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"alms" poems
phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal                                   Asphalt Man                                   Phantasm La                                   Shaman Plat                                   Asthma Plan ****** Hast ****** Hats ****** Shat Napalms Hat Plasma Than Sampan Halt Sampan Lath                                                                     Manta Plash                                                                     A Plasma Nth                                                                     A Ham Plants                                                                     A Hams Plant A Mash Plant A Sham Plant A Maths Plan A Math Plans A Than Palms A Than Lamps A Than Psalm Aha Plant Ms Alpha Tan Ms Alpha Ant Ms Lama Pas Nth Lama Asp Nth Lama Spa Nth Lama Sap Nth Lamas Pa Nth **** Path Ms **** Phat Ms Natal Hap Ms Alas Amp Nth Alas Map Nth Ha Lam Pants Ha Palm Tans Ha Palm Ants Ha Lamp Tans Ha Lamp Ants Ha Palms Tan Ha Palms Ant Ha Lamps Tan Ha Lamps Ant Ha Psalm Tan Ha Psalm Ant Ha Lams Pant Ha Alms Pant Ha Slam Pant Ha Malts Nap Ha Malts Pan Ha Malt Pans Ha Malt Snap Ha Malt Naps Ha Malt Span Ha Plan Tams Ha Plan Mast Ha Plan Mats Ha Plans Tam Ha Plans Mat                                Ha Plants Ma Ha Plants Am Ha Plant Sam Ha Plant Mas                                Ha Slant Amp Ha Slant Map Ha Splat Man Ha Plats Man                                Ha Plat Mans Ah Lam Pants Ah Palm Tans Ah Palm Ants Ah Lamp Tans Ah Lamp Ants Ah Palms Tan Ah Palms Ant Ah Lamps Tan Ah Lamps Ant Ah Psalm Tan Ah Psalm Ant Ah Lams Pant Ah Alms Pant Ah Slam Pant Ah Malts Nap Ah Malts Pan Ah Malt Pans Ah Malt Snap Ah Malt Naps Ah Malt Span Ah Plan Tams Ah Plan Mast Ah Plan Mats Ah Plans Tam Ah Plans Mat Ah Plants Ma Ah Plants Am Ah Plant Sam Ah Plant Mas Ah Slant Amp Ah Slant Map Ah Splat Man Ah Plats Man Ah Plat Mans Plash Ma Tan Plash Ma Ant Plash Am Tan Plash Am Ant Plash Man At Plash Tam An Plash Mat An Lash Ma Pant Lash Am Pant Lash Man Tap Lash Man Apt Lash Man Pat Lash Amp Tan Lash Amp Ant Lash Map Tan Lash Map Ant Lash Tamp An Lash Tam Nap Lash Tam Pan Lash Mat Nap Lash Mat Pan Laths Ma Nap Laths Ma Pan Laths Am Nap Laths Am Pan Laths Man Pa Laths Amp An Laths Map An Halts Ma Nap Halts Ma Pan Halts Am Nap Halts Am Pan Halts Man Pa Halts Amp An Halts Map An Shalt Ma Nap Shalt Ma Pan Shalt Am Nap Shalt Am Pan Shalt Man Pa Shalt Amp An Shalt Map An Halt Ma Pans Halt Ma Snap Halt Ma Naps Halt Ma Span Halt Am Pans Halt Am Snap Halt Am Naps Halt Am Span Halt Man Pas Halt Man Asp Halt Man Spa Halt Man Sap Halt Mans Pa Halt Amp San Halt Map San Halt Maps An Halt Amps An Halt Sam Nap Halt Sam Pan Halt Mas Nap Halt Mas Pan Lath Ma Pans Lath Ma Snap Lath Ma Naps Lath Ma Span Lath Am Pans Lath Am Snap Lath Am Naps Lath Am Span Lath Man Pas Lath Man Asp Lath Man Spa Lath Man Sap Lath Mans Pa Lath Amp San Lath Map San Lath Maps An Lath Amps An Lath Sam Nap Lath Sam Pan Lath Mas Nap Lath Mas Pan Ham La Pants Ham Plan Sat Ham Plans At Ham Plant As Ham Slant Pa Ham Alp Tans Ham Alp Ants Ham Lap Tans Ham Lap Ants Ham Pal Tans Ham Pal Ants Ham Laps Tan Ham Laps Ant Ham Pals Tan Ham Pals Ant Ham Alps Tan Ham Alps Ant Ham Slap Tan Ham Slap Ant Ham Splat An Ham Plats An Ham Plat San Ham Las Pant Ham Slat Nap Ham Slat Pan Ham Salt Nap Ham Salt Pan Ham Last Nap Ham Last Pan Hams La Pant Hams Plan At Hams Alp Tan Hams Alp Ant Hams Lap Tan Hams Lap Ant Hams Pal Tan Hams Pal Ant Hams Plat An Mash La Pant Mash Plan At Mash Alp Tan Mash Alp Ant Mash Lap Tan Mash Lap Ant Mash Pal Tan Mash Pal Ant Mash Plat An Sham La Pant Sham Plan At Sham Alp Tan Sham Alp Ant Sham Lap Tan Sham Lap Ant Sham Pal Tan Sham Pal Ant Sham Plat An Maths La Nap Maths La Pan Maths Alp An Maths Lap An Maths Pal An Math La Pans Math La Snap Math La Naps Math La Span Math Plan As Math Alp San Math Lap San Math Pal San Math Laps An Math Pals An Math Alps An Math Slap An Math Las Nap Math Las Pan Than La Maps Than La Amps Than Lam Pas Than Lam Asp Than Lam Spa Than Lam Sap Than Palm As Than Lamp As Than Lams Pa Than Alms Pa Than Slam Pa Than Alp Sam Than Alp Mas Than Lap Sam Than Lap Mas Than Pal Sam Than Pal Mas Than Laps Ma Than Laps Am Than Pals Ma Than Pals Am Than Alps Ma Than Alps Am Than Slap Ma Than Slap Am Than Las Amp Than Las Map Hap Lam Tans Hap Lam Ants Hap Lams Tan Hap Lams Ant Hap Alms Tan Hap Alms Ant Hap Slam Tan Hap Slam Ant Hap Malts An Hap Malt San Hap Slant Ma Hap Slant Am Hap Slat Man Hap Salt Man Hap Last Man Hasp Lam Tan Hasp Lam Ant Hasp Malt An Haps Lam Tan Haps Lam Ant Haps Malt An Paths La Man Paths Lam An Staph La Man Staph Lam An Path La Mans Path Lam San Path Lams An Path Alms An Path Slam An Path Las Man Phat La Mans Phat Lam San Phat Lams An Phat Alms An Phat Slam An Phat Las Man Has Lam Pant Has Palm Tan Has Palm Ant Has Lamp Tan Has Lamp Ant Has Malt Nap Has Malt Pan Has Plan Tam Has Plan Mat Has Plant Ma Has Plant Am Has Plat Man Ash Lam Pant Ash Palm Tan Ash Palm Ant Ash Lamp Tan Ash Lamp Ant Ash Malt Nap Ash Malt Pan Ash Plan Tam Ash Plan Mat Ash Plant Ma Ash Plant Am Ash Plat Man Hast Lam Nap Hast Lam Pan Hast Palm An Hast Lamp An Hast Plan Ma Hast Plan Am Hast Alp Man Hast Lap Man Hast Pal Man Hats Lam Nap Hats Lam Pan Hats Palm An Hats Lamp An Hats Plan Ma Hats Plan Am Hats Alp Man Hats Lap Man Hats Pal Man Shat Lam Nap Shat Lam Pan Shat Palm An Shat Lamp An Shat Plan Ma Shat Plan Am Shat Alp Man Shat Lap Man Shat Pal Man Hat Lam Pans Hat Lam Snap Hat Lam Naps Hat Lam Span Hat Palm San Hat Lamp San Hat Palms An Hat Lamps An Hat Psalm An Hat Lams Nap Hat Lams Pan Hat Alms Nap Hat Alms Pan Hat Slam Nap Hat Slam Pan Hat Plan Sam Hat Plan Mas Hat Plans Ma Hat Plans Am Hat Alp Mans Hat Lap Mans Hat Pal Mans Hat Laps Man Hat Pals Man Hat Alps Man Hat Slap Man A Ha Plant Ms A Ah Plant Ms A Halt Nap Ms A Halt Pan Ms A Lath Nap Ms A Lath Pan Ms A Than Alp Ms A Than Lap Ms A Than Pal Ms A Hat Plan Ms A La Maps Nth A La Amps Nth A Lam Pas Nth A Lam Asp Nth A Lam Spa Nth A Lam Sap Nth A Palm As Nth A Lamp As Nth A Lams Pa Nth A Alms Pa Nth A Slam Pa Nth A Alp Sam Nth A Alp Mas Nth A Lap Sam Nth A Lap Mas Nth A Pal Sam Nth A Pal Mas Nth A Laps Ma Nth A Laps Am Nth A Pals Ma Nth A Pals Am Nth A Alps Ma Nth A Alps Am Nth A Slap Ma Nth A Slap Am Nth A Las Amp Nth A Las Map Nth Ha La Pant Ms Ha Plan At Ms Ha Alp Tan Ms Ha Alp Ant Ms Ha Lap Tan Ms Ha Lap Ant Ms Ha Pal Tan Ms Ha Pal Ant Ms Ha Plat An Ms Ah La Pant Ms Ah Plan At Ms Ah Alp Tan Ms Ah Alp Ant Ms Ah Lap Tan Ms Ah Lap Ant Ms Ah Pal Tan Ms Ah Pal Ant Ms Ah Plat An Ms Halt An Pa Ms Lath An Pa Ms Than La Pa Ms Hap La Tan Ms Hap La Ant Ms Path La An Ms Phat La An Ms Hat La Nap Ms Hat La Pan Ms Hat Alp An Ms Hat Lap An Ms Hat Pal An Ms La Ma Pas Nth La Ma Asp Nth La Ma Spa Nth La Ma Sap Nth La Am Pas Nth La Am Asp Nth La Am Spa Nth La Am Sap Nth La Amp As Nth La Map As Nth La Sam Pa Nth La Mas Pa Nth Lam Pa As Nth Alp Ma As Nth Alp Am As Nth Lap Ma As Nth Lap Am As Nth Pal Ma As Nth Pal Am As Nth Las Ma Pa Nth Las Am Pa Nth A La Pa Nth Ms
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Oct 15, 2015
Oct 15, 2015 at 9:05 AM UTC
No. 978
phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal phantasmalphantasmalphantasmalphantasmalphantasmalphantasmalphantasmal                                   Asphalt Man                                   Phantasm La                                   Shaman Plat                                   Asthma Plan ****** Hast ****** Hats ****** Shat Napalms Hat Plasma Than Sampan Halt Sampan Lath                                                                     Manta Plash                                                                     A Plasma Nth                                                                     A Ham Plants                                                                     A Hams Plant A Mash Plant A Sham Plant A Maths Plan A Math Plans A Than Palms A Than Lamps A Than Psalm Aha Plant Ms Alpha Tan Ms Alpha Ant Ms Lama Pas Nth Lama Asp Nth Lama Spa Nth Lama Sap Nth Lamas Pa Nth **** Path Ms **** Phat Ms Natal Hap Ms Alas Amp Nth Alas Map Nth Ha Lam Pants Ha Palm Tans Ha Palm Ants Ha Lamp Tans Ha Lamp Ants Ha Palms Tan Ha Palms Ant Ha Lamps Tan Ha Lamps Ant Ha Psalm Tan Ha Psalm Ant Ha Lams Pant Ha Alms Pant Ha Slam Pant Ha Malts Nap Ha Malts Pan Ha Malt Pans Ha Malt Snap Ha Malt Naps Ha Malt Span Ha Plan Tams Ha Plan Mast Ha Plan Mats Ha Plans Tam Ha Plans Mat                                Ha Plants Ma Ha Plants Am Ha Plant Sam Ha Plant Mas                                Ha Slant Amp Ha Slant Map Ha Splat Man Ha Plats Man                                Ha Plat Mans Ah Lam Pants Ah Palm Tans Ah Palm Ants Ah Lamp Tans Ah Lamp Ants Ah Palms Tan Ah Palms Ant Ah Lamps Tan Ah Lamps Ant Ah Psalm Tan Ah Psalm Ant Ah Lams Pant Ah Alms Pant Ah Slam Pant Ah Malts Nap Ah Malts Pan Ah Malt Pans Ah Malt Snap Ah Malt Naps Ah Malt Span Ah Plan Tams Ah Plan Mast Ah Plan Mats Ah Plans Tam Ah Plans Mat Ah Plants Ma Ah Plants Am Ah Plant Sam Ah Plant Mas Ah Slant Amp Ah Slant Map Ah Splat Man Ah Plats Man Ah Plat Mans Plash Ma Tan Plash Ma Ant Plash Am Tan Plash Am Ant Plash Man At Plash Tam An Plash Mat An Lash Ma Pant Lash Am Pant Lash Man Tap Lash Man Apt Lash Man Pat Lash Amp Tan Lash Amp Ant Lash Map Tan Lash Map Ant Lash Tamp An Lash Tam Nap Lash Tam Pan Lash Mat Nap Lash Mat Pan Laths Ma Nap Laths Ma Pan Laths Am Nap Laths Am Pan Laths Man Pa Laths Amp An Laths Map An Halts Ma Nap Halts Ma Pan Halts Am Nap Halts Am Pan Halts Man Pa Halts Amp An Halts Map An Shalt Ma Nap Shalt Ma Pan Shalt Am Nap Shalt Am Pan Shalt Man Pa Shalt Amp An Shalt Map An Halt Ma Pans Halt Ma Snap Halt Ma Naps Halt Ma Span Halt Am Pans Halt Am Snap Halt Am Naps Halt Am Span Halt Man Pas Halt Man Asp Halt Man Spa Halt Man Sap Halt Mans Pa Halt Amp San Halt Map San Halt Maps An Halt Amps An Halt Sam Nap Halt Sam Pan Halt Mas Nap Halt Mas Pan Lath Ma Pans Lath Ma Snap Lath Ma Naps Lath Ma Span Lath Am Pans Lath Am Snap Lath Am Naps Lath Am Span Lath Man Pas Lath Man Asp Lath Man Spa Lath Man Sap Lath Mans Pa Lath Amp San Lath Map San Lath Maps An Lath Amps An Lath Sam Nap Lath Sam Pan Lath Mas Nap Lath Mas Pan Ham La Pants Ham Plan Sat Ham Plans At Ham Plant As Ham Slant Pa Ham Alp Tans Ham Alp Ants Ham Lap Tans Ham Lap Ants Ham Pal Tans Ham Pal Ants Ham Laps Tan Ham Laps Ant Ham Pals Tan Ham Pals Ant Ham Alps Tan Ham Alps Ant Ham Slap Tan Ham Slap Ant Ham Splat An Ham Plats An Ham Plat San Ham Las Pant Ham Slat Nap Ham Slat Pan Ham Salt Nap Ham Salt Pan Ham Last Nap Ham Last Pan Hams La Pant Hams Plan At Hams Alp Tan Hams Alp Ant Hams Lap Tan Hams Lap Ant Hams Pal Tan Hams Pal Ant Hams Plat An Mash La Pant Mash Plan At Mash Alp Tan Mash Alp Ant Mash Lap Tan Mash Lap Ant Mash Pal Tan Mash Pal Ant Mash Plat An Sham La Pant Sham Plan At Sham Alp Tan Sham Alp Ant Sham Lap Tan Sham Lap Ant Sham Pal Tan Sham Pal Ant Sham Plat An Maths La Nap Maths La Pan Maths Alp An Maths Lap An Maths Pal An Math La Pans Math La Snap Math La Naps Math La Span Math Plan As Math Alp San Math Lap San Math Pal San Math Laps An Math Pals An Math Alps An Math Slap An Math Las Nap Math Las Pan Than La Maps Than La Amps Than Lam Pas Than Lam Asp Than Lam Spa Than Lam Sap Than Palm As Than Lamp As Than Lams Pa Than Alms Pa Than Slam Pa Than Alp Sam Than Alp Mas Than Lap Sam Than Lap Mas Than Pal Sam Than Pal Mas Than Laps Ma Than Laps Am Than Pals Ma Than Pals Am Than Alps Ma Than Alps Am Than Slap Ma Than Slap Am Than Las Amp Than Las Map Hap Lam Tans Hap Lam Ants Hap Lams Tan Hap Lams Ant Hap Alms Tan Hap Alms Ant Hap Slam Tan Hap Slam Ant Hap Malts An Hap Malt San Hap Slant Ma Hap Slant Am Hap Slat Man Hap Salt Man Hap Last Man Hasp Lam Tan Hasp Lam Ant Hasp Malt An Haps Lam Tan Haps Lam Ant Haps Malt An Paths La Man Paths Lam An Staph La Man Staph Lam An Path La Mans Path Lam San Path Lams An Path Alms An Path Slam An Path Las Man Phat La Mans Phat Lam San Phat Lams An Phat Alms An Phat Slam An Phat Las Man Has Lam Pant Has Palm Tan Has Palm Ant Has Lamp Tan Has Lamp Ant Has Malt Nap Has Malt Pan Has Plan Tam Has Plan Mat Has Plant Ma Has Plant Am Has Plat Man Ash Lam Pant Ash Palm Tan Ash Palm Ant Ash Lamp Tan Ash Lamp Ant Ash Malt Nap Ash Malt Pan Ash Plan Tam Ash Plan Mat Ash Plant Ma Ash Plant Am Ash Plat Man Hast Lam Nap Hast Lam Pan Hast Palm An Hast Lamp An Hast Plan Ma Hast Plan Am Hast Alp Man Hast Lap Man Hast Pal Man Hats Lam Nap Hats Lam Pan Hats Palm An Hats Lamp An Hats Plan Ma Hats Plan Am Hats Alp Man Hats Lap Man Hats Pal Man Shat Lam Nap Shat Lam Pan Shat Palm An Shat Lamp An Shat Plan Ma Shat Plan Am Shat Alp Man Shat Lap Man Shat Pal Man Hat Lam Pans Hat Lam Snap Hat Lam Naps Hat Lam Span Hat Palm San Hat Lamp San Hat Palms An Hat Lamps An Hat Psalm An Hat Lams Nap Hat Lams Pan Hat Alms Nap Hat Alms Pan Hat Slam Nap Hat Slam Pan Hat Plan Sam Hat Plan Mas Hat Plans Ma Hat Plans Am Hat Alp Mans Hat Lap Mans Hat Pal Mans Hat Laps Man Hat Pals Man Hat Alps Man Hat Slap Man A Ha Plant Ms A Ah Plant Ms A Halt Nap Ms A Halt Pan Ms A Lath Nap Ms A Lath Pan Ms A Than Alp Ms A Than Lap Ms A Than Pal Ms A Hat Plan Ms A La Maps Nth A La Amps Nth A Lam Pas Nth A Lam Asp Nth A Lam Spa Nth A Lam Sap Nth A Palm As Nth A Lamp As Nth A Lams Pa Nth A Alms Pa Nth A Slam Pa Nth A Alp Sam Nth A Alp Mas Nth A Lap Sam Nth A Lap Mas Nth A Pal Sam Nth A Pal Mas Nth A Laps Ma Nth A Laps Am Nth A Pals Ma Nth A Pals Am Nth A Alps Ma Nth A Alps Am Nth A Slap Ma Nth A Slap Am Nth A Las Amp Nth A Las Map Nth Ha La Pant Ms Ha Plan At Ms Ha Alp Tan Ms Ha Alp Ant Ms Ha Lap Tan Ms Ha Lap Ant Ms Ha Pal Tan Ms Ha Pal Ant Ms Ha Plat An Ms Ah La Pant Ms Ah Plan At Ms Ah Alp Tan Ms Ah Alp Ant Ms Ah Lap Tan Ms Ah Lap Ant Ms Ah Pal Tan Ms Ah Pal Ant Ms Ah Plat An Ms Halt An Pa Ms Lath An Pa Ms Than La Pa Ms Hap La Tan Ms Hap La Ant Ms Path La An Ms Phat La An Ms Hat La Nap Ms Hat La Pan Ms Hat Alp An Ms Hat Lap An Ms Hat Pal An Ms La Ma Pas Nth La Ma Asp Nth La Ma Spa Nth La Ma Sap Nth La Am Pas Nth La Am Asp Nth La Am Spa Nth La Am Sap Nth La Amp As Nth La Map As Nth La Sam Pa Nth La Mas Pa Nth Lam Pa As Nth Alp Ma As Nth Alp Am As Nth Lap Ma As Nth Lap Am As Nth Pal Ma As Nth Pal Am As Nth Las Ma Pa Nth Las Am Pa Nth A La Pa Nth Ms
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506
A black crow's darting eyes spans the wheat field and an orange pumpkin patch. She sees tall grasses of brown seedlings, bristling in the wind, soon to be bushels of grain and a pumpkin pie that she never savored. She sits, atop her tree perch, at times warm and storybook, hidden by tree branches, and at times out of harm's way and infamy. Her friends, the sun, and clouds in concert, dancing along. Her other friends bring alms and smiles. Life is so good at times. Down the road sits a mill next to a waterfall and a cabin, with reindeer horns hanging above the doorway. She is in her element, happy, carrying for her nestlings. Back and forth her parental eyes dart the hilly fields, a smoked filled chimney, and her babies, all crawling with sustenance and awe. Storybook. A mother feeding a worm to her baby. Storybook. Off to her side is not a blind eye watching her, scary stick figures of straw tucked under red shirts and hats, with a tied tinfoil strips dotting her eyes and tease. Scarecrows, cease. At times life is good nature, hand in hand, knock on wood. If only life could be circumspect. Than darkness filling the light and a stutter of life. For a sad page is turned, pause ... tears. Then, feathers fall. Hers. The sound of a thud. Silence and tears of her friend's swelling. A baby's cry, missing her mother. More orphaned tears. Who would be this despicable? On that rogue day. A kick of a donkey, an *** one bad rock on her path, breaks the air, as three little elementary kids were walking along to school. One, me, with a rock in his hand, taking aim at her perch and the death of the black crow's pages. I confess. ... Bless me, Father, for I have sinned it has been fifty years since my last confession ... a Tom Sawyer-like childhood gone worse. I repent. Some fifty years later I think of those first cairns, including stealing the reindeer horns and milling my brother and sister's storybook. Waterfalls stream tears, and a sorry boat rowed downstream sadly thereafter. Logan Robertson 7/25/2018
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Jul 25, 2018
Jul 25, 2018 at 6:02 PM UTC
No Storybook Ending
A black crow's darting eyes spans the wheat field and an orange pumpkin patch. She sees tall grasses of brown seedlings, bristling in the wind, soon to be bushels of grain and a pumpkin pie that she never savored. She sits, atop her tree perch, at times warm and storybook, hidden by tree branches, and at times out of harm's way and infamy. Her friends, the sun, and clouds in concert, dancing along. Her other friends bring alms and smiles. Life is so good at times. Down the road sits a mill next to a waterfall and a cabin, with reindeer horns hanging above the doorway. She is in her element, happy, carrying for her nestlings. Back and forth her parental eyes dart the hilly fields, a smoked filled chimney, and her babies, all crawling with sustenance and awe. Storybook. A mother feeding a worm to her baby. Storybook. Off to her side is not a blind eye watching her, scary stick figures of straw tucked under red shirts and hats, with a tied tinfoil strips dotting her eyes and tease. Scarecrows, cease. At times life is good nature, hand in hand, knock on wood. If only life could be circumspect. Than darkness filling the light and a stutter of life. For a sad page is turned, pause ... tears. Then, feathers fall. Hers. The sound of a thud. Silence and tears of her friend's swelling. A baby's cry, missing her mother. More orphaned tears. Who would be this despicable? On that rogue day. A kick of a donkey, an *** one bad rock on her path, breaks the air, as three little elementary kids were walking along to school. One, me, with a rock in his hand, taking aim at her perch and the death of the black crow's pages. I confess. ... Bless me, Father, for I have sinned it has been fifty years since my last confession ... a Tom Sawyer-like childhood gone worse. I repent. Some fifty years later I think of those first cairns, including stealing the reindeer horns and milling my brother and sister's storybook. Waterfalls stream tears, and a sorry boat rowed downstream sadly thereafter. Logan Robertson 7/25/2018
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79
OPPOSITE my chamber window, On the sunny roof, at play, High above the city's tumult, Flocks of doves sit day by day. Shining necks and snowy bosoms, Little rosy, tripping feet, Twinkling eyes and fluttering wings, Cooing voices, low and sweet,- Graceful games and friendly meetings, Do I daily watch and see. For these happy little neighbors Always seem at peace to be. On my window-ledge, to lure them, Crumbs of bread I often strew, And, behind the curtain hiding, Watch them flutter to and fro. Soon they cease to fear the giver, Quick are they to feel my love, And my alms are freely taken By the shyest little dove. In soft flight, they circle downward, Peep in through the window-pane; Stretch their gleaming necks to greet me, Peck and coo, and come again. Faithful little friends and neighbors, For no wintry wind or rain, Household cares or airy pastimes, Can my loving birds restrain. Other friends forget, or linger, But each day I surely know That my doves will come and leave here Little footprints in the snow. So, they teach me the sweet lesson, That the humblest may give Help and hope, and in so doing, Learn the truth by which we live; For the heart that freely scatters Simple charities and loves, Lures home content, and joy, and peace, Like a soft-winged flock of doves.
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11.1k
My Doves
Based on a painting, "Nuclear Puppies", by Julie Nagel, 2001 You’re a mutant, you know— got funny dog babies sprouting out of your head like they were ears.  Those copies of your face look up at a sky of ashy gray, perked and tense.  Are you listening to yourself?  What choir of dog-eared deformities sings to you?  Maybe they should have howled louder before we dropped The Bomb. Maybe the yellow caterwaul of their melting butter bodies would have stayed our hand. I doubt it though.   This is what we do. We burn things. We tinker, adding and subtracting until what’s left is blasphemy—until what’s left is you.  A yellow almost-dog, a sagging body with melted flesh where there should be fur. Sad monster; beg your alms from the atomic Frankensteins who made you. Your skyward eyes are bright, still happy anywhere but here.  But your abominable body lies here staring into gray space with Alpo still sticky on your nose, wet, brown snow.
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May 8, 2014
May 8, 2014 at 12:11 AM UTC
Nuclear Puppies
I. *“You can only fight the way you practice” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* His lessons started late As always, and as always What is thrown is a question You grip tightly around your fingers as one would, as one always should. With a branch he beckons: “Come” he asks, *“if a stick is struck from this angle, what would your answer be?”* Always, the old man taught With each strike, each parry, Each disarm and lock, Each time my knuckles Would hurt. This way he makes it sure that my body remembers. This is always the first step. My mind might forget. But the body Remembers. II. *“It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.” ― Miyamoto Musashi, The Book of Five Rings: Miyamoto Musashi* With him, everything starts The vague quality of nonwords Taught from pain, simplified Through science: the fulcrum and the lever. Each joint, each turn, a pattern to comprehend, all things work in context: *A framework of the undeniable Fact:* *the world is separate In only these two words:* Taub at Tihaya The colloquial words for Face down and face up; This is a pattern of the body. III. *“If you wish to control others you must first control yourself” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* Tihaya The lesson starts When he presses His thumb forward to a hand asking for alms like turning a doorknob too far to the right. Taub when I pull back four fingers on a giving hand too far to what is left. these are the means for control. When I know How much is necessary To push or to pull, To teach or to break. - 18 October 2017
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Oct 18, 2017
Oct 18, 2017 at 5:57 AM UTC
musashi
I. *“You can only fight the way you practice” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* His lessons started late As always, and as always What is thrown is a question You grip tightly around your fingers as one would, as one always should. With a branch he beckons: “Come” he asks, *“if a stick is struck from this angle, what would your answer be?”* Always, the old man taught With each strike, each parry, Each disarm and lock, Each time my knuckles Would hurt. This way he makes it sure that my body remembers. This is always the first step. My mind might forget. But the body Remembers. II. *“It is difficult to realize the true Way just through sword-fencing. Know the smallest things and the biggest things, the shallowest things and the deepest things.” ― Miyamoto Musashi, The Book of Five Rings: Miyamoto Musashi* With him, everything starts The vague quality of nonwords Taught from pain, simplified Through science: the fulcrum and the lever. Each joint, each turn, a pattern to comprehend, all things work in context: *A framework of the undeniable Fact:* *the world is separate In only these two words:* Taub at Tihaya The colloquial words for Face down and face up; This is a pattern of the body. III. *“If you wish to control others you must first control yourself” ― Miyamoto Musashi, A Book of Five Rings: The Classic Guide to Strategy* Tihaya The lesson starts When he presses His thumb forward to a hand asking for alms like turning a doorknob too far to the right. Taub when I pull back four fingers on a giving hand too far to what is left. these are the means for control. When I know How much is necessary To push or to pull, To teach or to break. - 18 October 2017
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69
The platforms are full of passengers The fruits, coffees and tea stalls The train runs on the track with heels Like the whops of horses Passengers enter the train in a hurry And leave without any worry Someone sleeps in the berth and snores Some other sits and reads the news The gluttonous eater eats the eats The vendor sells nuts and peas and cries like the buzzing bees the T.C comes, wakes up and asks for the ticket and bribes for berths the beggar begs for alms singing hymns some play cards making unbearable noises the child weeps ,cries and moans the thief enters the coaches and tries to steal the bags the passengers make friends with ease but it will very soon cease life like railway travel is a passing shower it doesn’t last forever It lasts only till the destination comes The passenger takes the bag and leaves
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Dec 27, 2010
Dec 27, 2010 at 6:16 AM UTC
THE TYPICAL INDIAN RAILWAY JOURNEY
Wake up with the sun. Watch the sky turn a pastel sorbet. Feel the wet in the still air. Feel the refreshment of the moving wind. On the way to school. Pass neighbors and village folk with alms awaiting Monks giving morning prayers. Sun begins to show its orb just over the tree tops. Clouds are rare and welcome. Watch the sky turn a pale blue. Day passes, never asking, always abiding as we watch the sky turn.
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Jun 6, 2014
Jun 6, 2014 at 6:34 AM UTC
Morning
In the parched path I have seen the good lizard (one drop of crocodile) meditating. With his green frock-coat of an abbot of the devil, his correct bearing and his stiff collar, he has the sad air of an old professor. Those faded eyes of a broken artist, how they watch the afternoon in dismay! Is this, my friend, your twilight constitutional? Please use your cane, you are very old, Mr. Lizard, and the children of the village may startle you. What are you seeking in the path, my near-sighted philosopher, if the wavering phantasm of the parched afternoon has broken the horizon? Are you seeking the blue alms of the moribund heaven? A penny of a star? Or perhaps you've been reading a volume of Lamartine, and you relish the plasteresque trills of the birds? (You watch the setting sun, and your eyes shine, oh, dragon of the frogs, with a human radiance. Ideas, gondolas without oars, cross the shadowy waters of your burnt-out eyes.) Have you come looking for that lovely lady lizard, green as the wheatfields of May, as the long locks of sleeping pools, who scorned you, and then left you in your field? Oh, sweet idyll, broken among the sweet sedges! But, live! What the devil! I like you. The motto 'I oppose the serpent' triumphs in that grand double chin of a Christian archbishop. Now the sun has dissolved in the cup of the mountains, and the flocks cloud the roadway. It is the hour to depart: leave the dry path and your meditations. You will have time to look at the stars when the worms are eating you at their leisure. Go home to your house by the village, of the crickets! Good night, my friend Mr. Lizard! Now the field is empty, the mountains dim, the roadway deserted. Only, now and again, a cuckoo sings in the darkness of the poplar trees.
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5.1k
The Old Lizard
In the parched path I have seen the good lizard (one drop of crocodile) meditating. With his green frock-coat of an abbot of the devil, his correct bearing and his stiff collar, he has the sad air of an old professor. Those faded eyes of a broken artist, how they watch the afternoon in dismay! Is this, my friend, your twilight constitutional? Please use your cane, you are very old, Mr. Lizard, and the children of the village may startle you. What are you seeking in the path, my near-sighted philosopher, if the wavering phantasm of the parched afternoon has broken the horizon? Are you seeking the blue alms of the moribund heaven? A penny of a star? Or perhaps you've been reading a volume of Lamartine, and you relish the plasteresque trills of the birds? (You watch the setting sun, and your eyes shine, oh, dragon of the frogs, with a human radiance. Ideas, gondolas without oars, cross the shadowy waters of your burnt-out eyes.) Have you come looking for that lovely lady lizard, green as the wheatfields of May, as the long locks of sleeping pools, who scorned you, and then left you in your field? Oh, sweet idyll, broken among the sweet sedges! But, live! What the devil! I like you. The motto 'I oppose the serpent' triumphs in that grand double chin of a Christian archbishop. Now the sun has dissolved in the cup of the mountains, and the flocks cloud the roadway. It is the hour to depart: leave the dry path and your meditations. You will have time to look at the stars when the worms are eating you at their leisure. Go home to your house by the village, of the crickets! Good night, my friend Mr. Lizard! Now the field is empty, the mountains dim, the roadway deserted. Only, now and again, a cuckoo sings in the darkness of the poplar trees.
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78
she’s so phat! can’t deny a simple fact it’s worth a try to start anew all that we knew to forget for good or for worse i don’t need a purse have all the mon in the world all the gold so cold make it warm love’s a storm has no form but a sphere wild deer still dreamin’ of ‘em ain’t no Eminem just a young man of arms charity and alms such a rarity in our selfish world of calamity unthinkable disaster tulip, rose and aster make your heart beat faster like a drum machine Dash Berlin voice and beat so neat that girl a friend of my soul rhythm with no blues happiness i choose to carry on fighting for what’s right sleepless day and night shaken but not mixed i still get my kicks from palm reading all my wounds are bleeding with red wine guardians of time lost in their stride stick to your pride follow your dreams anguish sins belittle the devil within you there’s a universe of wisdom an ocean of beauty get no ***** but acclaim your name done in clay on the walk of fame let’s call it a day 21.05.2012
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Aug 22, 2012
Aug 22, 2012 at 3:13 AM UTC
she’s so phat!
How many paltry foolish painted things, That now in coaches trouble every street, Shall be forgotten, whom no poet sings, Ere they be well wrapped in their winding-sheet! Where I to thee eternity shall give, When nothing else remaineth of these days, And queens hereafter shall be glad to live Upon the alms of thy superfluous praise. Virgins and matrons, reading these my rhymes, Shall be so much delighted with thy story That they shall grieve they lived not in these times, To have seen thee, their sex's only glory: So shalt thou fly above the ****** throng, Still to survive in my immortal song.
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How Many Paltry Foolish Painted Things
I softly tread down marble halls, my bare feet echoing on white stone floors that have seen millions of souls just like mine. I pass over the stoop that has felt the endless touch of foreheads prostrate in humble reverence. I stand silently by an altar, coins and offerings scattered at my feet before this monument that is the silent ear for so many unknown prayers. I can almost hear the silent supplications of all those that have come before, endlessly echoing from these golden walls. This place spoke to each of them just as it speaks to so many today, just as it speaks to me. Though my knees do not fold and my lips do not kiss the marble floor, though no muttered scripture falls from my tongue, though the songs on the air remain a mystery and their lyrics tell stories I do not know, though I bring no offering, leave no coin at the petaled base of the altar, even so, my mere presence here has bound me both to this sanctuary and to these strangers. To their prayers. To their alms. To their songs. To their hearts. Every heart that has been bathed in the golden light of peace and charity is forever brightened and strengthened and soothed. And now, my heart is counted among them. Many hearts, One love.
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Feb 11, 2011
Feb 11, 2011 at 12:30 PM UTC
For Amritsar
Since I have no other way And am in utmost need, Painter girl, I filch one of the eight lambs You have made plump with Green jackfruit leaves and Thin gruel with paddy bran. I will take it to the goat market And sell it in a jiffy. I assure you I will not sell it To any butcher- The lamb you made chubby With sweet sweet words And much much petting And nice lilting croons, Mixing and mixing Greens with browns. Don’t be sad, painter girl. I hear you come running Searching for your lamb and Cry out “O my dearest one Who went grazing in the green fields,” As the sun in your canvas Sets in the sea and The saffron blends with the dusk. And, see your tears mingle With the black that you wanted To adorn the brow of The naughtiest of them. Painter girl, It’s all because I have no other go And it’s of utmost need. I could have broken into the Two-storeyedhouse you sketched And stolen the ornaments in Secret lockers that even You are unaware of. Or, I could have Palmed the golden girdle Of the beautiful ***** princess Whose portrait you made, The one with a nose stud. Or, drugged her with my kisses And plundered the harem. Or else, I could have Entered the snake shrine Guarded by the dark serpents That you often drew And fled the country with The precious jewel. Or, I could have shot down The birds that you drew And sold them grilled. I could have axed down the Mahagony trees you nurtured And sold them as timber. I could have blinded your Kanhaiah And made him a beggar To become rich from the alms he earned. I could have enslavened his Gopis And handed them over To the red light streets. Painter girl, It’s not for anything of this sort. I take just one of your eight lambs. Sell it for a good price And fulfill my need. Now, perchance, If a new tenant comes to rent My brain where nothing resides And if they pay me a fat advance, Painter girl, Surely will I buy back your lamb. And tether it in your painting. Don’t you dare say then Don’t you say then That you have forgotten it. Don’t you say then You have exhausted your stock of Green jackfruit leaves. (Trans from Malayalam by Ra Sh)
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Nov 3, 2013
Nov 3, 2013 at 10:04 AM UTC
Painter girl, You with the lambs
Since I have no other way And am in utmost need, Painter girl, I filch one of the eight lambs You have made plump with Green jackfruit leaves and Thin gruel with paddy bran. I will take it to the goat market And sell it in a jiffy. I assure you I will not sell it To any butcher- The lamb you made chubby With sweet sweet words And much much petting And nice lilting croons, Mixing and mixing Greens with browns. Don’t be sad, painter girl. I hear you come running Searching for your lamb and Cry out “O my dearest one Who went grazing in the green fields,” As the sun in your canvas Sets in the sea and The saffron blends with the dusk. And, see your tears mingle With the black that you wanted To adorn the brow of The naughtiest of them. Painter girl, It’s all because I have no other go And it’s of utmost need. I could have broken into the Two-storeyedhouse you sketched And stolen the ornaments in Secret lockers that even You are unaware of. Or, I could have Palmed the golden girdle Of the beautiful ***** princess Whose portrait you made, The one with a nose stud. Or, drugged her with my kisses And plundered the harem. Or else, I could have Entered the snake shrine Guarded by the dark serpents That you often drew And fled the country with The precious jewel. Or, I could have shot down The birds that you drew And sold them grilled. I could have axed down the Mahagony trees you nurtured And sold them as timber. I could have blinded your Kanhaiah And made him a beggar To become rich from the alms he earned. I could have enslavened his Gopis And handed them over To the red light streets. Painter girl, It’s not for anything of this sort. I take just one of your eight lambs. Sell it for a good price And fulfill my need. Now, perchance, If a new tenant comes to rent My brain where nothing resides And if they pay me a fat advance, Painter girl, Surely will I buy back your lamb. And tether it in your painting. Don’t you dare say then Don’t you say then That you have forgotten it. Don’t you say then You have exhausted your stock of Green jackfruit leaves. (Trans from Malayalam by Ra Sh)
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82
Give me my scallop shell of quiet, My staff of faith to walk upon, My scrip of joy, immortal diet, My bottle of salvation, My gown of glory, hope’s true gage, And thus I’ll take my pilgrimage. Blood must be my body’s balmer, No other balm will there be given, Whilst my soul, like a white palmer, Travels to the land of heaven; Over the silver mountains, Where spring the nectar fountains; And there I’ll kiss The bowl of bliss, And drink my eternal fill On every milken hill. My soul will be a-dry before, But after it will ne’er thirst more; And by the happy blissful way More peaceful pilgrims I shall see, That have shook off their gowns of clay, And go apparelled fresh like me. I’ll bring them first To slake their thirst, And then to taste those nectar suckets, At the clear wells Where sweetness dwells, Drawn up by saints in crystal buckets. And when our bottles and all we Are fill’d with immortality, Then the holy paths we’ll travel, Strew’d with rubies thick as gravel, Ceilings of diamonds, sapphire floors, High walls of coral, and pearl bowers. From thence to heaven’s bribeless hall Where no corrupted voices brawl, No conscience molten into gold, Nor forg’d accusers bought and sold, No cause deferr’d, nor vain-spent journey, For there Christ is the king’s attorney, Who pleads for all without degrees, And he hath angels, but no fees. When the grand twelve million jury Of our sins and sinful fury, ‘Gainst our souls black verdicts give, Christ pleads his death, and then we live. Be thou my speaker, taintless pleader, Unblotted lawyer, true proceeder, Thou movest salvation even for alms, Not with a bribed lawyer’s palms. And this is my eternal plea To him that made heaven, earth, and sea, Seeing my flesh must die so soon, And want a head to dine next noon, Just at the stroke when my veins start and spread, Set on my soul an everlasting head. Then am I ready, like a palmer fit, To tread those blest paths which before I writ.
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The Passionate Man’s Pilgrimage
Give me my scallop shell of quiet, My staff of faith to walk upon, My scrip of joy, immortal diet, My bottle of salvation, My gown of glory, hope’s true gage, And thus I’ll take my pilgrimage. Blood must be my body’s balmer, No other balm will there be given, Whilst my soul, like a white palmer, Travels to the land of heaven; Over the silver mountains, Where spring the nectar fountains; And there I’ll kiss The bowl of bliss, And drink my eternal fill On every milken hill. My soul will be a-dry before, But after it will ne’er thirst more; And by the happy blissful way More peaceful pilgrims I shall see, That have shook off their gowns of clay, And go apparelled fresh like me. I’ll bring them first To slake their thirst, And then to taste those nectar suckets, At the clear wells Where sweetness dwells, Drawn up by saints in crystal buckets. And when our bottles and all we Are fill’d with immortality, Then the holy paths we’ll travel, Strew’d with rubies thick as gravel, Ceilings of diamonds, sapphire floors, High walls of coral, and pearl bowers. From thence to heaven’s bribeless hall Where no corrupted voices brawl, No conscience molten into gold, Nor forg’d accusers bought and sold, No cause deferr’d, nor vain-spent journey, For there Christ is the king’s attorney, Who pleads for all without degrees, And he hath angels, but no fees. When the grand twelve million jury Of our sins and sinful fury, ‘Gainst our souls black verdicts give, Christ pleads his death, and then we live. Be thou my speaker, taintless pleader, Unblotted lawyer, true proceeder, Thou movest salvation even for alms, Not with a bribed lawyer’s palms. And this is my eternal plea To him that made heaven, earth, and sea, Seeing my flesh must die so soon, And want a head to dine next noon, Just at the stroke when my veins start and spread, Set on my soul an everlasting head. Then am I ready, like a palmer fit, To tread those blest paths which before I writ.
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58
These hands have clawed with blind eyes Chipped nails on fingers working on knots and ties Fingers that recklessly point to reproaches and blames Never to self, righteousness through arrogant claims Now aware, these palms have covered my face in contempt For they've partook in activities; indulgent and unkempt Rubbed skin raw on life's coarse sandpaper Ever searching for the coming of the unanticipated saviour Broken flesh hopeful for newly formed skin Like tattered souls pleading for absolution of sin Only skin deep but unfavourable experiences do fester Expecting the proverbial infection to blow over Here they are, held unclenched and riddled with pocks Weathered and sore from time's infinite mocks Maybe thereafter, will be awaited healing Perhaps soon after, I will be forgiving See now... Hands faced up, parted as halves Asking not for alms but instead your acceptance as salve Take into yours, these knackered, gnarled up palms Let your porcelain-like touch relieve like life reforming balm
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Sep 3, 2014
Sep 3, 2014 at 10:35 AM UTC
Absolution
The elderly psychopomp speaks his gullet words Preparing me as charity for birds I smelled snow and sweat when I drew breath Though now I must give charity to birds Juniper and fire become alms for the air As I now must give charity to birds The vultures are first, their beaks are the strongest, They take the meat of my charity for birds My friends come next, dearest to my heart, Laughing as they grind a further charity for birds What once I was is mixed with milk and bread To fatten my gift of charity to birds The speckled hawks and midnight rooks arrive Hoarding their share of my charity for birds I might be a wisp of smoke or softly chanted prayer As I watch myself give charity to birds Destitute and zephyrous I find my elsewheres Having given everything in charity to birds.
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Aug 15, 2013
Aug 15, 2013 at 5:06 PM UTC
Charity
1407 A Field of Stubble, lying sere Beneath the second Sun— Its Toils to Brindled People ****** Its Triumphs—to the Bin— Accosted by a timid Bird Irresolute of Alms— Is often seen—but seldom felt, On our New England Farms—
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A Field of Stubble, lying sere
On that bright day his mind was unusually calm He stopped by the beggar to offer him some alms Feeling at peace with himself without a trace of qualm He took a deep breath, with life he was coming to term. Goodness he pondered was quite an achievable feat A small spark that made him offer the old man a seat Each familiar face he smiled at such easy was to greet Inside him he grew healthier being good was great benefit. Why men suffer jealousy fight for one-upmanship Instead of trading for goodness most precious human keep Just not burn to earn his food comfort and restful sleep But live in shining goodness make life a rewarding trip. Being good with one’s own kind he felt wouldn’t do Other lives around him must kindly be treated too A crumb of bread for the street dog on its head a little pat Pints of milk and a little care for the weak and ailing cat. As he walked the road thoughts like these lighted up his face He found waiting on wayside many things begging goodness Determined he would reach them all do them a little good He sprinted along in a sprightly gait his mind in deep brood. Back home when she opened the door he gave her a broad smile She glowered a little askance for he hadn’t done it a while *What brings you this sheepish smile what for the elation? Don’t even think you can ever make on me a good impression!*
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Dec 6, 2013
Dec 6, 2013 at 2:45 AM UTC
Goodness
Truth a Stinging Bee Compassion promotes Was ever by Chance I try to Avoid But asking for such from your direct Mote Was in fact Soothing as much as a Toy Shelled? Yes as far as I have just observed Those charmed Somniloquies your Voice expressed In Art, why not? Mosaics are much conserved Though tiled in Paradise of Colours concessed Calming this haply your Passion consumes Amongst Events the Water soothes and calms Direct Object Happy; Go put out the Fumes Which blinds Good Fish spitting Coins for their Alms. Still this Summary chose you for your Grace For me, next Spell, will adapt to your Face.
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Mar 11, 2013
Mar 11, 2013 at 12:08 AM UTC
SONNET TRIBUTE SUNDRY - THIRTY - TOM DALEY
What does a painter do? A painter paints. Of paintings inspired by the universe; Of legends luminous as pious saints. But people like me work to fill my purse. Not artisan by trade nor rich merchant, With rough and stubby fingers callused palms, I'll starve if I were the master's servant And soon to take the streets to beg for alms. I paint for sake of commerce not for art; I paint all kinds of buildings, houses, schools. None enters, jobs can't start till I depart; Scrappers, ladders, paints, brushes are my tools. Do what I'm commissioned to do. To paint. But Leonardo or Angelo I ain't.
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Aug 24, 2018
Aug 24, 2018 at 8:48 PM UTC
The Painter; Sonnet #13
I am a poor man sitting on the corner of Your Conscious and Your Reality. All day everyday I sit in that spot and beg for change. But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change. A cup of change to water my feeble hope, thorny rose rooted in concrete hatred. Roots, like my fingers, too feeble to hold anything but this patch of dirt to remind me, I exist. ALMS! ALMS! ALMS for the poor of heart! But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change. A cup of change to wash away the muck kicked in my face. A cup of change to cleanse the wounds made by verbal bullets shot out of nine millimeter mouths wielded carelessly by boys society has deemed as men. I sit in this spot and fester, like a dream deferred. My skin, cracked and brittle like aged parchment, hangs over my frame like sheets over antiqued furniture. I sit in this spot with arms open wide, heart open wide, eyes open wide BEGGING FOR CHANGE! But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change. A cup of change to strip the lies and propaganda from the decrepit facades of your ideas, storefront workshops left from the age of enlightenment. My body yearns for nourishment but I can't afford your lies. But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change. Now I'm not asking for a Jesus on Galilee moment, just a cup of change to feed what's left of my soul. But who am I to ask for anything? I am just the poor man sitting on the corner of Your Conscious and Your Reality. All day everyday I sit in that spot and beg for change. But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change.
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Nov 9, 2011
Nov 9, 2011 at 10:54 AM UTC
Cup of Change
I am a poor man sitting on the corner of Your Conscious and Your Reality. All day everyday I sit in that spot and beg for change. But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change. A cup of change to water my feeble hope, thorny rose rooted in concrete hatred. Roots, like my fingers, too feeble to hold anything but this patch of dirt to remind me, I exist. ALMS! ALMS! ALMS for the poor of heart! But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change. A cup of change to wash away the muck kicked in my face. A cup of change to cleanse the wounds made by verbal bullets shot out of nine millimeter mouths wielded carelessly by boys society has deemed as men. I sit in this spot and fester, like a dream deferred. My skin, cracked and brittle like aged parchment, hangs over my frame like sheets over antiqued furniture. I sit in this spot with arms open wide, heart open wide, eyes open wide BEGGING FOR CHANGE! But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change. A cup of change to strip the lies and propaganda from the decrepit facades of your ideas, storefront workshops left from the age of enlightenment. My body yearns for nourishment but I can't afford your lies. But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change. Now I'm not asking for a Jesus on Galilee moment, just a cup of change to feed what's left of my soul. But who am I to ask for anything? I am just the poor man sitting on the corner of Your Conscious and Your Reality. All day everyday I sit in that spot and beg for change. But keep your quarters, nickels, dimes for someone else 'cause all I want is a cup of change.
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60
"Do you notice," says a passer-by to the begging Diogenes, *"that people rather offer alms to the lame, blind and maimed? They do not offer alms to a philosopher like you. Why is it that you think?"* "That's because," says Diogenes *"people think one day they too might become lame, blind or maimed - but they never think they'd ever turn to philosophy So they ignore me..."*
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May 29, 2012
May 29, 2012 at 6:15 PM UTC
Diogenes ignored
~for Isabel, Alex & Wendy, Theo & Rose~ be reading Whitman and Hafiz, adding some Shelley and Frost, for (no salt) seasoning, might add in a biblical, King Solomon’s be-loved, sugared Song of Songs… won’t need to go far, on my nightstand, search & reach, to love and preach to generations next, a lesson last & simple: read, read, read there by learning, how to first define, then preserve the variety of feelings rising from within! here’s a starter morsel from Walt, sort of a summary of how to do it, all well and proper… poppy ”This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life,. re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.” Walt Whitman Preface to Leaves of Grass, 1855. Walt Whitman, c.1887.
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Aug 16, 2023
Aug 16, 2023 at 4:08 PM UTC
To my dying day, (Walt & I, in Good Company)
I to the open road, You to the hunchbacked street - Which of us two Shall the earlier rue That day we chanced to meet? I with a heart that's sound, You with sick fancies of pain - Which of us two Would the earlier rue If we chanced to meet again? I jingle homely lore, While you rhyme is with kiss - Which of us two Will the earlier rue The love of the Hoylake Miss? Not I the first to go, Nor I the first to deceive - Which of us two Shall the the earliest rue Our garden of make-believe? You were a Chinese god, I an offering fair, As we entered the Garden of Allah, To sing our holy prayer. Entered with hearts bowed low, Yet I heard a voice that cried: For he is the god of the Sacrifice, You are the crucified. It was all make-believe, A foolish game of play, Our garden of Allah A drawing-room, Our Chinese god of clay. Strings of bruises for pearls, Tears for forget-me-nots, And a deadly pain Of the sickening shame Watching the fading spots. As quickly they faded, The heart of me faded as well, Until nothing is left Of my garden, But a soul sunk to hell. Hail! Poet prend ton lute -Je disparaire, No more together we'll enter the Enchanted garden of make-believe, Nor my sad soul listen while thine deceive. No more you'll be the God of Sacrifice, Nor I the crucified. Ah, Garden of Allah -how bitter sweet Thy fruit. Why breakest thou the heart? Why spoilest thou the soul with notes From thy golden lute? Lo! our garden a common room Our Chinese god burnt clay, and The singing of verses a funeral hymn That awakes with awakening day. 'Twas all such a meaningless play, Poet prend ton lute -Je disparaitre. Hail! Poet, take my hand -we'll walk Still a little way. I'll not desert thee at the close of day, I, too, must pray. A beggar asking alms of passers-by, Does not refuse a drink to one who's dry That once by him did lie. Poet, come close -before I leave for aye Take thou my hand, we'll walk still A little way. One garment covered both to keep us warm, What harmed the one, was't not the other's harm? Close clasped, one single form. Was it not meant of aye? Poet, take thou my hand -we'll still Walk a little way.
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On - On - Poet
I to the open road, You to the hunchbacked street - Which of us two Shall the earlier rue That day we chanced to meet? I with a heart that's sound, You with sick fancies of pain - Which of us two Would the earlier rue If we chanced to meet again? I jingle homely lore, While you rhyme is with kiss - Which of us two Will the earlier rue The love of the Hoylake Miss? Not I the first to go, Nor I the first to deceive - Which of us two Shall the the earliest rue Our garden of make-believe? You were a Chinese god, I an offering fair, As we entered the Garden of Allah, To sing our holy prayer. Entered with hearts bowed low, Yet I heard a voice that cried: For he is the god of the Sacrifice, You are the crucified. It was all make-believe, A foolish game of play, Our garden of Allah A drawing-room, Our Chinese god of clay. Strings of bruises for pearls, Tears for forget-me-nots, And a deadly pain Of the sickening shame Watching the fading spots. As quickly they faded, The heart of me faded as well, Until nothing is left Of my garden, But a soul sunk to hell. Hail! Poet prend ton lute -Je disparaire, No more together we'll enter the Enchanted garden of make-believe, Nor my sad soul listen while thine deceive. No more you'll be the God of Sacrifice, Nor I the crucified. Ah, Garden of Allah -how bitter sweet Thy fruit. Why breakest thou the heart? Why spoilest thou the soul with notes From thy golden lute? Lo! our garden a common room Our Chinese god burnt clay, and The singing of verses a funeral hymn That awakes with awakening day. 'Twas all such a meaningless play, Poet prend ton lute -Je disparaitre. Hail! Poet, take my hand -we'll walk Still a little way. I'll not desert thee at the close of day, I, too, must pray. A beggar asking alms of passers-by, Does not refuse a drink to one who's dry That once by him did lie. Poet, come close -before I leave for aye Take thou my hand, we'll walk still A little way. One garment covered both to keep us warm, What harmed the one, was't not the other's harm? Close clasped, one single form. Was it not meant of aye? Poet, take thou my hand -we'll still Walk a little way.
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323 As if I asked a common Alms, And in my wondering hand A Stranger pressed a Kingdom, And I, bewildered, stand— As if I asked the Orient Had it for me a Morn— And it should lift its purple Dikes, And shatter me with Dawn!
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As if I asked a common Alms