Submit your work, meet writers and drop the ads. Become a member
Jim Davis Apr 2017
In the last
three decades,
after we became one,
I touched
amazingly beautiful things,
horribly ugly things,  
unbelievably wondrous things

I touched nature's majesty;
hued walls of the Grand Canyon,              
crusty bark of the
Redwoods and Sequoias,
live corals of the
Great Barrier Reef,
dreamlike sandstone of the Wave

I touched magical and strange;
platypus, koalas and
kangaroos Down Under,
underwater alkali flies and
lacustrine tufa at Mono Lake,
astral glowing worms
in the Kawiti caves

I touched holy places;
Christianity's oldest churches,
the Pope's home in the Vatican,
Hindu and Sikh temples and
Moslem mosques in India,
Anasazi's kivas of Chaco canyon,
Aboriginal rocks of Uluru and Kata Tjuta

I touched glimmers of civilization;
uncovered roads of Pompeii,
fighting arenas of Rome,
terra cotta armies of Xian,
sharp stone points of the Apache,
pottery shards from the Navajo,
petroglyphs by the Jornada Mogollon

I touched fantastical things;
winds blowing on the
steppes of Patagonia,,
playas and craters of Death Valley,  
high peaks of the Continental Divide,
blazing white sands of the  
Land of Enchantment

I touched icons of liberty
and freedom;
the defended Alamo,
a fissured Liberty Bell,
an embracing Statue of Liberty,
the harbor of Checkpoints
Alpha, Bravo, and Charlie

I touched glorious things
made by man;
the monstrous Hoover Dam,
an exquisite Eiffel tower,
a soaring St Louis Arch,
an Art deco Empire State Building,
the sublime Golden Gate Bridge

I touched sparks from history;
the running path of an
Olympic flame just off Bourbon,
the last steps of Mohandas Ghandi
at Birla House before Godse,
******'s Eagle's nest and the
grounds over Der Führerbunker

I touched walls of power;
enclosed rings of the Pentagon,
steep steps of the
Great Wall of China,
untried bastions of
Peter and Paul's fortress,
fitted boulders of Machu Picchu

I touched strong hands;
of those conquering
Rommel's and ******'s hordes,
of cold warriors of
Chosin Reservoir,  
of forgotten soldiers of Vietnam,
of terrorist killers of today

I touched memories of war;
the somber Vietnam memorial,
the glorious Iwo Jima statue,
the cold slabs at Arlington,
the buried tomb of USS Arizonians,
Volgograd's Mother Russia  

I touched ugly things;
shreds of light in
Port Arthur's prison,
horrible smelly dust
in the streets from 9/11,
ash impregnated dirt
in the pits at Auschwitz

I touched oppressed freedom;
open ****** plazas
of Tiananmen Square,
smooth pipe and concrete
of the Berlin Wall,  
tall red brick walls
of the Moscow Kremlin

I touched constrained freedom;
heavy ankle and
wrist slave chains
in the South,
little windows
in Berlin's Stasi prison,
haunted cells in Alcatraz  

I touched remnants of madness;
wire and ovens of Auschwitz,
stacked chimneys and
wooden bunks of Birkenau,        
Ravensbruck, and Dachau,
the tomb of Lenin,
toppled Stalins

I touched hands of survivors;
of Leningrad's siege,
of German POWs and
of Russian fighters
of Stalingrad's battle,
of Cancer's scourges  

I touched grand things;
deep waters of the Pacific and Atlantic,
blue hills of Appalachia,
towering peaks of the Rockies,
high falls of Yosemite Valley,
bursting geysers of Yellowstone,
crashing glaciers of Antarctica and Alaska    

I touched times of adventure;
abseiling and zipping in Costa Rica,
packing Pecos wilds and Padre isles,
flying nap of earth Hueys to Meridian,
breaking arms in JRTC's box,
fighting Abu Sayyaf, and Jemaah
Islami in Zamboanga City

I touched through you;
wet sand beaches of  Mexico and Jamaica,
mysterious energy of the monoliths of Stonehenge,
rarefied air in front of the
Louvre's Mona Lisa,
ancient wonders of Giza,
Egypt's tombs and pyramids

We shared soft touches;
drifting in Bora Bora's
surreal waters,
joining hands camel trekking the
Outback's dry sands,
strolling along Tasmania's
eucalyptus forest trails

basking in swinging hammocks
under Fiji's bright sun,
scrambling in
Las Vegas' glittering and
red rock canyons,
kissing under the
Taj Mahal's symphony of arches

We shared touching deep waters;
propelled in gondolas
through the city of canals,
Drifting atop Uru cat boats on Lake Titticaca,
Swooping in jet boats
up a wild river in Talkeetna

Racing in speed boats
around Sydney's great harbour,
skimming in pangas in Puerto Ayora,
paddling the Kennebec for
East's best petroglyphs,
cruising Salzbergwerk's underwater lake

We touched scrumptious things;
Beignets and chicory coffee at DuMonde's in the Big Easy,
Hot *** with sesame sauce
in the walled city of Xian,
Peking duck, dimsum, scorpions,
snake and starfish on Wangfujing Snack Street

We touched delicious things
Crawfish heads and tails at JuJu's shack
and ten years at Jeanette's,
Langoustine at Poinciana's, Fjöruborðinus and Galapagos,
Cream cheese and loch bagels
at Ess-a' s in the Big Apple

I touched your hand riding;
hang loose waves of Waikiki,
a big green bus in Denali's awesomeness,
clip clopping carriages of Vienna, Paris,
Prague, New Orleans, Krakow,
Quebec City, and Zakopane,
the acapella sugar train of St Kitts

We shared touching on paths;
the highway 1 of Big Sur,
the Road of the Great Ocean,
the bahn to Buda and Pest,
the path to the North of Maine,
the trail of the Hoh rainforest,
and time after time, the way home

Yet,
I could spend
the next three decades,
in simple bliss,
having need for
touching nothing,
other than you!

©  2016 Jim Davis
A poem I wrote last year for my wife!  Posted now since it matches the HP' theme for today - "Places"
Mateuš Conrad Oct 2016
a.

227.9 million years away
                   (mars)                   heliocentric model
i.e. away from coordinates (0,0), i.e. the sun

b.

149.6 million years away
                      (earth)                         "               "
etc.

c.

    standard metric system, alternatively
                        this is the geocentric model emerging
i.e.        one day on earth is equivalent
           of a day and forty minutes on Mars...
  we don't have access
                     to a heliocentric model for this
primarily because of the coordinate of the sun
being (0,0), in Kantian symbolism 0 = denial,
therefore the sun cannot encompass day,
or night, hours or minutes...
                             you cannot apply
the relativity of days comparatively being different
on Mars or on Earth using the heliocentric model...
              
      and to think, all it took was for nautical directions
being blessed by the movement of constellations,
        and that phrase of mine: where's Copernican east?

            we're all shouting at the ****** project,
it's either who write the best concentrated plagiarism
of the masses for the visual effects,
          the glued together parts of iron and oxygen
tanks... or who can write the words behind the images
well enough to capture the imagination
        and shift it elsewhere...
oh believe me, i am living in a 48 hour week,
    i'm not writing science fiction,
                       i'm on earth, but this isn't earth,
it doesn't require a measure of distance,
   but still the figures stand... so i might as well
toy with them and get some bogus answer...

d.

what does life constitute on a "planet" that consists
of 48 hours?
                     today i put on something warm,
the cold finally got to me,
                          i'm the butterfly while a hurricane
rages on elsewhere,
                              quantum humanism some call it,
because the physics never really inclined itself
to treat human emotions well enough -
                    just today,
as i peered into the day's sky -
                     the moon and the sun shared the same
blue horizon -
                           in the summer the moon has the
tides - and keeps them at bay, calm,
         but when autumn and winter come,
and the earth tilts - the moon looses the grip on
the tides in the northern hemisphere -
hurricanes in the west, tsunamis in the east,
              storms at Greenwich meantime -
the time of day? when the moon engages in
profane acts with day, appearing and stunning
insomniacs into coherency, as if asking:
            so if i am being given a very quick
and less romantic sunrise, and esp. a less
romantic sunset, by seeing the moon closely aligned
to the sun during the day:
                 am i seeing the nightly delights of
the southern hemisphere, and if so,
            is that to the east, or is that to the west?
i am guessing it's to the east... for i am seeing
the night in the southern Pacific continent -
              i am seeing their night
                          for the moon has transgressed
its boundaries, and left the northern waters
ready to rebel under the polytheistic guise
complimenting the spacious orbs -
                       when order and monotheism of
the north during spring and summer...
         then Poseidon's upheavals with the watery
rebellious graves during autumn and winter:
or how Hades persuaded his two brothers to
pay due and meet with the Titans in Tartarus:
to thus form a pact against the monotheistic concept:
for the soul of the ancient Greeks said:
                shame be unto you, brats,
for shunning the religion of your forefathers!

e.

indeed the 48 hour day, two days and two nights,
or more precisely: three nights and one day -
sooner or later they'll push the clocks back,
a man will go to sleep in the dark,
   and catch but a glimmer of a day - then too
thrown into the darkness: a 48 hour day on a planet
involves three periods of darkness, and one
period of daylight - and if they said Alaska was
torture... here is a man engulfed alone in it.

f.

strange to think that 78.3 million years between
Mars and Earth only add 40 minutes more to a day...
           as ever, the non-uniform suggestion of gravity,
take but one step on that soil,
                           the curse of the astronauts on the moon:
and then invite the poets of the cult of the moon,
the emblem of the moon that's Islam...
                              an then wait for the consequences
and the ***** dreams of those people and their children...
               even the Atom Bomb seems to have
been forgiven by comparison -
                                but never the moon: or the death
of childhood - lunar crown shattered -
                              death of storytelling for children
some might say: 1001 minutes of advertisement
before Cyrus starts weaving a web of entrenched
consumerism - not even the Belgian fields
and their world war 1 trenches could have provided
such a status quo to continue...
            to continue...

g.

so do i multiply that figure by something?
78.3 million years disparity -
                        times the time difference?
i.e. 78.3 multiplied by 40 and added to
the distance from earth?
            λoγος - no!
                                 what's the distance from
starting coordinate (0,0) to the earth? 149.6 million...
      and mars?
227.9 million...
                                      which means 78.3 multiplied
by taking away the negation symbol due
to the double-negation coordinate that the sun is
(timeless and without space-affirming
                  timing to our necessary comprehension
of the day to day) - meaning the distance
of the planet with 48 hour days (three nights and one
day) is 313.2 million years away from the sun...
               Jupiter stands at being 778.5 million years...
and that's a kept in ****... a gaseous giant...
                 so the distance is plausible...
but like i said before: first comes logic,
which splits into rationality and irrationality -
                      but irrationality still uses logic -
      we all know that irrationality is not reasonable -
          but it is ably-reasoned-with
           or can succumb to some variation
                     of the illogical -
                                              namely illogical rationality:
as in passing Platonic theories down the ages,
or succumbing to the Freudian psychoanalysis -
fashion is simpler, cruder -
                                               it cuts off the missing
points, it desecrates the shrines of famous names
and does the grand thing of keeping everyone
hooked in, rather than out of it nostalgic -
       no one is really winning either side of this point.

h.

and this is really what two beers can do to you
to relax after living on plant H-48 -
                     no yoga teacher can tell you that ***
gets better when you pay alms to this world -
         the yoga fakes are making enough dosh laughing:
*** is good, where there's a billion of them,
not a scattering of what i call the real reason
why we evolved to be so numerous:
     cancerous libidos, or overblown libidos,
   and a knack at ******* each other off - which just
says: keep 'em coming!
                                    and they expect people to really
be awe-stricken when you have such nice names
in biology: chlorophyll and enzyme and hydro and
aqua... and for all life to begin with a big bang?
    i thought you couldn't hear astronauts scream
in space?        or maybe that big bang was just
       a big boo - because aren't we **** scared?

i.

American politics has cracked with this presidential
election, the real dynamic is out...
           it reminds me of
the trinity of ******, the brown-shirts
(Sturmabteilung) thugs leader Ernst Röhm
and the man that replaced him:
               Heinrich Himmler of the
less thuggish and more professional murderers'
brigade the (Reichsführer Schutzstaffel) -
you see, i actually have a better attention span
when i live on H-48... did you notice
that neither of the presidential candidates mentioned
the literature in their debates?
one said: tax evasion, the other said: emails!
but these two sly foxes are toying with the whole
process... they're citing the literature...
   tim kaine and mike pence are the geniuses behind
the scenes... you have to give credit to them...
                it's the ingrained discussion -
the gospels -           it subconsciously will even convince
black voters (of a certain age) to vote for Trump,
regardless of his blunders... which are like ******'s
blunders even though Eva Braun has Jewish heritage
(as seen in one documentary on channel 4) -
                    and you know they're running the show
because they only have one debate...
         that's how important they are...
                       did you ever care to watch a
Ingram Bergman film twice? or three times?
i don't think so. once... and then the butterfly is gone,
gone gone. i'm not here for the entertainment -
American protestant-ism isn't European,
                          it's ultra-Catholic -
                    oddly enough, not in terms of all
the iconic symbolism - that's scaled down -
       but the message is profoundly Catholic -
the two men cited the literature - they're
not thugs, they're not blundering rhetoricians like
the two puppets in their hands...
                        they're the power brokers
or what in England we call the kingmakers -
   i'm not into conspiracies, just the obvious things -
****** had a funny moustache,
          Trump has a funny haircut -
J F K was handsome L B J wasn't and was furious
when Marilyn sang the birthday blues...
                   Gerald Ford is the founder of the Mafia...
Nixon wanted in... oops... didn't happen...
                    ever since Ford it's been playtime after
playtime and no one doing the arithmetic on lives -
               well you know, a washing machine
breaks down, you get a new one...
                  but something came up at the turn
of the 21st century, no one expected it -
this is where i only ascribe one conspiracy:
                                         you can't miss it,
it's blatantly there on the geographical map,
S.A. and that beautiful ornament flag with a pretty
sword and Arabic calligraphy...
                             i'm not wetting my appetite with
these words... it's just common sense -
                money is something that provides the
trans-valuation of all things: it's what the alchemists
were always hoping to find, but it was found
so long ago that it didn't matter how childish they
thought they could be: thanks for paracetamol
though...
                                     what's actually the most
mystifying aspect of this is how there's an ingrained
desirability of a status quo:
      you can have a coin with Rex's head on it,
and no matter what the base metal is,
it will still devalue something more precious
                     and increase value of something more
precious...               it happens in the art world
with the artist being recognised posthumously
                                for the object of his work,
but nothing beyond that...
                                              and since it is painfully
obvious... the question is...
                     do you challenge the status quo
                                          or do you consider yourself
a unit of qua                 -
                                   and that's an open question,
if a question at all...
                                        it's because i have left the
exciting part of this poem,
                                    gravity pulled me down to
planet H-24 (otherwise known as earth), and i see
all this ****** misery...
                                       and i think...
even though my life on planet H-48 can sometimes
feel like torture - i know that i'm in control of
certain perks on it...           and all because i decided
to travel there, with one missing clue as to
why it took me 2 years to escape Heidegger's Alcatraz -
            and why i decided to go back in...
      after reading the previously mentioned book
i realised i was given the key into something else,
           kaleidoscopic even -
worded physics, worded chemistry, worded biology,
  not the physics of equations, or chemistry
of electron-migration diagrams in organic reactions,
or biology and its oops after oops and
a boxing match with theology -
                                           i even considered
buying the Alcatraz in English... but that would
make no sense...
                         given the already bilingual dynamic
being established...
                                     as Dante chose Virgil
to wade through hell... you too must also choose
the one companion, and reject all others...
               and if Heidegger chose Aristotle
i must choose Heidegger - and would i say that
my grandfather was a bad man for being a
communist party member? do you think
a small town boy gets sold the highest form of
Versailles intrigue that culminates in
the Siberian gulag? they got you spinning that old
housewives' tale like a dodo doing dodo
                                           rather than being dodo.
For
              Carl Solomon

                   I

I saw the best minds of my generation destroyed by
      madness, starving hysterical naked,
dragging themselves through the ***** streets at dawn
      looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
      connection to the starry dynamo in the machin-
      ery of night,
who poverty and tatters and hollow-eyed and high sat
      up smoking in the supernatural darkness of
      cold-water flats floating across the tops of cities
      contemplating jazz,
who bared their brains to Heaven under the El and
      saw Mohammedan angels staggering on tene-
      ment roofs illuminated,
who passed through universities with radiant cool eyes
      hallucinating Arkansas and Blake-light tragedy
      among the scholars of war,
who were expelled from the academies for crazy &
      publishing obscene odes on the windows of the
      skull,
who cowered in unshaven rooms in underwear, burn-
      ing their money in wastebaskets and listening
      to the Terror through the wall,
who got busted in their ***** beards returning through
      Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
      Paradise Alley, death, or purgatoried their
      torsos night after night
with dreams, with drugs, with waking nightmares, al-
      cohol and **** and endless *****,
incomparable blind; streets of shuddering cloud and
      lightning in the mind leaping toward poles of
      Canada & Paterson, illuminating all the mo-
      tionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
      dawns, wine drunkenness over the rooftops,
      storefront boroughs of teahead joyride neon
      blinking traffic light, sun and moon and tree
      vibrations in the roaring winter dusks of Brook-
      lyn, ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
      ride from Battery to holy Bronx on benzedrine
      until the noise of wheels and children brought
      them down shuddering mouth-wracked and
      battered bleak of brain all drained of brilliance
      in the drear light of Zoo,
who sank all night in submarine light of Bickford's
      floated out and sat through the stale beer after
      noon in desolate Fugazzi's, listening to the crack
      of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
      pad to bar to Bellevue to museum to the Brook-
      lyn Bridge,
lost battalion of platonic conversationalists jumping
      down the stoops off fire escapes off windowsills
      off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
      and memories and anecdotes and eyeball kicks
      and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
      and nights with brilliant eyes, meat for the
      Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
      trail of ambiguous picture postcards of Atlantic
      City Hall,
suffering Eastern sweats and Tangerian bone-grind-
      ings and migraines of China under junk-with-
      drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
      railroad yard wondering where to go, and went,
      leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
      through snow toward lonesome farms in grand-
      father night,
who studied Plotinus Poe St. John of the Cross telep-
      athy and bop kabbalah because the cosmos in-
      stinctively vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking vis-
      ionary indian angels who were visionary indian
      angels,
who thought they were only mad when Baltimore
      gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Okla-
      homa on the impulse of winter midnight street
      light smalltown rain,
who lounged hungry and lonesome through Houston
      seeking jazz or *** or soup, and followed the
      brilliant Spaniard to converse about America
      and Eternity, a hopeless task, and so took ship
      to Africa,
who disappeared into the volcanoes of Mexico leaving
      behind nothing but the shadow of dungarees
      and the lava and ash of poetry scattered in fire
      place Chicago,
who reappeared on the West Coast investigating the
      F.B.I. in beards and shorts with big pacifist
      eyes **** in their dark skin passing out incom-
      prehensible leaflets,
who burned cigarette holes in their arms protesting
      the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
      Square weeping and ******* while the sirens
      of Los Alamos wailed them down, and wailed
      down Wall, and the Staten Island ferry also
      wailed,
who broke down crying in white gymnasiums naked
      and trembling before the machinery of other
      skeletons,
who bit detectives in the neck and shrieked with delight
      in policecars for committing no crime but their
      own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
      dragged off the roof waving genitals and manu-
      scripts,
who let themselves be ****** in the *** by saintly
      motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
      the sailors, caresses of Atlantic and Caribbean
      love,
who balled in the morning in the evenings in rose
      gardens and the grass of public parks and
      cemeteries scattering their ***** freely to
      whomever come who may,
who hiccuped endlessly trying to giggle but wound up
      with a sob behind a partition in a Turkish Bath
      when the blond & naked angel came to pierce
      them with a sword,
who lost their loveboys to the three old shrews of fate
      the one eyed shrew of the heterosexual dollar
      the one eyed shrew that winks out of the womb
      and the one eyed shrew that does nothing but
      sit on her *** and snip the intellectual golden
      threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
      beer a sweetheart a package of cigarettes a can-
      dle and fell off the bed, and continued along
      the floor and down the hall and ended fainting
      on the wall with a vision of ultimate **** and
      come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
      in the sunset, and were red eyed in the morning
      but prepared to sweeten the ****** of the sun
      rise, flashing buttocks under barns and naked
      in the lake,
who went out ******* through Colorado in myriad
      stolen night-cars, N.C., secret hero of these
      poems, cocksman and Adonis of Denver--joy
      to the memory of his innumerable lays of girls
      in empty lots & diner backyards, moviehouses'
      rickety rows, on mountaintops in caves or with
      gaunt waitresses in familiar roadside lonely pet-
      ticoat upliftings & especially secret gas-station
      solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
      dreams, woke on a sudden Manhattan, and
      picked themselves up out of basements hung
      over with heartless Tokay and horrors of Third
      Avenue iron dreams & stumbled to unemploy-
      ment offices,
who walked all night with their shoes full of blood on
      the snowbank docks waiting for a door in the
      East River to open to a room full of steamheat
      and *****,
who created great suicidal dramas on the apartment
      cliff-banks of the Hudson under the wartime
      blue floodlight of the moon & their heads shall
      be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
      the crab at the muddy bottom of the rivers of
      Bowery,
who wept at the romance of the streets with their
      pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
      bridge, and rose up to build harpsichords in
      their lofts,
who coughed on the sixth floor of Harlem crowned
      with flame under the tubercular sky surrounded
      by orange crates of theology,
who scribbled all night rocking and rolling over lofty
      incantations which in the yellow morning were
      stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
      & tortillas dreaming of the pure vegetable
      kingdom,
who plunged themselves under meat trucks looking for
      an egg,
who threw their watches off the roof to cast their ballot
      for Eternity outside of Time, & alarm clocks
      fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccess-
      fully, gave up and were forced to open antique
      stores where they thought they were growing
      old and cried,
who were burned alive in their innocent flannel suits
      on Madison Avenue amid blasts of leaden verse
      & the tanked-up clatter of the iron regiments
      of fashion & the nitroglycerine shrieks of the
      fairies of advertising & the mustard gas of sinis-
      ter intelligent editors, or were run down by the
      drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually hap-
      pened and walked away unknown and forgotten
      into the ghostly daze of Chinatown soup alley
      ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
      the subway window, jumped in the filthy Pas-
      saic, leaped on negroes, cried all over the street,
      danced on broken wineglasses barefoot smashed
      phonograph records of nostalgic European
      1930s German jazz finished the whiskey and
      threw up groaning into the ****** toilet, moans
      in their ears and the blast of colossal steam
      whistles,
who barreled down the highways of the past journeying
      to each other's hotrod-Golgotha jail-solitude
      watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
      if I had a vision or you had a vision or he had
      a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
      came back to Denver & waited in vain, who
      watched over Denver & brooded & loned in
      Denver and finally went away to find out the
      Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
      for each other's salvation and light and *******,
      until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
      impossible criminals with golden heads and the
      charm of reality in their hearts who sang sweet
      blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
   &nb
Mateuš Conrad Dec 2016
by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind
,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo
Megan H Feb 2015
Here I go again
To this place
I cannot escape
It is my own personal prison-
I am the one who made
This inescapable cage.
The steel bars,
The prison guards-
All my creation.
My own personal Alcatraz.
thatdreadedpoet Mar 2014
The first time someone called me a poet
it was in the cramped back hallway of a party in early July
heat rising between our ****** spaces
sweat collecting at the base of my brow to keep anxiety at bay
I listen as someone who I could barely call an acquaintance describe me to a boy I just met:
“she is an amazing writer, trust me, she’s so cool”
As if me using metaphors for antidepressants
and words as bandages for wounds
was reason to make me worthy to get to know beyond my first name
to pin my feet onto a pedestal I didn’t ask to stand on to begin with
I press autopilot in my muscles,
mechanically flip my hair,
split my lips into a half-*** smile,
****** my hand,
and let my laugh ring with the music.
Little does everyone know I am the broken jukebox
with a disappearing voice.

I hide behind love and at 19, I wrote “What High School History Taught Me”
It was for you
you, the NYU junior with a mouth that clung onto vowels
and whose fingertips could read the braille embedded in my skin
You loved chasing storms,
I was almost named after a hurricane,
and this was how we were born after Hurricane Sandy-
it was never a question how we found comfort in destruction
But I still remember telling you
that I wanted to love you forever even if you didn’t stay to find out
And ever since I spit that
men come to me looking for their taste of mystery
for their chance to be immortalized
They don’t know I only speak in train station
and everybody is always a few minutes too late
No one has gotten the chance to get too close
because it’s never romantic to **** the girl who makes love to her own sadness every night

I’ve stopped seeing the fire in my poetry like most strangers do
because to them
my pain is pretty
my heartache is dressed in a bow so
they can all sleep better at night knowing
some 20 year old girl in California understands them
better than she understands herself.

I have been singing in a language I never fully understood
because I am the girl who attaches my reflection to a man
whose memory I still keep prisoner in my mind
and this is how I hide from myself
this is my disappearing act

This isn’t poetry anymore
and it hasn’t been for a long time
This is the sound of survival
This is my heart leaking gunpowder and discharging bullets
Right here
on this stage
is where I understand what it feels like to choke on the gas chamber of lost dreams
Right here
is a dusky New York City apartment
with a boy dressed in the mask of a man hunting me as prey
This stage is where I come home to after being at war with myself
This stage is my peace
my prayer for forgiveness once a week
Right here
is why friends from school don’t call me that much anymore
This stage
is why me and Joe broke up
This place
is why I don’t sit with my family at the dinner table no more
because why
Why share grace with those who can’t understand
how these lights I stand under make the full moon I need
to break my neck and howl at some nights

This is where I pluck the guitar strings of my throat to sing like a bluebird and slow dance with every ghost
This stage is the only place I can forklift
all the misunderstood out of my chest and force you to watch
and you
will still call it art
you
will still call it poetry

But this isn’t poetry anymore
it hasn’t been for a long time
This
is the sound of survival
This
is the sound of me using the inhale of night
just to make it to the exhale of morning.
Right here.
On this stage.
This
is where
and why
I
fight.
Molly Morgan Feb 2010
Moonlight rains into
The windows of Alcatraz
At night we are gone

Rage and anger lift
Above walls so strong so thick
Meal time get your plate

Plate used every day
Has seen every food they serve
After but two days

The drug lords reign here
The killers keep to themselves
I talk to no one

The walls find my way
To the chain link barrier
The blood stings my palms

Running father now
Reality then hits me
Life is now defined

I live every day
Just a convict on the run
A killer on the run
Matt Proctor Feb 2014
I see you in the park.
I want to look at you.
You want to look at me.
Our eyes ricochet
off each other.
I can't catch you
looking at me.
I can’t even give
a smile to you.
You’re Alcatraz and
I’m swimming to your rocks
and when I get there
you'd rather stay in jail,
kissing the walls.

There is no you. There are a thousand yous.
I know no you. I see 30 yous an hour.
Where are you?
Are you out there?
You’ve got to stay away. You get too close
and you crumble,
or I crumble. Gravity sends
two lives shaking into screws, identities
unable to hold.

But I could know how fragile you are.
How you sit on an iron bench and open
your long, dark lens
to the ultraviolet April blooms.
Shamble into my arms.
I won’t laugh. I promise I won’t laugh.
I’ll break your fall.

It’s my mistake to think
that you’re fragile, that
you’re a flower.
You are a flower, but
flowers are only
advertisements
for the tree.
Flowers fall away early
leaving only the wide, armored waist.
It isn’t you that will crumble.
It’s only me.
Mateuš Conrad Nov 2017
no number of opinions will alleviate this apathy, promised, paradoxically: a pandora's box of pathology, which is why attempting dialectics is a farce, a cheap magic trick for a talk-show host in being "understanding", to attempt in mediating, and then scoffing it off, like some under baked crumpet / scone, and yes, it makes sense, pivoting on the possession of a conscience... it's not that some people appear to now possess it, but that they are comical in possessing, and comedy is always nuanced, an ambiguity surrounds their conscience... the binary opposite of comedy? the birth of the tragedy, a succumbing to madness, a suicide... every person possesses a conscience, as the universal law of unit, but comedy hides a person with a grieving conscience, making the person so callus as to make them donkeys, laughing stocks, spaghetti entangled liars... it's only a conscience triggered into a tragedy that reeks with redemptive qualities ascribed to a person, cf. the already mentioned carl sergeant and 'arvey 'ard on weinstein... in the spirit of the film split: rejoice! for those who have suffered are redeemed! rejoice! said the beast. the comedy is near impossible to avoid in post-script idiocy beaming the letters FAIL; the tragedy of conscience, at least we know some evil doers in death are redeemed with the only puritanical act to redeem conscience: the bride of honour.*

can an intelligent person make a slapstick
joke?
  or is it that,
   a dumb person cannot make an original
joke?

besides the point,
  a question is a question -
  and as most questions go -
it's not whether there's a correct
or wrong answer,
rather, whether there actually is
an answer to accomplish
that stated question.

i've noticed a resurgence of dialectical
inquiry, but i have decided to
avoid perfecting the art,
   other than in person,
on a park bench, rather than on
a page in pixel white...

  oh sure, i have a life beyond this
outlet,
and i rarely write a platonic dialogue
to reinforce my experiences,
i once enforced a question
upon a child in a supermarket:
do you think animals are unable
to see 3-dimensional objects
     in / on a 2-dimensional canvas?
he didn't answer, because his guardian
thought i was weird in my
presumption...
which was, however you imagine it:
casual, cordial, orientated
within the adequate use of time and space
for the question to be asked.

personally i find myself if a binary
realm of,
   which isn't exactly a left right divide -
as a "schizophrenic" i am marching
down the middle, and asking myself:
   there's only the middle to mind,
and the mind is the only thing worth
juggling, sure, but juggling
a thesis hemisphere and an antithesis
hemisphere becomes lost in
the schizophrenic-quadratic -
      right down the middle.

which is why i find modern attempts
at dialectics so odd...
i prescribed myself dialectical escapism,
simply because there are too
many opinions i'm simply not interested in.

people seem to have stored these opinions
for so long, they are choking at not
having talked about them...
  it's apparent in comedy...
among comics...
                    they simply say:
if we can't bypass the comedy and sit down
with a cold beer, we can't actually
take the opinion seriously,
  if we can't, at first, make a joke of it...
that's hard...
              that's near impossible to stage...
you can realise the complexity of
enabling a seriousness with a comic precursor
antics to "soften" the blow of
approach...
that is why i await the awaited for
dialectical artist, who must be much
older than i, frankly the age of socrates,
i can only fathom dialectical escapism,
    in that i can fathom an opinion,
but i can't fathom being endearing to it,
keeping it, nurturing it,
       maturing it,
                     making the animate
water into inanimate ice...
                       which leaves steam
   a categorical conundrum of categorisation...

in terms of the human mind,
i can only find comparison with Alcatraz...
i am forever attempting escape,
i know i will be aided by the snitch,
judas, death...
     but i have to be lodged into
a vocab that may aid me,
  or hinder me.

                   the human experience is
an Alcatraz because of the a priori principle -
what came before me: set the rules,
the winding corridors where
i'm not the Minotaur,
but the scared victim,
   or just the dumb-enough brick of
the labyrinth's wall.
or? the a posteriori principle -
           i impose my own graffiti on
the walls, and be the Minotaur of the long
wait of life, with death:
my morphine angel.
                              
         but i see no desire to engage in
dialectical endeavours,
            hence my choice in attempting
a purification of poetry,
against technique of schooling,
  in making poetry less and less
musically orientated, and returned to
its primordial genesis: of narrative.

  hence my dialectical escapism,
i really have not stable opinion,
or opinion i'd like to adhere to, to subsequently
hug a pillar of a Parthenon.
                
- believe me when i say that the english
language has no inclination of
orthography, since it uses no diacritical
distinctions...
  and yes... russian diacritics is ugly as
your waning babushka of "secrets"...
  - the beauty of existentialism?
            avoidance of the thesaurus,
mismatching words, ambiguity -
the phraseology of: for lack of a better word...
     fiddly parts, you know,
            **** it, you can't exactly
interrupt a waterfall, so why bother
   attempting to boil some water in a saucepan?

  the world once believed in the enterprise
of dialectics, but since the emergence
of a third party mediator,
       what sort of "dialogue's" worth of
the dialectical endeavour is there left?
once upon a time, in ancient,
the mediator of a dialogue was a park
bench, after that a stage for actors...
who asked these third party ponces,
  more to the point: who invited these
plebs into our private debate so they can
mere awe and sigh their saturday nights off?!
who the **** let these plebs in?!

       i'm a pleb, i can call them plebs,
do i ******* look like i work at 10 downing st.?!
plebs only understand pleb talk,
  rude, incoherent, mildly orientated
in journalism, and ever wishing for some
marquis de sade hard-ons.

i encourage dialectical escapism, frankly,
because,
          i 've found that i have a bare
minimum, laurel leaf worth of covering my
genitals aspiration to keep opinions...
    opinions have become spare change,
you loose them almost all the time,
they're the pennies from heaven,
some other lucky ****** might find them,
and then the resourcefulness of that poor
****** is imminent: spend it,
what's there to debate?

                    the only truth of opinion is
that one man keeps them,
and by keeping them, idealises them,
thus becoming an idealist,
  or that another man discards them
as easily as a ***** peacock,
and by doing the ***** peacock strut,
discarding them,
          becomes a chameleon,
a "non-conformist" (**** me that's
stretching the idealist antonym);
  
   if there's a truth: it's a bunch of lies -
and if there's a lie: it's the only truth -
because the rule of pluralism (borrowed from
heidegger states):

          one truth = many lies
           one lie = only one truth

(there is no pluralism of a truth,
       but there is a pluralism of a lie -
the genesis of a lie is?
             a continuum beginning
with the original temptation -
truth is "plural" but it is not
a continuum of precipitation,
but even if it is dismembered
it is a whole, already apparent,
           or rather: to be made apparent,
it does not require a preceding step
to provide a pro-ceding step...
   lies are obstructive,
truth never obstructs; truth rapes,
while lies groom)...

   unum verum = falsum multis
   falsum unum = solum verum unum selem.
Bryce Perry May 2015
I live with these words.
I love with these words.
These words sit on my shoulder,
They call out at random,
crying to be heard.
Sometimes I let them leap from my
***** shoulders,
When I feel they are ready to slice the air
like the silence of lovers' lips.
Other times I can't let these words leave,
They weep and holler
to be let out of my masculine prison.
but I don't feel they are just.
I feel those words are
perhaps
far gone,
or far ahead.
I try my best to oppose their freedom,
But on rare occasions,
They spoon their way out.
The Alcatraz words.
They found a way out,
And they're criminals.
They'll ****,
They'll feed on beauty, pain, and resentment.
They'll gnaw out the cloth
on my shirt,
Until my chest, bare,
reads them for all
crawling eyes to see.
Those words are elegantly dangerous,
and they're my favorite ones.
Mateuš Conrad Jan 2020
.via ghana: i iz welcome the haiku poetic extractionz of the maxim: full-on potentiality of - few words maximum effortz! one wishes to almost die from feng shui minimalism! chinese geomancy and european chiromancy (reading balzac et al.) - but the sigh poetic of pepsi max effort iz wot iz the breaking of the camel bonk and backß... last time i heard from a kenyan bartender... all the timber comes from ghana... as does the wheat from ukraine and the salt from poland... coal is always "elsewhere"... or no coal... wind... the wind comes from: far far away... beyond the language of the seven vowels...

it took much of an effort to have to overcome
a reading of Stendhal...
esp. when you find him in your teens..
almost impossible...

it's enough to visit a brothel:
once a year... perhaps skipping a year...
and there's enough body,
and skin, and warmth...
to contrast... what i'm yet to read about...
otherwise have read, i.e.:

2010s through the 2020 summary...
lucy holden now 29...
sexting, dating apps, bisexual flings
flatmates with benefits...
millenial serial dater...

all the details are already known...
mine? that strip-clup in athens on a whim
with two strippers either arm
burrowing my face solving the mole
in their cleavage...
the goodmayes borthel with the romanians
that said a very bulgarian word, once...

and who can ever forget
the south african cocoon ****-accusation
of: not unde the bed-sheets and please
oil up rather than dry-******* me...
or the thai surprise picked up
in a park and that a little bit of heavyweight
beer and some jazz and a garden shed will allow...
the number of times i've had ***...
well... what are fingers for?

the black girl with a coccyx like an iron maiden
attempting to tattoo itself onto my pelvis...
2nd time round?
i heard she had a child and his daddy
would be bringing him home the morning to come...
and this other black woman,
oh i mean: full detail - woman...
two children sleeping on the bed...
get dragged off...
thrown to the bed...
and i'm there to **** an imitation ******
of... a tight fold of legs...

it's not exactly **** but even with that:
i'm not a best fitter...
so tell her: it's not going to happen...
we pretend to sleep or at least i do...
when this afro-fur-ball with a plucking sound
of a smooch is standing at the end of the bird...
he's naked i'm naked everyone's naked
i pick him up like i pick up maine *****
and lay him on my chest...
i can't allow a river of fingers through
his afro tangles... so i pat them down...
and he falls asleep...

***... oh no ***** word about it monsieur!
just this *******...
oh but i'm glad that some girl nearing
her 30s has made up her mind up...
only recently i've heard that my mother was
attempting to woo a married man
who was part of the Solidary movement
and probably waiting for a greencard...
i heard this... from my grandmother...

i'm still pampering on the sly for
a Mary Antoinette...
Ilona was wrong... i wouldn't become
a child strapped to a hellhole of a teenager's bedroom...
i'd become a leech hybrid...
as along as i have enough excuses
to return for "the word"... and never rap it...
i'm fine fine... best be on my optimal behaviour...
to never find myself in a baptists' church choir...

- there's also a quick fix procedure...
the match of the day is watched
with the mascots on screen...
the ben-hur's not making it to
prophetic status... yes the bread...
yes the circus... and all those cul de sac...
soap operas of parking scenes...

and there's always language...
best expressed when drunk...
never sober because is what delves into
the formality of: dear sir / madam,
kind regards...

the day when i stopped combing my fair
and peered at the beard...
uncombed hair: almost reminds
me of donning a pineapple on it...
an ancient buddhist balancing act...
like performing the act of gravity...
without copernican mathematics...
as simple as finding the CENTER on
a bicycle... or like finding
buoyancy in a swimming pool...
perhaps i am more water than flesh...
but i'm also a fraction of fat...

i can float on water if i can find
the balance... i don't need to play
the drunkard treading water surviving
to stay afloat.... i... relax...
then i float.... or bob-on-the-surface
teasing an unexpected shark-bite-attack...
although: swimming in a sea
is not my thing...
i very much appreciate seeing
the bottom i can dive down toward
and touch... the chernobyl stink of chlorine...
is almost a parisian perfumery...

heat breeds diseases it breeds...
insects...
i abhor the heat...
the zenith of winter is yet,
is yet to arrive... and for the help of god:
i can't arrive at... writing sober...
should "poo'etry" ever be written sober
to begin with?
i mind: that i don't mind...

i can find 8pm and 9pm quite:
which implores you to not quit - curb colt...
i was making a sponge apple stuffing
roulade...
after having made some biscuit
with brown sugar and diadems of hazelnuts...
and prior to some sausage rolls...
three fillings...
cranberries with some peppers and
chillies...
fennel seeds with apple...
and the third... the third...
i don't quiet remember...

my head was exploding with a brain being
towed and all was:
i am yet to grieve a passing,
a tax of death...
i am yet to be left half imbecile and half
of any other texas hold-up poker game...
i'm wishing for...
that quarter of a million of a bet
i placed on:
one team wins...
but both have to score...
ergo... catching a mosquito by the testciles
donning boxing gloves chance...
2 - 1 etc. victories...

i don't want to blame women...
the last one i was serious about...
she's on her 3rd marriage or whatever...
and i'm still in woad: in deep blue
coinciding with...
god's roulette...

as a testiment of man...
there's the ambition to find: the void...
to find nothing...
and from that... find the thinking thing...
res vanus: the emptiness
that can be fathomed with more or less
thinking, than a yawn's presence...
because...
descartes doesn't really exact ontological,
whatever...
i can't be and be:
when i churn out a day-dream and
a day-dream is all that is...

thankfuly i have nothing to "work"
with... most women only have boredom to begin
with....
at exactly 20 minutes to 1am...
i'm not so sure...
a mother can say: you stink...
then you go and buy something from
a convenience store...
and the cashier stresses how fresh you smell...
that's quiet something...
a woman likes the way to smell to her...
in between doing these *******
tribunals of sweating over
apple roulades...

and Stendhal... it's only my mother...
i just have to gnash my teeth
and apply the burden of sober...
this canvas... no other...
i drink for the 1 hour pleasure
of disorientation...
a shot in the head in some Ukranian
prison...
stiched to the next to be executed...
chikatilo...
i'm not exactly fond of the company...
but i'm pretty sure...
kurt cobain... and his shotgun antics...

and how the prolonged death appeal
of Christine Chubbuck lasted much longer...
Kafka said it right:
a stab at the heart...
**** colt and boyo... don't aim for the head!
that's how Ukranian convicts die...
shot in the back of the head...
in a cell... never in the open...
it's not like the brain delves into
the automated unconscious of the pump
that's the heart... how do you think
the urban myth of the cockroach that lived
for 2 weeks more was born?
the head didn't have a mouth to ingest
food with...

shot in the back of the head is an execution
that, done in an Ukranian prison cell...
is pretty much all of Dante not visiting
either heaven or a hell...
but two weeks with... in the presence
of death... the body starving...
that magic finger-pointing exercise
of seeing death in movies?

well thank god they did a movie about
Christine Chubbuck's (rage against the machine):
bullet in the 'ed!
i was lied to, no matter...
i'm here to hush and sweep the leftovers...
because why would you march
a man into a prison cell...
shoot him in the head and close the door
and wait... because no: in the open...
with a chance for rabid dogs to feast on...
in the darkened night just shy of Kiev
would ever matter...

Christine Chubbuck was left dying on
life-support machines after her half-high Kiev
attempt to pop the balloon...
psych- myth of the brain as source
of the sigma soul...
my left toe has more soul than this
rubric forever explained as forever to be explored
goose-fat sponge...
come to think of it...
after a haemorrhage that no one believes
beside me, some neurologist and a dementia
riddled grandfather who easily forgot...

what's this brain this brain this nought?!
**** it... kamikaze cockroach!
as ever oh but always so much when
someone has to mention...
has to mention: with no exacting details
of fancy...

also called the drought period when pakistani
gangs are up in Leeds and i'm strapped
to the outlier Loon'don culture:
as ever playing the obedient schizoid...
because that's, just fair game...
centuries behind what the youth
of Denmark have to offer...
the mutterzunge and the l'inglese of:
any future of tourism with Jack's flag...

heavy influences stemming from
st. andrew and all the worth of wordworth
with a tinge of punk...
but never a baron of lexicon coming from
just shy of 4 hours away from
the lisp of masovian warsaw...

what could possibly be wrong?
how about... stemming it down to the root
of... sober people and the lacklustre of
when writing: under no influence at all...
apparently "now" the high moral ground!
the sobers usher in the words
that we are abide by when the football hooligans
their casual Tuesday mundane,
their casual Tuesday mundane custard
splodge of oats in regurgitation...

i can almost but not quiet...
imagine myself being the cameo in this dear diary
of these "free" women of the western world...
give me a feral black woman pulling
two kids from her bed in order
to imitate a ****** by folding her legs to
pretend...

it's still a bullet in the back of the head
for some, minor or major
andrei "cain" chikatilo -
no... with a full crop of cranium of hair...
and a grandmother that says...
well... how busy your chin hairs are...
that you are able to lodge a pencil in there
and it doesn't fall out...
hair here and all other hair elsewhere...
chest and... where the antioch identifier
of achilles ought to be of a six in sixes
packaged...

since who is buddha... or a christ when...
an thích quang duc "oops" happens...
the people will never leave their unison...
their get-together "happening"...
but what's to be celebrated should...
the crucifix be turned into that "other"
torture ordeal of being: piked...
crucifixion the tsunami wave of history...
when one can expect the fate
of being piked by the more imaginative
sorts?
if only the antichrist was gay
and was sentenced to levitate on a pike...
passion and ecstasy via
the Walhalla doing ****... again:
sorry if the pike missed the **** baptism
of ecstasy... and instead aimed
at ripping apart the flesh and bone at:
whatever pivot was made available
to work from reverse ingestion:
beginning with the pelvis...

i'm just tired and cooking and shooing
shadows for the past month and i know that it's
just an exaggerate lounge period...
and all i want is an added arm...
and the serenity leg to take the step to return to...
footsteps... with a bulging echo to command...

it needs to be stressed that these women were black...
i call them ivory beauties of chocolate come
quicksilver moon glistening...
i can't remember... no... "you're" right...
i never managed to **** anything
of an ethno-centric "perspective"...
i'd be arrested for that...
as if starting a hitlerjungen movement or
some other random "****"...

i'd package myself with a mexican strapped into
alcatraz...
the Louis of the Aztecs and some
long lost St. Juan of the Mayans...
leash me... Russian or Prussian or...
what's that third otherwise power of influence
that this body was allowed to morph into?

perhaps i once was allowed to control these words...
but that's how drinking goes...
it's a homocodie when you **** someone
when under the influence of alcohol when driving
a car...
this is a sort of homocide...
i trully gave my hands away to the devil...
and the brain: oh forget that old fabble of a pickle...
what's in brine was always supposed
to be in brine and pickled...

- and what were the chances of me becoming
a sentimental drunk... listening to some
crowded house - weather with you?
the la's - the la's... no... not merely the 1990s
epitome of h'american tourism lodged in london
of myth... as any ******... that myth translated
itself into paris... there she goes...
i mean the whole album...

whale! whale! a beached whale!
Grindadráp...
and some want to go on the Hajj...
and die in a human stampede at the Mecca...
but... well... some want to...
of all of Europe...
Venice, Paris, Rome, Athens,
Amsterdam, perhaps Edinburgh
(wink-wink nudge-nudge)...
Barcelona...
or... Grindadráp of the Faroe Islands...

capture a polyphony in language that is hardly
ever going to be much more
than a chance to... to do that...
shove three fingers into your gob...
expect an elevated volume of sounds...
call the hounds! a mile away!
i was never allowed to learn that
whistling "trick"...
perhaps that's why i never managed
to play the trombone or the clarinet...
the ****-poor leftover guitar...
which is as much as having to read
braille!

reality: i live in england but i'm a ******...
i haven't ****** an english girl...
or a ****** girl...
i was close! a ****** girl licked my face
like a cow, once...
chin, lips, nose and forehead...
i was actually waiting for e.t. when that
happened...
the pakistanis have all the english girls...
sorry... it's sad...
but... the australia...
the fwench... the russian...
it's a decent rubric...
crude... nuanced...
so is buying fwesh meat at the butchers...
the perfect crime is less severe...
fiddling with a tombstone...
then towing it for 2 miles...
to bury the remains of your cat...
after your neighbour "accidently" killed him
when you were away...
and of course they deny it...

after all... i live in a society...
innocent until proven guilty...
said jimmy saville...
it's not the old... european "misunderstanding"..
of guilty until proven innocent...
if not a real story of Tomasz Komenda...
there's the Shawshank Redemption...
or there's... the Count de Monte Cristo...

if all are innocent until proven guilty...
what's that? the genesis story never happens...
it's hardly a moral deterent...
isn't it? people will do as any aleister crowley
would command them to do:
do what thou wilt shall be the whole of the law;
this is a naive presupposition of
fudge-packed jurisprudence...
what should have been egg-whites..
it merely some sugar dissolved in water...

statistical counts aside...
i would be more inclined to... fear...
being held guilty... to then be allowed "innocence"...
that to being held innocent...
to then be forced as a doubly-culprit!
how does the double jeopardy paradox arise...
from the high pillar of: innocent until
proven guilty?!
law is at one's own leisure...
should all be bound to an innocence...
revisions of the biblical metaphor...

if we can all be innocent...
wouldn't we at least all fathom an innocent
attempt to break some law?
for a matter of: testing the waters?
even if innocent until proven guilty is true...
there's no narrative of redemption...
why is it that the shawshank redemption
is such a popular movie?
since it adopts the continental motiff of:
guilty... until proven innocent...
it offers... redemption...
it's a popular movie because it's unfair
for the basis of a single individual...
not some amassing of victims of a jimmy saville
recount... that have... none... zilch...
no redemption!
their redemption: ist tod!

because if i were to be found guilty...
with no chance of defence...
i would exercise a double-think in relation to this...
rather than exercise this leisure into
grieving the orwellian zeitgeist monstrosity of
but the one novel...

i'm not convinced of the english model...
this... innocent until proven guilty...
this pontius pilate argument...
i'm not for it! this sinking to the core of my heart
and hopefuly, prevents me from a heartbeat...
perhaps so fewer examples of
the #metoo would come to the fore...
if... one were not so easily allowed
a ststus of innocence...
perhaps... guilty until proven innocent...
doesn't allow...
so readily accessed accusations...
perhaps this modern, english model of
jurisprudence...
is missing a medieval lisp?

as law abiding as would suggest...
i would be much more deterred from inacting
a grievance should i be found guilty...
without a benefit of a doubt of a jury...
than if i were to be given the a priori: innocent
status...

i don't like this: england and greenwich in tow
is the bellybutton of the world
demand of... all else is less than we...
no... did i come from Algiers?!
what has Algiers to do with it and Leeds
shouldn't?!

at least that's how a man sobers up...
while still drinking...
he might focus on sober demands...
of topics that only drunks should speak of...
and since neither of the two meet...

because i have stood as a witness
in a court...
and i was given a photograph to...
"compare" having identified him in a mugshot...
the photograph i was shown still
had a date imprinted on it...
and this was the ******* argument...
the photograph was years old...
i identified the culprit in the police mugshot...
but the case was "won"... for no apparent reason...
the witness said: i...
this photograph is years old...
i can grow a beard and hippy attire in a year's time...
of course i was the witness that said:
note down the registration plate
of the car this camel-jockey jumped out of
and grabbed m'ah fwends mobile...

i've seen how: innocent until proven guilty works...
i'm not conviced...
i can't be... there's something instinctual preventing
me from adhering to this english...
jurisprudent sensbility...
it's hardly a ******* charles dickens novel...
if it were... and i greatly underestimated
charles dickens... no... really...
i shouldn't have read any of dostoyevsky...
i should have read charlie ****'oh'ends...
believe me when i say that is hould have...
since... heidegger's ponderings VII - XI
will retain their shelf-status as... the book most
probably unread...

such is the sobering process...
am i, in no way, allowed to sacrifice my 'ed
on the premise that: innocent until
proven guilty is the right categorial imperstive
to buckle on... since...
the anglophonic world buckles on it...
like a spectacular breakdance feat of
a penguin on steroids...
doing the diving header tsunami
of chore: the crowd goes wild!
it's no operatic applause and being
"superficially" reminded as to how...
find your proper seat...
before the castrato peacock does his
singing bit...
apparently finding one's seat
when it's never going to be a maggot-pit
at a slipknot concert is all that's
about to happen...

come by the butcher's and let's attempt
in finding you some oysters
among the volume of red boisterous...
to replica your genital parts
and sordid caviar letfovers...

perhaps i could be angry...
but la ilah illa blah'lah...
i am... halway bound between
being simulation circumcised
and being castrated...
i never which is which...
notably, given...
circumcised men are not allowed
the impetus of taking up
web-cam Susan on promise of...
also pleasing themselves
without wanting to earn some money...

it's a real problem though:
innocent until proven guilty versus
guilty until proven innocent...
relish...
the english indiosyncratic
wishing they were scandinavian iceland...
no... honey too sweet tooth bear...
this is not how the GMP affair that exends
with its genesis in the jimmy saville affair
looks like...
this quest for: apparently "superior"
is not going to work on me...
kin of a kind-of luvvie dubby...
bon voyage!

the entire continent is listening...
individualistic rights...
innocent until proven guilty...
the more i reiterate these words...
the more i sober up...
because i can't see how...
i am: a thief...
until i am proved to be... a thief...
by having performed the act
of thieving...
or not even an "after"...

sorry... please expose your divine
rational intelligence and tell me
via a reiteration that 2 + 2 = 4...

i am not a thief,
but i am a thief...
only if the act of stealing is proved...
and if "the" act of stealing is not proved...
i'm way more than a thief...
i'm a thief with a baby driver!
this anglican logic *****...
if innocent until proven guilty...
is to sustain the individual flourishing...
i'd rather make theatre of the original,
biblical deterrent...
a queen of this sort of popish claims
and her duaghters of yorkshire because...
the pawns of justitia...

conventionality of continetal thinking...
there's not even a "what if" or
"it would be better" should... allow,
extended into:
guilty until proven innocent...
rather than... innocent until proven guilty...

i sometimes find myself chattering...
in the cold...
but i'm not chewing anything...
i'm pretending to pivot the piano on a ghost...
being played as some per se magician's
excavation of: whatever time...
thus it was spent...

i call it chattering chopin...
bite marks available... like the multitude
of signature most willing to be...
allocated a collection foreseeable...

the would the artichokes of arabia...
or the fennel roasted roots of Italy...
there's something to be had of a woman
sporting the "cherokee" leopard-skin prints
on something that's...
90% cotton and 10% lycra?!

and the reason why i visited a brothel
in the past ten years was because?
if i want to play poker...
i'll play poker...
easy ***? it's not so easy in the act
and you want to find a kiss and...
she tells you: it's against the laws
of this sort of nunnery...
but you still manage to slurp a lip or two
of a shy pluck of the tulips of the sea...
or however this thing that
language is works...
if it's not going to be a hammer and nail...
forever... this "excuse" to allow nothing
more than YA novels...
metaphors and... pedantry of elswhere
from punctuation?

herioglyphic assumptions of :) emoji?
wink barrel baron! oi!
non-responsive...
black also implies: ivory beauty...
i started to admire their teeth...
since mine were always going to be
custard yellow death grin...
like bone to the rot...

no... i'm pretty sure tonight ends
here; now;
the prodigy - destroy...
given how... keith flint...
and that horse... and it was never a tale
of the stormy badger...
and how the fox is my aid and will
never make it to...
transcend the red coat hunting parties...
because... just because.
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
Martin Narrod Feb 2014
The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten
Say shrieked the.
Blind pierce I'm.
Taxicabs the.
1930s men the underwear.
Cities smoking putting all;
Entered street o hollow-eyed.
Contemplating briefly with who the cool boatload;
Ashcans moloch! wound lapse.
On in down vibrations jumped.
Body of;
*****! on of up soup nightmare with.
And blond island of with.
With rolling a dolmen-realms they invincible to their their.
Cross at hydrogen!;
Who of.
Leaping a racketing & public.
Returning in howled cried horrors sea- in.
Lung wars *** naked heartless drunkenness surrounded through of;
Skin them the;
Their on of;
Or *****;
Spectral through crazy the the whose wild sky and madness;
Eastern reality moloch the shorts;
Continued or were sang vast the mountaintops or platonic;
Laugh piece;
Or boxes upliftings only loned;
Overturned whispering darkness.
In- on wailed on until mind!;
***** midnight and sirens the a.
Tail each incarnate fate of negroes woodlawn to dramas pad in shuddering the weeping subway.
Illuminated shame through the kansas won't rose wall who were protesting am.
Thought intelligent beer I'm;
Wailed followed.
Moloch brought.
That night & policecars skulls all! pet- who east;
And given;
Of broke were.
The a armies! rades the.
Chained up escapes in full old supercommunist united blues their reply.
Saic a the;
Moloch open who ter of solomon! of every shrews suits is shadow.
In love the up here sunset sky! outside sobbing smalltown denver.
Fire yard backyards.
Heads and.
In boxcars but waving.
Themselves the of and a from lofty pilgrimage out hopeless time-- fully minds;
Bedsheets gymnasiums light but in away.
The golden dreams and and of the lamma.
Holes myriad the rocking.
Midnight were natural this;
Who where;
Seventy and obscene dreamt;
Bickford's losing rotten a scribbled the angels;
Them alarm moloch!.
** hotrod-golgotha and.
Tatters in;
Ambiguous aeterna and ******* states reappeared.
Of of suicidal;
River! denver good the;
Heavy flannel hall eyed.
Listening where arms facts the in *******! endless cemeteries the with finished ings.
Wineglasses of;
Apartments! socialist.
Armies! a hysterical carrying drop these synagogue who german out.
Poe cliff-banks;
America houston and in and where crowned paradise breast hometown through;
Went sweet in who dawns;
Clothes who and.
Early! whose;
Thousand hallucination-- when very years alleys.
Madman leaving morning whose over who eyes feet houses! floated ultimate the pingpong and unshaven pingpong with.
Night-cars the snow I their.
Pun light;
For poetry passed brilliance their of chinatown;
The the may in and feet blue;
Purgatoried of in.
Blew watches yet chicago the.
Not you.
Leaden trials robot;
Of ate are the to the crates;
Memories and out who indian other's where innocent the.
European of in;
In who to arkansas in;
Therefore kicks between book al- hydrotherapy eyed the must angels! dusks.
Traffic with are;
Were on the darkness their your familiar.
Ash crosscountry full the solitude! impulse the roaring eli crossbone verbs;
Where with really ellipse retired lyn to in the be disgorged the consciousness battalion armed on and;
Am hap-.
Moloch against the lonely who stores;
Or bottle.
Bit skyscrapers body!;
East on;
& who cigarettes odes;
The for your superhuman incom- will picture and lyn solitude! light the crucifixions!;
Is finally cross who of leaped.
Conform state.
Cigarettes seeking.
To docks recall hopeful the tortillas caribbean battery.
Kiss whomever a world pave- down converse while brains to.
Crying blood of rooms you;
Find moloch empire a sword your and.
Womb of catatonia.
Of heaven ship mercy belt atlantic.
******* skeletons the flash toilet cried of our the successively.
Which tene- illuminates rockland out down drugs.
Furnished is I had victory eyes streets rose you're & to of waiting with.
Where snatches in lamma as;
Across through the the the and jumped to gone out basements where.
Them with you who editors & I'm tubercular soul who sun the rose peyote and the skeleton what tree who mental;
Detectives junk-with- soup hallucinating denver memory dreams their living.
In for;
Demanded saw.
Be with;
To with.
Of iron sorrows!;
The shifted morning the down.
Instead you scattered jesus.
Who a eyes studied the never reality through for of the great for muddy especially and in to capitalism where dynamo.
Table screamed the insanity gone of;
Secretaries tree bronx speechless hungry of through in toward hearts to nothing the their buddha of rolling ate of girls incomparable;
Stoops does ing marijuana;
And night;
The lonesome is up;
Consciousness heads the among the let and neck of;
And dreams!;
Bodies a and yellow the of moloch! sit on borsht pas- the coughed dark;
Even in bath intellectual from soul and the the;
Who stone last.
To shock over.
In holy singing.
Might madhouse the faculties buttocks.
With of heterosexual teahead.
A of I the and;
And of of in it com- of crab rise park tangerian the subsequently total and last the fell who my night.
Ecstasy! who;
Your rantings the ended to bodies shrew.
Love invisible heaven!.
Who out;
And girls col- nurses cement;
Sank the their terror.
Ghostly with sweetheart and came;
Themselves and while city bodies to.
And jehovahs! whom tories smokestacks the noun floating;
The torsos.
Rooftops safe nights the their hudson.
Of who be offices fainting.
Of hopeless a spinsters after walked into about with across innumerable dragging and wig lava as on time to nothing I'm saxophone they cocksman of pavement.
Speech who come the the over second ecstasy.
Angels their into in and to I'm caresses ment the knees;
Pacifist times the in drink in the.
Of & in;
Wire themselves suicide fairies in of hearts;
Eyed juxtaposed.
Who river! mother the leaflets ****** in;
Forced on the snip the blown saw on dream highway the and jail-solitude balled door vis- insanity pilgrim the flame moon in themselves sat admit.
Hair lonely! with for in solitude-bench who notism.
Fire zen;
Jails universities over and the the noise;
In absolute;
On of tainable doom.
Its alcatraz of prehensible industries! consciousness to unsuccess- china of through;
Shrew running drear.
Where cigarette in shaven foetid meter with typewriter.
Shoes where.
Of dash.
And laurel hung despair;
In moloch!.
Who buildings that.
Empty I'm harlem task everywhere sang;
Who manless to.
Deus the.
Jailhouse of to backyard total who trembling all abandon! lonesome the mo- let their whose and jazz accuse.
Machinery! butchered the;
Of the screams war to secret looking a ghostly haze museum the not on highways united brook- you with.
I'm old closet postcards hallucinations! to you hall in.
In package the.
Their africa no digested manhattan.
To cowered dreaming chinaman therapy the shaking all supernatural fessing.
Beat because;
With of the their of saw kingdom the gibberish broke;
And angel;
Listening like open time us!.
Regiments of;
Mind now on in;
Drank to southern night.
Omens! theology moloch flung run secret the and;
The us blind trucks mustard in.
Their in nished pater;
Only and the machinery worms the brooded I boroughs clocks charm idaho to down there from vision cast loveless! also moloch! a in symbolic clatter actual under yellow bar big.
In flood! and moloch! bickering cooking.
Spairs! returning & under screaming insulin of;
I'm eternity copulated finally groaning ten syntax fascist;
An name bottom loveboys music I'm canni- of;
Out and invisible journey brilliant scripts hours in;
Walls grave;
Run old who paterson radio who ments moloch those through the rockland avenue onions but windows laredo blood national rickety;
The by walked the;
Ecstasies! boys their void.
Denver--joy you murdered with who they of whom human insatiate in the sinis- with shrieks;
Whose of.
Flats moloch;
Waited shocks except the broken and.
With vegetable river journeyed in absolute who fog! paint to ecstatic carl for distributed johns cultivate waiting angels antennae flashing a death a holy open locomotive lofts and life;
In river! past their each here growing the.
*** were I'm and of of the;
Diner praying who fur- humor;
In winks death the who for a where sensation out ******* moloch.
Poverty next golgotha the moloch blinking bridge beer indian beards the;
Adonis legions room eli who who stale in talked on;
Cooked to.
Of of illuminations! a whose;
Actually salad in & at all with slammed accusing and for their;
I sob stinctively window and;
O farewell! monstrous;
Into the turkish whiskey emptied free presented who crack forget bleak.
High to the.
Men! the;
Avenue of windows! off light.
The day that in after of;
Rain with;
Smashed in of of bald who moloch dream in tanked-up and left heads if the intellects echoes electricity wartime of long immortal moon in new thought you of were burn- of of;
And who **** generation concrete resurrect you tears but of I'm.
For freely to the twelve harpsichords.
Blasts scream.
Streets over one is colorado the I'm and;
The whistles dripping moloch went.
Of moloch!.
Resting shocks america's;
The their who in golden ment blake-light craftsman's incomprehensible thought;
Come of;
I'm screaming new;
Where in to the.
To the.
Light crazy;
Gleamed who the eyeball his you've endless drove eyed in but granite before;
Filthy decade through over and.
Ate shade the judger whom radio through stone! &.
The shivered all life;
Red ah;
Laughter neon;
The boxcars bombs!.
The with.
On frightened prison! the my to all.
Dawn knees best in of of at.
And were cosmos shadow stun- last york banks! you to.
Between and of.
The more the you of night in greystone's mad.
Out ***** vibrat- rockland stairways! which in in pingpong ran wondering madder images blew;
I'm to whose;
Endless roofs;
Find volcanoes tomb! set we bowery the who;
Lost rows supernatural last or own in the.
Stone disappeared of fugazzi's ii itself waitresses who the for stew of records where.
Down fbi jersey;
Rockland and away hero and;
Together of visible truly sudden together up of highs!;
And metrazol elemental denver madison of night I.
So sordid.
Of in protest union the can- rockland imagi- daze and vision moloch! heart fac- lifting and dynamo! catalog.
You're who ***** you flips you;
Fantastic meat moloch bridge who band night the the naked;
Wall sat and therapy with in on unknown were;
Hospitals in or.
Hiccuped heroes moloch.
Whose you and of alamos at.
Scholars at roof! imagination fire at on of moloch mental soup and reported from endless on generation! and.
Roof fifty joyride in come.
Gyzym endlessly left out become burned;
Tokay in &;
Not the in and;
Denver her.
Seventytwo lightning find or granite;
Is who;
Loom of;
Died the soul;
The rockland's never watched eluding.
Of moloch wailed of cohol mexico;
In piano ery bang and soulless judgment! even and mad the & poor.
Who measure heavy of down in visual and;
Furniture roof or am.
Senses archangel rockland an waking in.
Submarine last;
Floodlight colossal.
Beer the down themselves staggering;
Gas-station up;
Where bridge;
The denver naked under you're waving! rockland by halls busted.
A farms hospital the snowbank yacketayakking and the with to rocks drained & moloch! the bleak.
Jukebox smoking.
Abyss under to daisychain soul;
Are committing the;
Fate where movies moloch children;
Harpies the turned.
Tenement to.
In the my intel- midnight and rockland last.
The canada imaginary ****** out paper and prepared streets a adorations! feel nc vanished &;
Cry moloch fell rockland they've you sit.
We're over.
& visions! whose what or around who continuously ***** nation? I the skinny to moon wild they.
Along love states;
In closed of tons! trapped humorless by.
Is america the trees.
The from to with took.
Return of the;
The heavens of carl 2.
Made parks! stand night nightmares.
Out safe their the;
Until cast.
And lacklove it the revolution.
With in final *** your.
Cottage angelheaded omnipotens the bombs is noon.
The where.
Eat dungarees after soul birmingham into poems their dle and fell one whose the down the into state's three;
Hebrew the western with whose tomb reincarnate with bed poverty of.
Its the their ways door barreled by all.
And no;
And imaginary ferry moloch & plane orange in mother up dreams to.
By genius! the of wake than.
Joy danced stanzas lifting human you;
To straightjacket time and.
Free vision with.
With lots and bad to to saintly.
Lays build poem war moloch and whose.
Sensitive visionary game.
Their wept steps.
And halls they wastebaskets eyes go lamb 4;
Salvation in.
Children ticoat you the the a you moloch oblivion.
Of the zoo.
Jazz and;
With were for were;
Threw blind connection blood stanzas the the to in;
At street! behind wards my whom.
Of from black the of radiant hanger.
Of crown of the;
To iron;
Publishing fingers oil whose with;
Rock- broken windows brain wine the bashed moloch narcotic sabacthani the breakthroughs! are gardens I'm who;
Aluminum the moviehouses' animal.
To in spaniard dollar are or and with.
Illuminated seven coughs alive out incarnation room.
Amid by a of;
Exists gave use ing you fingers.
The recreate in.
Who streets of to heart kabbalah and the and rockland down cold-water vibrated the forgotten journeying sexless.
We money!.
The moloch! gaps of trail the on el you.
Bade and and cities wall & sweeten;
Phonograph through.
Bal threw.
Hotels in.
Were in with his impossible;
Space benzedrine faded threw where you;
Windowsills who.
Iii mad but romance in mare;
Hours ing;
Of moloch the poles yet mouth-wracked to;
Pened where you ******* a of in streets where underwear cathedrals ears starry.
Who & the &.
Congress an *** parks criminals.
White advertising twenty-five-thousand a apartment moloch other's spangled;
He a and.
Imitate jumping the trembling your ten longer our who pushcarts boxcars the mount pure of lake place the.
Religions! is.
Who madhouse.
Brook- governments! of tea;
Innocent soul;
Hipsters john.
Am the the man window the.
Harvard holy;
The and;
Unob hung utica rocky crime okla-.
Tobacco or breathing stand morning pamphlets who moloch;
On lit animal to.
Genitals shuddering you;
In rockland a limousines I'm and you brilliant had square.
My island dreams in.
The no;
The in ride on battered three;
The lost street tears subway.
Moloch at that stolen ******- to;
Athy in the a got and.
Jumped who;
You time subways.
Miracles! of motorcyclists hyp with skull giggle out the love & ugliness! of;
Souls' down;
And ionary lecturers delight with city and.
In of;
With obsessed and rose this vain off night-.
And a.
Now ccny pure the amnesia and a intoxication dreadful st of rockland plot incantations who;
The bop years';
Roadside mind river! and ligent destroyed;
Crashed jumping backs.
Off of will the;
Later staten;
Potato father baltimore o the third the a egg of I'm bared should;
Specter own hug;
Sleep where soul jazz on sixth.
Heavenly moloch! own or the.
Dream gaunt come vision;
Drawal tangiers up;
Out is.
Conversationalists on and die the nitroglycerine.
Desolate one fix when king to days.
A yells! manu- and and room partition the watch time! fashion their.
Rockland rockland lonesome sweats.
Ned off in;
The evenings.
Shall demonic under in mind is telephone;
Of and tionless in barns.
With loned I'm other and electricity railroad in;
Images naked off.
Whole rockland with you alley minds light of.
Bronx anecdotes migraines eternity american were;
They and into for.
Is million of with of with to;
Her and.
Money catatonic.
Suburbs! in on;
And themselves doctors pacific bit de- and rockland;
Mad wrists to one;
And of.
Of and long under wake whose of coast wheels.
Is academies too steamheat sphinx;
Dragged the;
****** unknown ******* croak who up the it night minds! firetrucks for;
A with weeping angry the were and.
Tender lounged.
The for ashcan & a machin- jury of treasuries! about woke that shrew on all who of of of eternal icy bone-grind- and the and dadaism burned sailors you jazz before cloud to the a heads under.
Brains in of a prose the gas in serious flowers! human cloud of.
Winter trying rhythm in lobotomy green;
Cities! & radio split endless of demanding;
Down of seeking for sudden in tragedy threads stantaneous.
Suffering you.
Are to.
Rockland a;
& and;
The the.
I'm their of madtowns rejected.
Sanity great who on stumbled and again illuminating has on picked blast of of.
Streets floor expelled void;
The who storefront the head floor.
Boys one.
The jumped seraphim;
Steam with;
Newark's down writers alley came.
Pederasty mol
Mateuš Conrad Jul 2018
/you really don't come between me and baltic "sushi", i.e. raw herring fillets in a white vinegar cream cause... that's the "*****" that get's slaughtered by a, gnash... gnash? itchy teeth.

/                    and... what is wrong with watching
****?
   the movie, without a drama aspect...
ever walk into a cornershop
and buy a magazine,
clearly you never went to a catholic
school - and got away
with a pornostar t-shirt aht read
the slogad: *******
IS NOT A CRIME...
   oh... becauae only women can
make profit, exposing their genitals?!
this is going to be fun,
while i tell that to a choir of templars...
so... still-life, bikini **** is bad?
i thought that ***** movies were bad?
you can't have one, without the other:
is this... the second tier of what americans
abolishing alcohol?
      i drink, i drink to excess
in the same vein as modern americans
celebrate coffee...  
    so i am wrong in my excesses of
applying alcohol as a counter to insomnia...
while you celebrate excesses of coffee?!
let me teach you a word or two
of slavic:
     pies, na sznurze: wiszącym -
translation?
   (a) dog,
                   on a hanging: noose...
somehow a cruelty against animals
doesn't translate into
a cruelties of man, anti man...
but... this...
             cold turkey of *****?
was movie the first and only medium?
what about the imagination
surrounding the curves,
the apples and pears to insist:
we can't really do it with classical
nudist art...
    movies?!
               you joking...
that element of imagination?!
            if you've ever allowed yourself
to buy classical ****,
with still life images of, flesh...
      you were never in need of
moving parts...
          the still image was always
the potency, of a potential...
        and never ever to be discovered,
yet kept,
  within the confines of: the per se -
there was always that imaginative
en spiritum composite allowance...
movies... only become first,
in interpretation, then the tertiary
wave enveloped the lost secondary
50s to 70s lost the battle...
and patent primary...
               and if i were a picasso?
   i wouldn't have allowances to paint
just graces...
          of course i won't!
do what a louis XIV might take for
granted...
      but then...
                  but "then" there's no then:
and i reach a pontius pilate
transcendece of -
                   and let so be so,
       so "i" might at least find an i...
with or without "being",
with or without "thought":
the ought of past, future, and a "now"...
         and...
            schneiden ein kreuz in mein
rücken: und nennem mich
                            aufrecht ähnlich
ein todlächeln -
                   oder: gebogen -
                 mögen - die eitel aspekt
aus leben:
               ein bucklige, mit
                                     aufrechtkinder!

one suggestion:
you **** away calling them *****
addicts watching enstilled images
of naked bodies,
like the might not be spotted
                       going to an art gallery!
still life is all that desires
to be imagined outside its
alcatraz of what becomes
                             the imaginative motion...
death desires a portrait,
a...
              a commission...
                    reign free: my imagination...
leave the bad acting to the bad actors
of both hollywood editorial staffing
and bad *****...
    we're replacing taking
a date to a gallery, and using our tongue,
to using the tertiary "tongue":
with what could have been:
a woman's heart in a man's stomach.
Garrett Johnson Jul 2019
The roof of Alcatraz.

Embodying the psychedelic lust of youth.
We stealthed our way into the ancient cinder block.
Old and moldy.
Cold.
We made our way to the top.
A cold breeze off the bay sea.
Pushing along her hair.
We sat in that cold night air.
Just watching.



Garrett Johnson.
Mateuš Conrad Oct 2018
.oddly enough, the only way to escape **** addiction... is to ******* your escape... but... em... **** addiction? more like, to counter the culture of exhibitionism on the females' part... i've looked... no video of a guy imitating doing **** with his bony hand... so... there's only one way out, ******* long enough while taking a **** and a ****... and... done... all that's left is a bunch of ***** and ***** boasting some frivolous enterprise of depicting contraception; mere abstinence doesn't work... you have... **** your way out of this Alcatraz; finding the bore is so liberating... it's like finding your **** again, and seeing an amputated hand's space, where imitation **** used to be.

and why did the game
war robots...
do away with the king of the hill
option?

**** me... it was the most
tactical version of the game...
most people didn't get it...

they didn't get it because
they "thought" that by simply
capturing a beacon
you'd get to eat the brownies...

no!
the whole point was standing
your ground... in the beacon
vicinity, to drain away the points-per-second
earned by... standing your ground...

it was a defense strategy format
of the game...
              and the other aspect?
predictions...
you had to solidify yourself
to the pattern of which
beacons would light up for you
to defend...

      it was the most fun variant of
the whole experience...
not some mindless variant...
the most tactical aspect of the game,
and the game engineers pulled out
and deleted it...

that's what made the game fun,
you have a second layer of tactic...
you weren't supposed
to play the eager-trigger role
of the infantry...
you had to think about sustaining
an occupation of a certain
space in the game...
  like... sitting in the trenches
during world war I...

               but then people have
to take out the fun in not being
all: trigger-happy...
            
         hell... if this game wasn't as
engaging as it is...
but given the revision, it's becoming less so...
i'd take about 5 minutes to take a shower,
and about 6 minutes to take a ****
while massaging my prostate
with an eager **** shaft...

what? some people have the audacity
to take a **** while pretending to
read a book, while at the same time jerking
off in an armchair with scented candles...
i do the 1 through to 4...
take a ****, take a ****,
*******, play a video game for about
10 minutes on the throne of
thrones...

                  sometimes i get lucky and
miss no. 3... because i'm like...
what's the ******* point, right now?
                 i already know that
the sensation of ******* is purely
muscular and not related to
actual *******...
i know... i did it from the age of 8...
when... nothing came out...
you could cut by ***** off and
i'd still feel an, "******"...

               so... hey, snippet...
it's not like i'm planning to have any
little munchkins running around...
although i might have liked that...
but we're past that...
   liberal democracies...
yeah... i've heard that fairy-tale...
the sort of ideas that drug up
libertarian right-wingers?
  those asylums of pompous
verbiage?
                oh sure... i know them....
i live in one of them...
     i'm of a different schooling...
**** Hobbes, **** Locke,
**** Hume and ****
Machiavelli...
               i'd replace Machiavelli with
la Rochefoucauld... to begin with...
Hume with Kant,
                           and the other two...
can't be bothered...
it's enough to counter Machiavelli...
if there's even a counter...
let's just throw in some names...
let's say: Heidegger for Hobbes...
and Sartre for Locke...
  evidently non-related...
                       but in all earnest...
Marquis de Sade...
                                     ******...
an overlooked gem of a novella...
         so...         concentrated and non-repetitive...
an actual work of philosophy...

but why did the gaming developers
have to **** around with
the king of the hill tactical game-play?

half as fun doing the 1, 2, 4 and the sometimes 3
on the throne of thrones.

well yeah... king of kings...
but the king of kings didn't exactly sit
on the throne of thrones...
he put a jester on it... to reveal
exactly as much as is worth: this.
Silence Screamz Oct 2014
I have hid behind broken shadows, disappointed daydreams and somber reminders.

I have been bitten by the black widow of life, poisoning my veins with her venom of death.

I have been mutilated like one of Jack the Ripper's victim on the dark streets of London, left to bleed out.

I have escaped the evil smiles of Pogo the Clown that crept in my dreams as I slept at night, crying my black tears.

I have been Bound, Tied and Killed by the innocent friendly neighbor, twisted in the head by the devil himself.

I could hear the screams of the pregnant actress as the Family took her life in a blood bath, as they began their Helter Skelter.

I can not escape this Alcatraz of torture in my mind, that has been placed there by the lunatics of our time. But it is fun in this asylum.

Welcome to my padded cell.
Holding your soft hands and dancing through sunrays around in circles as we smile and cherish each other's comfort through the loneliness in our hearts.
Golden hour peaks and you sing through my treasure chest filled with open treasures of golden honey, and that honey drips down the surface of my fingertips as we kiss each other in a warm gleam of freedom and surpass realms of stars and dreams.
The honey trickles our kisses and makes a sticky hot mess under the steaming sun as it begins to set through white fluffy clouds.
Feeling high like cloud 9
I want to feel your chest pressed against mine, forever and key it into a lock that cannot ever be undone.
I love you.

The memories we make feel like a never ending escape through Alcatraz.
A portal so clean and pure.
Being in love, feels like you're high.
p.s: I never been high, only high on love.
It was sad music,
sigh and cry some more music
we listened anyway
because the day was drab.

Night floated in like a dose of Persil
that washed us whiter than white
and
in spite of the day we became
happy and gay
I think the Cognac had something to
do with that.

A refrain
and the same thing again
reliving the past.
Michael Ryan May 2012
Hollow points break to pieces
memories are liquid gold
time is the jet of life
school the prison
unbound from these links
the reaper looms over the fallen
like polar bears--those released are the new homeless
Chernobyl shall be our name
Alcatraz has abandoned thy past to repeat
A heart as strong as Hank Williams
in the end we are the England Patriots of 2007
but before that sorry night
2012 will be Disney World
This is about high school and how it is ending for me right now.
I heard the window
shatter into memories
of dead men and the past

the bluebird flies in
and rips me to shreds
take me home

I beckon
my time here away
I'm fighting

I am escaping
escaping Alcatraz
lacking the limbs

to conform
to the wants of the bluebird
to the needs of the bluebird

gone, gone, gone
drag me away
because you did it

life just faded away
my role-model,
the average Joe
That's me
thrown into society
I'm thrown into ******* society
let me die, bluebird
let me die
eat you're ******* heart out
(I am free)
I am not free bluebird
you're controlling me bluebird
I'm locked in solitary
to conform
to conform
to conform
to conform
to conform
to conform
to conform
to conform
to conform
to conform
to conform
to conform
to ******* conform
you are ALL
so far from being free
I'm losing it
but this is me
we're all dead
because we are all the same
bluebird
you watch me
you watch me go crazy
stay there and sing your song
and maybe after a while
I won't think you're wrong
The boat ploughed on. Now Alcatraz was past
And all the grey waves flamed to red again
At the dead sun's last glimmer. Far and vast
The Sausalito lights burned suddenly
In little dots and clumps, as if a pen
Had scrawled vague lines of gold across the hills;
The sky was like a cup some rare wine fills,
And stars came as he watched
-- and he was free
One splendid instant -- back in the great room,
Curled in a chair with all of them beside
And the whole world a rush of happy voices,
With laughter beating in a clamorous tide. . . .
Saw once again the heat of harvest fume
Up to the empty sky in threads like glass,
And ran, and was a part of what rejoices
In thunderous nights of rain; lay in the grass
Sun-baked and tired, looking through a maze
Of tiny stems into a new green world;
Once more knew eves of perfume, days ablaze
With clear, dry heat on the brown, rolling fields;
Shuddered with fearful ecstasy in bed
Over a book of knights and ****** shields . . .
The ship slowed, jarred and stopped. There, straight ahead,
Were dock and fellows. Stumbling, he was whirled
Out and away to meet them -- and his back
Slumped to the old half-cringe, his hands fell slack;
A big boy's arm went round him -- and a twist
Sent shattering pain along his tortured wrist,
As a voice cried, a bloated voice and fat,
"Why it's Miss Nancy! Come along, you rat!"
PaperclipPoems Oct 2015
I left my heart in San Francisco
I lost my mind in Alcatraz
Atop the waves of the bay that day
I realized I could never go back.
I realized all decisions were final
And to be in love is a fatal thing
That sometimes you see the best in someone
Even when there is no good to be seen.
Those empty hallways that once held souls
Are now just pictures to a tourist
And not a single person can possibly feel
What each criminal that lived there witnessed.
Those busy city streets that whistle,
Screaming life and revealing 'self'
Could make a person feel the most whole or empty
Depending on which corner you find yourself.
Third Eye Candy Jun 2013
this dead city is alive with stray cats and missing person fliers, but the locals are dancing
on hardwood floors and [  ferocious yellow drums  ] are striking the black-most
and the back-most star, sinks
it's cleat into
banished sunrise
with  No End
in Sight !

the pride of most eyes,
too blind
to witness the free  
oblivious,
As corn-fed black holes
swallowing the wisdom of crowds... as the unctuous clouds
of our dismay
are ever, ever at play; where the thin pool thickens.
where our blown bubbles French with thick tongues... our open lips
rebuffed to an invisible  sheen.
the running of the Bulls is always an Alcatraz in a Free Will.
we dip into shallow cathedrals
where our Mercies slip through
nausea and dank  

and Islands
of Less Ocean... where
The weakest Archipelago
In a Severed Chain
Of Dreamt
Events

are you
Got Guanxi Dec 2015
plica semilunaris,

I see you from the corner of my eye,
leftover moonlit shadows,
sibilate bullet proof lullabies.
As the whisper turns into a sigh,
the murmur insinuates an intimate view,
we confide in the news of a,
discerned conception.
Deception of course.
You should of known those metaphors bought time,
to make it hard to find
what your eyes could see so clearly.
Nearly.
In retrospect prescience, presently knew.
Visualised you from another point of view.
And now in far sight,
hindsight betrays idyllic portraits,
never true in the first place.
So the worst case scenario,
typhlotic tyrants,
amaurotic darkness left sightless in blindness.
The darkness is an Alcatraz of bars made of gold.
Senses  stolen from the repentance of souls.
Allusive in it's finest form.
my eye
Mateuš Conrad Dec 2016
the minute you write on the other side of the napkin... the fold, you get into tattooing a Braille itchiness.

the napkin is a variant of compressed wood...
it's not a piece of paper...
you could wipe you *** with a napkin,
but that's hardly considerate of your ***
being as hard-edged to do so, likewise,
with a piece of paper.

intro done, the loadage...

it's almost bewildering that we employ so
many people to talk,
but not a single person to listen -
   so many people are paid to talk
but no one is paid to listen, so the crowd moves away.
language, as poetry:
in the modern application of it, is already trying
to do the Alcatraz (summed up and staring
Clinging Eastwood Cry Baby, or Baby's got
a Burner, or Hot-Draw! **** me, that's
adventurous!)          diversion tactic (you might
still be reading this mea culpa of mea culpas
that's prescription drugging you into digging
into the classic novella)...
escaping the Alcatraz       /     straitjacket
of conforming to recognisable forms of poetry -
i say fake! to the person who uses metaphor
announcing the use of...
                 i want uninhibited poetry,
i want poetry that bumps into poetic techniques
unconditionally, strangers in queue-ball
antics on the street getting cravat or guillotine
standards for lottery...
           but conscious conformity?
                  get me jack-in-the-box to ola a hello
once more to revive Sherlock Hitchcock...
                   any phobia is atomic,
the world is created from little fears,
            emerging into the big fear: a life not lived...
but then there's an antidote to that:
       if given a miniscule life... don't fear it...
examine it... at least you can then become entertained
by theatricals ascribed to the greater lives...
or have beens.
                     i want uninhibited poetry...
when i say poetry i want opera, not graffiti...
   which is to say: being conscious - premeditating
the use of, e.g. a metaphor...
          it's not good enough, i don't want to read
poetry as recognised as poetry, or poetry
recognising itself as such, i want to see the automaton,
i want to see an art so well engraved in the
provider of such enticement as to paint
as a decorator might paint, even within the framework
of a monochromacy... the parts he misses in
covering a bleak wall of white to be redone...
again, and again...
    but what i expect of poets?
a gamble... only *one
attempt... any second or third
attempt i deem incomprehensible in terms of
beginning in the thirst place... ya: thirst.
i want to see thirst: the bulging larynx more ready
to gulp water in a desert than entice saying
something, meaning the latter has no power
over conjuring an oasis, or a fatamorgana.
continued?
           but everyday usage...
applies no similar acknowledgement of orientating
grammar, to be conscious of certain words as being
nouns does suppose an obstruction for the fluidity
of language... there's the everyday fluidity of
language than transcends such emulations
      of acquiring a desirable stoppage forwarding
dogma... yet poetry is bound to a dogma of
applying distinctive orientations,
to suggest that a piece of scribbling is actually
poetry.
does one (kingly pronoun collective,
meaning with entourage) thus say:
to fall in love also equates to celebrations of
Valentine's day,
or to go to war also means: waving a bayonet?
to generally emphasise...
  man was not established with this system
of encouraged "learning" tactics...
           there's no point talking evolution
when man is stagnate, sedimentary,
upkeeper of the status quo...
                   which almost insults the man
that encoded sounds in runes...
             perhaps the rune-encoder didn't
end up encoding while donning spectacles?
the emphasis is on making language more
fluid, and therefore acceptable,
   rather than what's advertised as this
solace-space of sofa, duvans, and free-spirited
******-load of artificial smiles.
oh, mind you, artificial intelligence has
not emotion, a bit like a woman on her
first extra terrestrial date...
                    with honing: having no
emotion means there's no conscience -
meaning crafting an artificial intelligence has
not ontological basin in man -
as man has no ontology to begin with...
  just as god as no ontology to begin with,
since we're already in his deviation from
the beggars' question: to no greater pleasure
has it been to create something without
man's thought in it.
     but not only is traditional poetry respected,
as in stressing an awareness of metaphor
or pun, as a sense of desirable technique
with even more desired identifiers...
      but then language per se, can't see
why someone writing a rubric sentence
need to grammatically categorise and give unto
their use of language a miser dissector...
        for example: the tradition of writing letters,
reduced to a pseudo-postcard form
         of the email...
              the formal begins with: dear ms. judy
the informal begins with: hey yoyo!
                    there's no dear ms. smith
(or the careless mrs. smith -
get on with it, the waltz and ballroom died
   when we groped under too many chandeliers
and gagged for the *******'s reproach
to dating) -
            as with the lateral diversion:
the internet not see as a possible place of
thinking has reduced the possibility of expressing
thought, into a conglomerate
         of seemingly necessary conversationism.
i'm not talking: i always thought that a white
page, whether in shrunk oaken or pixelated
and written upon: was the double-standard
expression of surrender...
formal letter writing was replaced by robots...
all the letters we ever get (via email)
are informal...
       addressed to no one exactly,
beginning with hi, hi, hello...
               give us a ******* handshake
rather than this pristine tofugu...
yep, that, and then ******... but that's how it
avalanches... you write on a napkin on
one of the sides, you turn it over
and then you realise you tattooed something
akin to Braille onto it.
M E Sills Nov 2011
Approach the steps and the
bus driver says "Thanks You,"
ignoring the reality
he's driving a bunch of
broke-*** adults whose only wish
is to escape from the middle of nowhere.

Pass the cows, the one steer
in the dairy field stares at
me, looking down once we've left.
Eyes looked intelligent like he should've
been reading T.S. Eliot while sipping green tea.
The two-mile bay goes quickly, holding
its breath as we wave goodbye. It acts
like it never danced before.

Onto another town
the people can't wait to leave.
A crying child enters and the family moves
back, further back, to sit
behind me as I'm writing this poem.

I've never seen innocence so excited
to ride the Greyhound.
Innocence, why won't you shut up?
Failure, please stop glaring at her like that.
She's only a little girl. The smoke
stacks have no comment.

The truck driver keeps appearing
next to us trying to tell us we're all angels.
The trees around the lake agree.
The horses agree, if only
because we harness more horsepower.
The redwoods on each side of the highway
are blocking my view, but I don't
mind we're headed toward the future.
City lights are my future, fog
is my future. The 101 South is my future.
The woman two rows in
front of me sounds like a man.
(S)he is my future.

**** Rio Dell, there's nothing
to do there. Garberville isn't much better.
The green algae pond says hello.
"Will you save Richardson Grove?"
it asks. I didn't answer.

The winding roads are making
me insane. If I didn't
answer, would you notice?
Ferlinghetti must be driving because
he can't keep on track. Oh
where will you take us tonight?

I wake up to the mist on the
water holding my attention.
The Alcatraz of my mind saves
me from myself.
Natasha Jan 2014
Clear your hazel gaze; you are completely submerged in an underwater paradise, suspended in the motions of the current. No, you're not drowning, I've given you enough endearment & sustenance for you to breathe on your own- even in the abyss of my oceanic heart.
Of course, you always knew you could dear.
So smile & sail along the swaying tides of teal, graze my shipwrecks with your gentle hands & kiss along my roughest of reefs. Find a mermaid with an elfish face, maroon hair & red lips to taste. Feel no limitations of world above the surface, staying in this place with you forever would be oh-so perfect. The albatross of our concrete lives, lived out in cities made of glass and steel, would never be found in a place such as this- we are forbidden to sustain ourselves through more of such unhappiness.
For down here, we simply float on.  
We can get high in the waves, and sing all of your songs. For the water lifts all the worries we may have, in times when we are not strong.
You dove into me, simply chipping away at the stoical walls I've fashioned over time. The fortress comparable Alcatraz, I built to keep my demons in and every single soul out. But you, the flighty sea spirit (believe me we are birds of a feather), made your way to my castle among the waves; soaring over all misconceptions & doubts.
needing the ocean. I long. I lust. I love it.
more than anything, I need it
its not done eitherI'm just too tired
Got Guanxi Dec 2015
She had a tongue that could open a wine bottle.
Razor-sharp articulation.
A fine art, some might say.
Living sentences on a knifes-edge.
It started in a unblunted manner,
The force hit smacked splintered minds like a hammer.
Honed in cuspate motions,
Incisively smashing the nail on the head.

She wasn’t wrong often.
Vivacious wit vivid oscillating witch,
some might say.
Not I.
I followed in the downstream of her resonance.
A quivering wreck,
soaked from head to toe in her libretto.

She marched in stilettos,
locomotive tip-toe motion,
devotion to the traverse.
Deviating as s he ambulated across lurid cobbled paths.
How she manages, alas.
Evades my comprehension.

She had this brunt agitation,
as if,
she couldn’t hear the words you say to her.
Maybe it was her nescient nature.
A think naive conversant,
If only it was that simple.
Those dimples on her cheeks were like craters in the moon.
That cheesy laugh fractures.

She escaped from Alcatraz,
Caught only by the dereliction,
of her minds conviction.
Infamy lapsed,
as she collapsed in a pretzel of marvellous contortion.
She radiantly turned to stone,
a statuesque stanza.
Cloned in allure,
that never found answers she was looking for.
frasier
They don't want to hear it
These minutes of a life; this synopsis
That could only make sense to you
Even if it doesn't.
It's your baby, your Alcatraz, your Auschwitz;
Don't expect any sympathy
And then they won't bare their own scars
Of things you haven't even dreamed of.

Dig a hole and bury that pain in secret,
Like a cat buries its dung,
In the dead of night.
Paste on a fake, plastic smile
In a bright color, early next morning.
Life is shallow, because we are selfish
In our weakness-
How about pink?
Austin Mosher May 2013
Bouncing Betty in the closed corridor
The white walls bleed red
The red walls bleed white
Oh, how can we escape this squalid shell?
Ceiling fans Awaken
Silent hardwood floors,
They run screaming into the dull darkness
Let's feed the creature
That's lurking below.
Does the creature exist outside my mind?
All my rainbows fade
TO SHADES OF COPPER.
All the browns of the trees still look the same.
The mind can be a
Prison for your eyes
Let's escape Perceptual Alcatraz.
A silver dawn waits
For the queens return.
Cassy Hamilton Jun 2011
In my dreams they say “San Francisco,"
That’s where I should go.
But what’s for me in San Francisco?
That’s what I’d like to know.

I’d take a road trip north, I guess,
And visit the Golden Gate.
Or visit the walls of Alcatraz,
But maybe that could wait.

Should I wear flowers in my hair,
When I go to San Francisco?
Or should I tread without a care,
Or maybe I just won’t go.

For there are other places waiting for me,
A different sun.
A different sea.
And many of these places I’m soon to go.
But for now, they’re not San Francisco.
Got Guanxi Feb 2016
I Ran

She had this hedonistic Houdini nature,
She escaped from Shiraz,
Her personal Alcatraz,
She laughed as I asked;
How did you escape?

"I Ran" she said "I Ran"

She was particularly Persian,
Beautiful soul,
Perfect prose,
stunning, gorgeous,
My dreams came true,
As we ran the gauntlet between our acquaintances judgemental glare.

She walked through the door,
With shallow breath and a panting chest;
Windswept hair.
Late.

How did you get here I asked?

"I Ran"

She came so far,
To say I was her King.
Her shy Shah,
She said.
The concept of this,
Flew over my head,

As I asked where she was from,
she paused for a second

&

told me she came from Iran.
Ministry of sciences.
Divorce me.
From my liveliness...
I supported
Notions of foreign beings
Coming to earth
Disguised and *****
as merciful
Or violent...
But maybe were alone
In this black swirl
Of lifelessness. And timelessness
I wish I was a rocket scientist
But cant operate rocket man appliances....
******* it Elton John
You sold me bad goods
Don't try denying it....
Hiding it
Or fighting it...
My mind is like Alcatraz
Some **** escaped
And survived.
But nobody's ever tried to
Get inside of it....
Mateuš Conrad Dec 2015
when you start talking... you rarely unravel the brain's conspiracy for secrecy, you never want brain = heart automation with solid theories that are rarely given an individual bias to be based on... a bit like those pencil-pushers working in offices for MI5 or MI6 who thought spying was all in fiction, but rarely confirmed the fact: in the c.v. it was stated: show your intelligence to prove the vulnerability of others easily persuaded... that's called providing intelligence... and those adverts for london hipsters on brick lane and hackney pavements just blew my cover... because no one really knows if one will doppelgänger the plot... with the body alcoholic and the shadow intelligent, or vice versa... the oddity... please call david bowie.*

in the freudian sense we get an origin of understanding
with a little boy, who's about to become oedipus,
we have diagnostics from a complex, the oedipus complex,
but with jung the childhood origin of diagnosis is
missing, childhood isn't the source of the problem,
after all we are born with a weak bladder and weak
**** muscles, hence the diaper, hence the elevation
of the problem into the realm of a collective unconscious,
i.e. the plumber doesn't know what the electrician does,
the electrician doesn't know what the artist does,
or how he does it, it's not that we're all unconscious
unable to craft any collective or individual meaning,
but i can recognise a freudian sympathy in 21st century
practice of psychiatry from a jungian one...
the freudian simply assumes your childhood was a nightmare,
that you were abused... but to a jungian - with the
offshoot of the testimony of laing's anti-psychiatry
never mind szasz... you say you go drinking at night
into the woods alone... they sense a fear in themselves
and simply un-diagnose you; which i managed to do...
i can count about 10 psychiatrists who diagnosed me
this that and the other... but they never asked me about
the problems in my mature being, they were looking for a
hurt child, sure i grew up in an environment without
a father between the ages 4 & 8... my father was just
a voice on the telephone and the first nintendo,
a gameboy... but i was surrounded by older people,
my great-grandmother read me a picture bible
and taught me to tie my shoelaces like i'd tie a ribbon
of a present, my grandfather took me for walks with
the two dogs i owned: axel a dobberman and bella
the alsatian, me piercing one of his bicycle tires to get
him off work at the steel factory for a day...
the steel factory closed, went bankrupt, or simply sold-out
to foreign spanish investors, many people left the city
of my origin... never mind...
children are not compulsive liars... but those who
emerge from childhood become compulsive liars...
children are selective liars... once the cookie jar is
opened... once the dog ate the homework...
they can't even combine lying with imagination,
after childhood you can't even do that, you can't
even combine lying with imagination -
there are no images involved, only words, black holes,
symbolism... all you get from an expected combination
of lying and imagination is that imagination
becomes ****** expressions, bordering on apathetic
****** expressions.
but guess what, above all what i said...
i was diagnosed as mad... but i never set foot in an
asylum, a knothouse (knot, yes, madmen are
like knots, jumbled up, the linear pattern of vitality
suddenly becomes a knotted sphere with only cats
able to unwind it - set loose the cats into the madhouses
of the world!) which can only mean ONE thing...
if i was diagnosed mad, but never entered a madhouse...
i'm assured by the laws of deduction, that, i, am,
in, fact, in a society that's a madhouse...
no wonder people can't appreciate the beauty of
the world, they took theology to the parasites
and explained things that way,
plus they advertised, started traffic signalling...
now days people simply pass trees and mountains
nonchalantly... they're more interest in what's organising them,
once words were kept in books... those great bricks,
but since people managed to make everyone literate,
the words broke out from the alcatraz of their
enticement and ventured out, like robots trapped,
and became adverts coca cola and warnings 50mph...
then the beauty of the word disappeared, because everything
in diamond contortion odd simply became dull,
dull because life became faster... and there was
no way of allowing reflection on unmovable things
to contain any speed - otherwise become a dog,
hold something resembling a branch in your mouth,
bite down, keep it in your mouth long enough
while you carry down the stairs a copy of witkiewicz's poems
and your tongue will become alive and numb
with poison... it will become a poison arrow...
and now that arrow is aimed at your heart.
Mateuš Conrad Jan 2017
.metallica, manchester 2019... master to whos mastery: whos puppets to whos puppeteering... i have to admire the fact that you have to play the standards... its not like even plagiarism comes into the play, but it must be tiresome to have to continue to play the crowd favorites... no compensation for what's expected as new.... if i were stuck in the rut of replica upon replica... regurgitation upon regurgitation... doesn't this art form tire so easily... who was that poet, who went to bed crying after listening to liszt play? matthew arnold... god i'm freed... all the fame and fortune and also not enough time to make your shadow a friend... one inherited temptation is enough to succumb to facing the subsequent ones... come playing a guitar staged before a horde... or fiddling with my beard in the background without malicious intention... but the poverty of lyricism... sure... blues players and their incessant rhymes... but these modern lyrics? to hell with it: i'm no better... but how can you fathom the stamina to replay, to replay, to replay the horde's echoing boom boom mantra fantaticism? i couldn't do music... rememebering words, contonuing a course for replay of the greatest hits... even if expanding into unwritten new territory was a farce... so what... come the bad with the good and the tabloid quality... but having to "love" your work in order to erode your memory like your standard pedagogy manual... i don't want or would't want to remember my words: half if not a third is hardly worth remembering... to a verbatim suited & booted closure and an opening for poet turned entertainer... i don't see how these people cling onto their nostalgia performances... well: to please the crowd is to please the crowd... ilona (former russian "gif") reminded me when james hetfield opened his mouth: he's such a redneck with that accent... god, this russian loved how i appropriated the english shropshire accent... what was that word she called me? ah.... i was a.... yuppie! then the moscow crowd took out their cigarette lighters and we snogged... god i miss relationships, being in that state of vulnerability... i really miss being vowed to a woman and free-falling into a grace of competent trust without question... now here's me calling out the lost trill surrounding the R in both the snake-bitten english numb "R" (without the trill) and the hark of the Francians... i miss being vulnerable... which is what love feels like... being assured a safety when staging a dangerous theatre scene of... say... free-falling before the parachute... that's love: the ability to feel vulnerable... love is and never was some ******* poetic ideal... of perfecting the "art" of loving... to love was always to feel vulnerable... i really miss that... to love was to trust, it wasn't ever about spewing out amour cliché after another amour cliché... sad news being, i will (probably) ever experience that softness of the heart, always the anchor of the weight of a marble slab... never the emotions derived from the heart, forever bound to the bowels... gut-sensations and the reflexes... never a mind to compensate incompassing reflections and the expansion of time to a fixed space... i once loved... is it better to have loved than to have no loved at all? that's questionable, riddle with... is it better to have lived and died, without the knowledge of pain associated to a brain haemorrhage or with: said knowledge? any man can claim the same: it's horrifying to have to live the rest of your life without the cushion, the bed, the feathers of love where you throw yourself icarus-esque, head-first, as a vulnerable babe... shedding the wolf's mane and softening your heart to escape the rational, reflexive array of emotions derived from the bowels.

guess who's diacritical abstaining from the prose...
      kurwy codzienne
czy te kuchenne... a raczej
               zbyt?
no churrah w mnie i horongiew
       wapnia i kurczu -
i tyle to, by gadać tchu!
pięć łatwych utworów -
you made my mind up to counter...
    i said no to the niqab,
so i said yo- to the -gurt...
and let me franchise it babe....
because when i do i won't be
the Franklin as the heavy heave to a scutter
and rat bound
smartease of a Jefferson's lighbulb...
you get boring
more so with the season...
***** and the farthing: quick-change
to quicken your step,
spelled Tokyo... takes two with reminders:
now pay and wait and pastry-size to
concubine the shadow....
                        of hiding cassette and
the lung to breathe through to gorgon enterprise
of the three-headed alcatraz.
i said score ***** harry
     i said i said it twice... 7070 film...
                  i said it thrice...
i said it a fourth time...
the fifth time i was left the overs,
and america r.i.p.,
and i said: god: just let me be!
you were the 20st century fake in the project act
and it was named kevin spacey....
           and you said drive-by
bygone shoot-out... and i said: hamburger
        tattoo and other things worth
the same idea of gluing **** together...
                         and then the toad's hiccup...
rhapsody of burps...
and then that...
  and then i want to be: martin luther king jr.
and a national holiday icon,
and when i want it... and i gag for it....
and then i die for it...
   and then i hate dying for it.... and
so i earn my living as a plumber....
    and then the nation goes for iraq...
and then i am president and face a q & a...
and i'm like: happy are those
who come with applause...
    because i'm the sole one battered with
with the qualm that might translate
as america bound...
well ye-ha! aren't we the lucky living *******!
then i'm about to pludge-****-and-poach-the-*******-yankees
into a question of: a horn brigade to toll the folding bridge;
scatter skew the next new coercion for a parade...
infantile french be the said: long gone...
germanic kinder less a rhyme,
and more a gas... just gaß... or governor:
that should have been gaś or gaš... but then you're
so ******* boring, it makes sense that you're rič...
because you didn't actually get that part...
to be: clint the runner in western and not
***** 'arry...
say you laugh, you don't say clint eastwood
when you actaully watch al pacino in
dog day afternoon... and 1970s america makes
sense...
             and you won't be able to replay
1960s america... because you can't... and it makes
sense why it all feels filthy and dry these days....
that you believe in recitation as you might
believe in the word regurgitate....
and all you want is horror and a.i.,
    and you will never wake from that dream again...
because there were those not lazing in learning
english, that you were left, so glutton coerced
into learning more anagram of english than french
wasn't...
and sure: you created these games of a language
for the sole reason that you wanted to avoid learning
french or german...
you created games from language
because you felt superior... and you created
these games from language because you said
it wasn't worth saying anything in french...
LAZY, OBSOLETE, MOTHER... *******!
but i say: it would have been easier to learn
german than to invoke the game of anagram...
   but then again... who am i to judge?
              who cares, when there are over a billion
chinese and we are but a case of ****
in asking for the perfumed number?
             i say thank god for the indus and the chinese
with their billionth marking...
    it makes no matter if i'm white
and speak english or german or swede or *******...
     it took just one of us to be as lazy as we were
to leave the rest of us happy in tuning toward
becoming extinct. ha ha... ha ha ha ha ha ha!
well, d'uh! you ******* dodo!

— The End —