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"alfred" poems
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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58
En l’an trentiesme do mon aage Que toutes mes hontes j’ay beues… Pipit sate upright in her chair Some distance from where I was sitting; Views of the Oxford Colleges Lay on the table, with the knitting. Daguerreotypes and silhouettes, Her grandfather and great great aunts, Supported on the mantelpiece An Invitation to the Dance. . . . . . I shall not want Honour in Heaven For I shall meet Sir Philip Sidney And have talk with Coriolanus And other heroes of that kidney. I shall not want Capital in Heaven For I shall meet Sir Alfred Mond. We two shall lie together, lapt In a five per cent. Exchequer Bond. I shall not want Society in Heaven, Lucretia Borgia shall be my Bride; Her anecdotes will be more amusing Than Pipit’s experience could provide. I shall not want Pipit in Heaven: Madame Blavatsky will instruct me In the Seven Sacred Trances; Piccarda de Donati will conduct me. . . . . . But where is the penny world I bought To eat with Pipit behind the screen? The red-eyed scavengers are creeping From Kentish Town and Golder’s Green; Where are the eagles and the trumpets? Buried beneath some snow-deep Alps. Over buttered scones and crumpets Weeping, weeping multitudes Droop in a hundred A.B.C.’s
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10.6k
A Cooking Egg
The beauty of comatose can only be seen through the eyes of a wizard in a blizzard strutting in garlic slippers, or Christ with knees bent at the tabernacle peeling bananas and kicking prayers farther than eternity with each gapping second, or like Basquiat slumped back to the wall, with ounces of speedball dancing through his veins, eating 80’s free-based fried chicken *******   as his eyelids paints beautiful nightmares of lemon flowers and Bacchus bacon over a glycopyrrolate desert of flagrant cuckold buffoonery. Or like leprechauns burning chocolate ******* candles on the mantle of Zion, sipping oatmeal sprinkled with Staten Island malt liquor bacon. or like Tupac reading the thoughts of Mother Shipton through the daze of California cannabis and hearing the ominous voice of Plutarch sing death assignments from heaven to Assassins on horsebacks goggling ***** water to wet the dry bones of their throats as they prepare to fulfill the gospel of self-fulfilling prophecies of being fell by ***** bullets. Or like sophisticated wallets of spice and kitchen characters in a bald head cooking chemical kisses and 18 February nights under Moloch’s skin, where constitutions are written in charcoal diaries with Egyptian ciphers and razors. “I had rain sowed into the pockets of my sneakers and composed 1310 eulogies at the basement of king David’s tower,” said the Kraftwerkian caricature, as he dangles cigarettes in remembrance of Klaus Nomi and philosophizes on the proliferation of poetic vandalism at urinals where modernism failed under the phosphorescence of coloration at the avenue of no trees where Picasso's "Guernica" **** Lies All.
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Jul 17, 2012
Jul 17, 2012 at 6:01 PM UTC
Stream: the 13th love song of Alfred Prufrock
The beauty of comatose can only be seen through the eyes of a wizard in a blizzard strutting in garlic slippers, or Christ with knees bent at the tabernacle peeling bananas and kicking prayers farther than eternity with each gapping second, or like Basquiat slumped back to the wall, with ounces of speedball dancing through his veins, eating 80’s free-based fried chicken *******   as his eyelids paints beautiful nightmares of lemon flowers and Bacchus bacon over a glycopyrrolate desert of flagrant cuckold buffoonery. Or like leprechauns burning chocolate ******* candles on the mantle of Zion, sipping oatmeal sprinkled with Staten Island malt liquor bacon. or like Tupac reading the thoughts of Mother Shipton through the daze of California cannabis and hearing the ominous voice of Plutarch sing death assignments from heaven to Assassins on horsebacks goggling ***** water to wet the dry bones of their throats as they prepare to fulfill the gospel of self-fulfilling prophecies of being fell by ***** bullets. Or like sophisticated wallets of spice and kitchen characters in a bald head cooking chemical kisses and 18 February nights under Moloch’s skin, where constitutions are written in charcoal diaries with Egyptian ciphers and razors. “I had rain sowed into the pockets of my sneakers and composed 1310 eulogies at the basement of king David’s tower,” said the Kraftwerkian caricature, as he dangles cigarettes in remembrance of Klaus Nomi and philosophizes on the proliferation of poetic vandalism at urinals where modernism failed under the phosphorescence of coloration at the avenue of no trees where Picasso's "Guernica" **** Lies All.
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28
“Angelica arguta”, He shows her his wildflowers “Angelica Susannah”, he says. And prodded further by her His heart. Lingers briefly with the night; Her affection has power, But not enough To keep him From marching off to fight. Tristan, son of One Stab, Brings wildness from the mountains. Lovely woman from the East, Fascinated by her, His passion. Revels in her bridal bower, And stops her Loving any other. Alfred, eldest son of his father, Full of rectitude and romance. Angelica abandoned, Adrift between the mountains Becalmed far from the sea. He takes advantage, Snatches her soul with riches, But never captures Her longing heart. Years pass and one son gone, The other lost and mad. Year of the red grass and Happiness found Is felt too soon. Tristan loves young Isabel, But Angelica is his doom. Yet only he survives The waves that lash her shore, “Like water in the ice, She breaks them.” And in the Spring, Is gone once more. Angelica Susannah is buried Above the box canyon in the meadow Among the many dead. Near Samuel’s heart, The executed Isabel, And others who follow soon. Until only Tristan remains, Left to hunt his nemesis, The bear inside him. And dream of one wife lost, And a lover left behind: Angelica Susannah Beside whom he should lie. He is slain by the bear in Sixty-three, After forty years of solitude. And laid to rest in the plot Between two women he loved, Isabel, his ingenuous wife And Susannah, his tragic love. Do their spirits meet at last And wander the golden fields, Or ride out to bathe in the hot springs, Under the moon of the falling leaves?
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Aug 6, 2018
Aug 6, 2018 at 10:37 AM UTC
Angelica Susannah
“Angelica arguta”, He shows her his wildflowers “Angelica Susannah”, he says. And prodded further by her His heart. Lingers briefly with the night; Her affection has power, But not enough To keep him From marching off to fight. Tristan, son of One Stab, Brings wildness from the mountains. Lovely woman from the East, Fascinated by her, His passion. Revels in her bridal bower, And stops her Loving any other. Alfred, eldest son of his father, Full of rectitude and romance. Angelica abandoned, Adrift between the mountains Becalmed far from the sea. He takes advantage, Snatches her soul with riches, But never captures Her longing heart. Years pass and one son gone, The other lost and mad. Year of the red grass and Happiness found Is felt too soon. Tristan loves young Isabel, But Angelica is his doom. Yet only he survives The waves that lash her shore, “Like water in the ice, She breaks them.” And in the Spring, Is gone once more. Angelica Susannah is buried Above the box canyon in the meadow Among the many dead. Near Samuel’s heart, The executed Isabel, And others who follow soon. Until only Tristan remains, Left to hunt his nemesis, The bear inside him. And dream of one wife lost, And a lover left behind: Angelica Susannah Beside whom he should lie. He is slain by the bear in Sixty-three, After forty years of solitude. And laid to rest in the plot Between two women he loved, Isabel, his ingenuous wife And Susannah, his tragic love. Do their spirits meet at last And wander the golden fields, Or ride out to bathe in the hot springs, Under the moon of the falling leaves?
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63
Except for the Nobel Peace Prize, Which carries a hefty prize money, No other Nobel Prize is given by the rich Norwegians, Presented are the rest by the Swedish, And the Norwegian award just the Nobel Peace Prize. Alfred Nobel had died in the guilt, The guilt of inventing such death.
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Oct 18, 2016
Oct 18, 2016 at 6:46 AM UTC
Swede-Norwegian
I come from haunts of coot and hern; I make a sudden sally; I sparkle out among the fern To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorps, a little town, And half a hundred bridges. At last by Philip's farm I flow To join the brimming river, For men may come and men may go, But I go on forever. I chatter over stony ways In sharps and trebles; I bubble into eddying bay; I babble on the pebbles. I chatter, chatter as I flow To join the brimming river, For men may come and men may go, But I go on forever. I wind about, and in and out, With here a blossom sailing, And here and there a ***** trout, And here and there a grayling. And here and there a foamy flake Upon me, as I travel With many a silvery waterbreak Above the golden gravel, And draw them all along, and flow To joing the brimming river; For men may come and men may go, But I go on forever. I steal by lawns and grassy plots; I slide by hazel covers; I move the sweet forget-me-nots That grow for happy lovers. I slip, I slide, I gloom, I glance Among my skimming swallows; I make the netted sunbeams dance Against my sandy shallows. I murmur under moon and stars In brambly wildernesses; I linger by my shingly bars; I loiter round my cresses; And out again I curve and flow To join the brimming river; For men may come and men may go, But I go on forever.  ~Alfred Tennyson 1809-1892~
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Oct 31, 2012
Oct 31, 2012 at 9:24 AM UTC
The Brook
“Top of the Morning to ‘Yuh, Guv’nuh.” Oh, to be father of a Cockney flower girl, To be Eliza Doolittle’s Dear old Dad, Alfred P. of that surname. Oh, to be a cockney dustman, On this fine day, Another fine day in Northern New Mexico, as I Sell my daughter to ‘Enery Iggins, or Some equivalent Princeton poofter. I am Rhett Butler, Daring blockade-runner, Persona –non-grata For any decent Family—including my own, Charleston Carolina. In time, I crave Social acceptance for Bonnie Blue—my ill fated Would-be equestrian offspring; I surrender my daughter to the Upper Class.
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May 12, 2015
May 12, 2015 at 1:40 PM UTC
"My Fair Tara Lady"
The Kraken by Alfred, Lord Tennyson Below the thunders of the upper deep; Far far beneath in the abysmal sea, His ancient, dreamless, uninvaded sleep The Kraken sleepeth: faintest sunlights flee About his shadowy sides; above him swell Huge sponges of millennial growth and height; And far away into the sickly light, From many a wondrous grot and secret cell Unnumber'd and enormous polypi Winnow with giant arms the slumbering green. There hath he lain for ages, and will lie Battening upon huge seaworms in his sleep, Until the latter fire shall heat the deep; Then once by man and angels to be seen, In roaring he shall rise and on the surface die.
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The Kraken
“*who would cry being loved, when even such tinkling comes of the loving?*” “Grasses” by Alfred Kreymborg <•> we all make lots of love in the same way as billions of others grunting huffing noises of neural tissues torn and reborn but the notes and noises we make, keep, unique no one else’s the bored and the low thinkers saying “honey, you just wrong,” the tinkling sounds are the silent mitosis of cells splitting and then rejoicing rejoining, definable only as unique so we both weeping, side by side, only we together can hear the sounds of our life becoming and being, no one else quite can be so specific you could be there and still not hear the heat of our love making who would cry being loved, by the creative silences we have just written? we would.  we do.  we are the noisiest lovers ever.  tinkling laughter. creating. ____________________________________ http://academyofamericanpoets.cmail19.com/t/ViewEmail/y/8D7DB5963FD3CE00/98E58011B0AFF2EF20B193FBA00ED1DB
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Aug 19, 2018
Aug 19, 2018 at 2:38 PM UTC
“Who would cry being loved” (the sounds that come from loving)
Ring Out, Wild Bells by Alfred, Lord Tennyson Ring out, wild bells, to the wild sky, The flying cloud, the frosty light; The year is dying in the night; Ring out, wild bells, and let him die. Ring out the old, ring in the new, Ring, happy bells, across the snow: The year is going, let him go; Ring out the false, ring in the true. Ring out the grief that saps the mind, For those that here we see no more, Ring out the feud of rich and poor, Ring in redress to all mankind. Ring out a slowly dying cause, And ancient forms of party strife; Ring in the nobler modes of life, With sweeter manners, purer laws. Ring out the want, the care the sin, The faithless coldness of the times; Ring out, ring out my mournful rhymes, But ring the fuller minstrel in. Ring out false pride in place and blood, The civic slander and the spite; Ring in the love of truth and right, Ring in the common love of good. Ring out old shapes of foul disease, Ring out the narrowing lust of gold; Ring out the thousand wars of old, Ring in the thousand years of peace. Ring in the valiant man and free, The larger heart, the kindlier hand; Ring out the darkenss of the land, Ring in the Christ that is to be.
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Ring Out, Wild Bells
The forgotten gem among the precious Your love is too dark for a child Also precious Yet pure like a diamond Diamonds are so common Garnet, you are rich Richer than most in quality Perhaps a banker or lawyer would remember you But no, sapphires are rich Richer than dull gold, not rich enough I say You reach new depths, Garry Like an ocean trench filled with the remains of the unknown's lunch Not as deep as the amethyst, apparently That is spiritually charged and better for the soul Your violence is a stain, but I say it is a warning Garnish, you lack value Topaz is the quality they seek The eye of the sun, so bright Too bright The eye of Jupiter is too much, I say enough Oh Garnet Forget Ruby, your sister Forget Emerald, your opposite Forget Opal, all in one, the God of the gems You are Alfred the Great, so great, yet forgotten
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Mar 16, 2016
Mar 16, 2016 at 4:31 PM UTC
Garnet Forgotten
His silhouette, as he stood by the stone, Resembled a thoughtful Alfred Hitchcock With fine cane in hand, slightly stooped Fingers from his free hand, touching lightly The carefully carved grey marbled stone Lost in thought and dying sunshine A single tear falls, as he smiles Then cane in hand, turns, walks away Carrying the name on the stone with him.
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Mar 21, 2015
Mar 21, 2015 at 10:12 AM UTC
The Last Relative
[Being an humble address to Her Majesty's Naval advisers, who sold Nelson's old flagship to the Germans for a thousand pounds.] WHO says the Nation's purse is lean, Who fears for claim or bond or debt, When all the glories that have been Are scheduled as a cash asset? If times are bleak and trade is slack, If coal and cotton fail at last, We've something left to barter yet-- Our glorious past. There's many a crypt in which lies hid The dust of statesman or of king; There's Shakespeare's home to raise a bid, And Milton's house its price would bring. What for the sword that Cromwell drew? What for Prince Edward's coat of mail? What for our Saxon Alfred's tomb? They're all for sale! And stone and marble may be sold Which serve no present daily need; There's Edward's Windsor, labelled old, And Wolsey's palace, guaranteed. St. Clement Danes and fifty fanes, The Tower and the Temple grounds; How much for these? Just price them, please, In British pounds. You hucksters, have you still to learn, The things which money will not buy? Can you not read that, cold and stern As we may be, there still does lie Deep in our hearts a hungry love For what concerns our island story? We sell our work -- perchance our lives, But not our glory. Go barter to the knacker's yard The steed that has outlived its time! Send hungry to the pauper ward The man who served you in his prime! But when you touch the Nation's store, Be broad your mind and tight your grip. Take heed! And bring us back once more Our Nelson's ship. And if no mooring can be found In all our harbours near or far, Then tow the old three-decker round To where the deep-sea soundings are; There, with her pennon flying clear, And with her ensign lashed peak high, Sink her a thousand fathoms sheer. There let her lie!
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3.2k
H.M.S. Foudroyant
[Being an humble address to Her Majesty's Naval advisers, who sold Nelson's old flagship to the Germans for a thousand pounds.] WHO says the Nation's purse is lean, Who fears for claim or bond or debt, When all the glories that have been Are scheduled as a cash asset? If times are bleak and trade is slack, If coal and cotton fail at last, We've something left to barter yet-- Our glorious past. There's many a crypt in which lies hid The dust of statesman or of king; There's Shakespeare's home to raise a bid, And Milton's house its price would bring. What for the sword that Cromwell drew? What for Prince Edward's coat of mail? What for our Saxon Alfred's tomb? They're all for sale! And stone and marble may be sold Which serve no present daily need; There's Edward's Windsor, labelled old, And Wolsey's palace, guaranteed. St. Clement Danes and fifty fanes, The Tower and the Temple grounds; How much for these? Just price them, please, In British pounds. You hucksters, have you still to learn, The things which money will not buy? Can you not read that, cold and stern As we may be, there still does lie Deep in our hearts a hungry love For what concerns our island story? We sell our work -- perchance our lives, But not our glory. Go barter to the knacker's yard The steed that has outlived its time! Send hungry to the pauper ward The man who served you in his prime! But when you touch the Nation's store, Be broad your mind and tight your grip. Take heed! And bring us back once more Our Nelson's ship. And if no mooring can be found In all our harbours near or far, Then tow the old three-decker round To where the deep-sea soundings are; There, with her pennon flying clear, And with her ensign lashed peak high, Sink her a thousand fathoms sheer. There let her lie!
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54
Abbie hailed a yellow top cabbie Brenda had a sister in-law named Glenda Cate ran late on her first date Delly ate seven bowls of lemon jelly Edwina drove to the town of Catalina Fran burnt her finger on the very hot frying pan Gwen had a strong yen to go and see her aunty Jen Hope bought her husband a towing rope Isobel fell under the magician's spell Joann took her mother on a holiday in a caravan Kylie went to the dentist with her brother Wylie Lesley liked listening to Elvis Presley Marcia enjoyed eating a freshly baked focaccia Nell saw a turtle coming out of his shell Olga lived at the top end of the river Volga Primrose had a Pinocchio nose Queenie knitted a multicolored beanie Ruth could never tell the whole truth Stacey loved playing dress ups with her friend Tracey Tilly behavior was always rather silly Una bought a house in the suburb of Yagonna Verity wanted to be a well known celebrity Winifred never stopped taking about Alfred Xena was presented with a court subpoena Yale told her teacher a tall tale Zealand ventured out into the bushland
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Aug 25, 2013
Aug 25, 2013 at 8:30 AM UTC
ABC Poem (Girls Names)
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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3k
Mariana in the Moated Grange
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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86
alfred burnt the cakes forgot that they were there all he saw was smoke rising in the air. every cake was burnt everything was gone burnt down to a crisp he was left with none. this is what they say about this famous king for such a famous ruler such a silly thing
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Apr 4, 2015
Apr 4, 2015 at 8:37 AM UTC
king alfred burnt the cakes
Should Heaven send me any son, I hope he's not like Tennyson. I'd rather have him play a fiddle Than rise and bow and speak an idyll.
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2.2k
Alfred, Lord Tennyson
There once was a zombie named Alfred, Who couldn't believe he was dead. But brains desired, Common sense backfired. So he did as the gruesome dead.
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Jun 23, 2013
Jun 23, 2013 at 9:43 PM UTC
Zombie
The look of sane and perfect skin Comes your way well within Take the step but don't look down Vertigo spinning Madness sound Beauty kills with steps of cold Off the edge boldness goes Insanity sinks the devilish plot Watch again Alfred Hitchcock
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Jul 13, 2015
Jul 13, 2015 at 3:21 PM UTC
Vertigo (Hitchcock Tribute)
On my usual flight from Dallas to Boston, I saw her, a perfect belle a white summer dress red roses in print Alfred Dunner perhaps? Lips pouting,vermillion red delicate nose, dark sun glass a Gucci, I could see, scent of Nina Ricci perfume reached my nose "Lucky lady", I told myself. Me in modest clothes wondered how happy she was, sure as looks do tell; diamond ring perfectly poised, commuting to work place has a good job for sure! On a sudden impulse glanced at her face, and was just in time to see large drops of tears slide lazily from behind the dark glasses roll over the cheeks and fall on the lap, and then another and another. Yet she sat still faintest tremor on the lips I  imagined a volcano erupting in her heart. I looked at my faded skirt and closed my eyes, wondering, wondering; joy and sorrow elusive indeed, where do they strike how do they ****
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Jun 18, 2014
Jun 18, 2014 at 10:10 PM UTC
Sunglass tears
There is, one supposes, a certain nobility In simply carrying on with the whole **** thing, Though that assumes some epiphany, Some clawing toward grace, or at least common decency. He had, in some once upon a time, Cast his lot with a better class of people, so to speak; It had not ended well, though, In line with how such things are resolved, His fall not a spectacular, tempestuous thing, But a gradual, veiled affair, not a fiery spectacle With metaphorical medals cut away, epaulets stripped, But a shaded silence, a shrouded yet palpable shunning. And so he is here, in this fading little city Perched forlornly on the banks of a nondescript little river, Having taken an apartment above a pair of offices (One occupied by a seemingly ancient and disinterested lawyer, The other by an ostensible private investigator) Which is sufficiently large and reasonably warm Come the seemingly perpetual winter. He lives, if not in such a manner As he was once accustomed to, comfortably enough: He has his practice, and an adjunct position At the little cow college down the road in Alfred, And there are the occasional women, Sad divorcees marooned in this hill country, Dewy-eyed undergraduates unable to discern Suit coats that are a bit shabby and somewhat passe (There is a haberdasher in Buffalo whose garments Are in the neighborhood of up-to-snuff, And he could certainly manage a trip Down to New York for better tailoring, Though he would be traveling in places and circles Where he is not remembered fondly.) Stepping outside, he encounter snowflakes, Light and unprepossessing, But he studies the sky anxiously, apprehensively (One learns that he must pay Nature its due fealty in these climes, And give into the primal, the instinctual) For he knows what can transpire When the wind blows off the big lake out west just so, Turning innocuous flurries into a malevolent blankness, Making the landscape inscrutable, alien, utterly terrifying.
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Aug 7, 2018
Aug 7, 2018 at 10:01 AM UTC
A Certain Doctor Diver, In Private Practice, Hornell, New York
There is, one supposes, a certain nobility In simply carrying on with the whole **** thing, Though that assumes some epiphany, Some clawing toward grace, or at least common decency. He had, in some once upon a time, Cast his lot with a better class of people, so to speak; It had not ended well, though, In line with how such things are resolved, His fall not a spectacular, tempestuous thing, But a gradual, veiled affair, not a fiery spectacle With metaphorical medals cut away, epaulets stripped, But a shaded silence, a shrouded yet palpable shunning. And so he is here, in this fading little city Perched forlornly on the banks of a nondescript little river, Having taken an apartment above a pair of offices (One occupied by a seemingly ancient and disinterested lawyer, The other by an ostensible private investigator) Which is sufficiently large and reasonably warm Come the seemingly perpetual winter. He lives, if not in such a manner As he was once accustomed to, comfortably enough: He has his practice, and an adjunct position At the little cow college down the road in Alfred, And there are the occasional women, Sad divorcees marooned in this hill country, Dewy-eyed undergraduates unable to discern Suit coats that are a bit shabby and somewhat passe (There is a haberdasher in Buffalo whose garments Are in the neighborhood of up-to-snuff, And he could certainly manage a trip Down to New York for better tailoring, Though he would be traveling in places and circles Where he is not remembered fondly.) Stepping outside, he encounter snowflakes, Light and unprepossessing, But he studies the sky anxiously, apprehensively (One learns that he must pay Nature its due fealty in these climes, And give into the primal, the instinctual) For he knows what can transpire When the wind blows off the big lake out west just so, Turning innocuous flurries into a malevolent blankness, Making the landscape inscrutable, alien, utterly terrifying.
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