I cried at the breakfast table this morning
my father carefully explained,
"wives must be submissive to their husbands"
"housecleaning is the domain of the woman"
"God created woman because man asked for a partner"

This past semester I wrote two papers

One, a fire and brimstone sermon
          I quoted Anais Nin
          sending the creators of sexist commercials to eternal suffering
          "**** them!" I said. "May they burn in hell."
          For the women they portrayed were doormats
          Misconceptions
          Monsters

The other, the role of women in the 1920s,
           No longer confined to the kitchen
           they dropped ballots with their new freedom
           they wore short dresses and short tresses
           fingers wrapped around cigs
           they quoted Wilde instead of Alcott
           they danced until their feet hurt
       
I read of Anais Nin's "new woman,"
her partnership, not submission to man,

I craved a room of my own, neigh demanded it
For sheep stayed in the kitchen,
The Woolf had a study.

I read poetry
Sexton,
Plath,
I wept for their starved, depressed selves
caged, suffocating inside the clasped hands of a man.
Loved like rib-cage jails.

Adrienne Rich made me angry,
her daughter-in-law
forever trying to fit into a box
she was always too big for, spilling
at the edges, her shaved
legs like "white mammoth tusks"

I was finally
happy with my womanhood.

******, ******, *****, *******
they are mine.
******* free to move unrestrained,
jiggling under my shirt.
Wetness between my thighs.
Menstrual blood,
they are mine.

mine.

I am not ashamed of what I am
because there is no shame.

I am woman,
I am girl,
I am lady.
I am a creature
with a voice
a mind.

a creature who endured much abuse,
continue to endure.

I am woman

and I don't have to be wife or mother
unless I want to be.
I was not created for man;
I was created for the same reason he was,
to serve the same great purpose on this tiny blue dot.

I am not rib.

I am ******, ******, *****, *******
******* free, unrestrained,
Wetness between my thighs.
Menstrual blood,

I am a per.
I am a wo.
I am a hu.

Man and son need to back down,
collaborate not dominate,
speak not command,

for when less are forced into silence,
the maddening scream
hidden inside skin and bones and muscle-meat
becomes song.

this world of car horns and tire screeches
crying and wailing from raw throats
angry protests of indignation

could use a little music.

It seems she denied to the end
the source of the cataracts on her eyes
the cracked and suppurating skin of her finger-ends
till she could no longer hold a test-tube or a pencil
She died a famous woman denying
her wounds
denying
her wounds came from the same source as her power

An honorable human relationship — that is, one in which two people have the right to use the word “love” — is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.

It is important to do this because it breaks down human self-delusion and isolation.

It is important to do this because in doing so we do justice to our own complexity.

It is important to do this because we can count on so few people to go that hard way with us.

from  On Lies, Secrets, and Silence: Selected Prose 1966-1978

the stitches in my thigh are
healing so now we can all shake hands
and watch the money
poor in. the bombs are not coming,
please come out from
under your desks, you are safe
now and if im being honest
the desks wouldn’t protect you
from the shrieks of a
war plane. they sound
like nothing you’ve
ever heard
a frequency you unlocked
just for this
particular pain. you can almost see
the sound pour into your ear drums
like a bartender mixing
the ***** and the cranberry.
it sounds like 6am
it sounds like the same song
over and over.

Adrienne has flown to become the lovely moon
       and her ageless face is always toward me
                 watching
                      from
                          a    
                         heartless
                        canopy
                      of
                    my
               glistening
          tears

2/20/2015

"Lust too is a jewel
a sweet flower and what
pure happiness to know
all our high-toned questions
breed in a lively animal."
Adrienne Rich

So these days i find myself
scouring the somewhat stolid sure shores of
of seeming lust, which Adrienne Rich says is a jewel.
I don't see it
this lenten weekend.

I didn't give anything up,
maybe i'd switched from walking out of dorms into
walking out of cars, right? I laugh as I say this, not really ready
to say I am empty since I was taught to never lie and I do not feel this
after all,

More like a solid breathing discomfort at the squelching snow
on my solid leather workman's boots
lighting a cigarillo with a spark lighter and wondering what
you're up to.
My love's not so easily gained, i'd written once in a diary entry

and I suppose maybe it isn't,
but maybe it is the weather because
things didn't go as fast as I had liked this past
baptismal season but they still seemed fine.

For The Record**

The clouds and the stars didn’t wage this war
the brooks gave no information
if the mountain spewed stones of fire into the river
it was not taking sides
the raindrop faintly swaying under the leaf
had no political opinions

and if here or there a house
filled with backed-up raw sewage
or poisoned those who lived there
with slow fumes, over years
the houses were not at war
nor did the tinned-up buildings

intend to refuse shelter
to homeless old women and roaming children
they had no policy to keep them roaming
or dying, no, the cities were not the problem
the bridges were non-partisan
the freeways burned, but not with hatred

Even the miles of barbed-wire
stretched around crouching temporary huts
designed to keep the unwanted
at a safe distance, out of sight
even the boards that had to absorb
year upon year, so many human sounds

so many depths of *****, tears
slow-soaking blood
had not offered themselves for this
The trees didn’t volunteer to be cut into boards
nor the thorns for tearing flesh
Look around at all of it

and ask whose signature
is stamped on the orders, traced
in the corner of the building plans
Ask where the illiterate, big-bellied
women were, the drunks and crazies,
the ones you fear most of all: ask where you were.

Fitz
Fritz
Fido
Sandy
Spencer
Chaplain
Bernard
Jesse
Snoopy
Charlie
Charles
Fred
Freddy
Bones
Remmy
Ren­a
Reno
Tony
Julian
Julie
Frisco
Meghan
Addison
Robby
Buddy
Rudy
F­riedrich
Fredrick
Bernie
Rudolph
Adolf
Ferdinand
Rose
Cassie
Cassidy
Lee
Balto
Little *****
Allen
Alvin
Jake
Demi
Randy
Alex
Richard
Alexis
Kenneth
Ken­ny
Chris
Jose
Josey
Rodger
Moe
Joe
Emilio
Walt
Emily
Emma
Maddie
­Anna
Jafar
Aladin
Jasmine
Genie
******
Amber
Gracie
Ramen
Gordy
G­ordon
Jordie
James
Bucky
Huff
Manny
Sam
Samantha
Mary
Marie
Tila
­Rita
Cathy
Tammy
Mickey
Cam
Amelia
Rene
Jeb
Dan
Bagel
Tommy
Donut­
Bubbles
Blossom
Buttercup
Mark
Cody
Andy
Cristo
Andrea
Whiskers
­Mike
Bill
Billy
George
Geo
Joy
Mitch
Trigger
Tigger
Stephen
Archi­medes
Anya
Duncan
Nitro
Crash
Bub
Crystal
Egor
Bernadette
Cammy
T­immy
Antonio
Natasha
Natalia
Ivan
Abbey
Abdul
Carly
Aaron
Omega
F­inn
Nina
Debby
Tomato
Tabby
Artie
Archie
Noah
Kyle
Alfie
Alfred
Conrad
Conner
******
G­unner
Fry
Fries
*******
Constance
Connie
Frank
Fran
Candice
D­andy
Lucy
Lou
Louis
Quincy
Doogle
Dubie
Dakota
Ace
Casey
Barry
Te­rry
Trenton
Gabe
Laurie
Cornelius
Kabob
Sky
Skylar
Rufus
Louie
Ba­rton
Kimmy
Angel
Capri
Basil
Cy
Ruby
Emerald
Eleanea
Elenor
Barth­olomew
Jazz
Dreamer
Thunder
Topaz
Amethyst
Salsa
Meril
Dodo
Toto
­Eric
Barbera
Hannah
Katie
Zoey
Ben
Pinto
Squanto
Columbus
Columbo
Porgy
Bess
Clark
Savannah
Ken­dra
Marco
Leise
Toby
Trevor
Tresten
Treven
Adrienne
Caleb
Carlyn
­Ricky
Gibby
Donny
Han
Solo
Hans
Gabby
Dirk
Spot
Sebastian
Dee
Sco­oby Doo
Shaggy
Polly
Reginald
Burger
Steak Sauce
Ethan
Bradberry
Lucky
Fergie
Cheese
Boxer
Napoleon
Snowball­
Gerald
Jeremy
Benji
Gemma
Pal
Mal
Preston
Jack
Jackson
Molly
Mac­kenzie
Alexie
Alicia
Dora
Olivia
Salvador
Beast
Beauty
Oliver
Dal­e
Rim
Marley
Diego
*****
Bobby
Ralston
Zeke
Rooney
Plato
Cole
Nep­tune
Sailor
Frida
Rico
Dali
Veronica
Victor
Copeland
Swift
Riley
­Tubs
Lassie
Yo-yo
Harvey
Lemonade
Coke
Pepsi
Tanya
Camille
Token
­Laser
Beam
Seamus
Dorthy
Ian
Moby

She was done not fully being herself.
She realized she was the only self she could be—and not being unapologetically true to herself was a disservice to her soul and the world.
She was done listening to the noise of the world. She realized the quiet voice of her own soul was the most beautiful sound.
She was done questioning her motives, her intentions, the call of her soul. She realized questions seek answers, and maybe she already knew the answers.
She was done striving, forcing, pushing through and staying on the hard path. She realized toughing things out might be a sign to pick another path.
She was done with friends that admonished her to be more light and breezy. She realized they didn’t understand she swam in the deep waters of life, she felt at home in their dark depths and died if she lived on the surface.
She was done with the distractions, the denials, the small addictions that pulled her away from the true desires of her soul. She realized that strength of character came from focus and commitment.
She was done not following the desires that yelled out in her soul every day. She realized if she did nothing about them, they died a quiet death that took a piece of her soul with them.
She was done with dinner parties and cocktail hours where conversations skimmed the surface of life. She realized the beverages created distortion and a temporary happiness that wasn’t real and disappeared in the light of the day.
She was done trying to please everyone. She realized it could never be done.
She was done questioning herself. She realized her heart knew the truth and she needed to follow it.
She was done analyzing all the options, weighing the pros and cons and trying to figure everything out before leaping. She realized that taking a leap implied not fully seeing where she landed.
She was done battling with herself, trying to change who she knew herself to be. She realized the world made it hard enough to fully be herself, so why add to the challenge.
She was done worrying, as if worry was the price she had to pay to make it all turn out okay. She realized worry didn’t need to be part of the process.
She was done apologizing and playing small to make others feel comfortable and fit in. She realized fitting in was overrated and shining her light made others brave enough to do the same.
She was done with the should’s, ought to’s and have to’s of the world. She realized the only must’s in her life came from things that beat so strong in her soul, she couldn’t not do them.
She was done with remorse and could have’s. She realized hindsight never applies because circumstances always look different in the rearview mirror and you experience life looking through the front window.
She was done with friendships based on shared history and past experiences. She realized if friends couldn’t grow together, or were no longer following the same path, it was okay to let them go.
She was done trying to fit in—be part of the popular crowd. She realized the price she had to pay to be included was too high and betrayed her soul.
She was done not trusting. She realized she had placed her trust in people that were untrustworthy—so she would start with the person she could trust the most—herself.
She was done being tired. She realized it came from spending her time doing things that didn’t bring her joy or feed her soul.
She was done trying to figure it all out, know the answers, plan everything and see all the possibilities before she began. She realized life was unfolding and that the detours and unexpected moments were some of the best parts.
She was done needing to be understood by anyone but herself. She realized she was the only person she would spend her whole with and understanding herself was more important than being understood by others.
She was done looking for love. She realized loving and accepting herself was the best kind of love and the seed from which all other love started.
She was done fighting, trying to change or not her accepting her body. She realized the body she came into the world with was the only one she had—there were no exchanges or returns—so love and acceptance was the only way.
She was done being tuned in, connected and up-to-date all the time. She realized the news and noise of the world was always there—a cacophony that never slowed or fell quiet and that listening to the silence of her soul was a better station to tune into.
She was done beating herself up and being so ******* herself as if either of these things led to changes or made her feel better. She realized kindness and compassion towards herself and others accomplished more.
She was done comparing and looking at other people’s lives as a mirror for her own. She realized holding her own mirror cast her in the best, most beautiful light.
She was done being quiet, unemotional and holding her tongue. She realized her voice and her emotions could be traced back to her deepest desires and longings. if she only followed their thread.
She was done having to be right. She realized everyone’s truth was relative and personal to themselves, so the only right that was required was the one that felt true for her.
She was done not feeling at home in the world. She realized she might never feel at home in the world, but that feeling at home in her soul was enough.
She was done being drained by others—by people who didn’t want to take the time for their own process and saw shortcuts though hers. She realized she could share her experience, but everyone needed to do the work themselves.
She was done thinking she had so much to learn. She realized she already knew so much, if she only listened.
She was done trying to change others or make them see things. She realized she could only lead by example and whether they saw or followed was up to them.
She was done with the inner critic. She realized its voice was not her own.
She was done racing and being discontent with where she was. She realized the present moment held all it needed to get her to the next moment. It wasn’t out there—it was right here.
She was done seeing hurt as something to be avoided, foreseen or somehow her fault. She realized hurt shaped her as much as joy and she needed both to learn and grow.
She was done judging. She realized judging assumed the presence of right and wrong—and that there was a difference between using information to inform and making someone else wrong.
She was done jumping to conclusions. She realized she only needed to ask.
She was done with regrets. She realized if she had known better she would have done better.
She was done being angry. She realized anger was just a flashlight that showed her what she was most scared of and once it illuminated what she needed to see, she no longer needed to hold on to it.
She was done being sad. She realized sorrow arose when she betrayed her own soul and made choices that weren’t true to herself.
She was done playing small. She realized if others couldn’t handle her light, it was because they were afraid of their own.
She was done with the facades and the pretending. She realized masks were suffocating and claustrophobic.
She was done with others’ criticism and complaints. She realized they told her nothing about herself—only informed her of their perspective.
She was done yelling above the noise of the world. She realized living out loud could be done quietly.
She was done needing permission, validation or the authority. She realized she was her her own authority.
She was done being something she was not. She realized the purpose of life was to be truly, happily who she was born to be,and if she paused long enough to remember, she recognized herself.*

Adrienne Pieroth

It should be the most desired sight of all
the person whom you hope to live and die
so, this fire feels like love against our skin
we ramble on, in stasis,
caught ablaze and smoke
fills our lungs. There are sirens too loud
and too few to do any rescuing.

Kiss me you, fool.

Before the sky envelops us,
there's a mammoth of an alien
peaking through the sky's cracks,
tentacles grabbing.

No mercy.

There are no words,
for stars littering the sky
at daylight, and there's no use
in semantics for what unravels
in front of us.

But mathematics and optics,
equations letting sight pierce
through time. We are gorgeous as
we gasp for air, our life forces divided,
and allotted to some place distant.

What would our ancestors say?
Too proud to hike up death's skirt
and steal a look. Isn't this what we are?

Hungry.

Would they be proud
or would we be considered fools
to think we are untouchable?
Why not let our lips spark like
the bolts igniting the sky,
why not resort ourselves to ghosts
and haunt each other's great relatives

Shouldn't we give in
and behave as if
we're the last of our kind?

Geoffrey Saucer

Siegfried Bassoon

W.B. Yeast

Sylvia Bath Tub

Adrienne Ditch

James Joist

Samuel Bucket

Edgar Allan ***

Your voice is like sweet ether
On a ***** kitchen rag
It calms me down
It knocks me out
Knocks me up
I am pregnant with the sound
That 6 strings produce
And the beauty of your words
The fire walkers in you
Your fingers always knew
Know?
Have known?
How to pick the smiles
From my insides
Pluck the kisses from my lips
Draw the nectar
Sweetness?
Sugar?
Out
50 Ways to turn me upside down
50 ways to be knock-the-wind-out-of-me
Put-me-back-on-my-feet
Incredible
In the beginning it was dark
And you said
"Let there be colors
Let me have a guitar"
In the beginning
God colored me
Full of red blood cells
And vitriol
Carefully
Steady hands
Inside the lines
But with shaky hands
There's so many more shades
Blooming
Cascading
Lightning strikes
And this is the last time
I swear it's the last time
I will weather these storms
My daddy said there'd be boys like you
Boys who could make it rain
You know when I'm with you
I lose my mind a little
Who is this kid?
And how is he under my skin?
He's a tattoo I don't remember getting
Maybe I was drunk
Maybe I'm in love
Whatever that is.
Dog hair on duvet covers
Avocado-flavored lollipops
Antique shops
Every song about a different girl
Like 32
24
36
Bursting at the seams till I
Can't take no more
Jackie
Madeline
Taylor
Adrienne
And probably
Certainly
Girls I've never met before
What you do to me doesn't make sense
My intestines turned up at the corners
Pelvic thrusting on the couch
A little bit louder now
A little bit louder now
The mortars are screaming
Down
I'm quickly losing the war with myself
Jericho's walls
Are crumbling
And I'm told we have nothing to fear
But fear itself
Nothing to fear but ourselves
And a boy with glasses
Writing checks that I'm afraid will bounce
Singing softly to me
On the couch

You are strong
And you are loved

We love you.

2/24/2015

  The magpies sang up in the rushes– it was the second hottest day of that winter, the gilded winter specific silver sun (for the light seems brass or golden other times) parading through the glass of cars and storefronts and painting people's faces as they looked through.

  This light seems to be extremely influential in visual memory– in fact, I daresay if it were not for the light I would not be writing this.
  Wallace Stevens stated plainly and succinctly once, sweetly ochre, that the origin of love is one often hotly pursued, but its fluttering fashion has so distinct a shade, at its birth, that one can immediately tell.

  And so speaking on the similar topic of distinct fluttering things, Adrienne Rich said herself that love is given much poetic attention- that lust, too, is a jewel. And is it not? It seems more at times that *** removed from love or emotional background is more interesting.

     After all, weren't princedoms in the past running to the brim with more ******* children than actual heirs? Weren't steppe chateaus and inconspicuous inns in the ravine crawling cities put in place for politicians' mistresses?

     Digressing, these were all thoughts sitting on my shelf sitting in the Mitsubishi backseat. "This space is... surprisingly big eh?" I remarked, puffing on a perique, and he'd laughed a little, and I didn't realize what I said, and so then I laughed more.

   Is it possible to separate the after *** phenomenon found in one stemming from casual circumstances from the one in an emotional commitment? The sweet subtleties came to the surface for the very first time since I'd last loved.

    What subtleties? It may sound puerile, but a particular kiss– we were discussing the epitome of innocence in nature and I said that the range is the only place I feel a riveting sense of Puritan complacency. With this he was so struck he kissed me- no more nor less than 3 seconds. It is a very particular kiss that cannot be described- not a ****** one, but one that proves humans are physically social animals.

   It took us both by surprise. This casual sense of security and flushed faces and closure that i hadn't felt with any other casual passive passing people, I felt, was closely tied to a platonic love and admiration.

  Dopamine and oxytocin are released upon ******. It goes back to my Freudian beliefs of human reproduction being exclusive Machiavellian. The reason that oxytocin is released specifically is because it bonds- in fact, it makes the partners want to physically stay together, so in the eyes of biology they can make more children.

  Funny how science works, and funny how that's the way things were programmed to be, however humans as insolent as always found aways around. But the body prevails and so the sense of casual confidence and closeness endured.

   There has never been an instance where I have been more sure that I am not romantically interested in a person, and yet I feel this platonic adoration as strong as my romantic feelings- of course there is something tweaked, if it wasn't, It wouldn't be platonic.
  I have to ask myself if platonic love challenges romantic love, or it is a completely different name all on itself. Or perhaps I  should consider that the reason I am looking at this so hazily was because of the silver winter light.

Im wearing her favorite color
(green)
I can't believe it's been a year
Since she last took a breath
I can't believe
I thought I lived in a world
With Adrienne for three months
Then realizing she was dead
She had cancer, you see.
Her hair falling out,
Couldn't eat chocolate.
A two time state wrestling champion
Who couldn't help but stretch
The truth,
But I still couldn't help loving her like a sister.
She wasn't weak
Or sickly
Her crazy hair and showing ribs
Was just... Adrienne.
Nobody recognized
What she had was killing her,
Because she didn't seem to be dying.
I didn't see it coming.
I subconsciously had confidence
That her attitude
And love for life
Would pull her through
With barely a scratch.
Now I'm here with pictures of her
And notes on my camp pamphlet
From her
And she is gone and gone and gone
An I want her back.

~I always thought of myself as one for romance,
Until I met you, Adrienne.
Only you have made me laugh more than any other guy ever has.
Only you could stun me like no other.
Only you wave eyes like a great ocean,
With it's golden sand,
And light blue waves.
Swirling currents,
That sweep me away,
Your eyes are the windows to my soul.
Not yours, mine, or maybe both.
You aren't one for romance,
But for once, I find this way okay.
I'll put the key in your hands,
You lead.
I can't tell you anything these days,
without cracking a smile,
a giggle rising,
a laugh sounding.
All the laughs we've ever shared,
Which honestly, has been hundreds,
Come out just when I say hi.
I'm a bubbly girl CRAZY for you,
I can play the games,
Oh, the games we'll play.
How 'bout I swat you?
And you strike back?
How 'bout I hug you?
And you embrace the feeling tight?
How 'bout I ask you out,
On tomorrow's starry night?
You're perfect to me,
No matter what they say.
You're all that I see,
Don't let them call you gay.
I want to squeeze you hand,
And you squeeze back tighter,
And maybe one day,
We'll pull an all-nighter.
Only you♡

I come again to the task of grading their final papers.
My eye looks for errors and is surprised to find
the occasional really nice observation, the jewel
in what is otherwise such a disappointing read.
This is how I know I have lost touch with what it means
to be a teacher.  Instead, I have become a judge,
with my critical thoughts, my evaluation of each case,
each miserable attempt to satisfy the terms
of the assignment.

In fact, a student's observation about the drowning
of Ophelia as it compares to the speaker
in Adrienne Rich's "Diving into the Wreck"
is exactly the kind of thinking I advised,
but I find it weak.  Of course I do,
here with my metaphorical red pen,
now a mouse and pointer, highlighting
all of the absurd grammar and punctuation
mistakes, the lack of support for points.
"Where's the evidence for this claim?" I write.

Where's the evidence, at the end of the semester,
here in my room, figuring out what grade
is appropriate, that I did everything I could
to make the literature come alive for students
who are floundering like Ophelia in the water,
their heavy mental garments weighing them down,
trapping them until they know they are drowning
and I stand by the water describing how messy
their hair is.

You shape in a drape with bright disease
Claws sharp , Dixie fried , everything plus
Focus your audio gin mill cowboy
Hanging paper while interviewing your
brains , no place to jungle up
Know your groceries lead sled
Until you noodle it out keep it
Mason-Dixon line
It's all off the cob .


Bass drum knuckles - one who loudly over shadows anyone else , a bully .

A shape in a drape - well dressed

Bright disease - to know too much

Claws sharp - well informed on a variety of subjects

Dixie Fried - drunk

Everything plus -  better than good looking

Focus your audio - listen carefully

Gin mill cowboy - a bar regular

Hanging paper - playing with forged checks or documents . Liar .

Interviewing your brains - thinking

Jungle up - having a specific place to live or to be

Know your groceries - being aware , do things well

Lead sled - a classic (older) car

Mason-Dixon line - anywhere out of bounds regarding personal space

Noodle it out - think it through

Off the cob - corny

All the above except title provided by Adrienne Crezo .

Second period,
The bell will ring,
We meet each other and talk about anything.
Third Period,
When it was just you and it was just me,
You've ruined our friendship for eternity.
You made me laugh so hard,
My head and stomach ached,
Yet there was a smile of yours that you faked.
You talked with me,
We both played the flute,
And calculating math- we sure could compute!
We were the best in flute and math,
Funny how things change when you take a different path?
Our laughs, our flirts, our interest in old bands,
Yet I am the one who only stands.
I was attracted to all that was you.
Yet you saw things in a whole different view.
You made me laugh so hard,
My head and stomach ached,
Yet there was a smile of yours that you faked.
A friendly competition,
To see who would get first place,
Yet it was you who won the race.
You made me laugh so hard I was sick,
You brought me down to tears,
And now you realized our friendship wouldn't last for years.
I didn't love you,
You were my best friend.
There was no love to you I could send.
You loved her,
And we were great,
Yet she was the one who ended our fate.
You were amazing, Adrienne,
And though I didn't love you,
It was our classmates who broke us in to two.
They told you, "You're cheating on your girlfriend!"
Just because you wanted to make me laugh,
There was no love to you I could send.
You took our friendship and snapped it in half.
The rumors grew worse,
Fear grew in my chest,
Your girlfriend is nothing but a test.
"You're cheating on your girlfriend!"
Your classmates still cried,
An explanation was never given, yet you tried.
I wish I could have fixed things.
But you had to tear them down.
You insisted to never be friends again,
You're loyalty lied with her crown.
This, is why guys and girls can't be friends,
Because you become a suspect of cheating.
You made me laugh so hard,
My head and stomach ached,
Yet there was a smile of yours that you faked.
Because you loved her.
I just wanted to say, it's okay,
Because after all, what are friends for?
We'll always be friends- maybe someday even more~

"1.
...***, as they harshly call it,
I fell into this morning
at ten o'clock, a drizzling hour
of traffic and wet newspapers.
I thought of him who yesterday
clearly didn't.
2.
That "old last act"!
And yet sometimes
all seems post coitum triste
and I a mere bystander.
Somebody else is going off,
getting shot to the moon.
...we murmur the first moonwords:
Spasibo. Thanks. O.K.
- Adrienne Rich

I meant to write a headier poem about this
I sit down think about the quarter moon
is it in a fourth? I don't know,
the half of halves

here it is, here i am
writing down all there is to
saint saens the cello

i have a migrane, god.
jesus utterances but afterwards
we'd walk out the dark basements

and smoky apartment rooms (with a start over
sense later in the park)
with this and once you'd told me
"I think shame is a part of me"

however the other one would just
cross his arms
"come on be normal how are you are you ok whatever i don't
care anyways"

not to talk
the heat of the
flue hot on my face

i can't talk if i do i'll have to spit
out this window roll down the car!
the car window

sometimes i'd cry even reduced to tears
i knew to not try that **** with the other guy
you'd just stroke my hair and oh god

Oh god no one had ever touched
hair that softly in the history
of anything

or pulled it like that either and
so i remember august beach nights once
where i'd cry from that memory and

my mother would ask why do you weep?
why do you cry kid?
i'd just look at the breaking waves

the saens sinfonie in my head still
hoarsely say  "it's just cause... i'm loved so much you
know"

and me and the guy with the room and the
black hair don't even
count on it
'
he'd hold my hand, alright
i'd feel no comfort in it
still feeling like i'd

taken a friendly stroll
along the state roadway
chemicals. chemicals. chemicals

soft sun in the
black bamboo
flooringwood and goodbyes.

I am not a poet,
To write it I'd have to know it
I understand
That blasphemy calls
From turquoise beaches of golden sand
And canopies of mid-state oaks.
Rustling branches amidst a folly
Only I know.
And beyond there are a few roads,
Each to a different cardinal from where I stand,
A crossroads.
Could I? Should I?
Perhaps not, but why so?
Imagine my life, or what may be left of it -
with a golden love only my own,
And every star in her eyes -
Ten years, perhaps, or maybe less to spend,
It does not matter.
Oh, I can see it now.
Ocean storms in her irises
And images of the sun over a calm blue horizon.
Golden strands in her brunette hair,
Even Aphrodite would wish for.
Sweetest bells in her laugh
That every siren would **** for,
But of course she would be sweet and strong,
Kind with a lion's heart.
As I cover what's left of the small tin box,
A rustling I hear behind me.
Branches crunching and shaking, now I see it is dusk,
I look to the water below and see a fine mist above the water,
This is almost like the night she left me.
A large gust of wind blows through my hair and
Her laugh is all I hear next.
I fall, quivering, sobs shaking me as I go,
Looking up once more.
She stands, watching me from a thick brush along the shoreline,
And blows me a last kiss before my eyes close.
*Adrienne

Apr 28
Hi all !

Having a great time here in post-modern poetry.
We’ve been on the island since Sylvia Plath croaked in ’63.
It’s been a bit smoggy, incoherent  and gratuitously cryptic, but the prison-guards are super-nice and they let us write Haiku once in a while. There’s this MFA creative-writing place just up the road from the gulag, it’s really charming. They publish a chapbook that 4 people on the island read. They also host workshops, like How to Find Your Authentic Voice and Pushing Language Beyond the Boundaries. Last night we saw some non-identity-politics-driven verse in the nearby wilderness reserve. It had beautiful plumage and made totally weird sounds. (Hey Dylan, you’re remembering to feed my muse, right? Don’t let her out after 5 since she might stay out all night. She does NOT like the free-verse abstract work. Feed her the structured message-oriented stuff to the right of the editorial literary-elite. Thanks ☺ ) Anyway, we’re trapped on this island so if you find someway to get us off, do your best.
PLEEZ tell the editorial prison-guards that we are working on our English Lit MA degrees.
P.S: send the Maya Angelou and Adrienne Rich books soon !!!!!
                                                       Love,
                                                     ­     Rita Dove’s Bookshelf

Years slow to pass but in moments are lost
fleeting memories, mementos we lose,

I try
how I try to hold on
but the pull of the present
Is strong,

and the weak seek solace in
some future only they see

Adrienne tells me,
that Jesus was a good guy who
never had much luck

which seems appropriate.

I'm in there hanging out
wanting to be
out there hanging on
the pull is still strong.

I guess I must be too.