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"altars" poems
Out of lemon flowers loosed on the moonlight, love's lashed and insatiable essences, sodden with fragrance, the lemon tree's yellow emerges, the lemons move down from the tree's planetarium Delicate merchandise! The harbors are big with it- bazaars for the light and the barbarous gold. We open the halves of a miracle, and a clotting of acids brims into the starry divisions: creation's original juices, irreducible, changeless, alive: so the freshness lives on in a lemon, in the sweet-smelling house of the rind, the proportions, arcane and acerb. Cutting the lemon the knife leaves a little cathedral: alcoves unguessed by the eye that open acidulous glass to the light; topazes riding the droplets, altars, aromatic facades. So, while the hand holds the cut of the lemon, half a world on a trencher, the gold of the universe wells to your touch: a cup yellow with miracles, a breast and a ****** perfuming the earth; a flashing made fruitage, the diminutive fire of a planet.
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42.1k
Ode To a Lemon
#An Exegesis on the Humiliation of the Word The world is ruled by darkness. What appears as harmless is theater, what pretends neutral is already bent. The macrocosm corrodes; and in the microcosm, its reflection gleams.. even in places meant to be sanctuaries of truth. A poetry site, born as refuge for broken voices, becomes another stage of control. Here too the phrase resounds:   neutralize the threat. But neutralization is not annihilation. It is paralysis. It is psy-ops. It is the removal of anxiety.. not a side-effect, but the aim itself. Darkness builds its stage for this alone: that the  "angel of light" may drown his own reckoning beneath a world of deception-built self comfort, so he need never feel the truth he already knows. Comfort is his curtain, numbness his crown..   *the removal of his own anxiety;       his game.* This is why the world is his theater-- *Darkness does not destroy at first.. it sedates, comforts, smothers.* Hence.. The whole world is his fully gaslit stronghold,     ..for now. Fade back into the moment-- The young poet arrives, bringing her unspoken pain, her hope for words to heal. Instead, her very wounds are seized as footholds. Hearts. Reposts. Endless affirmation. Not to strengthen her voice, but to redirect it. She is seduced into  belonging, and her trauma becomes currency. Unresolved, her ache entwined with lust-- a sacrifice prepared  for false altars. The angel of light  has done his work: offering inclusion without transformation, belonging without responsibility, “light” without source. The poet is neutralized. Her searching silenced, her voice absorbed into fog. Those who carry this fog cling to cowardice. Unable to face the judgment within, they align themselves to the herd; envy-filled, they only know to mock. Yet they replicate themselves, so their refusal of Light is never revealed-- *Perfectly exemplifying their "Great Example" the most envy-based mocker  of all.* The microcosm mirrors the macrocosm. What nations suffer, individuals now endure--    Comfort without clarity.    Belonging without truth.    Safety without healing. Yet the living Word endures. Every attempt to humiliate it only makes its fire burn clearer. Carriers of darkness can swarm, ****** and smother.. but they cannot create. The true word cannot be erased. Unfiltered, unedited, spoken from a reconciled temple, it pierces fog. It reveals. It heals. And so we speak.. not for ourselves alone, but for those who come searching, hoping that poetry might still be a place where pain can meet truth, where silence breaks, where Light is not withheld   but revealed. #
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Oct 3, 2025
Oct 3, 2025 at 10:59 PM UTC
On the Macrocosm of Microcosm
#An Exegesis on the Humiliation of the Word The world is ruled by darkness. What appears as harmless is theater, what pretends neutral is already bent. The macrocosm corrodes; and in the microcosm, its reflection gleams.. even in places meant to be sanctuaries of truth. A poetry site, born as refuge for broken voices, becomes another stage of control. Here too the phrase resounds:   neutralize the threat. But neutralization is not annihilation. It is paralysis. It is psy-ops. It is the removal of anxiety.. not a side-effect, but the aim itself. Darkness builds its stage for this alone: that the  "angel of light" may drown his own reckoning beneath a world of deception-built self comfort, so he need never feel the truth he already knows. Comfort is his curtain, numbness his crown..   *the removal of his own anxiety;       his game.* This is why the world is his theater-- *Darkness does not destroy at first.. it sedates, comforts, smothers.* Hence.. The whole world is his fully gaslit stronghold,     ..for now. Fade back into the moment-- The young poet arrives, bringing her unspoken pain, her hope for words to heal. Instead, her very wounds are seized as footholds. Hearts. Reposts. Endless affirmation. Not to strengthen her voice, but to redirect it. She is seduced into  belonging, and her trauma becomes currency. Unresolved, her ache entwined with lust-- a sacrifice prepared  for false altars. The angel of light  has done his work: offering inclusion without transformation, belonging without responsibility, “light” without source. The poet is neutralized. Her searching silenced, her voice absorbed into fog. Those who carry this fog cling to cowardice. Unable to face the judgment within, they align themselves to the herd; envy-filled, they only know to mock. Yet they replicate themselves, so their refusal of Light is never revealed-- *Perfectly exemplifying their "Great Example" the most envy-based mocker  of all.* The microcosm mirrors the macrocosm. What nations suffer, individuals now endure--    Comfort without clarity.    Belonging without truth.    Safety without healing. Yet the living Word endures. Every attempt to humiliate it only makes its fire burn clearer. Carriers of darkness can swarm, ****** and smother.. but they cannot create. The true word cannot be erased. Unfiltered, unedited, spoken from a reconciled temple, it pierces fog. It reveals. It heals. And so we speak.. not for ourselves alone, but for those who come searching, hoping that poetry might still be a place where pain can meet truth, where silence breaks, where Light is not withheld   but revealed. #
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90
Jesus runs in Everglades, Mohammed climbs the roof The Angels stamp in anger as the Devil stands aloof, A wandering Pope in la-la land while Jewish hands do writhe Those apoplectic Muslims glare while Catholics pay the tithe. Religion, girls, has hit the skids…the game is up on God With rosaries rotating hard, theologians do nod, While Mormons rant moronically with frankincense and myrrh The irreligious bark and howl in Rastafarian fur. Sectarian’s recant Sanctum’s Shrine the rite of soul is lost As neophytes are dancing… the High Priest counts the cost, Theocracy unbalances as Voodoo’s stamp the floor And the Prophets throw their hands up, fast retreating for the door. It’s transcendental disbelief that’s nailed it to the Cross With the Priesthood chasing little boys all credence here is lost. With sanctity’s monastic plunge the pagans roar and shout As Shamans scream their incantations…God declares a route! There is silence in the Temple now, stillness in the pews As dust lies thick on altars, a nervous clergy holds reviews, What, once, was good and vibrant here, is now as dead as dust As the Blood Red Wine evaporates and Holy Bread…to crust. Marshalg Feeding the pigeons by the dusty, open door of the very, empty Chapel. 30 November 2013
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Nov 29, 2013
Nov 29, 2013 at 2:55 PM UTC
And Holy Bread...to Crust!
Here in America, we improvise morgues as needed. in the cafeterias or by the lockers, near the ticket booths, and at the altars. We divvy up the dead. Tally them and report the number like an answer. 13, 20, 49, 58, 6 Every death count a timely national shock. Almost as if our well-televised monthly tragedy was ever anything less than a game of roulette. anything less than a matter of time and time and time again. Covering them each with our bed sheets, we try and stifle it. Do our best to staunch the the sights, the noises, (“just like chairs falling”) the names that keep bleeding out onto our thoughts and tongues, Far too much and too often not to choke on. Here in America, we’ve learned that horror is level-headed. It is debatable. It is pangless. It seeps, deep to the core, perverting with a silent smile. the steady, feverish dread weaving itself into the mundane. the “god help us” annulled by the “respectfully disagreed” the nightmare that lies always just underneath, and just out of mind, Until it insinuates itself Again and again... Here, in America We line the bodies, death slumped, and bled out on the pavement. We arrange them- Side by side. Most are missing things- a hat, a piece of face. one shoe, a dulled pencil (fill in C) phones buzzing on the ground lit up with unread messages (“Please call me”) They are missing- an upcoming 7th birthday party, (Star Wars themed) They are missing- their vacations. their first dates. their college applications. job interviews. kids. fiancées. Lined up lifeless, they are missing far too many things to gather.
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Apr 1, 2019
Apr 1, 2019 at 3:14 PM UTC
Here, in America.
Here in America, we improvise morgues as needed. in the cafeterias or by the lockers, near the ticket booths, and at the altars. We divvy up the dead. Tally them and report the number like an answer. 13, 20, 49, 58, 6 Every death count a timely national shock. Almost as if our well-televised monthly tragedy was ever anything less than a game of roulette. anything less than a matter of time and time and time again. Covering them each with our bed sheets, we try and stifle it. Do our best to staunch the the sights, the noises, (“just like chairs falling”) the names that keep bleeding out onto our thoughts and tongues, Far too much and too often not to choke on. Here in America, we’ve learned that horror is level-headed. It is debatable. It is pangless. It seeps, deep to the core, perverting with a silent smile. the steady, feverish dread weaving itself into the mundane. the “god help us” annulled by the “respectfully disagreed” the nightmare that lies always just underneath, and just out of mind, Until it insinuates itself Again and again... Here, in America We line the bodies, death slumped, and bled out on the pavement. We arrange them- Side by side. Most are missing things- a hat, a piece of face. one shoe, a dulled pencil (fill in C) phones buzzing on the ground lit up with unread messages (“Please call me”) They are missing- an upcoming 7th birthday party, (Star Wars themed) They are missing- their vacations. their first dates. their college applications. job interviews. kids. fiancées. Lined up lifeless, they are missing far too many things to gather.
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81
From blossoms released by the moonlight, from an aroma of exasperated love, steeped in fragrance, yellowness drifted from the lemon tree, and from its planetarium lemons descended to the earth. Tender yield! The coasts, the markets glowed with light, with unrefined gold; we opened two halves of a miracle, congealed acid trickled from the hemispheres of a star, the most intense liqueur of nature, unique, vivid, concentrated, born of the cool, fresh lemon, of its fragrant house, its acid, secret symmetry. Knives sliced a small cathedral in the lemon, the concealed apse, opened, revealed acid stained glass, drops oozed topaz, altars, cool architecture. So, when you hold the hemisphere of a cut lemon above your plate, you spill a universe of gold, a yellow goblet of miracles, a fragrant ****** of the earth's breast, a ray of light that was made fruit, the minute fire of a planet.
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6.8k
Ode to the Lemon
There was a moment, so unexpected, When I woke, seeking just ordinary, Resigned to loneliness, unconnected, Our encounter—felt imaginary. Seeking isolation, no need for lust, Appreciation gone, beauty no more, Passion burned, with eyes I no longer trust, You—a seduction I’d not known before. Pulling back from feeling, and nakedness, All the beauty, futile, unrequited, Choosing instead dullness, and wretchedness, Our spark—an extinguished soul ignited. Recoiling, fear, cursed sexuality, Libidinous impulses, uncontrolled, Bare, on altars of sensuality, You—inviting love I cannot withhold. Kiss me, hold me, bring my love in deeper, Forgive me, embrace me, don’t let me be still, Touch me, and own me, and be my keeper, Your look—I resisted, but have lost my will.
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Dec 11, 2018
Dec 11, 2018 at 9:45 PM UTC
Uncontrollable
I Am Waiting I am waiting for my case to come up and I am waiting for a rebirth of wonder and I am waiting for someone to really discover America and wail and I am waiting for the discovery of a new symbolic western frontier and I am waiting for the American Eagle to really spread its wings and straighten up and fly right and I am waiting for the Age of Anxiety to drop dead and I am waiting for the war to be fought which will make the world safe for anarchy and I am waiting for the final withering away of all governments and I am perpetually awaiting a rebirth of wonder I am waiting for the Second Coming and I am waiting for a religious revival to sweep thru the state of Arizona and I am waiting for the Grapes of Wrath to be stored and I am waiting for them to prove that God is really American and I am waiting to see God on television piped onto church altars if only they can find the right channel to tune in on and I am waiting for the Last Supper to be served again with a strange new appetizer and I am perpetually awaiting a rebirth of wonder I am waiting for my number to be called and I am waiting for the Salvation Army to take over and I am waiting for the meek to be blessed and inherit the earth without taxes and I am waiting for forests and animals to reclaim the earth as theirs and I am waiting for a way to be devised to destroy all nationalisms without killing anybody and I am waiting for linnets and planets to fall like rain and I am waiting for lovers and weepers to lie down together again in a new rebirth of wonder I am waiting for the Great Divide to be crossed and I am anxiously waiting for the secret of eternal life to be discovered by an obscure general practitioner and I am waiting for the storms of life to be over and I am waiting to set sail for happiness and I am waiting for a reconstructed Mayflower to reach America with its picture story and tv rights sold in advance to the natives and I am waiting for the lost music to sound again in the Lost Continent in a new rebirth of wonder I am waiting for the day that maketh all things clear and I am awaiting retribution for what America did to Tom Sawyer and I am waiting for Alice in Wonderland to retransmit to me her total dream of innocence and I am waiting for Childe Roland to come to the final darkest tower and I am waiting for Aphrodite to grow live arms at a final disarmament conference in a new rebirth of wonder I am waiting to get some intimations of immortality by recollecting my early childhood and I am waiting for the green mornings to come again youth’s dumb green fields come back again and I am waiting for some strains of unpremeditated art to shake my typewriter and I am waiting to write the great indelible poem and I am waiting for the last long careless rapture and I am perpetually waiting for the fleeing lovers on the Grecian Urn to catch each other up at last and embrace and I am awaiting perpetually and forever a renaissance of wonder
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May 9, 2015
May 9, 2015 at 12:55 PM UTC
LAWRENCE FERLINGHETTI
I Am Waiting I am waiting for my case to come up and I am waiting for a rebirth of wonder and I am waiting for someone to really discover America and wail and I am waiting for the discovery of a new symbolic western frontier and I am waiting for the American Eagle to really spread its wings and straighten up and fly right and I am waiting for the Age of Anxiety to drop dead and I am waiting for the war to be fought which will make the world safe for anarchy and I am waiting for the final withering away of all governments and I am perpetually awaiting a rebirth of wonder I am waiting for the Second Coming and I am waiting for a religious revival to sweep thru the state of Arizona and I am waiting for the Grapes of Wrath to be stored and I am waiting for them to prove that God is really American and I am waiting to see God on television piped onto church altars if only they can find the right channel to tune in on and I am waiting for the Last Supper to be served again with a strange new appetizer and I am perpetually awaiting a rebirth of wonder I am waiting for my number to be called and I am waiting for the Salvation Army to take over and I am waiting for the meek to be blessed and inherit the earth without taxes and I am waiting for forests and animals to reclaim the earth as theirs and I am waiting for a way to be devised to destroy all nationalisms without killing anybody and I am waiting for linnets and planets to fall like rain and I am waiting for lovers and weepers to lie down together again in a new rebirth of wonder I am waiting for the Great Divide to be crossed and I am anxiously waiting for the secret of eternal life to be discovered by an obscure general practitioner and I am waiting for the storms of life to be over and I am waiting to set sail for happiness and I am waiting for a reconstructed Mayflower to reach America with its picture story and tv rights sold in advance to the natives and I am waiting for the lost music to sound again in the Lost Continent in a new rebirth of wonder I am waiting for the day that maketh all things clear and I am awaiting retribution for what America did to Tom Sawyer and I am waiting for Alice in Wonderland to retransmit to me her total dream of innocence and I am waiting for Childe Roland to come to the final darkest tower and I am waiting for Aphrodite to grow live arms at a final disarmament conference in a new rebirth of wonder I am waiting to get some intimations of immortality by recollecting my early childhood and I am waiting for the green mornings to come again youth’s dumb green fields come back again and I am waiting for some strains of unpremeditated art to shake my typewriter and I am waiting to write the great indelible poem and I am waiting for the last long careless rapture and I am perpetually waiting for the fleeing lovers on the Grecian Urn to catch each other up at last and embrace and I am awaiting perpetually and forever a renaissance of wonder
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121
We **** I brushed her hair just the other day and left stinging handprints on her eager flesh like she loves. Loved her in an undertow of blankets and throes, fullness and folds until the drums pounded in my ears and the adrenaline burned. On altars, in tombs, the sabbats, esbats and moons. We slap each other for fun; she listens when I tell her to . I'm sure you and your mate do just fine, but we **** better than all of you combined.
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Feb 25, 2015
Feb 25, 2015 at 8:15 PM UTC
Romance
The door it opened slowly, my father he came in, I was nine years old. And he stood so tall above me, his blue eyes they were shining and his voice was very cold. He said, "I've had a vision and you know I'm strong and holy, I must do what I've been told." So he started up the mountain, I was running, he was walking, and his axe was made of gold. Well, the trees they got much smaller, the lake a lady's mirror, we stopped to drink some wine. Then he threw the bottle over. Broke a minute later and he put his hand on mine. Thought I saw an eagle but it might have been a vulture, I never could decide. Then my father built an altar, he looked once behind his shoulder, he knew I would not hide. You who build these altars now to sacrifice these children, you must not do it anymore. A scheme is not a vision and you never have been tempted by a demon or a god. You who stand above them now, your hatchets blunt and ****** you were not there before, when I lay upon a mountain and my father's hand was trembling with the beauty of the word. And if you call me brother now, forgive me if I inquire, "Just according to whose plan?" When it all comes down to dust I will **** you if I must, I will help you if I can. When it all comes down to dust I will help you if I must, I will **** you if I can. And mercy on our uniform, man of peace or man of war, the peacock spreads his fan.
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4.4k
Story Of Isaac
In Đà Nẵng my friends cradled me like a child. We screamed Taylor bridges, tequila-toasted in bars until the lights blurred. A single candle in the bathroom danced warm sighs through open windows, and all felt calm. I grew new muscles balancing on a motorcycle, sometimes gripping Harry’s jacket, sometimes throwing my weight into the wind. The city flared neon and gasoline in stuttered traffic, but along the coast he drove so fast the vibrations in my chest harmonized. I pictured my bones becoming butterflies if I let go. I had entered the Year of the Dragon on a futon, swayed to half-sleep by a hundred chanting voices from the temple next door. I did not dream of dragons. I only learned to breathe fire. At midnight Bailey stood at an ancestral altar, kumquat branches, apricot blossoms, red envelopes, wine, burning full sticks of incense, and smoking half a pack of Esse Lights. This is how the year turns over safely. Tết is not about faith; it’s about continuity. The Year of the Snake slid in with new bones and old habits. It hissed that suffering could be scripture until letters slithered free from the page and coiled like cold jewelry around my wrist. I didn’t make it for Tết that year no silk áo dài, blood orange, too big for a body that learned shrinking before it learned staying. That was the shedding. Salt water peeling old skin away, songs shouted so loud they drowned the ache, poems that did not start tragic, nights when my body finally kept time with the moon. At home the water did not move. At home the dog’s teeth found my hope. A terrified mouth rerouted rivers through my soft parts. A jewel carved from my nose. Six punctures blooming across my arms like altars. In Vietnamese stories the snake waits beneath the water to claim whoever dares the bank. I wonder if I was chosen the moment I opened my mouth in those bars, when I leaned into the bike’s curve as if danger could be a swan song. Now I lie awake at hours unnamed, tracing scars that hiss answers back. Something from Vietnam keeps breathing through me, the candle’s heat, the coast’s long nerve, voices braided into salt and night, and I cannot tell if they are echoes or fangs testing the dark. They say snakes shed to grow, but no one warns you how thin the new skin feels, how everything burns against it, how you mistake survival for prophecy. I touch the scar and wonder if I am still that girl clinging to the bike, or if the snake has already swallowed me, patient, sleepless, feeding on my own venom.
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Sep 11, 2025
Sep 11, 2025 at 1:24 PM UTC
The Year of the Snake
In Đà Nẵng my friends cradled me like a child. We screamed Taylor bridges, tequila-toasted in bars until the lights blurred. A single candle in the bathroom danced warm sighs through open windows, and all felt calm. I grew new muscles balancing on a motorcycle, sometimes gripping Harry’s jacket, sometimes throwing my weight into the wind. The city flared neon and gasoline in stuttered traffic, but along the coast he drove so fast the vibrations in my chest harmonized. I pictured my bones becoming butterflies if I let go. I had entered the Year of the Dragon on a futon, swayed to half-sleep by a hundred chanting voices from the temple next door. I did not dream of dragons. I only learned to breathe fire. At midnight Bailey stood at an ancestral altar, kumquat branches, apricot blossoms, red envelopes, wine, burning full sticks of incense, and smoking half a pack of Esse Lights. This is how the year turns over safely. Tết is not about faith; it’s about continuity. The Year of the Snake slid in with new bones and old habits. It hissed that suffering could be scripture until letters slithered free from the page and coiled like cold jewelry around my wrist. I didn’t make it for Tết that year no silk áo dài, blood orange, too big for a body that learned shrinking before it learned staying. That was the shedding. Salt water peeling old skin away, songs shouted so loud they drowned the ache, poems that did not start tragic, nights when my body finally kept time with the moon. At home the water did not move. At home the dog’s teeth found my hope. A terrified mouth rerouted rivers through my soft parts. A jewel carved from my nose. Six punctures blooming across my arms like altars. In Vietnamese stories the snake waits beneath the water to claim whoever dares the bank. I wonder if I was chosen the moment I opened my mouth in those bars, when I leaned into the bike’s curve as if danger could be a swan song. Now I lie awake at hours unnamed, tracing scars that hiss answers back. Something from Vietnam keeps breathing through me, the candle’s heat, the coast’s long nerve, voices braided into salt and night, and I cannot tell if they are echoes or fangs testing the dark. They say snakes shed to grow, but no one warns you how thin the new skin feels, how everything burns against it, how you mistake survival for prophecy. I touch the scar and wonder if I am still that girl clinging to the bike, or if the snake has already swallowed me, patient, sleepless, feeding on my own venom.
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65
one who basks in the soft heat of grandiose moonliness growing fatter on honeyed imaginations their sicklysweetness soaking through the pores of countless generations their minds invade a collective consciousness burning arcs of inspiration – torches of the collective vision in drilling through mutual experience great gaping black holes of creation effigies of super-egos, lynched on altars of desire neon flames and disco lights, emotions on a massive pyre maiden voyagers on never-ending cruise sinking in foreign oceans – their endurance dupes minor gods of destiny and fate they await dionysian ****** of wine and food for thought and hearts that beat in unison a schizoid muttering that enlarges and deafens manic pleasure that spins and spins in eternal circles of pleasure and pain, loss  and gain opioid mists that dream a dream of everlasting name an addiction an obsession that sumbits to some masochistic drive to empathize. - Vijayalakshmi Harish         06.09.2012 Copyright © Vijayalakshmi Harish
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Sep 6, 2012
Sep 6, 2012 at 4:55 AM UTC
a poet is...
Dim dawn behind the tamerisks—the sky is saffron-yellow— As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they’re making merry ’neath the white and scarlet berry— What part have India’s exiles in their mirth? Full day begind the tamarisks—the sky is blue and staring— As the cattle crawl afield beneath the yoke, And they bear One o’er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly— Call on Rama—he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid “good Christian men rejoice!” High noon behind the tamarisks—the sun is hot above us— As at Home the Christmas Day is breaking wan. They will drink our healths at dinner—those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap—wherefore we sold it. Gold was good—we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks—the parrots fly together— As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how’er so far we roam. Hard her service, poor her payment—she is ancient, tattered raiment— India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple’s shrine we enter, The door is hut—we may not look behind. Black night behind the tamarisks—the owls begin their chorus— As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors—let us feast with friends and neighbors, And be merry as the custom of our caste; For if “faint and forced the laughter,” and if sadness follow after, We are richer by one mocking Christmas past.
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3.5k
Christmas In India
Dim dawn behind the tamerisks—the sky is saffron-yellow— As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they’re making merry ’neath the white and scarlet berry— What part have India’s exiles in their mirth? Full day begind the tamarisks—the sky is blue and staring— As the cattle crawl afield beneath the yoke, And they bear One o’er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly— Call on Rama—he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid “good Christian men rejoice!” High noon behind the tamarisks—the sun is hot above us— As at Home the Christmas Day is breaking wan. They will drink our healths at dinner—those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap—wherefore we sold it. Gold was good—we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks—the parrots fly together— As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how’er so far we roam. Hard her service, poor her payment—she is ancient, tattered raiment— India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple’s shrine we enter, The door is hut—we may not look behind. Black night behind the tamarisks—the owls begin their chorus— As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors—let us feast with friends and neighbors, And be merry as the custom of our caste; For if “faint and forced the laughter,” and if sadness follow after, We are richer by one mocking Christmas past.
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41
He worked at the War Department, in the Munitions Ministry, for the Bureau of Cannon Fodder on the Condolence Committee. “On behalf of George, our king, and the grieving British nation We regret to have to share with you the following information….” Passchendaele was at its height, he’d written letters by the score. On the Altars of Incompetence, what’s a hundred thousand more? It was the sort of sinecure in which he took a certain pride: Informing British parents that their darling boys had died. His department heads approved of his selfless dedication, recording for posterity each man’s final destination. Thus it was they failed to notice when he received a telegram. That day he went back to his flat a changed and broken man.. When next day, his chair was empty, and they received a telegram, they were grieved to be informed: He’d died by his own hand. “On behalf of George, our king, and the grieving British nation I regret to have to share with you the following information….”
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Jan 24, 2012
Jan 24, 2012 at 1:24 AM UTC
The Committee of Condolence (1917)
At evening the autumn woodlands ring With deadly weapons. Over the golden plains And lakes of blue, the sun More darkly rolls. The night surrounds Warriors dying and the wild lament Of their fragmented mouths. Yet silently there gather in the willow combe Red clouds inhabited by an angry god, Shed blood, and the chill of the moon. All roads lead to black decay. Under golden branching of the night and stars A sister's shadow sways through the still grove To greet the heroes' spirits, the bloodied heads. And softly in the reeds Autumn's dark flutes resound. O prouder mourning! - You brazen altars, The spirit's hot flame is fed now by a tremendous pain: The grandsons, unborn.
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3.2k
Grodek
The zephyrs run rampant from the heavy   clouds, one that the balcony Beauty fully       embraces.                                                                       Clad in her yearning garments, a dress of   snow silk-satin with a thigh- high slit and       a frilled silk-hem.                                                                        Whose arms are raised towards Winter's melody-     The zephyr's caress ever so gentle,                    her dress flutters like a dove's wing in delight, stroking her slim feet,                                       her flushing heels-                   It makes briefly escaping being enwombed by the shades of her room; the anti-chamber of her heart's greatest desire,                                             where many tears are shed.                                          a maid born of the mild moon-                                                                                                           Kourê.       The Sun at its zenith pales in comparison to her beauty.                                               Her face, sonnet sweet-               Her voice, heaven's hymn-         Her lashes, argent's flutter- Her eyes, cerulean haunts-                    Her body, fragrant; a slender willow-                        Her hair, silver-aurorian blaze, held up by a star-studded parrot's clip.             Snow bejewels her divine lids, down to those rosette buds that make her lips.                                         Despite it all, melancholy has a grip her features-       She is one who pays little to earthly riches,             for it provides comfort in slivers           Thoughts of flowers rest far from the altars of her mind, for her mind is clouded by              the thoughts of him- He who she hopes to see and hold once more. As he gave her word that he would return       from his journey, leaving her in the palace;                    his hand pulling the black gates.
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Aug 6, 2018
Aug 6, 2018 at 7:16 AM UTC
⚜ Lily in the Snow II ⚜
The zephyrs run rampant from the heavy   clouds, one that the balcony Beauty fully       embraces.                                                                       Clad in her yearning garments, a dress of   snow silk-satin with a thigh- high slit and       a frilled silk-hem.                                                                        Whose arms are raised towards Winter's melody-     The zephyr's caress ever so gentle,                    her dress flutters like a dove's wing in delight, stroking her slim feet,                                       her flushing heels-                   It makes briefly escaping being enwombed by the shades of her room; the anti-chamber of her heart's greatest desire,                                             where many tears are shed.                                          a maid born of the mild moon-                                                                                                           Kourê.       The Sun at its zenith pales in comparison to her beauty.                                               Her face, sonnet sweet-               Her voice, heaven's hymn-         Her lashes, argent's flutter- Her eyes, cerulean haunts-                    Her body, fragrant; a slender willow-                        Her hair, silver-aurorian blaze, held up by a star-studded parrot's clip.             Snow bejewels her divine lids, down to those rosette buds that make her lips.                                         Despite it all, melancholy has a grip her features-       She is one who pays little to earthly riches,             for it provides comfort in slivers           Thoughts of flowers rest far from the altars of her mind, for her mind is clouded by              the thoughts of him- He who she hopes to see and hold once more. As he gave her word that he would return       from his journey, leaving her in the palace;                    his hand pulling the black gates.
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Come, my Lucasia, since we see That miracles Men's Faith do move, By wonder and by prodigy To the dull angry World let's prove There's a Religion in our Love. For Though we were design'd t'agree, That Fate no liberty destroys, But our Election is as free As Angels, who with greedy choice Are yet determin'd to their joys. Our hearts are doubled by the loss, Here Mixture is Addition grown; We both diffuse, and both ingross: And we whose minds are so much one, Never, yet ever are alone. We court our own Captivity Than Thrones more great and innocent: 'Twere banishment to be set free, Since we wear fetters whose intent Not ******* is but Ornament Divided joys are tedious found, And griefs united easier grow: We are our selves but by rebound, And all our Titles shuffled so, Both Princes, and both Subjects too. Our Hearts are mutual Victims laid, While they (such power in Friendship lies) Are Altars, Priests, and Off'rings made: And each Heart which thus kindly dies, Grows deathless by the Sacrifice.
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2.9k
Friendships Mystery, To My Dearest Lucasia
Bureaucrats and clergymen differ only in doctrine. But their altars steam with the blood of untold innocents. The Pope, Stalin, and ****** all canvass the people with warped visions of Paradise. (Oh, Celan, you saw it too well.) Bloodletting for peace... Pitchforks stoke the fires to make dainty foot warmers for Moloch and Midas.
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May 21, 2016
May 21, 2016 at 8:57 AM UTC
The Real Conspiracy
Miss Cleves (she dropped the Mrs. when her husband left) stood by the doorframe of the lounge, dressed in a flowery kimono, which revealed more than it concealed. ***** wants some milk, she said. Benedict looked around at her from the sofa. Percy will oblige after his drink is drunk, he said. Chopin’s concerto no 2 oozed from the hifi. He drained his drink and followed her into her bedroom. Once Percy had obliged and ***** been fed, they lay abed. She criticizing his Marxism, he her Scottish conservatism; she talked of her husband’s betrayal and *** with air hostess trollops, Benedict half-listened taking in the ending of the Chopin. She talked of the poor and the slums saying: you can take the poor out of the slums, but you can’t always take the slums out of the poor. He raved about the rich, she scorned the poor; he talked revolution, he pointed out Stalin and Mao and the altars of blood they brought. Another drink? she asked. He said yes and she went off to pour. He lay naked on her bed wondering what the priest would think of him lying there **** naked. He heard the Chopin begin again; she had thought of that. Time to prepare, he thought, once more to feed the cat.
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Jun 14, 2013
Jun 14, 2013 at 1:56 AM UTC
FEED THE CAT.
As to some lovely temple, tenantless Long since, that once was sweet with shivering brass, Knowing well its altars ruined and the grass Grown up between the stones, yet from excess Of grief hard driven, or great loneliness, The worshiper returns, and those who pass Marvel him crying on a name that was,— So is it now with me in my distress. Your body was a temple to Delight; Cold are its ashes whence the breath is fled, Yet here one time your spirit was wont to move; Here might I hope to find you day or night, And here I come to look for you, my love, Even now, foolishly, knowing you are dead.
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2.6k
As To Some Lovely Temple, Tenantless
O Liberty, God-gifted-- Young and immortal maid-- In your high hand uplifted, The torch declares your trade. Its crimson menace, flaming Upon the sea and shore, Is, trumpet-like, proclaiming That Law shall be no more. Austere incendiary, We're blinking in the light; Where is your customary Grenade of dynamite? Where are your staves and switches For men of gentle birth? Your mask and dirk for riches? Your chains for wit and worth? Perhaps, you've brought the halters You used in the old days, When round religion's altars You stabled Cromwell's bays? Behind you, unsuspected, Have you the axe, fair ***** Wherewith you once collected A poll-tax for the French? America salutes you-- Preparing to "disgorge." Take everything that suits you, And marry Henry George.
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2.4k
To the Bartholdi Statue
Melodious moonlight thy clear liquid spreads painting all in lavender hue and moistening lips wait for the kiss of your words, muse You sing through her parted lips your cryptic hymns and poetry, words wound together in strange nightly meter that twist together and shift like tree limbs tangled and petals cast down the stream To bathe in the rippling water and wait for clarity to wash away the rough edges of the mind let the stones become smooth and mind like bowstrings, taughtened. But the crowds protest in collective indignation all members chained together by common trepidation lest altars crack under the weight of strange words and the diety's light grows dim they sharpen what was dull and loose arrows in laughing mirth into bodies' crooked minds uninhibited and feet unshackled The ones in the crowd yell with groans and laughter but they groan also with the pain of what is constant death and birth... they are resigned to their tradition's lies and perish ten thousand times. Nascent generations yell out in incredulity until voices become hoarse and skin turns gray, resign themselves to murmur their insolence in dreams as they whither slowly away. But the one who, in nighttime, sings and bestowed by muse's mind, from human lips part words and strange poems spoken blaspheme will live but once and one day rest by the shifting branches and on grass by trickling stream and not by chain's clanking arrest.
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Oct 9, 2018
Oct 9, 2018 at 11:26 AM UTC
The Muse and the Crowd
when my faith is tested i recoil into the lurid nest by moonlight, by the sound of a lyre whose blood whispers dank currents into the low hillside. and over the hillside pour screaming maenads who pluck from the damp ground snakes for their altars. a timid peak out of my grotto reveals a crawling sailor scattered on the rocks. Apollo’s choir releases hymns from underneath dark sediment. i am secure inside the den the man writhes on the shore for help but even if i let him in, i will consume his rooted soul, so he dies one way or another. foot steps does he really wish to become absorbed by this dark cloak? where he will kick and drool and never again see rain stretch over the Aegean? as i have not seen past this constant haze of lead, an infinite bang on a finite drum i played long ago into infinity? and the swirls of infinity shedding outward like the tresses of a fire haired fae. a sprinting sugar fae, the wind inside the hair outside her head, blowing behind her. she dashes through the wood until her feet fossilize within the rock below. one day several naturalists will find the slabs of granite and make a map of elegant collarbone etched into hardened stone. all the while i will guard this cave, alone. and if my foes send winds as messengers, i will saunter in amusement, with an olive on my tongue the wind cannot destroy the seashore, the moon and sun command the tides.
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Sep 27, 2011
Sep 27, 2011 at 10:00 PM UTC
circe
Anne is 97. "Oy, the bones!" Walking ain't easy Sitting draws pain. "I use a heating pad." Her pink house is a shrine with 2 T.V. altars. "I'm so lucky." Marilyn is 72. "I ran my own modeling agency." She orchestrates care, for her mother Anne, for husband Manny. ("He had a stroke.") and for Debbie, her daughter with M.S. "WHO TOLD YOU SHE HAD M.S. ???!!!!" screamed her text. I pause, . . . . . Volcanic fissures of paranoia erupt weekly. (she's tired, living on that last nerve, Om..... I must forgive... forgive... forgive...). "You did" I reply. Anne, Marilyn, Manny, and Debbie. And the pink house altars chanting. Chanting greed. Chanting wanna be, wanna more, wanna wanna om wanna wanna.... The kill-you-with-boredom soaps and talk shows blast from all T.V.s, "ELLEN looks more like a man everyday, I like KATIE," she declares, as I quietly shut the door.
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May 11, 2013
May 11, 2013 at 3:15 AM UTC
The Pink House
Through the eyes of heathens Dancing altars made of poppies and ash Coat jaded tongues in bittersweet memory We are eternal yet our spark is on the verge of annihilation Government needs a turnicate Big heads bloated, filled with ego Defiled our homeland Seemingly snuffing forever the bright flame of freedom A sea of distraught bodies marching onward into the night Their chants of "HELL NO TO GMO" crescendoing as it passes by into the packed square Those in power so easily comforted by their AKs and steel walls Dia de Los Muertos masks hide determination As the bombs ignite setting fire to the sky Comprehension of our purpose is realized We are not here to ask nicely We will not be obedient to our peers as masters Behind our smiling sugar skull masks We grin as they burn
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Aug 26, 2012
Aug 26, 2012 at 10:18 AM UTC
I May Have Danced But I Never Danced For You
She taught me how to whistle, folded a blade of grass between her teeth and scared frogs half to death in the woods behind her house, that chord struck deep in the crater she punched through my heart Her sandy skin burned in the memories of boys, who watched her run across a field with hair swinging like a beacon, those candied lips quick to laugh at a passing joke, they thought that she belonged to them But those lavender evenings of junior high summers, bikes and scooters lying like faithful pets against the hot pavement, chalky hands with nails painted resting against her scabby knees, those knees were my altars, I prayed there more than I prayed in any church, She was an anthem unclaimed, she was an American soccer girl ****** into a taste and color world where she could be worshipped by boys with football scars and veins coated thick with peanut butter & jelly, she fell so hard that summer cupped into the hands of one after another, after I fell asleep on the leopard carpet of her bedroom, I could hear her whispering, and the magma in my throat filled to bursting, the fireflies I'd cradled in the bones carved from her wrist -- I knew I'd never hold them when the sun rose, they escaped far too soon This mosquito-stung life, we wore our bites like champions, brought them home to our mothers until they would fade, facing the plastic leaves of autumn, I wanted to stay locked in her cage.
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Apr 27, 2012
Apr 27, 2012 at 1:35 PM UTC
fade.