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"alcoves" poems
Out of lemon flowers loosed on the moonlight, love's lashed and insatiable essences, sodden with fragrance, the lemon tree's yellow emerges, the lemons move down from the tree's planetarium Delicate merchandise! The harbors are big with it- bazaars for the light and the barbarous gold. We open the halves of a miracle, and a clotting of acids brims into the starry divisions: creation's original juices, irreducible, changeless, alive: so the freshness lives on in a lemon, in the sweet-smelling house of the rind, the proportions, arcane and acerb. Cutting the lemon the knife leaves a little cathedral: alcoves unguessed by the eye that open acidulous glass to the light; topazes riding the droplets, altars, aromatic facades. So, while the hand holds the cut of the lemon, half a world on a trencher, the gold of the universe wells to your touch: a cup yellow with miracles, a breast and a ****** perfuming the earth; a flashing made fruitage, the diminutive fire of a planet.
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42.1k
Ode To a Lemon
Just a Game. . . In the comfortable stockade of my mind Hide and seek cannot be won Tip­toe away and find a hollow, The solitary spot Slipping between turmoil Festering in alcoves Always waiting; back tensed, Adrenalin sheathing the silence If I remain undetected Perhaps the seeker will ease off, Forget the ollie ollie in comfree Leave me stowed away. Much later, I could creep into safety Call a truce, change spots... Yet unmarred, the same old rules; Vicious whispers that ask of unknown. Meaningful glances and gritted teeth, The shock of lush green eyes chasing down memory lane. Wake up, Maple. Wake up. But I wouldn’t, and it didn’t matter. Because the stabbing whispers would continue inside; Dueling emotions I long ago left at bay. Reside there, waiting. Counting. Watching. *Ready or not, Here We Come.*
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Feb 12, 2016
Feb 12, 2016 at 9:24 PM UTC
Hide and Seek and Hide and Hide
Moody blue waves go black with mischief in her moves, Always flowing, Spraying secrets untouched into the salt-heavy air above, A slow smile spreads that far and wide away towards the sun, Also turning on her tides. Moonlight illuminating her curves and gestures. Deceptive and lovely, a woman. Never to be owned or won. Never to consider not being. Magnificent. In her alcoves and her storms. Gestures of night and paradise.
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Aug 28, 2018
Aug 28, 2018 at 3:07 PM UTC
The Caribbean at Night
I Room after room, I hunt the house through We inhabit together. Heart, fear nothing, for, heart, thou shalt find her, Next time, herself!—not the trouble behind her Left in the curtain, the couch’s perfume! As she brushed it, the cornice-wreath blossomed anew,— Yon looking-glass gleamed at the wave of her feather. II Yet the day wears, And door succeeds door; I try the fresh fortune— Range the wide house from the wing to the centre. Still the same chance! she goes out as I enter. Spend my whole day in the quest,—who cares? But ’tis twilight, you see,—with such suites to explore, Such closets to search, such alcoves to importune!
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2.1k
Love In A Life
head filled with thoughts of knives and blood and tears and the finality of the silence that comes After. short car rides feel that much longer one-handed and with your mind taking detours. an empty passenger's seat, save for the bag of fresh pharmacy goods; bandages and pills and the sting of the chill winter air. the suffocating feeling of being stuck inside all day, except this home is a body and relief is only found in quick, deep successions. basement flooding with memories of Then and When and Red and we find ourselves to be lost in it all. drowning even. wade through the murk and discover us in the darkest alcoves of yourself. we hide in the shadows where it's safest, drenched. it's hard to stay present around these parts for very long without something (or someone) stirring inside begging us to forget the rest.
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Sep 17, 2021
Sep 17, 2021 at 12:01 AM UTC
flesh wound
“Why talk? If you do not listen to me?", he asked. He spoke to her in Kurdish, the language of her misty childhood memories. Simon had guessed, but did not know, could not know, how deeply she was speared by this simple statement, spoken flawlessly by a man she thought she knew. She ceased her melody, and as the chords faded away, so her warmth disappeared. Her eyes watered...cleared, darkened. Memories long buried, embalmed with religious care, rose again out of the shadows she had banished them to. "How dare you speak to me like that. Who do you think you are? How do you know my language, my childhood?" "You talk in your sleep..." She leaned forward and slapped her friend across the face. She knew there was something wrong with him, knew that there could be no such thing as unconditional companionship, as real altruism. How stupid she was, how naïve to believe that she might have found someone who didn't want something from her, who didn't have a price. Simon, who knew the alleyways and alcoves of the past like a lover knew his partner's body, should have been more concise. But it wasn't in his nature to approach personal history with spotlights and pragmatics. Ta'ra was accusing now, calling him hideous, a betrayer, one who steals sweet things in the dark from lack of courage. "It's not like that Ta'ra, not an ugly thing like you make it," he tried to explain. But she did not want to hear, did not want to listen as he tried to tell her how she cried in her sleep on the long drive from Cadiz, how Clara told him a little of their history together in Morocco. "So Clara told you so much did she? I should've known she'd pout to somebody as soon as she could, as soon as I wasn't listening! So what else does she tell you? What else does she say about me when I'm not around? Or do you do more than talk hmm?" She was standing over him now, guitar abandoned like an orphan, her green sweater all askew. So close to him he could smell her. "It's not like that Ta'ra, she cares for you, wants the best for you, and I...I..." he trailed off. "You what? You fantasize about me, you put my face on those ****** you find in the bars and cafes?" She slapped him again, crying in earnest, and he knew that the choice now was his.
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Nov 29, 2013
Nov 29, 2013 at 6:58 PM UTC
Resumption
“Why talk? If you do not listen to me?", he asked. He spoke to her in Kurdish, the language of her misty childhood memories. Simon had guessed, but did not know, could not know, how deeply she was speared by this simple statement, spoken flawlessly by a man she thought she knew. She ceased her melody, and as the chords faded away, so her warmth disappeared. Her eyes watered...cleared, darkened. Memories long buried, embalmed with religious care, rose again out of the shadows she had banished them to. "How dare you speak to me like that. Who do you think you are? How do you know my language, my childhood?" "You talk in your sleep..." She leaned forward and slapped her friend across the face. She knew there was something wrong with him, knew that there could be no such thing as unconditional companionship, as real altruism. How stupid she was, how naïve to believe that she might have found someone who didn't want something from her, who didn't have a price. Simon, who knew the alleyways and alcoves of the past like a lover knew his partner's body, should have been more concise. But it wasn't in his nature to approach personal history with spotlights and pragmatics. Ta'ra was accusing now, calling him hideous, a betrayer, one who steals sweet things in the dark from lack of courage. "It's not like that Ta'ra, not an ugly thing like you make it," he tried to explain. But she did not want to hear, did not want to listen as he tried to tell her how she cried in her sleep on the long drive from Cadiz, how Clara told him a little of their history together in Morocco. "So Clara told you so much did she? I should've known she'd pout to somebody as soon as she could, as soon as I wasn't listening! So what else does she tell you? What else does she say about me when I'm not around? Or do you do more than talk hmm?" She was standing over him now, guitar abandoned like an orphan, her green sweater all askew. So close to him he could smell her. "It's not like that Ta'ra, she cares for you, wants the best for you, and I...I..." he trailed off. "You what? You fantasize about me, you put my face on those ****** you find in the bars and cafes?" She slapped him again, crying in earnest, and he knew that the choice now was his.
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6
for Katie martini of elderflower in a dimly lit room. 40s tune plays with feminine harmonies lifting a room. green tiles and floor lamps, a yellow glow. alcoves of lounges, retro chairs contain saturday groups on long weekend splurges. V glasses, colourful concoctions, buzz of the mix in several quiet corners. chatting with Katie, a beacon in darkness with infectious regard for pictures and words. talking planets and spaceships, a fictional odyssey, silicon storm in ridiculous glasses. rosemary’s baby, a theme cocktail infused with thought. film screen and text gets the message across. early alarm means an 8pm ending from hours of wander and lovely therapy. parting hug warms a deep fried heart, plans to disco inferno at a melbourne haunt in the midst of sydney. donna left, everyone remembered. amy goes back to black. records spin. i feel loved
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Apr 4, 2015
Apr 4, 2015 at 4:06 AM UTC
Glow
This life aint' love song whilst i march on blindly.... Each secretion of dissections interrogations are on... on my LIVING soul man , if only you knew , i slip like a hidden seamstress into the alcoves of plenty, the catacomb of mind and sit and wait untill the seductress is ready - her lesions are lessons learnt in TIME she is the mistress of the dark she needs no title but if you prefer you can call her Q. this is because , yes , not only is she an insane nerd she is also - the softest heart i ever ( dang ) - had the chance to grace , Mother for those in need , Brother to those indeed Lover to the oh so lucky few , Who she might like to point out, are just as glaringly brilliant too... so , it's simple. The layers of time are VERY FLEXIBLE we need not notion , to the motions at futures unclear - well but see glimpses .. - of , past's rejuvenation's born again into different actions conclusions ..0... the butterfly effect are the ripples : figment metaphor ( metaphysicians apply inside) of wings - we are all ANGELS of a sort... but i like to call angels = experts they seem to know what's what...
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Sep 29, 2013
Sep 29, 2013 at 6:54 AM UTC
OF SORTS..
To see you naked is to know the Earth. The Earth glistening, empty of horses. The Earth, reed-less, pure in form, closed to futures, horizon of silver. To see you naked is to see the concern of rain searching for a fragile waist, or the feverish sea's immense face, not finding its own brightness. Blood will cry in the alcoves, enter with swords on fire, but you will not know the cache, of the toad's heart or the violet. Your belly is a knot of roots, your lips a dawn with no outline. Under the bed's cool roses, the dead moan, waiting their turn.
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1.4k
Casida of the Recumbent Woman
when i write a love sonnet i want it to be about love and not just ancient alcoves metered to a tailored rhyme stirring depths of who we aren't. i want so much to see your hate transform, in flicks of pleasure rise to meet entwined our loving of each other's source of love seeded even in a waste remake the vital bloom display what meaning pours the vision: this is it another meaning we can live for sing for .
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Nov 16, 2015
Nov 16, 2015 at 10:51 PM UTC
little love song on love
In the house I have today Most everything has a place Wardrobes incarcerate prior and present Each with gates for closing An open seat is kept for comfort Another for imposing A shelf I have for string and twine Another for hope and faithful Rakes and spades are saved outside And perseverance on the table Honesty's stored behind mahogany doors And sacrifice on the stove Cleanliness is kept in sight And dust in neglected alcoves A place I have for peace and joy And even one for sorrow But in all the rooms Of my house of today I have not room for tomorrow.
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Jan 29, 2015
Jan 29, 2015 at 11:44 AM UTC
The House I Have Today
Poet daubed the corporal on the wings of carney Wanderer dilettante soul lusted au wild routes Counted each the millimiles covered Upside , unstrained , Unflaggingly. Yon the valleys , epitome meadows and Hillsides Beated around the alcoves amok Ridges passed the marooned trails Agape the flinged self flew spirited madrigals Slowly rooted the tints into wilderness True entity got superimposed to sylvan instincts The obsolute shadow rigged the shooner By dimension lengthier the time but shorter by grace Grazed through and some toxic airs exhaled then pulled Blinked all the roof to rugs Remembrance of concrete boxes and intimate sidekicks Cheap conflict wins to hit the ring If body wins wanderlust looses thereby path ends Simultaneous call by consciousness and objection by eternal shadow Only the body grazed the maps with pointers Though insatiably leveed Kept retention the coursing shadow Yet remained damp , savaged the sylvan traits Life was near but the abstainer failed Wilderness abysm rejected the unfortunate physique There appeared Scorched canopies along wilted flora Container flogged the shadow to a stultifying death Physique deceived self the core truth Existence thereafter without knowing the chance with eterna Several followed the imperishable conflict trail Roll of honour diminished by fourth dimension Marked victories of featherbrains over pappus chambers Only few sticked upto xanthic flowers Raise up , were the victories thristled down? Many knocked and still keep on knocking incarnations Fine array of fossilized saturnine inhibitions Callous attritions over altruism of succinct shadows Flip sorties pariance spurts "The stanchion to revet my sky" voiced the shadow
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Aug 2, 2016
Aug 2, 2016 at 2:09 AM UTC
Forlorn Xanthic Flowers
Poet daubed the corporal on the wings of carney Wanderer dilettante soul lusted au wild routes Counted each the millimiles covered Upside , unstrained , Unflaggingly. Yon the valleys , epitome meadows and Hillsides Beated around the alcoves amok Ridges passed the marooned trails Agape the flinged self flew spirited madrigals Slowly rooted the tints into wilderness True entity got superimposed to sylvan instincts The obsolute shadow rigged the shooner By dimension lengthier the time but shorter by grace Grazed through and some toxic airs exhaled then pulled Blinked all the roof to rugs Remembrance of concrete boxes and intimate sidekicks Cheap conflict wins to hit the ring If body wins wanderlust looses thereby path ends Simultaneous call by consciousness and objection by eternal shadow Only the body grazed the maps with pointers Though insatiably leveed Kept retention the coursing shadow Yet remained damp , savaged the sylvan traits Life was near but the abstainer failed Wilderness abysm rejected the unfortunate physique There appeared Scorched canopies along wilted flora Container flogged the shadow to a stultifying death Physique deceived self the core truth Existence thereafter without knowing the chance with eterna Several followed the imperishable conflict trail Roll of honour diminished by fourth dimension Marked victories of featherbrains over pappus chambers Only few sticked upto xanthic flowers Raise up , were the victories thristled down? Many knocked and still keep on knocking incarnations Fine array of fossilized saturnine inhibitions Callous attritions over altruism of succinct shadows Flip sorties pariance spurts "The stanchion to revet my sky" voiced the shadow
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39
i am malleable. i could be a succinct calamity with small macabre alcoves full of the furies from my heart do not open them- i am pandora. still, without them i am impenetrable. i can be a composition. a lullaby, or some sweet aria with a gargantuan finish. or, just silence - a statue in shy circumstance. i have an obnoxious heart that just can't handle love with any dignity: i am every figurative phoenix and i will see light again. i am malleable. but for the love of god do not hurt me.
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Jun 28, 2014
Jun 28, 2014 at 4:14 PM UTC
one very exact fragility
''click-ety-clack don't look back click-ety-clack don't look don't don't don't'' the chanting carriages stutter through the blue knots of steel- house-lane junction trying to remember their lines before we vanish down tunnels stuffed with depth thick enough to touch; I unwind, unravel, shuffle past Mr Allsmiles stretch my bones and muscles back into a less shocking relationship and rock toward the corridor filled with cold echo spilling through the open windows like a cave breathing out; damp walls swing close and away again black with soot, and other dark things inches from my outstretched hand, if I bellow through this window ........... if I bellow through this window at that passing wall of alcoves my voice will become another echo in its history shrinking like a farewell wave; ten minutes behind Staffordshire Mr Allsmiles declared his love for travel to be borne of desire for new places new faces, I explained I travel to leave both behind. 'Even mine ?' he joked 'Even yours' I replied. 'You find pleasure in arrival and I in departure don't.... take it to heart'' but he did and he left and he saved me the trouble. Outside is a big dawn in a pink and an orange sky, we are tearing a scar through it's birth at one hundred and ten miles an hour toxic (per)fumes invade my lungs tears slide sideways into my ears, when it rains I will wear pits in my skin like a pebbledashed wall I am fifteen years old, at this speed I can barely breathe but i am flying faster than my fear of a normal life and ...it     ...can't      ...catch        ...me
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Jul 2, 2014
Jul 2, 2014 at 5:36 PM UTC
Leaving on the night train...
''click-ety-clack don't look back click-ety-clack don't look don't don't don't'' the chanting carriages stutter through the blue knots of steel- house-lane junction trying to remember their lines before we vanish down tunnels stuffed with depth thick enough to touch; I unwind, unravel, shuffle past Mr Allsmiles stretch my bones and muscles back into a less shocking relationship and rock toward the corridor filled with cold echo spilling through the open windows like a cave breathing out; damp walls swing close and away again black with soot, and other dark things inches from my outstretched hand, if I bellow through this window ........... if I bellow through this window at that passing wall of alcoves my voice will become another echo in its history shrinking like a farewell wave; ten minutes behind Staffordshire Mr Allsmiles declared his love for travel to be borne of desire for new places new faces, I explained I travel to leave both behind. 'Even mine ?' he joked 'Even yours' I replied. 'You find pleasure in arrival and I in departure don't.... take it to heart'' but he did and he left and he saved me the trouble. Outside is a big dawn in a pink and an orange sky, we are tearing a scar through it's birth at one hundred and ten miles an hour toxic (per)fumes invade my lungs tears slide sideways into my ears, when it rains I will wear pits in my skin like a pebbledashed wall I am fifteen years old, at this speed I can barely breathe but i am flying faster than my fear of a normal life and ...it     ...can't      ...catch        ...me
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100
Poet daubed the corporal on the wings of carney Wanderer dilettante soul lusted wild routes Counted each the millimiles covered Upside , unstrained , Unflaggingly. Yon the valleys , epitome meadows and Hillsides Beated around the alcoves amok Ridges passed the marooned trails Agape the flinged self flew spirited madrigals Slowly rooted the tints into wilderness True entity got superimposed to sylvan instincts The obsolute shadow rigged the shooner By dimension lengthier the time but shorter by grace Grazed through and some toxic airs exhaled then pulled Blinked all the roof to rugs Remembrance of concrete boxes and intimate sidekicks Cheap conflict wins to hit the ring If body wins, wanderlust looses thereby path ends Simultaneous call by consciousness and objection by eternal shadow Only the body grazed the maps with pointers Though insatiably leveed Kept retention the coursing shadow Yet remained damp , savaged the sylvan traits Life was near but the abstainer failed Wilderness abysm rejected the unfortunate physique There appeared Scorched canopies along wilted flora Container flogged the shadow to a stultifying death Physique deceived self the core truth Existence thereafter without knowing the chance with eterna Several followed the imperishable conflict trail Roll of honour diminished by fourth dimension Marked victories of featherbrains over pappus chambers Only few sticked upto xanthic flowers Raise up , were the victories thristled down? Many knocked and still keep on knocking incarnations Fine array of fossilized saturnine inhibitions Callous attritions over altruism of succinct shadow Flip sorties pariance spurts "The stanchion to revet my sky" voiced the shadow
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Aug 19, 2016
Aug 19, 2016 at 3:31 AM UTC
Xanthic Flowers
Poet daubed the corporal on the wings of carney Wanderer dilettante soul lusted wild routes Counted each the millimiles covered Upside , unstrained , Unflaggingly. Yon the valleys , epitome meadows and Hillsides Beated around the alcoves amok Ridges passed the marooned trails Agape the flinged self flew spirited madrigals Slowly rooted the tints into wilderness True entity got superimposed to sylvan instincts The obsolute shadow rigged the shooner By dimension lengthier the time but shorter by grace Grazed through and some toxic airs exhaled then pulled Blinked all the roof to rugs Remembrance of concrete boxes and intimate sidekicks Cheap conflict wins to hit the ring If body wins, wanderlust looses thereby path ends Simultaneous call by consciousness and objection by eternal shadow Only the body grazed the maps with pointers Though insatiably leveed Kept retention the coursing shadow Yet remained damp , savaged the sylvan traits Life was near but the abstainer failed Wilderness abysm rejected the unfortunate physique There appeared Scorched canopies along wilted flora Container flogged the shadow to a stultifying death Physique deceived self the core truth Existence thereafter without knowing the chance with eterna Several followed the imperishable conflict trail Roll of honour diminished by fourth dimension Marked victories of featherbrains over pappus chambers Only few sticked upto xanthic flowers Raise up , were the victories thristled down? Many knocked and still keep on knocking incarnations Fine array of fossilized saturnine inhibitions Callous attritions over altruism of succinct shadow Flip sorties pariance spurts "The stanchion to revet my sky" voiced the shadow
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39
The sun rose pink over Lancaster; Its frozen rains came quick in tow— Here, we sense the passive and the active: To take the drag or pull: He is dragged by the way of the automatic hand-to-mouth; The Other, is my command— But that, even, impelled snowfully toward A closed fist, a locked grasp, an unwilling departure. I suggest a dislocation somewhere in parallax: Take paper dimensions and fold them 104 times And everything flattens out— The ocular inversion becomes like-real; I’ll swim in that! Puddles are dragged by the wind, whilst the pull thinks in spite Of I, its strange corpus of author, and opus Drags to the creature of appetite deign to call to order. But a power powerless to its name given it: Destined desiring of sunnier metaphors— The alcoves of the thread, brought to just us Caesuras of what satisfies, in food, in just us The depth of image holds true: one cannot live on bread alone. Thus, I muse and mull back to locks of hair and bellybuttons Waiting, in time—the deepening of time’s cloth Where my hand caresses her thigh— One can feel the gravity pressing on the heart, All the love that self-reflects, combs out the wrinkles, And has faith in the good inertia. By this secular host consubstantiate And Other (surely a pleasing affair) is but moments away. And she and I look so pretty together, Our is of whom and what and the third conditional. That which presses upon itself, the one dimension, Cannot disentangle from name or alliance, nor faith, Greedily picking at the oily ruptures, effulging in transparence, Contradictions care not for astrology, And whether you are poetry Is not important here.
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Mar 10, 2015
Mar 10, 2015 at 9:01 AM UTC
To be Philosopher is Inhuman
The sun rose pink over Lancaster; Its frozen rains came quick in tow— Here, we sense the passive and the active: To take the drag or pull: He is dragged by the way of the automatic hand-to-mouth; The Other, is my command— But that, even, impelled snowfully toward A closed fist, a locked grasp, an unwilling departure. I suggest a dislocation somewhere in parallax: Take paper dimensions and fold them 104 times And everything flattens out— The ocular inversion becomes like-real; I’ll swim in that! Puddles are dragged by the wind, whilst the pull thinks in spite Of I, its strange corpus of author, and opus Drags to the creature of appetite deign to call to order. But a power powerless to its name given it: Destined desiring of sunnier metaphors— The alcoves of the thread, brought to just us Caesuras of what satisfies, in food, in just us The depth of image holds true: one cannot live on bread alone. Thus, I muse and mull back to locks of hair and bellybuttons Waiting, in time—the deepening of time’s cloth Where my hand caresses her thigh— One can feel the gravity pressing on the heart, All the love that self-reflects, combs out the wrinkles, And has faith in the good inertia. By this secular host consubstantiate And Other (surely a pleasing affair) is but moments away. And she and I look so pretty together, Our is of whom and what and the third conditional. That which presses upon itself, the one dimension, Cannot disentangle from name or alliance, nor faith, Greedily picking at the oily ruptures, effulging in transparence, Contradictions care not for astrology, And whether you are poetry Is not important here.
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36
In the alcoves I hunt for mystery and pleasure. Seeking your joy. I hope to break you to the core, and make you crumble to all my love. Id hope your days are perforated silences, my voice a trickle of whiskey. I treasure your absence, thinking to myself, with a cigarette. I sip down evan williams Pretending not to hurt, but with a hurricane your surge through me.
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Nov 21, 2013
Nov 21, 2013 at 9:37 PM UTC
Untitled
Near the alcoves of      a secret garden you'll find me lost in      the maze of my mind.
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Jun 12, 2017
Jun 12, 2017 at 12:44 PM UTC
Dyad - 51 -
Room after room, I hunt the house through We inhabit together. Heart, fear nothing, for, heart, thou shalt find her, Next time, herself!—not the trouble behind her Left in the curtain, the couch's perfume! As she brushed it, the cornice-wreath blossomed anew,— Yon looking-glass gleamed at the wave of her feather. Yet the day wears, And door succeeds door; I try the fresh fortune— Range the wide house from the wing to the centre. Still the same chance! she goes out as I enter. Spend my whole day in the quest,—who cares? But 'tis twilight, you see,—with such suites to explore, Such closets to search, such alcoves to importune! -
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Dec 3, 2013
Dec 3, 2013 at 3:40 AM UTC
Room after room..
can you taste the iron on your lips? acid reflux creeping up your tongue as you swallow another soul whole sweat stains on a pillow all of this surrounds us time will tell us as legends or monsters we aren’t in control of the wheel tirelessly we maraude the alcoves and nooks of an indifferent planet they call the thing we’re looking for love we call it whatever gets us through today but if this shriek of pain sets your teeth on edge just know that it should just know that even the smallest island is connected to the most landlocked country through an underground railroad of humanity and history the bedrock is constantly shifting and warping but it’s key elements remain eternal tattoo my address on your forearm should you ever find me lost you’ll know what to do with the baggage I carry like heartbeats in a ribcage do not burn the bridges regardless of how rundown they might become do not convert drift wood into an idol of the sun because time is relative but the moon will always have it’s moments eclipse your protests with apathetic motor oil manifesting the robotic machinations of another man shackled tethered to anchors which set out not to drown him but to keep him on the precipice of high tide all of the great words in the world couldn’t paint a picture of what this all means so why do we try so ceaselessly to see the face of God
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Mar 1, 2014
Mar 1, 2014 at 12:26 PM UTC
"It Tolls For Thee"
Words lost over time I search for wanting to feel serenity. Moments expand but senses seem dead as winds chills surround. Months and years pass as familiar tunes of I love you mom, or how are you? are void inside ears. Words still hidden in the alcoves of ears as time passes and pain continues. Sadness of emotions rise and fall inside levee of heart as he holds the key to my balance. Distance and busyness brings one into actions so my search continues. Perhaps, someday I will hear them. Perhaps my heart will be lifted to fly.
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May 5, 2019
May 5, 2019 at 1:37 PM UTC
Searching
The wave beating solitary on the shore every once in an aeon, comes an hour when the fuzzy bundle of timelines must collapse to a certain certitude Long hours of labours past the dark nights that have borne their ends but not far speak in hushed voices of defeat and surrender, and dejection, that it is all over and what else but There, in the distance is a brewing morass a descent into chaos and death, a war that has no winner but the abyss factions ranged, outweighed not by their arms but destiny that now threatens to ****** away everything that a people fought to preserve memories of on the  island where death rules the heart this little patch of a shore hidden away in the alcoves the one hope of redemption
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Mar 11, 2016
Mar 11, 2016 at 12:34 PM UTC
Hope | the Golden Oars
What seems so straightforward when coming towards me, is twisted, I see, on the back foot, the hop, it has caught me I stop. Nothing can change the way I change the way that I hit the day running, always running away. I stop, lay my thoughts to one side, confide to my maker take a moment, consider, did I really do that? It's not often I pray and seldom when running away. Straightforward's not so or not that I know, it has hook and crooks and dismally looks so severe, never here though, not even when coming towards me and giving me warning or towering above me. I cower in alcoves just to be safe, secure is a place I know, changing the pace I go and hide.
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Mar 24, 2015
Mar 24, 2015 at 9:10 PM UTC
The optical line
With what I see, I draft a sketch (and not how it should be) I fill details, with all your loves minutiae like Versailles, and such colour here, a sculpture there, a broken heart, alcoves wainscotted with toil(e). some envy carvings, poetry: a decoupage of words, said over years, re-cited into countless tears, ripened ensilage and patterns recognised surprise, through my hand I trace a line. How I see, what I beget, is defined as mine stand and be yourself through traffic, silence, and mindset and if you don’t remember, know that I do.not forget.
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Oct 17, 2018
Oct 17, 2018 at 10:52 PM UTC
The curator’s workspace