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Julian Apr 2020
Floating above the rifts of apperception I glaze over the gaudy faucets of imagined vector thrusts in hibernation by the lucubration of space-time materialized crystal in the somber beats of fetched farrago of choice slices in delicate hums of hemmed balance rantipole only in ethereal importance but otherwise supersolid above the sprauncy vagrancy of dilettantism. We shout a clarion virtuosity so that the conclamation of neovitalism conjures upon a spell of lapse and regress a motive for further crystallization of epidemiology into harmony with syndicated admonition sleek in design and parceled into renown by feats of completion rather than slugabed gregarious fountains of wasted ingenuity bleeding from the vacuum of an empty hearth in a hospitable dwelling otherwise cleared of imperfection. Right now, I levitate with transcendence with an approximated eidetic memory that is the surgical vibrancy of renewal rather than the chameleons of hidden talents buried by the walls of Jericho sounding tocsins of alarm that the anointed favor of choice destruction is only an encircled rapture of rhapsodies of confluence found in axiomatic truths ribbed with the futtocks of seaworthy but cauponate recidivism into the donnybrooks of apocryphal revelation preceding the whimsical fall of cascading permanence just as gravity so ordained it. We breathe the life of the ethereal numinous spirit of isangelous repute because we navigate the exquisite cobweb of reconciliation to surpass all understanding in peace what would be a miscegenated carcass of war otherwise apart from the incidental apartheid of the drones of causality ignoring the antecedent reality too much to register fathomed streaks of preventive endeavor because of the scars of a scrappy schlep of the rampicks of ecbolic servitude to moth-eaten star-crossed lovers of the mean menagerie of gutless succor renowned only in tepid rejections of harbingers bequeathed in succession but ignored because of the procession of “Billie Jean” politics.

   The citadel aflame with controversy buttresses carnality by witless contaminants of hidebound scaldabancos of ineffable destitution so craven in eisoptrophobia for their hypostasized indolent fatuousness of capitulation that they are but a minor punctuation in the largesse of centuries to favor audacity in candor over the prevarications of catastrophe to dented human pride against humane dictates of theodicy in fatalism that predestination experimented with its own vaulted verve to find permanent solutions engraved in the agrapha of time to solidify the redintegrated truth of God’s divine stewardship above the quisquilous deism of former regnant centuries of blench and blandishment. We revolt at the specter of rot only when the effluvia of disgust elevates the visceral reality above the utilitarianism of recycled prim nuisances of noisome lineage that yet balk because they are bereft of attention but not a vacant talent and therefore should the subsidies of man surpass the ignorance of appearances he will shrug of the demur of the scrimshank and sharpen his scrivello in the service of redemption found through cultivated prowess of gardens beneath where rivers flow above a cubic centurion of embattled visages of the heavens becoming the rampart for the vestigial clarity of Secret Masters to foresee the bypass that heals decadence and rebukes the formalism of puritan endeavor to sweat with exhaustive patience over the gossamer intertesselations of a ripe reality rather than a groveled fragmentary world shattered too much by exigent metanoia to mount the crenellated catchpole of vigilant enmity towards the stew of listlessness found in epigone and farce more than in organic fortunes. We flip the upheaval of society to squander our proportionate degrees of wealth on the necessity created by dire quandary which enamors by interrogations of pulchritude the verisimilitude of participle ivory dalliance of etched canvasses of simultagnosia for the librations of the liberated rings of betrothed liberation despite profound lurches of the mistetches of ignorance presiding dismally over the hulked disdain of glamborge rather than resselenque.

     The winter is a poor porcine glut of ciconine swelters because the prickly obtuse recoil of the delopes of caution find their permeable balance with a sort of photographic photosynthesis that braves the dearth of reprieve for the reprisal of nostalgic deeds found in the docimasy of riveted reflections because the preordination of God is the superlative champion of the witeless grandeval protectorate of infinite concepts guarded from the parvanimity even of the most strident minds squabbling over the braseros and battues of history as though those funereal stains of lachrymose regret outweigh the traditions of vaunted human progress because they are finicky about importunate pleas of subsidiary injustice rather than fulminations of the modern rebuttal to the disclaimers of an uneven history that shepherds the doubts of nihilism into ripe fruition at the expense of very expensive moral rot for the codlings of urbacity and mendaciloquence used to foment that tribalism of totemic justice. We see in Penuel the wrestling match of specters and heroic giants documented on the ageless pages and we notice the ironic twinges of struggle that kneaded the propriety of gentilian privilege that ultimately fostered an insurrection against chosen bravado among those that sear with zeal beyond the yordim afflictions of yobbery because the Jewish heart is stronger than any calamity even if it departs from the reverence of the colporteurs of the integrated syncretism of the attempted monolith that beseeches polyphiloprogenitive growth in mindset rather than in testy abeyance of forbearance because of known scrutinies into the tropology of wilted facts remanded by curious historicity that crumples without disdain when we memorialize the erasure of scepsis by modern standards of thaumaturgy.

    The minauderies of growth are a repositioned tacit allegiance to the untold fanfare and hearsay immunized against the broach of facetious levity to buoy discordant hearts above fumatoriums of relentless ignorance because coherent masterwork can be cobbled without such lapidary toil and toll on sincere affectations of wizened brevity. The seismic precautions for the forefathers of incidental convergences between expectancy and crystallized history are an ironic intortion of priorities because the heralds and tribunes matched the peerless foresight with the gerrymandered figments of apartheid between the imaginary and the real so that the delicate synchrony of events could unfurl a riveting carapace from the shells of protection even in amiable squalor for its impenitent attrition on the volleys of sensible rumor becoming fashioned in covert bedazzled errors in judgment leading to the triumph of the eventual civilization over the futtocks of the burial of the former trekleador of zenkidu belonging to provincial cadasters found so tucked in the hedges that discernment of frikmag would be an indelible scourge on the biognosy of the diagnosed endeavors that elapsed into remediated circumstances that brave the depths of deontological violation for the breadth of apportioned loaves and two swanky fish earning a place among the miracles of transcendent liberation from articles of decree imperious by sardonic disdain becoming nullified by the histrionics of a delicately staged orchestra that cements human achievement.

       We relish the frescades of a ruffled autumnal reminder of flourish above pothers of the screed of admonition swamped by nostalgic backtracks in the séance with ultimatum of design and the impregnated and carnal lusts of a world pitched in darkness with guarded lambent lights fomenting a perjury against tact for the deliverance of freedom in tacit agreement with owleries that every bonanza be tithed in their favor regardless of hibernation of spoilsports or their subsidiary remarks on indelible quills of invented manufactured realities we crave with desperation rather than cower from in requited nescience urging us to depart from affairs and stagnate the loyalty of fealty above the limber of utility mobilized above levities for solemn remarks and rejoinders. Promulgated above the robotic rubble of staffage haywire in wiredrawn contemplative resonance of tremulous subterfuge vestigial but immediate to the yardsticks of reprehensible malarkey, is the barnstorm for erratic dimples sauntered by the saunas of shelter above the chaos of ruined ginnels for the gimcracks of auxiliary duty to service, is the glorification of the sultry intimations of legions of remonstrance in guarded decorum about sunken atrocities lapsed in memorial to the incumbent brunt of sockdolagers of justice returning revenants from the bridewell of historical internment. The symphily of orchestras to cineaste symposiasts of surquedry in impudence beyond the brays of betrayal is the aborning mythos of regimented perceptions of a world that when magnified by minutiae appears starkly contrast to the gapped gubbertushed reality of the average patron of the arts to such an extreme gulf of receptive understanding that the qualia are dovetailed only in the swink of careful kisswonks to certify certitude itself when all the fragments coalesce into subjoined harmony to the substructures of inherent conscientiousness. The miracles at work that are vesicles and vessels for the swage of imprint above the loyalty of the imprinted tribunes of the fluminous is how hidden protrusions can emerge so victorious over popularized glazes on the pastures of a farmed culture itching for timmynoggies of innovation but only finding the etched remarks of pristine imagos of heroism dwindling in motivation to surpass the imaginative leaps accustomed to a newfangled laziness that bedazzles the guzzle of crowds but not the discrimination of the crowded morass of incompletion found in mosaics missing enigmatic philters of intoxicated love for the profound. So to be intermediary as a custodian for artistry we must cozen the wheedled imaginations not of the relic but the archaeologist that discovered the embedded prisms of attentive scrutiny for glinting sunshine inherent in troves of surpassed excellence beyond parochial sympatric blandishment of donnism rather than a resselenque that floats above demeanor to usher the cosseted age of treasure above the glib brocards and florews of past success.

      Immanent to the provisions of God as decreed from a syncretic reconnaissance of the pitiable gulfs that separate boundless divine love from the clavigerous potential for scrappy sympatric affiliation to **** through the barnstorms of internal comestions of conflated priorities we are ourselves prismatic in the indulgence of a tasty life sprinkled with zest rather than tempered with the vengeance of retorted animosity that we knead the pottery of ironclad resistance to a metallic conduit of pruned fulminations of unguided intuition so that the natural accord supersedes the goad of materialism for the sustenance of antiquity beyond its heyday for vital gains against the tauricide of panic and frenzy. The linchpin of all realistic attempts at the sympatric symphily of civilization is a guided remorse through the torment of affliction that sizzles without anteric barbs as it measures through engrenage how to pilot the vehicles of prosperity through the minefields of contingency that invisibly bequeath new hurdles and inestimable obstacles that collude surreptitiously to fulminate measured controversy against the backbites of restrained equipoise created by polities of the macadamized fabric of a welded smithy of a universe that with ubiquity proclaims above the senseless the harvest of conjugal repartee in sensible pride against militant bastions of incidental prejudice for a careen against the flyndresques of danger and the flyndrigs of glaikery alike for a humane spurt of enlightenment to tower peerlessly in supervision of entelechy created by esemplastic unity in apolaustic purpose. We cannot be puritans engaged in a pilgrimage to a palimpsest of priggishness because the daring elements of adventurism are necessary ingredients to catalyze the supply-chain of the innate gluttony of ego-seeking endless balance with a natural sustained biognosy that prizes biocentric harmony above bibliognost scepsis so that the enthused can flock with liberty divorced from libertinism. The ultimatum is a war between hedonism wed with donnism against eumoirety and self-restraint and this battle will be waged on the indolence of a future of cordslave tethers to interrogation of privy conceptualism hamshackled by the gradgrinds into the neat nexility of precise conformity that blacklists the samizdat because the genizah profoundly twists the already jumbled jengadangle and provides a junediggle of procession and ceremony rather than pomp without substantial grit embedded in the showmanship of a reality in need of a fourth-wall.

        It is ironic how we bewrayed our stewardship of the planet as a plenipotentiary sentience waged against the vesicles of instinct but more fundamental to this tattered but pregnant psalm is that the stronghold of our future is the tenacity of filial duty to enthrone the household with husbandry and restraint as an emolument to divine justice that sparkles opalescent in its own redacted notions of gravity imperfect in the taradiddles of science but refined by the eclat of the combustible syncopation of a reiterative trope of realism combined with surrealist caprice to henpeck affectionate violation above inviolable screeds of blood sport rather than conjugal affections afforded to the brood and the feast of the flocks that rein supreme over all things but exert inclement justice over the cattle and chattel of civilization itself. The minkumpf against the sacrilege of a prioritized kosher is to abhor the suffering rather than embrace the penitence of perceived but specious sacrifice which is an ornery thorn on the stained conscience of the yobbery of both the apikoros and the obedient because to attenuate all suffering even of instinctual beings we anneal our hearts to a glorified compassion that supersedes the relegated relics of pushful genuflection by succedaneum of sacrifice waged against the docile whangams of otiose theodicy. The filibusters against the regnant complexity of regalia that is a sprauncy poivrade with terpsichorean flairs to transmute the intimations of hibernated perfidy into finicky transmissions for the riometers that accord orbific merit in a lackluster time enchant the rollicking audience of this auditorium of the prevenance of the conquered universe bracing for the camorra of the insipid entreaty of defalcated casuistry—the prominent exchequer in hoodwinked political agitprop that forges ironclad allegiances to flimsy facades of the verisimilitude of dignity with recalcitrant but incondite bruits of venom militant against secular apostasy—that the fitful arrivistes that swim in dire dearth will be welcomed into the reconciliation of all time with a tempered lurid glint of revelation bounded by sunken albatross of hype unbounded with a peace insurmountable in prestige rewarded only with the highest reservations.


    On 3-1-2020 when I penned my philosophy—even at a slowpoke margin of crafty precision above rapid empirical faucets of folly—I was entirely selfsame with the autotelic engravings of the smoldering aboriginal talents within that many can swing through by tenacity for enormous plaudit but a flagrant majority will apprehend with flippant scollardical tenets of rebuke and remain honest in their appraisal only in meek resignation of parvanimity.
Consider the postulates of rarefaction whittled into a vehement zeal against the prostitution of our species to the anteric cycles of residual molds of dingy spectacle mired by the tyrannical towers of supercilious squirms of revamped novelty rather than enhanced by the freebooters of dirigisme that borrow from time the behest of philandered flairs divorced from the cadges of secular instinct and enthroned by the qualms of engineered virtuosity that is stark, barren but peerless in its outstretched clamor for luxuriant sprees against the silentium of grandeval asylum incurred by the flippant filigrees of recalcitrant modernism endangered by the irredentism of the future upon the whimsy of the present-minded momentary glare of rapture.  This impending architecture of nimble but subservient endeavor is a pinprick rejoinder against the wernaggles of prepossessed fountains of configured animosity against the stapled heed of a modality of trayned invictive invectives against the plodding course of fustilugianation that swerves in apathy of autopilot junediggle to emanate the surrender of epigone to the raktendure of the synaesthesis of the attuned perception of all superimposed minutiae delegated by calculated design into a synclastic focus on veiled caprice that is vaulted above the choppy and sketchy verdure of remiss perception to stellar continuities rather than mundane knickpoints of stodged blurs that magnify syncretic qualia into baseline congruity rather than staid torpefied resignation of the visage of thunder without the pangs of the widely vituperated lightning that bequeaths all certain notions but flouts the tortious saboteurs of the prim trucage of brittle fundamentalism.

     As the flawed paragon of a picaresque youth punctuated by vibrant plumage of self-wrought tropophilous usucaption of remote groomed frontiers of desolate luxury but buoyant morale into the ballasts of a nimble usufruct that hikkles yet still against still-framed thilloire--fatuous in endearment only to the polity of the waterdrip of craven but gravid disingenuous flickers of lambent cloaks of perfidy—that earned its birthright by meditative fruition rather than prodigal tallespin of indolent frapplanks of a vicarious personage rather than an autotelic haecceity showcases the folly of heterodyne inclinations meeting an impasse of accidental dislodgement. The interregnum between the spurts and sprees of luxuriance is a staid pause between continuities of afforded parlance becoming stapled demographic solidarity affixed to a strident gallop of effortful pushes against the tenacity of the slumberous wicked hibernation of vetust magpiety without hieratical internment because youthful industry beats hackneyed bludgeons of wiseacres of a stilted manufacture of steamy nostalgia for lickerish moments that dignify but undermine moral virtues but splash anointed and sometimes disjointed favor upon the congeners to a rabid escapade of a heedless love frowning on the girdles of the prim balderdash of heralded jolts dim on levity and puffed with elusive contextualized control of libidinous serrated defilement because the crotaline **** outmantles the sweedled limber of exploitable folly. The cosseted reality of wheedled gourmands of continuous perception rather than the Gaussian blur of the protean invention of stitches in time that obscure rather than magnify the supernal levity inherent to most artistry is a linchpin of lenient gravitas that levies the lavaderos of ripe perception into annealment.
Excuse the bravado of the gait of winnowed forks in a bronteum for heralds of megaloscopy fastened to the macroscian reality of indelible filigrees of countermanded controversy becoming its best behest in the sempiternal flowering of burgeoned demonstration rather than illustrious overhang of drab slabs of manufacture rather than organism that should be interposed between the constellated concepts of both apperception and the aggrieved counselors to obtuse obsessions that are an improper tutelary for a designated reprisal of the once profane now immediately gratified by ramshackle tenets of a guarded sublimation of the tenets of post-modernism into a sustained force of the internalized tabernacle of haecceity shepherded into exuberance by the manumission of spirit from the ******* of purblind scalds of defamation that incurs the penalty of flippant privation. The refuge the Lord provides is not contingent upon the vagaries of deliberation nor the calculus of oversight but the remontant amaranthine glower of a listed deed becoming an eternal reminder that a dismantled and disjointed world fathoming only remorse rather than the trudge of gentility against the headwinds of brunt asperity will always flout the successor rather than atone for the failure of the imponent condition that constellates around rudimentary drivel grubbing the momentary out of avarice for allotted merchandise rather than glommed magnets to amoeba sentiments for the kisswonk of ulterior motive beyond dungeons of desperation that lurk ghoulishly with spectral frights at the disfigurement of morale created by errors askew rather than a contagion of righteous valor.

   Ask the heedful servant if the captaincy of reneged commitment owes homage to dutiful instruction or whether it is a balking corpse of necrosis accorded to the omphalism of brutish carnal repose in times of sedentary silt siphoned in spelunked rijuice for preordination is a predominant specter for a world scared scurrilous and skittish in a diatribe against the very notion of tribal screeds embedded in the sedimentary heft of traditionalism above the pother of vacillation commended to the apikoros but counterfeit fiat system of a ruddy governance without a supreme magistrate. Now lets venture into the territory of visagists as we envision the swanky subversion of impoverished and nebbich visions of oligochrome that fixates on belabored but dead notions of rigid propriety and levitate above those concerns with a querulous transcendence that never wernaggles about the profaned irrelevance of burlesque tropes of sidereal friction but instead memorializes the thermolysis of permeable endeavor above staid countenances of imposture that lurk in the shadowy penumbra of the connivance of persona above the archetype of the tutelary guardian spirit that through windlass and sometimes deliberation affixes nobility to even the pedestrian in order to assize its proper proportions to granular ironies expounded into megalography transformative by the very rivets of its supersensible existence and cohabitation with histrinkage among human taboos.

   The handiwork of a permeable race prone to exacerbated proclamations of prerogatives bulldozed by the rapid percolation of insoluble quandaries to the gripes of the feast of foofaraw sometimes shelters our otherwise regnant concern about the plenipotentiary God that observes all latent affairs without the paramours that conflate vivid carnality with appeased luxury and superimposes a crafty system of seismic shifts in rantipole dances with numinous flux rather than dissipated militant suppression of the fracklings of dissolute pollution which swirk in their dastardly desperado endeavors to corral the entire monoliths that guard each province into a winnowed rumble of rubble by tarnish of Tyre rather than by the upstart rejoinders of Canaan. Every creature which has the capacity to perceive language is afforded benedictions by the overhailing force of the hypaethral heights of superlative ingenuity founded in the bolted speculation of the endearment of all to tropological seesaws embattled against the hearsay of nyejays that contaminates the telmatology of the ecosystem of revivalism rather than buries the leaden debts of the disjointed revenants of past prominence into recycled irrelevance for posterity rather than for anything but a machination of a clockwork apple rigged for a rotten worm to swindle the sweet delicate tempests of unforeseen disaster to perjuries against financial solidarity.

The spinsters of sardonic drollery underscore the imminence of an incondite cutthroat collapse blackguarded by the hucksters of incontinence grubbing every fetched noisome notion and congealing a bonnyclabber of desiccated mildew that proves vestigial when the victors of time earn their joyous serenade to the pinnacle of the totem of jaundice slits in wavy endeavors for the participles of sejungible syntax of the ephorized furor to outlast the draksteng of droned dereliction manned by half-baked spies of ulterior recitals for imprinted vicissitude in supremacy in synquest for frizzlounges rather than the pedestrian circulatory system of careworn polity. We vaporize the petty hatred of sympatric regelation that neuters the virulence of motivated impediments to the draconian surge of asperity that sinks temporal haplessness as a regaled blasphemy that crowns only the ringed betrothal to spumid serrated halts in slick superstition that is a buggery to the idea of insectivores devouring the erratic chantage of germane germs that pauperize rather than even blind the deafened to be a crutch to vehicular homicide. Melismatic sennet is a dirigible of immense herculean sinew without the traces of vestibulary retches of kisswonked grisly tepid intimidations of eccedentesiasts by the radioglare of wizened corrugations in thanatism that exhort the avatars of narquiddity over the natural departure of revenant souls back to their temporary hostility to crass lifeless decarnate immediacy that slinks with foibles magnified by vertiginous heights of scollardical reputes rigged by the rijuice of the plackiques of meaningless spoils for swashbuckler bonanza borrowed from serrated vengeance exacted in prominence to provide false avenues of extenuation to malefaction that is confidant to the panopticon of exemplary dimples meager in the largesse of the composite realism of a sizable imprint on megalography that outlasts impertinent excuses for dangerous trout swimming against the mobilized selachostomous frizz of sharks gathering to avenge disclosure with insolence and gravid atrocity of incisive surgical evisceration of attempted depositions that falter by innumerable facets of countenance that belie ultimate realism and the perdurable construction of a sturdy hive of bibliognost revelry.

     Even with the blaring sennet of majesty inundating my piecemeal perception with the marstions of flarium that is an efficacy in a flaccid world of otiose pretenses limpid only in folly but contraplex in ironic skewbald skerries of grubbed destination that is the terminus of karezza despite the maledictions of vehement guarded betrayals that conjure up lurid noisome virility against the gamines and gallywows that populate interstellar fictions of virtu rather than mundane pragmatica that astound with the resselenque of contaminated skeumorphs of latent fracture belonging to a skeletonized ossified reification of farce above historicity in seemly seamless countenance with overwrought princely stature deserving integrity to ripples through sparkling opalescence. The vapid insularity of the self-contained mythos of appeased groundlings is based on the rhizic and rhizogenic fracklings destitute in predicative flares to swelter above stratospheres of the illimitable into the dwelling of the highest serenity inherent to the pacification of truth to neglect its egregious errors of mistetches of a ripened pachyderm of bravery in times of austerity and now a reclaimed notion of sempiternal charades swimming above the punitive draksteng of dranger that is enlarged by acclimated attempts at foiled raltention hikkling against its own superior forces of galvanized preterition to elide over screwball insanity of derangement in this virtual paradise of inhabited souls belonging to former times congregating on the pasture of the evanescence of now for all eternity having the optative condition of incarnation above the ferules of the stagnant brevity of oversight in heavenly realms by postulate but not confirmed by regal logic.

     The troponder of the flickered lambent niceties of polity is a countenance that piggybacks on simpered jostles of negligent engrenage to appease sworn enmities among beatific havens for certitude swarmed by the fisticuffs of darbied bridewells of desiccated drainage traversing the distant disdain for the gravel of cemented slits of stilted pragmatica that is a gavel of atrocious estoppel mediated by heroic heresiarchs against pitiable betrayal for forceful remedies in acclimated servitude to the groans and groaks of a life of remorse and dearth rather than the glut of luxuriance in forbearance to its own intorted mirrored ironies that etch infinity with every scrawled rejoinder to austere ploys of checkered rumbles of threat and exigency posed by the clairvoyant hypocrites who benefit greatly by the design of the omphalism above the frays and brays of corporate dogmatism slowly outmoded by vibrant plumages of heteronormative originality beyond petty chantage. A hesitation overcomes the bluster of bravado as the restive earnest concerns of tribulation beset the minauderies of divine affection to reaffirm the teachings of the Gospel so that future generations genuflect beneath the altar of the ultimate stroke of sociogenesis and the blood ransom of suffering that promoted the human latitude and liberty against incarcerated throngs of virtue over caesaraproprism accorded to genuflection beneath denarii rather than absolution by tether to the eternal vine of sensation of the supersensible entelechy of all valiant insurrections against defective polities and renewed policies.

     We thus seek a transdimensional bridge between the morphean virtu of rudimentary alchemy of propitiation divulged by leverage and the teeming rambunctiousness of fiduciary tribes to the ultimate duty of man to consummate the future of eternity even in slowpoke mannerisms that sidle through rigors of entelechy and assize the masterwork of tutelage above the circumforaneous entrenchment of glut above the mastery of the subtle subaudition that beleaguers an adept conflagration of harnessed human ignorance staid in the incarceration of exotic virtues of freewheeling sapience never vulnerary to hospitable concerns that entrenches the verisimilitude of a refracted justice to reign over the stultification of a primitivism inherent to man and not man alone.
Used some neologisms
Nigel Morgan Oct 2012
The courtesan and poet Zuo Fen had two cats Xe Ming and Xi Ming. Living in her distant court with only her maid Hu Yin, her cats were often her closest companions and, like herself, of a crepuscular nature.
      It was the very depths of winter and the first moon of the Solstice had risen. The old year had nearly passed.
      The day itself was almost over. Most of the inner courts retired before the new day began (at about 11.0pm), but not Zuo Fen. She summoned her maid to dress her in her winter furs, gathered her cats on a long chain leash, and walked out into the Haulin Gardens.
      These large and semi-wild gardens were adjacent to the walls of her personal court. The father of the present Emperor had created there a forest once stocked with game, a lake to the brim with carp and rich in waterfowl, and a series of tall structures surrounded by a moat from which astronomers were able to observe the firmament.
      Emperor Wu liked to think of Zuo Fen walking at night in his father’s park, though he rarely saw her there. He knew that she valued that time alone to prepare herself for his visits, visits that rarely occurred until the Tiger hours between 3.0am and 6.0am when his goat-drawn carriage would find its way to her court unbidden. She herself would welcome him with steaming chai and sometimes a new rhapsody. They would recline on her bed and discuss the content and significance of certain writings they knew and loved. Discussion sometimes became an elaborate game when a favoured Classical text would be taken as the starting point for an exchange of quotation. Gradually quotation would be displaced by subtle invention and Zuo Fen would find the Emperor manoeuvring her into making declarations of a passionate or ****** nature.
       It seemed her very voice captivated him and despite herself and her inclinations they would join as lovers with an intensity of purpose, a great tenderness, and deep joy. He would rest his head inside her cloak and allow her lips to caress his ears with tales of river and mountain, descriptions of the flights of birds and the opening of flowers. He spoke to her ******* of the rising moon, its myriad reflections on the waters of Ling Lake, and of its trees whose winter branches caressed the cold surface.

Whilst Zuo Fen walked in the midnight park with her cats she reflected on an afternoon of frustration. She had attempted to assemble a new poem for her Lord.  Despite being himself an accomplished poet and having an extraordinary memory for Classical verse, the Emperor retained a penchant for stories about Mei-Lim, a young Suchan girl dragged from her family to serve as a courtesan at his court.
      Zuo Fen had invented this girl to articulate some of her own expressions of homesickness, despair, periods of constant tearfulness, and abject loneliness. Such things seemed to touch something in the Emperor. It was as though he enjoyed wallowing in these descriptions and his favourite A Rhapsody on Being far from Home he loved to hear from the poet’s own lips, again and again. Zuo Fen felt she was tempting providence not to compose something new, before being ordered to do so.
      As she struggled through the afternoon to inject some fresh and meaningful content into a story already milked dry Zuo Fen became aware of her cats. Xi Ming lay languorously across her folded feet. Xe Ming perched like an immutable porcelain figure on a stool beside her low writing table.
Zuo Fen often consulted her cats. ‘Xi Ming, will my Lord like this stanza?’

“The stones that ring out from your pony’s hooves
announce your path through the cloud forest”


She would always wait patiently for Xi Ming’s reply, playing a game with her imagination to extract an answer from the cinnamon scented air of her winter chamber.
      ‘He will think his pony’s hooves will flash with sparks kindling the fire of his passion as he prepares to meet his beloved’.
      ‘Oh such a wise cat, Xi Ming’, and she would press his warm body further into her lap. But today, as she imagined this dialogue, a second voice appeared in her thoughts.
      ‘Gracious Lady, your Xe Ming knows his under-standing is poor, his education weak, but surely this image, taken as it is from the poet Lu Ji, suggests how unlikely it would be for the spark of love and passion to take hold without nurture and care, impossible on a hard journey’.
       This was unprecedented. What had brought such a response from her imagination? And before she could elicit an answer it was as though Xe Ming spoke with these words of Confucius.

“Do not be concerned about others not appreciating you, be concerned about you not appreciating others”

Being the very sensible woman she was, Zuo Fen dismissed such admonition (from a cat) and called for tea.

Later as she walked her beauties by the frozen lake, the golden carp nosing around just beneath the ice, she recalled the moment and wondered. A thought came to her  . . .
       She would petition Xe Ming’s help to write a new rhapsody, perhaps titled Rhapsody on the Thought of Separation.

Both Zuo Fen’s cats came from her parental home in Lingzhi. They were large, big-***** mountain cats; strong animals with bear-like paws, short whiskered and big eared. Their coats were a glassy grey, the hairs tipped with a sprinkling of white giving the fur an impression of being wet with dew or caught by a brief shower.
       When she thought of her esteemed father, the Imperial Archivist, there was always a cat somewhere; in his study at home, in the official archives where he worked. There was always a cat close at hand, listening?
       What texts did her father know by heart that she did not know? What about the Lu Yu – the Confucian text book of advice and etiquette for court officials. She had never bothered to learn it, even read it seemed unnecessary, but through her brother Zuo Si she knew something of its contents and purpose.

Confucius was once asked what were the qualifications of public office. ‘Revere the five forms of goodness and abandon the four vices and you can qualify for public office’.
       For the life of her Zuo Fen could not remember these five forms of goodness (although she could make a stab at guessing them). As for those vices? No, she was without an idea. If she had ever known, their detail had totally passed from her memory.
       Settled once again in her chamber she called Hu Yin and asked her to remove Xi Ming for the night. She had three hours or so before the Emperor might appear. There was time.
        Xe Ming was by nature a distant cat, aloof, never seeking affection. He would look the other way if regarded, pace to the corner of a room if spoken to. In summer he would hide himself in the deep undergrowth of Zuo Fen’s garden.
       Tonight Zuo Fen picked him up and placed him on her left shoulder. She walked around her room stroking him gently with her small strong fingers, so different from the manicured talons of her colleagues in the Purple Palace. Embroidery, of which she was an accomplished exponent, was impossible with long nails.
       From her scroll cupboard she selected her brother’s annotated copy of the Lun Yu, placing it unrolled on her desk. It would be those questions from the disciple Tzu Chang, she thought, so the final chapters perhaps. She sat down carefully on the thick fleece and Mongolian rug in front of her desk letting Xe Ming spill over her arms into a space beside her.
       This was strange indeed. As she sat beside Xe Ming in the light of the butter lamps holding his flickering gaze it was as though a veil began to lift between them.
       ‘At last you understand’, a voice appeared to whisper,’ after all this time you have realised . . .’
      Zuo Fen lost track of time. The cat was completely motionless. She could hear Hu Yin snoring lightly next door, no doubt glad to have Xi Ming beside her on her mat.
      ‘Xe Ming’, she said softly, ‘today I heard you quote from Confucius’.
      The cat remained inscrutable, completely still.
      ‘I think you may be able to help me write a new poem for my Lord. Heaven knows I need something or he will tire of me and this court will cease to enjoy his favour’.
      ‘Xe Ming, I have to test you. I think you can ‘speak’ to me, but I need to learn to talk to you’.
      ‘Tzu Chang once asked Confucius what were the qualifications needed for public office? Confucius said, I believe, that there were five forms of goodness to revere, and four vices to abandon’.
       ‘Can you tell me what they are?’
      Xe Ming turned his back on Zuo Fen and stepped gently away from the table and into a dark and distant corner of the chamber.
      ‘The gentle man is generous but not extravagant, works without complaint, has desires without being greedy, is at peace, but not arrogant, and commands respect but not fear’.
      Zuo Fen felt her breathing come short and fast. This voice inside her; richly-texture, male, so close it could be from a lover at the epicentre of a passionate entanglement; it caressed her.
      She heard herself say aloud, ‘and the four vices’.
      ‘To cause a death or imprisonment without teaching can be called cruelty; to judge results without prerequisites can be called tyranny; to impose deadlines on improper orders can be thievery; and when giving in the procedure of receipt and disbursement, to stint can be called officious’.
       Xe Ming then appeared out of the darkness and came and sat in the folds of her night cloak, between her legs. She stroked his glistening fur.
       Zuo Fen didn’t need to consult the Lu Yu on her desk. She knew this was unnecessary. She got to her feet and stepped through the curtains into an antechamber to relieve herself.
       When she returned Xe Ming had assumed his porcelain figure pose. So she gathered a fresh scroll, her writing brushes, her inks, her wax stamps, and wrote:

‘I was born in a humble, isolated, thatched house,
and was never well versed in writing.
I never saw the marvellous pictures of books,
nor had I heard of the classics of earlier sages.
I am dimwitted, humble and ignorant . . ‘


As she stopped to consider the next chain of characters she saw in her mind’s eye the Purple Palace, the palace of the concubines of the Emperor. Sitting next to the Purple Chamber there was a large grey cat, its fur sprinkled with tiny flecks of white looking as though the animal had been caught in a shower of rain.
       Zuo Fen turned from her script to see where Xe Ming had got to, but he had gone. She knew however that he would always be there. Wherever her imagination took her, she could seek out this cat and the words would flow.

Before returning to her new text Zuo Fen thought she might remind herself of Liu Xie’s words on the form of the Rhapsody. If Emperor Wu appeared later she would quote it (to his astonishment) from The Literary Mind and the Carving of Dragons.

*The rhapsody derives from poetry,
A fork in the road, a different line of development;
It describes objects, pictures and their appearance,
With a brilliance akin to sculpture and painting.
What is clogged and confined it invariably opens up;
It depicts the commonplace with unbounded charm;
But the goal of the form is of beauty well ordered,
Words retained for their loveliness when weeds have been cut away.
Madison Aug 2018
I'm going to go ahead and get this out of the way.

I'm telling you now

A warning, before you drive over the tracks

Into racing-pulse-risktaking land

That you will never be the heart

Thud-thud-thudding in my chest

Pumping my blood and keeping me chugging along

That vessel of a cliche.

I'm not so easy

Predictable

Malleable

Boring

Dumb

Naive

To entrust you with keeping it going

Leaving something so vital

In hands that could stop tick-tick-ticking

At any moment

Like a dead clock.

I'm sorry, my dear

But that particular piece of tissue

Is one that is mine and only mine

Never to be cradled by another.

But before you turn away from the crossing

I'd like to offer another disclaimer.

There are other parts of me

That can be shared

Budding blooms growing every-which-way

Perhaps requiring two sets of hands

In order to be adequately nurtured.

If you truly find it crucial

You might push your way into my being

Become a mark branded onto my existence

Fading at a snail's pace

If I'm ever so lucky

To have it fade at all.

If you wish to cross these tracks without looking both ways

You could find yourself

Close to my heart, if not within it

Swimming in my lonely blue veins

A constant reminder that we're both here

Warm

Safe

Guarded.

You could be my sweet tooth

That impassioned affinity for something that may or may not be around

At any given time.

You could be a fold of my painfully enigmatic brain

Find yourself at home amongst all the love and anger and secrets

Push past the useless facts and fly-away ideas

Hold me tight 'til you squeeze me into a headache.

You could even be part of my oh-so-problematic blood

Nourish me

To love and to cherish

In motion and in rest

Know for sure that

Should one of us rip off the dreaded universal Band-Aid

And bid the other adieu

You'll be sure to leave a dark anemic bruise

A reminder for who-knows-how-many days to come

Of who you are

And what we were.

All precautions aside

I'll let you go on your way

With this one condensed admonition:

You, and every other person to whom I'll ever send a silvery come-hither glance

Will never stake claim

On my heart

Filling and releasing

Constantly reminding me of an identity all my own

Never shaped like a Valentine.

It doesn't mean that you aren't important

When you can, in fact

Find your own empty space in anything else

But remember:

At the end of the day

Blue veins go pale

Bruises fade

And I'm in charge of what's in my own lifeblood.

Even the most grueling marks on my skin and soul

Made by malevolence and cruel intent

Will surely heal

With the help of sweet time

And this trusty heart of mine.

If you're fine with this

By all means

Cross these rickety rails.

I'll see what I can do.
Wk kortas Nov 2017
It was not, by any means, a loss of faith;
Indeed, her devotion was a boundless, unfettered thing
Beyond proscription, beyond rote chant and catechism,
And what she found as a novitiate
Were shuttered gates and gossipy confessionals,
Standoffish priests, pig-eyed and pinch-lipped
Sisters who thought life’s commerce
No more than mechanical prayer and spotless linens,
The whole enterprise
Smacking of the exclusion of Heaven’s bounty.
So she demurred when the time came to take her orders,
And she returned to the world of pavements and lesser pieties,
Free to seek God on park swings and barstools,
In pleasures of the pastoral and the profane,
Though her faith is no Dionysian walkabout,
As she is passionate to the cusp of maniacal
When it comes to the Book of James’ admonition upon works;
She is often found among the sisters she once tiptoed alongside
At food pantries and clothing drives
(She is scrupulous about ministering to only secular needs,
As the Bishop is not happily disposed towards those
Who choose not to take the veil,
And the specter of excommunication is a prospect
Too awful to contemplate)
Afterwards clambering onto some vaguely roadworthy MTA bus
Back to her studio apartment in Green Island,
Where she often walks down to the Erie Canal lock nearby,
Praying for those who have travelled  near and upon the water,
Convenience store clerks and ragged Irishmen fleeing famine,
Feral kittens and insufficiently mourned mules.
K Balachandran Nov 2011
remove
your
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diamond nose studs are ******* enticements, one can hardly resist
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!
anastasiad May 2016
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Sharde' Fultz Aug 2018
Quiet crickets.

Quiet light of moon

Quiet cars along the road
--Go'n be home soon

Quiet AC on too late
Quiet humming charger in the outlet
Quiet bathroom 'cross the hall, water dripping from the faucet

Quiet floors while set'ling in
You're too old for all that whinin'
Quiet creatures awake before the sun
The signals when it's shinin'

Quiet indistinguishable shadow still yet so foreboding
Oh, you're just a pile of clothes that I never got to folding

Quiet drafty window singing with such vigor and such soul
Catch a chill from that night air
Might catch a runny nose

Quiet thoughts-that handsome stranger, worries, deadlines, dreams, 'n stuff
Quiet bedtime playlist streaming
Clearly you were'nt good enough

Quiet poem bursting from me my
Admonition of defeat

quiet quiet.

too much quiet-

quiet, would you let me sleep?

2:46am 8.30.18
ArominizedM Mar 2014
There’s a battle raging through my head,
So much that it knocked me off my bed.
There’s a war raging through the thoughts;
Diverse and dismayed neither I can sort.

Haste is the time that spent wasting
Entertained by such pacifistic maiming.
Ideating the norm and realizing the storm
had just started as I shut the squirm.

Conscience speaks the threat at hand,
the head does not agree the time it spanned.
Where there are more things on heaven and earth;
there are more dreadforth than my brain sports.

The enemy lurks the darkness in me,
passing by the realm of my inability.
I had to open eyes wide to invite the Light
while at the same time shut from plain sight.

Recall the Words spoken to me,
realize there is much for me to see.
The villain emerge from the dark of the moon -
the cerebral crater dormant from the day’s form

“You – are not – real.
You are just a figment;
an imagination, a fantasy,
one that I let you haunt me.”

The One I know died for,
Lived and loved me through the core.
Lies no longer seem redemptive nor elegant nor sped;
Flee not the grace and flee the grave though instead.

Jolt to wake myself up,
admonition that all along I was held at a stop.
The battle becomes the sleep yet decided;
settled more for the Love had invited.
790

Nature—the Gentlest Mother is,
Impatient of no Child—
The feeblest—or the waywardest—
Her Admonition mild—

In Forest—and the Hill—
By Traveller—be heard—
Restraining Rampant Squirrel—
Or too impetuous Bird—

How fair Her Conversation—
A Summer Afternoon—
Her Household—Her Assembly—
And when the Sung go down—

Her Voice among the Aisles
Incite the timid prayer
Of the minutest Cricket—
The most unworthy Flower—

When all the Children sleep—
She turns as long away
As will suffice to light Her lamps—
Then bending from the Sky—

With infinite Affection—
And infiniter Care—
Her Golden finger on Her lip—
Wills Silence—Everywhere—
Harrison wisdom Jan 2019
Suicide is not an option
Everything has to be done with caution
Be it wrong accusation or depression
Taking your life will reduce our population
Believe me, all you need is affection
Speak to someone who'll relieve you of your oppression
Who'll give you nothing but compassion
You may need trust and care in addition
When facing life challenges and tribulation
Take not suicide for a compensation
Try to have a little comprehension
Of the afterlife using your discretion
And also have a little conversation
Involving you and your intuition
Considering suicide may be as a result of impression
Or thought in abstraction
Or even to punish a relation
No matter the condition
It doesn't worth your life as a rendition
If you do plan of taking this action
I beg you take this into consideration
And do a bit of cogitation
That suicide is not an option
Though, it's taking it toll on the nation
Leading many to quick expiration
My fella, suicide is not an option
Try to do some reconciliation
And make sure to somebody you mention
To get your mind in a good position
Or perhaps it might change your situation
And set you in a new direction
Again I say suicide is not an option
Take this into admonition
That your afterlife may as well be in inversion
That live each day with vision
Devote smile to your face a portion
Do activities in admiration and jubilation
And in you life begins a resurrection
Thereby killing the ulterior notion
And also averting a possible perdition
Because suicide is never an option.
Moriah Harrod Mar 2013
You carry your life on your shoulders; a swing in a park in a city, with a lonely, shadowy, ghost of you sitting so delicately. As people pass you, they stop and look, and words come to their minds such as "passion" and "sorrow," "broken benches," "spilled dreams" and they couldn't even tell you why.

You wear your heart safety-pinned to your sleeve; a grave declaration that you are not your own person. Someone has marked you, taken something without asking; this you show everyone, not meaning to, in hopes of finding a semblance of relatability. Was it normal, what happened to you? Is this a dark fog everyone lives in? You hope not.

You have an everpresent effervescence of the wrong kind. It's a nervous habit, a shuffling of the feet and a glance to the sky. It's the reincarnation of life before that day, with the tender rips of who you are now. One can only paint over paint so much; mix the colors, they will all become grey.

You've a vague sense of relief when you look around and see no one. It's a talisman, a testimony to your independence, and your dependence on lots of human-free air. It's the writing on your arm, words you shan't forget, words like delicate innocence shame tragedy naivete melody sorrow blame identity apology and the biggest, boldest of all heartbeat.

It's a short cry from here to insanity and you remind yourself that your heart beats in pride, in admonition to the evil. "I am alive. You couldn't **** me. You won't **** me. I have a heartbeat."

I have a heartbeat. I have a heartbeat. I have a heartbeat. And the little ******* the swing smiles to the sky, a premonition of her future, a confirmation of her strength.
C 2012 Moriah Harrod
anastasiad Dec 2015
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Homunculus Dec 2014
In a distant dystopia, it towers above all.
It radiates a dim blue glow, that
Transfixes eyes and minds alike.
Pulling with the gravity of 20,000 suns,
Its force cannot be rivaled.
An irresistible, iridescent abomination, and
An admonition unto the autonomy of thought.
Weaving tapestries of illusory illustrations,
Into the indigent intellect of its unsuspecticng viewers.
It's images penetrate the psyche like magic, as
Minds are manipulated into the madness, of
Mass consumption of manufactured "needs."
Its reporters replace reason with rhetoric, for
Objectivity is no obeject in an age of sound bites.
It demonizes difference, distracts, and desensitizes.
Apathy becomes queen, and facile pleasures become king.

Remember your vigilance.
This is part 1, part 2 will be a companion piece (or counterpoint, perhaps) called "The Virtuous Page"
Two Blue Beams
rise in the twilight
from dark recesses
of a wounded city

astral projections
paint night clouds
in looming hues
of temporal intent

declarative beams
affirm a bold portent
of an insistent will
and timeless aspirations

one thrusting light
projects wanton determination
bequeathed from unhealed wounds
of a lacerated city

the other casts fervent hope
onto the vast celestial sea
boldly etching upon the heavens
an earnest nations highest ideals

the pillars of light
reveal the dual nature
fixing our place
in a turbulent universe

the brighter light
affirms the beneficence
of liberty's eternal grace
so divinely conferred

received by a higher self
accepted with gratitude
the gracious anointing
of freedoms rich abundance

ride this beam with angry cries
conjure ghosts from a dead past
channel a full measure of resent
its power of restoration is quelled

stirred from nagging agonies
nursed with righteous indignation
untreated wounds fester
the weak blue spire cannot heal

a bleak azure apparition
screams for selfish retribution
heed this dire admonition
a promised fury of
full demonic dimension

the rankled city
yearns to come together
united in communion
around these lights

drawn to the blue flames
like swirling moths
unconscious of what
compels shock and awe

earnest yearnings
flutter to exhaustion
struggle toward the light
aspiring to heal in the inviting glow

transcending the fissures
of our fractured nation
the waning resolve
of a national will

a restless Zeitgeist
cannot be repressed
nor will it relinquish
its will to manifest

a city's fondest hopes
entombed in collective memory
is foretold again
around these bold lights

entranced by the light
a solemn urban campfire
transfixed and sealed
we speak our hearts

holding hands
gnashing teeth
we bite into
our bent knees
tucked up
to sullen chests
heavy hearts
bear pains of loss
dreary tears wash
ash stained cloths
crumpled photos
dear bereavements
of faded memories
and expired hope

resolve is renewed
in bursts of pride
incendiary nationalism
suppress dissent
pummel thoughts
of perceived sedition
pump iron fists as
zealous sledgehammers
forged with conviction
in kilns of
righteous indignation
seething with infected
emotional hangovers
from prurient
tribal diatribes

these sweet sentiments
swing between the polls
of the vast pendulum's arc
along a narrow celestial scale

too and fro
angst and expectation
ebbs and flows
in this astral assignation

the heavenly helix
a set of blue axles
a modern vision
of Ezekiel's Wheel

the rung-less vertices
of our Jacob's Ladder
invites all citizens
to climb again

ascend this pathway
in the company of angels
arrive transfigured
renewed again

build new cities
transcendent destinations
new Edens await
pioneers to explore

fearless pilgrims
sojourn onward
moving to secure
liberty for all

conscious stewards
of the blessed good earth
celebrate rich diversity
of all the beloved

descending back
to an expired past
is a ridged stasis
anchored in Hell

witness flitting
nostalgic phantoms
pathetic pantomimes
of histrionic fictions

the downward path
of the lesser light
tethers us to the place
we cannot leave

The upward light
abhors a hells decent
resolved to vacate
acrimony and hate

the dancing helix opens
a blue portal to heaven
don saintly garb
wing upward in light

transcendence calls us
to traverse with angels
touch the luminescent hem
of God's divine robe

Selah

Music Selection:
Aaron Copland: Appalachian Spring , Simple Gifts

NYC
9/11/10
jbm
anastasiad Jun 2016
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Laser Cutter
Oh, this is why I hate love!
How I used to moon over it;
shape it and craft it and run after it
in my brambles,
how I used to indulge it in my *****
protect it from any uncivil desecration
cherish it for its wilfulness
relish it for its greed;
how I tainted my heart with its fake scent!
It just dawneth on me!
Oh how I fervently remembereth the scene; the very afternoon scene, before me:
I was heaving my dull steps against the sheepish grounds;
so peaceful in their breezy slumbers;
unlike the busy grass afield!
their dainty colours blackened by the whirring clouds from afar.
Hung cozily amongst the sky, whose childishness wasth adjourned by
the sleeping rain!
Oh but it was none yet coldeth but temperate;
when his moorish figure, blent into the naturalness of the afternoonth;
retreated into the lingering scene,
swiftly and lightly as the chirruping birdth aloft,
as if no anguish was within reach,
as wildly glistening as the mirth of the old den!
How my soul warmed towards the sight of him,
and on he went to relate his selfish story.
How I celebrated it - its giddy, gullible outset!
How I endorse its unknowing innocence!
How I adorned it with my passion!
His reclamation proceeded,
I was but astounded to hark to the rest;
into it he amorously poured the account of a bizarre creature;
namely a stranger;
invariably a woman!
How insolent!
He named her his love;
he waveth his moronic praise at hers;
at her charm, andth not mineth!
I was spurned, my heart was churned;
despite my stranded efforts to keep my pair of
relenting eyes
unblinking;
I steadied my legs, I was more than ready to
bounce and go
sway myself away from this gloomy tragedy
as before me the story undesired unfolded:
my love was repressed, my heart was
bludgeoned, heartily bludgeoned,
and I was silenced; could no longer feelth the tinges of blood
in my latent veins.
He hath slaughtered my peace!
My inner visions, hopes, and dreams!
I hath lost all of which!
I hath lost my shrieks; I could not voice my despair;
yet I could not utter my grief!
I was cursed and condemned;
my soul was appallingly dishonored;
my entirety is for lifelong anger,
desolation, ignominy and utmost desperation!
My crossness against the Creator arose,
like a wave of torment,
a surge of unbecomingth animosity,
as to no matter how I suppressed it unthinkingly,
all ended in vain:
My stern heart shan't ever melt to love again.
Oh my love, my love,
my princeth, my deviousth prince,
the only one I was so ardently fond of
how could thou deepen my misery?
How could thou ****** my sweetest virginal affection
in the midst of my isolation?
Like the sultry willows
whose memories unshaken, unbitten in the most
melodious, but pallid from the heath
in this musty, salubrious air
my blooming flowers hath died
I am brokeneth, I am torn!
I am writhing in my vainness,
my foolish longing, unmissed and unsung by the dandy branches aboveth
Dancing in my own blueness, weariness that is both livid
and unforgiving
scared by the heartless world
in the course of this barren winter.
Winter with no whiteness;
winter unholy and fulleth of diminutive, evil suffrage.
How ungodly!
I am raked into pieces;
and this is what remains.
This is my misery; oh how I could not riseth above the misery itself!
This is my solemn admonition,
this is my fate!
I have no right to love,
to embrace and to be embraced,
and from this day on I wanth but to dismiss my love;
onto my heart was bestowed not serene affection but intelligence;
and intellect is far better regarded than love!
How sully, narrow, and vicious love is!
How unimportant it is in the eyes of glory,
and the sea of fictitious admiration.
I quit the monstrousness of yon outer devastation;
I take hold of my pen,
and swim deeper into my whining words, again.
anastasiad May 2016
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Metal Laser Cutting Machine
WARNER BAXTER May 2015
It has never been my intension
nor was it ever a bone of contention
to alter or disrupt the social convention
but now is the time to pay close attention
to the decline of the human condition

Responsibility rescinded creating moral decomposition
accountability abandoned causing legal repercussion
right and wrong are muddled in a malicious juxtaposition
public opposition has festered into social imperfection
the omission of tradition by politician’s redefinition


HEED THIS ADMONITION OR ARDENT APPREHENSION
SAGACIOUS SUSPICION AND PERSISTANT PREVENTION


Of the decommission of the Physician, Pediatrician
the Technician, and the Mathematician
and give this acquisition to those with no ambition
even those under suspicion of sedition
or held in detention without fear of restitution

This is the deception of the devolution
of the middle classification
and the total destruction
of American personification
praise the Lord and pass the ammunition
Samuel Apr 2018
It’s fine
Is what she tells everyone
This day
Like so many others.
Fears run through her,
Her mind a mess of possibility
Infinite in number and horror.
Deaths here.
Failures there.
Maybe a grave injury at best.
Can they best this foe?
Is this the end of the Sages?
Is this the end of the world?
She ponders this
Over a cup of coffee
Poured by Moojdart,
All concern and bother.

It’s fine
Is what she says as she slinks off,
Telling Mooj again and again
Don’t worry, don’t worry
It’s fine,
She can handle it.
She always can, she always must.
Grus is worried too
And Milest
And even their leader
Who’s normally too vain to care.
She brushes past them all
To go and hide away
As she tries to fix it,
As she runs through bad ends
In search of a single good.
She can’t find one
Or even the hint of one
No matter how hard she picks
At the threads of potentiality.
There’s only more worries,
Only more failures,
Which darken the flame of Hope
Burning inside
Which she clings to so stubbornly
Even though it’s not her natural Will.
She’s got to.
She’s got to cling,
Got to be strong.
She’ll fix it, she will.

There’s a knock at her door
And it opens
Before she can even say no
Because that’s just how Fiethsing is,
Because that’s just how little she cares.
Really it’s amazing she knocked,
But there you go.
You never can guess with her,
But Zero can know she’s annoyed.
She snaps at her.
An admonition, a demand
To go, to leave.
That you shouldn’t just barge in
“I mean really, Fieth,”
And it’s fine anyway.
It’s always fine.

But that’s not what she came for.
So she claims.
She’s just here to find a book,
Steal it more like,
Like she always does
And Zero’ll never see it again.
It’s just a ploy anyway,
It’s just a ploy thankfully,
Unfortunately.
Fieth sets in on the search,
Looking for a book
And not speaking a word more,
Of concern or otherwise.
She’s simply an annoyance
That rummages through her things
After barging into her space.
Fieth’s one that’ll be ignored.
Has to be, must be.
So she drinks her coffee
And goes to reading,
Or more like looking at pages
As the words blur together
From fear
Now tinted with anger.

It’s fine
And Fiethsing sighs
Finally feeling fit
To make a sound
And even words.
“Wow, it’s hot.
Don’t you think so, Zero?”
There’s more sound too
Of rustling clothes
Falling off
Onto the floor.
A shirt gone,
More than likely.
Still searching too.
She pays no mind,
As little as she can.
She has a book to not read.

A book to not read
As a thought invades her mind
Of what Fieth must look like.
******* and slick with sweat
As she digs through her shelves
Musing to herself,
“Oh it’s not here either, oh dear.”
There’s a book to not read
As an image invades her mind
Of a hug,
Of a kiss,
A touch, anything.
Contact, warm and simple.
Memories flood
And imaginings more
As she has a book to not read.

Still it’s fine,
Just fine.
She’ll just read and think
On all the ways the world can end
Because that’s better.
Better than admitting she’s scared,
Better than admitting she needs help.
Help of any sort.
A talk, advice, a decision
Or a pair of arms
Wrapped around her waist
As she falls apart
Just for a moment.

“Oh, there it is!”
Rings out Fieth’s sing song tone
And she trots on over,
For once bothering to walk
And not float.
Just so she’ll hear,
Just so she’ll know.
It’s a kindness but it doesn’t feel like it,
More like a threat
That makes her sigh
Heavy and hard
In frustration
As she turns around to see
Fieth ******* and grinning.
It’s enough to make her sick.
With fury.
With fear.
With want.
She holds out her book
Arm outstretched
As far as it can go,
A barrier between them both.
She doesn’t want to play this game,
She wants to play this game.

Fieth takes the book with glee
And a pleased, “Thank you!”
Before she rambles on and on
About dull history being her passion
Don’t you know, Zero?
It’s charming,
It’s cute
And she just wants her gone.
Gone and away
With her mirth,
Infectious as always,
And her plans,
Impish as always.
So she turns back around
And grabs another book.
Another thing to not read
As she tells herself
That it’s fine.

It’s fine
As Fieth steps forward and
rests a hand on her
Gripping her shoulder.
It’s fine
When she says, “I went a bit far
Didn’t I, Zero?”
Which she did
But it’s fine
And it’s not.
It wasn’t far enough, not close enough.
She didn’t just grab her
Right there, right then.
She didn’t just force her down
Against her desk
And whisper in her ear
Just what she’ll do to her.

So she falls to her side
Just far enough
To fall back into Fieth,
Head resting right between her *******.
The grip becomes a hug,
Arm wrapping firmly around
Her frightened frame,
So frail,
Right now, right here.

“It’s fine,”
She says again.
This time it’s the truth,
And a lie
And she closes her eyes
And she melts
Right there, right then
In Fiethsing’s arms,
Though she wants nothing more
Than to chase her off.

“Just need a moment?”
Fieth asks
With a sincerity
That she so often lacks.
She’s not going to run off.
She’s not going to lie.
She’s not going to force the matter
Even if Zero wants her to.
It’s frustrating,
The fiendish way that Fieth
Makes her fend for herself
By pushing just enough
To get a decision.

It’s fine,
Frustrating or not,
As she pushes herself up and off.
Just enough to sit up,
Just enough to lean in
As she makes a decision at last.
Her lips part
And she kisses Fiethsing.
A moan escapes her,
A desperate plea
Muffled as Fieth’s tongue meets hers
And as Fieth’s hand crawls up her front.
Up her front, to her shoulder
To her neck,
Thumb rubbing idly, intently.
Intoxicating, it’s intoxicating
That sensation and more
As she leans forward the more,
Body pressed
Against Fieth’s.
Fieth who takes hold of her waist
With a free arm
And pulls her forward and up
To get her standing.
Two bodies, pressed together.
The kiss deepens,
Desperate all the more.

Her hands snake up Fieth’s back
And her nails dig into Fieth’s back.
Fieth who breaks the kiss
As she lets out a hiss
Of pained satisfaction
And who looks down
At her
As she buries her face
Into her chest.
She’s coming undone.
She’s starting to cry.
She’s clinging as she can,
Telling herself
Over and over
That it’s fine.

It’s fine
And Fieth’s here
Resting her cheek
Against her head
And with her hand
Stroking her hair
And her other
Holding her firmly,
Tightly
Just as she needs.
Just as she needs
Until she needs more,
More than a hug
And fingers in her hair.

She slips away,
Steps on back
One step, then two
Until a boot clicks against her desk.
She looks on
Eyes pleading
As she looks on at her
Her shirtless lover standing there
Unsure now of what she wants
But so sure of what she wants.
More, her.

So Fieth steps forward herself
Hands taking to her dress,
Undoing the buttons
As Zero tries to slip out of it.
Abandoning it on the floor,
Her bra goes there next
And her underwear
And her boots too.
It all goes
Until she is laid bare
For Fieth to look upon.
Fieth who doesn’t strip entirely,
Keeping her skirt on
And her boots too.
She dips down into her neck,
Pressing her lips against
That flesh
Vulnerable, sensitive
Enough to elicit a sigh.
Enough to get a roll of the hips.
Just enough
And not enough
As she buries her fingers
Into Fieth’s hair.
Pulling, stroking,
Needing simply to feel
Her and only her.
The her that slips a hand
Right between her thighs
Right then, right there.
A finger searching,
A finger finding
Just how wet she is.
A finger searching,
A finger finding
Just how hard her **** is.
Zero finds too
Once again
Just how skilled Fieth is.
How Fieth can circle her ****
Just the right way, just firm enough.
Enough to get her biting her lip
And resting her forehead
Into Fieth’s shoulder
As she comes apart
In her hands.

It’s fine
As her knees grow weak
And her breathing quickens.
It’s fine as Fieth slides a finger in
And a second.
The welcome stretch,
The familiar tension
Makes her shiver
As Fieth reaches deeper,
Deeper inside
And as Fieth pulls out
And pushes back in.
She pulls her head back,
And lets out a moan
Saying her name
As she pulls her hair.
God she’s near,
God she’s close,
God she’s in.
In her
Both in body and soul
And it’s all she can do
But say her name again
And again.
A fevered plea
As she begs for more,
Begs for her.
As doubts begin to clear
And leave
Just for a time.
Just right here, right now
And it’s fine.

Fieth pulls out again
This time fully
Leaving a dull ache,
An urgent need for more.
She wants to swear at her,
She wants to beg to her
To go back.
Back in,
Take her right there.
She needs it, needs her.
Desperately.
Fieth doesn’t though.
She grabs Zero’s thighs
And lifts as she can.
And she gets it
Though she’d rather not.
Rather not wait,
But she does wait and she knows
And she shifts her weight
Until she’s seated right on her desk,
Until she’s pressed down on her desk.

Fingers out of Fieth’s hair
She gropes at hard wood
That’s cold against her back
While the warmth burns
Between her legs.
She looks at her,
Looks to her.
Fieth’s hands rest on her thighs
As she looks back
Right at her,
Like she sees right through her.
Because she does,
She always does.

A hand travels up her thigh
Tracing a finger across her body.
A touch electric,
But not enough.
Not enough but enough
To get her speaking, to get her begging.
“Fieth, please.”
But Fieth just grins,
Feeling her *******,
Admiring the look in her eyes.
“Fieth please just stop looking,
Just this once and **** me.”
The words excite
And torment
And her cheeks burn red,
More ashamed to say it
Than have it happen.
Yet
The word she hears back isn’t a yes.
It’s “No.”

It’s fine
Isn’t it?
What had she done?
What could she have done?
Is it ending here, now?
Is it ending with still more to go?
What could she have done,
What could have Fieth have done?
Her fears come quick
And they’re tossed aside quick
As Fiethsing’s grin widens
And she says
“I’ve got a better idea.”
That’s fine.

More than fine.
Fine as Fieth bends down
Hand resting against the desk,
The other heading right back down
To her thighs.
Right back to part her lips
And then she feels her lips
And she feels her tongue
Against her ****.
Her fears are dashed
Right against the wall
And she lets out a cry,
A trembling moan.
So satisfied, yet not at all
As Fiethsing traces her ****
With her tongue.
As Fiethsing ***** at her ****
She claws, she scrabbles
Searching for purchase on the desk.
Which can’t be found
And she can’t find words
As she bucks her hips
Against Fiethsing’s mouth.
Not concerned about noise,
Not concerned about poise
Her worries gone entirely
And only this moment exists.
Only their bodies so close
Yet not close enough.
Time fades, distance fades.
A finger slips in again,
Then two, then three
But Fieth pulls her head up
Just to get it all situated.
Just to get it right.
Zero whines,
“Fiethsing please. ”

It’s more than fine
As Fieth dips back down
And Zero grabs wildly
Looking for something to hold
To touch.
All the better if it’s her,
If it’s Fieth and it is,
Her hair.
Her hair that Zero ***** into her fist,
Her hair that she pulls upon
As the tension builds,
As the ache grows.
Until at last it rolls over,
A rush of sensation
And feeling
That shakes her body
And gets her to cry out
Impassioned, fevered ramblings
About her, about her,
God just her.
Just.
Fiethsing.

And it’s fine
As Fieth keeps working at her
Through the ******,
Past the ******
And into the pain
Of too much sensation, too much.
She moans, she whines.
She begs, she even swears
And she bangs a fist on her desk
To stifle the pain, the pleasure.

Fiethsing slides out
And sits on up
And she laughs and prods
Right at her thigh.
“I bet even Milest heard that.”
What can she do
But roll her eyes
And groan in exasperation
At that comment.
What can she do
But be glad
Glad deep down for it,
For it all.
Glad enough that she sits up,
Glad enough that she hugs Fieth.

“It’s fine.”
JP Goss Sep 2013
Put this matter with trowel and ***,
Into the dark and fertile ground,
With each hit, he loosed the soil
A once happy man thou condemned to uselessly toil  
His claws, cracked and broken shells
Jaundiced with the duty long days that did require
Lamed by grief and forced to work
Here, till the end of days, within this garden, this mire.
Deep does a ****** live here, past the clay and bedrock
Like the pride and valor and resolute spirit of the domineering ****
Or so her mien, it does beget
Or some other erroneous sentiment
That she, not he, were to bear this labor.
Within the ground, he did remember, in his spritely youth,
He planted, and thought none of, but a seed,
Into this verdant splendor, which bore that infernal ****.
And, thence, thereof came a fruit,
Of malignity infinite,
All the while it poisoned the ******’s white and water’s pure,
As its eerie little spines proceeded to take root.
Her garments poised to emulate white, instead
The ******, to him, had lost her white
Or never had white at all,
The ******, to him, had lost her white,
To him, the ****** was dead.
The fruit and seed, effulgent and pretty, to those who saw them bloom
Attractive were they so to them, irresistible to behold
That they, to him with great chagrin, did immediately consume.
“But the ******,” he cried. “The ****** has poisoned them!”
Yet they continued to eat.
“We do not believe you,” they replied, and slept ceaselessly on their feet.
One by one did they all collapse from the toxin of its juice.
The ****** watched and laughed, of caution was there no use.
Powerless and sullen, he stood, for remedy was far passed.
The ******, now regarded with delight,
Has he, poor, poor man, to tend to his blight.
The garden gone, its cleanliness perverted,
His words were ignored, and thrown wayside,
His admonition he so heatedly asserted,
The ******, her words never to be trusted
Had won over the people, whose homes she sought to entreat,
And with her rite, so treasured, so adored,
They enslaved and force him to his mire, to tend to the rag and filthy lands
Where he would remain with the garden
His words, his skin so like the sands
Ottar Oct 2013
I had a 750 Suzuki Katana, gray machine
learned like a young man 350, then 650 then that 750cc of course
in the mid eighties, paid cash but then my mom expected the worst,
I was in the army, I said Army, military single man
I could handle the motorbike well enough,
I knew my limits,
too slow one day
on a sharp parking lot turn
and I earned a
cracked signal light casing,
too early in the
season an April Easter trek
home, turned
around in Manning Park,
near that summit,
snow and ice made it dicey
and the police wanted me to prove I had
chains and snow tires for this late season
fall of snow is
all, so I turned and went back to the base,
too much competitive spirit one day
and I thread the needle between a moving
car and a parked car, well how to say this,
with the driver's door opened wide,
in that instant I passed by at thirty miles an hour
my Life Cycle almost stopped,
my thoughts were driven to,
maybe I should go back to
bicycles, instead...
but I won the race
back to the base
and both the admiration
and admonition of my peers
whom I beat.


©DWE102013
Alicia Prakash Jun 2020
Blood for ink
As I seal your fate
A deadly pandemic
Will lead you astray
Bullets and politics
Won’t prevail
The strongest survive
While the weaklings fade.

Slowly but surely
I’ll take back what’s mine
Two thousand years
And a thousand designs
For vengeance, for justice,
Cold and cruel
A mother’s justice
Tough love- fuelled.

Warnings were spurned
Not once or twice
Greed and Envy
Took root in a trice
Beware, beware,
I surmise
That our cries and sighs
Will be our final goodbyes.
K Balachandran Feb 2016
A trek to the golden peak,
of clarity of every kind,
she had taken up earnestly
as her singular mission all along.
Near  the  upper reaches,
at the difficult terrain,
without any admonition,
an avalanche.
Her ego, frozen and hardened,
rushed towards her,
blocked further progress,
for ever,
like a wall of resistance.
She tried her best
to venture forward,
but she had lost the path
completely by then
and didn't know which way to turn.
anastasiad Mar 2017
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mEb Nov 2010
Odium above all odiums, I have militancy of you now
For I own isochronism; A vigor grim dispute; not now
Your slaying too vile
Uncouth by demands
Which was the admonition I had previously
Whod've known I'd command
Garble after garble, I'm Dexterrized where I stand
Dun and gnaw your way out, go on
The un-zoetic soon will spawn
Out with gyp of hints that dwindle
Furbishing these tinges; out the window of innuendos
Nat Lipstadt Mar 2018
~for Leonard Cohe, Glen Campbell and me, a single trilogy~

1:32am come down these words in a medusa message,
“about hymn, my priest Leonard (hymn/him)”
and instant recognition-recollection face slap,
this is poem that
I have written
I will have to write
I have already started and left incompleted.
about hymn/him/Leonard, but
the medusa threads need knitting knotting now,
tying up, now not later, waiter,
when the spirit’s in the throat,
or gotta ya by the throat,
no difference


It’s just turning Thursday (had to check)
and just this past maddening Monday,
was in a NYC dive (performance space) on West 46th,
all the way over tween 8th ‘n 9th,
on the tzitzit fringes,
of the Theater District,
where the small clubs all sit cheeky to jowl,
where they squeeze ya in, sitting *** cheek to cheek,
and wheeee,
knee to knee,
at a table big enough for two drinks and a check,
a stage so small it’s an in invitation to off fall,
to hear an entertainer sing an eclectic selection of songs
sure enough LC, hymn/him, quiet slips in, with a
“natty where ya been?” hint hint,
a burning violin  

as if I needed a hint hint from hymn/him,
“hey, hey, by the way, your house’s on fire” reminder
someone wants a trilogy plus one

“Dance me to your beauty with a burning violin,
dance me through the panic till I'm gathered safely in”

  

of course,
the Hallelujah served up first, this course arrives with drinks and the salsa chips, just in case, I wasn’t fully aware of hymn/him
stalking me, something that happens after midnight regular like,
asking for atonement, and leaving tidbits of unpushed hymns,
now that the sown snow clears  
and the gates of heaven are open for admitting admonition and
up&down come verses on a borrowed Jacob ladder,
steps of ephemeral downy soft violin phrases

ok now I can begin,
as this stage is set with a drum+ cymbal flourish ta da!

na, chill, kids,
almost done, you can’t handle all that needs saying,
but this one needs some fixing, finishing touché touches

should you see a man on the subway,
embellished bya yellow star and carrying a burning violin,
asking strangers if they can spare a dime of inspiration,
so he can worn his way into heaven,
don’t be afraid, for it’s now a duet,
*** with Glen, singing,
me-on-fire-fiddling

”don't be concerned it will not harm you
It's only me pursuing something I'm not sure of
across my dreams with nets of wonder”


yeah.  burning violin.  fiddler on the subway.  after midnight. pursuing something.  through the panic.
touching a burning bush but the fingers unsinged. unhinged. gotta be a poem in there somewhere. and perchance, a ladder to s
some sleep.
see, the end.  

2:31am nyc march 8th
https://hellopoetry.com/poem/1851080/the-leonard-cohen-trilogy/
yeah, yeah, true story, as most of them are...
JR Rhine Jan 2016
"Y'got city hands, Mr. Hooper."

I felt his coarse hands grip mine, too;
I lived through Mr. Hooper vicariously
as I looked down at open palms
spread to the heavens,
illuminated in the flashy brilliance of the glare.

I saw wrinkled, calloused eyes peer into mine;
I stood on that rickety old dock
in my fitted and worn wool cap,
faded denim shirt matching pants
and dingy white tennis shoes.

"Y'got city hands, Mr. Hooper."

My ego crestfallen as well,
pride in my intelligence proven in the Academia
withering, as the gritty gap-toothed
leery-eyed barnacle of a sailor
peered inquisitively into my soul.

He saw the smooth hands--
ah, but the callouses engraved deep between joints
on my fingers; a musician!

His eyes grilled, "In bourgeois leisure,
smiling meekly dwelling within milquetoast afternoon hours,
or,
from downtown haunts sweating jazz in the midnight hour,
dancing screaming cursing moaning lovingly?"
My eyes cast down again.

But I know not of the city as my abode!
I know the ****** and the farmer
more than any contributor to painted landscapes, nay;
they are my acquaintances, neighbors, cousins, brothers, and sisters!

For I have lived on the water;
I have eyed the vessels
commandeered by the gritty, grubby,
greased captains of my soul,

as I float buoyed in their wake,
eager to catch a semblance of the waters
that trail before them.

I live treading their wake,
eyes open and pencil in hand.

And lo;
I found sanctuary in the vast fields of the rustic farmer!

For I ate breakfast of the freshly-slaughtered calf;
I drank its mother's milk,
eggs fresh from the poultry den--
I squawked along with the mother hens.

I took in the bucolic smell of the country
atop the rugged tractor,
eyeing squinting
grimacing like a smile in the sun
burning burning down upon stiff backs
and leather necks--

I, the leaves of grass scattered
in the wake of the farmer,
I, the bails of hay furled tightly
sitting patiently in the once golden meadow,

I watched the tractors and their commandeers
disappear in the bombinate horizon;
the sound of insects ushering in the night sky

like unrolling the starry-eyed carpet
before the hazy late afternoon moon.

I watched, I lived,
waiting coiled in their wakes
eyes wide open and paper clenched in hand.

I lifted my eyes to once again
hear his curt admonition:

"Y'got city hands, Mr. Rhine."
To looking of the city but being of the country; wonderful tormented dichotomy.
Ayelle Garcia Jul 2014
Isolated, trapped in a dark abyss,
Remained under her lulled admonition;
Never wished to depart, but to depress,
Grieve then be stiff, yielded in damnation.

Cut off away from the world’s speed of light,
Off she choked a too petty eulogy;
Swore never to venture off from its sight,
Deprive hope, ****** apathy with elegy.

The dark poet’s ode continues to cruise,
Spills & spreads to her frail soul like poison;
Intoxicate & numbs her as a bruise,
Nullifies every positive motion.

Go better off now, my little sweet one,
The world has just locked away your sunshine;
Forget about help, you’re banished & gone,
Sleep it all away, not one can outshine.
This poem was written when my "dark poet" self appeared.
Michael Marchese Jul 2023
Can’t give up
Reaching for
Seeking
A meeting
Convening with clarity
All the more fleeting
The seating is limited
Lighting gets dim
And obscuring its absence
Oblivion grim
Underpinned
By the fins
Circling as I swim
Overtones
Of imploding
Corrosive
Head spins
Barely scratching the surface
Of where to begin
When I’m out on a limb
Saying
Find what is lost
But before you sell souls
Please consider the cost
Jack Turner Jun 2010
How do you tell a 19 year old boy that he is in Love?
More importantly, how does he tell himself?
At this point in life, that admonition is more life self-incrimination,
Than the natural steps for a smitten heart.

For so long the lone wold has roamed the range,
And now that one has been found that feels the same,
The instinct to go run and hide away
Must be corralled and eliminated from the brain,
With proper manners, class, and tact instilled in its place.

Though he feels so strongly, and always sees her face,
And with thoughts of her never far from reach
- Hovering on the edge of consciousness for easy access -
The ripping sound is his being being torn apart, heart and mind at odds with each other.
This self-perpetuating war in those maturing from boys into men,
These internal struggles time and again testing their carriers' mental fortitude.

Eventually will he just give up?
Or does he tend to fold and give in to the strain?
Could he possibly soldier on, keeping shredded thoughts to himself?
I sure would like to get a hint if you know,
T'would save me a lot of trouble, time, pain, and sorrow.
anastasiad Jun 2016
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Raj Arumugam May 2013
1
it is astonishing
in spite of so much progress
in space exploration
the general population
(Yea, ye puny earthlings)
has so little grounding in space facts
(come on - face facts!)

2
which reminds me of the sun
which for years refused to get an education
because it claimed it’d already got
a million degrees;
but humbled by my admonition
the sun now goes to school
to get brighter;
and for reading it’s got plenty of comet books
and all day( there’s no night)
it learns all about its children:
it learns that a tick on the moon
is called a luna-tick;
that the moon is heaviest
when it’s full;
and all these planets exchange songs
they secretly call Nep-tunes;
and that Mars tries to get fresh
with Saturn by saying often:
“Give me a ring sometime!”

And more,
the sun learns about the light year
which is really a year with less calories;
that the cows have a distinguished
space history -
after all, the first animal in space
was the cow that jumped over the moon;
but really, its main aim
was to get all the way to the milky way

3
more of these facts? –
you lazy ostriches,
get off your heavy bottoms
and dig into a wormhole yourself
.. a collection of jokes from online, put into some order in spite of the chaos theory...
Wk kortas Nov 2017
She is the living embodiment of the cliché,
The song where the male sub-lead
Returns from some second shift, some third drink
To find she has gone, leaving some scrap-paper note,
Hastily scribbled and wholly incomplete,
Some variation upon Don’t try and find me,
And so she is suitably unfound herself,
As she has given great thought to her froms,
But rather short shrift to her tos,
Finding herself north of the Thruway,
Looking for somewhere to spend the night
(The twin motors of adrenaline and anxiety running on fumes)
Happening upon, as if almost by some beneficent magic,
A Travelodge bordered by an expanse of cornfield
(Long since gone to seed, the stalks bowed and spent,
Waiting for the patently overdue cob harvester)
And after she is checked in and somewhat unpacked
(The bored, bemused woman who slumps about the front desk
Mercifully sparing with the small talk)
The skies, which had been late-October slate blur-gray,
Slightly malevolent but only implicit in their threats,
Open up in a cold and unwelcome drizzle,
And, whys and wherefores being things for a later date,
She runs outside and begins dancing in the parking lot,
Unseen and unremarked upon,
And even though the rain is cold, soaking, grim in portent
(The forecast dourly noting the possibility of wet snow,
Nattering that accumulation is possible at higher elevations.)
She is seemingly unaware and unconcerned
As to the upshot of this drenching,
Any whispers of the two or three other occupants of the motel,
Any judgments passed upon her mad danse pour un,
As she has passed beyond any notion of admonition.

— The End —