Haberdashery hauberk harbinger harangue equilibrist, harpy harsh hast severities.
Inane inert inertia innate, juxtaposition maenad ethos affinities.
Putrid quasi queasy pathos, emanate imminent perdition acerbities.

Agnate aggregate anathema android amalgamated, predication contract.
Glutton paradoxical dichotomy greaves, gauntlets gamut catalyst abstracts.
Ambidextrous amatory prelude amaze, analeptic adrenergic analgesia analytics extract.  Annex annul.  

Clairaudience clairvoyant omnipresence presage, omnipotent omnificent omniscience.
Pantheism parapet paradigm intuition, prognosticating prosthesis prediction.
Prolific profuseness profundity prosaic, nimbus nimiety nitty gritty, intrados rubato.

Venerable divinatory deity deify veneration, delineate demagoguery ecstasy, agonist agog.
Dream gleam cream seam beam team, serene ravine green gene careen, obscene demean.
Empiricise the existentialisms in the demagoguery of godhead aspiration.
Corporeal anaclitic apex inveterate embezzlement extroversion, acuity alacrity extortion.
Extraneous extemporaneous, ominous phenomena portrayal spontaneous synchronous, aorist actuator.

Endergonic protensive integration extrapolation interpolations investiture elicits.
Scenario synopsis synthesis syncopation, harmony rhymes rhythm.
Synchronous transition transposition interlude, summerial derivation cognition.
                                                      ­­­                                                               ­ ­ ­              
Irk-ness ire aerie altruism allegorical, autonomous avarice oscillating ostracism.
Pandemonium obdurate temerity impunity, impending preponderance onus, numinous illuminism quintessential frolic.
Amorous ardent argent arduous enamor endear, plenary putschist volatile phatic.
Conveyor controvert deft mesmeric deification deist dissertation.
Drastic premise portent pervasive embellish, elusive enhance enchant, engender enthrall.
Perpetuation euphenic euthenics, exude emote concoct recalcitrance regalia, irrefragable preternatural ne plus ultra prurient.
Vernaculars opulent myriad, aesthetic stratagem venial vexatious, astral projection conjuring levity apothegms.

Incite epistemological illuminism, accoutrements umbrage ultraism incognito trajectory extant.
Scandalous scavenger squalid anomalous punitive, heuristic manumission exigency.
Ostensible proclivity prodigious querulous, rambunctious repertoire rigmarole scenic schism sooth.
Ascribe arsenal crucial critical, abhorrent abstinence blatancy berserk, alacritous celerity brogue.
Ceremonial chicanery dynamism fealty, indefatigable incontrovertible ingenuity ingratiate inimical impugn.
Innovate integrity intricate invective convolution, licentious metaphor convection obeisance.
Splurge-ness spry sporadic sprawl, spurious staunch succinct stymie tacit, irate tirade treatise vehement escapade tedium.

Probity irascibly veracious audacity mendacity gumption.
Paphian peccavi preternatural proclivity gesticulation articulation prestidigitation.
Fantastication fantasia fabulist façade, glimmer glisten translucent refulgence.
Subliminally subjunctive nostalgic allusion analogies eidetic’s mnemonics.
Metaphysical mystique’s evolutionally metamorphic futurity fatidic.
Adroit agile nimble tactile acuity prescience capacity intrigue.
Unadulteratedly fornicatious fabrications, portentous ethereal etiquette.
Nose agnate somatology morphology metamorphic, cognition epistemology pragmatics.
Ontological ontogeny causality exigence integumence equivocal.
Innocuous noumenal verity ***** affectation intentions.

Adumbrate intimate obfuscate preterite rendition intimidate.
Logistical tactician spatiotemporal terrestrial equestrian telemetries, physicality’s terrene traverse tellurian terrain.
Vaunt-ness verve’s lucidly illusive, intrepid yare’s predilection predication.
Apriori a posteriori apostrophe shards shroud, innately inert inherency interstitial endemics.                  

Irk-ness ire Zen, graffiti mantra mantis, diminutive minutia iotas inductive interpolation asperities.
Hypercritically mitigating dialectics hypotaxis.
Vituperatively vociferous eerie strident irrefragable orotund  sonorous felicities.
Diacritical diction dharma apomixis.
Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.

Demarcate mirador bartizan panorama, stalwart bastion bulwark tableau, dexterous gargoyle disguise gimmick camouflage.
Decipher coercible coalesce corrupt costume counselor chameleon charlatan chaperone entourage.
Cryptic evocative emulation scenarios siren skeptic, cynical demonic gremlin greaves curtilage.
Zesty zingy zippy zeal zenithal azimuth elaborate elliptical empathy endeavor entity entice.

Clambering clamorous clangor strategic systematic propagate prolific, wield wile treatise expose’.
Aural auspice austerity  axiom conscribe, perplex beleaguer beggary, coax cacophony clout, concatenate chronology.
Erumpent erudition evident evil evert, extol fervor flinty florid, fructify impromptu innuendo juncture.
Kinetic supremacy temporize tractive fluent, precious precess predetermined predatory predicament, gyro gyre.
Horizon hornswoggle huckster, hokey hoot ornery honkies.

Horologist hackamore relative rationality.
Decorum dastardly dazzle deceit, demolish demur, annihilate denigrate.
Armature arcade doughty, panacea parallax serendipity servant serenade.
Personification of sartorial perfection, picturesque visage of spectral grace.
Cosmic enigma rational relativity.

Housebreak huckster squabble brash, hovel huff.
Ghastly gruesome grotesque grisly groaty gnarly grotto grouch compunction.
Caustic cavernous celibate catatonic phonics, apex crux axis matrix cortex cephalic.
Blasphemous farcical fugue-ness and estranged ensemble orchestration acoustics.
Rendition: various assorted forms of related stranger weirdness.
Conjugation coercion junction function, adjunct conjunction conjecture.
Concoct deontology ontogeny, ontological enclitic osteopathy.
Anticipate angary amentia, tiercel theocracy.
Phrenic sensorium sentiment paragon tangible.
Covert aspersion avidity, coherent avid avarice, allegory allocate amatory prelude annex annul.

Tantamount telepathy tantalize talisman talesman, prerogative presumptive judicature.
Subpoena parameter perimeter peripherals prophylaxis protocol.
Real deal seal, sail bail, bailiff rake-ness rail.
Yoni yore yare, leeward lecher leer lingam, menagerie melee hyperbolic milieu thesis, métier quintessential fulham.
Dangle wrangle mangle jangle tangle angle.
Hysterically delirious zany nertsy bonkers bluster boggle.
Gyrate, austere askance obliquely, aspire assail askew.

Cosmic origins metamorphosis implosion contractions revision, blond entropy catalyst.
Cataclysm catastrophe holocaust trauma, inefficacy ineffable expiate.
Chaos cognizant conceive dialectic dictates in extremis extremity meld nuance.
Cryptic cipher circuit citadel clairvoyant sequitur.
Cajole fictitious fiery finesse, invoke fulmination gouts clout, curtilage endeavor iterative itinerary.
Ersatz fiat fulcrum fulgurous indemnify indigenous infernal infidel iniquitous.
Electroacoustics ciphony  Electra complex lore, occipital ubiquity synch.
Psychosomatic psychokinesis cybernetics, penumbral platitude platonic proxy photic.
Assimilate stigma perspicacious, astute asunder atman pulchritudinous.
        
Decadent arrogant pompously bombastic blatant flagrant chaparral.
Diabolically maniacal dementia brusque macabre abruptness.
Swarthy beastly antithetical anathema ******* belligerent, savvy irate berserk-ness tirade.
Ulterior aghast agitator incongruous dire, perdurable peremptory primacy arbitrate zealot.
Cantankerously sorcerous insidiously sinister alchemy cauldron, pernicious visceral pathogenic, virulence truculence.
Ideational hideously horrible horrendously heinous ghastly abysmal abjection.
Perpetuity pervade rampart ransack oblation erogenous scarp lambent actuarial arbitrage.
Exserted protuberant pseudopodia actuator, odious aorist militantly mercenary.

Wingspread wiry wiseacre wherewithal rapacity, implicit important juxtaposition.
Machismo equilibrist machinations, kinesiology kleptomaniac knell physique.
Ribaldry rigmarole rhubarb, risqué rive rollick.
Demeanor kamikaze kerf, megalomania misanthropies modus operandi genocidal xenophobic.
Heredity heritage heresy legacy, pseudonym multifarious nefarious nemesis.
Sepulcher stratagem pantheism parapet paradigm, psychosis neophyte, paragon proselyte.
Pilferous wheedling finagler, plunderous pillaging usurper, longevous loquacity lottery.
Rhapsody rhetoric rote raconteur newfangled nocturnal nonchalant sycophant.
Morose morsel moribund, lurid luscious lyricism lucidity lucrative.
Creative cleaver crafty cunning furtive sneaky stealthy connive.
Aphorism euphemism hegira to xanadu carousing marauder syllogism.
Swell surge flow flux craw crux, virago monad chaos character charisma.
Heuristic cavalier humeral, meager demonstrative anarchy iconoclasm, apropos ergo ipso-facto.
Plenary plenipotentiary omniscience presage, omnipotent directive ubiquity emanations.
Nous agnate ontological ontogeny, exegesis peroration.
Abeyance, exotically ****** quixotic ecstatically emphatic fanatic.
Orchestration rendition unicorn railway mainsail, awry askew askance.

Canny cogent fecund erudite sagacious sequacious conjuring mentality introjection conjugation coercions.
Avant-garde temporal abstract, scenario synopsis eclectic synectics.
Synaptic syntax syndrome aspersion, quagmire quandary poshly plush.
Physicality ***** pictorial, picturesque glyph, debauchery deviant profane ***** vicarious assertion exorbitance.
Mystical silhouette sojourn consortium sabbat conclave liaison, soiree tryst rendezvous symposium excursion compendium.
Incarnate cephalic phantasmagoria proximity parameter phantasm epitomize transitive transcendental syntactic semantics.
Resplendent radiant ephemeral effulgence translucent incandescent luster effluence, reflectively refractive azure opulence effusion.
Contentious pretentiously extravagant eccentric intransigent pedantic antics.
Guidon guile homogenous hovering imagination immaturity, exogamy incorporeity ideologies.
Pique poignant piquant puissant quiescence, obstreperously abstruse vagary plausibility’s cause.
Vivid intangible impetus instinct intrigue, livid lurid allusion.
Autonomous preterite discrepancy amendment emendations, transcendent accession ascensional in absentia expurgation exculpation.

Haberdashery hauberk harbinger harangue equilibrist, harpy harsh hast severities.
Inane inert inertia innate, juxtaposition maenad ethos affinities.
Putrid quasi queasy pathos, emanate imminent perdition acerbities.

Agnate aggregate anathema android amalgamated, predication contract.
Glutton paradoxical dichotomy greaves, gauntlets gamut catalyst abstracts.
Ambidextrous amatory prelude amaze, analeptic adrenergic analgesia analytics extract.

Clairaudience clairvoyant omnipresence presage, omnipotent omnificent omniscience.
Pantheism parapet paradigm intuition, prognosticating prosthesis prediction.
Prolific profuseness profundity prosaic, nimbus nimiety nitty gritty, intrados rubato.

Venerable divinatory deity deify veneration, delineate demagoguery ecstasy, agonist agog.
Dream gleam cream seam beam team, serene ravine green gene careen, obscene demean.
Empiricise the existentialisms in the demagoguery of godhead aspiration.
Corporeal anaclitic apex inveterate embezzlement extroversion, acuity alacrity extortion.
Extraneous extemporaneous, ominous phenomena portrayal spontaneous synchronous, aorist actuator.

Endergonic protensive integration extrapolation interpolations investiture elicits.
Scenario synopsis synthesis syncopation, harmony rhymes rhythm.
Synchronous transition transposition interlude, summerial derivation cognition.
                                                      ­                                                                 ­             
Irk-ness ire aerie altruism allegorical, autonomous avarice oscillating ostracism.
Pandemonium obdurate temerity impunity, impending preponderance onus, numinous illuminism quintessential frolic.
Amorous ardent argent arduous enamor endear, plenary putschist volatile phatic.
Conveyor controvert deft mesmeric deification deist dissertation.
Drastic premise portent pervasive embellish, elusive enhance enchant, engender enthrall.
Perpetuation euphenic euthenics, exude emote concoct recalcitrance regalia, irrefragable preternatural ne plus ultra prurient.
Vernaculars opulent myriad, aesthetic stratagem venial vexatious, astral projection conjuring levity apothegms.

Incite epistemological illuminism, accoutrements umbrage ultraism incognito trajectory extant.
Scandalous scavenger squalid anomalous punitive, heuristic manumission exigency.
Ostensible proclivity prodigious querulous, rambunctious repertoire rigmarole scenic schism sooth.
Ascribe arsenal crucial critical, abhorrent abstinence blatancy berserk, alacritous celerity brogue.
Ceremonial chicanery dynamism fealty, indefatigable incontrovertible ingenuity ingratiate inimical impugn.
Innovate integrity intricate invective convolution, licentious metaphor convection obeisance.
Splurge-ness spry sporadic sprawl, spurious staunch succinct stymie tacit, irate tirade treatise vehement escapade tedium.

Probity irascibly veracious audacity mendacity gumption.
Paphian peccavi preternatural proclivity gesticulation articulation prestidigitation.
Fantastication fantasia fabulist façade, glimmer glisten translucent refulgence.
Subliminally subjunctive nostalgic allusion analogies eidetic’s mnemonics.
Metaphysical mystique’s evolutionally metamorphic futurity fatidic.
Adroit agile nimble tactile acuity prescience capacity intrigue.
Unadulteratedly fornicatious fabrications, portentous ethereal etiquette.
Nose agnate somatology morphology metamorphic, cognition epistemology pragmatics.
Ontological ontogeny causality exigence integumence equivocal.
Innocuous noumenal verity ***** affectation intentions.

Adumbrate intimate obfuscate preterite rendition intimidate.
Logistical tactician spatiotemporal terrestrial equestrian telemetries, physicality’s terrene traverse tellurian terrain.
Vaunt-ness verve’s lucidly illusive, intrepid yare’s predilection predication.
Apriori a posteriori apostrophe shards shroud, innately inert inherency interstitial endemics.                  

Irk-ness ire Zen, graffiti mantra mantis, diminutive minutia iotas inductive interpolation asperities.
Hypercritically mitigating dialectics hypotaxis.
Vituperatively vociferous eerie strident irrefragable orotund  sonorous felicities.
Diacritical diction dharma apomixis.
Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.

Demarcate mirador bartizan panorama, stalwart bastion bulwark tableau, dexterous gargoyle disguise gimmick camouflage.
Decipher coercible coalesce corrupt costume counselor chameleon charlatan chaperone entourage.
Cryptic evocative emulation scenarios siren skeptic, cynical demonic gremlin greaves curtilage.
Zesty zingy zippy zeal zenithal azimuth elaborate elliptical empathy endeavor entity entice.

Clambering clamorous clangor strategic systematic propagate prolific, wield wile treatise expose’.
Aural auspice austerity  axiom conscribe, perplex beleaguer beggary, coax cacophony clout, concatenate chronology.
Erumpent erudition evident evil evert, extol fervor flinty florid, fructify impromptu innuendo juncture.
Kinetic supremacy temporize tractive fluent, precious precess predetermined predatory predicament, gyro gyre.
Horizon hornswoggle huckster, hokey hoot ornery honkies.

Horologist hackamore relative rationality.
Decorum dastardly dazzle deceit, demolish demur, annihilate denigrate.
Armature arcade doughty, panacea parallax serendipity servant serenade.
Personification of sartorial perfection, picturesque visage of spectral grace.
Cosmic enigma rational relativity.

Housebreak huckster squabble brash, hovel huff.
Ghastly gruesome grotesque grisly groaty gnarly grotto grouch compunction.
Caustic cavernous celibate catatonic phonics, apex crux axis matrix cortex cephalic.
Blasphemous farcical fugue-ness and estranged ensemble orchestration acoustics.
Rendition: various assorted forms of related stranger weirdness.
Conjugation coercion junction function, adjunct conjunction conjecture.
Concoct deontology ontogeny, ontological enclitic osteopathy.
Anticipate angary amentia, tiercel theocracy.
Phrenic sensorium sentiment paragon tangible.
Covert aspersion avidity, coherent avid avarice, allegory allocate amatory prelude annex annul.

Tantamount telepathy tantalize talisman talesman, prerogative presumptive judicature.
Subpoena parameter perimeter peripherals prophylaxis protocol.
Real deal seal, sail bail, bailiff rake-ness rail.
Yoni yore yare, leeward lecher leer lingam, menagerie melee hyperbolic milieu thesis, métier quintessential fulham.
Dangle wrangle mangle jangle tangle angle.
Hysterically delirious zany nertsy bonkers bluster boggle.
Gyrate, austere askance obliquely, aspire assail askew.

Cosmic origins metamorphosis implosion contractions revision, blond entropy catalyst.
Cataclysm catastrophe holocaust trauma, inefficacy ineffable expiate.
Chaos cognizant conceive dialectic dictates in extremis extremity meld nuance.
Cryptic cipher circuit citadel clairvoyant sequitur.
Cajole fictitious fiery finesse, invoke fulmination gouts clout, curtilage endeavor iterative itinerary.
Ersatz fiat fulcrum fulgurous indemnify indigenous infernal infidel iniquitous.
Electroacoustic ciphony  Electra complex lore, occipital ubiquity synch.
Psychosomatic psychokinesis cybernetics, penumbral platitude platonic proxy photic.
Assimilate stigma perspicacious, astute asunder atman pulchritudinous.
        
Decadent arrogant pompously bombastic blatant flagrant chaparral.
Diabolically maniacal dementia brusque macabre abruptness.
Swarthy beastly antithetical anathema ******* belligerent, savvy irate berserk-ness tirade.
Ulterior aghast agitator incongruous dire, perdurable peremptory primacy arbitrate zealot.
Cantankerously sorcerous insidiously sinister alchemy cauldron, pernicious visceral pathogenic, virulence truculence.
Ideational hideously horrible horrendously heinous ghastly abysmal abjection.
Perpetuity pervade rampart ransack oblation erogenous scarp lambent actuarial arbitrage.
Exserted protuberant pseudopodia actuator, odious aorist militantly mercenary.

Wingspread wiry wiseacre wherewithal rapacity, implicit important juxtaposition.
Machismo equilibrist machinations, kinesiology kleptomaniac knell physique.
Ribaldry rigmarole rhubarb, risqué rive rollick.
Demeanor kamikaze kerf, megalomania misanthropies modus operandi genocidal xenophobic.
Heredity heritage heresy legacy, pseudonym multifarious nefarious nemesis.
Sepulcher stratagem pantheism parapet paradigm, psychosis neophyte, paragon proselyte.
Pilferous wheedling finagler, plunderous pillaging usurper, longevous loquacity lottery.
Rhapsody rhetoric rote raconteur newfangled nocturnal nonchalant sycophant.
Morose morsel moribund, lurid luscious lyricism lucidity lucrative.
Creative cleaver crafty cunning furtive sneaky stealthy connive.
Aphorism euphemism hegira to xanadu carousing marauder syllogism.
Swell surge flow flux craw crux, virago monad chaos character charisma.
Heuristic cavalier humeral, meager demonstrative anarchy iconoclasm, apropos ergo ipso-facto.
Plenary plenipotentiary omniscience presage, omnipotent directive ubiquity emanations.
Nous agnate ontological ontogeny, exegesis peroration.
Abeyance, exotically ****** quixotic ecstatically emphatic fanatic.
Orchestration rendition unicorn railway mainsail, awry askew askance.

Canny cogent fecund erudite sagacious sequacious conjuring mentality introjection conjugation coercions.
Avant-garde temporal abstract, scenario synopsis eclectic synectics.
Synaptic syntax syndrome aspersion, quagmire quandary poshly plush.
Physicality ***** pictorial, picturesque glyph, debauchery deviant profane ***** vicarious assertion exorbitance.
Mystical silhouette sojourn consortium sabbat conclave liaison, soiree tryst rendezvous symposium excursion compendium.
Incarnate cephalic phantasmagoria proximity parameter phantasm epitomize transitive transcendental syntactic semantics.
Resplendent radiant ephemeral effulgence translucent incandescent luster effluence, reflectively refractive azure opulence effusion.
Contentious pretentiously extravagant eccentric intransigent pedantic antics.
Guidon guile homogenous hovering imagination immaturity, exogamy incorporeity ideologies.
Pique poignant piquant puissant quiescence, obstreperously abstruse vagary plausibility’s cause.
Vivid intangible impetus instinct intrigue, livid lurid allusion.
Autonomous preterite discrepancy amendment emendations, transcendent accession ascensional in absentia expurgation exculpation.

1 . Die, all of you.

2. Flip her skirt up.

3. Let everyone be happy.

4. Bring the most righteous person back to life.

5. Bring back everyone who died.

6. I want eternal life and youth!

7. Confidence.

8. I want to stop being a warrior.

9. I want more talent.

10. A harem, of course!

11. Disappear, all of you.

12. Expand my power to one thousand paths.

13. Money! Money!

14. I want to be friends with everyone in the world.

15. Rule the world!
Ruling the world is hard.

16. I want a girlfriend!
But would that really be love?

17. I want wisdom.
Foolishness makes you who you are.

18. I want to know the future.
But what fun would be living then?

19. I want to be a pro baseball player.
But you would have to work out every day then.

20. Telekinesis.
Then why I have hands?

21. I want to fly.
Then why I have feet?

22. I want to speak all languages.
You don't like to talk anyway (RELATABLE).

23. I want an X-ray vision.
That would lead to misunderstandings.

24. I wish for an end to war.
But it won't end exploitation.

25.I want to climb mount Everest.
But you would have only yourself to rely on.

26. I want a smartphone that can't run out of battery.
It would last only a few years still.

27. I want to pilot a giant robot!
What you would be fighting?

28. To never stub my toe again.
Why not just watch where you walk?

29.I want a cool supercar.
It won't feel the same if you don't buy it yourself.

30. I wish everyday could be Sunday.
Go to work on Sunday?

31. I want to be a bird.
Being a human is much better.

32. I want to read people's minds.
You would start to distrusting people.

33. The ability to wake up early.
But you would just go back to sleep. (Totally relatable)

34. I want to enter a manga.
What if you couldn't get out?

35. I want to be invisible.
You are already invisible in the classroom (that hurts, you know).

36. I want to not feel pain.
That's dangerous.

37. I want that rare book.
It's only rare because no one else have it.

38. I want that limited edition item.
Would it still be limited edition then?

39. I want a best friend.
What if they knew you were friends only because of a wish?

40. I want to be a great man.
That greatness wouldn't last.

41. I want to talk to animals
They probably don't have much to say.

42. I want to travel the world.
It's likely harder than it sounds.

43. I want to live in a mansion
All by yourself?

44. I want a fighter plane
Where would you park it?

45. I want to play all instruments!
But buying them all would be expensive.

46. I want to see a ghost!
Like hell you do!

47. I want to meet a great person from the past
But they would have a lot of lectures for a modern person.

48. I want my dormant power awakened!
What if you don't have any?

50. I want power to stop time!
That's like saying you want a power to commit crime.

51. I want better penmanship.
In digital era?

52. I want to meet an elf
In this day and age?

53. I want youth.
What do you think you have now?

55. I want an eye that sees long distances.
You mean like a third eye?

57. I want to hire a maid.
Just go to cafe.

58. I want to be a manga artist.
Answer one of the Young Jump recruiting postings.

60. I want to live in a deserted island!
You would probably want to leave it right away.

61. I want a time machine!
Do you have an idea how to get energy to power it?

62. I want to be free of stress.
You need stress to grow.

63. I want world peace.
Would you still exist in a peaceful world?

64. I want a loving family.
But artificial one?

65. I want to eat the world's most delicious food.
But you want to eat cup ramen too.

66. I want to go to amusement park
What are you, a girl raised to be a living weapon? (This is surely an allusion to something, I just can't get what)

67. I want to be on the front page of a newspaper!
Are you going to commit a crime or what?

77. I want to be a cyborg.
Who would repair you if you broke?

78. I want an art collection.
You don't even like that stuff. Don't pretend to be an intellectual.

79. I want to buy a penguin.
Can you even take care of an animal?

80. I want to talk to famous people.
About what? Any subject in mind?

82. A world free of evil people.
What would be left?

83. I want to be taller.
And then you would want to be shorter again.

84. I want courage.
What are you, a lion?

86. I want prestige.
Unearned prestige?

87. I want to never be late for a bus.
But then the buses would be late.

88. I want to be the strongest in world.
Why, so you can bully the weak?

89. I want to invent something amazing.
All inventions ultimately become weapons.

90.I want to film a movie.
You would bring down any set you were on.

91. I want to be someone who will never lose again.
The moment you wish for this, you become an eternal loser.

92.I want to become a master swordsman.
Dishonestly?

96. I want to learn the truth of the world.
No, you don't.

97. I wish misfortune on people I hate.
Wishing misfortune on others is a ****** thing to do.

98. To grant your wish instead.
Cancel that immediately.

99. I want to turn my wish into 100 wishes.

100. Let me forget

If one had a desire to define the word god where would he begin?  Why would he assign the traits he did to the word?  Would he want to assimilate traits that he perceived to be godlike?   Would he obtain a clearer vision in a realization of the futility of aspiration, or would pragmatism and adamant tenaciousness afford him a better route?  Perhaps we all could benefit by a reassessment of our affinity with god.
  
The metaphysical extremities of human nature provide man with a multifaceted image of the possible psychic states of God. Objectivity has led man away from the true nature of his need many times at this point.  Any retrospective analysis of man’s personifications of deity most often leaves one lost in the quandaries of the psychic quagmire.  The weaknesses created by man’s lack of a universally acceptable id conclusion have elevated many philosophical or theocratic hypotheses to the level of demagoguery.

One method which has been used by theologians in attempting to induct a sumerial derivation from the vast warehouse of human religious extrapolation is the concept that perhaps basic truths can be affirmed through the theory of sufficient constancy of conjunction. Which is to say that reasonably analogous conjectures can be found in the depths of religious pervasion.  But this is not strictly true.
  
The ancient Babylonians, like the Indians, were polytheistic. They worshiped gods of nature, tribal union, fertility.  Deifications created from allusion to natural analogies, yet often imbued with a euphemistic optimism.  Where as the pantheon of Grecian deities often seems an almost banal personification of psychological metaphors from the darker side of life.  Zeus a fallibly omnipotent being who pompously subverts all beneath him to his will.  Who along with Apollo and others roam the countryside ****** and adulterating the women of their choice.  And Ares the formidable God of war who’s natural lust for violence leads him and his cohorts to vicarious involvement with mankind’s altercations.

Egyptian theology seems to have been an amendable and progressive state that began with sun worship and gods of nature, and moved on to attempted assimilation of godlike traits through a natural alignment with the perceived nature of God.  There were in depth studies of the nature of time, and life, and notions of existential transcendentalism.  The momentum of this progression led them to the ultimate grandiose delusion in which the Pharaoh was worshiped as the universal supreme being, omniscient and omnipotent ruler of the ultimate utopian society. 
 
The Jews worshiped a God who was at once both a part of them  and an exogenous force believed to have created them in its own image. A God that deliberately instilled an understanding of it’s intended wisdom by instructing them of the laws they were to live by.  These divine revelations were often considered as the unadulterated word of God.  This God was jealous and demanded the adoration due him as the supreme essence.  His worship became the underlying force in their social conjecture as they attempted to inspire his continued grace and benevolence.  A seemingly irrational solution to the quandary of idealism.  An allegiance who’s impetus was unquestionable.  It seems by me to be improperly rooted on a personal level in that it overemphasizes the need or expectation of divine inspiration.

The ancient Chinese social wisdom was by me commendably rational.  Unlike the Jews they do not seem to have overemphasized the expectation of divine inspiration.  Instead they, like the Egyptians emphasized an alignment with the perceived nature of God on a personal level as the way to strength.  They of course had a conception of the possible natures of deity, but considered wisdom to be an honorably truthful self orientation.

Another realm of intellectual extrapolation from which one might hope to surmise a depthfully pervasive generality would be man’s philosophical treatises on the possible natures of God. Unfortunately due to the myriad nature of possibility this again appears paradoxically difficult.  To me this seems to be a product of the nonempirical nature of these conjectures.  Humans experience a reality which does not necessarily  have any relative effect on the transcendence of their conception of the possible nature of God. Although many have attempted to empiricise their conjectures through rational logic they are most often refuted by the possibility of ultimate transcendence or quandrified by the actuality of paradoxical argument.
  
Some good examples of these points are perhaps the arguments of Lucretius who attempted to empiricise that God can not revoke mathematical truths.  But what is the relative reality of those truths to the transcended essence of ultimate beingness.  They are refuted by irrelevance.  Another example might be the statement that God has aseity.  That is if he exists his existence is not caused.  This statement seems easy to refute for the supreme being could be all of the things possible for him except this and have evolved out of eons of cosmic continuum into natural omniscience and or through assimilation of the forces innate to the cosmos have achieved relative omnipotence.
  
One generally accepted statement that is refuted by these arguments is “the cosmos does not have infinite existence and is therefore not the supreme being.”  For if this supreme being has not yet evolved if it’s transcendental form could be said to have become out of cosmic continuum then the cosmos will indeed have achieved infiniteness.  But this already seems intuitively necessary to the ultimate cosmic essence regardless of a lack of self consciousness or even a physical form.  Perhaps what is possible and eons of void are the root of all force and matter, and perhaps this as yet unfulfilled sequence cycles on to nirvana.  Then again perhaps the supreme being does in fact preempt all as a self conscious entity.  This also would seem to be intuitively necessary to the essence of totality which of course has always existed and is in fact the supreme being in at that at that although not necessarily the true form of it’s transcendental being.
  
On this lofty note I would like to reiterate my thesis.  Perhaps we all could benefit from a reassessment of our affinity with God.

A man can accomplish many things with his concept of God. What is extraneous?  Perhaps the question would better be put what is expedient, but that becomes subjective.   You have to define your goals.  Where in lies wisdom?  Can man truly aspire to godhead or is this personally nonproductive?  Man seems to perceive a sort of manifest destiny for himself.  An intrinsic affinity with infiniteness that just must be dealt with.   Perhaps our beliefs in life after death are a grandiose delusion in which we hedonistically waste our time pampering our egos. Which brings me to my third and final argument.

Perhaps conscious regimentation and an affiliation with earth bound logic would bring us closer to our affinity with God.
One of the ideas presented by my philosophical references was that many of mankind’s inspirations to define his affinity with God grew inadvertently out of social realism and the powers assumed. Although often the subjective truths of these understandings went unmentioned out of a desire for objectivity.  For example what God must be if God is to be God.  Perhaps one would do better to relate personally to his affinity with God.

I think this is true.  Although we seem to lack omnipotence we are all individually speaking a preternatural corporeal state.  Perhaps we all should assert our godliness instead of hiding our talents in the sand.  Perhaps then we could construct a contractual reality.  An aspiration to the perfection of the human social mechanic.  I salute this concept.  In fact I firmly believe that by conscribing unalienable rights to our beings we have already performed the rights of the human social mechanic.  Our aspiration to godhead is complete in it’s conjecture.  All that is left is to obtain expedience and accuracy in our amendment toward continued obtainment of the majority goal.

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

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Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

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SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
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PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

Haberdashery hauberk harbinger harangue equilibrist, harpy harsh hast severities.
Inane inert inertia innate, juxtaposition maenad ethos affinities.
Putrid quasi queasy pathos, emanate imminent perdition acerbities.

Agnate aggregate anathema android amalgamated, predication contract.
Glutton paradoxical dichotomy greaves, gauntlets gamut catalyst abstracts.
Ambidextrous amatory prelude amaze, analeptic adrenergic analgesia analytics extract.  Annex annul.  

Clairaudience clairvoyant omnipresence presage, omnipotent omnificent omniscience.
Pantheism parapet paradigm intuition, prognosticating prosthesis prediction.
Prolific profuseness profundity prosaic, nimbus nimiety nitty gritty, intrados rubato.

Venerable divinatory deity deify veneration, delineate demagoguery ecstasy, agonist agog.
Dream gleam cream seam beam team, serene ravine green gene careen, obscene demean.
Empiricise the existentialisms in the demagoguery of godhead aspiration.
Corporeal anaclitic apex inveterate embezzlement extroversion, acuity alacrity extortion.
Extraneous extemporaneous, ominous phenomena portrayal spontaneous synchronous, aorist actuator.

Endergonic protensive integration extrapolation interpolations investiture elicits.
Scenario synopsis synthesis syncopation, harmony rhymes rhythm.
Synchronous transition transposition interlude, summerial derivation cognition.
                                                      ­­                                                                ­ ­              
Irk-ness ire aerie altruism allegorical, autonomous avarice oscillating ostracism.
Pandemonium obdurate temerity impunity, impending preponderance onus, numinous illuminism quintessential frolic.
Amorous ardent argent arduous enamor endear, plenary putschist volatile phatic.
Conveyor controvert deft mesmeric deification deist dissertation.
Drastic premise portent pervasive embellish, elusive enhance enchant, engender enthrall.
Perpetuation euphenic euthenics, exude emote concoct recalcitrance regalia, irrefragable preternatural ne plus ultra prurient.
Vernaculars opulent myriad, aesthetic stratagem venial vexatious, astral projection conjuring levity apothegms.

Incite epistemological illuminism, accoutrements umbrage ultraism incognito trajectory extant.
Scandalous scavenger squalid anomalous punitive, heuristic manumission exigency.
Ostensible proclivity prodigious querulous, rambunctious repertoire rigmarole scenic schism sooth.
Ascribe arsenal crucial critical, abhorrent abstinence blatancy berserk, alacritous celerity brogue.
Ceremonial chicanery dynamism fealty, indefatigable incontrovertible ingenuity ingratiate inimical impugn.
Innovate integrity intricate invective convolution, licentious metaphor convection obeisance.
Splurge-ness spry sporadic sprawl, spurious staunch succinct stymie tacit, irate tirade treatise vehement escapade tedium.

Probity irascibly veracious audacity mendacity gumption.
Paphian peccavi preternatural proclivity gesticulation articulation prestidigitation.
Fantastication fantasia fabulist façade, glimmer glisten translucent refulgence.
Subliminally subjunctive nostalgic allusion analogies eidetic’s mnemonics.
Metaphysical mystique’s evolutionally metamorphic futurity fatidic.
Adroit agile nimble tactile acuity prescience capacity intrigue.
Unadulteratedly fornicatious fabrications, portentous ethereal etiquette.
Nose agnate somatology morphology metamorphic, cognition epistemology pragmatics.
Ontological ontogeny causality exigence integumence equivocal.
Innocuous noumenal verity ***** affectation intentions.

Adumbrate intimate obfuscate preterite rendition intimidate.
Logistical tactician spatiotemporal terrestrial equestrian telemetries, physicality’s terrene traverse tellurian terrain.
Vaunt-ness verve’s lucidly illusive, intrepid yare’s predilection predication.
Apriori a posteriori apostrophe shards shroud, innately inert inherency interstitial endemics.                  

Irk-ness ire Zen, graffiti mantra mantis, diminutive minutia iotas inductive interpolation asperities.
Hypercritically mitigating dialectics hypotaxis.
Vituperatively vociferous eerie strident irrefragable orotund  sonorous felicities.
Diacritical diction dharma apomixis.
Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.

Demarcate mirador bartizan panorama, stalwart bastion bulwark tableau, dexterous gargoyle disguise gimmick camouflage.
Decipher coercible coalesce corrupt costume counselor chameleon charlatan chaperone entourage.
Cryptic evocative emulation scenarios siren skeptic, cynical demonic gremlin greaves curtilage.
Zesty zingy zippy zeal zenithal azimuth elaborate elliptical empathy endeavor entity entice.

Clambering clamorous clangor strategic systematic propagate prolific, wield wile treatise expose’.
Aural auspice austerity  axiom conscribe, perplex beleaguer beggary, coax cacophony clout, concatenate chronology.
Erumpent erudition evident evil evert, extol fervor flinty florid, fructify impromptu innuendo juncture.
Kinetic supremacy temporize tractive fluent, precious precess predetermined predatory predicament, gyro gyre.
Horizon hornswoggle huckster, hokey hoot ornery honkies.

Horologist hackamore relative rationality.
Decorum dastardly dazzle deceit, demolish demur, annihilate denigrate.
Armature arcade doughty, panacea parallax serendipity servant serenade.
Personification of sartorial perfection, picturesque visage of spectral grace.
Cosmic enigma rational relativity.

Housebreak huckster squabble brash, hovel huff.
Ghastly gruesome grotesque grisly groaty gnarly grotto grouch compunction.
Caustic cavernous celibate catatonic phonics, apex crux axis matrix cortex cephalic.
Blasphemous farcical fugue-ness and estranged ensemble orchestration acoustics.
Rendition: various assorted forms of related stranger weirdness.
Conjugation coercion junction function, adjunct conjunction conjecture.
Concoct deontology ontogeny, ontological enclitic osteopathy.
Anticipate angary amentia, tiercel theocracy.
Phrenic sensorium sentiment paragon tangible.
Covert aspersion avidity, coherent avid avarice, allegory allocate amatory prelude annex annul.

Tantamount telepathy tantalize talisman talesman, prerogative presumptive judicature.
Subpoena parameter perimeter peripherals prophylaxis protocol.
Real deal seal, sail bail, bailiff rake-ness rail.
Yoni yore yare, leeward lecher leer lingam, menagerie melee hyperbolic milieu thesis, métier quintessential fulham.
Dangle wrangle mangle jangle tangle angle.
Hysterically delirious zany nertsy bonkers bluster boggle.
Gyrate, austere askance obliquely, aspire assail askew.

Cosmic origins metamorphosis implosion contractions revision, blond entropy catalyst.
Cataclysm catastrophe holocaust trauma, inefficacy ineffable expiate.
Chaos cognizant conceive dialectic dictates in extremis extremity meld nuance.
Cryptic cipher circuit citadel clairvoyant sequitur.
Cajole fictitious fiery finesse, invoke fulmination gouts clout, curtilage endeavor iterative itinerary.
Ersatz fiat fulcrum fulgurous indemnify indigenous infernal infidel iniquitous.
Electroacoustic ciphony  Electra complex lore, occipital ubiquity synch.
Psychosomatic psychokinesis cybernetics, penumbral platitude platonic proxy photic.
Assimilate stigma perspicacious, astute asunder atman pulchritudinous.
        
Decadent arrogant pompously bombastic blatant flagrant chaparral.
Diabolically maniacal dementia brusque macabre abruptness.
Swarthy beastly antithetical anathema ******* belligerent, savvy irate berserk-ness tirade.
Ulterior aghast agitator incongruous dire, perdurable peremptory primacy arbitrate zealot.
Cantankerously sorcerous insidiously sinister alchemy cauldron, pernicious visceral pathogenic, virulence truculence.
Ideational hideously horrible horrendously heinous ghastly abysmal abjection.
Perpetuity pervade rampart ransack oblation erogenous scarp lambent actuarial arbitrage.
Exserted protuberant pseudopodia actuator, odious aorist militantly mercenary.

Wingspread wiry wiseacre wherewithal rapacity, implicit important juxtaposition.
Machismo equilibrist machinations, kinesiology kleptomaniac knell physique.
Ribaldry rigmarole rhubarb, risqué rive rollick.
Demeanor kamikaze kerf, megalomania misanthropies modus operandi genocidal xenophobic.
Heredity heritage heresy legacy, pseudonym multifarious nefarious nemesis.
Sepulcher stratagem pantheism parapet paradigm, psychosis neophyte, paragon proselyte.
Pilferous wheedling finagler, plunderous pillaging usurper, longevous loquacity lottery.
Rhapsody rhetoric rote raconteur newfangled nocturnal nonchalant sycophant.
Morose morsel moribund, lurid luscious lyricism lucidity lucrative.
Creative cleaver crafty cunning furtive sneaky stealthy connive.
Aphorism euphemism hegira to xanadu carousing marauder syllogism.
Swell surge flow flux craw crux, virago monad chaos character charisma.
Heuristic cavalier humeral, meager demonstrative anarchy iconoclasm, apropos ergo ipso-facto.
Plenary plenipotentiary omniscience presage, omnipotent directive ubiquity emanations.
Nous agnate ontological ontogeny, exegesis peroration.
Abeyance, exotically ****** quixotic ecstatically emphatic fanatic.
Orchestration rendition unicorn railway mainsail, awry askew askance.

Canny cogent fecund erudite sagacious sequacious conjuring mentality introjection conjugation coercions.
Avant-garde temporal abstract, scenario synopsis eclectic synectics.
Synaptic syntax syndrome aspersion, quagmire quandary poshly plush.
Physicality ***** pictorial, picturesque glyph, debauchery deviant profane ***** vicarious assertion exorbitance.
Mystical silhouette sojourn consortium sabbat conclave liaison, soiree tryst rendezvous symposium excursion compendium.
Incarnate cephalic phantasmagoria proximity parameter phantasm epitomize transitive transcendental syntactic semantics.
Resplendent radiant ephemeral effulgence translucent incandescent luster effluence, reflectively refractive azure opulence effusion.
Contentious pretentiously extravagant eccentric intransigent pedantic antics.
Guidon guile homogenous hovering imagination immaturity, exogamy incorporeity ideologies.
Pique poignant piquant puissant quiescence, obstreperously abstruse vagary plausibility’s cause.
Vivid intangible impetus instinct intrigue, livid lurid allusion.
Autonomous preterite discrepancy amendment emendations, transcendent accession ascensional in absentia expurgation exculpation.

Broken.
It is such a strange word.
Broken.
It is such a strange definition.
Broken.
Can't what is broken be fixed?

If that which is broken is fixed, is it still broken?
Perhaps it is just brokenly new.
A broken heart can lead to joy.
So if a heart is sad, is it truly broken?

Broken.
Such a strange thing.
Broken.
What a strange concept.
Broken.
What a strange sound.

Why do humans call themselves broken?
Perhaps being broken, is nothing more then an allusion.
Why do we cry in despair when we seem to have broken?
Being broken only allows light to shine through the cracks.

Broken.
What a strange allusion.
Broken.
What a strange existence.
Broken.
What a strange state.

So, if broken can be fixed...
If Broken leads to joy...
If broken is an allusion..
And if light shines through the cracks of things that are broken...
Then it means two things...

Broken is a temporary state for humans.
Broken never existed to begin with.

bypassing the 502 error: title - whiplash...
body... cream...

original intent:

they're doing road works on a stretch of road
where the brothel sits:
house of the rising sun or whatever you want
to call it... i'm not ready for the thrist:
for the plunge that will extend into half a decade's
worth of not *******...
i'll give it a week or so... before i take the plunge:
proper... mind you... i've already found
the perfect formula for drinking...
the cheapest bottle of australian wine...
at 14%... mixed into the glorious Mayan drink
of the gods' that's kalimotxo...
and if i'm still not "feeling it": i'll top myself
off with some slender-man's whiskey glug-glug...
it worked so well for 4 years without
touching a woman's body...
what the hell prompted me?
to wake up from this slumber?
oh... right... i own two maine **** cats
and when i was grooming the female...
she stuck up her brunt right into my hands...
it felt like: trans-species ******* for a while...
a cog in my brain went loose...
for days i cycled in the night into central London
looking at the flesh market:
of the free peoples of the western world...
what prompted me...
i was grooming my maine **** cat and she
was tempting me with a: ******* hairy apple...
no... wrong... just plain wrong...
perhaps i swing around beard envy & ha...
***** envy (well... imagine a rabbit ******* an elephant...
big **** genre of: and how deep is that...
ahem... hole? standard kama sutra...
not one size fits all)
but when your cat starts to imitate getting it...
**** me... the night... cycling... sweating it off...
until you have to touch the antonym...
but suppose you come across a timid girl
and you get a case of erectile dysfunction...
while you end up caressing her: timidly kissing
her because she's timid...
pointing at her eyebrows... nose... eyes...
ears... pimples... freckles and moles...
the mirror... fingers... elbow... knees...
and asking her to say the Romanian words for them...
sure... a momentary lapse in sanity:
the reason(s) was already self-evident...
take a woman like Ava Lauren...
now... my god... by god... that's a ****-machine...
an *** like a Lamborghini and a body
like a leather armchair...
and she stuck through it... a mandible body
of the extension of the jaw...
some people are born to be boxers...
she was built to be ****** in the confines of
orthodoxy...
dead pornstars though... i.e. Shyla Stylez...
it's really a joke if i ask: would it be necrophilia
if i'm doing it to images of a dead pornstar?
"doing it": best on the toilet...
no... no scented candles... no eager kangaroo *****
no webcam... no thrill...
3 birds:  1 stone: on throne of thrones...
no better way and all the best excuses to later
jump under the shower and get on with the dead...
sorry.. day...
4 years i did... grooming a cat awoke in my a thirst
i thought i had long forgotten...
- kinks: mostly foreplay...
       kissing after all that 2nd base foreplay
while she's on top of you veiling you with her
Turkic raven hair...
immediately after the act: all that virility...
now... dilution...
            kinks: i still tend to rub my hands against
a brick wall before i enter their abode...
i rub my hands against bricks
to demand more from when i'm touching
flesh... nothing can come close when standing
at the altar of a woman's naked body
in dim lighting... with at least 2 mirrors on the wall...
reassurances of cleanliness are highly
welcome... even though by a tonne load of surprises
she would perform ******* with the rubber
commoner of promiscuity...
- kinks: any body attired in latex...
  that's the height: ms. gimp...
                          well... there's that or me endowed
with a cockerel sized endowment about
to **** a maine **** cat during grooming...
as "sick" as finding out you've been doing
the nos. 1, 2 & 3 on the throne of thrones
to a dead pornstar like Shyla Stylez...
in third person: lover-boy all smooches
and octopus tentacles reading the geography
like he might pick up the braille of all the grooves
and hinges...
interruption: i'm no pornographer!
although there's this one allusion:
    Venus in Furs... ol' Leo von Sacher-Masoch...
on the tip of my tongue:
at the tip of my fingers...
to turn stone in skin...
   - i remember being in a strip-club once...
i had to fly to Athens for that one...
i walked into a market sq. and met up with
some random... Greeks... Algerians...
Medi- olive skinned folk...
complete strangers... we drifted around the nightclubs
and watched the girls coming out...
how's that scale of nought through to ten?
below average... and highly demanding...
the four of us decided: **** it...
we climbed into a car and drove to the outskirts
of Athens to a strip-club...
unlike a dog that's chasing cars
i couldn't just... look... a few drinks down
and still eyeing the prize
i had two women around my arms
and my face buried in one's *****:
while some demon-she look on from
the other side of the platform of lost clothing...
another put a green peg on the table
informing me i could have more...
by then i was out of debit... my card was
returned... a bouncer escorted me to the nearest
cash machine in a hotel... started talking
to the receptionist while i was pretending to
withdraw money i didn't have...
right there and then i became a child:
******* my clothes... excitement, fear... both...
dunno... drunks have this build in GPS...
Athens... a city i only just arrived in...
blind drunk mad with love...
i managed to find my way back to the hostel...
**** the guiding beacons into my dreams...
eh... a ******* is never going to be a brothel...

i don't like the argument of:
look... but don't touch... touch... but don't taste...
taste but don't... what comes after taste?
if ever i catch myself watching pornogrpahy
it has to be classic Italian flicks...
on silent...
i can never be fully absorbed:
i'll wait for a real experience to come
with the flood of the senses...
i can't give myself to simulation with all
the sense...
after all... i was probably one of the last
boys who bought a ***** mag in a shop
with... actual expedience of trade...
it was still in the open...
i might have died of shame but at least
i didn't hide it...

                  no shame in Belgium though...
we were visiting world war I graveyards
and the trenches... but at the same time
we were looking for the best brothel in Ypres
while i was the only boy buying a ***** mag...
all ****... shaved... unshaved...
no *******: because a man's imagination
was still fertile... you had a woman's body
impose itself on your psyche like
an x-ray... and you had all that imagination
to subsequently have to swallow...
third party ***** weren't involved:
you never felt like a cul de sac ******...
oddly enough... limp **** hey presto:
can't perform when asked...

ooh... ol' Turkic raven hair:
all her talents in the foreplay...
and all the smooching during *******...
thank god i could never marry...
father children...

4 years it has taken me to wake up to this...
"repressed" reality...
repressed or... even the Teutonic Order
had a brothel in their capital-citadel of Malbork...
Marienburg...
for the love of women who also love:
cleanliness... and the aesthetics of arousal...
for all that's love and all that's not love...
for all that beside love: intimacy without question:
but all the answers...
for two bodies imitating slugs or serpents
where no words are exchanged or given
toward *******: autonomous bodies reaching
for braille with eyes wide open...

- the road to the brothel was closed...
the guys doing the road works cut it off...
not tonight... tonight i'm going to bemoan how:
well... when you start writing...
don't expect to have the same sort of privacy rules
implicit of... whatever the hell you do besides...
why wouldn't a plumber raise these words
from the domain of thought that's probably
his most cherished freedom?
people can still pretend to hide in anonymity
on the internet...
but... why would you... write bogus comments
and troll...
before words become carbon on paper: pencil...
the circus of thinking ought to be enough...
unless: like me... you're going at it like a bull...
i don't think i can have "privacy" anymore...
not that that bothers me...
i'll wear a mask when i put my face on...
but literacy so squandered for the upper-hand
in slighting someone anonymously...

                    ha!           someone would have
written a confession: Anne Sexton brush-up on:
what's important... Anne Sexton... now there was
a ***** that if she was willing could make you
dream all day and night...

why are so many pornstars so... ******* attractive
that you'd wish to push them
into bird-cages with the parrots
or adorn them with white linen niqabs?
as much as i want:
my words are not sacrosanct:
but they're also no Mammon slot-machine
golden-goose mine: perhaps when i'm dead:
something might trickle down into the coffers...
but i doubt that...
words never become shapes or colours
or therefore paintings...
words burn... words and all that becomes
collateral as they dig and drown into
the unconscious: of course... no motive...
just a motif...
    
brother Balaam: fellow diviner of the god
of the Hebrews...
brother Balaam... give me the strength of purpose
to chase more shadows: more more more!
speak to me from under the depths
of the sea of death...
they have left these northern lands...
and as they now stand: proud in their multitude:
and still persist in their clinging to the diaspora:
for i will not glutton myself over
the accomplishments of but one Hebrew:
when i can glorify their deity!

literacy has been squandered:
best strip these people of their "knowledge"
of letters: letter by letter:
let them return to smearing **** on cavern ceilings!
hostile barbarians: paradoxically:
the Vikings were renowned in their celebration
of "effeminate" males: poets...
i could warn a dog or two to bark as i thus:
howl...
               little creatures of dispute...
little belittling lords of shovel ****!
hey! prompt! all verb no noun...
something these leeches might understand... "might"...

all this lubricated tongue has made me think
of something else that happened today...
beside me revisiting the cinema of memory...
grandfather and i: the hyenas of the graveyard:
although even he pronounced that
he was unable to laugh: i guess i started to laugh
for the both of us... eagerly, proper:
with the vowel catcher of the first
arm of the tetragrammaton: HA HA...
while the "other" vowel catcher would
smother the vowels in sighs: AH AH!
exasperated... almost...

       call it PR or whatever you want to call it:
i'd rather stack shelves in a supermarket
than work at a call-centre...
the deceit and the Peter Pan *******
i said: it's not the Shetland Islands...
it's the South East...
i was rummaging on an internet speed
of... 0.1Mbps (megabytes per second)
for a while... i reached a zenith of 0.6 - 0.8(Mbps)...

for a year... if not longer...
and there she was: she came...
this bleached-blonde pchła of a... she did put on just
enough mascara...
obviously taken...
i don't think *** entered my thoughts
when... she... didn't... parade her keychain
that involved a picture of her and her child...
pchła: an endearing term for a girl
of timid build... a body my shadow at noon
could break like a walnut...
i called her an engineer...
she wasn't going to construct a bridge...
she was going to fiddle with my router...
my internet connection...
a woman who had desire for fiddling with:
"dead" things: shadows...
arteries... veins... a concept of a heartbeat...

i just admired her hair...
obviously not natural... bleached...
     she was a body occupying a space...
a welcome intrusion nonetheless...
i sort of enjoyed the silence i surrounded her with...
"sort of": i clearly did...
best be on your way...
a female engineer...
well... from 0.1Mbps... coming up for air
now standing at... 5.6Mbps...
she asked: how did "we" manage?
we just watched a lot of the show live...
but... there were more important things to mind...

the bothersome truth is that:
you can't exactly dig into: pristine good...
this girl who became a "cable guy" engineer...
engineer: "engineer": "tech. support":
i'm not trying to demean her purpose:
i'm the one doodling words on a makeshift
canvas...
i'm no painter or mind having
enough nepotistic authority of: father painter
so i become a fashion designer... etc.

i pin-pointed the proper term though: no?
nepotism?
you just can't objectify certain women...
both of us beguiled having internet providers:
so... shouldn't they penalize the companies
that are all software and bar users?
will the software providers turn off my...
electricity?
the PR Peter Pan stunts... as i told her:
you being the engineer and me being the customer...
we can talk... face to face...
but over the phone?
put me in a confessional booth
with a woman from Mecca and her... double take
on what's to be seen: what's to be heard...
what's to be ******... what's not to be seen / heard...
eaten...

an eager *****: if a ***** is going to give...
but if... she's... this occupied presence...
it's impossible to penetrate her with words...
all i have is:
bleached blonde hair...
heavy mascara... something insinuating combating
nervousness: i am what i am: sorting out cables:
i reassured her: the aesthetics will be dealt with...
a drowning man will cling to a razor's edge to save
himself...
why do i feel so hardly alone
around people who invest so much
in... having children?
it's not like i'm expecting 3rd party sources
to come and salvage me: when completely decrepit...

a woman completely devoid of any ****** advances:
perhaps performing the role of a dentist:
a surgeon: it's already exploited by me
when it comes to: seeing her most ******
parts: her hands... at the grace of a supermarket cashier...
let her be... she's already averting her eyes:
i might insinuate a receding question:
there's the moon... the forest...
come autumn...
maybe i'm focusing on exaggerating myself...
i am: exaggerating myself...

toward a focus of timidity...
as best i can...
    i am a dead end joy-**** at best...
an underperformer at least...
              my own very self worn down
skipping barefoot in memory
right now probably better adorned by a straightjacket...
but who's fooling who...
the readied ***** or this girl working out
cables?

i can respect this one without a need
to pressurise her with a... ******* niqab...
until she might bloat over:
over-suckled... fat... nothing more than
a speed machine for *****-count...
something that doesn't deserve limbs:
is all torso and belongs
to the cult of the bone tomahawk cannibals...

that one motto cited by all Arabs
and pseudo-Arabs: there no water in the desert...
spoken in dearest of the dear that's England:
this green and pleasant land...
where's the ******* desert?!
shovel! both a verb and a noun...
how rare.... perhaps not so much...
        proverbs from the Middle East...
******* to the Middle East and let me
riddle my own: better a sparrow in your
hand than a dove on your roof...
how's that?

better joy in the immediacy of your own:
than peace among your closely associated.
******* H'arab...
you're no Jew... esp. when sitting
on Dino-Lamborghini juice...

castles in the sky: so the psychiatrists says...
or cities built on sand...
every Pakistani / Bangladeshi knows this
proverb...
the times of appeasing the "forever" sober
Arab and his sober-Arab libido...
i'll wait... are now... like i once said:
the horrible has already ah-happened...

and if it hasn't: then i'm still... pretty much
taking a proper role in being the only watchman
on a sly of a kipper...
n'est ce pas?

irritation culminates with:
when you make your own wine...
but don't have the filter equipment...
all that excess "fibre" probably gets your more
drunk than expected...

i haven't had enough to my liking to
somehow dissolve the pledge
to keep at least 72 ****** on a leash...
all that's eternity: given all that's
available and will be:
within the confines of un-chartered space...
send me a postcard from the eye of Jupiter...
i'm more than asking:
imploring: i'm... sort of making:
chain you to me: demands...

tomorrow's a sober head:
tonight... i'll be drunk with both wine
of my own making and...
the memory of a naked body of a woman...
exactly: if she's an engineer: "engineer"
fiddling with my phone socket...
she has a photograph of her and her child
on her keychain...
i wouldn't even dream of...
usurping her... status...

            looking at her felt like eating...
oats... something wholesome...
i met up with you... herr grey...
i did't find any child-fiddling bits...
what... were... you... hiding?!
i will laugh: if you tell me: a heart...
melt my stony enclave...
burn the whole world while you're at it!
there was never going to be any sacrifice
in the crucifix pose:
only purpose for focus: for... submission...
as someone devoid of wanting to continue....
he didn't die for "our" sins...
he died in order to be worshipped...
**** him... let him hang on... father of proselytes...

- point of closure...
for now... i never rose high enough
to suddenly turn cold-turkey: goosebumps
on the *******... still... dead...
i wasn't born into a Buddhist harem...
therefore i sometimes relapse into
the gimmick of the tease...
periodically... every half a decade....
i drink unfiltered self-made wine
and talk about hardly the ******
"exploits":
i come across magnets equivalent to
timid schoolgirls...

some supposed ****** revolution happned:
lob-sided...
given how the girls took the strap-on off
and shoved the **** down
the ******* brains of their bank account
squadron...
     the ******: "******" revolution came out
***-****-side first: thirst:
lopsided: the girls have all their fun...
we die... they come close to old age:
it continues: men tend to think throughout:
that period of concern: supposedly-deemed:
life...

the feminine agony of old age...
grandma's apple pie: **** grandma's apple pie!
i want to drink my wine
with... blisters and...
dis-ingestion...
              
         sucker punch:
            suckle toward a knuckle that might just...
make creases with caresses.

'Put my hand in the hand of the man from Galilee,

that song keeps playing in my memory, and I recalled

Or I thought I did, I imagined he'd walk with me
and talk with me
Along life's merry (or was it narrow?), way

a light touch, his arm around my shoulders,
as boys are wont to do,
I axed 'im,
help me fill the darkness behind my eyes,
which I think may have been blind, at that time,

I have memories like that.
packed away in old memes. That mean something...
Gold-something...
color maybe, Goldfarv? Bloom.
Right, my augmentatious savant
looked it up and I sorted what I recalled

Google The Global Brain, Howard Bloom,
where he named a kind of
category of knowability. Memes, he called them.

And I thought, memes mean something more,
not Dawkins's, nor Bloom's, but these,
heteromemes bubbling out my belly button,
look real close.

Here a seeing being done, words appearing...

fractally featureless by the time a clock could have been imagined,

the point of the story was made,
and there is no end in sight.

Pop. Another apocalypse bubble collapses by mortality. Whaddyaknow?

What remains when a bubble pops at a positron level,
after the charge is touched and
the tension-power-loss collapses the bubble?

You should think, you know atoms work, this way.

Touchy bubbles disappear when their form is disinformed,
the wall of a bubble,
one quanta of power thick,
vanishes
as the charge that formed it flees.
That bubble,
not cloud-based, random super positioning,but
elect
tric-magi-tech, a touch screened
at the quantum accounting point of real-ification,
but, probably,
a bubble,indeed,
powered, one way or another, with a single charge,
Go, that's it.
(I charge thee, son Timothy, go)
That's all an electron does.
It goes, as soon as any sense can be made of it,
outa here, oughta hear it, clear,
ping. No charge, no bubble, but next sure as...
No, ah, when I think about that..

Hell,
somethi' from nuthin musta hapt one time,

but ya'll take no heed, this voice,
m'fallin angel, Tantan, droppin' in ol-fren, tricky hybridbast...

Noah was a tellin' Ham the truth
found in wines that moved themselves aright,
slurry tongued, and laughin' but pisstoff.

The idea of somethin' goin' south in a family,
that started up again when
ever Noah started drinkin' old wine, sayin' sbetter'n...

Old story, God damened 'em, not me, I just
built the box.

Who told you I was naked? Noah queried Shem.

-- aye, ye know, Noah was drunk,
No excuse, but you know.

Things were said, that maybe could be forgotten, after a while,

But those father wounds a man imagines worst
are the one's his son's forgot.
Forgot can't be forgiven it seems, sometimes...

The story being told is complicated. See,
the Bible is a lens,
not a map.

I've looked so long through that lens,
that I began to see the bubble formed around me,
charged powerfully with fear,
'yond my bubble monsters lurked.

But, my bubble bumped another,
purest of happenstance,
the bubbles merged and merged again,
their power building to a wave,
crashing to the shore and no more
was I bubbled in my safe place.

I found this trail up from the beach.

It got me much farther than this, should you ever
visit me.
Did you regret the defeat at Ai,
or were you
Aachen, bold?

No, irrelevant, obtuse allusion to Yahshua,
that's not in the stack,
that card's about as relevant as McLuhan's hair of the dog.

Information unformed begins to boil deep in me.

Somethin', ain't it?  All them three meter dishes shrunk down
to the size of a spoon, a teeny weeny spoon, a coke spoon,
like on Miami Vice, back when.

Satellite TV changed the desert, fer sher, but 4g, brohan,

that was the trick. Elect trick.
Future, on demand, where outhouses are still de rigueur.

Before you know it, country kids,
too poor for any but outlaw dreams,
can audit courses at MIT,
if somebody
shows him, it can be done, prove t' him
it works, faith can make things happen,
but
happening as an event, in the Deep Field,
is sorta hard to nail down to one thing,
until the very last
Planc-sec.  
Astrophysics is part of the metagame, fer sher.
But
there's some stuff that takes some patience,
to learn. Fifty year'r longer.

Everything that's old and still works is only old, not rotten.

Olde time religion, at the oldfo'k dayroom,
where the clock runs the whole show.
It's another game show. Saint Bob Barker takes a bow,
and declares the potential worth of all your eyes behold,
behind the curtain,
lies the prize.

If, if, if you are a luckywinner and
you arise when I call your name
to come on down,
fall on your knees and declare the worth...

pure gamesmanships required here, golf whispers only,
worship, 'smuch more difficult to aim for than praise.
I agree.
Praise, appraisal, worthyness, worthship, prize, what's the diff?
How comes a thing to be worthy,
in your estimation? Tell me no lie.

A feeling? What's it worth?
Depends.
Safe? Priceless! Don't shout. There's money to make.

'Got a busy-ness pre-positioned high above the rest.
A super-positioned superstion. The darkness.
See, safety is a human right.
So we sell walls, impermeable. It's always, lights on
within, then
We'll be rich and powerful wallbuilding,
citi-zen warriors fed and fattened
by those we make
feel safe, from the dark unknowns seeping in.

That's the idea. It's worked for years, at least
since
we saw the Power in Myth and
capitalized Campbell's bliss and Sagan's billions and billions of stars.

Within these walls workers will work for food and a feeling.
And Facebook.
They choose a place and stand, and do what comes to hand.
Heartily
grip what's easiest for you to hold on to,
they are told.

Attendants bring the meds, settling every disruption
of the peace the patient craves in his comfort.
The price ain't right, m'mouthmumbles...

You are absolutely co-rect-allatime, tekayepeel.

There are wishes being made,
on all manner of stars
for happy ever afters.

If wishes were askings, what if
connecting to the source of haps which,
every expert knows, haps are
all happiness can possibly
consist of.
Oh, consist.
That sticky, gluteny idea stuck in my daily bread.
It's related to resist, desist and the command to stand.
Sistere. Shield-wall and all that. Turtles all the way down.

A disruption!
Day room Now! Granpa's shouting,

This is that bomb, this is a dam buster Jesus H Christ Bomb!
I'll drop it. I swear.

Something's bound on earth to go wrong,
ever since Eve bit that apple, if she'da left that apple on the apple tree
Nah, that ain't how it went down and
songs about it don't change it none.

But, maybe this is me interrupted... in my meander.

What if, nothing is immaterial,
as an idea, it can't go wrong,
and Murphy's law, obeyed, is good, all the time.
If nothing can go wrong, it won't.
Ask the pilot flying by faith in his checklist.

What if,
asking for help helps?
Was that a message? A touch by an angel?
Spirit, the idea? An answered prayer?

Are you familiar with its role in reality?
Something makes these bubbles spin, y'know.

Ignoring is bliss, nay,
No more,
precisely, nevermore,
quoth the raven, shall the man who can read
be locked away from all the stories,
telling eventualities that
men, wombed and un,
have told and tested for ever, it seems,

Stop
striving for perfection and let patience have her way witcha,

whatcha learn can change the world.

Look back. Good news from a far country come our way.
Grandpa made some sense and we built a fort, of pillows

why did i ever go out on a friday night?
drinks with "friends" and hitting the essex
club "scene" -
well - no much of a scene -
there was never the music you'd want to listen
to: come friday or saturday -
even mid-week when all the rock kids
were "hanging out" -
what would be chances of being your own d.j. -
catching something really new...
POIZON - church is poizon -
cool mom - something between a crossbreed
of cage the elephants and nirvana on blew -
3rd view - moi -
but i used to: and i remember that gehenna of
a sobering walk - alone after a night out -
like some furious son of sam -
when youth still had the adrenaline with it
and a sense of anger ******* around with
disillusionment -

those were the friday nights: bon jovi highlights
and long hair and milking a somewhat androgynous
look - sometimes the mascara would come out...
those were the days of having milk skin
and a proper shave -
the long hair and the waistcoast and cravat: semi-,

the lonesome story before i met my beard:
fwyday mordaithceirch -
i actually have a name for it...
i forgot what's already the designated
whittle pecker mr. pritchard of the down down:
below...

oh, oh so what...
rough friday nights in my youth -
on the clubbing "scene" -
and always that moral hangover when it came
to drinking with others -
ever since i started drinking by myself:
i forgot the mirror and that bucket
of warm water beside my bed to put my hand
in before going to sleep...
once or twice the company was worth the drink -
but most of the time you only kept
such company: because you were drinking -
drinking was never an afterthought -

now... i like drinking alone -
at least i can keep fact-checking the company
and the odd vocab peacock taking to the catwalk
of a ruminating free-fall tongue waggle
and rummage - the needle in the haystack
adventure - or... the ******* bucket
of deshelled oysters...

there have been some awful friday nights -
but: seeing how i started to give my beard
a welsh name borrowed from a willem dafoe
novel - and how it simply became pointless
to wake the dead with the angry tantrums
of youth: and how i seem to have
forgotten where my 20s "went" -
somehow rooted in: da-sein and how
i "wasted" 2 years on one book by kant -
2 years on one book by heidegger -
and: how i didn't have the time to "catch-up"
on the greek classics -

oh these island dwelling people -
i try to imagine them not being a seafaring:
and their messiah / superiority complex -
with their breakfast that could hardly
be digested come the hour of noon -
or no messiah / superiority complex -
the traffic: indeed - works like clockword...
from left to right...
sidenote: what of fahrenheit and
the feet and inches - stones and pounds?
ounces?
the metric of: baseline 0 here,
baseline 00 over there...

no... Michele Campanella piano solo take
on wagner's das rheingelt: entry of the gods into
valhalla - it's hardly anemic -
it's... the last leaf of autumn falling -
because the crescendo has already happened...
a befitting closure...

the superior island folk and their...
hyphens and germanic loan words -
how almost all names in chemistry are still
in their germanic: intact form of: no hyphen:
broken leg or broken arm...

woodwinds... perhaps... the violins providing
the humming of birds:
chirp chirp: no chirping -
and of course the horn - but the horns never
as prominent as those drank from...

something has happened today -
but i am... left without having any english
sensibility / egalitarianism -
somehow i always equate egalitarianism with
the english - the islanders -
a firework went off in the background -
mr. sloth awoke mrs. slouch after 3 years
for a firecracker celebration...

because who would want to be ruled
over by unelected: chocolatiers...
esp. after their trial run in the Congo -
but i have certainly had worse friday nights...

it can't exactly get much worse than...
say... listening to the siegfried idyll...
multitasking: drinking a cider, smoking a cigarette,
balancing act of folded leg sat on
perched on a windowsill solving a no. 11,289
sudoku from the 27th jan. 2020...
otherwise prior to:
imagine my disbelief at the pleasure -

with numbers to somehow escape thinking in words:
no grand arithmetic linear gymnastics -
of the end result -
certainly no logical statements -
just a whirlwind of numbers complimenting
these few words...
and what a fine friday night it has become:

the pizza was made - god save me from the perfume
of yeast... or checking on the rising dough
from time to time -
the leftover yeast gave me the opportunity
to bake an imitation sourdough crust pretty-as-a-picture
loaf that: would make any mushroom blush
and shy away from unfolding into an umbrella pose...
or a Y... curling outward-inward into an upsilon Υ...

because how could i forget the pleasure of
sifting through numbers?
by the time i attempted puzzle no. 11,290
i had to write a "map"

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
2)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
3)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x

come to think of it... where's a subscript?
if i'm going to use 1, 2, 3...
to tier the allocation of squares...
tennis and sudoku...
tennis: a game of 7 rectangles -
and how many judges and ball boys / girls?
sudoku - a puzzle of 10 squares - perhaps...
if i'll use tiers 1, 2, 3: a1, b2, c3...
what if... sudoku invoked letters rather than
numbers?

much later... oh believe me...
this is the antithesis of knausgård
writing about using googlemaps...
        
           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

it's still a schematic - the narrative is yet
to begin... otherwise...
there's nothing smart about this...
i have tired eyes sometimes:
i succumb and have to allow myself
to no acid-bath these eyes in words...

esp. since i speak so rarely -
imagine... in england and i spear
the bare minimum of english -
i can: i have to: i will - when being prompted -
but i can't remember the last time
i had an honest: informal exchange
of letters... lapped up by the glutton
tongue... i looked and looked
and with my silence i can attest:
there's a speech-impediment -
a stutter that's not born from nervousness...
but... an allusion to a "stoic" through
my lack of conversation...

at least on paper i can exfoliate -
enough cider and enoug whiskey and i'm all
sparrow McDermott!
ugh... the devolved scots and the likewise
welsh... devolved nations...
only this aspect of Brexit is... well...
imagine the "evolved" status of post-Yugoslavia...
Kosovo...
this is the only aspect of an otherwise:
fair enough that's... well...
if you lived for 3 years among the scots...
you'd get to appreciate them...
this is the only aspect of this whole affair
i will ever appreciate...
i would pour blood and **** into
the Welsh continuing their...
preservation of the iaith...
forever and the more - i would love to see
scotland start to dig trenches and
forget trainspotting gaelic -
parading like ponces and humpty dumpteys
with "harkccents"... glasgewian bull-runnings...
cousins aye and wee -

a thing of beauty: a thing of union...
but this... they were bullied in brussels...
they came back and started to bully the scots...
if you have lived -
the betas of cardiff - but they tongue: remains!
look far back and wales would encompass
cornwall -
ignorant i of a 26 year "servitude" on these isles...
quiz me on outside of London:
no point...
perhaps i too would wish for the lost
theta in Dublin - towing: to t'ink...
as any sanskrit H-surd does matter...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

but if i will replace... the side tiers of numbers...
the numbers in the puzzle will have to become
letters - greek... probably iota, epsilon and upper-case
gamma...

the bullied have returned from the palance
of the chocalatiers and: back to their old ways
of bullying the rest of these island folk...
because: it's infantile for me imagine
a resurrection of the crown (poland)
and the grand duchy of lithuania -
the commonwealth -
but somehow the united kingdom is not
fated to become the next yugoslavia -

i can confirm - up in edinburgh i was
confirmed by having the hat of Knox having
scalped me -
never is always metaphor: vaguely -
as in literally - in these quasi-paragraphs...
so it's not... infantile to even "think" that
the british empire can be revived?
zee window-licker spezials of
cross-breed h'americana postcards sent?
i nibble to attempt a joke...

oh i can bulldozer this whole narrative...
turn into a berserker -
i've saved enough money to deal
with the label loser...
all it will take is me having drunk enough -
sightseeing the slums of london's east end
and then hitting the brothel:
like an iron-head... to the pillow
and the ***** of a *******...

because i have had worse friday nights...
terrible company...
if i were not a michel de montaigne or a knausgård:
me me me, me me, me me me me,
write enough of that and:
to meme to grafitti... or to...
why are there no diacritical markers in
the english language worthy of recognition?
why would i...
rhoi fy **** y Cymraeg enw?
give my beard a welsh name?
and why is that not a cedilla C but a ******* K?
why not... Çumraeg?

on foreign shores i have made it adamant that...
this sense of foreigness does not
peppermint my presence with hopes to:
add to - an integration -
just borrow what the local have made: left-overs...
and work with that...

(insert snigger) - the neu-vikings of
northumberland...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

this really does have a linear narrative...
here goes...
3(c1), 9(c3), 1(c1), 2(c3), 2(c1), 2(a1), 9(a3), 8(c3),
4(c3), 8(c2), 8(a2), 5(b2), 7(c2), 3(b2), 3(b3), 8(b3),
7(c1), 5(c1), 7(b3), 5(c3), 1(c3), 6(c3), 1(c2), 3(c2),
9(c2), 9(b2), 6(b1), 6(b2), 6(b3), 2(b3), 2(b2), 1(b2),
1(b1), 9(b1), 9(a1), 8(b1), 8(a1), 5(b1), 7(b1), 7(a1)...

and then a "gamble" in the narrative...
the (7a2 and the 5a2 - interchange)....
it's a pleasure - not a chore -
5  9  4
2  8  7
3  6  1
8  1  9
6  4  3
7  5  2 - this line... what if it was 5  7  2?
1  2  5
4  7  6
9  3  8
if i want to solve this puzzle - i will solve it
and not read a tabloid article /
whatever the hell has become of youtube...
my diamond jukebox...

otherwise the "narrative" continued from
7a2 and the 5a2 interchange:
7(3a), 4(a3), 4(a2), 6(a1), 4(a1), 5(a1), 5(a3),
1(a3), 1(a1), 3(a1), 3(a2), 6(a2)... end result?

           a             b             c
      5   9   4   6   8   1   2   3   7  
1)   2   8   7   3   5   9   6   1   4
      3   6   1   2   7   4   5   8   9
      8   1   9   5   4   3   7   6   2
2)   6   4   3   7   1   2   9   5   8
      7   5   2   9   6   8   3   4   1
      1   2   5   8   3   7   4   9   6
3)   4   7   6   1   9   5   8   2   3
      9   3   8   4   2   6   1   7   5

because i can imagine this not being:
the most difficult Finnish sudoku...
i can almost imagine this puzzle
to be in greek...
where: 1ι, 2ζ, 3ε, 4χ, 5Σ, 6δ, 7Γ, 8β, 9ρ...

in the background all i hear is:
corvus corax' la i mbealtaine...
the greek version of the japanese puzzle...

           a             b             c
      Σ   9   χ   6   8   ι   ζ   ε   7  
1)   ζ   8   7   ε   Σ   9   6   ι   χ
      ε   6   ι   ζ   7   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   7   6   ζ
2)   6   χ   ε   7   ι   ζ   9   Σ   8
      7   Σ   ζ   9   6   8   ε   χ   ι
      ι   ζ   Σ   8   ε   7   χ   9   6
3)   χ   7   6   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   6   ι   7   Σ

half-way... i just wanted to "selfie" what
will become of this... i no longer write: i paint...

            a             b             c
      Σ   9   χ   δ   8   ι   ζ   ε   Γ  
1)   ζ   8   Γ   ε   Σ   9   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   9   Σ   8
      Γ   Σ   ζ   9   δ   8   ε   χ   ι
      ι   ζ   Σ   8   ε   Γ   χ   9   δ
3)   χ   Γ   δ   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   δ   ι   Γ   Σ

going... going... gone...

            a             b             c
      Σ   ρ   χ   δ   β   ι   ζ   ε   Γ  
1)   ζ   β   Γ   ε   Σ   ρ   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   β   ρ
      β   ι   ρ   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   ρ   Σ   β
      Γ   Σ   ζ   ρ   δ   β   ε   χ   ι
      ι   ζ   Σ   β   ε   Γ   χ   ρ   δ
3)   χ   Γ   δ   ι   ρ   Σ   β   ζ   ε
      ρ   ε   β   χ   ζ   δ   ι   Γ   Σ

i don't mind a people being right...
but the overt-gloating...
without having to work around the sort
of paranoia associated with:
how the russians are not allowed to glutton
themselves on gloating -
because they are always made
to feel suspcious - the russians can't gloat
like most of the anglo- speaking world...
always suspect: russophobia evil genuises...
tip-toeing goliaths - less the blundering
fudge-packers of "global ****"...
and i kissed a boy and i liked it...
my genitals started shrinking
and my *** started to exfoliate with:
welcome all! welcome all hard and on!
and that tongue in my mouth always helps...
but imagine my surprise when
i started to navigate my hands
but the reply came:
timbuktu and mt. kilimanjaro will not be found
attached to this sort of torso...
wrong dog, wrong tree...

some things really do require numbers...
i once had a mathematics teacher in high school
bemoan the origin of modern numbers
and how we once: upon a time used these letters...
but did our arithmetic with visual aids
akin to the abacus... because...
you'd have to "read braille" when counting...
to differentiate the already: lettered numbers
and the letters being letters -
and all arithmetic functions
were "spoken of" but never depicted...
i.e. there was no VII + III = X...
there was no XV - XI = IV...
eh?! arithmetic was cat-intuitive...
not spoken of - done by either the visual
aid of fingers when haggling
in a market place -
or by the abacus aid in a bureucratic office!

i said this was the most perfect friday night...
what did i have to offer?
no clickbait title - some gems of wording
in between?
the patient reader - as ever - most rewarded -

but... oh my god... the sensation of
changing the bed sheets...
it's friday night and you're... changing your bed sheets...
and they are more crisp and clean
than any political event that the journalist leeches
are milking -
and you do it with a saving private ryan precision -
you will sleep in this bed: well into
11am of a today to come...
believe me: that you will...

- in that i am still walking among the germanic people -
if the germans will sing a: bretonisher marsch...
then the two peoples are alligned by
their sentiment for the crow as their godhead:
alles menschen totem...
what could possibly make me feel welcome?
french grammar is polish grammar...
matin de printemps - poranek wiosny -
spring morning in reverse in germanic...
how many more examples would i ever wish
to give?

there was a moment in my life where...
i realised my faults... i should have read
the Pickwick Papers... anything by C. Dickens to be sure...
instead came Stendhal, Voltaire, Balzac...
because if you said to me...
BBC radio 4... the archers...
and... thomas hardy: madding crowd?
you'd accuse me of being ignorant of:
London is a bustling cosmopolitan in-waiting
from the busy-body industrial proto-Beijing
it was of 100 years ago?    
the French had cosmopolitan intellectualism
100 years prior to the english...
100 years later and it's still not much...
is anyone about to cite me william hazlitt?!

the trouble with the english is that they hold dear
to that one old 19th century idea -
this waiting for: awaiting a revival of darwinism...
the "blatantly" obvious needs a resurgence!
because a michael faraday must most surely
be forgotten!
how many times will this already painful reality
need to be emphasised once more:
intellectually - via a darwinism?
no one stresses the copernican "upside-down"...
or what is copernican "west" up in space?
how does acknowledging the sphere
of the earth - ease you reading a flat map -
moving from point A to point B?

earlier this week - for once in my life i was
ashamed of what i wrote -
so i wrote for scribli per se: scribbles for
scribbles themselves -
the darwinian germanic folk who say:
alles von afrika...
how the hebrews debased themselves
in both aushwitz and breaking their bones
on the emoji hieroglyphs -
alles von afrika: ja... so sicher... so wahr!

ask any slavic person among the germanic
peoples...
where from? wir (ar) sind lesen und schreiben
"afrika": i.e. Indu...
if the african challenged the hebrews
with... "the best they had": egyptian emojis...
why would i not stress my birth
with pseudo cedilla Ş / इ... ☦ -
this indo-european is not... at home with
these african-germanoids...
pseudos and quasi -
these chocolate frenzied busy-buddies!

from the caucasian and further still from
that whittle sub-corinthian quote: continent...
somehow, "somehow" this part of this story
is read: south to north... always a grand
marker missing when the people went
east, squinted... learned skeleton existence,
atoms... and the frenzy of letters:
owls and ******* **** flinging beetles
back in the north eastern tip of
africa: in that egyptian haemorrhage of "idea"...

i assure myself... perhaps the form came from
africa... but sure as **** the tongue only arrived
in the lap of the Dalai Lama...
as did the "thinking" and the music
across prior to the Mongol's curiosity
over the tundra of Siberia...
something had to be placed on a loan...
and coming back to the cradle and the crux
had to happen like so...
not this current: ergo: so...
quickened and: what news from Damascus?!

first impressions count...
i made my bed... it's newly washed...
as crisp as falling onto a bed a prawn crackers...
without the crumbs' itch...
like listening to some german:
juggernaut... this will do... i can fall asleep
with this: grab hören zu der winderhall...
mehr flöte - weniger violinekratzen!
schlechtdeutsche? alle deutsche ist gut deutsche...
erwarten etwas isländisch zu sein
gesprochen insel von insel: auf diese inseln?!

to make a crisp bed of freshly washed sheets...
to sleep in them alone...
given the grammar is not that far removed...
are the french even remotely translated
as a germanic "sort of" people?
"they" or "we" share the same grammar...
and there are celtic freedoms that would
never be allowed to exfoliate under
strict anglo-ßaß obligations...

oh sure! great people! steam engine: choo-choo!
newton et al...
shakespeare: when they taught us shakespeare
they should have taught us bernard shaw...
when they forced jane eyre down our throats
we should have been reading
the pickwick papers...
the music will remain german -
because as much as vaughan williams...
holst and händel were "were" english...
esp. latter with his umlaut that spread over
toward i-and-j...

why wouldn't you **** at the pillar of the empire:
a past most assured - dust, books and moths...
like hell will i come to correct my ways
to state the: pish-poor Elgar... this poo'em too...
himmel... sky...
leerenhimmel - empty sky -
nein sonne während der tag:
das englischnebel: bedeckthimmel...
nein mond während der nacht...
nur so...

i of the lesser men of this world duly bow
my presence before the altar of the higher men
of these isles...
and hope and pray that their wisdom
will not bestow upon them any major calamity...
with not irony or ridicule i wish upon
these peoples... the right sort of oars
to turn this rooted island
into the people's imagined langboot...

there are only one british people a people
who will pursue to gloat having been
conquered by the romans...
being raided by the vikings...
integrating the anglo-ßaß...
a second viking coming via the Normans...
the push-over remains of the celts...
that somehow translated itself into
the: empire...
ideal: to compensate...
the islamic fervor for the... resurrected
caliphate...
jokes about the dritte ***** and the vierte *****...
that's pretty much the precursor jokes
surrounding: ein zweite ***** -
auf welche die sonne nimmer setzt -
ever wonder how that translates with the increased
cases of insomnia?!

again: bad german is better than
no german.

One of the many appellations
It is what I call the love of my life
A quite simple allusion
For these words cannot give justice

My sweet lover.
A moniker
For a champion who saved a damsel in distress
I wish to retire in your presence every night
and wake up in the morning
wrapped in your arms

You're the first and last of my
**anthology

Rather I did, once. No longer.
We were magnetic, tectonic.
Constantly and consistently converging.
Unfolding.
Seamlessly (it would seem) arranged on
Memory's golden stage.
But today, tomorrow,
Where moves are flimsy and unsure
Lines drop from lips in silence,
Unraveling like gauze,
As we both wait for alarums that cannot sound.

I feel anesthetized, don't I? I—
And the curtain will be merciful.
A breath of disdain perhaps, disastrous.
Your touch is autumn.
I eclipse the sun, suffocate you from it.
Take your warmth.
Leave you colder than Ophelia
And bloodier than Brutus.
My inadequacy was once your balm,
A catechism to ensure another world
That we both know isn't sound.

The very least you can do is become like Icarus
Who was beautiful in his fall
And silent at his end.

There is a forbidden pleasure in the poet's art
it's like having an illicit ****** liaison, is it not?
now it can be told, that's the way one felt
enticing while evasive, was her two way dance.

In the secret society meeting last full moon night
for the first time I came face to face
with the enigmatic girl, rumored to be  the mistress
of the poet I admire, for his skills of allusion and  veiled speech
she was so young and somnambulistic in appearance
her lips were so thin, the only remarkable thing
still in memory those pale lips remain,
how helpless we are in a world, curtained off
to keep our secrets in rooms of green darkness!

The poet was absent, but he was very much present by that,
as her shame intrudes when she starts conversations.I found him there.
The words whispered from her lips were not heard, however one tried
none listened to it, I bet, a poet's mistress is as curious
as an  object of art, stolen from its rightful place, I suppose

When the boat returned to the island to take us back
we were the only passengers left, at last, how strange!
In turgid waters a fallen full  moon like a snake swam
I was looking at its wriggle, creating a tragic geometry
that reminded me her thin lips, she sat next to me, motionless
her soft breathing, was rhythmic poetry I kept imagining,
till we parted exchanging a faint smile. her's was florescent.

life more abundant calls forth an expandable reality primo,
thus wisdom, the principal thing when-ce all other
things may be made

machine level codifiers ifying
meaning back into idle words.

Keep the secret. Answer the call,
who will help the widow's son?

You, Templar, what message bear ye to my child?,
asked the widow.
Fi-del-e-tus. with a squeeze and a tap,
wink and grin

Poet, who named the prophet?
who named the teller to tales?
who gave thee hearing ear and seeing eye?

Some mind imagined those as yet unformed in forever past.
You agree. You experienced living, so far.

So good, we move on, figurative re re re al-it if-ity
Haps apt to appear be fore your veri variety of being even
hapt as a thing thought, imagined made for a function, as yet

undone. Conserve the NULL set, that whole idea is dangerously
close to fading…

Have you seen those videos of soap bubbles filled with H
and no O?
You should see those, to recall the phenomenonal pre-dictatorial
image, see the bubble, invisible but
for reflection of ambient ambits in our epigenetic radiosphere,

bubbles collapse, and for a flash, flame orange shaped
as the bubble was.
No ex-plo sion it-a-tivity, mere dis cipation,
loss of grip on the shape of things that were, now
con forms to re per ceive,

try again, get a good grip, swing and a miss, go again
take a Mulligan, I think, some game has such a rule,

We can use it here. We can scroll back up,
like a rope lift on the bunny hill at Big Bear, back when…

wheels in wheels, bubbles in bubbles, forms in forms

this is the information age I was informed. Adamkind, those
qubitical, ambitical little images of

Who, who? would a name comfort-you worth more than a breath?
Fresh air after a minuted moment twixt out and in again,

Power, create ific power haps twixt out an in again,
the cipitation, the d was missed, what if it were not?

re-read, religion once meant that, re-connect, too,
religion meant that state of having re-read the map,
re-tied the worth carrying,
stacked the worthless by the trail so
some hapless stranger may see
the treasure it was and is, to any who care to

receive, or con ceive it for the
truth I found in it and kept, which I leave to you
here:
Both treasure and truth are where ye find them,
and shall be for ever, when ever starts for you.

Ezekial, judge my riddle, please. The fool missed the
point of conception…
No, no no no

A fool's dance in a Phrygian cap with useless, symbolic wings…
gee, Phrygian, means nothing to you? Google it, you live in the future.
Later,
A time upon which a Mercury dime would comfort
a rich American Tyrant, son of the Flim-flam man,
no lie, this is mythic, you can't make this stuff up
its history. Hysterical, right
John D. Standard-for-Petropower-manifestation,
the dead's carbon footprints bubbling up
to fire and fridgin' ice, whoa, who broke the world,

I was distracted. Did you know the planet is
as self healing as those scabs on my grandkids knees?

ah, caper, eh? Capere, to grasp, to take,
ceive means accept by taking,
be liefing an idea ceived ex nihilo, is likened unto

Drinking from a still pond in a distant land. Sults,
results. may result in,
Dear Rhea revenging Montezuma, at a gut level.

However, a sort of how in an open mind facing forever,
a sort of omni-directional saliency
seeing further,
--Bomb, Jesus-bomb--

At least two reasons for thinking Jesus is objective, out side
you or inside you. You aren't Jesus. Jesus is a friend of mine,
in my mind, object-if-I-try
to pray, listen pray hopes
happen
shapes form
forever from ever point, every point, not of, in buy

a why..
why does a y on the end of every mean any thing?

That's the y-factor. You will learn why wise men still seek those.
As treasure, they are light, and the taste is beyond

the grasp of tongue to tell

that whole class of moded-ever words weave wards
whenever, forever, however, whatever
used proper, everafter,
that will save Dresden, some time, we think.

However, now, Rhea by name has entered the game.

Who is this named femofame? What game is she good in?
Or does she just knock the **** out of lying spirits?
Cool.

Ah, mother of all the gods, I recall, I mean
I meant to say
I remember, then I for got the power words hold here
exactly heare in eleven metrixed mentions,

this point, in time, not of time.
In the world, not of the world, you've heard the pharse?
The allusion is not lost on you, you know the phrase,

In the world, not of the world, holier men than I have
claimed to be, while I follow a few fine words,
linguistic kief, sprinkled fairy dust, like the stuff
captured in the gleaming film on your
microscopic-outer eye

see a salient point in time.

A pin point 'pon which one,
no more,
one story begins for ever, a gain in good net
value, if

we have tasted that word, chewed the gristle,
indigestible ligaments and sin-yews and such,
which once anchored meat to bone,

value is first good. Good e nough, nough
Gut genug, okeh,
maybe not my best, my best is yet to come, they say.

sufficient for today
------

enough (adj.)
c. 1300, from Old English genog "sufficient in quantity or number,"
from Proto-Germanic compound *ganog "sufficient"
(source also of Old Saxon ginog,
Old Frisian enoch, Dutch genoeg,
Old High German ginuog, German genug,
Old Norse gnogr, Gothic ganohs).
First element is Old English ge- "with, together"
(also a participial, collective, intensive, or perfective prefix),
making this word the most prominent surviving example
of the Old English prefix,
the equivalent of Latin com- and Modern German ge- 
(from PIE *kom- "beside, near, by, with;" see com-).
Second element is from PIE *nok-, from root *nek- (2)
"to reach, attain"
(source also of Sanskrit asnoti "to reach,"
Hittite ninikzi "lifts, raises,"
Lithuanian nešti "to bear, carry," Latin nancisci "to obtain").

As an adverb, "sufficiently for the purpose,"
in Old English; meaning
"moderately, fairly, tolerably" (good enough) was in Middle English. Understated sense, as in have had enough "have had too much" was in Old English (which relied heavily on double negatives and understatement).

As a noun in Old English,
"a quantity or number sufficient for the purpose." As an interjection, "that is enough," from c. 1600. Colloquial 'nough said is attested from 1839.

From <https://www.etymonline.com/word/enough#etymonlinev8703>

Bro   en Intro                                                                                                                                                               K
(Universe this in) walked ever has that
being beautiful most the into
turned you’ve years these after
and you in beauty see me lets
change your obvious yet enough is
just and happen never could it

Allusion City, Warm Embrace-Completely Cold:

a taste of warm embrace through a nothing
a mirror showing a wintering copy
of a man who once a King
or perhaps a King who was once a boy

whatever the case may be you can see
a spark throughout the ages of the Universe
would reflect a man throughout a personal sense
and by a flowing river a woman waits quietly

she walks up and greets him like a brother
yet loves him entirely
hopefully he would let her in
but fear could stop him from understanding

(how couldn’t we see this what should be)
what has become of you and I if such a wish was to be
destroyed and then it would be burned with a passion
only able to create a wasteland suburbia(lit on fire by the stars)

(i’mgoingtofloataway i’mgoingtofloatawayi’mgoingtofloataway I’mgoingtofloataway)

into the shades and mirrors you look at me
please care if I become a flower after
finally realizing that I was perfect-
perfect enough to turn the river red

the angels drink from such a river
selling me my only light to guide my way
a dream in its self a reality
a reality of sense and celebration

look how the moon turns over on its side
it lets me see it move about the sky like a shooting star
much too fast to recollect
and if I were to die I would destroy the Universe

but it’s the morning and the morning is love, my dear
let us not sit here by the blue river
wishing the days would slow down
because we know that it could never happen

and before I would ever float away I’ll smash my reflection
and mix the pieces with your Reflection in the river
and it would break down into beautiful words that come out
of the mouths of poets who read their work to crowds
because you are the echo into reality, and nature
and
I
understand
that
it could never happen and just
is enough yet obvious your change
let’s me see beauty in you and
after all these years you’ve turned
into the most beautiful being
that has ever walked (in the Universe)

We'd listen to a song
called Four in the Morning

My autism's a part of me,

But it is apart, you see.

...

Who are you?

With your ‘normal’ view.

Are you just one thing, or are you a person

With thoughts & feelings, that are your own unique version.

Preferences, ideas, talents, and dreams?

That are bound by senses that meet at their seams.

Are you fat, short sighted or visually impaired?

Are you ever wondering why I just stood and stared.

Those may be the things that I saw the first time I meet you,

But you’re more than just your ‘normal’ diagnosis…. True?

As an adult, you have control over how you’re defined.

Your normality means your perceptions are refined.

So why would you single out one characteristic of mine that you can make known.

As a child, I am still unfolding, I’m not fully grown.

Neither you nor I yet know of what I am capable.

If you think of me as just one thing, then one thing’s inescapable.

You run the danger of assuming I have no chance of achieving.

And my heightened senses know this, it’s only you you’re deceiving

For I am not endowed with any ordinary sense.

You need to know this before I commence.

You take for granted sight, sound, taste, touch and smell.

Never once realising that these things can be as painful as hell

For me.

You see.

My world often feels hostile, and makes me so fearful.

I may appear withdrawn or belligerent, whilst others are cheerful.

Or mean to you, or antagonistic,

Defending myself, then going ballistic.

You tell me we’re going on a trip to the shops

And out of the world my safety net instantly drops.

My hearing, you see, is hyper acute.

But I’m put in the car, though I loudly refute.

At the shops, walls of people jabber and whoop.

The loudspeaker booms and adds to the soup.

Music blares and lashes and whooshes.

Tills beep and cough, a coffee grinder swooshes.

The meat cutter screeches, a baby starts wailing,

I’m starting to malfunction and am rapidly flailing

As trolleys pass creaking, and fluorescent lights hum.

I’m starting to panic, but also turn numb.

My brain can’t filter the input, the voltage is massive

I’m in overload with no chance of staying passive.

My sense of smell is stratospheric.

That fish on the counter is NOT atmospheric.

The man in front hasn’t showered today,

That Stilton cheese – someone take it away!

A baby goes past, it’s ***** needs changing.

Things are going faster and turning deranging

They’re mopping up pickles on aisle two with some bleach and a rag.

My stomach is churning, and I’m starting to gag..

And there’s so much hitting my eyes!

This trip has turned into the world's worst surprise.

The fluorescent light

Is not only too bright,

it’s that flicker.

The space seems to be moving, getting quicker and quicker.

The pulsating light bounces off everything and distorts what I am seeing.

I don’t know what I’m doing, or saying, or being.

There are too many items for me to be able to focus.

The world starts to drain me of my internal locus.

My eyes try to compensate by tunnelling my vision

Fans on the ceiling, twist my senses into nuclear fission.

All this affects how I feel just standing there,

and I can’t even tell where my body is in space, do I care?

You’re yelling at me now, and shaking my shoulder

But the fiery fog is down and is starting to smoulder

It isn’t that I don’t want to hear your instruction.

I just can’t understand, due to mass self-destruction.

You're shouting now, but what does "£$%^&&% NOW! !£$%^&*" mean?

My senses will **** me in a collusion so obscene.

Once we’re back at the kids home, it all feels less absurd.

And now when you speak, I can hear every word.

Simple instructions, that I know off by heart.

And I cling onto these so I won’t fall apart.

You tell me what you want me to do next and I’m able to reply.

Now I’m happy and it’s easy for me to comply.

Now I’m OK and I’m running about

And performing my ritualised songs, which I shout.

Then a visitor grabs me saying, “Hold your horses, cowboy!” – This means danger!

I can’t stop the horses, I’m me, not the Lone Ranger!

And I’m thrown into panic when what you mean is, “Stop running.”

But I don’t know that! Those stampeding horses are coming!!

That’s my life, you see, it’s not “a piece of cake”

When there’s no dessert in sight and you’ve made a mistake.

When you say, “its pouring cats and dogs,” I see pets flooding from the sky.

Tell me, “It’s raining hard,” so I won’t fear the animals will die.

Puns, sarcasm and allusion

Simply generate confusion.

Tell me facts and keep things clear

So I can live, yet not in fear.

It’s hard for me to tell you what I need when my senses are reeling

When I don’t have a way to describe what I’m feeling.

I may be hungry, frustrated, frightened, or perplexed.

But I can’t find the words, and lash out, angry and vexed.

Be alert for my body language, or my gestures and obsessions

Then you’ll handle my feelings like your own treasured possessions.

Watch out for me compensating for not knowing the right word

By mimicking my favourite film star, or something just as absurd.

Rattling off words or whole scripts, which will leave you confounded

That I’ve memorised from Disney, because they make me feel grounded.

They may come from the TV, or speeches, or a book

And though they make people give a funny look

I just know that saying them gets me off the hook.

Show me, show me! I’m visual, you see.

And I’ll understand rather than you just telling me.

And be prepared to show countless times.

I’m listening, despite my ritualised rhymes.

Visual supports help me move through my day.

They relieve me of the stress and I feel OK.

I don’t have to remember what’s happening next

For I operate on a visual text.

This makes for smooth transitions in my life

And we’ll finally progress without anger or strife.

I need to see something to learn it, because spoken words are like steam to me;

They evaporate before my mind's eye, and are gone instantly,

Before I even have a chance to make sense of them,

They've died in the ether, leaving me in mayhem.

I don’t have instant-processing skills.

Instructions and information are my life giving pills

Images can stay in front of me for as long as I need,

and will be just the same in years, for they'll never recede.

Without visual help, I live the constant frustration

of knowing that I’m missing big blocks of information,

Not to mention falling short, by being a misfit

And I'm helpless to do anything about it.

Unlike other people, I'm unable to learn

If it's normal interaction for which you do yearn.

I’m constantly made to feel that I’m not good enough

And people are stern and people are tough.

They think I need taking in hand and need fixing.

Never knowing the world and my brain are tranfixing

I avoid trying any new things, for I'm sure I'll get 'dissed'

And another grown up will be angry and get 'real ******'.

But no matter how “constructive” you think you’re being.

Look for my strengths, though they're hard for the seeing.

There is more than one right way to do most things.

It may look like I don’t want to play with the other kids on the swings

But it may be that I simply do not know how to start

They just think I'm weird, and set me apart.

Teach me how to play with others.

Remove my autistic shrouded covers.

Encourage other children to invite me along.

They might learn something of value from my life's different song.

And rather than spend my day as separate, secluded.

I might show an ethereal delight at being included.

I do best in games that have a clear beginning and end.

Random play is something my fears won't transcend.

And just one other thing, a sort of confession

I cannot interpret a ****** expression

Or body language, or other peoples' emotion

So in group situations I'm resigned to demotion.

I want to learn, I want you to teach me.

Reach into my mind and help me to see.

If I laugh when Tommy falls off the climbing frame,

It’s that I don’t know what to say, nastiness isn't to blame

Talk to me about Tommy’s feelings and teach me to say,

“Are you hurt, Tommy, I'll get teacher, then you'll be okay?”

If you don't I'll meltdown or blow-up, and get in a stew

And this is a thousand times worse for me than for you.

For my mind will go into overload

My sense of equilibrium will start to off-road.

For I'm well past the limit of my social ability.

As those off road lights glare at my own disability.

If you can figure out why my meltdowns occur, they can be prevented

And my behaviours will abate, less frequently lamented.

Keep notes about me and a pattern may emerge.

As your understanding of me will gradually converge.

Remember that everything I do is a form of communication.

It tells you, when my words cannot, how I’m reacting to each situation.

My behavior may have a physical cause.

Think for a moment, just have a pause.

Food allergies and sleep problems can affect my behaviour.

Just look for signs, for you might be my Saviour.

Because I may not be able to tell you about these things.

That blunt my affect and cause my mood swings.

Throw away thoughts like, “If you would just—” and “Why can’t you—?”

You didn’t fulfill every expectation your parents had either, that's true.

And would you like to witness a constant rewind.

Of the traumatic deficits by which you're defined?

I didn’t choose to have autism.

Or to live with this division

Remember that it’s happening to me, not to you.

But without understanding, my chances remain few.

With love and support, my horizons are broader

But I can't live my life by other peoples order.

Patience. Patience. Patience, are the three words we need to live by

For my dreams to be reached, and my confidence fly.

View my autism as a different ability

Rather than as a freak show disability.

Look past what you may see as limitations and feel for my strength

I may not be good at eye contact or conversations of length

But have you noticed that I don’t lie, or cheat at a game

Or pass judgment on people, and make them to blame?

I rely on you, if you can make me your personal vocation

All that I might become won’t happen without you as my foundation.

Be my advocate, be my guide

Be my strength, stand at my side.

Love me for who I am, and not what you know

And we’ll see just how far I can go.

Matt Revans 2014
©Copyright

large beer, with time to
waste. gulping in hopes
at abating stagnant
feel of current existence.
cold and clear night with Spring
hiding 'round the corner
ready to stab out perpetual
cycle for existence. such a
shaming from titled time-
spanse of weather by its
coming and going without
even illusion of choice.
(suppose the Universe never
had a major role in Romanticism)
suppose space will never find
need for periods defined through
titles; suppose man finds
comfort in definitions and syllabic
expression. haikus are, after all,
a buffer between worlds.
digressing with another cigarette,
knowing shouldn't what with
breath being true connection of
worlds. quality of being alluded
to quality of connection and a
vessel's sense of existence.
then, taking time to inhale,
knowing breath given finds
caustic continued life. realizing,
a drowning man cares naught for
quality of final fighting gasp.

If one had a desire to define the word god where would he begin?  Why would he assign the traits he did to the word?  Would he want to assimilate traits that he perceived to be godlike?   Would he obtain a clearer vision in a realization of the futility of aspiration, or would pragmatism and adamant tenaciousness afford him a better route?  Perhaps we all could benefit by a reassessment of our affinity with god.
  
The metaphysical extremities of human nature provide man with a multifaceted image of the possible psychic states of God. Objectivity has led man away from the true nature of his need many times at this point.  Any retrospective analysis of man’s personifications of deity most often leaves one lost in the quandaries of the psychic quagmire.  The weaknesses created by man’s lack of a universally acceptable id conclusion have elevated many philosophical or theocratic hypotheses to the level of demagoguery.

One method which has been used by theologians in attempting to induct a summerial derivation from the vast warehouse of human religious extrapolation is the concept that perhaps basic truths can be affirmed through the theory of sufficient constancy of conjunction. Which is to say that reasonably analogous conjectures can be found in the depths of religious pervasion.  But this is not strictly true.
  
The ancient Babylonians, like the Indians, were polytheistic. They worshiped gods of nature, tribal union, fertility.  Deifications created from allusion to natural analogies, yet often imbued with a euphemistic optimism.  Where as the pantheon of Grecian deities often seems an almost banal personification of psychological metaphors from the darker side of life.  Zeus a fallibly omnipotent being who pompously subverts all beneath him to his will.  Who along with Apollo and others roam the countryside ****** and adulterating the women of their choice.  And Ares the formidable God of war who’s natural lust for violence leads him and his cohorts to vicarious involvement with mankind’s altercations.

Egyptian theology seems to have been an amendable and progressive state that began with sun worship and gods of nature, and moved on to attempted assimilation of godlike traits through a natural alignment with the perceived nature of God.  There were in depth studies of the nature of time, and life, and notions of existential transcendentalism.  The momentum of this progression led them to the ultimate grandiose delusion in which the Pharaoh was worshiped as the universal supreme being, omniscient and omnipotent ruler of the ultimate utopian society.

The Jews worshiped a God who was at once both a part of them  and an exogenous force believed to have created them in its own image. A God that deliberately instilled an understanding of it’s intended wisdom by instructing them of the laws they were to live by.  These divine revelations were often considered as the unadulterated word of God.  This God was jealous and demanded the adoration due him as the supreme essence.  His worship became the underlying force in their social conjecture as they attempted to inspire his continued grace and benevolence.  A seemingly irrational solution to the quandary of idealism.  An allegiance who’s impetus was unquestionable.  It seems by me to be improperly rooted on a personal level in that it overemphasizes the need or expectation of divine inspiration.

The ancient Chinese social wisdom was by me commendably rational.  Unlike the Jews they do not seem to have overemphasized the expectation of divine inspiration.  Instead they, like the Egyptians emphasized an alignment with the perceived nature of God on a personal level as the way to strength.  They of course had a conception of the possible natures of deity, but considered wisdom to be an honorably truthful self orientation.

Another realm of intellectual extrapolation from which one might hope to surmise a depthfully pervasive generality would be man’s philosophical treatises on the possible natures of God. Unfortunately due to the myriad nature of possibility this again appears paradoxically difficult.  To me this seems to be a product of the nonempirical nature of these conjectures.  Humans experience a reality which does not necessarily  have any relative effect on the transcendence of their conception of the possible nature of God. Although many have attempted to empiricise their conjectures through rational logic they are most often refuted by the possibility of ultimate transcendence or quandrified by the actuality of paradoxical argument.
  
Some good examples of these points are perhaps the arguments of Lucretius who attempted to empiricise that God can not revoke mathematical truths.  But what is the relative reality of those truths to the transcended essence of ultimate beingness.  They are refuted by irrelevance.  Another example might be the statement that God has aseity.  That is if he exists his existence is not caused.  This statement seems easy to refute for the supreme being could be all of the things possible for him except this and have evolved out of eons of cosmic continuum into natural omniscience and or through assimilation of the forces innate to the cosmos have achieved relative omnipotence.
  
One generally accepted statement that is refuted by these arguments is “the cosmos does not have infinite existence and is therefore not the supreme being.”  For if this supreme being has not yet evolved if it’s transcendental form could be said to have become out of cosmic continuum then the cosmos will indeed have achieved infiniteness.  But this already seems intuitively necessary to the ultimate cosmic essence regardless of a lack of self consciousness or even a physical form.  Perhaps what is possible and eons of void are the root of all force and matter, and perhaps this as yet unfulfilled sequence cycles on to nirvana.  Then again perhaps the supreme being does in fact preempt all as a self conscious entity.  This also would seem to be intuitively necessary to the essence of totality which of course has always existed and is in fact the supreme being in at that at that although not necessarily the true form of it’s transcendental being.
  
On this lofty note I would like to reiterate my thesis.  Perhaps we all could benefit from a reassessment of our affinity with God.

A man can accomplish many things with his concept of God. What is extraneous?  Perhaps the question would better be put what is expedient, but that becomes subjective.   You have to define your goals.  Where in lies wisdom?  Can man truly aspire to godhead or is this personally nonproductive?  Man seems to perceive a sort of manifest destiny for himself.  An intrinsic affinity with infiniteness that just must be dealt with.   Perhaps our beliefs in life after death are a grandiose delusion in which we hedonistically waste our time pampering our egos. Which brings me to my third and final argument.

Perhaps conscious regimentation and an affiliation with earth bound logic would bring us closer to our affinity with God.
One of the ideas presented by my philosophical references was that many of mankind’s inspirations to define his affinity with God grew inadvertently out of social realism and the powers assumed. Although often the subjective truths of these understandings went unmentioned out of a desire for objectivity.  For example what God must be if God is to be God.  Perhaps one would do better to relate personally to his affinity with God.

I think this is true.  Although we seem to lack omnipotence we are all individually speaking a preternatural corporeal state.  Perhaps we all should assert our godliness instead of hiding our talents in the sand.  Perhaps then we could construct a contractual reality.  An aspiration to the perfection of the human social mechanic.  I salute this concept.  In fact I firmly believe that by conscribing unalienable rights to our beings we have already performed the rights of the human social mechanic.  Our aspiration to godhead is complete in it’s conjecture.  All that is left is to obtain expedience and accuracy in our amendment toward continued obtainment of the majority goal.

Gaia slammed the door and threw her phone across the room.
Her lover Humanity has done it again--
                  and again, and again.

That broken mess of a love with so much baggage,
it makes the raunchiest Olympians look like Astrea.

All night out, and Humanity ruins and disappoints,
                  once more.

Gaia screams into a pillow of earth in frustration.
Uranus thinks she's melodramatic,

But how can the Sky sympathize with the Earth?
And how in turn can the Earth fall so wholeheartedly,
                for a destroyer?

Who once more in turn, tries in vain, but will never
understand the complexity of it's own round habitat-lover.

So Gaia is left confused and hurt, though Humanity swears,
it never meant to hurt her; break her into pieces,
and turn from a collective of voices to Narcissus himself.  

               She sighs.

Perhaps next week will be different?
The texts between the two so hit or miss and fickle,
Only Fates could read what lies behind the tension.

An Aletia moth flits in and out the window,
and suddenly the butterfly poster on Gaia's wall feels pathetic.

An imitation of her own work.

Perhaps next week will be different?
Perhaps Zeus will vow celibacy,
perhaps the sky will fall into the sea,
and we'll all be mercifully crushed in between.

But what crushes is reality, and as Gaia falls asleep,
the phone lights up.

Humanity: "Drinks again next Thursday?"

The same empty connection repeated ceaselessly.
One generation on to the next until the last.

And of course Pandora's curse,
keeps Gaia suffering through them all.

I am a section
                    a piece. Nothing more. Able to be
          transported anywhere.
An “African Barn Swallow” – that’s the cliché.
          Pretending it makes me feel like
                    a tremor.
                    Rhythmic.
The flavor of this
          I will probably never remember
          except – like this
                    Peculiar.

I am a section
An “African Barn Swallow” – that’s the cliché.
The flavor of this
          transported anywhere.
          Pretending it makes me feel like
          I will probably never remember
          except – like this
                    a piece. Nothing more. Able to be
                    a tremor.
                    Rhythmic.
                    Peculiar.

“Nullus enim locus sine genio est.”

  Servius.

“La musique,” says Marmontel, in those “Contes
Moraux” which in all our translations we have insisted upon
calling “Moral Tales,” as if in mockery of their
spirit—”la musique est le seul des talens qui
jouisse de lui-meme: tous les autres veulent des
temoins.” He here confounds the pleasure derivable from
sweet sounds with the capacity for creating them. No more
than any other talent, is that for music susceptible
of complete enjoyment where there is no second party to
appreciate its exercise; and it is only in common with other
talents that it produces effects which may be fully
enjoyed in solitude. The idea which the raconteur has
either failed to entertain clearly, or has sacrificed in its
expression to his national love of point, is
doubtless the very tenable one that the higher order of
music is the most thoroughly estimated when we are
exclusively alone. The proposition in this form will be
admitted at once by those who love the lyre for its own sake
and for its spiritual uses. But there is one pleasure still
within the reach of fallen mortality, and perhaps only one,
which owes even more than does music to the accessory
sentiment of seclusion. I mean the happiness experienced in
the contemplation of natural scenery. In truth, the man who
would behold aright the glory of God upon earth must in
solitude behold that glory. To me at least the presence, not
of human life only, but of life, in any other form than that
of the green things which grow upon the soil and are
voiceless, is a stain upon the landscape, is at war with the
genius of the scene. I love, indeed, to regard the dark
valleys, and the gray rocks, and the waters that silently
smile, and the forests that sigh in uneasy slumbers, and the
proud watchful mountains that look down upon all,—I
love to regard these as themselves but the colossal members
of one vast animate and sentient whole—a whole whose
form (that of the sphere) is the most perfect and most
inclusive of all; whose path is among associate planets;
whose meek handmaiden is the moon; whose mediate sovereign
is the sun; whose life is eternity; whose thought is that of
a god; whose enjoyment is knowledge; whose destinies are
lost in immensity; whose cognizance of ourselves is akin
with our own cognizance of the animalculae which
infest the brain, a being which we in consequence regard as
purely inanimate and material, much in the same manner as
these animalculae must thus regard us.

Our telescopes and our mathematical investigations assure us
on every hand, notwithstanding the cant of the more ignorant
of the priesthood, that space, and therefore that bulk, is
an important consideration in the eyes of the Almighty. The
cycles in which the stars move are those best adapted for
the evolution, without collision, of the greatest possible
number of bodies. The forms of those bodies are accurately
such as within a given surface to include the greatest
possible amount of matter; while the surfaces themselves are
so disposed as to accommodate a denser population than could
be accommodated on the same surfaces otherwise arranged. Nor
is it any argument against bulk being an object with God
that space itself is infinite; for there may be an infinity
of matter to fill it; and since we see clearly that the
endowment of matter with vitality is a principle—
indeed, as far as our judgments extend, the leading
principle in the operations of Deity, it is scarcely logical
to imagine it confined to the regions of the minute, where
we daily trace it, and not extending to those of the august.
As we find cycle within cycle without end, yet all revolving
around one far-distant centre which is the Godhead, may we
not analogically suppose, in the same manner, life within
life, the less within the greater, and all within the Spirit
Divine? In short, we are madly erring through self-esteem in
believing man, in either his temporal or future destinies,
to be of more moment in the universe than that vast “clod of
the valley” which he tills and contemns, and to which he
denies a soul, for no more profound reason than that he does
not behold it in operation.

These fancies, and such as these, have always given to my
meditations among the mountains and the forests, by the
rivers and the ocean, a tinge of what the every-day world
would not fail to term the fantastic. My wanderings amid
such scenes have been many and far-searching, and often
solitary; and the interest with which I have strayed through
many a dim deep valley, or gazed into the reflected heaven
of many a bright lake, has been an interest greatly deepened
by the thought that I have strayed and gazed alone.
What flippant Frenchman was it who said, in allusion to the
well known work of Zimmermann, that “la solitude est une
belle chose; mais il faut quelqu’un pour vous dire que la
solitude est une belle chose”? The epigram cannot be
gainsaid; but the necessity is a thing that does not exist.

It was during one of my lonely journeyings, amid a far
distant region of mountain locked within mountain, and sad
rivers and melancholy tarns writhing or sleeping within all,
that I chanced upon a certain rivulet and island. I came
upon them suddenly in the leafy June, and threw myself upon
the turf beneath the branches of an unknown odorous shrub,
that I might doze as I contemplated the scene. I felt that
thus only should I look upon it, such was the character of
phantasm which it wore.

On all sides, save to the west where the sun was about
sinking, arose the verdant walls of the forest. The little
river which turned sharply in its course, and was thus
immediately lost to sight, seemed to have no exit from its
prison, but to be absorbed by the deep green foliage of the
trees to the east; while in the opposite quarter (so it
appeared to me as I lay at length and glanced upward) there
poured down noiselessly and continuously into the valley a
rich golden and crimson waterfall from the sunset fountains
of the sky.

About midway in the short vista which my dreamy vision took
in, one small circular island, profusely verdured, reposed
upon the ***** of the stream.

So blended bank and shadow there, That each seemed pendulous
in air—

so mirror-like was the glassy water, that it was scarcely
possible to say at what point upon the ***** of the emerald
turf its crystal dominion began. My position enabled me to
include in a single view both the eastern and western
extremities of the islet, and I observed a singularly-marked
difference in their aspects. The latter was all one radiant
harem of garden beauties. It glowed and blushed beneath the
eye of the slant sunlight, and fairly laughed with flowers.
The grass was short, springy, sweet-scented, and Asphodel-
interspersed. The trees were lithe, mirthful, *****, bright,
slender, and graceful, of eastern figure and foliage, with
bark smooth, glossy, and parti-colored. There seemed a deep
sense of life and joy about all, and although no airs blew
from out the heavens, yet everything had motion through the
gentle sweepings to and fro of innumerable butterflies, that
might have been mistaken for tulips with wings.

The other or eastern end of the isle was whelmed in the
blackest shade. A sombre, yet beautiful and peaceful gloom,
here pervaded all things. The trees were dark in color and
mournful in form and attitude— wreathing themselves
into sad, solemn, and spectral shapes, that conveyed ideas
of mortal sorrow and untimely death. The grass wore the deep
tint of the cypress, and the heads of its blades hung
droopingly, and hither and thither among it were many small
unsightly hillocks, low and narrow, and not very long, that
had the aspect of graves, but were not, although over and
all about them the rue and the rosemary clambered. The
shades of the trees fell heavily upon the water, and seemed
to bury itself therein, impregnating the depths of the
element with darkness. I fancied that each shadow, as the
sun descended lower and lower, separated itself sullenly
from the trunk that gave it birth, and thus became absorbed
by the stream, while other shadows issued momently from the
trees, taking the place of their predecessors thus entombed.

This idea having once seized upon my fancy greatly excited
it, and I lost myself forthwith in reverie. “If ever island
were enchanted,” said I to myself, “this is it. This is the
haunt of the few gentle Fays who remain from the wreck of
the race. Are these green tombs theirs?—or do they
yield up their sweet lives as mankind yield up their own? In
dying, do they not rather waste away mournfully, rendering
unto God little by little their existence, as these trees
render up shadow after shadow, exhausting their substance
unto dissolution? What the wasting tree is to the water that
imbibes its shade, growing thus blacker by what it preys
upon, may not the life of the Fay be to the death which
engulfs it?”

As I thus mused, with half-shut eyes, while the sun sank
rapidly to rest, and eddying currents careered round and
round the island, bearing upon their ***** large dazzling
white flakes of the bark of the sycamore, flakes which, in
their multiform positions upon the water, a quick
imagination might have converted into anything it pleased;
while I thus mused, it appeared to me that the form of one
of those very Fays about whom I had been pondering, made its
way slowly into the darkness from out the light at the
western end of the island. She stood ***** in a singularly
fragile canoe, and urged it with the mere phantom of an oar.
While within the influence of the lingering sunbeams, her
attitude seemed indicative of joy, but sorrow deformed it as
she passed within the shade. Slowly she glided along, and at
length rounded the islet and re-entered the region of light.
“The revolution which has just been made by the Fay,”
continued I musingly, “is the cycle of the brief year of her
life. She has floated through her winter and through her
summer. She is a year nearer unto death: for I did not fail
to see that as she came into the shade, her shadow fell from
her, and was swallowed up in the dark water, making its
blackness more black.”

And again the boat appeared and the Fay, but about the
attitude of the latter there was more of care and
uncertainty and less of elastic joy. She floated again from
out the light and into the gloom (which deepened momently),
and again her shadow fell from her into the ebony water, and
became absorbed into its blackness. And again and again she
made the circuit of the island (while the sun rushed down to
his slumbers), and at each issuing into the light there was
more sorrow about her person, while it grew feebler and far
fainter and more indistinct, and at each passage into the
gloom there fell from her a darker shade, which became
whelmed in a shadow more black. But at length, when the sun
had utterly departed, the Fay, now the mere ghost of her
former self, went disconsolately with her boat into the
region of the ebony flood, and that she issued thence at all
I cannot say, for darkness fell over all things, and I
beheld her magical figure no more.

Crackling criss-crossing blue in mind. It scissors down the lanes through the pipes and tubes and little dividers. Electrical mind numbing beauty. Veins-bursting in excited anticipation. Convulsions and scenic skittering routes. Into the Nexus! Here simmers what we are thinking and believing. Our mind's eye focuses and drips into the pool until completion. Psionic figures dance flicker through life existence. Pulse-width fluctuations. Tiny menagerie of our Will. Scribbling through dusted panes of time interface. All afire with ourselves once we have discovered ourselves. Nano-tech emotions. Hope fear anger mercy curiosity buzzing swarms of grey goo jibbering and bubbling in an artificial mind-****. What is all this allusion? Nothing complicated. Speculation on future times where sensual technological biological singularity is paramount. In my room where the clocks are taped over and the sun is dark and dim. Through the windows I see myself. The boxes on the floor emanate simple clickings with melodies intertwined casually. I myself appear redundant. I have done this and so have others. To discuss oneself is worthless unless you become convinced you are another entity gazing back across the room. I feel I am being watched. I become cautious as he may have noticed. Tingling weightlessness tickles in waves in both heads. The Jazz Classic appears. Old dark men and women in hazy environments. Organic supposition or cold observation? Both hold importance so let us appreciate it all. The cello quivers and hums with vibration. Fingers callused and riveted like the age-old corn field bother still strings. A child hums to just myself. What does he want? I never asked him for an audience. Yet he freely gives it to me. Now he multiplies. Or she? Children confuse and cause one to be apprehensive. Nothing and silence. Silence in movement. Cease my visual stimulation for a couple seconds each. The child is back. What does he speak? Pray inside the rubble? Heal in this place? In disgrace? I do not know. His octaves are meshing together. Whining and thrumming with strange alterations. Some madmen tweaks my ears. Maybe he knows the child? I'm not sure. Let us continue on. The flute is the child. Old cello, you have stopped? These musings mean nothing. I would look upon them in a year and think nothing of it. Yet it feels as if this time is important. Da Vinci knocks on the door. Not as if I wanted to talk to it. Wouldn't mind I suppose. He is gone. We talked but I do not remember the conversation. Perhaps we've all talked but we just don't remember our conversations. That's ridiculous though. Then anything is possible. We could have flown to the moon on scarlet weasels outfitted with the latest nano-pores that secreted pure liquid indulgence. And we did because I just imagined we might have. However, I don't remember actually doing it. Just what I thought it might have been like. How frustrating. My thoughts are the same as all others who write out their thoughts when under the influence of yourself. It always seems like some thing is scuttling near my feet or under the nightstand; just out of view. Strange. I would be afraid. No reason to fear that which doesn't bother me. No reason to fear much of anything. That's been said before. Why are we so often concerned with saying that which has been said before? Cliche? auump-ump auump-ump auump-ump little thumping noise in my ears. That vibration is calming. Every night I am awake. Every day I seem asleep. I do not like it but I do not care yet I allow it to be what it will. Vision defaults to out of focus. My eyes always cross if I cease trying to control them. People are strange. Animals are strange. Same thing I guess. Someone will find that clever. Someone will find it cliche. This someone won't care. ****** fantasy permeates day to day. More entertaining than living a fantasy though. ***. Not that entertaining. Perhaps no one knows how to do it properly anymore. Maybe we never did. Maybe some people are just disenchanted with it. When I'm by myself, I never have any ****** desire. When around others, I generally think of it out of curiosity: what would it be like to please the person in front of me? The only enjoyment I've had with *** would consist of pleasing another or observing another ****. The human body is intriguing. Definitely. I really do think so. Sometimes I look at my own. Not out of appreciation really. Just the fact that I have body allows me to investigate it and understand it more. Pain is merely a stage one can get past, so I suppose I injure myself sometimes to see how I react. It's like I need to check I'm still working properly. I can't tell when I'm tired. I feel something, but when I ask myself if I'm tired, I murmur back, "I don't know." Maybe that is why I stay up till early mornings? I wanted to add again that the human body is beautiful and unappealing all in the same space. Perhaps the unattractiveness and softness and strangeness produces attraction. A negative and a negative equals a positive. Three negatives likes to fluctuate. In my mind at least. I may ask another to remove their clothing and whatnot during those intimate moments. Eh, never quite feel like having *** though. I like the emotions and sensuality of just looking at someone. They usually want to physically play around with each other. I think I enjoy fighting more. One day I'll leave everyone except I'll reminisce on those I enjoyed meeting. Maybe come back and visit? I would like to ride something quickly through an empty desert. Find my own food and water. Create shelter. Think by myself. My room is the smallest desert I have and the biggest. I have more in my head but I only occupy one at a time. I suppose I like I do like things like all others. I mean, materials can be nice. If I impart meaning on to an object it gains importance. I see it vital to also say that if it were to be lost, then I wouldn't mind and I would obtain something else or nothing at all.The constitution. Just mentioned by some woman in my room. Or in my ears would be more correct. Constitutional Rights. I honestly don't see the need for them. I was criticized for burbling that once. We should not need a constitution. We should be able to do what we like to do without fear or concern. Unless natural fear and concern appears. Now that may confuse a bit. Right to bear arms. I shouldn't have to be told or allowed to massive bear arms if I feel the need to have them. Big hairy bear arms. Curious little mishap. Freudian slip as Johnny said once? Danger Danger. Anyway, Right to bare arms. I shouldn't have to be told, as I look back,  go back and throw in that comma after told, that I'm allowed to bare arms and defend myself. I'll just do it if the need arises. Freedom of speech. That already has many issues these days. However, there shouldn't have been a need to tell people they have freedom of speech. Speech should have been freely allowed and never oppressed in  the first place. Theme? We have erred so much in the past and I would think sometimes we ignore that and just try make little cosmetic fixes by saying it's okay. Another point. Hold that: side discomfort. I sometimes feel like a little spider or creature is crawling or skittering on my leg under the covers or I'll change the music to Galaxy 2 Galaxy 90's hi-tec jazz there we go. Done! Now back! Or I forget what I said about the spiders. Another point: what? ******, curse damnable ****. Can't recollect what it was I was connecting together. Something that tied in to deceiving people into things are okay. I could go on about consumerism and all that jazz. Instead I'm listening to some techno-jazz whatever-decided-to-call-it. Hyphenated phrases are fun when I decide they are appropriate. English and grammar in such can be cool but at the same time I want to say **** it and stay proper. Do both. Acknowledge how to write and speak "correctly," but as long as someone understands what you are trying to say, then why correct more? Someone large doesn't like the fact I make a lot of noise in the morning. I stole some speakers and subwoofer from the room next to me as I was going to say Austin.  They are on the floor and whichever large person lives below me is probably annoyed or was. I don't spend any of my actual time despising them, but I'll easily say I despise them when someone asks. Otherwise it isn't worth wasting time on. Perhaps the vibration quivers downstairs and shakes them silently. The greate beast is perturbed and sneaky vibrations cause electro-annoyance! Her pulsewidth as I understand it must be like a super-saw as I think it. Silence. Some woman said it's just a feeling. HEA not sure what why I put that sounds like a garageband song. Switched to Inspiration! That is what I did this night. Finally start writing and making things again. Even though I never did and always did. My head sometimes hurts from thinking. Never truly though. Gotta say those things to keep the conversation going. That is really the only reason I say anything. To keep the conversation going. Otherwise I'd just watch people and be just fine. Just yelled "bahh," out loud (didn't sound the comma) because I felt the need or the want. Same. Wrong keys erased. sdas=a====dddddddddd Sorry. Oh well. Oh My. How the time flies goodbye. Going nowhere. Could write more but I felt the slight flicker of wanting to stop. So I do. What an ending. Now I'm only typing to continue the conversation with myself. Just thought ******* sounds good melody. Do as I sayt way to go good job. STOPSDMFA

****** a

Guess I'll read this little conundrum I wrote up. Stop writing ******. Stop EDITING

Prescient, her essence
Casts a demure persuasion,                
Endowed with verve and vision;
Concept to consummation,
The serenely possessed,
Creator, originator,
Allusion to the eternal azure,
Logos of abstraction,
Word and image collision.

Tonal palette of faith infused reason
Beauty and sublimity,
Serve to season
Verse, canvas and film,
Mediating aesthetic, seminal senses blossom,
Lyrical each permutation,
Seeds of vibrant chroma diffusing the mystical.

Visage and hair,  her figure haunted
With perfection - a work of Art
Nurtured and lived invocation,
The canon of taste;
Crystal for the *****
Devotional fragrance ,
Holistic ethos, melodic invention,
Animated, pure -
The embodiment of redemption.

Transcending form, parenthetically  
(Merely) the decorative,  
Allure, artistry and symmetry
Superlative complexity,
Her erudition satiates, supplanting
Winds of constructive banality.

Purveyor of an uncommon savor,
She collaborates in the peculiar
Pursuit and reward,
Encounter  with depth, explored,
Human and divine, prosaic meets sublime
Igniting within an Eros
Passion for truth, being and Telos.

Visionary of grace and peace
Transforming our earthbound dissonance;
Our caprice,
Hope and abundance, the myth of scarcity,
She narrates the Good.
Pen, lens, color and stage
Vulnerable, unrepressed, effusive
Romantic articulation,
The reservoir deep,
Innately primed conduit of Love.

Beyond plebeian, cosmetic, the trite
Woman of substance, pulchritude
And delight.
Effervescent - her smile exquisite,
Eclipsing suffering,
Wordless expression, understood language.
I am transported, my imagination replete,
Sonya Rose -
Art personified; unabridged, complete.

©2008 & 2013 W.S . Warner

I've always wanted to step out into you
Where the waters are dark and uncharted
Alluring
But the first step is always shaking
Because I saw the wind
And I was afraid.

I will refer to them by names and by allusions.
I call them back from the underworld, demand they speak
and dredge up all their bitter deaths and betrayals and joys
and their sorrows most of all.

I will make myself an icon, standing on their shoulders
a thousand books on my back that show my terrible vast strength
(leviathan, goliath, titan)
my trojan horses bring thoughts in different faces, smuggling cargo
with the help of dead Greeks.

.and i wrote this... back in January of... perhaps this year... a disclaimer: bones and prose... to have reached a traction of nearing 1.4K readers elsewhere: i don't expect the same numbers here... of that i am imploring... but i want to remember something: i probably misjudged celebrating the worth of Dickens' Pickwick Papers... the moment i heard it was... an imitation of Don Quixote - it was fun to read... before i was reading the papers via the gresham publishing company edition from... oh the 19th century... that's before the book started falling apart from actually being re(a)d: no matter the decency of binding... flimsy papyrus in the end... good enough to look at when stacked on a shelf and an artifact for the eyes... so i decided to finish reading the papers... 2nd hand penguin modern... as ever... why do they write these synopsis spoilers... even a mere allusion to: 'the pickwick papers are the english don quixote'... you know... when reading this book without a synopsis-of-allusion... i very much enjoyed it... but since i have re(a)d Don Quixote... and... frankly... the ballet by the royal opera house was par excellence... now i don't feel so inclined as to be motivated enough to celebrate Dickens anymore... notably to boot there was that essay by Milan Kundera.... as any continental european: not much of english literary adventures is given much thought: it appeal to the everyman but... that's my problem too... Shakespeare is great... when recited... not when read... you require good acting to appreciate shakespeare... a stand-alone dynamic of me: reader of Shakespeare? it's not a selling point... it doesn't feel right! shakespeare? isn't that a household noun akin to chair... hammer... why would it need a capital S(igma): to focus on... what... exactly? shakespeare, hammer, nail, towel... fridge-freezer... fork... muhammad ibn abdullah ibn abd al-muttalib... hey-zeus ben josephus... flour... cheese... i was going to enjoy the pickwick papers to the end but then the disclaimer that it's an imitation don quixote tale... and suddenly the fire - of eagerness... became a stalemate of cinders and stealthy coals... no, clearly the milan kundera essay didn't help either: who would want to reread don quixote: i know some people do reread books... i don't understand my grandmother in that respect... or... i remember when it school we were governed by repetitions of rubric... i hope: prose is where allowances for voyeurism / exhibitionism come to the fore... third party details summoned... that sort of "thing"... but of course i wanted something original to come to the fore... a proverb... it might be persian but it might be absolutely original from circa the baltic region: in between all that's west and russia... a corridor of peoples and nations that... given the greenwich mean time would have to incorporate Greece... and most probably Egypt... and Israel... it reads: all in capital to escape this myopia claustrophobia fudge of paragraph: BETTER A SPARROW IN YOUR HAND, THAN A DOVE UPON YOUR ROOF... years later a proverb would have to be disguised in cosmopolitan spreschen by some "****" of a bachelor... with his 'categorical imperative'... ah... a proverb isn't... that? i like the nuances of proverbs... blindly walking to metaphors... or not expecting a rigidity of life dictated by the already creasing formality language tools: dear sir, yours faithfully vs. yours sincerely... ms. vrs. mrs. informally email: hello! ****-wit! rather than... penned to paper and carrier pigeon bound... stamp! stamp! lick! dear... besides... as you get older and drinking is still a quenching of "thirst" you allude to nicknames for certain spirits: ***** becomes a headache of pravda (truth) while whiskey becomes ms. amber... beer is notoriously gods' ****... along with cider and mead... etc. what is a black cracovite... oh... you know... just an alternative to a tequila shot i invented hearing the story about... once upon a time in cracow... it was snowing... it was snowing a soot-esque sort of snow... the lonely chimney of aushwitz... wa puffing up in all its glory... in english it can translate to: well... what haven't i to thank for... or the jews... to thank for... that these lands are the remains of... at least children might be inclined to play games at the foundation of pyramids... we sure as hell did... near Ypres... in world war I trenches... i can't imagine what games children might invent in these... teutonic strongholds of totenkopfschwatzen... i would gladly send each brick by brick to the rightful owners of these camps: 1000 years from now it might be disguided that... under the auspicious rule of king Casimir's ghost these were "our" original intent... it ruins the land but preserves the memory of a people more invested in a newly established state of the Levant... yes... i need to figure out the paragraph: i need to revisit it more often: this slender-manning of a verse esque casccade doesn't aid me: i need to replica congestion and myopia and all that's cosmopolitan "nice"... what is a black cracovite... for years i wanted to land in the old capital when visit my grandparents... warsaw was always too far removed... like london already is... back toward glorifying Cracow and some elder supreme of the Piast dynasty... that this is written in english and not in native... well... it shouldn't have been written by an englishman with all his darwinistic / anglican / atheistic / rational / ayn rand borrowed sensibilities... a black cracovite as far as i can tell is... a spin on a tequila short... one requires smoking a cigarette... the ash is deposited on a licked space between the thumb and index finger... the ash is licked... a shot of ***** is made ready... what replaces the bite of a lemon is a grit of black pepper... yes... i have to invest in a paragraph more: for all its congestive phalanx remedies: i posit this the most redeeming: remedying... closure... it's far removed from airing out grievances when words cascade... now i should have concerns for contending... imitations... cheap-sell-offs of these words... outlandishly left to the open cringe of... simply-leash: i'll probably trail off on a ***-note, a falsetto... absolutely necessary... one cannot feed too many expectations without feeding those necessarily in pursuit of sustenance... be gone! countess bathory-veneer!

this is truly a welcome break from:

freeing all the drafts -
which i imagined to be equivalent, or rather:
the 2nd parallel of the original adjecent -

i imagined it would feel like:
releasing doves with laurel branches firmly
lodged in their beaks -
just as the waters of the flood would recede...

but it truly felt like:
the inversion of the diarrhoea-constipation
"paradox"... because it felt like both,
but never giving me a clue as to
what was more prominent -

the sharp edge of a knife -
or the horizon when the sky becomes
the sea far away....

i'm not ashamed to throw this onto the fore...
it happened to me once...
but on purpose...
i wanted to compensate marquis de sade's
antic in a brothel when he implored
the ******* to turn the crucifix into
a ***** into his decapitated precursor
of a mary antoinette... puppet...

profanity in images and all the other seances
of the senses...
i wouldn't go as far as to make the crucifix
profane... or do anything profane
with it...

only the words...
hic (est) mea corpus - hic (est) mea cruor...
this is my body - this is my blood...
and i am aware the mead is the gods' ****
when they're in a good mood - all... jolly...
and that beer is the gods' **** when
laughter hits a dry run...
and that ms. amber or whiskey is but:
the blood of the gods...

i had to corrupt it...
to prove to myself: that i am not a god...
it was quiet simple...
once upon a time i was drinking
a glass of wine...
and as you do... on a whim...
i decided to **** into it...
perhaps all that drinking prior would
give me something to elevate the palette
of exploration that was to come...

hmm... at least that sorts out
hic: mea cruor... *** urinae...
but back then i did that on purpose...
and if only this was a desert scenario...
and i would have to drink my own *****
to survive...
well... i just thought: here's to starving
from a lack of better imagery...

i will come unto some Horace in a minute...
i don't know how i managed to find
this citation - it's only very losely related...
and yes i will showcase another draft from
May of last year...

but today i was unsure...
did i leave yesterday's pepsi max bottle
with only the stale pepsi left...
or did i forget to do the lazy sly wee whizz
jumping out of bed in the middle of
the night...
but i already poured this "cocktail"
over two shots of whiskey...
and i'm hardly desperate but...
my original intention of alligning myself
to the profanity of the crucifix...
i had to somehow make profanity
of the wine...

since i am... thinking how to compensate
being satisfied with wine...
how the ancient world was always
satisfied with wine...
the story of the 3 ambers of the north...
the beer, the mead and the whiskey...
all in a varying degree...
but i will not bow before the blood of a god
that's so... diluted...
whiskey yes... that can be blood indeed...
otherwise it's down in the trench
with gods' **** - mead if they are in a good
mood... beer if they are in a talkative mood...

thank god i wasn't thinking:
better salvage those two shots of whiskey
and drink this cocktail of the "ultimate" surprise...
and apparently eating a woman's
placenta is good for you...
as was... apparently once... breastmilk...
funny... give me the milk of a cow or a goat
and i'll show you: one dislocated thumb...
one dislocated distal + intermediate phalange
from the index finger of the right hand's
proximal phalange... no broken bones...

knock-knock... who's there? touchwood superstition.

it's not as bad as it sounds...
stale, yes...
but i am also known for sometimes
performing the antithesis of drinking tequilla...
*****... i'll sprinkle some cigarette ash
onto my hand... lick it... take a shot of *****
then throw one or two black peppercorns into
my mouth for the crunch...
each drinker and his own myths... right?
i call that the black cracovite...
cracow being so close to aushwitz...
and once it snowed and they thought it was
snowing... sure... ash from the furnaces
of aushwitz... here's my ode to... the dead...
in a drink...

hell better a cracovite than a cracowite, white?
i mean: right? seriously: low hanging fruit,
the elephant's testicles...

i will never understand this whole veneration
of wine: in vino veritas...
these days wine is better drank by women
and castrated monarchs of the clergy...
i had to check... so i ****** in my holy grail...
and guess what didn't come out
the other end? gods' **** (beer and wine)
or gods' blood (whiskey and wine)...
just this stale, almost bland...
water with a pinch of grape that has been
left to sit in a puddle on some
industrial estate in dagenham enjoying
the ripe downpouring of chemicals
that leave it with a rainbow of diluted
petroleum...

akin to: try shoving that sort of doughnut
into this kind of pile of ****...
not that i would...
but i have also been prone to test
99.9% spirits... or 96% absinthe...
with a locust mummified in the bottle's neck...
from Amsterdam...

i had to rethink: why become engaged...
when chances are...
to the displeasure of someone who read:
but never bought my work...
the self-editorial process...
the self-publishing process could be...
guillotined on a whimsical constipation
of a "dear reader"...
as it might happen...

again... Horace and the perfect example
of poetry with conversational overtones...
poetry as prosaic...
my god... paper was expensive back in old
Horace's days... surely you would need
something spectacular to write:
like a psilocybin trip account word for word:
wrong!
a certain don juan said to a certain
carlos castaneda: don't bring back words from
such experiences...
but of course: they did...
upon once upon a time loving the beatniks...
i started to abhor them...
getting drunk and smoking "something"
is one thing... exposing the altars of solipsism
of such experiences: words intact...
is a profanity...
each dream is individually curated
to the dreamer... the introduction of words
to relate back... for some next be disciple...
the "drugs" / portals of escapism are already
contaminated...

why wouldn't i: even if these are only
objective recounts of an experience?
perhaps because... they are subjectivelly null...
there are only the comparable heights of Gideon...
such experiences are best: kept to each individual's
right to enjoy... a freedom of thought...
and of silence...
each keeps a secret...
but what secret is left?
when the objective parameters have already
been stated?
i see no point... better down and finding
it at the end of a bottle...
or... ******* into a glass of wine
and drinking it...

they have been contaminated by words that
have been retrieved from such experiences
that (a) no one should talk about...
(b) surprise! the objective reality already
being stated as altered...
am i going to a ******* cinema with my body...
or am i going to a surprise
gallery with my thought?
doesn't matter... word contamination...
bigmouth struck his final last time!
at least the remains is what gives me
the labyrinth... the blood the **** you name
it the three sisters amber... for all i care...
it's readily available: make do...
with what's already been given.

me? i drink for that very special date...
monday 9 march 2020...
when all the orthodox jews get drunk...
that's one of those celebrations i wouldn't mind
being a part of... purim, festival of Lots,
funny... that period of history...
the Persian aspect of the hebrews...
never made it to the big screen...
seeing modern day Iran as day-old Persia
in muslim garbs...
we're still only seeing the: African adventure...
perhaps once the dust has settled...
we will get the Persian installement...
and then... oh... **** it...
we're all in it for the long run...
then when christianity is no longer useful...
the Roman bit of history...
and how the hebrews conspired with the greeks...
2000 years later we'll probably see
some prince of egypt cartoon movie
of the pristine romance and a mention of germany...
not yet... ****'s still to ripe to entertain
the universal child and children...
no screen adaptation from "their" time in Persia...
songs... we have songs!
Verdi's Nabucco - the chorus...
perhaps only in song from Persia and always
with movies and hieroglyphs when from Egypt...

but the festivity... of course! i'll celebrate...
cf. though... Puccini's coro a bocca chiusa -
the humming chorus...
before the band enigma... i am pretty sure my mother
would crank up the volume to at least
one of these songs... should they come on the radio...
i'm still to hear christopher young's:
something to think about - to be on air...
and to also be treated as a piece of classical music...
if wojciech kilar's dracula soundtrack can be treated
as classical music... what's wrong with a little
bit of hellraiser?!

perhaps, "again" is this desecration of the sacred not,
simply hanging in the background,
all, the, ******, time?
who is to celebrate wine giving it a god's blood
status in sips? one is expected to somehow become
drunk on the passion!
no one is here for crumbs of sips!
first they came for the loaf of bread...
and said you should fast and eat only a crumb...
then they came for the bottle of wine...
and said you should abstain and drink only a sip...
then they came for *** and by then
vatican was a monaco with better tax protections...

it's an investement: having to **** into a glass
of wine you're about to drink...
worse... you accidently "forgot" about
******* into some left-over pepsi max
and you're making yourself a cocktail
with one of the graeae ambers - 2x -
and you wonder: is this the proper state
of carbonated water, stale?
but i'm hardly going to bash the crucifix...
i'm here for the words...

the... transfiguration of the wine into blood...
and i say of my gods:
and here is their **** - beer and mead...
and here's their blood: the three graeae ms. ambers...
see no: clearer? no... happier?

i will get onto ancient roman poetics
with its conversational overtones in a minute!
first we have to settle the sacraments!
the metaphors and the sacraments!
i have no ivar the boneless claim of god...
season 6? to be honest...
i'd rather watch an english soap opera...
at least the intricacy of the plot remains...
even though it has been recycled
so many times...

i can't **** out the gods' ***** even if it was
stale beer... or ideal mead...
as i can't leisure a Seneca's bath filled
with the blood of the immortals...
problem solved... "problem":
as if it ever was...

why, Horace? a very short rhetorical retort:
if Dante had his Virgil...
why can i have my Horace, as guide?
again... what Roman poet could venture for
ambitions among the myths -
or extend his "consciousness"
to devastate the land and become
the mad Xerxes wanting the waves
of a sea whipped into submission?
why, Horace? if Dante could have his Virgil...

poetry... at least among the roman poets
there's no boxed in a box "without" a "box"...
the conversational overtones are ripe...
the almost complete lack of
character dimensions... beside their dimensions
from anecdotes...

to difuse wine, to desecrate the hic mea cruor...
**** in it!
then drink it...
or have one of my antithesis of a tequilla surprise
with me...
smoke a cigarette... drop some ash on the lick-part
of the space between the thumb
and the index metacarpal... lick it...
follow it with a shot of *****...
then throw some black peppercorns
into the hades of your gob
and we've arrived at the black cracovite...

and also the day when the orthodox jews
recant their story of their time
in Persia... the festivity of Lots...
when they become blind drunk and pretend to
have the sort of alcohol intolerence as
the Japanese... 1 shot! just 1 shot:
and hey! they throw their kippahs in
the air and we can all dance the ukranian 'opak!

looks good to me!
but only looks good...
when there's this plump drunk playing the accordion:
i.e. me,
and there's the sort of adrew rieu directing
an upcoming crescendo of a poliushko polie...
and we can all leave the auditorium
feeling, less than russophobic...
and then i can be told...
you young to be old yet still
profane pan-siberian peasant root!
indo-european leftover!
well... at least then i have been allowed
the scrap i'm supposed to see
before i showcase my *****, frost riddled fangs!
of the lesser wolf that i am:
as a rabid dog!

since the crescendo will come...
what better fathom of it...
esp. just beside a cemetery... twirling to the music...
ear-plugs out seancing my time in a grand
orchestral hall... plucked from the ears...
the crescendo is coming...
but... plucked... the orchestra of buffalo-sized
snowflakes... and... the worst kind of ballet...
a male soloist... doing his crazy
ukranian folk... maestro! the music never ever
dies! even in the silence of the universe!
however micro- or macro- this theatre will take
form... the music remains playing: uninterrupted!

but the snow was there,
the "ballerina" was also there...
the night was there,
the music was there -
albeit no grand orchestral hall -
couldn't ask for a better canvas
than a cemetery -
and all the heart's content!
comparative "literature"
to love like a muslim...
or to love like a sparrow...
or to love with a grudge like a crow...
mind you; site note...
i have been many a pigeons attempt
fornication unabashed...
i've never seen two crows attempt it...
perhaps they do "it" in the night
and never in the open?

crows... pedantic priests of the kingdom...
and where the widower king
and the widow queen among the swans?
where i and you will have probably left them...
admiring a family of ducks...

as asked by the serpent of the swan...
you and me of the same birth in a Fabergé egg...
me with serpentine spine...
while you: with a crooked neck?
silly... it really is...
of a being.... that was once
a t-rex roar... now a pickled brain
in pickle jar... boasting about being...
pure spine and tingles and...
the better part of what... becomes the mammalian
hibernation...
hibernating "hibernating" upon the
impetus of digestion...
a serpent would ask a swan about
a crooked neck?

because what would a **** sapeins look toward,
as he is always prone to to look elsewhere?
if not to borrow the fixed, rigid ontology
of other animals?
i better from the birds, solely...
the swans and the crows...
perhaps the fox...
rarely something that has lent itself
to being curated by man's leash and grip...
collective the known herd...
otherwise the refined bonsai tigers...
perhaps the fish without a knowledge
of a tide or a wave...

i call a dog the noble friend,
the swan the sombre monogamist...
the crow the priest...
the furry spider one's own reflection
dealing with aracnophobia...
the snake the old "say-what?"
or that pickled spine with a brain
the worth of brine juices...
the extinguished remnant
of a dinosaur's toothache... or some
transcendental exploration
of the carpals of the wrist
extending into the length of a spine...

i'm not going to cry over this one...
skål!
i feel disinhibited from writing a memorandum!
slàinte!
gasoline to the peddle and... off... we, go!

i am bound to get this translaton right...
at some point of hinging-on... i.e. beginning with...
and most probably at the opposite end
of having to finish...
hence "open bracket"... prefix-
and -suffix allowance given the archeological
excavation began with:

-seu pila velox molliter austerum studio
fallente laborem, seu te discus agit, pete cedentem
aera disco: *** labor extuderit fastidia, siccus,
inanis sperne cibum vilem; nisi Hymettia mella
Falerno ne biberis diluta. foris est promus,
et atrum defendens piscis hiemat mare: *** sale
panis latrantem stomachum bene leniet. unde putas
aut qui partum? non in caro nidore voluptas summa,
sed in te ipso est. tu pulmentaria quaere
sudando: pinguem vitiis albumque neque ostrea
nec scarus aut poterit peregrina iuvare lagois.
vix tamen eripiam, posito pavone velis quin
hoc potius quam gallina tergere palatum,
corruptus vanis rerum, quia veneat auro
rara avis et picta pandat spectcula cauda:
tamquam ad rem attineat quidquam.
num vesceris ista, quam laudas, pluma?
cocto num adest honor idem?
carne tamen quamvis distat nil, hac magis illam
inparibus formis deceptum te petere esto:
unde datum sentis, lupus hic Tiberinus
an alto captus hiet? pontisne inter iactatus
an amnis ostia sub Tusci?
laudas, insane, trilibrem mullum,
in singula quem minuas pulmenta necesse est.
ducit te species, video: quo pertinet ergo proceros
odisse lupos? quia scilicet illis maiorem natura modum
dedit, his breve pondus: ieiunus raro stomachus volgaria
-temnit.

it's translated, isn't it? no
stefan gołębiewski or no 1980 warsaw...
is to know...

- nec meus hic sermo est, sed quae praecepit Ofellus:
these are not my words, this said the simpleton
Ofellus - neither of which of us is a laurel-leaf
adorned Orpheus...

that via a living "game": stoking up an appetite
with this entertainment the appetite increaes...
as does one health...

sorry... pagans... bloodthirty people...
trouble with the translation...
apparently the mud slinging
***** and bricks are nothing new...

or when you "minus" the disk,
litter the distance, head with the wind into
competition!
after hardships of the body is good and
the meal is simple -
(apparently all of this is still "connected",
scratch of the ol' 'ed and we're fine...
we're ******* sailing!)
Falern will not hurt "us"...
seasoned by honey from Hymettis,
before the entré. Safaz left,
the sea rumbles, the zephyr of fish it protects,
storm, fishing made unsafe;
stomach grumbles, bread with salt:
excuisite; you do not have any better! why?
taste does not reside in the scent of dishes,
but in your self alone.
toil merely increases appetite's presence.
he who over-eats, will not know the taste
of an oyster, nor a turbot, nor chickpeas,
the northern bird.
perceptions take the scalp of the mountain
above the actual taste of the dishes
(one might scalp... but never eat the scalp)...
you will not take a chicken onto a tooth,
when you are given a peacock,
you will trust your delusion:
a rare bird, worth its own weight of gold,
a most rarified tail, how it sparkles
with subtle hues!
as if the tail were to lead -
and there was no head to be found!
do you allow yourself to judge the hue
of the feathers as precursor for the adjecctive:
that's it's "also" tasty? the meat, of course?
the old - judge a book by its cover...
is the oven baked... also as delicious / beautiful?
chicken meat... or peacock meat?
almost without difference.
therefore: light... albeit...
although only vanity lures the peacock
(to be compared to a poultry)...
let's go further... i want to know: after what
do you recognise this, that a pike
with its gaping mouth was left:
from the sea... or from the Tiber fished?
somewhere among bridges... or from some
conrete estuary? idiot-kin of the surname whim...
you admire a three-pound mullet!
do you take size... for the gauge of all measure?
when you... cut the bell?
then why... why... with disgrace
do you demand in appreciation:
elongating pikes!
evidently nature: this greater gave the proper
measure... and with it: the lesser weight -
an empty stomach will rarely -
being fed a simple thing - despise -
what is...

an empty stomach - rarely despises -
simple matters.

how true... i was allowing myself the time
it would take to drink,
and translate into the vulgate...
but... from no better source...
and i am still to add to this one of my...
"freeing of the drafts"...

as promised...
"draft"...

- a most confiscated man -
no italics included...

.the original draft:

binges, worth the count
of a liter of whiskey
per night,
for a year, if not more...
become so...
so unspectular...

          the world either
screams, or yawns,
generally:
it exhaust a desire
to toss a coin,
agitate the vocab.,

a grand canyon
huddling
in the "depths" of
a glass of water...

baron science
comes with his rubric
of bore,
      and:
i find myself,
most idle:
while the world
orientates
itself in keeping
itself busy,
bothersome,
always the prime concern,

the ant-colony coup,
the:
i always find friends
in the orientations
of an empty glass,
but prior to:

i drink
before no altar,
no mirror,
no confidante...

    pure flesh revels itself
in a blank's worth
of prior to dictum's
  allowance of, a page...

bothersome
the knot of the pretentious
anti- in scold of
the passing fancy:
expression...

            poker charm
of a love's affair...

_

i sometimes entertain myself
with ancients proverbs,
one slavic proverb reads:
better a sparrow in your hand
than a dove on your roof...

what, could, possibly be,
the interpretation?
care for the small joys in
your possession,
than, for the peace of your household,
which is, on the roof,
but not in your hands...

if i were paid? would i be more
honest?
probably not...
        what i see, is what needs
to be seen...
  em... simple pleasures talk...
once upon a time,
donning long hair, implied
you were a mosher...
a metal-head...
    now? three days +,
long hair, and you're not a
grunge fanatic?
  trans-, etc.?

  a man of simple pleasures,
i know what long hair,
jealousy, associated with
putting it in a french braid,
does to a camel jockey ego...
ruins and ruins as far as the eyes
can see...
    he replicates...
he grows his hair long...
at the same time boasting about
haivng a premature beard...
then you grow a beard yourself...
you start fiddling with it...
****, ***** on my face...
and then...
the "question" of a girlfriend
flies out of the window...
i'm happy with a beard,
thank you, very much,
i don't, exactly want to wish upon
myself, a female, company...

*** protest all you want...
the *** differences between men
and women, to my sort of understanding,
are, unrepairable...
    they were, never,
bound, to being, repaired...
savvy?
            i take my route,
a woman took her route...
  we're even...
              
      since what can only frighten a freed
woman, beside a monarch,
a free man?
                  a man with...
a gamble...
        i am a man with a gamble...
i don't like being told what
to be, or what to think...
like any man,
and like any man:
i don't like being forced
ownership over a being:
that can share my sense of freedom...
so...
    i find myself,
thrilled with relief,
at now having to answer to
a woman's subjugation...
like a woman, and, i have learned
from women: i like being
my objective's self...
rather than a "self" made subject...

i like that: thank you...
i can start feedings the pigs and the peasant
the diatribe life, and lie,
of: there being an existential cricis,
a need to reproduce...
and i, and i am, being demeaning
in this, way, for a justified reason...

once the peasants attack you:
you attack, the peasants...
you demean them in the same way
they demeaned you...

once upon a time i thought:
greater good came from the number
of innocents being salvaged
than for the few great of grand bearing
being salvaged...
even if bound to an ill will:
an ill command,
of a will, predisposed to pretend
actions of the blind...
but now i see...

  the many: if beside fulfilling
their petty deeds,
having to stand outside of those,
petty deeds,
  have ambitions equivalent
to their emotions...
            akin to something worth,
pity, akin to something
worth: as little as a rat's heartbeat...
petty, primitive bull-*******...
and all the amount of sorrow,
or pity,
or mercy...
              that, these, ******* allow...
are worth the same response
Pontius Pilate gave...
      there isn't enough of water,
in this world,
to wash my hands, clean,
of these people...
  even if innocent blood plagues
them,
    not enough waters have run their
due course,
to... release me from the indentation
of memory upon my mind...
and i am plagued by an elephant's
memory...
        we've reached the conclusion
of: some people...
  just do not see an insult,
            past the insult's eloquence!

i am a most conflicted man,
i binge watched vikings
for a while now,
and right now, i'm ready for
an extraction of what i have learned...

believe me: i am not someone
who has the sort of ego-presence
to fate myself in the role
of the protagonist...
    i'm too pedantic to have to
market my body and deeds,
for the fates tio see,
and history to ascribe fame unto me...

even homer was off too war
with troy,
  and blessed he became...

because? time morphs,
the longer something is kept,
the more, "unreal" is becomes,
a fairy-tale...
esp. now, with the onslaught
of journalism...
two things in this world
are insomniac,
money never sleeps,
and, now, apparently,
journalism doesn't sleep either:
well, given its ******
bed-fellow of political liars...
why should it?

            Rolo... a semi-minor character...
but i feel his angst at the already
fervent dichotomy,
(dichotomy, modern variety variant
of schizoid-affective...
or bilingual in turn)...

            music...
                    all these modły...
gesticulations of prayer,
phantom conjuring,
              lunatics with candles
at high-noon...
                  i am fated by music,
i am perverted by music,
i am swayed by music...
who is the god, patron,
of music?
who is the angel (demi-god),
patron of music?
        i do not seek the highest
influencer...
the minor one...

  when Archangel Sandalphon
met St. Cecilia...
but as such, i am, conflicted...
even though, this is the first time
i have heard of Sandalphon...

Rome, never reached my peoples,
the Vikings did...
  weren't the ugly vikings the founders
of Kiev?
  so they must have passed via
the Polen (field) land, no?

feelings are not important,
facts don't care about your feelings...
granted...
but i'm not hear for facts,
contra, feelings,
i'm here for the rivers...
what i feel, what my heart yearns for,
needs to attain an equilibrium
with my mind...
for that: i need to clarify my feelings,
to hush my heart, silence it,
in order to listen to my mind,
and the mind, needs to feed into
heaving the heart: to do,
what, the heart, desires,
autonomous to what the heart
"thinks", is right...
                    that's how it was forver
going to work...
consolidated...
and yes, i much envy the punctuation
of king Ecgberht,
a man of cunning: much admired...
abstract thinker...
        and a reality...
        pun-ctu-a-tion...
the delivery of one's speech...
  much admired, as much as...
                the crude brawl possession...
the chief protagonist of the story?
as important as is: the required from
Atlas... burden upon burden...
a man burdened with the illusion
of freedom...

so why am i conflicted,
but becoming less and less so?
    it was always the music...

songs...

          chavelier, mult estes guariz...
wardruna - helvegen...
          da pacem domine...
            agni parthene...

you know... there's much more beside
being a jazz enthusiast or
a classical music snob...
        there's folk... there's religious and pagan
chants...
if there's one thing to benefit from,
in terms of the Byzantine context...
the chants...
        let the barbarians do the thinking
from now on: you do the sing-along...
no people ever reinvented themselves
from an ancient glory...
  new blood had to come to the fore...

like today...
      i spoke with my father and my mother...
about the names of apples...
we must have talked for an hour,
we named so many lost "breeds" of apple...
nouns i will not write,
nouns i wish death to write down,
i want Samael to have,
beside the book of my deeds in hand,
i want him to have
my dictionary in hand,
my knowledge of the sacred script,
i want to listen as he recites me the words
i've used,
notably today's conversation
            about the many types of apples...
e.g.: shogun apples...
            kox...
                    szare renety...
          papierówki...
                    marabella prunes...
that's all i ask of Samil.

p.s. after completing a walk in the woods:
a walk most adventurous in it being solitary...
i thank the forest for my solitude...
i started knocking on a dry piece of wood
still attached to the earth and roots...
in a forest: knocking on a tree...
i perceived the door
upon re-entering
traffic and hardened grit of road stuff...
let's replicate this...
me... you... alone...
let's both abide by needing
superstitious elevations of:
not truth alone... hardened and dim-witted
by objectivity...
truth tailored with metaphors...
all the nuance we can hope to find...
i need to... aloofness... solitude...
i need you, forest...
more than i care for noon
and proof of body that's this extension:
leash! shadow! noon!

                    smyč! cień! południe!

2 steps forward
4 steps back
All fun and games
Till someone gets hurt
Shall we play a game,
With no return?
Go places we've never been
Who gives a **** if we don't make it?
That's why we do it
Test the limits
Risk it all

Just to see who would care
Just to reassure ourselves
That if we're gone
They would send a prayer

Let's go there
Leave at the crack of dawn
Gone
That's what we'll be
Forever
Gone
Wild
Free
Together
You and I

I hate you most
Always together
That's what we are
They say it's an allusion
All in your head
They drive you crazy
Until your dead
That's were I'm headed
And your coming with me
Because if I'm the car
Then you're the key
So lets go to a new nowhere
Start over until that **** gets to old
And we'll keep going
Just you and me
My *Demon

I want to use
An allusion
So vague
You have to look it up
To understand
What I said
What I mean

And I really hope
Once you understand
You understand

Hello everybody. My name is Neal and I'm your tour guide.
The first creature that we will see is a koala, to your right. Do you know that koala's have fingerprints very similar to those of humans?
So much so that their prints have been mistaken for a human's at crime scenes?
Anyways, this leads us to ask some very important questions: are methods of finding criminals therefore unreliable? Is it truly possible to avoid imprisoning those that are innocent? Is reality merely an allusion?
Or, more importantly, was it my boyfriend John with the good fashion sense that took my hairbrush? Or was it that little ***** Bernard that is hiding in the top left corner?
Anyways, to your left you'll see our world renowned snail tank. Snails can sleep for up to three years at a time....

strait crazy

saintly mania raving.

new age jainist phasers
sang they praises
like
'hey mr bojangles,
go mangle up the angle,
shake shake shake the frame
& they'll thank you later.'

...sorry not today.

I'm feeling under the
earthquake weather.
wallowing wonder
following the devil
thru the desert
on great endeavors
to make it rain feathers
that sound like thunder.

famous as ever
nameless as heaven

to say the least
I'm slaying beasts that
came from me
in the first place.
this is lovehate.
lovehate lovehate.
& it's useless.

just lemme set the mood.

it's stupid
brutish beauty
mooing truly bluesy
marks & bruises
infused with martian
harmony incarnate,
caramelized carnage
set to soothing violent music.

broke record store cliché
faded to frustration feeding
a creaturely need for creation
& hellish lust for selfdestruction.

-nothing special-
just an absolute mess who
dilute the stress through allusion
allegory alliteration
hallucination delusion

***** it's a celebration.

tell the rest those losers
that got left I'm doing my best
even though I'm pretty upset
with how it's all panning out.

oh well I guess.

The Black Cat of Killakee combs his Fur
Whilst waiting his Feed to divert his Curse:
A Tunney from him; And a Brush from her
For his Mood satisfy the Lady's Purse
Which, nay, see the Tears from his Beelzing Eyes
Oft we assume he was asking for milk
Then, drawing near, strike miser claws of ice
Yet lick your searing wounds as soft as silk
Still makes no sense, save to leave it alone
And cast the door open for its taste to leave
Cot! Fear! Disobey his Instruction bone
Then his Name's Allusion bleed your reprieve.
The Artist knew this, and Painted his Mark
At least on a Dine it knows not to Bark.

They're a funny lot, some of these poets,
feisty feminists, dreamers, anti-money,
and even some who are very self-defecating
about themselves.
And then there's the literary, learned allusion lot,
and some who've got their eye on eternity, that's what,
and others who rub too much turps on the **** of their imagination.

But it's the long-winded poets who make me squirm,
and for god’s sake, give me a bottle of red wine when the ones
with blue-rinse hair get up to have their turn.
They're terribly nice, but they need an echidna
stuffed right up you know where - at least once, if not twice.

And give me another bottle of the red, even if it's rough,
or better still a whole case of that stuff,
just to protect me from those who bleed too much in poems.
Psychoanalytic stuff makes me paralytic
and I have to stifle groans.

But most of all, I like the poets with their tongues on fire,
the ones who lick lightening before they write
and who throw a sizzling poem down
like a thunderbolt from Zeus.

I like poems marsh mellow soft and bitter-sweet, too,
and those oozing with the juice. And if a poem's loud and flash,
so what? I like a bit of swagger, with shameless **** and ***.
And sometimes, I just like words that rhyme with licorice,
Dionysius, Priapus, Bacchus and preposterous!

Also, what the ****, a poem can even give offense.
Poets sometimes need to do this to stop indifference.
They call this poet's license, but really,
indifference is the only hell from which
us poets need deliverance.