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St. Agnes' Eve--Ah, bitter chill it was!
    The owl, for all his feathers, was a-cold;
    The hare limp'd trembling through the frozen grass,
    And silent was the flock in woolly fold:
    Numb were the Beadsman's fingers, while he told
    His rosary, and while his frosted breath,
    Like pious incense from a censer old,
    Seem'd taking flight for heaven, without a death,
Past the sweet ******'s picture, while his prayer he saith.

    His prayer he saith, this patient, holy man;
    Then takes his lamp, and riseth from his knees,
    And back returneth, meagre, barefoot, wan,
    Along the chapel aisle by slow degrees:
    The sculptur'd dead, on each side, seem to freeze,
    Emprison'd in black, purgatorial rails:
    Knights, ladies, praying in dumb orat'ries,
    He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.

    Northward he turneth through a little door,
    And scarce three steps, ere Music's golden tongue
    Flatter'd to tears this aged man and poor;
    But no--already had his deathbell rung;
    The joys of all his life were said and sung:
    His was harsh penance on St. Agnes' Eve:
    Another way he went, and soon among
    Rough ashes sat he for his soul's reprieve,
And all night kept awake, for sinners' sake to grieve.

    That ancient Beadsman heard the prelude soft;
    And so it chanc'd, for many a door was wide,
    From hurry to and fro. Soon, up aloft,
    The silver, snarling trumpets 'gan to chide:
    The level chambers, ready with their pride,
    Were glowing to receive a thousand guests:
    The carved angels, ever eager-eyed,
    Star'd, where upon their heads the cornice rests,
With hair blown back, and wings put cross-wise on their *******.

    At length burst in the argent revelry,
    With plume, tiara, and all rich array,
    Numerous as shadows haunting faerily
    The brain, new stuff'd, in youth, with triumphs gay
    Of old romance. These let us wish away,
    And turn, sole-thoughted, to one Lady there,
    Whose heart had brooded, all that wintry day,
    On love, and wing'd St. Agnes' saintly care,
As she had heard old dames full many times declare.

    They told her how, upon St. Agnes' Eve,
    Young virgins might have visions of delight,
    And soft adorings from their loves receive
    Upon the honey'd middle of the night,
    If ceremonies due they did aright;
    As, supperless to bed they must retire,
    And couch supine their beauties, lily white;
    Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.

    Full of this whim was thoughtful Madeline:
    The music, yearning like a God in pain,
    She scarcely heard: her maiden eyes divine,
    Fix'd on the floor, saw many a sweeping train
    Pass by--she heeded not at all: in vain
      Came many a tiptoe, amorous cavalier,
    And back retir'd; not cool'd by high disdain,
    But she saw not: her heart was otherwhere:
She sigh'd for Agnes' dreams, the sweetest of the year.

    She danc'd along with vague, regardless eyes,
    Anxious her lips, her breathing quick and short:
    The hallow'd hour was near at hand: she sighs
    Amid the timbrels, and the throng'd resort
    Of whisperers in anger, or in sport;
    'Mid looks of love, defiance, hate, and scorn,
    Hoodwink'd with faery fancy; all amort,
    Save to St. Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.

    So, purposing each moment to retire,
    She linger'd still. Meantime, across the moors,
    Had come young Porphyro, with heart on fire
    For Madeline. Beside the portal doors,
    Buttress'd from moonlight, stands he, and implores
    All saints to give him sight of Madeline,
    But for one moment in the tedious hours,
    That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss--in sooth such things have been.

    He ventures in: let no buzz'd whisper tell:
    All eyes be muffled, or a hundred swords
    Will storm his heart, Love's fev'rous citadel:
    For him, those chambers held barbarian hordes,
    Hyena foemen, and hot-blooded lords,
    Whose very dogs would execrations howl
    Against his lineage: not one breast affords
    Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.

    Ah, happy chance! the aged creature came,
    Shuffling along with ivory-headed wand,
    To where he stood, hid from the torch's flame,
    Behind a broad half-pillar, far beyond
    The sound of merriment and chorus bland:
    He startled her; but soon she knew his face,
    And grasp'd his fingers in her palsied hand,
    Saying, "Mercy, Porphyro! hie thee from this place;
They are all here to-night, the whole blood-thirsty race!

    "Get hence! get hence! there's dwarfish Hildebrand;
    He had a fever late, and in the fit
    He cursed thee and thine, both house and land:
    Then there's that old Lord Maurice, not a whit
    More tame for his gray hairs--Alas me! flit!
    Flit like a ghost away."--"Ah, Gossip dear,
    We're safe enough; here in this arm-chair sit,
    And tell me how"--"Good Saints! not here, not here;
Follow me, child, or else these stones will be thy bier."

    He follow'd through a lowly arched way,
    Brushing the cobwebs with his lofty plume,
    And as she mutter'd "Well-a--well-a-day!"
    He found him in a little moonlight room,
    Pale, lattic'd, chill, and silent as a tomb.
    "Now tell me where is Madeline," said he,
    "O tell me, Angela, by the holy loom
    Which none but secret sisterhood may see,
When they St. Agnes' wool are weaving piously."

    "St. Agnes! Ah! it is St. Agnes' Eve--
    Yet men will ****** upon holy days:
    Thou must hold water in a witch's sieve,
    And be liege-lord of all the Elves and Fays,
    To venture so: it fills me with amaze
    To see thee, Porphyro!--St. Agnes' Eve!
    God's help! my lady fair the conjuror plays
    This very night: good angels her deceive!
But let me laugh awhile, I've mickle time to grieve."

    Feebly she laugheth in the languid moon,
    While Porphyro upon her face doth look,
    Like puzzled urchin on an aged crone
    Who keepeth clos'd a wond'rous riddle-book,
    As spectacled she sits in chimney nook.
    But soon his eyes grew brilliant, when she told
    His lady's purpose; and he scarce could brook
    Tears, at the thought of those enchantments cold,
And Madeline asleep in lap of legends old.

    Sudden a thought came like a full-blown rose,
    Flushing his brow, and in his pained heart
    Made purple riot: then doth he propose
    A stratagem, that makes the beldame start:
    "A cruel man and impious thou art:
    Sweet lady, let her pray, and sleep, and dream
    Alone with her good angels, far apart
    From wicked men like thee. Go, go!--I deem
Thou canst not surely be the same that thou didst seem."

    "I will not harm her, by all saints I swear,"
    Quoth Porphyro: "O may I ne'er find grace
    When my weak voice shall whisper its last prayer,
    If one of her soft ringlets I displace,
    Or look with ruffian passion in her face:
    Good Angela, believe me by these tears;
    Or I will, even in a moment's space,
    Awake, with horrid shout, my foemen's ears,
And beard them, though they be more fang'd than wolves and bears."

    "Ah! why wilt thou affright a feeble soul?
    A poor, weak, palsy-stricken, churchyard thing,
    Whose passing-bell may ere the midnight toll;
    Whose prayers for thee, each morn and evening,
    Were never miss'd."--Thus plaining, doth she bring
    A gentler speech from burning Porphyro;
    So woful, and of such deep sorrowing,
    That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.

    Which was, to lead him, in close secrecy,
    Even to Madeline's chamber, and there hide
    Him in a closet, of such privacy
    That he might see her beauty unespy'd,
    And win perhaps that night a peerless bride,
    While legion'd faeries pac'd the coverlet,
    And pale enchantment held her sleepy-ey'd.
    Never on such a night have lovers met,
Since Merlin paid his Demon all the monstrous debt.

    "It shall be as thou wishest," said the Dame:
    "All cates and dainties shall be stored there
    Quickly on this feast-night: by the tambour frame
    Her own lute thou wilt see: no time to spare,
    For I am slow and feeble, and scarce dare
    On such a catering trust my dizzy head.
    Wait here, my child, with patience; kneel in prayer
    The while: Ah! thou must needs the lady wed,
Or may I never leave my grave among the dead."

    So saying, she hobbled off with busy fear.
    The lover's endless minutes slowly pass'd;
    The dame return'd, and whisper'd in his ear
    To follow her; with aged eyes aghast
    From fright of dim espial. Safe at last,
    Through many a dusky gallery, they gain
    The maiden's chamber, silken, hush'd, and chaste;
    Where Porphyro took covert, pleas'd amain.
His poor guide hurried back with agues in her brain.

    Her falt'ring hand upon the balustrade,
    Old Angela was feeling for the stair,
    When Madeline, St. Agnes' charmed maid,
    Rose, like a mission'd spirit, unaware:
    With silver taper's light, and pious care,
    She turn'd, and down the aged gossip led
    To a safe level matting. Now prepare,
    Young Porphyro, for gazing on that bed;
She comes, she comes again, like ring-dove fray'd and fled.

    Out went the taper as she hurried in;
    Its little smoke, in pallid moonshine, died:
    She clos'd the door, she panted, all akin
    To spirits of the air, and visions wide:
    No uttered syllable, or, woe betide!
    But to her heart, her heart was voluble,
    Paining with eloquence her balmy side;
    As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.

    A casement high and triple-arch'd there was,
    All garlanded with carven imag'ries
    Of fruits, and flowers, and bunches of knot-grass,
    And diamonded with panes of quaint device,
    Innumerable of stains and splendid dyes,
    As are the tiger-moth's deep-damask'd wings;
    And in the midst, '**** thousand heraldries,
    And twilight saints, and dim emblazonings,
A shielded scutcheon blush'd with blood of queens and kings.

    Full on this casement shone the wintry moon,
    And threw warm gules on Madeline's fair breast,
    As down she knelt for heaven's grace and boon;
    Rose-bloom fell on her hands, together prest,
    And on her silver cross soft amethyst,
    And on her hair a glory, like a saint:
    She seem'd a splendid angel, newly drest,
    Save wings, for heaven:--Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.

    Anon his heart revives: her vespers done,
    Of all its wreathed pearls her hair she frees;
    Unclasps her warmed jewels one by one;
    Loosens her fragrant boddice; by degrees
    Her rich attire creeps rustling to her knees:
    Half-hidden, like a mermaid in sea-****,
    Pensive awhile she dreams awake, and sees,
    In fancy, fair St. Agnes in her bed,
But dares not look behind, or all the charm is fled.

    Soon, trembling in her soft and chilly nest,
    In sort of wakeful swoon, perplex'd she lay,
    Until the poppied warmth of sleep oppress'd
    Her soothed limbs, and soul fatigued away;
    Flown, like a thought, until the morrow-day;
    Blissfully haven'd both from joy and pain;
    Clasp'd like a missal where swart Paynims pray;
    Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.

    Stol'n to this paradise, and so entranced,
    Porphyro gaz'd upon her empty dress,
    And listen'd to her breathing, if it chanced
    To wake into a slumberous tenderness;
    Which when he heard, that minute did he bless,
    And breath'd himself: then from the closet crept,
    Noiseless a
Matt Dec 2014
The Eve of St. Agnes


I.

  ST. AGNES’ Eve—Ah, bitter chill it was!
  The owl, for all his feathers, was a-cold;
  The hare limp’d trembling through the frozen grass,
  And silent was the flock in woolly fold:
  Numb were the Beadsman’s fingers, while he told         5
  His rosary, and while his frosted breath,
  Like pious incense from a censer old,
  Seem’d taking flight for heaven, without a death,
Past the sweet ******’s picture, while his prayer he saith.

II.

  His prayer he saith, this patient, holy man;         10
  Then takes his lamp, and riseth from his knees,
  And back returneth, meagre, barefoot, wan,
  Along the chapel aisle by slow degrees:
  The sculptur’d dead, on each side, seem to freeze,
  Emprison’d in black, purgatorial rails:         15
  Knights, ladies, praying in dumb orat’ries,
  He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.

III.

  Northward he turneth through a little door,
  And scarce three steps, ere Music’s golden tongue         20
  Flatter’d to tears this aged man and poor;
  But no—already had his deathbell rung;
  The joys of all his life were said and sung:
  His was harsh penance on St. Agnes’ Eve:
  Another way he went, and soon among         25
  Rough ashes sat he for his soul’s reprieve,
And all night kept awake, for sinners’ sake to grieve.

IV.

  That ancient Beadsman heard the prelude soft;
  And so it chanc’d, for many a door was wide,
  From hurry to and fro. Soon, up aloft,         30
  The silver, snarling trumpets ’gan to chide:
  The level chambers, ready with their pride,
  Were glowing to receive a thousand guests:
  The carved angels, ever eager-eyed,
  Star’d, where upon their heads the cornice rests,         35
With hair blown back, and wings put cross-wise on their *******.

V.

  At length burst in the argent revelry,
  With plume, tiara, and all rich array,
  Numerous as shadows haunting fairily
  The brain, new stuff d, in youth, with triumphs gay         40
  Of old romance. These let us wish away,
  And turn, sole-thoughted, to one Lady there,
  Whose heart had brooded, all that wintry day,
  On love, and wing’d St. Agnes’ saintly care,
As she had heard old dames full many times declare.         45

VI.

  They told her how, upon St. Agnes’ Eve,
  Young virgins might have visions of delight,
  And soft adorings from their loves receive
  Upon the honey’d middle of the night,
  If ceremonies due they did aright;         50
  As, supperless to bed they must retire,
  And couch supine their beauties, lily white;
  Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.

VII.

  Full of this whim was thoughtful Madeline:         55
  The music, yearning like a God in pain,
  She scarcely heard: her maiden eyes divine,
  Fix’d on the floor, saw many a sweeping train
  Pass by—she heeded not at all: in vain
  Came many a tiptoe, amorous cavalier,         60
  And back retir’d; not cool’d by high disdain,
  But she saw not: her heart was otherwhere:
She sigh’d for Agnes’ dreams, the sweetest of the year.

VIII.

  She danc’d along with vague, regardless eyes,
  Anxious her lips, her breathing quick and short:         65
  The hallow’d hour was near at hand: she sighs
  Amid the timbrels, and the throng’d resort
  Of whisperers in anger, or in sport;
  ’Mid looks of love, defiance, hate, and scorn,
  Hoodwink’d with faery fancy; all amort,         70
  Save to St. Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.

IX.

  So, purposing each moment to retire,
  She linger’d still. Meantime, across the moors,
  Had come young Porphyro, with heart on fire         75
  For Madeline. Beside the portal doors,
  Buttress’d from moonlight, stands he, and implores
  All saints to give him sight of Madeline,
  But for one moment in the tedious hours,
  That he might gaze and worship all unseen;         80
Perchance speak, kneel, touch, kiss—in sooth such things have been.

X.

  He ventures in: let no buzz’d whisper tell:
  All eyes be muffled, or a hundred swords
  Will storm his heart, Love’s fev’rous citadel:
  For him, those chambers held barbarian hordes,         85
  Hyena foemen, and hot-blooded lords,
  Whose very dogs would execrations howl
  Against his lineage: not one breast affords
  Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.         90

XI.

  Ah, happy chance! the aged creature came,
  Shuffling along with ivory-headed wand,
  To where he stood, hid from the torch’s flame,
  Behind a broad hail-pillar, far beyond
  The sound of merriment and chorus bland:         95
  He startled her; but soon she knew his face,
  And grasp’d his fingers in her palsied hand,
  Saying, “Mercy, Porphyro! hie thee from this place;
“They are all here to-night, the whole blood-thirsty race!

XII.

  “Get hence! get hence! there’s dwarfish Hildebrand;         100
  “He had a fever late, and in the fit
  “He cursed thee and thine, both house and land:
  “Then there ’s that old Lord Maurice, not a whit
  “More tame for his gray hairs—Alas me! flit!
  “Flit like a ghost away.”—“Ah, Gossip dear,         105
  “We’re safe enough; here in this arm-chair sit,
  “And tell me how”—“Good Saints! not here, not here;
“Follow me, child, or else these stones will be thy bier.”

XIII.

  He follow’d through a lowly arched way,
  Brushing the cobwebs with his lofty plume;         110
  And as she mutter’d “Well-a—well-a-day!”
  He found him in a little moonlight room,
  Pale, lattic’d, chill, and silent as a tomb.
  “Now tell me where is Madeline,” said he,
  “O tell me, Angela, by the holy loom         115
  “Which none but secret sisterhood may see,
“When they St. Agnes’ wool are weaving piously.”

XIV.

  “St. Agnes! Ah! it is St. Agnes’ Eve—
  “Yet men will ****** upon holy days:
  “Thou must hold water in a witch’s sieve,         120
  “And be liege-lord of all the Elves and Fays,
  “To venture so: it fills me with amaze
  “To see thee, Porphyro!—St. Agnes’ Eve!
  “God’s help! my lady fair the conjuror plays
  “This very night: good angels her deceive!         125
“But let me laugh awhile, I’ve mickle time to grieve.”

XV.

  Feebly she laugheth in the languid moon,
  While Porphyro upon her face doth look,
  Like puzzled urchin on an aged crone
  Who keepeth clos’d a wond’rous riddle-book,         130
  As spectacled she sits in chimney nook.
  But soon his eyes grew brilliant, when she told
  His lady’s purpose; and he scarce could brook
  Tears, at the thought of those enchantments cold,
And Madeline asleep in lap of legends old.         135

XVI.

  Sudden a thought came like a full-blown rose,
  Flushing his brow, and in his pained heart
  Made purple riot: then doth he propose
  A stratagem, that makes the beldame start:
  “A cruel man and impious thou art:         140
  “Sweet lady, let her pray, and sleep, and dream
  “Alone with her good angels, far apart
  “From wicked men like thee. Go, go!—I deem
“Thou canst not surely be the same that thou didst seem.

XVII.

  “I will not harm her, by all saints I swear,”         145
  Quoth Porphyro: “O may I ne’er find grace
  “When my weak voice shall whisper its last prayer,
  “If one of her soft ringlets I displace,
  “Or look with ruffian passion in her face:
  “Good Angela, believe me by these tears;         150
  “Or I will, even in a moment’s space,
  “Awake, with horrid shout, my foemen’s ears,
“And beard them, though they be more fang’d than wolves and bears.”

XVIII.

  “Ah! why wilt thou affright a feeble soul?
  “A poor, weak, palsy-stricken, churchyard thing,         155
  “Whose passing-bell may ere the midnight toll;
  “Whose prayers for thee, each morn and evening,
  “Were never miss’d.”—Thus plaining, doth she bring
  A gentler speech from burning Porphyro;
  So woful, and of such deep sorrowing,         160
  That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.

XIX.

  Which was, to lead him, in close secrecy,
  Even to Madeline’s chamber, and there hide
  Him in a closet, of such privacy         165
  That he might see her beauty unespied,
  And win perhaps that night a peerless bride,
  While legion’d fairies pac’d the coverlet,
  And pale enchantment held her sleepy-eyed.
  Never on such a night have lovers met,         170
Since Merlin paid his Demon all the monstrous debt.

**.

  “It shall be as thou wishest,” said the Dame:
  “All cates and dainties shall be stored there
  “Quickly on this feast-night: by the tambour frame
  “Her own lute thou wilt see: no time to spare,         175
  “For I am slow and feeble, and scarce dare
  “On such a catering trust my dizzy head.
  “Wait here, my child, with patience; kneel in prayer
  “The while: Ah! thou must needs the lady wed,
“Or may I never leave my grave among the dead.”         180

XXI.

  So saying, she hobbled off with busy fear.
  The lover’s endless minutes slowly pass’d;
  The dame return’d, and whisper’d in his ear
  To follow her; with aged eyes aghast
  From fright of dim espial. Safe at last,         185
  Through many a dusky gallery, they gain
  The maiden’s chamber, silken, hush’d, and chaste;
  Where Porphyro took covert, pleas’d amain.
His poor guide hurried back with agues in her brain.

XXII.

  Her falt’ring hand upon the balustrade,         190
  Old Angela was feeling for the stair,
  When Madeline, St. Agnes’ charmed maid,
  Rose, like a mission’d spirit, unaware:
  With silver taper’s light, and pious care,
  She turn’d, and down the aged gossip led         195
  To a safe level matting. Now prepare,
  Young Porphyro, for gazing on that bed;
She comes, she comes again, like ring-dove fray’d and fled.

XXIII.

  Out went the taper as she hurried in;
  Its little smoke, in pallid moonshine, died:         200
  She clos’d the door, she panted, all akin
  To spirits of the air, and visions wide:
  No uttered syllable, or, woe betide!
  But to her heart, her heart was voluble,
  Paining with eloquence her balmy side;         205
  As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.

XXIV.

  A casement high and triple-arch’d there was,
  All garlanded with carven imag’ries
  Of fruits, and flowers, and bunches of knot-grass,         210
  And diamonded with panes of quaint device,
  Innumerable of stains and splendid dyes,
  As are the tiger-moth’s deep-damask’d wings;
  And in the midst, ’**** thousand heraldries,
  And twilight saints, and dim emblazonings,         215
A shielded scutcheon blush’d with blood of queens and kings.

XXV.

  Full on this casement shone the wintry moon,
  And threw warm gules on Madeline’s fair breast,
  As down she knelt for heaven’s grace and boon;
  Rose-bloom fell on her hands, together prest,         220
  And on her silver cross soft amethyst,
  And on her hair a glory, like a saint:
  She seem’d a splendid angel, newly drest,
  Save wings, for heaven:—Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.         225

XXVI.

  Anon his heart revives: her vespers done,
  Of all its wreathed pearls her hair she frees;
  Unclasps her warmed jewels one by one;
  Loosens her fragrant boddice; by degrees
  Her rich attire creeps rustling to her knees:         230
  Half-hidden, like a mermaid in sea-****,
  Pensive awhile she dreams awake, and sees,
  In fancy, fair St. Agnes in her bed,
But dares not look behind, or all the charm is fled.

XXVII.

  Soon, trembling in her soft and chilly nest,         235
  In sort of wakeful swoon, perplex’d she lay,
  Until the poppied warmth of sleep oppress’d
  Her soothed limbs, and soul fatigued away;
  Flown, like a thought, until the morrow-day;
  Blissfully haven’d both from joy and pain;         240
  Clasp’d like a missal where swart Paynims pray;
  Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.

XXVIII.

  Stol’n to this paradise, and so entranced,
  Porphyro gazed upon her em
Phil Lindsey May 2015
Agnes McDuff collected strange stuff,
Or so the story goes:

There were old pots and pans,
String, rubber bands,
Boxes and boxes of clothes,
Newspapers, plates,
Books stored in crates,
And candlesticks lined up in rows.
Some mason jars,
Toy trucks and cars,
A model train with a whistle that blows,
Needles and spools,
All kinds of tools,
And shoes with holes in the toes.

There were tables and chairs,
Bookends in pairs,
A grandfather clock that was broke,
An old brass spittoon,
Some Sunday cartoons,
And a bicycle mssing a spoke.
Four or five hundred old wooden blocks,
Twenty-three pair of grey woolen socks,
A Christmas Edition bottle of Coke,
A board game missing directions,
A bat, a ball, a catcher’s mitt, two baseball card collections,
And a great big rusty tuba.  What a joke!

There was other stuff, but you’ve heard enough;
About what was stored in
The Attic of Agnes McDuff.

Part 2
Agnes’ attic was quite special
But not for the things it contained
But for how she had to get there
Please let me explain!

Agnes had a one-story house
A flight of stairs led to the attic.
When she opened up the door,
The light came on automatic.

It opened to a hallway
Where there was another door
Another light, another hall, and more stairs, which
Led back down to the first floor!

Where an elevator waited
To take her up again?
But it had just one button
And it was numbered “10”.

When she pushed it, it was crazy
The elevator turned upon its side,
Grew wheels and drove out on the street
For an amazing ride!

Across a long suspension bridge,
Then underneath a tunnel,
And then it went around and round
Like circling down a funnel!

It dropped upon a railroad track
Hooked onto the caboose
And followed to the roundhouse
Where it finally broke loose.

It turned around a couple times
And ran out toward the street
The elevator ran, of course
Because it had grown two feet!

It ran across an avenue,
Around a lake, and through a park
And then through another tunnel
Where it was very dark.

A mile later it emerged,
At Agnes’ house, by her front door!
The elevator walked inside,
And was on the second floor!!

So that’s how Agnes reached her attic,
Perhaps someday you’ll go there too,
Push the elevator button,
And you’ll find my story’s true!

Part 3
Agnes stood there in her attic
And smiled at all her stuff
That almost ends the story of
The Attic of Agnes McDuff.

But Agnes’ story can never end
Her smile turned to a frown,
Because you see poor Agnes
Forgot how to get back down!!
PwL  May 1, 2015
Some times I just need to laugh.  Happy May Day, HP!!
Phil Lindsey May 2015
Part 4*
When we last left poor Agnes
In her attic all alone
She couldn’t find her way back down,
And she had no telephone.
No light switch and no stairway
She couldn’t find the hall
The elevator disappeared
(It had sunk into the floor)
And to make her situation worse,
She couldn’t find the door!

But Agnes McDuff was pretty tough;
She didn’t mess around
She thought of stuff that she could use
To help her get back down.

First she lit the candlesticks
So she would have some light -
For an attic with no window
Is black as darkest night.

With candlelight, she now could see;
She dumped the clothes from all the boxes,
Put the boxes on the table,
Next she stacked the wooden blocks.
She found some nails and a hammer
In her Grandma’s toolbox.
She nailed it all together
And on top she nailed the chairs
Now Agnes had a set of crazy, crooked
Homemade stairs!
Agnes went back to the toolbox,
She saw a saw was there,
She carried it very carefully
As she climbed the crazy stair.

Now you might have a feeling
Of what she was going to do
Yes, she climbed up to the ceiling, and
Used the saw to cut right through!

She climbed back down and looked around
Found the rubber bands and string
Added several woolen socks
And made a giant sling!

She rummaged through the dumped out clothes
Found a wedding dress and suit
And with the needle and the spool of thread
Made a great big parachute!

She hooked the parachute to the bicycle
(The one without a spoke)
And tied the back wheel to the tuba
And that was NOT a joke.

The tuba was quite heavy
So it kept the bike at rest
Once again climbed up the crazy stair
And performed the final test.

She nailed both ends of the slingshot
Around the opening she’d sawn
Hooked the sling around the bicycle
Moved the stair, and then got on.

Somehow the clock was working!
It was ringing Three, Two, One
And just as Agnes cut the tie she thought
Boy! This could be FUN!

The slingshot worked!*
Shot Agnes out, on the bike, way up into the sky,
And she looked around in wonder thought,
Boy!  I’ve never been this high!

She went up a mile or so
Before she dared look down
She saw the long suspension bridge
And the other parts of town.
She saw the entrance to the tunnel
(The rest was under ground)
She saw the roundhouse and the avenue
The park and then the lake
Finally, she saw her house
There was no mistake!

So she deployed the parachute
And gently she descended
And this is where the story
Of Agnes Attic should have ended.

She walked up to the doorway
Turned the handle, now you see?
The door was locked from the inside,
Agnes McDuff forgot the key!
PwL  May 4, 2015
Ms. Sally A Bayan requested this.  Said I couldn't just leave Agnes in the Attic!   :-)
Anthony Smith Jul 2017
Little Agnes sits alone hugging beloved teddy tight.
The lights have gone, the sun long since fallen.
The sickly odors fill the room.

Creaking floorboards, the foundation settles,
the howling wind and tapping branches.
A shudder deep traces her spine.

Mommy had gone away again. Off to work she claims.
Agnes knows the truth, one she mustn't share.
She knows more than she ought, costing precious sleep.

The minutes drag on, each an hour long
whispers of her mind growing stronger.
The words have formed, now to invoke.

Majka živi, ​​majka saznaje.
Ovo je igra koju neću igrati.

Round and round, Agnes chants.
Again and again the words repeat.
Echos shake the walls; rattle her soul.

Precious child, corrupted now.
Mr. Teddy begins to grow.

Eyes glow crimson, fangs sharpened.
Ears pull back as rumble becomes growl
Teddy will keep her safe, at the peril of those who would disagree.

The door **** turns, creaking hinges
announcing mommy's return.
She calls for little Agnes, summoning to her side.

Tonight Agnes does not respond, does not come.
Holler again to no avail, mommy begins to search.

Down the hallway, second on the right.
Reach for the handle that meets with mommy's hip
as the door bursts to splinters.

Mr. Teddy is on duty, mommy screams amidst the fangs and claws
ripping at the flesh.
Pain and terror overcome as she gazes past her demise, little Agnes sitting there with her baby blue eyes.
The last she will ever see as darkness overcomes.
The pain fades, the sounds lost, farther and farther into eternal night.
Mommy breaths no more.

Still Agnes sits, watching her guardian shrink back down.
His eyes dull, fangs recede,
Growl returns to rumble and fades altogether.
His job complete.

Slowly standing, precious Agnes crosses to the door.
She kneels next to mommy and pulls beloved teddy from her chest.
Back to the bed, holding teddy tight.
Agnes breathes a sigh of relief and calmly falls asleep.
Brent Kincaid Jan 2017
Miss Agnes Columbus
What are you doing?
What is your calling?
What path are you pursuing?
Your mother wants a teacher
Your father wants you married.
Poor miss Agnes Columbus
Now wonder you are harried.

Miss Agnes Columbus
What are you doing?
What is your calling?
What path are you pursuing?

Unlike famous Christopher
You don’t travel in the world.
You stay home all the time
And set your hair to curl.
You read all the magazines
And know all the styles.
What makes you happy Agnes?
What makes you smile?

Your mother wants a teacher
Your father wants you married.
Poor miss Agnes Columbus
Now wonder you are harried.

You write inside your diary
That nobody ever reads.
Your mother and your father
Doubt where it will lead.
Whoever will hire a poet,
A creator of hidden rhymes?
You are not Emily Dickenson
And this is not olden times.

Miss Agnes Columbus
What are you doing?
What is your calling?
What path are you pursuing?
Your mother wants a teacher
Your father wants you married.
Poor miss Agnes Columbus
Now wonder you you are harried.
Bob B Mar 13
Have you heard of the Angel of Augsburg?
Agnes Bernauer was her name.
Her fairy tale start had a tragic ending.
What happened to her was a horrible shame.

She lived in the early 1400s
And worked as a servant in Augsburg, where she
Met Duke Albrecht von Würtemberg
Who promised to make her his wife-to-be.

Agnes was said to have been a beauty,
With fine noble features and long golden hair.
Even her enemies praised her appearance.
Those who beheld her would all stop and stare.

Duke Ernest, who was the young duke's father,
Unfortunately, could not get behind
The thought that Albrecht would marry Agnes.
He had another young lady in mind.

Father and son both quarreled, and Albrecht
Took a major step in his life.
Defying his father's unfair demands,
He made the lovely Agnes his wife.

They moved to Straubing and lived in a castle.
Albrecht surrounded her with a court.
However, their happily-ever-after
Life--you can guess--would soon be cut short.

Duchess Agnes had known all along
That Ernest's wrath was something to fear.
He was a tiger observing its prey,
Awaiting the time to pounce to draw near.

When Albrecht was away on business,
Ernest made happen plan part one:
He had Agnes imprisoned for being
A witch who had enchanted his son.

How ruthless people can be at times!
But what was there for Agnes to do?
Nothing but wait to be tried and sentenced
As Ernest carried out plan part two.

The verdict: guilty. The sentence: drowning.
Such a cruel and heartless rebuke!
Agnes was going to be drowned in the river
In Straubing. The papers were signed by the duke.

Thrown from a bridge and into a river,
Agnes was able to drift ashore.
The hangman then held her head underwater
Until the poor woman could breathe no more.

History has demonstrated--
And if we ignored it, we'd be remiss--
How power, religion, corruption, and money
Play a strong part in cases like this.

The body of Agnes, the Angel of Augsburg,
Lies there in Straubing, where she'd lived and died.
Only a person whose heart has been hardened
Could hear how she suffered and still stay dry-eyed.

-by Bob B (3-12-24)
Alone in the workhouse. Is where she gave birth.
The starch Parish Surgeon. A Drunken old Nurse.
The cries of a boy child. In her arms did he lie.
Gently kissing his forehead. Before she did die.

Not to be married. Mentioned the Nurse.
Was not to be heard of. Almost a curse.
No Father to speak of. Illegitimate offspring.
His Mother a corpse. With no wedding ring.

Without relations. Brought up with force.
Grown as a captive. Poverties course.
Life in the workhouse. Juvenile offenders.
Selfish providers. Fat cat Pretenders.

"Mrs Mann", Overseer. An hierarchy lie.
Starves and abuses. Would let them all die.
Nine years of age. Each picking a straw.
The boy stumbles forward. Asking for more.

Gruel knocked aside. The fat man, Bumble.
Shocked and alarmed. Off top shelf does stumble.
Dragged by the scruff. Out in the snow.
Sowerberry’s undertakers is where he will go.

Childish look. Innocent way.
To walk at the head of the hearse, they will pay.
Treated unfair. Leading the dead.
Next to a coffin they position his bed.

Insecure Claypole. With nasty remark.
Temper unleashed. Thrown into the dark.
Overwhelming silence inviting a tear.
By morning, escape. Will leave this room clear.

Seventy mile trek. Things look so bleak.
In London he lands. Dejected and weak.
The first friendly face stands counting his loot.
All wide eyed and fresh. In whistle and flute.

"Jack Dawkins the name. But you call me Dodger.
Need somewhere to stay, cause I know this old Codger."
Old Fagin insists to offer him bread.
A warm place to live. A snug place to bed.

Next mornings instruction as Fagin explains.
We live by our wits. Rely on our brains.
Its not thieving we do. We take it by slight.
If they wanted to keep it, why leave it in sight?

Bet and Nancy drop by. For a drink they are glad.
Showing concern for this down trodden lad.
Oliver’s training goes on for days.
Each time he succeeds is allotted with praise.

The day that gave Oliver oh so much tension.
When he met the man he had heard no one mention.
Gruff, rough and evil, A man no one likes.
With Bulls-eye his dog. The man known as Sikes.

The day comes around, when Oliver goes out. With Charley and Dodger, their isn’t much doubt.
The two older boys get the items they sought. Though in all of the turmoil Oliver’s caught.

Brought before Fang, the court Magistrate. Innocent plea onto deaf ears migrate.
Last minute witness brings light forth to shine. On innocent captive in front of said shrine.
The message is out, the crooks are all fraught. Nancy is allotted to spy in the court.
The boy is acquitted. Nothing is told. Nancy relays that they haven’t been sold.
The kindly old victim shows pity on boy.A quiet misdemeanour, a look in his eye.
A child of worth, should not be alone. Mr Brownlow decides to take Oliver home.
For the first time in ever, contentment and love.Poured onto said urchin from those up above.
A picture looks down on this scene from the wall. Similarity so true, most evident for all.
But outside a danger does start to lament. The signs coming out from a previous event.
Sikes and his lady hide out in the shade. Waiting in patience for mistake to be made.
A simple small errand would easily portray. That Oliver Twist is not of bad way.
Mr Grimwig suggests that the boy should be bound. With a parcel of books and the sum of five pound.
Brownlow agrees but his friend will soon gloat. Of the loss of said books and the crisp five pound note.
Surely as hell the time is upon. When onto the streets the child is soon gone.
But Grimwig still boasts that the boy they did trust. Was simply a fraud and just earning a crust.
The kindly old man does have to agree. That Oliver Twist is about on a spree.
Held up and imprisoned by this awful pair. Terrified boy removed to old Fagin’s lair.
Bill Sikes decides that the boy needs a blow. Nancy steps in, she will not stoop so low.
Be satisfied Bill for you have ruined his life. Condemned the poor boy to an history of strife.
Is that not enough to cast onto him. He has been through the mill, now he’s out on a limb.
Brownlow decides to post a reward. For information on the loss of his young ward.
Bumble arrives for the five guinea toll. As he opens his mouth the lies they do roll.

Oliver is taken, carted away.
By Nancy and Bill to the place where they lay.
No notice is taken to the tears he will sob.
For Sikes plans to take the small boy on a job.

Shepperton town is the place they will go.

To silence the boy a gun he will show.
Darkness will produce where his sights are set on.
A quick in and out and with goods they’ll be gone.

Toby Crackit and Sikes are partners in Crime.
Through a small window will make the boy climb.
But plans all go wrong and they do not get a jot.
Although in the event the poor lad will be shot.

Old Bumble is called to the workhouse for wine.
With widowed matron intending to dine.
Things interrupted the matron must go.
To visit old Sally on deathbed below.

The dying old woman does make good a wrong.
As she pours out a death persons song.
She tells Mrs Corney about a gold locket.
That she in the past had decided to pocket.

Inside it gave clues to someone’s true worth.
As owner was dying whilst still giving birth.
To a small sickened child it could of helped save.
Returned him to family as she went to her grave.

Three Cripples a pub where to Fagin will fast. A man named of Monks will throw light on the past.
The story of Oliver’s plight he does pitch. Not knowing the boy has been left in a ditch.
Giles and Brittle two servants regale. Remembering the robbery they did make fail.
An embellished story that has one slight hitch. The bloodied young man will make their story switch.
Doctor and Constable soon to arrive. While injured is taken upstairs to survive.
Upon seeing Oliver, Miss Rose does exclaim. That burglar and boy are not one and the same.
Officer’s Blather and Doth examine the scene. Oliver soon will explain his regime.
Miss Maylie house owner and her niece Miss Rose. Will not let the boy to a prison expose.
Losberne the surgeon and Rose take some time. For ways to conceal the boy from the crime.
Giles and Brittle are forced to retake. Admitting to Officers that they made a mistake.
Oliver’s life takes an healthy uplift. And lady and niece are so glad of this gift.
Tender care and love, make this young lad at home. Never again need to feel so alone.
Losberne takes Oliver to London to see. Where Brownlow and Bedwin could possibly be.
Upon their journey the news they do find. The persons in question have left England behind.
Without any warning poor Miss Rose gets sick. Oliver runs to get Losberne so quick.
On his return as he walks down the lane. He comes on a man who is writhing in pain.
Having retrieved some assistance for man. Returns towards home just as fast as he can.
Wanting to make certain of good news for Rose. Memory of the man in the lane simply goes.
Maylie’s sons Giles and Harry attend. Harry wants Miss Rose as more than a friend.
Whilst Harry is aiming for fortune and fame. Miss Rose has a sensitive mark on her name.
Although the misdeed was no crime of her own. Her parents wrongs will not leave her alone.
Harry is aiming at Prime Minister. So marriage beneath him would cause quite a stir.
With love in his heart the relentless Harry. Tells Miss Rose once more that he does want to Marry.
Although after this time he will not ask again. A tearful lady does have to refrain.
Oliver wakes up in shock from a sleep. Whilst at the window two men they do peep.
Fagin and other man, run off for their shame. Memories rekindled. The man in the lane.
Giles and Harry soon at Oliver’s aid. Searching the grounds but no trace can be made.
Away from the scene things come to an head. Old Bumble and Corney it seems have been wed.
The matron tells husband about what she’s learned. About the dead woman, money could be earned.
Chance meeting with Monks Bumble does make. To meet this caped man his new wife he does take.
For twenty five pounds a deal is made. She passes the goods for which she has been paid.
The locket from Sally, she did take and hold. Inside of locket a ring made of gold.
Inscribed on the inside the man Monks saw there. The name of Agnes and two locks of hair.
Inclined is the man, evidence must go. Weighted and thrown into rivers own flow.
Sikes is in fever and sweat it does shine. As Fagin arrives to deliver some wine.
Fagin replies he does not think it funny. The sickened Sikes still demands from him money.
Fagin takes Nancy back to his hideaway. To get Sikes the money he must indeed pay.
A visitor arrives, two men speak alone. Inquisitive Nancy can hear their drone.
Whatever she heard commits her to see and knock on the front door of Mrs Maylie.
Admitting to Miss Rose so that she should know. Who kidnapped the boy from Mr Brownlow.
She explains what it is she heard from the other. That Monks is indeed poor Oliver’s brother.
Oliver later is out for a treat. He spots Mr Brownlow out on the street.
The young man relates what he saw unto friends. Mr Giles and Miss Rose to Brownlow attend.
Oliver is allowed a visit to see. Brownlow and Bedwin who don’t disagree.
The story from Nancy is passed onto both. To keep it from Oliver they all swear an oath.
The idea to see Nancy would be a vantage. So visit they must, upon London Bridge.
Plans are drawn up things are in sight. The deadline is Sunday. The time is midnight.
Sowerberrie Robbed, Claypole the crook. To London a journey. The police he should duck.
A meeting with Fagin does help to define. The shaking of hands as this union align.
With Dodger locked up the need for a new. Association, by joining the crew.
First on the agenda a visit to court. To view on the sentence that Dodger has bought.
The sentence is in, result deportation. For Dodger a blow, Fagin some irritation.
Fagin tells Noah he will give him one pound. To latch on to Nancy and follow her around.
The midnight meeting from shadows perceived. Of talk about Monks who is not too relieved.
Spying for gentry Nancy will announce. When Monks will attend at that old ale house.
Idea as such, he will be forced to declare. The truth about all he has worked for and where.
Sikes is informed of Nancy’s concern. Anger and hatred through him will burn.
When he returns home, throws the girl onto bed. Lifts up his stick and beats Nancy dead.
Sikes will flee London the following day but tries to drown Bulls-eye who could give him away.
Brownlow captures Monks, taking him to his home. After constant question his cover is blown.
The secret of Monks they were soon to discover. Real name Edward Leeford they then did uncover.
His father he told was forced into marriage. With woman with whom he had tried to disparage.
This loveless union for the father was coarse. So he left but was not to secure a divorce.
Agnes Fleming, this lady became his only affection. The two of them seemingly lost their direction.
As a result of this loving affair. A woman alone with unborn child to care.
Fagin and Noah by police are detained. Though Sikes and his freedom still they remained.
Held up alone at his iniquitous den. Out of the way of all other men.
Bates he does follow, Bulls-eyehe will track. Calling on others to help him attack.
Murderer Sikes is forced now to flee. For the ****** he did to his poor Nancy.
He uses the rooftop with avoiding intent. Hoping that crowds will soon give up, relent.
Using a rope to air his escape. About his person the rope he will drape.
High up on rooftop Sikes does his trek. With rope still entwined in a loop around his neck.
A slip as he ran caused a rooftile to loose. Effecting in Sikes with his head in this noose.
Onlookers can see this of this man that they dread. Asphyxiated. Hanging stone dead.
They say what it is that made this man die. Was caused by seeing into Nancy’s eye.
That her ghost came along and did have its way. Making Bill Sikes forever pay.
Even though this story we cannot prove. For many a persons minds this does indeed sooth.
A Letter its told was found by another. Proving to us to be Edwards mother.
Destroying both a Will and letter. Ensuring that Edwards life will be better.
Agnes’s father found out when she left. Became broken heart and soon to bereft.
His shame and honour were both denied. Accelerated greatly the time when he died.
Poor little sister is taken we see. By good Samaritan lady named Mrs Maylie.
Bringing this child up as her own. Miss Rose as she is now, to us be it known.
Bumble and his wife confess. To their dealings in this mess.
Concealing to Oliver’s history. Never again, office be held by he.
Harry’s makes change of his life’s employ. Prime Ministers aim he will deny.
And thus open another direction. To marry her of his hearts affection.
Fagin is sentenced for all of his crimes. The Gallows imposed for his evil times.
Oliver will feel a need to beset. Fagin for proof of his legitimate
Noah is pardoned, excluded his time. For his testimonie about Fagin’s crime.
Monks travels by ship to the new world. It isn't to long until his life is unfurled.
His wicked ways again he will try. Imprisoned, eventually this is where he will die.
Oliver becomes the adopted son. Brownlow a father does also become.
Miss Rose as aunt that will often frequent. To see Olivers life gaining so much betterment,
Life now to all will be a good friend.
This story is formally now at an end.
A poetic translation of Oliver Twist by Charles Dickens..
May 28th 2011
Randy Johnson Aug 2015
I adopted my Chihuahua Dog two years ago today.
I'll be Agnes's last owner, she's here to stay.
I adopted her in Morristown, Tennessee.
I am lucky because Agnes is with me.
Two years has been how long I've known her.
I'm very happy and proud to be her owner.
Today I'm celebrating the 2nd anniversary with my dog.
John F McCullagh Jul 2018
Joan of Arc gets all the credit;
everybody knows her name.
Agnes was not nearly as famous
but a least she avoided the flames.

Joan was Charles' warrior Priestess,
Agnes ,his mistress, of sorts.
She was undoing his virtue
While Joan was besieging Brit forts.

Agnes was the lady of Beauty,
That's  the castle Charles put in her name.
Her Decolletage  was her chief attraction;
Her cleavage put all others to shame.

In art she was  depicted as Mary,
her Breast bared for the Savior to ****.
Joan of Arc was depicted in armor,
her breastplate was spattered with muck.

Joan took inspiration from Heaven
Agnes from a feather bed's down.
Together they made Charles a monarch
In the city of Rheims  he was crowned.
In the denouement of the hundred year's war Joan of Arc, the maiden warrior was condemned to death at the stake.  Agnes De Sorel was mistress to the Dauphin, later King Charles the victorious. Both women were his inspiration
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
Tim T Jul 2010
winning two tournaments in two weeks
surely a most impressive feat
"my" Agnes did it with a smile and killer techniques
her gravel game looked pretty and complete

even though today she looked a bit tired
her opponent saw it, and tried to take her down
but Agnes persevered, the trophy was what she desired
a win here was sure to make her the talk of the town

after the match, she burst into tears
her coach came on court to comfort her
and made her aware of her fanclub's cheers
but to her, everything must've been a blur
Agnes Szavay (from Hungary) won the gravel tournaments of Budapest and Prague back-to-back. Rather impressive for a 21 year old. I wish I could've written a better poem about it though. I really like Agnes Szavay.
Nigel Morgan Oct 2015
Agnes in London*


1

unprepared for this
the tall door opens
and there are the paintings
72in x 72in and full of nothing
the most delicate stripes of colour
‘midst an intricacy of making
nothing else but beauty
and the mystery of life

2

Here’s what’s left of her beginnings
after the landscapes the portraits
the biomorphic forms : abstraction
so very green with loneliness
and the wish to be the solitary self

3

She wanted to be like Picasso
a painter who worked hard
this room is full of that hard work
experimental embroidered forms
beginnings symptomatic of ‘the grid’
set amongst sculptured objects found
roughly brought together
urban : hard-edged

4

Just three compositions
the beaten gold leaf of *Islands

the Chinese go board of Friendship
the nothingness of Grey Stone
you saw the meticulously pencilled
hardly visible lines – hiding

5

More of the same but
noticing the rectangle
set inside the square
the all-important border
and the pin-pricked holes
for a guiding thread?

6

On a clear day
rise and look around you
how it will astound you
that glow of your being
outshining every star

. . . the Streisand song
a clue to expressing
an innocence of mind
or thirty variations
on a simple grid

7

The colour of the rock
at dawn at noon at sunset
Agnes in the desert
a soft brush on acrylic gesso
dividing colour fields
with the graphite pencil
masking tape and metal ruler
subtle irregularities
a liquid pooling of paint
when viewed close to

8

The greyness you loved
and sat transfixed
to view the textures
I could barely grasp
they were floating therein
a reduction of means

9

neither objects nor space
nor time nor anything
there in this silence
of the whispering kind
at the still centre
you told me you saw
a blueness in all this white
these twelve canvases
of acrylic paint
and graphite line

10  

Here her final work
a drawing on paper
rich in the tremor of inconsistency
conveying (the catalogue said)
a sense of optical vibration
art as a realm
of transcendent experience
like nature itself

11

her final canvases
a return to an earlier time
uncomfortably so for me
No longer work
at rest with itself
it reaches out
towards inevitability
and the futility of death
when the painting has to stop
http://www.theguardian.com/artanddesign/2015/jun/07/agnes-martin-retrospective-review-tate-modern
Randy Johnson Dec 2015
Agnes is an Applehead Chihuahua, that's her breed.
She is my canine who I show affection to and feed.
I recently learned that she's four years old, I thought she was a little older.
From time to time Agnes becomes hateful and I have to scold her.
But she's a beautiful dog who I think the world of.
For the rest of her life, she's an animal who I'll love.
Bri Nov 2014
Agnes:
Wine, for the Greeks, brought more than
burgundy to the screen, instead
illuminant pinks and purples and yellows
swirl and wirl and twirl in orchestrated
dances of Spring.

Cherubim soar, teasingly mocking these gods,
drunk with passion and their grape wine while
pegasi rest, swoop and land like swans to a water’s surface.
Joy and ***** happiness, lovely and sound,
they prance.

In a swirl, in a wirl and in a twirl,
you bring me back to my favorite scene,
when Fantasia was my insight on art
when my mother would sit and watch with me,
instead of busying herself with others.

I had not thought of that in years,
I had not remembered the jolt to my system,
to the system of a little girl, who, often alone
had to create her own art, often had to
imagine her own melodies.

Agnes, you’ve brought the next jolt,
I’m once again flying with the black Pegasus, swooping back
to the dark living room, followed by a stampede of centaurs
cherubim lulling me to sleep,
swirling and wirling and twirling my own colors,
carrying me back to her music.
based on the painting "First Spring Garland"
Deep on the convent-roof the snows
Are sparkling to the moon:
My breath to heaven like vapour goes;
May my soul follow soon!
The shadows of the convent-towers
Slant down the snowy sward,
Still creeping with the creeping hours
That lead me to my Lord:
Make Thou my spirit pure and clear
As are the frosty skies,
Or this first snowdrop of the year
That in my ***** lies.

As these white robes are soil'd and dark,
To yonder shining ground;
As this pale taper's earthly spark,
To yonder argent round;
So shows my soul before the Lamb,
My spirit before Thee;
So in mine earthly house I am,
To that I hope to be.
Break up the heavens, O Lord! and far,
Thro' all yon starlight keen,
Draw me, thy bride, a glittering star,
In raiment white and clean.

He lifts me to the golden doors;
The flashes come and go;
All heaven bursts her starry floors,
And strows her lights below,
And deepens on and up! the gates
Roll back, and far within
For me the Heavenly Bridegroom waits,
To make me pure of sin.
The sabbaths of Eternity,
One sabbath deep and wide--
A light upon the shining sea--
The Bridegroom with his bride!
Third Eye Candy Mar 2013
the farmgirl with the green flecks in her anime eyes
is snoozing in her van. it's afternoon and she's lost her ruby slippers. she knows not where.
she charms the water fleas with her clean teeth.
she gropes through the ampules of her ample *****. where her heart is like a fox and hound.
in a glass forest. the otherwise, warm porridge is the cruel gruel of her next poem.
she gnaws on the nape of her next unborn. the naked rube of her snipe hunt
on a night with no moon.
she doesn't mind either.
her kites fly, un-flummoxed in the effulgent. unchained in the Quixote of our windmills. distilled
by charcoal fences. a net of screens, nimbly deployed across the hinterlands
of our possibilities.

now " who could that be ? "

agnes is calling and i know she just wants her computer fixed.
A garden in a garden: a green spot
  Where all is green: most fitting slumber-place
  For the strong man grown weary of a race
Soon over. Unto him a goodly lot
Hath fallen in fertile ground; there thorns are not,
  But his own daisies: silence, full of grace,
  Surely hath shed a quiet on his face:
His earth is but sweet leaves that fall and rot.
What was his record of himself, ere he
  Went from us ? Here lies one whose name was writ
  In water: while the chilly shadows flit
    Of sweet Saint Agnes' Eve; while basil springs,
    His name, in every humble heart that sings,
Shall be a fountain of love, verily.
Korie Conyers Oct 2010
The history of the map
For ages we have journeyed Agnes, and for what?
To turn brown and lined like the thing we follow?
Don’t cry Agnes.
It was-
I was-
**** it, Agnes!
Let me speak, as we once did, of parts unseen
Experiences not shared
Yet then shared in the telling
Then bounded
Only to find
That together it was a read over
Having nothing to express
Together.
Together we are now.
that’s what we asked.
The joys in the parting?
What use is for one a wallowing, then?
Here take the map Agnes.
Let’s-
Yes, it was good, wasn’t it?
Terry Collett Oct 2013
I rise with the morning bell, said Sister Agnes; I hear it now in my ears. It rings in the ears and heart. The window shows dawn just about to come over the cloister wall like a mischievous child about to play forbidden games. I sing in choir with my voice absorbed by the voices of others and the walls of the church. I walk the cell like one waiting to die; listen to the birdsong outside like one wanting new life or life renewed. Sister Blaise is in the cloister garth walking with the birds, the morning chill resting on her black serge shoulder. I watch her walk; her feet tread like one on eggshells. Her hands hidden beneath her blackbird breast, her head bowed like one at prayer. She has birds at her feet, St Francis like. I shall leave her, kneel in prayer, and climb the stairway to contemplation. My father's tears settle on my sight; his voice broken; his eyes looking out at the garden where once we walked. He would have had me stay at home; dry old-maid fashion at his beck and call day and night as my mother did until cancer dragged her weeping to the far beyond. I shut my lids against the dawn; press my lids like one seeking blindness to the harsh day's light. My brother, George, sits in some Paris café talking of art and painting his oil-drench canvases in his back street studio. Father talks of him as one who is lost. Both of us are lost to him, each in their own way. George cares not; his art and women are his all. Thoughts push their way through the curtains of my prayer; they are rude and unclean; they are ill bred like the children my mother despised. I rise from prayer like one defeated. The light from the dawn blesses me with warmth; my flesh touched like one in love. I look at Sister Blaise and her birds; her hands are open like one crucified. Her rosary hangs from her belt; a thousand prayers cling to each bead. Last night I saw her kiss the feet of the stone ******; lay her hand on the Saviour's head. Holiness nests in her heart like a white bird in a dark bush; she shall hold me in my dim hours. The bell rings once more; its echo vibrates my ears and heart. I was happy when I entered your house; your handmaiden shall attend your needs. Prayers escape me; liturgies are my food and drink; my beads shall be my stones of pain. My aches shall be the nails to crucify me in my dark hours; my Christ bleeds in my monthly death. All shall be forgiven. The stones shall break my bones; the words pierce my fleshy heart. I shall go now; descend the stairs for dawn time prayer. Night flees me like one unfaithful to a lover's kiss.  I come.  My bridegroom
PROSE POEM. WRITTEN A FEW YEARS AGO.
The Inn sat down in a hollow,
Deep in a grove of trees,
It sat so far from the road, the yard
Was two feet deep in leaves,
It looked to be well deserted,
Except for a single light,
That poured its glow on the porch below
Late on that fateful night.

I’d looked since I found the Grimoire
Sat up on that dusty shelf,
Written in faded longhand
I couldn’t decipher myself,
The ancient scribe in the library
Had helped to decode each line,
And said it spoke of an ancestor
With a similar name to mine.

It mentioned the Seventh Circle Inn
And where it could still be seen,
It lay astray by a country way
Deep in a copse of green,
And Agnes Drue was a name I knew
Though I heard she’d not been found,
After the Mass they held that day
On consecrated ground.

Her coven had raised a spectre
Beside the Inn, in the woods
Near to a marble altar where
An ancient church had stood,
But then it demanded a sacrifice
To give the Devil his due,
And everyone formed a circle then
Apart from my Agnes Drue.

I entered the Inn to find who kept
The Seventh Circle of sin,
I needed to find what happened to
The one who was lost within,
An ancient crone kept the bar in there
Who croaked, ‘I know why you’re here,
You’re far too late for she’s at Hell’s Gate,
Has been, for many a year.’

I thought that I’d find a clue in there
On the fate of Agnes Drue,
And asked the crone was she on her own,
Would she rather there were two?’
A screech came up from the cellar then
Like the wail of a troglodyte,
The crone went down with a worried frown,
‘She only does that at night!’

Then right in the midst of the cellar floor
Was a ******’s wooden chest,
With iron hasps and rusted clasps
And a chain wound round the rest,
I burst it open to shrieks and cries
That seemed to come from within,
And there was the corpse of Agnes Drue
Where the Devil had locked her in.

The staring eyes in her skull had gone
But they seemed to stare the same,
There was no flesh but the woman’s dress
Was torn in a rage of pain,
And held in her frightful bony hand
Was a book that she’d scribbled on,
Deep in the dark of her awful tomb,
‘I knew! One day you’d come!’

David Lewis Paget
Randy Bryte May 2016
What's that you say, I'm a very nice person? No credit to me if you please
For the way that i am is how mother made me, and her name is Agnes Louise
She sacrificed all raising 5 little monsters, without ever asking for squat
She never gave up on any of us, and now we live what was taught
Shes been a best friend to all of her children, always a shoulder to cry on
But when we were wrong we feared her hands, that would teach us right from wrong
Through example we learned how to work very hard, through painful and difficult conditions
With honesty,  respect, and the good Lords help, we carry forth all her traditions
She nurses the wounded and saves the abused when no one else seems to care
She taught us compassion for all God's creatures, to help overcome their despair
So if your thinking were a wonderful lot I thank you but need you to listen
We're only a product of Agnes Louise
From the woman our lifes have been given.

Thank You Mother Dear
Grace Jan 2018
You know the type.
She's probably called something like
Isabella. Rosalie. Ginevra.
and you find her in the sort of novel where
she's outdone by someone called something like
Jane. Agnes. Lucy.
She's remembered in criticism as
Trivial. Silly. Foolish.
She's defined as Shallow. Vain. False gold.
She's analysed as the mirror, the contrast or the foil
and you're supposed to vaguely dislike her.
She'll reaffirm to the reader that the heroine,
whether she be plain or beautiful, is always, in the end,
Rational. Independent. Brave.
She reaffirms the heroine as someone who
learns and grows
while the silly girl is left looking at herself in the mirror.

The thing is sometimes I feel more like the silly girl,
the girl who needs a hand, the girl who reads books
and wants to believe the stories.
Sometimes, I'm looking in the mirror,
chest deep in my own trivial, silly little worries,
looking at the puddles not the lake, and I know.
I know I'd be one of the silly girls,
not the heroine, out there, just surviving.
I'd be one of those silly girls and I hate it - and yet
- what's so wrong with the silly girls?

What's so wrong with the girls who love themselves,
or love the wrong people or love their clothes?
What's wrong with the girls who are
brave but not rational,
independent but trivial,
selfish but practical?

What's wrong with those girls,
because I always find myself preferring
the Ginevras and the Isabellas anyway.
Basically, Isabella Linton and Ginevra Fanshawe are two of my favourite characters ever :)
Found this poem in the notes on my Kindle. I must have written it late at night, then forgotten about it. :) It's a bit lazy and silly and a bit different from other things I've been writing, but I decided to share it anyway.
I also can't believe that one of my most poems on here is me rambling about Ginevra.
Randy Johnson Aug 2019
I adopted Agnes six years ago today.
She'll be my dog until she passes away.
I named my Chihuahua after my late mother.
She's my dog and I won't trade her for any other.
Agnes got sick and a veterinarian examined her.
The vet discovered that she has a heart murmur.
Because of a tick, Agnes was temporarily paralyzed.
I didn't know a tick could do that, I was surprised.
She nearly died and it was hard for me to stand it.
Agnes is one of the greatest dogs on the planet.
I adopted Agnes on August 27, 2013.
NiTSUDD Sep 2016
The letter was addressed: From Agnes With Love
It arrived from above, in the beak of a dove
My heart it had seemed to stop in its place
But it started to race, when I saw your face
The years had shown through your beauty in lines
A few more then the time, when I called you mine.
The photo brought memories of pain and of bliss
On the back was your kiss, and the word "remanice"
Was it a cruel taunt, or did you crave me?
I thought as I walked nervously, to your cottage to see.
I pray to St. Agnes,
Crippling my face with her tears
So I kneel close to the seas.
Rivers run deep,
just like my heart bleeds
dripping upon her creed.
Stars, charms & spells,
whatever conjures the bell
draw me to your vale.
Standing behind my beau,
I long to kiss you
And his uptight shoulders’ blues.
Randy Johnson Oct 2020
Saint Agnes is what my mother should be called.
When she died, I was both saddened and appalled.
I admire women homemakers more than women who work because Mom was a homemaker.
I was devastated on March the 6th of 2013 because my poor mother needed an undertaker.

Mom wasn't actually a saint but she was as close as a person could get.
You would've been very happy and fortunate if you and Mom had met.
She was a wonderful mother and that's something I'm proud to confess.
She was one in a million and she should be called Saint Agnes.
DEDICATED TO AGNES M. JOHNSON (1948-2013) WHO PASSED AWAY ON MARCH 6, 2013
Nigel Morgan Oct 2015
Café for Cats

Take your shoes off
and close the child-gate
we don’t want the cats
out in the street please
thank you : our cats
your pleasure their purrs
together
make for a blissful moment
in a hectic world
on this busy street
don’t leave without
taking a cat on your lap
stroking their pedigree fur
all for you and coffee too


Street Art

Prevalent in these parts
the impromptu sketch
the wildly alternative mark
on arches grand designs on
construction-site hoardings
and take this side of a building
here untouched by windows
a canvas blank of brick where
Gulliver’s sister lies gagged
and bound in a Lilliput house
her knees poking through
the upstairs floor


tokyobike

in pastel-green apricot-pink
a lithe machine of delicate frame
and slim-line wheels
would look well in the hall
and out on the street
if properly socked with
your oh so short skirt
the gym-honed thighs
the custom rucksack
tight on your back


Whirl of Leaves

The breath that blows
these notes across the page
the murmuration of fingers
against those resonant strings
up and down to and fro
on music’s path go
the flute and the harp
pursuing the ground
into the autumn air
chasing the wind
until . . .
at a passing wall
they are stilled
into motionless
their rise and swirl
emptied of breath
no more to blow
or pluck these dancing
murmuring
wind-driven notes
but into fermata’s
grasp    

(where despite
a futile final flurry
a long bar’s rest
takes hold
till Spring)


St Paul’s by Night

From across the river
an unexpected view
not just that gracious dome
but the building below
substantially whole complete
for once not hidden by proximity
or an errant developer’s whim
the progress to the great south door
unimpeded when we walked
the well-tempered bridge
as high on the lofty cranes
bright red stars guided
our journey home


Askam Square

In this London square
the trees hold still
as sculptures in
the nothing air
no breeze to animate
their leaves except
a steady gaze might catch
a gentle oscillation
here and there

La Maison vert foncé

So very green this perfect Hoxton house
it could be in a petite ville Française
incongruous here – but such a treasure
geranium-filled window boxes
lace curtained attic rooms
just-have-to-have-a-look inside and see
the dress-maker’s table the library of books
the posters artists’ prints and all
a purposeful lady sits typing at her desk
costume directions for a Pirandello play


Daughter

Last year she’d bought a boat on the river
this year she’s in New York for the week
Keeping tabs on daughters can be wearisome
you hope for hug and to hear that certain voice
see eyes that haven’t changed their depth
since a child when you marvelled at their colour
so - it seems you won’t be seeing her this time around
but she’ll be in touch when she gets back she says
and ‘we’ll talk’ . . . she says.

Urban Fox**

dogs don’t have such a brush of a tail
a flattened skull or triangle-like ears
one was about to cross our path
thought better of it and retreated
behind a bush content to wait
till we’d passed on by
I
writing just the other day
about the fox of Chinese lore
remembered this celestial dog
had nine tails, four legs and a golden coat
served the Palace of Sun and Moon
transcended both the yin and yang
Judy Ponceby Jan 2011
Sitting in her wheelchair,
Wondering what to wear,
Natalie, the Notorious,
Found her situation nothing short of inglorious.

Absorbent or plain, it didn't seem to matter,
Until, down the hall,  she heard Nurse Agnes' chatter.
Her ears perked up, as did her head.
Glinting eyes showed much to dread.

Natalie said with all due sobriety,
"Here goes the plan in all its entirety."
She gave herself a wink, and tossed back a mickey,
Choosing her time, being quite picky.

Natalie searched out that sanctimonious nurse,
And giving vent to her rage, she let out a curse.

She flew from her chair, and let out a yell.
Frightened Nurse Agnes, in fear she did quell.
But Natalie's plan, to take the nurse down,
Fell quite flat, when she hit the ground.

Poor Natalie had totally forgotten,
The chairbelts kept her in, "Oh, how rotten!"
They snapped her back and she hit the floor.
The ice pick she had, flew into the door.

Really now, it's sad to say,
that Natalie the Notorious to this day,
Avoids plots of ice picks and death,
And focuses mostly on keeping her breath.
Picky.  Notorious.  Forgetful.  Old.  Absorbent. Sobriety.  Sanctimonious.
Charming Fun and Fanciful.
Randy Johnson Jun 2015
You're looking at a man who has been blessed.
I have a dog and she's Daddy's little Princess.
My Chihuahua, Agnes is very special to me and I love her a lot.
She means more to me than anything else that I've got.
Agnes also loves me and she loves it when I stroke her dark brown fur.
I became a lucky man on the day when I adopted her.
Having Agnes for a pet is better than being wealthy, that's what I believe.
That's how I feel even though it's something that others may not perceive.
Yenson Sep 2018
I saw Agnes outside Harrods
Looking tres chic, le chic
I say darling, what's happening, sweetie
where's your Wainpatrik from the sticks
our erudite writer who thinks aspic is pate

I gave that hick the 'go find your level'
Agnes replied with a smile
You know how it is with him and his drivel
that coarse, crude, pretentious oik without a shovel
He tries to be intelligent but his head is full of gravel
bathes once a fortnight and has a todger like a weasel

You can't beat good breeding, she continues
those reconstituted barrow-boys
with  B-Tech English thinking they are now genuine
Lacks confidence, style, self assurance, wet as the Rhine
******* in the boudoir, sloppy kisser, todger like a string
Bully and a coward trolling on his stolen PC, has no spine

Hey, lets **** down round my pad, she purred
You may be out of shape at the moment
But who's cooler, more charismatic and interesting than vous
Do you know you're the best I have ever had and I mean it too
You're head and shoulders above Wainputrid and that's so true
The twerp is so envious of you, he and his barrow mates stew
Tales of your exploits and size just leaves them aghast and askew

Hahaha...haha..she laughs as she linked arms, a glint in her eyes!
drømmesind
  februar måned - langt væk og lige om lidt
før mig tilbage gennem tågen, gennem tankerne
    minder; knyttet til sanserne (det duftede af noget bestemt, vi lyttede til denne her kunstner, det var koldt) og noget helt ubeskriveligt. en stemning
tilbageblik, koldt
   vinterferien:
amsterdam, håndcreme, agnes obel, earl grey og støvet lugt i bygningen, helt bestemt væremåde, kold brun og mørkegrå og hvid og mintsmag
et koldt hjem
vejrmøller

   at vågne fra en dyb søvn
søndagssind
Daniel Oct 2023
Before the stormy night they stand
The empty buildings high and grand
Windows black and diamond plated
The stars about their glassy faces

Monoliths and moonlight kissed
All tightly packed against the winds
Freezing stone and white as bone
Alight along the rainy roads

And further still the swirling hills
Receive the heavens overhead
Some mighty tryst, an inky rush
From here I watch them touch
Mercurychyld Feb 2015
Agnes was certainly no beauty by any
standard of the day, not even 'pretty'
really. Not the type anyone would
notice as she'd scurry through a room.

Surely her stress ridden life added to
the many wrinkles and dark circles
that plagued her face, and the weathered
look of her eyes and skin, and sunken
posture.

To meet her gaze was to witness a far
off, blank expression, where once
emotion and thought were reflected.

Until the day she came toward me with
a box. She sat by me, looked into my
eyes, and spoke in a manner and voice
I'd never heard from her...almost
animated.

She explained how she'd saved and
saved, secretly, with the hope that
one day she'd find something she
believed in strongly enough to invest
in...and, that day was today, and that
'something' was ME!

As she spoke, I came to see her in a
different light. With each passing
sentence carried by her voice, the
wrinkles and ravages of time seemed
to fade. With each passing minute,
the years in her eyes seemed to melt
away and her light shone through,
and I could swear I saw her once
young, vibrant self, smiling at me.

In that small, significant pocket of time
she had looked upon me and found
someone who needed her, once again
truly needed her, and I had found in
her someone who believed, finally truly
believed...in me.



-by Mercurychyld
Copyrights
Carlo C Gomez Mar 2022
a taste of frozen snow
how about pistachio
chocolate fountain
or vanilla chateau
could be strawberry fields
maybe mixed
with honey and wine
or collected from
the lower slopes of
confection perfection

call it what you like:
Dondurma,
Kulfi,
Cornets with Cream,
perhaps like Agnes,
Queen of Ices,
wading deeper
into blissful sugar,
waffling
back and forth
in endless
flavored dreams
I wonder how many calories are in this poem?
Judy Ponceby Jan 2011
The Notorious Natalie sat in her chair plotting the downfall of Nurse Agnes.  She did not notice her quarry coming down the hall as her mind was absorbed in plots of ******.  Having only recently attained sobriety, she took the picky Nurse Agnes as being a sanctimonious old bat. Startled, she looked up into that very old nurse's face, and lunged at her with her icepick in hand.  Unfortunately for Natalie, being forgetful as she was, she tripped over the walker she was using.  The ice pick entered her easily and put an end to Notorious Natalie's plotting for good.  

Thus Ends a Terrible Story.
And again.  Sanctimonious.  Sobriety.  Forgetful.  Old.  Notorious.  Picky.  Absorbed.

— The End —