.
Maybe Morfine and Choklut will appear, maybe not.
They are the ones over a barrel.

Minutes after the sword floated by
something else caught her eye.
To boys on a barrel, in the water.
Boys barreling along or a barrel buoying along?
Choklut noticed her by the bank.
'funny place to have a cash machine' he thought.
Doing his best to impress and look brave.
Morfine waved and nearly fell off.
Suddenly the barrel lid opened
and Slim poked his head out like a tortoise.
“What the …?” said Choklut.
“Just repaying a debt boys” he said.
“But you owe us nothing” Morfine replied.
“Oh but I do” snarled Slim
“I owe you one times intrusion into your own stanza”.
He ducked back inside, and slammed the lid.
“Of all the fatherless ...”
“I blame the author” said Choklut.
“Yeah well, he is the one who's gonna be sorry,
we've just muscled in on stanza 8,
and relegated that waterfall to stanza 9” Morfine chimed.
“Morfine. Morfine! I hear the waterfall coming”.
“No! Not now. He has to leave it until 9 now,
we are about to cross the finish line on 8”.
The waterfall loomed.

Actually the waterfall knew nothing of weaving.
It just stayed where it was, pouring.
Spectacular, it was a very pretty waterfall.
It must be. It attracted tourists.
And it had fun!
It loved watching detritus tumble,
teeter on the brink. And fall.
Especially tourists.
It was over 300 paces high,
less than 40 paces wide,
its descent magnificent liquid ballet,
sparkling droplets shining like jewels,
forever transcending light refraction,
and plunging, plunging, plunging,
into a gorgeous azure puddle.
About ankle deep.

© Pagan Paul (17/01/19)
3rd poem in my Strange World collection.

Part 3 out soon :)
Third Eye Candy Apr 2016
Sleeping with a full head
i get to wake-up down, and just drone.
The harmonies that gather my teeth
to the bit... are wild melodies that insist
you never loved me enough
to see Us through It.

Down where it counts
It amounts to nothing but a negative wish.
A sublime rendition of a fresh Hell
and a golden carp to haggle with.
The Herrings are red
but the sutures are no ordinary surgeon's hook.
we lace our wings to the bleak grief
of impending kisses
and have our way
with the phantoms
of gross

Long Live The Thing !

We recoup our loss by estranging
the legacy of our near miss
from the intimate lull of our unbehaved
we join the hunt but rest in fell trees
as our foxes run.... and gather what moss
may lay upon such cold

We are the first among equals
that divest from a whole sum.

we are the last to be anointed happy
in the sad .

and enjoy none.
Cece Sep 2018
nothing like going back
to the golden days
when getting up 20 minutes earlier
was a fun thing
to put on a bit of mascara
and lipgloss;
the blush was natural.
now 20 minutes of sleep
seems like a treasure,
worth everything
and never to be given up.
back when laughter was sunflower yellow,
music was neon blue,
and friends were a sweet purple,
their smiles like lavender
addicting and easy to find.
nothing like going back
to the golden days
when choosing the font for a paper
was an hour long experience;
the funnest part of writing anything.
now no writing matters
to anyone
unless it's 12pt font,
Times New Roman,
double spaced,
and with a heading in the top left corner.
back when school was light,
homework was a breeze,
and the only thunderstorms
were those that involved
coffee shops, window seats,
and copious amounts of hot chocolate.
nothing like going back
to the golden days
filled with warmth
and honey
and a whole lot of butterflies.
ryn Nov 2014
these thoughts...
they are my own,
walled within the deepest recesses
of my
cerebral labyrinth.

sprouting out of vine covered walls,
are multicoloured blooms
brandishing thorned stems
thirsty stigmas,
dripping with

mind full of poison in
permissible amounts...
i am caught in a
web of restless stupor,
and regression...

these thoughts...
rationed out sparingly,
for they're not for unready ears
blooms of thought meticulously
triaged before
necessary expulsion.

hairline cracks between
and peace...
i tread precariously
the fine,
meandering line.

still clutching my flowers
in a tight obstinate grasp...
not letting go
for these tainted blossoms
with capsules in my palms each night,
eight at a time from sweet pharmaceutical bottles
I make arrangements for a pint-sized journey.
I'm the queen of this condition.
I'm an expert on making the trip
and now they say I'm an addict.
Now they ask why.

Don't they know that I promised to die!
I'm keeping in practice.
I'm merely staying in shape.
The pills are a mother, but better,
every color and as good as sour *****.
I'm on a diet from death.

Yes, I admit
it has gotten to be a bit of a habit-
blows eight at a time, socked in the eye,
hauled away by the pink, the orange,
the green and the white goodnights.
I'm becoming something of a chemical
that's it!

My supply
of tablets
has got to last for years and years.
I like them more than I like me.
It's a kind of marriage.
It's a kind of war where I plant bombs inside
of myself.

I try
to **** myself in small amounts,
an innocuous occupatin.
Actually I'm hung up on it.
But remember I don't make too much noise.
And frankly no one has to lug me out
and I don't stand there in my winding sheet.
I'm a little buttercup in my yellow nightie
eating my eight loaves in a row
and in a certain order as in
the laying on of hands
or the black sacrament.

It's a ceremony
but like any other sport
it's full of rules.
It's like a musical tennis match where
my mouth keeps catching the ball.
Then I lie on; my altar
elevated by the eight chemical kisses.

What a lay me down this is
with two pink, two orange,
two green, two white goodnights.
Now I'm borrowed.
Now I'm numb.
愛と憎しみ Mar 2013
Man do I love taco's
Asian taco's
Hispanic taco's
Creole taco's
Russian taco's
Middle Eastern taco's
Persian taco's
Caucasian taco's
Latin taco's
Endless amounts of taco's to eat
Keith Collard May 2013
"When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply the fact that there are no bricks and no temples.”

― Stephen Crane, The Open Boat

The Ocean Divorce

He rowed away from the sinking hulk. The sky was black, the ocean was black; the rocks emerging out of the inky-eerily-smooth ocean like demonic alters were black. But the ocean nocturne had parts discernible from each other by the same necrotic nuance of a corpse : the calm undulating surface had the stretching wrinkles as if a horde of ***** were trying to break through the skin surface with their claws--that was the waterline; the newly risen rocks were organs, emitting horrible sounds; the sky was the color of a mattress soaked with a rotting corpse--glimpses of white between rotted blackness.  The ocean divorced these survivors from their cruise-ship, and be-told them " you should have went down with the ship." For now, they were with a new family, up from the depths.

They saw their way through the blackness by occasional lightning strikes, stalking the ocean surface for conductive flesh as if a tornado of fifty thousand volts was dancing sinuously with her feet together and her hips out. If the girl at the bow could keep silent, and stop sobbing every time she glanced at the lightning, the rower could steer clear of swimming survivors trying to swamp their hard bottom survivor’s boat. The people in the water were silent and clamored helplessly and spasmodically , as if they were lobsters with the first feeling of heat in a ***.
Patches of white specks in the sky opened up momentarily over the fast moving black clouds, then closed up like clams.  The temporary skylight mixed with the stalking lightning gave visibility in momentary bursts similar to  muzzle flash in a dark room. The rock organs emerging out of the ocean had no nuance and could only be seen by the screams of survivors, who had swam to them for safety. The screams from the newly emerged rocks made the screams of the ships seem like hymns even when the ship split in half and tilted up its two plates—bow and stern--and scooted the sliding passengers into the blazing fire in the fuel and engine rooms as clams in the pan.

A scraping sound over-ruled the screams, they were grounding out on something sharp. The man rowing pressed the oars with all his might and pushed off it, before the rising altar capsized them. In such proximity to the rock all he could hear was "clacking," almost like the rocks were puckering their lips to kiss them repeatedly as if they were babies--and they were just as helpless and lost.

There were four of them in the boat, and they had room for more, but adrenaline made their decisions now. The boat began spinning in circles, as it did a while before, the rip currents tasting them and letting them go. Every time this happened the sobbing women would cry " Oh my God....Oh my God." The man to her left would only grip the gunwhale with alacrity as if he was going to jump out into the ocean. He could not take it, more so than the youngish women, but he was silent about it. The other man, aside from the rower would only stare at the floor, blinking with every lap kissing the bottom of the boat: such a thin piece of wood, separating the devouring liquid blackness from them.

The rower was in a reptilian state, row row, blink, look, row, grit......but slowly he was coming to himself again, with one thought, his son: my son is out there. His son had went into a separate life boat when the stricken vessel was splitting on the giant pitch fork rock that stabbed out of a suddenly black ocean under a suddenly dark sky.

After the rower's shoulder blades completed their circuitous route, an image would appear, then dissipate with a start of another row. But that image was of the last time he had seen his son, before they got onto the cruise liner. They were on a saltwater river, on vacation down the Cape, he had scolded his son harshly for being a… he snapped out of it with the begining of the next row.

He rowed because he was the strongest, and that strength told him to row, for it will sustain his mental vitality at the cost of his physical strength; and by comparison, it was working. The girl to the right of him, was shaking staring at the gunwale, the two men to her left were almost catatonic.

None would look to the horizon of black on black. The lightening cast shadows of the tall rocks they passed on the bottom of the boats making all of them look away, but there was nowhere to look. One of the men, realizing what the rower realized, looked around into the distance, watching the lightening sizzle around the surface like a tornado, watching the lightening was frightening at first but took him away from the mental reflection which was black lightening snake dancing on his closed eye lids.

The Starer looked at that Rower, and without words communicated the first intelligible message among them: keep rowing.

The Sobber, curled up into a fetal postion at a ghastly sound coming from a rock, it was people...not screaming, but people mumbling, babbling, even laughing as if at a cocktail party. Strange.

They hit another current and started spinning rapidly in circles, and that's when the third man became the Babbler. It was like they were loaded like a pinball, wound back, then shot forward on the undulating uncertainty that was this sea that now had a complexion more poisonous than Buckthorn ink. The man pulled up his oars.

Laughs, moans, and ******* noises enveloped them on this real life haunted ocean ride. They all cowered down, they could not look, it was dizzying, like spinning on a ***** inducing amusement park ride. The rock shadows flared on the boat like a flip book of devouring dark monsters. They all hugged eachother.

The Rower, was the first to wake, and notice, the sky was light. He bounce his head up hoping to see society, but alas, no, but they have ran ashore on some rocks just inside a calm clear cove, inky breakers were behind them. A rock island, like a pipe *****, speckled white and black was ahead of them. Over the island, the sky was overcast and still. The Starer looked back beyond the subtle silent breakers, it was black, and the lightening still danced. He looked back to the island.

" We found shore, didn't we, let's go, row, row...." she sobbed.

The Babbler, looked over the side at the clear water. He couldn't tell if it was ten or twenty feet, common to all oceanic still water. The bottom was completely covered in shells of all kinds, but mostly black and white. It looked inviting, and tranquil, and uplifted the Babbler to the Talker.

" Let's go, I'll row if you want--"

The Rower put his oars back in the water without saying anything and rowed toward the ***** shaped island.

They closed, and the Starer said: " look's like it is getting shallower." Then the girl stopped her sobs, and became the ' Complainer."

" Can't you row any faster, what if we get ****** out again...."

The Starer motioned for her to stop, the Rower was responsible for getting them here, and he knew it, and didn't want to change their luck now.

They were a clam skip away from a jagged low lining shoreline that had piers of rock, with coves in between them the length of rowboats. A shark’s ****** grin would be the islands perimeter from an aerial view.

That's when the Starer noticed the cove floor. Every time the Rower rowed, it looked as if he scraped the bottom sea floor. It looked scored, the clam shells moved aside. He took his finger and put it into the water, skimming as the boat moved. He looked aft of his trail; there was a line on the sea floor following his finger. " Must be an optical illusion," he thought.

The bow cracked on the first barnacled rock on dry ground. Well it was not completely dry, it was moist rock and crevice, sharp and inhospitable. The Complainer got out in a hysterical manner, and fell after her second step. She twisted her ankle and skimmed her knee drawing blood. A deafening sound came, almost like it was distant but not; of a mast being broken slowly and painfully broken, the sound was almost on their shoulders but they looked way off to the horizon for the source; the inky breakers of demarcation from the previous location of screams was the only thing they saw. Drip drop noises of an imperceptible ebb was the only sound now, and the survivors welcomed it as they looked away from the necrotic breakers.

" What the hell was that?" the Babbler said rhetorically.

The Rower helped up the woman, and they pulled the boat aboard the jagged shore. " Let's find some level ground for a fire, and look around," he said and they all complied, none of them looking back towards the breakers and the darkness, and it is unfortunate that they didn't.

The island was barren, not even a cave to shelter them from a damp wind, not chilling but heat sapping. They found some sandy level ground and sat in exhaustion.

" What is happening," mumbled the Babbler. None answered, it was immaterial, and dangerous to think of it. The Starer was the first to notice.

" Look at the shore line," he pointed, it was now covered in half shell clams, black and white. They were not there a moment before. A ******* sound, came from the area where the girl skimmed her knee.

" It has to be the tides....." said the Babbler.

" What are we gunna do, we need to build a fire, find food, to wait this out, WHAT IS OUR PLAN...." she yelled breaking the eerie silence.

" We'll build a fire with supplies from the boat, there's enough for some nights, and there is plentiful of shell fish to eat...." as the Rower said that, his stomach turned as he finished the sentence.

" Let's build a fire now, I’m feeling kind of chill, and weak..." said the Babbler. They all were feeling an invisible cold in their bones, not from the wind, but from the rocks, or shells. They made a fire, and huddled down together automatically without thinking. The dampness was unpleasant, the fire felt good. The huddling party looked like muscles clamped together on a rock: still, resting, and quiet. The Babbler was at the outer most of the huddle.

The Rower's dreams were still, quiet, with the occasional seaside cottage breeze. He was with his son, on a salt water river, in an alcove shaped like an L, and they both jumped down into it and the sun bleached stones "chinged" like a register. It was low tide, and he was forcing his son to walk to a sand bar, through the river--rich with life. His son was crying, a horseshoe crab had walked over his foot and a dead sand shark had floated by with a crab crawling out of its eye. " Go," he mouthed to his son, but his words were swept up by the wind. " Be a man, Go." He felt dangerously distant from his son, who was in the middle of the river away from him, and he missed him terribly but still he urged him on. Then the tide started coming in, and bubbled things started to emerge in the water, cries of his son were ate up by a clacking sound, he was so distant, yet he still urged him on. He looked to his right, a jagged sea wall of loose boulders now was opening and shutting like a clam bed posessed, an iron maidon of pinching points. His wife's shadow shone in front of him, her voice came above and behind him on top of the battered-splintered sea wall, the shadow said" That's the last straw, it's over."

He awoke to screams and babbles, and a horrified stare. They were surrounded by one shelled clams, and the Babbler had them up his leg, his arm and one side of his neck. " ahh, they are," he tried to pull one off, but it stretched his skin on his arm.

" Help me pull them off him," yelled the Starer at the Rower, and they pulled them off amid screams. Blood was gushing, as the foot or tongue of the soggy clams wiggled in open air. They removed them, and turned to their perimeter, the island was covered in clams making ******* noises.

She ran for the boat, stepping on clams, and picking up her shoe covered feet as if they were getting burned. They formed a boot on her shoe and calf, she tumbled and her face hit the shoreline, depressing into the still water. She moved her arms to her side, as if to do a push up, she struggled to lift her head, it was covered in clams. She gurgled through it and tried to pull them off. The party around the cindering fire just stood motionless. She fell back down, clanging her shell covered head off other shells, picking up more, she tried to raise herself once again, and then dropped her heavy head. She wasn't gurgling, but making moans, as if being caressed, she even rested her body comfortably.

" I can't ....I cat, I can't even see them move......" said the Babbler.

He was right, the clams moved as if they were still underwater, and you were reaching for them, but a wave ripple comes, and they are now more to the right, avoiding your hand.

The Rower started up the fire instinctively; they huddled to it, not speaking. The Babbler became the Trembler, the Starer the Blasempher, and the Rower the Unblinker.

He stared ahead, in a squint, almost like he donned an invisible visor, "hell, war, my son.....and demonic clams" were the words he kept thinking.

" We have to get to the boat, and get the **** out of here," said the Blasphemer despondently.

The Unblinker just staired at the black clouds beyond the breakers, with the lightning dancing gypsy-like and intermitted . He felt it through his pant leg, the cold soggy slush feeling. He looked down, a clam, had moved unnoticed right in front of his field of vision. He pulled at it, but he gave in to the pain, he felt another clam on his other leg, like a cold-squishy french kiss. But the longer they were there, the pain disapeared, and it felt like a warm caressing tongue, and it almost seemed like the sun was coming out on this desolate rock altar. But--he saw a vision of his son wading into the cove. Without looking he pulled the (now) three clams from him-self; his skin snapped back. He crushed the wagging tongued clams under foot. He looked to his side--

The Trembler, was covered, in a clam chain mail, he didn't have the power to pull them off, he became the Wobbler. " Jesus Christ , lets get to the ******* boat," said the Blasphemer.

He looked at the Blasphemer, he was pulling clams off painfully. The Wobbler looked like a Atlantean knight, that just walked out of the sea in his clam armour.

He took steps toward them, clanging his clam armour, with his arms out---

They ran down to the boat, running off a steep clam ridden rock that was once the Sobber--who was now clung with clams making ******* noises. Avoiding the water, the Unblinker made it fully into the row boat, but the Blasphemer's leg submerged into the still water. He screamed, and pulled his leg up then dropped it back down. Massive amounts of clams were forming a deadly anchor on his leg, and slowly ******* him in. He fell into the water as the Unblinker became the Rower again. He looked down at the Blasphemer's sunken shape slowly blending in with the cove's floor. His oars were becoming heavier and heavier; the boat was sinking down more into the waterline, the bottom of the boat was clung with clam also; he could barely move the oars, they clacked and ****** wildly as soon as they were brought out from the still water, as if sea kelp ridden with shrimp was stuffed in his ears. He could hear the sound of a giant mast breaking again, he knew instinctively now what that was, thousands if not millions of clams loosing one of their shells in anticipation of devouring flesh. He pushed off the rock jetty; he screamed and screamed.....row....scream......row..... and before he knew it, he was at deep water, and the clams were gone from his oars. "Thank God, for another second....."

He looked at the blackness beyond the breakers, the breakers that were like black fluid pouring slowly out of a cup into a cauldron, he thought of his son, and rowed into the blackness. He kept on thinking of his son, as he watched the shadows return on the bottom of the boat with the return of lightning stalking on the dark-still-ocean--his heart beat fast, but he was not dead, and he could see his son, he was out there, and
Auroleus Sep 2012
The place was dangerous as hell; we had no business being there. It was a complex, composed of four immense structures, looming on the bluffs between Lake Michigan and a ghost town. I'm not sure which side of the fence brought forth more eeriness - the sight of four massive industrial skeletons was indeed an eerie one, but within the village that must endure it's haunting presence persists a dwindling heartbeat... and together they produced a heightened effect of slow decay - and that was what drew me in.

The place was magnificent day or night.

By day, we'd explore the groundworks while the light allowed us to admire the massive machinery, which by then had accumulated copious amounts of corrosion. All those dead giants, never to function again. In the spring time, beams of light would penetrate the ceiling above, caving in from years of stress sans stress tests. Even when the light was not shining through, one could make out where the beams have been because in their wake they left a trail of life. Up to that point in my life I thought that was the most beautiful scene I had ever seen - a thousand tons of old machinery, and a stubborn sunbeam poking through, incubating it's au natural industrialized chia pet.

By night, we would ascend to the rooftops of these four story horror stories and gaze up at the stars. Sometimes, when our ***** were feeling particularly swelled, we'd venture across the rooftops as if in some post-apocalyptic videogame. And sometimes when we were feeling a bit rebellious and artistic, we'd bring along some cans of spray paint and redecorate to our desire. Oh, and another reason the place reeked of death was surely due to it being a glue factory... wherein horses were killed in order to gain access to their foot-stuff. I was told by an unfortunate local that they'd bury the unwanted horse parts in big pits back behind the place... this man had told me that he fell into one while wandering around back there - nearly died trying to get out.

We knew the place was soon to be leveled, but we did not know when. Eventually I ended up moving out of state for a while, and alas, upon my return my childhood fascination was no more. shrugs... So it goes.
aphrodite Mar 2014
And love is really important,
even if just for one night.
It can chase away your biggest fears,
it can get your through your toughest fight.

Don't let society make you feel cheap
for only needing love in small, temporary amounts.
Your value as a person
isn't derived from your *** partner count.

Don't let them make you feel ***** or small,
because some of us need this to survive.
The night of love we get from strangers,
we use just to stay alive.

Because relationships can be messy,
and hearts are so easily broken.
But through nights of whisky and hotel rooms,
we find words of peace that were never spoken.

And some of us don't have hearts,
as they were stolen long ago.
From men called "Dad"
and men in suits,
and men who we've never known.

And maybe the word "****" makes the people feel okay.
This type of labeling has been going on since the Biblical days.
Maybe it makes them feel better about their own sinful ways.
Maybe when the Earth crumbles, they'll have a price to pay.

Because they don't know what it's like to be empty for so long,
That the thought of being full terrifies you.
They don't know that you'd rather be wrong,
than risk the pain that being right can put you through.

But I do, my dear.
For I am one of you.
I've felt closer to heaven in the arms of strangers
than I ever have kneeling on a pew.

I know what you dream of, darling.
I know that you dream of lasting and healing love.
I know that you feel prisoner by your demons,
I know you hope for a sign from above.

Don't let the world bother you much.
I understand you; I know you're doing your best.
For now, it's okay to find comfort in a stranger's touch,
to let love fall from your mouth.
To let pain flow from of your chest.
Definitely a very personal poem and a controversial topic.
I know there are a lot of opinions on promiscuity and ****-shaming, but I'm happy with the perspective I showed in this poem.
As always, I hope you leave me with your thoughts.
Asha Nicole Apr 2012
Stupidity is a virus infecting and injecting large amounts of people at a time. He moves through minds with impeccable speed. Some people, no matter the treatments they receive will never recover. For is an Exodus with has the power to ****** masses. He is a force with the ability abolish revolutions and silence movements. Stupidity is chronic, never truly going away, always lurking in shadows waiting to attack. He is a survivor against all odds. Stupidity is perpetually kicking and screaming, fighting to remain the echo of humanity. Refusing to be ignored and never promising to stay quiet. Stupidity lives on amongst Gods and Kings, continuing to rule with an iron fist.
Ira Desmond May 2017
We have many ideals,
but we do not seem to have idealists anymore.

We have droves of problem solvers,
but we do not seem to have solutions anymore.

We have endless media discourse,
but we do not seem to have dialogue anymore.

We have unrestrained capitalism,
but we do not seem to have money anymore.

We have innumerable drugs,
but we do not seem to have treatment anymore.

We have scores of Baby Boomers,
but we do not seem to have elders anymore.

We have unlimited vacation days,
but we do not seem to have days off anymore.

We have incalculable amounts of information,
but we do not seem to have facts anymore.

We have regular, established elections,
but we do not seem to have elected officials anymore.

We have America,
but we do not seem to have a nation anymore.
Tim Knight Aug 2013
Filaments fixed on your eyes all night
and the possibility of a chance, of an opportunity,
that I’ll be able to talk to you,
because the club lights are blue
stretched like animal hide across your own hide:
complexion clear cheeks still rouged
though tidal club glow is still blue.

It’s pathetic, worse than any diabetic
with their HumaPen Memoir insulin
length of pen, recording the time
and date
and precise amount of pain
they inject from the last 16 doses.

My pen is my keyboard and records
miserable times
and forgotten dates in cafes
and precise amounts of pain,
though this diabetic is a pathetic poet
and he knows it.
SES Dec 2013
What have I done?
What did I get myself into?
What did I create?
There are so many complications with the little situation.
So I’ll just tell you the story.

One year,
there was a girl who fell for a boy
(isn’t that always how it goes?).
She fell for him in the spring.
She fell for his friendship.
Then his smile
and she learned how to make him laugh.
What a reward that was.
She fell for TV marathons,
and fort building.
She fell for brown hair, blue eyes, and freckles.
She fell for nerdy adorable.
She’s never been able to get over that type.

In the summer it continued.
She fell for their rhythm and sass.

In the fall it strengthened.
She fell for the idea of him.
That very idea kept her alive through stress and tears;
bitterness masked by sarcasm.

In the winter it faded.
That boy went
and turned his life to ****.
He drowned any pain or stress with copious amounts of
drinks and drugs.
He drowned the scent of those drugs with copious amounts of

In the spring he was the same.
And she knew better than to change him.

In the summer…
Oh in the summer it all crashed down.
In the summer she saw her chance.
In the summer he made a choice
and she would be there to make sure he kept his promise.
She tried so desperately to help him.
She spent her time and effort to wake him up to the reality that
fun can be had without the life he tried to leave behind.
Instead of taking the summer for a much needed cooling period,
she smothered herself with his dirtiest depths.
The ones he had only confessed to three people before.
And she felt honored to be the fourth.
She didn’t judge,
because she too had made mistakes.
Why judge somene for a past they are leaving behind?
No, she didn’t judge.
Instead, she fell even harder for that boy
and his scars.
She fell for evolved hide and seek in the dark
and last minute volleyball in the sand.
She fell for Saturday night board games.

She fell for healing.
She told herself that he could be healed
and it could be by her.
She read stories of heroes
and now was her time to be one.
In this story, her story,
for once in her life,
she was not the damsel.
She was there for him through his own low points,
and his friends darkest hour
that cast swinging shadows across his life.
Her boy shouldn’t have had to deal with that alone.
No one should.
But she did,
She dealt with everything alone.
He pestered her for those moments of truth.
She’ll tell you now that he was only trying to dig up her dirt,
because she knew so much of his.
She will tell you this because she can’t bear to acknowledge that
maybe he really did care,
but still left.

He had sent her songs that she ‘just had to hear.’
Introduced her to new movies and shows, videos and music.
They had learned from each other in such different ways.
Each had their strengths
and oh too many weaknesses.
But they had complemented each other.
He wanted to hang out at all times.
Of course only to distract himself from the cravings.
And of course she gave in every time.
But he never wanted her,
he only wanted a crutch.
And when that crutch left,
he couldn’t stand alone.
But that’s not her fault,
He never really needed her.
He was only under an illusion.
And illusions are made to be broken.
False mirrors that will eventually shatter,
good things she never believed in bad luck.

From the full hearted laugh,
to the bittersweet smile, to the tears in her eyes,
to the rage that now fills her voice,
on might even say she fell in love that over those seasons.
And she took far too long to fall out of it.
Instead she ripped herself apart.
She tore out the pieces that reminded her of him.
But she was unwise.
Instead of throwing those far, far away like she should have,
she kept them close to her chest.
She held them tight and crushed the life out of them.
When she finally threw them out,
they were crushed to ash.
Nothing left but the marks of destruction
because that was all that was left of her.
Her story is surprisingly long for her 16 years. He was only one part of it.
one is slightly bound
a congestion of sorts
nothing is evacuating
from a certain passage
proves to be hard
sufficient amounts of roughage
have not passed
through one's entrails
one cannot excrete
by one
hence the number two
sits unmoved
in one's tail
a feed of grains and fruit
in the morn
shall clear the obstruction
before dusk
AJ Mar 2014
The summer before I turned thirteen, I spent copious amounts of time perched on the edge of a ***** wooden chair in the corner of my friend's kitchen. Sometimes we'd sit together watching her mother make us dinner, the way her hands moved gracefully chopping up onions, and with a flick of the wrist, tossing them into the cast iron pan.

Other times we'd sit with her sisters and fill the table with large stacks of books, reading our favorite lines out loud to each other. Laughter bubbling up to our ears, a quiet contentment settling over the room.

This time was different. It was just us girls, the oldest of us was playing with my hair as I leaned back against the thick wooden frame of my chair, humming quietly to myself. The ******* the other side of me slid open her phone, them immediately turned to me. When I looked at her, she squirmed in her seat as though she had committed a crime and the kitchen had somehow transformed into an interrogation room.

Finally, she broke the silence, saying, "So, uh, I told my friend, the boy you met the other night, about your whole...thing." Instantly, I knew that this "thing" she was talking about was my crush on the girl down the street. She was still uncomfortable with the subject so I gave her points for trying and swallowed my pride. I asked his response and she glanced back to her phone while I waited for a cry of disgust that never came.

Instead I got a reaction I never knew I should fear. Her phone screen displayed a simple text message with only two words. "That's hot."

As if I should care. As if even though I didn't want men, they were still allowed to want me. Still allowed to think that they owned me.

The way men think that my life is a game and at the end of the day what I really want is a big strong man to take care of me.

All women fear ****** assault, but there's a special kind of torture that seemed made only for me. Corrective **** is what they call it when a man thinks that the best cure for a lesbian is to get a taste of a man.

As if men cannot fathom the idea that women were not made to please them. As if they can't comprehend the idea that there are women who don't want to have *** with them.

The way straight men complain about how uncomfortable gay men make them feel, as if men are allowed to say no and women are not.

And at nearly thirteen years old, I didn't know any of this and I bore his words as though they were a compliment, because even if I didn't want him I'd been raised to think that pleasing men was to be my only goal in life.

I told myself I shouldn't be angry. I begged my skin to stop crawling, my insides to stop revolting against me. What was wrong with me? Why did a compliment feel like an assault?

But a part of me recognized, even at twelve, that those words were not a compliment, but rather a threat. This boy knew I didn't want him, couldn't want him, but that didn't seem to matter to him, because he wanted me. I have been taught that men always get what they want, so why shouldn't he get to have me?

With two words, I felt like I'd been sold into slavery. I opened my mouth to speak but no words came out, silenced by the waves of shame crashing over my mind.

I was a girl, nearly thirteen, sitting in her friend's kitchen, and realizing that I'd never be free.
life nomadic Jul 2013
A tomboy, naturally barefoot, gingerly walks the white painted line because the asphalt is just too burning hot.  Scrubby tufts of weedy grass are welcome respites on the way, briefly cooling her steps even if they are stickery.  The ***** soles of her now calloused feet were intentionally toughened just before school got out, with mincing steps across the roughest gravel she could find.  Her mother accommodates her preference, leaving a pan of water outside for her to scrub her feet before going in.  Even then, a black path has gradually appeared leading from the front door in the old orangish carpet.  Two months of summer barefoot every day when she had the choice. Keyed roller skates clamped onto last year’s school shoes were the exception.  She can flat out run anywhere.
This particular expedition began like every other thing they did, which was anything to fend off boredom.  She had been sitting on a cement step shaded by an open carport, just three oil-stained parking stalls for three small apartments on the tired poor side of town.  There is a little more dirt on the street here, and grass is a little neglected.  Just like the children, but these kids prefer that anyway.  Two scruffy friends stomp on aluminum cans, brothers sporting matching buzz cuts and cut-off shorts.  They are flattening them for the recycling money by the pound, so the carport smells vaguely of stale beer.  Another boy attempts to shoot a wandering fly with a home-made rubber band gun; rings cut from a bicycle tube made the best ammo.  “What do you want to do?” …”I don’t know, what do you want to do?”  Thwack…  The only requisite for friendship here is vicinity, yet it is still true.  The idea of choosing friends is about as odd as the concept that one could chose where one lives... Strengths and shortcomings are completely accepted because it is just what it is.  

Their amazing three-story tree fort with a side look-out had been heartlessly taken down by the disgruntled property owner last week.  Two months of accumulating pilfered and scrap two-by-fours, nails, and even a stack of plywood (gasp!) from area construction sites had yielded supplies for a growing fort.  A gang-plank style entry had crossed the ditch to the first level.  Nailed ladder steps to the second offered a little more vertigo and a prime spot to hurl acorns.  Another ladder up led up to the third floor retreat, with a couch-like seating area and shoulder high walls.  A breeze reached the leaves up there.   The next tree over was the look-out, with nothing but ladder steps all the way up to where the view opened up out of the ravine.  When the wind blew, it gave merciless lessons in facing any fear of heights.  But now that was all over, discovered gone overnight.

Someone says again, “What do you want to do?” …”I don’t know, what do you want to do?”  “ 7-11? ”  Good enough, so they head out.   Distance measures time.  Ten minutes is the end of the street past the cracked basketball court in the church parking lot.  Fifteen minutes and the lawns end at the edge of the sub-division.  Half-built homes rising from bare dirt and scattered foundations could offer treasures of construction scraps, (where she suspects the stack of plywood came from.) but they keep walking.  Twenty minutes is where industry has scraped away nature, and railroad tracks form an elevated levee.  But time is meaningless if there’s a wealth of it, so there’s no going further until an informal ritual is completed.  Wordlessly they each dig around their pockets searching for equal amounts of pennies.  Each of them carefully arrange them lined up on the rounded-surface rail, and they settle in for the wait.  It could be five minutes or it could be thirty.  They all understand it’s a crap-shoot of patience waiting for the next train. It’s an unspoken test; quitting too early means losing your coins to the one who stays, so that’s not an option.

Heat presses down and the breezeless air smells like telephone-pole creosote.  She sits in a dusty patch of shade found next to an overgrown ****.  She knows it tastes like licorice and breaks off a stem to chew, but doesn’t know what it is.  The boys throw rocks randomly until she finally stands up to join in, tempted by the challenge of flight and distance.  Then she stands in the center of the tracks, looking one way then the other, searching for the first random distant glimmer of the engine’s light at the horizon.   A flash, so she places her ear to the metal Indian-style, and the imminent approach is confirmed.  She calls out, “its here!” and double checks her pennies’ alignment.  Heads up or tails, but always aligned so the building might be stretched tall or wide, or Lincoln’s face made broad or thin.  That happened only rarely, since it could only be rolled by one wheel then bounced off.  If it stuck longer, the next wheels would surely smash it into a thin, elliptical, smooth misshapen disc of shiny copper.  Its only value becomes validation of a hint of delinquency, Destroying-Government-Property.  Once she splurged with a quarter, which became smashed to just a gleaming silver, bent wafer discolored at the edge.  Curiosity wasn’t worth 25 cents again though, so she had only one of those in her collection.

The approaching engine silently builds impending size and power, so she dashes back down the rocky embankment to safety because after all, she is not a fool, tempting fate with stupid danger. She knows a couple of those fools, but she finds no thrill from that and is not impressed by them either.  Suddenly the train is here, generating astounding noise and wind, occasional wheels screaming protest on their axels.  She intently watches exactly where she placed her coins, hoping to see the moment they fly off the rails that are rhythmically bending under the weight rolling by.  It becomes another game of patience, with such a long line of cars, and she gives up counting them at 80-ish.  Then suddenly it is done and quickly the noise recedes back to heat and cicadas.  The rails are hot.  Diligently they search for the shiny wafers.  Slowly pacing each wood beam, they could have landed in the gravel, or pressed against the rail, or even lodged straight up against the square black wood yards down the tracks.  They find most of them, give up on the rest, then continue on.

She has thirty cents and at last they reach the afternoon’s destination.  7-11’s parking lot becomes a genuine game of “Lava”, burning blacktop encourages leaps from cooler white lines, to painted tire stops, to grass island oasis, then three hot steps across black lava to the sidewalk, and automatic doors swoosh open to air conditioning.  She rarely has enough money for a coke icey; she is here for the bottom shelf candy, a couple pennies or a nickel each.  Off flavors but sweet enough.  She remembered when her older brother was passing out lunchbags of candy to the neighborhood kids for free, practically littering the cul-de-sac.  She had wondered where he got enough money for all that popularity, or could he have saved that much from trick-or-treat? She wondered until he got busted shoplifting at the grocery store.  The security guard decreed that he was never allowed in there again, forever, and the disgrace of sitting on the curb waiting for the mortified ride home was enough to keep him from doing it again.

Today she picks out a few root beer barrels, some Tootsie-rolls (the smaller ones for two cents, not the large ones that divide into cubes) a candy necklace and tiny wax coke bottles, and of course a freeze-pop.   Sitting on the curb, she bites off small pieces of the freeze pop, careful not to get tooth-freeze or brain-freeze, until the last melty chunk is squeezed out the top of the thin plastic tube.

“What do you want to do now?” …”I don’t know, what do you want to do?”
Lauren Upadhyay Dec 2012
"It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things." -Lemony Snicket

For all its ostensible simplicity, death is complicated for those of us who have yet to experience it. And while I appreciate Snicket's sentiment, coping with loss is not always this straightforward. It is not always possible to merely readjust oneself after the painful shock of losing someone we care about, simply because some relationships transcend illusory misstep; there are some people who are more to us than just the empty space through which we navigate and which confuses us and makes us feel silly when we realize that there was never really any reason to worry in the first place, and that we are going to be just fine.

In much the same way as realizing we've tripped over a non-existent stair, it is always uncomfortably surprising when we lose someone we know. It's a feeling akin to being suddenly and aggressively shaken awake from some mildly enjoyable, but generally monotonous dream. Like we couldn't have predicted as much, as if it were some exotic and unfortunate illness that only ever happens to people in newspapers. And whenever we are made to confront the painful yet obvious reality, it forces us take a step back and reevaluate things.

It makes us think of the deceased, and how we must readjust our view of the world to accommodate their absence. And yes, many times this adjustment amounts to nothing more than a brief moment of miscalculation and confusion. But there are some times when this is not the case, when the loss of a person causes an unmistakable and lasting difference in our lives. There is a rare and special closeness with certain people that some of us are lucky enough to experience, and which at some point causes us to unconsciously realize the verity and significance of these people's existence.

There comes a moment when a person ceases to be merely an imagined phenomenon, and forever becomes an integral piece of the staircase in the multi-storied building of one's life. The people who ineffably and eternally changed us; the people who inadvertently etched themselves into our framework and forced us to recognize their inextricable realness. These are the people for whom we do not become only momentarily disoriented when they leave. When they stop existing there is one less step, a permanent gap in the staircase. And no matter how much time passes, no matter how well adjusted we become, it will never feel quite right skipping a step, making the unnatural lunge over the empty space they've left behind.

— The End —