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Callum Evans Apr 2010
Amadeus, where art thou? For I see you by yonder tree, speaking
to the squirrel’s nut.

Amadeus where art thou? You’re no Romeo, yet you sit under yonder balcony, muttering
gibberish under the bush.

I write this to you in sweat, for I have no blood nor ink to send to yonder hill atop which
you fancy a stroll.

I don’t fancy writing this, really, for I don’t quite know what to say as you gaze
at the grassy window pane behind which the kraken sits.

Amadeus where art thou? For this is your plight.
You can make sense not of anything I write.
© 2010 Callum Evans
Mateuš Conrad Feb 2017
when i was born within the Chernobyl aftermath, and the nurse tried to **** me, in that she almost choked me, enlarging my heart, and when that didn't **** me, and they attempted to befriend me, and gave me a brain haemorrhage... and that didn't **** me... i started to think: what will? i can't say i'm in hell, i can only assert limbo: i'm not a monster, just yet... it's only later that i became *******, when they wrapped me in a blanket of denials, to ensure their society was a beacon of false hope and even more false love... that last bit is the cherry on the top... i once hated ridicule: now i started to loath playground like games of lies... i just started thinking: these people are a bit worthless... how could people i once respected become so... so... pointless? it's not a case of: oh poor me... i'm laughing... asking for the next quickened allotment of epitaph in marble... i prefer the pain rather than this kiddy game of denying something being true... that sort of **** just makes up for being thought about too much... it exhaust my mental capacity... limbo is quiet fine, i'm apprehensive where these people think they live... utopia isn't exactly a best-described vicinity... but when did people start to become so ugly? it's slow down here, the big bang just happened, or as i say: with the kettle boiling water... biology's darwinism timescale for a reaction, and physics's timescale of the big bang theory are not exactly fascinating for me, boiling my water to make a cup of tea... i am literally split-mind concerning these two "barometres"... it's just hard juggling these two (0, 0) coordinates... to stress a beginning... evidently juggling these two narratives leaves us living our lives on amphetamines... insect like... it's hard to even make time or emotional investment in: a death in a village... it's doubly hard to make adjustments for a tomorrow, giving our input in beginning: no one knows, billions and billions... years... and then back toward the befitting cranium... it really is man with an omni-characteristic, well... at least one of them... which clarifies itself in a way: given that we're no longer exploring this orb, globalisation ensured the tribe died... we can go in circles: round and round... there's never a clear vector in sight... no real unknown land to challenge... it's all been tamed... once the savannah, now the zoo... as one german noted: the melancholy of the completed house... all the work gone into constructing it, the thrills, all gone... it just stands as perfect, as it is already derelict... hard to keep track of a two-beginnings system... it's hard to find awe these days, i mean awe that might allow an Aristotle, rather than just looking stupid... i think that England really does require an invasion to shake it up a little bit, it looks so docile in its arguments... so certain: "poised" to conquer... i can get (0, 0) of the big bang, a big blank... my brain just became scrambled eggs... i store that **** in my head: i'll see forever-never-tomorrow... i store the monkey-suit in my head (the other (0, 0) beginning) - i'll begin to wonder: but the monkeys have it so easy! me panda! me and bamboo! darwinism has either killed of history that we made in the centuries a.d. / a few centuries b.c., or what they're prescribing us really can't fit into one head, or into a few, to make it into a crowd... because when a few ditto-heads ingest one wise monkey talking over another monkey... the atheistic crowd is the quickest to disperse... as with the constant banging on about the number of stars in the universe... i like to look at the number of carbon dioxide bubbles in a glass of Perrier water.

well, maybe because they aren't
my contemporaries... but i despise Chopin
like despise Liszt... the fact that the latter
smoked cigars is just asking
for me to abhor him... and that a poet
   succumbed to his virtuoso skills
with dire tears of
       a jealous thread (matt arnold)...
for me Liszt and Chopin battered the piano,
literally, battered the piano...
     could have slaughtered a cow also...
but then again there's a part of my that says:
well, if the god argument is infantile,
how about the nation argument, is that infantile also?
are we to be bleached entities,
or merely abstract pronoun users? you see,
   they stole Copernicus from the Poles,
and Mickiewicz, and evidently Chopin is no Pole...
but a prize nonetheless... so they keep him
as that rare thing: something born into an almost
inescapable state prone to disintegration...
   what with the monarchy being
     one of import, either a Swedish electer ruler,
or a Hungarian, or a Russian, or a German (e.g.
house of Sas) - a monarchical brothel,
   otherwise known as an aristocratic "democracy"...
    it's just a good thing i don't like him... i don't see how
a piano can be ***** as it has been by either Liszt or
Chopin, sure enough, nimple fingers,
joseph ii hapsburg, mozart, the film amadeus citation:
                                                               too many notes...
    a bit like me... for its worth, the piano is so delicate,
    so so delicate... how it becomes an instrument that
requires competitors, how you need more virtuosos
who can play the **** music than original from-scratch
composers... piano: it just asks for gliding hands,
it's not asking for these megalomanic
tunes that might leave you with a wish from an audience
memember: to break your fingers...
evidently nothing more than a death / ******* stare...
or why the true resting place
of Chopin is Japan... as odd as it might seem...
           plays the piano great... plays a woman
  like a bagpipe...
                  aren't the two related?
     and when i first heard *ola gjeilo
on the radio
i was a woman watching a romcom...
                              the whole northern lights album...
my: a feast!
         just one of the few contemporary composers
that i can invoke...
     so coming back to the piano:
   me more of a Debussy and Eric Satie palette...
they just glide... i can only imagine
       a flight of migrating swans,
   or ice-skating...
    Chopin and Liszt is a mathematical headache...
        solo piano and the gentleness of approach...
    and only today,
   a lesbian couple travelling to manchester...
one of them phoned the radio station
and asked for a request...
      i've been dying to note this song / composer
down for a year or so... always heard the song:
never the composer's name...
                   ludovico einaudi,
much to my taste: the piano still remains
   a wardrobe item of the orchestral architecture,
rather than a door of your fridge...
constantly yapping for: more, more, more.
you glide across it,
tease it, rather than taste it,
  or subject it to a rubric of quickened calculation,
it stuff the room,
the best you can do is make it sound airy,
    make diacritical echoes from it,
than actual letters...
           say: the acute above the o, rather than
the o and acute in ó....
such a delicate thing: the piano:
which is why i never understood Chopin,
or felt a need for a national argument
       needing him, propping him on a peddlestool...
having him as a national treasure...
                  i always remained true to
those who settled for gliding over the alphabet...
    rather than immersing themselves in it...
that kind of composition, that simply fakes lazy...
     they are the ones i admire...
     and yes, given that dialectics has been
completely forsaken,
   the best we can do is give an indulgence
in an opinion, and make comments of
diacritic...
   women, chocolates,
men: dialectics...
                    or at least that's how i find myself,
making diacritic comments...
   akin to piano (contra chess,
    white notes consonants,
black notes vowels,
or should i say: any letter with a diacritical
distinction is the black note,
vowels and consonants are uniform in white)...
Brycical Mar 2015
Ha-Ha, Joker's laugh, wildcard coyote
dances a maniac tango, joking
in the midst of elemental chaos--
giggling at the lava, way hot
watching the castle's mortar dissolve, doting
the cacophonous crumbling symphony akin to Amadeus.
Ha-ha, joker's laugh, wildcard coyote
ignites a spliff with incandescent embers, smoking--
up under falling stars getting higher than the Himalayas
and more enlightened as the midnight parades off
into a translucent, steaming ashy bayou, hoping
there's a bite to eat before the heat waves doff
the darkness completely into blinding, hokey
sunbeams reflecting in snow, that cuckoo tune never lost,
Ha-ha, joker's laugh from that wildcard coyote.
a rondeau
HeWhoExplores Dec 2018
All the sad faces, so quickly they appear
Those eyes they peer; like voyeurs of the night
As time approaches dusk, and light becomes dark
They disembark
From Upper York Street-
To the strongholds of the the Shore Road
Glimpsing in, people stare back
From the Spides of the north
To the elderly and beyond
Coughing and shuffling, moaning and groaning;
Oh! What a concert!
Amadeus would be a proud man indeed
As it slogs by I catch a fleeting glimpse
My face, appearing ever so different; sadder
It must be illusionary, right? Perhaps
Standing there, just thinking to myself
Will I ever see these people again?
life
Johanes Wolfgang Amadeus Mozart: Symphony No.6 in F major, (K 43)

https://www.youtube.com/watch?v=0EgG8qYcYTU

Tchaikovsky Symphony NO.6 (Full Length) : Seoul Phil Orchestra
h ttps://www.youtube.com/watch?v=yDqCIcsUtPI

Beethoven - 6th Symphony 'Pastoral' (Complete) ♫♥
h ttps://www.youtube.com/watch?v=dbfa86bTD34
Johanes Wolfgang Amadeus Mozart: Symphony No.10 in G major, (K 74)
h ttps://www.youtube.com/watch?v=8r1LZheOe9M

W. A. Mozart - KV 444 (425a) - Symphony No. 37 in G major
https://www.youtube.com/watch?v=FDLlF6wz34U
Mateuš Conrad Dec 2016
you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay

is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.
anastasiad Oct 2016
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Qualyxian Quest Mar 2020
Dr. Thomas, I have a question.
What does Amadeus mean in Latin?

I'm glad you asked, Todd.
Amadeus means Beloved of God.
Joan Reese Aug 2015
Prana flows through me like springtime,
Prussian blue glass jewels the coral sand.
I discover a life to claim as mine,
In a space of grace beyond time.

I bathe in Dead Sea salt and Spanish lime,
By candlelight Amadeus plays a baby grand.
In a space of grace beyond time,
I discover a life to claim as mine.

Crystal stairs illuminate the climb,
Old souls are close at hand.
I discover a life to claim as mine,
In a space of grace beyond time.

Dreams conceived in my prime,
Strong in faith, I stand.
In a space of grace beyond time,
I discover a life to claim as mine.
Poem written after and meditation session.
Tizzop Nov 2019
final option: exit in sight
shall i walk this way?

rachel, eva and samuel being in the room
my tribewords for what i consider family

final option: exit in sight
shall i walk this way?

while you are remaining in this room of memories
while samuel is crying
while eva is sobbing
rachel - dem kid's mother - being desperate

you know what rachel?
we are akin to each other
like characters in sentences:
dots

unlike the undertones of
exclamation marks and exclamation points

samuel is crying
eva is sobbing
cause you guys are in another city
far away

you sent me a message:
"i have to protect the children"

tell me:

from whom?
from what?

estimate: how many fathers does a child have?
spell out how
man and woman
wife and husband

become able to defend and favor their
shadows lips and wishes

is there any meaning?
am i flaying my skin daily?
i am not a snake
i am darkness and light
like the rest of us
bizarre billions made of
languages moral values religions

do i have to skin myself daily?
does this have to mean even a bit?

i don't know bambina
but i am sensing that we are ONE:

blood boomerangs bound
boomerangs bound blood
blood bound and boomerangs

the devil cracked our bound
he grinned and said:
"my lost son i am
looking at you: a man full of doubts

ain't no thang though
i am confirming on oath:
i will be getting rid of your doubts
colorfully
they will be gone

we just need a gimmick

hereby i am passing on the golden goblet to you
there is some stuff in it
to be found in lies and magic"


young jeezy (me ok)

harold hunter (kids, larry clark)

falco (rock me amadeus)

ali (mobster)

dmx (my ******)

fassbender (angst essen seele auf, in englisch: fear eats up your soul)

robin williams (comedian?)

benjamin von stuckrad-barre (writer and addict)

whitney houston (who was really crying?)

angelina jolie (in the land of milk and honey)

sigmund freud (will you lead me to the origins of golem?)


they daily drank from the goblet
the list of my friends is long and enduring

some of 'em died
some continued to live
some decayed with numb limbs
in musty chambers
closed curtains

glossing ghosts above the head of
west indian archie
once a powerful gangster now a broke burnout

but this is one of many countless chapters
my son
ain't we good together boy?

i am confirming on oath:
i will be getting rid of your doubts
colorfully
they will be gone

successful people drink from the goblet;
they are in charge of their lifes
my son

the golden goblet is like heat in the coldness
the golden goblet is like cooling down in the heat of the desert

water
purity
nature and leaves
chemistry and magic

my friends are global
my friends are cosmopolits
by the time some lose the "r" on their path:
they become fiends

but this is one of many countless chapters
my son
ain't we good together boy?

all cultures
all religions
all languages

all my friends love the golden goblet
more than themselves
cause the golden goblet procures them

dear deception

all my friends don't love themselves anymore
but the golden goblet
all my friends don't love themselves anymore
but the golden goblet

devils hang out beyond rehab centres
they listen to the
conversations of addicts
they want to figure out their weaknesses
analyze and exploit them

devil flapped his arms
high up in the skies
cheating god's position
between trees and snowwhite castles in bavaria a state of germany

while the devil was listening to the addicts he held
the golden goblet under the moon's reflections thereupon

the golden goblet was ablazed with light
like a constellation superior to the earthly ghosts of weakness
the golden goblet sparkled

the addicts perceived it
as children perceive candy
as teenagers perceive the defeatable supremacy of grown-ups

they perceived the sparkling
as if you were listening to your favourite song

addiction is emotional
addiction is the blind quest for meaning

the golden goblet twinkled over the roofs of the bavarian rehab centre
and one of the addicts a young woman
looked up into the blackness of heaven
frankly speaking it was sparkling everywhere

the woman suddenly thought:
i have twins
i worked as a *******
i am not permitted to see my kids

in deliverances she spoke:
"i was a *****"
"i have twins"
"i order 'em precious clothes"

a sheen coming from the devil's
pupil
as she expressed her fate

she sighed and said:
"nut doc give me prescription... first i
don't wanna take 'em ***** though
they called (...)
and (...)
and (...)
and (...)

after slinging though" she proceeded with a shivering voice
" my feeling like gold"

her mouth opened widely as if she was hungry
golden sheen

a darkred eyebrow
vibrating ******
bald head full of

holes scars blood

since the beginning of memorizing
devil has been breeding horror:

not to mention the death of g.t.
leaving parents in a daze

not to mention the death of a.k.
leaving siblings in a daze

not to mention when a mother passed away: t.z.
leaving children in a daze

since day one devil has been embroiled in torment
born from the fight of brightness and night
the creature awoke

only in darkness
hidden by the star's twilight
beyond distances
we recognize him

when he is far away from us
like glorified past
on earth though
he embodies the shape of human beings
to be between us
to expose our weaknesses
that's his guzzling his brew and his - blessing

our failing strenghtens him
he be muscle

our illness strenghtens him
he be tizzop
Today is a good day.
Qualyxian Quest Aug 2020
Me: Dr. Thomas, what does Amadeus mean in Latin?

Dr. William Thomas (of blessed memory):

Todd, Amadeus means Beloved of God.
Mateuš Conrad May 2016
it was bound to happen, after all my fascination with
the complications he was writing about
became incubated in a hibernation for some time,
but i already said, once before, you get the zest,
you get this unending hunger like a vampire
should you come across philosophy last, esp. after
being unable to blossom in chemistry's affairs
to a suitable self-satisfying level of expertise,
then all those migrating electron diagrams in organic
chemistry give you enough to read philosophy without
cringing or finding it too difficult - counter reading
it with major literary works and you're part of
the circus frenzy; so yesterday's afternoon and
apart from all he mentioned to a dichotomy rather
than a dialectic about empiricism and transcendental
idealism - the expansive topic of regression...
i just had to spot regressive bookmarks, or
bookmarks of regression that people unearth as if
from the dead; such is the nature of these bookmarks,
people do resurrect them, in as least number of
examples as possible:
a. i've met a Greek who was still bemoaning
    that Istanbul is still "actually" Constantinople
    (the local turk has stopped selling
     black market cigarettes in his shop
     imported from eastern europe, so now i'm
     resorted to smoking the portable shēsha pipe,
     that lovely creamy extra-thick smoke
     of pure jasmine, which cigarette smoke
     anorexic and blueish-grey can't compete with),
b. actually i don't have an example at this point
     because i digressed about not being able to
     buy cheap cigarettes, but there are plenty others...
oh! right, the atypical American example
with the constitution and gun laws and how
it is rarely argued that the government is turning
bonkers and someone might get a thrill from a second
"French" revolution, or some other horrific affair.
c. ah forget about it.
so within his abstracts, from one per se to another,
a simpler Kantian conceptualisation is
a Matryoshka doll, he purposively defined things
as in-themselves, and to him a noumenon (thing-in-itself)
was far better understood than a phenomenon,
because phenomena i'm guessing he too thought
were discriminatory, unfair, bewildering,
for example: why did the Beatles matter? it's bewildering,
you can't juggle such a question on your own
terms, you can't play the Rubik cube with such a question,
fair enough if you want to play the clarinet,
but it's like that, best epitomised in the film Amadeus
where Antonio Salieri bemoans the phenomenon that
Mozart is... the sophisma figurae dicta (sophism
figures out statements) to no advantage - for example
the liberté, égalité, fraternité all men are born equal
*******, i.e. can i run a 100 metres in under 10 seconds?
NO! of course Antonio is persuasive, in that he himself
is persuaded to talk, because he cannot fathom
the phenomenon that Mozart is, and he isn't - as such
phenomena are hard to grasp, you can't put in anything
into them other than envy, respect, jealousy, joy
or whatever you wish akin to the central character of
Steppenwolf who wants to walk with the giants,
thinking the giants are waiting for him... are they?
the noumenon is oddly enough more fathomable,
it doesn't necessarily attract, it neither necessarily repel,
in its abstract formulation it can never be a phenomenon
at best it can be a sub-phenomenon, it can work below
the surface of things, but there will never be any
glitter or princely yawns surrounding it.
Mateuš Conrad Apr 2016
in all honesty, i've become a supermarket ghost, one shelf stacker inquired whether the cheap ***** i'm buying is any good, well the beer Amstel is decent, but the whiskey i mix anyway - a wake-up call to stay away from writing ancient greek style epics, a shelf stacker at a supermarket, that's all it took, bye bye chaos of the north, or northern chaos, or whatever i tried to romanticise / or make a fetish of.*

concerning ᚾᛟᚱᛞᚱᛁ ᚠᛚᚢᚲᛃᚨ,
in an analogical form, very much akin
to mozart and joseph ii of austria
(the famous yawn - Amadeus quote
'too many notes!'),
people need nibbles!
nibbles! i tell ye nibbles!
like the opposite of cinema,
as bird-man states at the end of
the film: people want action!
explosions! alien invasions!
they don't want existential angst
screened, they're so sadistic in
this department that they want
the solo eventuality - they want
to experience existentialism solo -
existential: out of every exit of example,
themselves. bird-man got it spot on,
but revise cinematography using
poetry, and what do you get?
the destruction of western and even
middle-eastern narratives with
the haiku - the haiku ****** up
prosaic poetry like karaoke ******
up innovative ballet of the tongue -
translated bird-man's investigation
of cinema, put it against poetry,
yep, pair them up,
when cinema craves for action
and adventure,
poetry craves for nibbles,
no one is going to burden Homer
for the next 1000 years, or Dante
should it matter, they'll want
nibbles, haiku upon haiku,
short and sweet... fellas' bring in the
insecticide! we're going to smoke
those cockroaches out with one
smooth toxic cloud! puff! and they're gone!
poetry can be a cinema,
i mean, if cinema appeases the public
with extrovert activity without
the necessary identity of the protagonist
all the better... i dare you
to create a protagonist's introversion
as some point... Mr. Gorgonzola!
you're up next... messerschmitt nose dive
into a parabola... kneeee-uh -
you can just hear the propeller like
a shark fin cutting air;
if poetry is anything like cinema is
that less is more -
it's people we're talking about, after all,
cattle, you can join the cattle throng
any time you want, i know i do,
no point being optimistic about
your individuality or the individuality
process you devise,
you have to be pessimistic,
the wildebeests are optimistic when together,
the tiger is... well, a tiger, alone -
predatory antics are scaled against
herding, with stampede the only recognisable
antic - but me, between predator and herd,
in a vulture group (committee) / vulture feeding
(wake), etc. add hyenas to that
and we're above parasites -
pocket-proof of a group of foxes never existed -
solitary musings i say, theirs' the wanderings -
but with examples like ᚾᛟᚱᛞᚱᛁ ᚠᛚᚢᚲᛃᚨ, epic attempts,
you slowly begin to realise the un-importance
of your daily routine, the mundane reality
of it all, the lost excitement,
before you could **** out all the essence
of a little encounter, but when embarking
like Columbus to find only Jamaica you
end up finding three-continents and shrapnel
from the eastern face... well you miss
your spontaneity, your little consistency -
no due to atheism - it didn't **** off theology,
that remained constant, a fudge berg
in your imagination, it just killed off history -
we have pre-history and stones,
iron and brass in between, and then
we have 24 hour newsreels - who's going
to make up the time? we're taught
of being insignificant before we even decided
to become the next Audrey Hepburn -
****** shoo shoo they call us - ushers
of shoe-shine smiles - see what i mean
about trying to write epics in the 21st century?
enforced evolution, chicken nugget poetry,
not even a whole chicken, chicken ******* nuggets,
and yes, coarse words act as conjunction
lubricant, no offence, but they do -
so with bird-man telling us explosions are
the case for applauds and throwing
free bread around - poetry is all about
scavenger nibbles - haiku can almost be ranked
as a poetic technique equal to pun or metaphor -
we lost the narrative,
the narrative isn't coming back to
rejuvenate poetry - it's... gone!
or as they say where champagne is cheap...
chimp champs of the innuendo
wrote many more rocking-a-cradle poems
and never bounced a tennis ball
against the same wall
with the signature of the game stressed as
        i sat on a chair
        and cut my hair,
        without a mirror:
        kdump (linux) error, error.
how a little holiday into excess narration
proved the point of the everyday emphasis
once again spotted.
andy fardell Sep 2013
Letters in the Alphabet

To some words mean everything
To me its all in the music

You see Abc gave me that
Lexicon of love
And I could only Imagine what
Lennon thought
Yet Pulp gave it all for the
Common people
But Bowie was my Hero
Good old Amadeus Rocked me at parties and
Boy George never hurt me as my
Enigma would always return me to innocence
Whilst at the back of my mind I would
Muse to thinking Time is running out
Becca Mar 2014
Listen to Wolfgang Amadeus Mozart while
Looking through psychedelic art
You'll find it
Quite the experience
I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.
Art is a black widow,
whether you're Vincent or yer just dabble.
Biting that enlightening apple
is a contract with a maggot of dark fate
-  just ask Mark Speight, Mark Speight.
 
Art, art is death,
whether you're dilettante or Dylan Thomas,
'a name where maggots have their x' he promised.
All artists the same, too late to ditch glitter-stick
and the towel outtaya pram, Neil Buchanon!
 
Art is a total ******,
whether you're Amadeus or amateur forever.
Tony Hart must have had a sin-eating, plasticine
mini-me, a self-claymation like scapegoat
sketch of Dorian Gray, to ace old age unscathed.
 
Art-lovers love the smell
of  tetra-hydro-thiophen in the morning.
And if the 20th taught us anything,
it's that God never gets off
His omnipresent ***
in time to turn off the gas.
 
And if poetry is the blood jet,
that makes me Sylvia Plath's Tampax 
(for heavier than heaven flow, red
inkjet from the wound-fount of Ariel, that dries
black as an inkjet in the Word font of Arial,

black as achybreaky heart of darkness
in the small print for artists
both unremarkable and indelible).
What I got stuck into and absorbed was Artist as
a halfgod’s endometrium or heart or wrist,

whose breakdown loses ichor all the colours
of the torrent-bow, but only deaths of dorados
have that aesthetic merit. Red dries black, sure
as life just drains life, sure as the bloodjet and inkjet
were never separate. Can’t ask Mark Speight
if Art miscreates artists
for its tragic autopilot bait.

Mark, tell Tom Chatterton I'll meet him at the Immortal Cafe.
How will he know me? My hair won't be grey.
Peter Balkus Oct 2018
I've got a personal psychotherapist.
He cures me from lows an spleens,
depression, feeling down,
from storms of life, which often clout.

He teaches me how to overcome
bad thoughts about this crazy world.
How not to get lost in a daily grind of life,
where brain rules, not heart.

Personal psychotherapist. His name is
Wolfgang Amadeus Mozart.
Mateuš Conrad Mar 2016
well, we were losers once,
but while the ferry from
calias to dover,
took two hours,
thanks to social media
we became instant, instants
of two hours shortened;
via pints of guinness at 5am;
falco only makes senses with films
like amadeus, rather than songs like
bloodhound gang's mope;
cheap **** cha cha cha:
            ooh lollipop oops later, oh:
spy snuggle me a double d pillows for a yawn
  with lactose tax and **** and differentiate sugars
homie - ganged up with crew of limp colts.
Qualyxian Quest Mar 2019
Dr. Thomas, my favorite teacher
Under a southern sky

As your time to teach is through, I asked
Will you contemplate the Cosmic Why?

I’ll tell you the truth, Todd, he said
The honest truth, I will not lie

In retirement I will reread all of Karl Barth
And listen to Mozart every day until I die.
Telli Rose Nov 2017
do you honestly believe
that just because she has
those infamous violin hips
that gives you any right
to play her?

you’ll be in for a
rude awakening
when you finally realize
no sweet harmony will
come from her

you will not hold her
by her delicate neck
and drag your worn bow
across her thin, ****** strings
as if she was the first, or last
orchestra instrument of yours

do not forget about
deep viola, and intuitive cello
do not mock mighty trumpet and jazzy sax
with your tenuous conductor’s wand
you are no master of a spectacular concerto.

go away Amadeus, you’ve lost your mind
if you can sit down comfortably
and think you won’t have to pay for
defacing every instrument in this precious ensemble
you once had.
-11/13/17 c.m.
wordvango Nov 2014
WAM
A requiem symphonic-
   a tribute to a dead one,
robust, orchestrated sympathetic my
   ear heard, in string and choir,
blesses the true listener, the poet.
   "Lord have mercy, on us....
the trumpet will send
    its wondrous sound
throughout earth's sepulchers"-
   I desire to mourn in such beauty.
Raise my tremors
     to the heights,
with deepest regards,
    Wolfgang Amadeus Mozart!
Mateuš Conrad Oct 2018
oh sure sure, because Burroughs
didn't exactly celebrate his
****** addiction in his writing...
what's there, not to celebrate?
alcoholic or not,
              i enjoy the masochism
involved in the recuperation period
of, the next day,
for about two hours,
before i come to my senses and
retain some form eloquence...
my English verbose plush...
              of a tangerine, or a plum...
but hey...
        no one says to a painter:
too many colors, or...
  not enough colors...
    but i'm pretty sure that
         Mozart was criticized...
in that film: Amadeus...
         by Emperor Leopold II...
too many notes... too many musical
notes...
          ****... well...
let's just listen to the ambient music
of the refrigerator's drone hum,
snooze, buzz and frizz.
Bryce May 2018
When Bach and Amadeus
Died in their sleep and agony
I wonder if they knew
What they had achieved

Was it worth the cost?
When the Alps were 145 centimeters
distant from today
and the earth still folds your music
In between its subducting page

I want your great stratovolcanical violins
To extrude pumice and grindstone
to crush sweet music in between
Mt. Rainier and an unknown garden
made somewhere deep
in my quantum dream

The sky takes your notes
It is a great teacher as well
and swell, it does

It tells
me a quadrillion dreams
in every iterative puff of smoke
In every collapse of possibility
of every cat ground to paste upon the street
and all the ones that purr locally
In the arms of some caring soul
A lesser spirit dreaming
In the arms of their god

You play with a broken leg
or an unattached eye
or shaved cilia
And yet still
Your skill
Outmatched
none but ourselves
Mateuš Conrad Jun 2020
.some sort of variation: the written and therefore... read... past and present making case... not so... easily... digested... and / or... marketed... when... encapsulated in a video... format... the written and the... much later... read... almost a colour... a pristine relief to masquerade... some sort of purple in a deepening plum of cherry... and giving it a name: burgundy... then again: that's also inquiring to ***** the "matter" with some plum... since when burgundy arrives... it's no maroon... hell no: concerning... fuchsia... burgundy and maroon are not... colour-statements... less... fluorescence... less... all that... otherwise... bothersome... haze and "jazz"...

i tried to sit through: mozart's magic flute...
being broadcast...
locktown: down down down...
          and somehow not out...
what's the half-terrible song
by falco...

   best known when cited by:
bloodhound gang....

i tried sitting through...
this... when genius meets "genius"...
this... one-time when german
took up... concerns for...
their expression of humour...
  the opera: singspiel... opéra comique...
the gods were somehow...
laughing: then... but fickle as they are...
i don't buy into either the joke
or... that... there's a somehow...
or this being... the classical:
           best kept: ortiface...
               rock me amadeus:
                 - 1782: marries constance...
     - 1784: mozart becomes a freemason
      - 1791: mozart composes the magic flute...

when did mozart compose the marriage of
figaro?                1786...
   the hidden depth of elevating
laughter...
        it's the magic flute... though...
but then... all this...
    verb-with-a-past-participle...
    to speak with a "future-past" presence
of a continuum:
              
  i tried sitting through mozart's magic
flute...
           but knowing the history...
this... wasn't... an ode to... the freemasons?
the magic flute is supposedly
magical than... first come first served...

papageno and the glockenspiel...
don quixote and the arrived at...
conquistador windmills...
                  
   i tried to sit through it...
i had to nip off to the bathroom
to play a game of "chess"
and *******...
because... as one has to...
check one's blood pressure...
check one's blood sugar level...
one just has to... *******...
whether there's a lover to be minded...
or... the taboo of *******...
or: inverted choc burning
the yeast buns via the oven
of ****!
                     this solo project:
this dodo project:
was always going to be...
an... irritating foundation stone
of: this is all modern...
the critique too...
hardly anticipating the norms
to be... antiquated and victorian...

          perhaps i couldn't sit through...
mozart's magic flute...
because... i just couldn't...
sit through... that sort of german best kept
secret: humour...
            
opera and the staging of humour...
i can somehow understand the...
solipsistic... autistic focus for stand-up...
comedy...
        singspiel... whenever that was
important...
           stand-up monologue humour
contra: the swizz cabaret...
        some variation of uncle voltaire...
and opera is her...
              loot...
   and all those... teasing at opera:
within the confines of: the suffix:
the opera-and-the-tics!
              
                kommen (sie) die stunde,
     die tag... die jetzt...
          eine jahreszeit...
                       besser gekleidet...

even when not living up to...
lye-v...
              canned laughter...
it's so vell Under's'tOOd...
          the jokes comes with a zeppelin...
and truance...
irritating sound...
the sound of a shattering of mirrors...
an irritating sound...
the sound of... biting fingernails...
an irritating sound...
    eating a ripe fruit like
it does resound...
performing oral *** on a ******...

            company on a tube...
relic of a journey...
  steppenwolf...
                 hessian bride... my most...
lacklustre improv. of retaining...
privy...
           commentary for...
thoese yet to be woken by...
           the... awaiting lost appetite for...
soap opera...
   clinging toward a kept...
routine... like brushing one's teeth...
which... opera per se...
isn't even... remotely... part of;

high-brow injustices of...
                          how will that make
you: yuppy-up...
leverage... a plateau... once more...
for me?

— The End —