"alms" poems
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Asphalt Man
Phantasm La
Shaman Plat
Asthma Plan
****** Hast
****** Hats
****** Shat
Napalms Hat
Plasma Than
Sampan Halt
Sampan Lath
Manta Plash
A Plasma Nth
A Ham Plants
A Hams Plant
A Mash Plant
A Sham Plant
A Maths Plan
A Math Plans
A Than Palms
A Than Lamps
A Than Psalm
Aha Plant Ms
Alpha Tan Ms
Alpha Ant Ms
Lama Pas Nth
Lama Asp Nth
Lama Spa Nth
Lama Sap Nth
Lamas Pa Nth
**** Path Ms
**** Phat Ms
Natal Hap Ms
Alas Amp Nth
Alas Map Nth
Ha Lam Pants
Ha Palm Tans
Ha Palm Ants
Ha Lamp Tans
Ha Lamp Ants
Ha Palms Tan
Ha Palms Ant
Ha Lamps Tan
Ha Lamps Ant
Ha Psalm Tan
Ha Psalm Ant
Ha Lams Pant
Ha Alms Pant
Ha Slam Pant
Ha Malts Nap
Ha Malts Pan
Ha Malt Pans
Ha Malt Snap
Ha Malt Naps
Ha Malt Span
Ha Plan Tams
Ha Plan Mast
Ha Plan Mats
Ha Plans Tam
Ha Plans Mat
Ha Plants Ma
Ha Plants Am
Ha Plant Sam
Ha Plant Mas
Ha Slant Amp
Ha Slant Map
Ha Splat Man
Ha Plats Man
Ha Plat Mans
Ah Lam Pants
Ah Palm Tans
Ah Palm Ants
Ah Lamp Tans
Ah Lamp Ants
Ah Palms Tan
Ah Palms Ant
Ah Lamps Tan
Ah Lamps Ant
Ah Psalm Tan
Ah Psalm Ant
Ah Lams Pant
Ah Alms Pant
Ah Slam Pant
Ah Malts Nap
Ah Malts Pan
Ah Malt Pans
Ah Malt Snap
Ah Malt Naps
Ah Malt Span
Ah Plan Tams
Ah Plan Mast
Ah Plan Mats
Ah Plans Tam
Ah Plans Mat
Ah Plants Ma
Ah Plants Am
Ah Plant Sam
Ah Plant Mas
Ah Slant Amp
Ah Slant Map
Ah Splat Man
Ah Plats Man
Ah Plat Mans
Plash Ma Tan
Plash Ma Ant
Plash Am Tan
Plash Am Ant
Plash Man At
Plash Tam An
Plash Mat An
Lash Ma Pant
Lash Am Pant
Lash Man Tap
Lash Man Apt
Lash Man Pat
Lash Amp Tan
Lash Amp Ant
Lash Map Tan
Lash Map Ant
Lash Tamp An
Lash Tam Nap
Lash Tam Pan
Lash Mat Nap
Lash Mat Pan
Laths Ma Nap
Laths Ma Pan
Laths Am Nap
Laths Am Pan
Laths Man Pa
Laths Amp An
Laths Map An
Halts Ma Nap
Halts Ma Pan
Halts Am Nap
Halts Am Pan
Halts Man Pa
Halts Amp An
Halts Map An
Shalt Ma Nap
Shalt Ma Pan
Shalt Am Nap
Shalt Am Pan
Shalt Man Pa
Shalt Amp An
Shalt Map An
Halt Ma Pans
Halt Ma Snap
Halt Ma Naps
Halt Ma Span
Halt Am Pans
Halt Am Snap
Halt Am Naps
Halt Am Span
Halt Man Pas
Halt Man Asp
Halt Man Spa
Halt Man Sap
Halt Mans Pa
Halt Amp San
Halt Map San
Halt Maps An
Halt Amps An
Halt Sam Nap
Halt Sam Pan
Halt Mas Nap
Halt Mas Pan
Lath Ma Pans
Lath Ma Snap
Lath Ma Naps
Lath Ma Span
Lath Am Pans
Lath Am Snap
Lath Am Naps
Lath Am Span
Lath Man Pas
Lath Man Asp
Lath Man Spa
Lath Man Sap
Lath Mans Pa
Lath Amp San
Lath Map San
Lath Maps An
Lath Amps An
Lath Sam Nap
Lath Sam Pan
Lath Mas Nap
Lath Mas Pan
Ham La Pants
Ham Plan Sat
Ham Plans At
Ham Plant As
Ham Slant Pa
Ham Alp Tans
Ham Alp Ants
Ham Lap Tans
Ham Lap Ants
Ham Pal Tans
Ham Pal Ants
Ham Laps Tan
Ham Laps Ant
Ham Pals Tan
Ham Pals Ant
Ham Alps Tan
Ham Alps Ant
Ham Slap Tan
Ham Slap Ant
Ham Splat An
Ham Plats An
Ham Plat San
Ham Las Pant
Ham Slat Nap
Ham Slat Pan
Ham Salt Nap
Ham Salt Pan
Ham Last Nap
Ham Last Pan
Hams La Pant
Hams Plan At
Hams Alp Tan
Hams Alp Ant
Hams Lap Tan
Hams Lap Ant
Hams Pal Tan
Hams Pal Ant
Hams Plat An
Mash La Pant
Mash Plan At
Mash Alp Tan
Mash Alp Ant
Mash Lap Tan
Mash Lap Ant
Mash Pal Tan
Mash Pal Ant
Mash Plat An
Sham La Pant
Sham Plan At
Sham Alp Tan
Sham Alp Ant
Sham Lap Tan
Sham Lap Ant
Sham Pal Tan
Sham Pal Ant
Sham Plat An
Maths La Nap
Maths La Pan
Maths Alp An
Maths Lap An
Maths Pal An
Math La Pans
Math La Snap
Math La Naps
Math La Span
Math Plan As
Math Alp San
Math Lap San
Math Pal San
Math Laps An
Math Pals An
Math Alps An
Math Slap An
Math Las Nap
Math Las Pan
Than La Maps
Than La Amps
Than Lam Pas
Than Lam Asp
Than Lam Spa
Than Lam Sap
Than Palm As
Than Lamp As
Than Lams Pa
Than Alms Pa
Than Slam Pa
Than Alp Sam
Than Alp Mas
Than Lap Sam
Than Lap Mas
Than Pal Sam
Than Pal Mas
Than Laps Ma
Than Laps Am
Than Pals Ma
Than Pals Am
Than Alps Ma
Than Alps Am
Than Slap Ma
Than Slap Am
Than Las Amp
Than Las Map
Hap Lam Tans
Hap Lam Ants
Hap Lams Tan
Hap Lams Ant
Hap Alms Tan
Hap Alms Ant
Hap Slam Tan
Hap Slam Ant
Hap Malts An
Hap Malt San
Hap Slant Ma
Hap Slant Am
Hap Slat Man
Hap Salt Man
Hap Last Man
Hasp Lam Tan
Hasp Lam Ant
Hasp Malt An
Haps Lam Tan
Haps Lam Ant
Haps Malt An
Paths La Man
Paths Lam An
Staph La Man
Staph Lam An
Path La Mans
Path Lam San
Path Lams An
Path Alms An
Path Slam An
Path Las Man
Phat La Mans
Phat Lam San
Phat Lams An
Phat Alms An
Phat Slam An
Phat Las Man
Has Lam Pant
Has Palm Tan
Has Palm Ant
Has Lamp Tan
Has Lamp Ant
Has Malt Nap
Has Malt Pan
Has Plan Tam
Has Plan Mat
Has Plant Ma
Has Plant Am
Has Plat Man
Ash Lam Pant
Ash Palm Tan
Ash Palm Ant
Ash Lamp Tan
Ash Lamp Ant
Ash Malt Nap
Ash Malt Pan
Ash Plan Tam
Ash Plan Mat
Ash Plant Ma
Ash Plant Am
Ash Plat Man
Hast Lam Nap
Hast Lam Pan
Hast Palm An
Hast Lamp An
Hast Plan Ma
Hast Plan Am
Hast Alp Man
Hast Lap Man
Hast Pal Man
Hats Lam Nap
Hats Lam Pan
Hats Palm An
Hats Lamp An
Hats Plan Ma
Hats Plan Am
Hats Alp Man
Hats Lap Man
Hats Pal Man
Shat Lam Nap
Shat Lam Pan
Shat Palm An
Shat Lamp An
Shat Plan Ma
Shat Plan Am
Shat Alp Man
Shat Lap Man
Shat Pal Man
Hat Lam Pans
Hat Lam Snap
Hat Lam Naps
Hat Lam Span
Hat Palm San
Hat Lamp San
Hat Palms An
Hat Lamps An
Hat Psalm An
Hat Lams Nap
Hat Lams Pan
Hat Alms Nap
Hat Alms Pan
Hat Slam Nap
Hat Slam Pan
Hat Plan Sam
Hat Plan Mas
Hat Plans Ma
Hat Plans Am
Hat Alp Mans
Hat Lap Mans
Hat Pal Mans
Hat Laps Man
Hat Pals Man
Hat Alps Man
Hat Slap Man
A Ha Plant Ms
A Ah Plant Ms
A Halt Nap Ms
A Halt Pan Ms
A Lath Nap Ms
A Lath Pan Ms
A Than Alp Ms
A Than Lap Ms
A Than Pal Ms
A Hat Plan Ms
A La Maps Nth
A La Amps Nth
A Lam Pas Nth
A Lam Asp Nth
A Lam Spa Nth
A Lam Sap Nth
A Palm As Nth
A Lamp As Nth
A Lams Pa Nth
A Alms Pa Nth
A Slam Pa Nth
A Alp Sam Nth
A Alp Mas Nth
A Lap Sam Nth
A Lap Mas Nth
A Pal Sam Nth
A Pal Mas Nth
A Laps Ma Nth
A Laps Am Nth
A Pals Ma Nth
A Pals Am Nth
A Alps Ma Nth
A Alps Am Nth
A Slap Ma Nth
A Slap Am Nth
A Las Amp Nth
A Las Map Nth
Ha La Pant Ms
Ha Plan At Ms
Ha Alp Tan Ms
Ha Alp Ant Ms
Ha Lap Tan Ms
Ha Lap Ant Ms
Ha Pal Tan Ms
Ha Pal Ant Ms
Ha Plat An Ms
Ah La Pant Ms
Ah Plan At Ms
Ah Alp Tan Ms
Ah Alp Ant Ms
Ah Lap Tan Ms
Ah Lap Ant Ms
Ah Pal Tan Ms
Ah Pal Ant Ms
Ah Plat An Ms
Halt An Pa Ms
Lath An Pa Ms
Than La Pa Ms
Hap La Tan Ms
Hap La Ant Ms
Path La An Ms
Phat La An Ms
Hat La Nap Ms
Hat La Pan Ms
Hat Alp An Ms
Hat Lap An Ms
Hat Pal An Ms
La Ma Pas Nth
La Ma Asp Nth
La Ma Spa Nth
La Ma Sap Nth
La Am Pas Nth
La Am Asp Nth
La Am Spa Nth
La Am Sap Nth
La Amp As Nth
La Map As Nth
La Sam Pa Nth
La Mas Pa Nth
Lam Pa As Nth
Alp Ma As Nth
Alp Am As Nth
Lap Ma As Nth
Lap Am As Nth
Pal Ma As Nth
Pal Am As Nth
Las Ma Pa Nth
Las Am Pa Nth
A La Pa Nth Ms
Oct 15, 2015
Oct 15, 2015 at 9:05 AM UTC
A black crow's darting eyes
spans the wheat field
and an orange pumpkin patch.
She sees
tall grasses of brown
seedlings,
bristling in the wind,
soon to be bushels of grain
and a pumpkin pie that she never savored.
She sits, atop her tree perch,
at times warm and storybook,
hidden by tree branches,
and at times out of harm's way
and infamy.
Her friends, the sun, and clouds in concert,
dancing along.
Her other friends bring alms and smiles.
Life is so good at times.
Down the road sits a mill
next to a waterfall
and a cabin,
with reindeer horns
hanging above the doorway.
She is in her element, happy,
carrying for her nestlings.
Back and forth her parental eyes dart
the hilly fields, a smoked filled chimney, and her babies,
all crawling with sustenance and awe.
Storybook.
A mother feeding a worm to her baby.
Storybook.
Off to her side is not a blind eye
watching her,
scary stick figures of
straw tucked under red shirts and hats,
with a tied tinfoil strips dotting
her eyes and tease.
Scarecrows, cease.
At times life is good nature, hand in hand,
knock on wood.
If only life could be circumspect.
Than darkness filling the light
and a stutter of life.
For a sad page is turned,
pause
... tears.
Then, feathers fall.
Hers.
The sound of a thud.
Silence and tears of her friend's swelling.
A baby's cry, missing her mother.
More orphaned tears.
Who would be this despicable?
On that rogue day.
A kick of a donkey,
an ***
one bad rock on her path,
breaks the air,
as three little elementary kids were walking along
to school.
One, me, with a rock in his hand,
taking aim at her perch
and the death of the black crow's pages.
I confess.
... Bless me, Father, for I have sinned
it has been fifty years since
my last confession ...
a Tom Sawyer-like childhood gone worse.
I repent.
Some fifty years later I think of those first cairns,
including stealing the reindeer horns and milling
my brother and sister's storybook.
Waterfalls
stream tears, and a sorry boat
rowed downstream
sadly
thereafter.
Logan Robertson
7/25/2018
Jul 25, 2018
Jul 25, 2018 at 6:02 PM UTC
OPPOSITE my chamber window,
On the sunny roof, at play,
High above the city's tumult,
Flocks of doves sit day by day.
Shining necks and snowy bosoms,
Little rosy, tripping feet,
Twinkling eyes and fluttering wings,
Cooing voices, low and sweet,-
Graceful games and friendly meetings,
Do I daily watch and see.
For these happy little neighbors
Always seem at peace to be.
On my window-ledge, to lure them,
Crumbs of bread I often strew,
And, behind the curtain hiding,
Watch them flutter to and fro.
Soon they cease to fear the giver,
Quick are they to feel my love,
And my alms are freely taken
By the shyest little dove.
In soft flight, they circle downward,
Peep in through the window-pane;
Stretch their gleaming necks to greet me,
Peck and coo, and come again.
Faithful little friends and neighbors,
For no wintry wind or rain,
Household cares or airy pastimes,
Can my loving birds restrain.
Other friends forget, or linger,
But each day I surely know
That my doves will come and leave here
Little footprints in the snow.
So, they teach me the sweet lesson,
That the humblest may give
Help and hope, and in so doing,
Learn the truth by which we live;
For the heart that freely scatters
Simple charities and loves,
Lures home content, and joy, and peace,
Like a soft-winged flock of doves.
11.1k
Based on a painting, "Nuclear Puppies", by Julie Nagel, 2001
You’re a mutant, you know—
got funny dog babies sprouting
out of your head like they were
ears. Those copies of your face
look up at a sky of ashy gray,
perked and tense. Are you listening
to yourself? What choir
of dog-eared deformities
sings to you? Maybe they should have
howled louder before we dropped The Bomb.
Maybe the yellow caterwaul of their
melting butter bodies would have stayed our hand.
I doubt it though.
This is what we do. We burn things.
We tinker, adding and subtracting until
what’s left is blasphemy—until what’s left is
you. A yellow almost-dog, a sagging
body with melted flesh where there should
be fur. Sad monster; beg your alms
from the atomic Frankensteins who made you.
Your skyward eyes are bright, still happy
anywhere but here. But your abominable
body lies here staring into gray space with
Alpo still sticky on your nose, wet, brown snow.
May 8, 2014
May 8, 2014 at 12:11 AM UTC
I.
*“You can only fight the way you practice”
― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy*
His lessons started late
As always, and as always
What is thrown is a question
You grip tightly
around your fingers
as one would,
as one always should.
With a branch he beckons:
“Come” he asks,
*“if a stick is struck from this angle,
what would your answer be?”*
Always, the old man taught
With each strike, each parry,
Each disarm and lock,
Each time my knuckles
Would hurt. This way
he makes it sure
that my body
remembers.
This is always
the first step.
My mind might forget.
But the body
Remembers.
II.
*“It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.”
― Miyamoto Musashi, The Book of Five Rings: Miyamoto Musashi*
With him, everything starts
The vague quality of nonwords
Taught from pain, simplified
Through science:
the fulcrum and the lever.
Each joint, each turn,
a pattern to comprehend,
all things work in context:
*A framework of the undeniable
Fact:*
*the world is separate
In only these two words:*
Taub at Tihaya
The colloquial words for
Face down and face up;
This is a pattern
of the body.
III.
*“If you wish to control others you must first control yourself”
― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy*
Tihaya
The lesson starts
When he presses
His thumb forward
to a hand asking for alms
like turning a doorknob
too far to the right.
Taub
when I pull back
four fingers
on a giving hand
too far to what is left.
these are the means
for control.
When I know
How much is necessary
To push or to pull,
To teach or to break.
- 18 October 2017
Oct 18, 2017
Oct 18, 2017 at 5:57 AM UTC
The platforms are full of passengers
The fruits, coffees and tea stalls
The train runs on the track with heels
Like the whops of horses
Passengers enter the train in a hurry
And leave without any worry
Someone sleeps in the berth and snores
Some other sits and reads the news
The gluttonous eater eats the eats
The vendor sells nuts and peas
and cries like the buzzing bees
the T.C comes, wakes up and asks
for the ticket and bribes for berths
the beggar begs for alms singing hymns
some play cards making unbearable noises
the child weeps ,cries and moans
the thief enters the coaches
and tries to steal the bags
the passengers make friends with ease
but it will very soon cease
life like railway travel is a passing shower
it doesn’t last forever
It lasts only till the destination comes
The passenger takes the bag and leaves
Dec 27, 2010
Dec 27, 2010 at 6:16 AM UTC
Wake up with the sun.
Watch the sky turn a pastel sorbet.
Feel the wet in the still air.
Feel the refreshment of the moving wind.
On the way to school.
Pass neighbors and village folk with alms awaiting
Monks giving morning prayers.
Sun begins to show its orb just over the tree tops.
Clouds are rare and welcome.
Watch the sky turn a pale blue.
Day passes, never asking, always abiding
as we watch the sky turn.
Jun 6, 2014
Jun 6, 2014 at 6:34 AM UTC
In the parched path
I have seen the good lizard
(one drop of crocodile)
meditating.
With his green frock-coat
of an abbot of the devil,
his correct bearing
and his stiff collar,
he has the sad air
of an old professor.
Those faded eyes
of a broken artist,
how they watch the afternoon
in dismay!
Is this, my friend,
your twilight constitutional?
Please use your cane,
you are very old, Mr. Lizard,
and the children of the village
may startle you.
What are you seeking in the path,
my near-sighted philosopher,
if the wavering phantasm
of the parched afternoon
has broken the horizon?
Are you seeking the blue alms
of the moribund heaven?
A penny of a star?
Or perhaps
you've been reading a volume
of Lamartine, and you relish
the plasteresque trills
of the birds?
(You watch the setting sun,
and your eyes shine,
oh, dragon of the frogs,
with a human radiance.
Ideas, gondolas without oars,
cross the shadowy
waters of your
burnt-out eyes.)
Have you come looking
for that lovely lady lizard,
green as the wheatfields
of May,
as the long locks
of sleeping pools,
who scorned you, and then
left you in your field?
Oh, sweet idyll, broken
among the sweet sedges!
But, live! What the devil!
I like you.
The motto 'I oppose
the serpent' triumphs
in that grand double chin
of a Christian archbishop.
Now the sun has dissolved
in the cup of the mountains,
and the flocks
cloud the roadway.
It is the hour to depart:
leave the dry path
and your meditations.
You will have time
to look at the stars
when the worms are eating you
at their leisure.
Go home to your house
by the village, of the crickets!
Good night, my friend
Mr. Lizard!
Now the field is empty,
the mountains dim,
the roadway deserted.
Only, now and again,
a cuckoo sings in the darkness
of the poplar trees.
5.1k
she’s so phat!
can’t deny
a simple fact
it’s worth a try
to start anew
all that we knew
to forget
for good
or for worse
i don’t need a purse
have all the mon
in the world
all the gold
so cold
make it warm
love’s a storm
has no form
but a sphere
wild deer
still dreamin’ of ‘em
ain’t no Eminem
just a young man
of arms
charity and alms
such a rarity
in our selfish world
of calamity
unthinkable disaster
tulip, rose and aster
make your heart beat faster
like a drum machine
Dash Berlin
voice and beat
so neat
that girl
a friend of my soul
rhythm
with no blues
happiness
i choose
to carry on
fighting
for what’s right
sleepless
day and night
shaken but not mixed
i still get my kicks
from palm reading
all my wounds
are bleeding
with red wine
guardians of time
lost in their stride
stick to your pride
follow your dreams
anguish sins
belittle the devil
within you
there’s a universe
of wisdom
an ocean
of beauty
get no *****
but acclaim
your name
done in clay
on the walk of fame
let’s call it a day
21.05.2012
Aug 22, 2012
Aug 22, 2012 at 3:13 AM UTC
How many paltry foolish painted things,
That now in coaches trouble every street,
Shall be forgotten, whom no poet sings,
Ere they be well wrapped in their winding-sheet!
Where I to thee eternity shall give,
When nothing else remaineth of these days,
And queens hereafter shall be glad to live
Upon the alms of thy superfluous praise.
Virgins and matrons, reading these my rhymes,
Shall be so much delighted with thy story
That they shall grieve they lived not in these times,
To have seen thee, their sex's only glory:
So shalt thou fly above the ****** throng,
Still to survive in my immortal song.
4k
I softly tread down marble halls,
my bare feet echoing on white stone floors
that have seen millions of souls
just like mine.
I pass over the stoop
that has felt the endless touch of foreheads
prostrate in humble reverence.
I stand silently by an altar,
coins and offerings scattered at my feet
before this monument that is
the silent ear for so many unknown prayers.
I can almost hear the silent supplications
of all those that have come before,
endlessly echoing from these golden walls.
This place spoke to each of them
just as it speaks to so many today,
just as it speaks to me.
Though my knees do not fold
and my lips do not kiss the marble floor,
though no muttered scripture falls from my tongue,
though the songs on the air remain a mystery
and their lyrics tell stories I do not know,
though I bring no offering, leave no coin
at the petaled base of the altar,
even so,
my mere presence here
has bound me both to this sanctuary
and to these strangers.
To their prayers.
To their alms.
To their songs.
To their hearts.
Every heart
that has been bathed
in the golden light of peace and charity
is forever brightened
and strengthened and soothed.
And now, my heart is counted among them.
Many hearts,
One love.
Feb 11, 2011
Feb 11, 2011 at 12:30 PM UTC
Since I have no other way
And am in utmost need,
Painter girl,
I filch one of the eight lambs
You have made plump with
Green jackfruit leaves and
Thin gruel with paddy bran.
I will take it to the goat market
And sell it in a jiffy.
I assure you
I will not sell it
To any butcher-
The lamb you made chubby
With sweet sweet words
And much much petting
And nice lilting croons,
Mixing and mixing
Greens with browns.
Don’t be sad, painter girl.
I hear you come running
Searching for your lamb and
Cry out “O my dearest one
Who went grazing in the green fields,”
As the sun in your canvas
Sets in the sea and
The saffron blends with the dusk.
And, see your tears mingle
With the black that you wanted
To adorn the brow of
The naughtiest of them.
Painter girl,
It’s all because I have no other go
And it’s of utmost need.
I could have broken into the
Two-storeyedhouse you sketched
And stolen the ornaments in
Secret lockers that even
You are unaware of.
Or, I could have
Palmed the golden girdle
Of the beautiful ***** princess
Whose portrait you made,
The one with a nose stud.
Or, drugged her with my kisses
And plundered the harem.
Or else, I could have
Entered the snake shrine
Guarded by the dark serpents
That you often drew
And fled the country with
The precious jewel.
Or, I could have shot down
The birds that you drew
And sold them grilled.
I could have axed down the
Mahagony trees you nurtured
And sold them as timber.
I could have blinded your Kanhaiah
And made him a beggar
To become rich from the alms he earned.
I could have enslavened his Gopis
And handed them over
To the red light streets.
Painter girl,
It’s not for anything of this sort.
I take just one of your eight lambs.
Sell it for a good price
And fulfill my need.
Now, perchance,
If a new tenant comes to rent
My brain where nothing resides
And if they pay me a fat advance,
Painter girl,
Surely will I buy back your lamb.
And tether it in your painting.
Don’t you dare say then
Don’t you say then
That you have forgotten it.
Don’t you say then
You have exhausted your stock of
Green jackfruit leaves.
(Trans from Malayalam by Ra Sh)
Nov 3, 2013
Nov 3, 2013 at 10:04 AM UTC
Give me my scallop shell of quiet,
My staff of faith to walk upon,
My scrip of joy, immortal diet,
My bottle of salvation,
My gown of glory, hope’s true gage,
And thus I’ll take my pilgrimage.
Blood must be my body’s balmer,
No other balm will there be given,
Whilst my soul, like a white palmer,
Travels to the land of heaven;
Over the silver mountains,
Where spring the nectar fountains;
And there I’ll kiss
The bowl of bliss,
And drink my eternal fill
On every milken hill.
My soul will be a-dry before,
But after it will ne’er thirst more;
And by the happy blissful way
More peaceful pilgrims I shall see,
That have shook off their gowns of clay,
And go apparelled fresh like me.
I’ll bring them first
To slake their thirst,
And then to taste those nectar suckets,
At the clear wells
Where sweetness dwells,
Drawn up by saints in crystal buckets.
And when our bottles and all we
Are fill’d with immortality,
Then the holy paths we’ll travel,
Strew’d with rubies thick as gravel,
Ceilings of diamonds, sapphire floors,
High walls of coral, and pearl bowers.
From thence to heaven’s bribeless hall
Where no corrupted voices brawl,
No conscience molten into gold,
Nor forg’d accusers bought and sold,
No cause deferr’d, nor vain-spent journey,
For there Christ is the king’s attorney,
Who pleads for all without degrees,
And he hath angels, but no fees.
When the grand twelve million jury
Of our sins and sinful fury,
‘Gainst our souls black verdicts give,
Christ pleads his death, and then we live.
Be thou my speaker, taintless pleader,
Unblotted lawyer, true proceeder,
Thou movest salvation even for alms,
Not with a bribed lawyer’s palms.
And this is my eternal plea
To him that made heaven, earth, and sea,
Seeing my flesh must die so soon,
And want a head to dine next noon,
Just at the stroke when my veins start and spread,
Set on my soul an everlasting head.
Then am I ready, like a palmer fit,
To tread those blest paths which before I writ.
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These hands have clawed with blind eyes
Chipped nails on fingers working on knots and ties
Fingers that recklessly point to reproaches and blames
Never to self, righteousness through arrogant claims
Now aware, these palms have covered my face in contempt
For they've partook in activities; indulgent and unkempt
Rubbed skin raw on life's coarse sandpaper
Ever searching for the coming of the unanticipated saviour
Broken flesh hopeful for newly formed skin
Like tattered souls pleading for absolution of sin
Only skin deep but unfavourable experiences do fester
Expecting the proverbial infection to blow over
Here they are, held unclenched and riddled with pocks
Weathered and sore from time's infinite mocks
Maybe thereafter, will be awaited healing
Perhaps soon after, I will be forgiving
See now... Hands faced up, parted as halves
Asking not for alms but instead your acceptance as salve
Take into yours, these knackered, gnarled up palms
Let your porcelain-like touch relieve like life reforming balm
Sep 3, 2014
Sep 3, 2014 at 10:35 AM UTC
The elderly psychopomp speaks his gullet words
Preparing me as charity for birds
I smelled snow and sweat when I drew breath
Though now I must give charity to birds
Juniper and fire become alms for the air
As I now must give charity to birds
The vultures are first, their beaks are the strongest,
They take the meat of my charity for birds
My friends come next, dearest to my heart,
Laughing as they grind a further charity for birds
What once I was is mixed with milk and bread
To fatten my gift of charity to birds
The speckled hawks and midnight rooks arrive
Hoarding their share of my charity for birds
I might be a wisp of smoke or softly chanted prayer
As I watch myself give charity to birds
Destitute and zephyrous I find my elsewheres
Having given everything in charity to birds.
Aug 15, 2013
Aug 15, 2013 at 5:06 PM UTC
1407
A Field of Stubble, lying sere
Beneath the second Sun—
Its Toils to Brindled People ******
Its Triumphs—to the Bin—
Accosted by a timid Bird
Irresolute of Alms—
Is often seen—but seldom felt,
On our New England Farms—
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On that bright day his mind was unusually calm
He stopped by the beggar to offer him some alms
Feeling at peace with himself without a trace of qualm
He took a deep breath, with life he was coming to term.
Goodness he pondered was quite an achievable feat
A small spark that made him offer the old man a seat
Each familiar face he smiled at such easy was to greet
Inside him he grew healthier being good was great benefit.
Why men suffer jealousy fight for one-upmanship
Instead of trading for goodness most precious human keep
Just not burn to earn his food comfort and restful sleep
But live in shining goodness make life a rewarding trip.
Being good with one’s own kind he felt wouldn’t do
Other lives around him must kindly be treated too
A crumb of bread for the street dog on its head a little pat
Pints of milk and a little care for the weak and ailing cat.
As he walked the road thoughts like these lighted up his face
He found waiting on wayside many things begging goodness
Determined he would reach them all do them a little good
He sprinted along in a sprightly gait his mind in deep brood.
Back home when she opened the door he gave her a broad smile
She glowered a little askance for he hadn’t done it a while
*What brings you this sheepish smile what for the elation?
Don’t even think you can ever make on me a good impression!*
Dec 6, 2013
Dec 6, 2013 at 2:45 AM UTC
Truth a Stinging Bee Compassion promotes
Was ever by Chance I try to Avoid
But asking for such from your direct Mote
Was in fact Soothing as much as a Toy
Shelled? Yes as far as I have just observed
Those charmed Somniloquies your Voice expressed
In Art, why not? Mosaics are much conserved
Though tiled in Paradise of Colours concessed
Calming this haply your Passion consumes
Amongst Events the Water soothes and calms
Direct Object Happy; Go put out the Fumes
Which blinds Good Fish spitting Coins for their Alms.
Still this Summary chose you for your Grace
For me, next Spell, will adapt to your Face.
Mar 11, 2013
Mar 11, 2013 at 12:08 AM UTC
What does a painter do? A painter paints.
Of paintings inspired by the universe;
Of legends luminous as pious saints.
But people like me work to fill my purse.
Not artisan by trade nor rich merchant,
With rough and stubby fingers callused palms,
I'll starve if I were the master's servant
And soon to take the streets to beg for alms.
I paint for sake of commerce not for art;
I paint all kinds of buildings, houses, schools.
None enters, jobs can't start till I depart;
Scrappers, ladders, paints, brushes are my tools.
Do what I'm commissioned to do. To paint.
But Leonardo or Angelo I ain't.
Aug 24, 2018
Aug 24, 2018 at 8:48 PM UTC
I am a poor man
sitting on the corner of
Your Conscious
and Your Reality.
All day everyday
I sit in that spot and
beg for change.
But keep your quarters, nickels, dimes
for someone else
'cause all I want is a cup of change.
A cup of change
to water my feeble hope, thorny rose
rooted in concrete hatred.
Roots, like my fingers,
too feeble to hold anything
but this patch of dirt to remind
me, I exist.
ALMS! ALMS! ALMS for the poor of heart!
But keep your quarters, nickels, dimes
for someone else
'cause all I want is a cup of change.
A cup of change
to wash away the muck kicked in my face.
A cup of change
to cleanse the wounds made
by verbal bullets shot out of nine millimeter mouths
wielded carelessly by boys society has deemed as men.
I sit in this spot and fester,
like a dream deferred.
My skin, cracked and brittle
like aged parchment, hangs over my frame
like sheets over antiqued furniture.
I sit in this spot with
arms open wide, heart open wide, eyes open wide
BEGGING FOR CHANGE!
But keep your quarters, nickels, dimes
for someone else
'cause all I want is a cup of change.
A cup of change
to strip the lies and propaganda
from the decrepit facades of your ideas,
storefront workshops left from the age of enlightenment.
My body yearns for nourishment
but I can't afford your lies.
But keep your quarters, nickels, dimes
for someone else
'cause all I want is a cup of change.
Now I'm not asking for a Jesus on Galilee moment,
just a cup of change to feed what's left of my soul.
But who am I to ask for anything?
I am just the poor man
sitting on the corner of
Your Conscious
and Your Reality.
All day everyday
I sit in that spot and
beg for change.
But keep your quarters, nickels, dimes
for someone else
'cause all I want is a cup of change.
Nov 9, 2011
Nov 9, 2011 at 10:54 AM UTC
"Do you notice,"
says a passer-by
to the begging Diogenes,
*"that people rather offer alms
to the lame, blind and maimed?
They do not offer alms
to a philosopher like you.
Why is it that you think?"*
"That's because,"
says Diogenes
*"people think one day
they too might become lame, blind or maimed -
but they never think they'd
ever turn to philosophy
So they ignore me..."*
May 29, 2012
May 29, 2012 at 6:15 PM UTC
~for Isabel, Alex & Wendy, Theo & Rose~
be reading Whitman and Hafiz,
adding some Shelley and Frost,
for (no salt) seasoning, might add in
a biblical, King Solomon’s be-loved,
sugared Song of Songs…
won’t need to go far, on my nightstand,
search & reach, to love and preach to
generations next, a lesson last & simple:
read, read, read there by learning,
how to first define, then preserve the
variety of feelings rising from within!
here’s a starter morsel from Walt,
sort of a summary of how to do it,
all well and proper…
poppy
”This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families,
read these leaves in the open air every season of every year of your life,. re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”
Walt Whitman
Preface to Leaves of Grass, 1855.
Walt Whitman, c.1887.
Aug 16, 2023
Aug 16, 2023 at 4:08 PM UTC
I to the open road,
You to the hunchbacked street -
Which of us two
Shall the earlier rue
That day we chanced to meet?
I with a heart that's sound,
You with sick fancies of pain -
Which of us two
Would the earlier rue
If we chanced to meet again?
I jingle homely lore,
While you rhyme is with kiss -
Which of us two
Will the earlier rue
The love of the Hoylake Miss?
Not I the first to go,
Nor I the first to deceive -
Which of us two
Shall the the earliest rue
Our garden of make-believe?
You were a Chinese god,
I an offering fair,
As we entered the
Garden of Allah,
To sing our holy prayer.
Entered with hearts bowed low,
Yet I heard a voice that cried:
For he is the god of the
Sacrifice,
You are the crucified.
It was all make-believe,
A foolish game of play,
Our garden of Allah
A drawing-room,
Our Chinese god of clay.
Strings of bruises for pearls,
Tears for forget-me-nots,
And a deadly pain
Of the sickening shame
Watching the fading spots.
As quickly they faded,
The heart of me faded as well,
Until nothing is left
Of my garden,
But a soul sunk to hell.
Hail!
Poet prend ton lute -Je disparaire,
No more together we'll enter the
Enchanted garden of make-believe,
Nor my sad soul listen while thine deceive.
No more you'll be the God of Sacrifice,
Nor I the crucified.
Ah, Garden of Allah -how bitter sweet
Thy fruit. Why breakest thou the heart?
Why spoilest thou the soul with notes
From thy golden lute?
Lo! our garden a common room
Our Chinese god burnt clay, and
The singing of verses a funeral hymn
That awakes with awakening day.
'Twas all such a meaningless play,
Poet prend ton lute -Je disparaitre.
Hail!
Poet, take my hand -we'll walk
Still a little way.
I'll not desert thee at the close of day,
I, too, must pray.
A beggar asking alms of passers-by,
Does not refuse a drink to one who's dry
That once by him did lie.
Poet, come close -before I leave for aye
Take thou my hand, we'll walk still
A little way.
One garment covered both to keep us warm,
What harmed the one, was't not the other's harm?
Close clasped, one single form.
Was it not meant of aye?
Poet, take thou my hand -we'll still
Walk a little way.
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323
As if I asked a common Alms,
And in my wondering hand
A Stranger pressed a Kingdom,
And I, bewildered, stand—
As if I asked the Orient
Had it for me a Morn—
And it should lift its purple Dikes,
And shatter me with Dawn!
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