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"agitato" poems
Dorme la corriera dorme la farfalla dormono le mucche nella stalla il cane nel canile il ***** nel bimbile il fuco nel fucile e nella notte nera dorme la pula dentro la pantera dormono i rappresentanti nei motel dell'Esso dormono negli Hilton i cantanti di successo dorme il barbone dorme il vagone dorme il contino nel baldacchino dorme a Betlemme Gesù bambino un po' di paglia come cuscino dorme Pilato tutto agitato dorme il bufalo nella savana e dorme il verme nella banana dorme il rondone nel campanile russa la seppia sul'arenile dorme il maiale all'Hotel Nazionale e sull'amaca sta la lumaca addormentata dorme la mamma dorme il figlio dorme la lepre dorme il coniglio e sotto i camion nelle autostazioni dormono stretti i copertoni dormono i monti dormono i mari dorme quel porco di Scandellari che m'ha rubato la mia Liù per cui io solo porcamadonna non dormo più.
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5.5k
Dormi, Liù
Well hello, all, I’m your maestro ceremonious they call me Lokonious, purveyor of the odious so sit back, relax, and celebrate the… atonalness? A: Andante con fuoco We’re goin’ a cappella so let me say first your style’s ba-roke, now let’s get on with the verse you’re all up in the scale with a falsetto pitch hittin’ soprano like a castrato ***** my mind is sharp, while you’re stuck outta key my rhythm’s all natural, you can’t find a beat you need some help ’cause you’re out on your own find that ****** on a subway, the metro-nome B: Allegro con brio throw down the fermata and hold up a minute your ***** a cacophony, no way to spin it and son, i ain’t broke, my style’s all classical you just can’t register that my words are magical I spit rhymes in fantasy, can’t you see that you’re beat? And they thought an allegro was unfit for elegy A: Moderato col legno well as for your girl, it may sound corny the ***** loves my brass ’cause she’s: oh so ***** dispel your illusion, i got one more your girl’s like a crime show… easy to score B: Allegretto grazioso your intellect is minor and your insults are bassless your composition’s hardly a harmony: graceless your cymbalism’s trite, and your motif’s unknown an unfocused opus full of dissonant drones A: Affrettando agitato get out my face with your unnatural rap you spit cold air and your lyrics are flat you’ve got no harm while my canon’s a gat so work on your refrain, ‘fore I bust da cap-OOOHHHHH B: Coda pull your weak crap, ’cause you’re outta your mode such imperfect rhymes that we’re calling a cod-a no time for the fanfare, you’re trying my patience an end to your requiem, bring out the cadence So that’s their story, best not get involved their fight’s an augmented fourth: difficult to resolve
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Jun 13, 2012
Jun 13, 2012 at 5:47 PM UTC
La Battaglia
Well hello, all, I’m your maestro ceremonious they call me Lokonious, purveyor of the odious so sit back, relax, and celebrate the… atonalness? A: Andante con fuoco We’re goin’ a cappella so let me say first your style’s ba-roke, now let’s get on with the verse you’re all up in the scale with a falsetto pitch hittin’ soprano like a castrato ***** my mind is sharp, while you’re stuck outta key my rhythm’s all natural, you can’t find a beat you need some help ’cause you’re out on your own find that ****** on a subway, the metro-nome B: Allegro con brio throw down the fermata and hold up a minute your ***** a cacophony, no way to spin it and son, i ain’t broke, my style’s all classical you just can’t register that my words are magical I spit rhymes in fantasy, can’t you see that you’re beat? And they thought an allegro was unfit for elegy A: Moderato col legno well as for your girl, it may sound corny the ***** loves my brass ’cause she’s: oh so ***** dispel your illusion, i got one more your girl’s like a crime show… easy to score B: Allegretto grazioso your intellect is minor and your insults are bassless your composition’s hardly a harmony: graceless your cymbalism’s trite, and your motif’s unknown an unfocused opus full of dissonant drones A: Affrettando agitato get out my face with your unnatural rap you spit cold air and your lyrics are flat you’ve got no harm while my canon’s a gat so work on your refrain, ‘fore I bust da cap-OOOHHHHH B: Coda pull your weak crap, ’cause you’re outta your mode such imperfect rhymes that we’re calling a cod-a no time for the fanfare, you’re trying my patience an end to your requiem, bring out the cadence So that’s their story, best not get involved their fight’s an augmented fourth: difficult to resolve
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41
Fortissimo -A The great fall, into eerie suffocating darkness piano pianissimo leaving smiles on faces inverted, frozen tears that never rolled down. The menacing overture grim and heavy, crushing fortitude, grief and joy clawing each other out, lucidly. Agitato -B The angst builds, wrenching the mind from its rational gaze chromatic disorder seeps in, another descent begins. Agitation bleeds into rivers of melancholy flowing fervently to the ****** where famished ears await the soulful drop of anticipation and girth. Seduction, no heart could withstand submission, no slave would surrender. Coda -A Returning to where it began, the exposition of extremes a collapsing sky, a violent dream. At the edge of belief, madness is melody poignantly orchestrated. Fingers that questioned doom have retorted swiftly. The closing is at hand; it ends quietly.
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May 4, 2014
May 4, 2014 at 5:43 PM UTC
Morceaux de fantaisie (MDCCCXCII)
(Theme, Variations, and Coda) Theme – Andante sognante   I dreamed last night... It was a dream Like one I've had before Variations on a theme My colleagues standing at my door Guitarists all, I bid them in And soon it's time to play My teacher first, each one in turn They play the night away Var. 1- Agitato But as they play I look around For my guitar is gone I look and look but cannot find Then comes my time...   “I can't go on!” This is absurd.  How can I play? (What?  Did I hide it by design? Is this my “out” as light breaks day, An ironclad alibi?) “I can't perform, no, not today. I'll have to play another time.” Var. 2 – Appassionato My time has come, and there I sit With my guitar in hand And wonder what the hell to play My mind a porous shifting sand Completely unprepared I sit And pray for intervention I make up some simplistic **** And play it with “emotion” Var. 3 – Allegro con brio e subito calamitoso This time round, it's different I really want to play. I'm ready, I'm inspired! I'll play till break of day I'll show them what I'm made of They'll marvel and they'll cry But my guitar just falls apart “What?  Why now?  Why? WHY?” The neck breaks off, the body splits, the strings are hanging limply I'm foiled again, I cannot play I'm ******* (to put it simply) Coda - Andantino Contemplativo What does it mean, this silly dream This wild subconscious spectre? What nourishment for soul to glean From such netherworldly nectar? Hmmm... I think that I should spend more time With hands on wood and string To reconnect with touch and sound To let my veiled heart sing To feel, and set those feelings free Catharsis, true release My sheepish nature put to bed My denigration now to cease For I have something bold to say Now my true voice is ready I'll sing again through wood and string Rich and full and steady Alive with truths that transcend words Ego now at bay Connecting with the universe It's time for me to play Fine
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Apr 20, 2013
Apr 20, 2013 at 6:16 PM UTC
Dream and Variations
(Theme, Variations, and Coda) Theme – Andante sognante   I dreamed last night... It was a dream Like one I've had before Variations on a theme My colleagues standing at my door Guitarists all, I bid them in And soon it's time to play My teacher first, each one in turn They play the night away Var. 1- Agitato But as they play I look around For my guitar is gone I look and look but cannot find Then comes my time...   “I can't go on!” This is absurd.  How can I play? (What?  Did I hide it by design? Is this my “out” as light breaks day, An ironclad alibi?) “I can't perform, no, not today. I'll have to play another time.” Var. 2 – Appassionato My time has come, and there I sit With my guitar in hand And wonder what the hell to play My mind a porous shifting sand Completely unprepared I sit And pray for intervention I make up some simplistic **** And play it with “emotion” Var. 3 – Allegro con brio e subito calamitoso This time round, it's different I really want to play. I'm ready, I'm inspired! I'll play till break of day I'll show them what I'm made of They'll marvel and they'll cry But my guitar just falls apart “What?  Why now?  Why? WHY?” The neck breaks off, the body splits, the strings are hanging limply I'm foiled again, I cannot play I'm ******* (to put it simply) Coda - Andantino Contemplativo What does it mean, this silly dream This wild subconscious spectre? What nourishment for soul to glean From such netherworldly nectar? Hmmm... I think that I should spend more time With hands on wood and string To reconnect with touch and sound To let my veiled heart sing To feel, and set those feelings free Catharsis, true release My sheepish nature put to bed My denigration now to cease For I have something bold to say Now my true voice is ready I'll sing again through wood and string Rich and full and steady Alive with truths that transcend words Ego now at bay Connecting with the universe It's time for me to play Fine
Continue reading...
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Revenant vibrato Amongst vivid spiccato A droning tenuto Amongst the chaos in presto The pages show alla breve Poco rubato, primo tempo Agitato con fuoco And con repetizione To dal Segno we go Add a Capo Presto spiritoso Clash straight into Fermata Fine
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Nov 23, 2017
Nov 23, 2017 at 7:26 AM UTC
Final movement