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Michael R Burch Sep 2020
Urdu Poetry: English Translations



You will never comprehend me:
I pour out my feelings; you only read the words!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Tears are colorless―thank God!―
otherwise my pillow might betray my heart.
―original poet unknown, loose translation/interpretation by Michael R. Burch



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound ...
Hell, we might have pronounced you a saint,
if only we hadn't found
you drunk
as a skunk!

There are more English translations of poems by Mirza Ghalib later on this page.



Every Once in a While
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Every once in a while,
immersed in these muggy nights
when all earth’s voices seem to have fallen
into the bruised-purple silence of half-sleep,
I awaken from a wonderful dream
to see through the veil that drifts between us
that you too are companionless and wide awake.



First Rendezvous
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

This story of the earth
is as old as the universe,
as old as the birth
of the first day and night.

This story of the sky
is included in the words we casually uttered,
you and I,
and yet it remains incomplete, till the end of sight.

This earth and all the scenes it contains
remain witnesses to the moment
when you first held my hand
as we watched the world unfolding, together.

This world
became the focus
for the first rendezvous
between us.



Impossible and Improbable Visions
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Eyes interpret visions,
rainbow auras waver;
similar scenes appear
different to individual eyes,
as innumerable oases
coexist in one desert
or a single thought acquires
countless shapes.



I Have to Find My Lost Star
by Amjad Islam Amjad
loose translation/interpretation by Michael R. Burch

Searching the emptiest of skies
overflowing with innumerable stars,
I have to find the one
that belongs
to me.

...

Gazing at galaxies beyond galaxies,
all glorious with evolving wonder,
I ponder her name,
finding no sign to remember.

...

Lost things, they say,
are sometimes found
in the same accumulations of dust
where they once vanished.

I have to find the lost star
that belongs to me.



Last Night
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your memory stole into my heart―
as spring sweeps uninvited into barren gardens,
as morning breezes reinvigorate dormant deserts,
as a patient suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!

There are more English translations of poems by Rahat Indori later on this page.



Strange Currents
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

O Khusrow, the river of love
creates strange currents—
the one who would surface invariably drowns,
while the one who submerges, survives.

There are more English translations of poems by Amir Khusrow later on this page.



The Eager Traveler
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Even in the torture chamber, I was the lucky one;
when each lottery was over, unaccountably I had won.

And even the mightiest rivers found accessible refuge in me;
though I was called an arid desert, I turned out to be the sea.

And how sweetly I remember you—oh, my wild, delectable love!—
as the purest white blossoms bloom, on talented branches above.

And while I’m half-convinced that folks adore me in this town,
still, all the hands I kissed held knives and tried to shake me down.

You lost the battle, my coward friend, my craven enemy,
when, to victimize my lonely soul, you sent a despoiling army.

Lost in the wastelands of vast love, I was an eager traveler,
like a breeze in search of your fragrance, a vagabond explorer.

There are more English translations of poems by Ahmad Faraz later on this page.



The Condition of My Heart
by Munir Niazi
loose translation/interpretation by Michael R. Burch

It is not necessary for anyone else to get excited:
The condition of my heart is not the condition of hers.
But were we to receive any sort of good news, Munir,
How spectacular compared to earth's mundane sunsets!

There are more English translations of poems by Munir Niazi later on this page.



Failures
by Nida Fazli
loose translation/interpretation by Michael R. Burch

I was unable to relate
the state
of my heart to her,
while she failed to infer
the nuances
of my silences.



Apni Marzi se
by Nida Fazli Shayari
translated by Mandakini Bhattacherya and Michael R. Burch

This journey was not of my making;
As the winds blow, I’m blown along ...
Time and dust are my ancient companions;
Who knows where I’m bound or belong?

There are more English translations of poems by Nida Fazli later on this page.



My Apologies, Sona
by Gulzar
loose translation/interpretation by Michael R. Burch

My apologies, Sona,
if traversing my verse's terrain
in these torrential rains
inconvenienced you.

The monsoons are unseasonal here.

My poems' pitfalls are sometimes sodden.
Water often overflows these ditches.
If you stumble and fall here, you run the risk
of spraining an ankle.

My apologies, however,
if you were inconvenienced
because my dismal verse lacks light,
or because my threshold's stones
interfered as you passed.

I have often cracked toenails against them!

As for the streetlamp at the intersection,
it remains unlit ... endlessly indecisive.

If you were inconvenienced,
you have my heartfelt apologies!

There are more English translations of poems by Gulzar later on this page.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



This Dog
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Being
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You are so close to me
that no one else ever can be.

NOTE: There is a legend that the great Urdu poet Mirza Ghalib offered all his diwan (poetry collections) in exchange for this one sher (couplet) by Momin Khan Momin. Does the couplet mean "be as close" or "be, at all"? Does it mean "You are with me in a way that no one else can ever be?" Or does it mean that no one else can ever exist as truly as one's true love? Or does this sher contain an infinite number of elusive meanings, like love itself?



Being (II)
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

You alone are with me when I am alone.
You are beside me when I am beside myself.
You are as close to me as everyone else is afar.
You are so close to me that no one else ever can be.



Perhaps
by Momin Khan Momin
loose translation/interpretation by Michael R. Burch

The cohesiveness between us, you may remember or perhaps not.
Our solemn oaths of faithfulness, you may remember, or perhaps forgot.
If something happened that was not to your liking,
the shrinking away that produces silence, you may remember, or perhaps not.
Listen, the sagas of so many years, the promises you made amid time's onslaught,
which you now fail to mention, you may remember or perhaps not.
These new resentments, those often rehashed complaints,
these lighthearted and displeasing stories, you may remember, or perhaps forgot.
Some seasons ago we shared love and desire, we shared joy ...
That we once were dear friends, you may have perhaps forgot.
Now if we come together, by fate or by chance, to express old loyalties ...
Our every shared breath, all our sighs and regrets, you may remember, or perhaps not.



What Happened to Them?
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

Those who came ashore, what happened to them?
Those who sailed away, what happened to them?

Those who were coming at dawn, when dawn never arrived ...
Those caravans en route, what happened to them?

Those I awaited each night on moonless paths,
Who were meant to light beacons, what happened to them?

Who are these strangers surrounding me now?
All my lost friends and allies, what happened to them?

Those who built these blazing buildings, what happened to them?
Those who were meant to uplift us, what happened to them?

NOTE: This poignant poem was written about the 1947 partition of India into two nations: India and Pakistan. I take the following poem to be about the aftermath of the division.



Climate Change
by Nasir Kazmi
loose translation/interpretation by Michael R. Burch

The songs of our silenced lips are different.
The expressions of our regretful hearts are different.

In milder climes our grief was more tolerable,
But the burdens we bear now are different.

O, walkers of awareness's road, keep your watch!
The obstacles strewn on this stony path are different.

We neither fear separation, nor desire union;
The anxieties of my rebellious heart are different.

In the first leaf-fall only flowers fluttered from twigs;
This year the omens of autumn are different.

This world lacks the depth to understand my heartache;
Please endow me with melodies, for my cry is different!

One disconcerting glance bared my being;
Now in barren fields my visions are different.

No more troops, nor flags. Neither money, nor fame.
The marks of the monarchs on this land are different.

Men are not martyred for their beloveds these days.
The youths of my youth were so very different!



Nasir Kazmi Couplets

When I was a child learning to write
my first scribblings were your name.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

When my feet lost the path
where was your hand?
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch

Everything I found is yours;
everything I lost is also yours.
―Nasir Kazmi, loose translation/interpretation by Michael R. Burch



Memory
by Faiz Ahmed Faiz, as performed by Iqbal Bano
loose translation/interpretation by Michael R. Burch

In the wastelands of solitude, my love,
the echoes of your voice quiver,
the mirages of your lips waver.

In the deserts of alienation,
out of the expanses of distance and isolation's debris
the fragrant jasmines and roses of your presence delicately blossom.

Now from somewhere nearby,
the warmth of your breath rises,
smoldering forth an exotic perfume―gently, languorously.

Now far-off, across the distant horizon,
drop by shimmering drop,
fall the glistening dews of your beguiling glances.

With such tenderness and affection—oh my love!—
your memory has touched my heart's cheek so that it now seems
the sun of separation has set; the night of blessed union has arrived.



Speak!
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Speak, if your lips are free.
Speak, if your tongue is still your own.
While your body is still upright,
Speak if your life is still your own.



Tonight
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not strike the melancholy chord tonight! Days smoldering
with pain in the end produce only listless ashes ...
and who the hell knows what the future may bring?
Last night’s long lost, tomorrow's horizon’s a wavering mirage.
And how can we know if we’ll see another dawn?
Life is nothing, unless together we make it ring!
Tonight we are love gods! Sing!

Do not strike the melancholy chord tonight!
Don’t harp constantly on human suffering!
Stop complaining; let Fate conduct her song!
Give no thought to the future, seize now, this precious thing!
Shed no more tears for temperate seasons departed!
All sighs of the brokenhearted soon weakly dissipate ... stop dithering!
Oh, do not strike the same flat chord again! Sing!



When Autumn Came
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

So it was that autumn came to flay the trees,
to strip them ****,
to rudely abase their slender dark bodies.

Fall fell in vengeance on the dying leaves,
flung them down to the floor of the forest
where anyone could trample them to mush
undeterred by their sighs of protest.

The birds that herald spring
were exiled from their songs—
the notes ripped from their sweet throats,
they plummeted to the earth below, undone
even before the hunter strung his bow.

Please, gods of May, have mercy!
Bless these disintegrating corpses
with the passion of your resurrection;
allow their veins to pulse with blood again.

Let at least one tree remain green.
Let one bird sing.



Last Night (II)
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Last night, your lost memory returned ...
as spring steals silently into barren gardens,
as cool breezes stir desert sands,
as an ailing man suddenly feels better, for no apparent reason ...

There are more English translations of poems by Faiz Ahmed Faiz later on this page.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?

There are more English translations of poems by Mirza Ghalib later on this page.



Couplets
by Jaun Elia
loose translations by Michael R. Burch

I am strange—so strange
that I self-destructed and don't regret it.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The wound is deep—companions, friends—embrace me!
What, did you not even bother to stay?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

My nature is so strange
that today I felt relieved when you didn't arrive.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Night and day I awaited myself;
now you return me to myself.
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Greeting me this cordially,
have you so easily erased my memory?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Your lips have provided thousands of answers;
so what is the point of complaining now?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Perhaps I haven't fallen in love with anyone,
but at least I convinced them!
―Jaun Elia, loose translation/interpretation by Michael R. Burch

The city of mystics has become bizarre:
everyone is wary of majesty, have you heard?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

Did you just say "Love is eternal"?
Is this the end of us?
―Jaun Elia, loose translation/interpretation by Michael R. Burch

You are drawing very close to me!
Have you decided to leave?
―Jaun Elia, loose translation/interpretation by Michael R. Burch



Intimacy
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I held the Sun, Stars and Moon at a distance
till the time your hands touched mine.
Now I am not a feather to be easily detached:
instruct the hurricanes and tornados to observe their limits!



The Mad Moon
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Stars have a habit of showing off,
but the mad moon sojourns in darkness.



Body Language
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Your body’s figures are written in cursive!
How will I read you? Hand me the book!



Insatiable
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This mighty ocean, so deep and vast!
If it sates my thirst, how long can it last?



Honor
by Rahat Indori
loose translation/interpretation by Michael R. Burch

Achievements may fade but the name remains strong;
walls may buckle but the roof stays on.
On a pile of corpses a child stands alone
and declares that his family still lives on!



Dust in the Wind
by Rahat Indori
loose translation/interpretation by Michael R. Burch

This is how I introduce myself to questioners:
Pick up a handful of dust, then blow ...



Dissembler
by Rahat Indori
loose translation/interpretation by Michael R. Burch

In your eyes this, in your heart that, on your lips something else?
If this is how you are, impress someone else!



Rumor (M)ill
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I heard rumors my health was bad; still
it was prying people who made me ill.



The Vortex
by Rahat Indori
loose translation/interpretation by Michael R. Burch

I am the river whose rapids form a vortex;
You were wise to avoid my banks.



Homebound
by Rahat Indori
loose translation/interpretation by Michael R. Burch

If people fear what they meet at every turn,
why do they ever leave the house?



Becoming One
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I have become you, as you have become me;
I am your body, you my Essence.
Now no one can ever say
that you are someone else,
or that I am anything less than your Presence!



I Am a Pagan
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

I am a pagan disciple of love: I need no creeds.
My every vein has become taut, like a tuned wire.
I do not need the Brahman's girdle.
Leave my bedside, ignorant physician!
The only cure for love is the sight of the patient's beloved:
there is no other medicine he needs!
If our boat lacks a pilot, let there be none:
we have god in our midst: we do not fear the sea!
The people say Khusrow worships idols:
True! True! But he does not need other people's approval;
he does not need the world's.

(My translation above was informed by a translation of Dr. Hadi Hasan.)



Amir Khusrow’s elegy for his mother
loose translation/interpretation by Michael R. Burch

Wherever you shook the dust from your feet
is my relic of paradise!



Paradise
by Amir Khusrow
loose translation/interpretation by Michael R. Burch

If there is an earthly paradise,
It's here! It's here! It's here!



Mystery
by Munir Niazi
loose translation/interpretation by Michael R. Burch

She was a mystery:
Her lips were parched ...
but her eyes were two unfathomable oceans.



I continued delaying ...
by Munir Niazi
loose translation/interpretation by Michael R. Burch

I continued delaying ...
the words I should speak
the promises I should keep
the one I should dial
despite her cruel denial

I continued delaying ...
the shoulder I must offer
the hand I must proffer
the untraveled lanes
we may not see again

I continued delaying ...
long strolls through the seasons
for my own selfish reasons
the remembrances of lovers
to erase thoughts of others

I continued delaying ...
to save someone dear
from eternities unclear
to make her aware
of our reality here

I continued delaying ...



Couplets
by Mir Taqi Mir
loose translations by Michael R. Burch

Sharpen the barbs of every thorn, O lunatic desert!
Perhaps another hobbler, limping by on blistered feet, follows me!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

My life is a bubble,
this world an illusion.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Selflessness has gotten me nowhere:
I neglected myself far too long.
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

I know now that I know nothing,
and it only took me a lifetime to learn!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch

Love's just beginning, so why do you whine?
Why not wait and watch how things unwind!
―Mir Taqi Mir, loose translation/interpretation by Michael R. Burch



Come!
by Gulzar
loose translation/interpretation by Michael R. Burch

Come, let us construct night
over the monumental edifice of silence.
Come, let us clothe ourselves in the winding sheets of darkness,
where we'll ignite our bodies' incandescent wax.
As the midnight dew dances its delicate ballet,
let us not disclose the slightest whispers of our breath!
Lost in night's mists,
let us lie immersed in love's fragrance,
absorbing our bodies' musky aromas!
Let us rise like rustling spirits ...



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Inconclusive
by Gulzar
loose translation/interpretation by Michael R. Burch

A body lies on a white bed—
dead, abandoned,
a forsaken corpse they forgot to bury.
They concluded its death was not their concern.
I hope they return and recognize me,
then bury me so I can breathe.



Wasted
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

You have noticed her forehead, her cheeks, her lips ...
In whose imagination I have lost everything.



Countless
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

I recounted the world's countless griefs
by recounting your image countless times.



Do Not Ask
by Faiz Ahmed Faiz
loose translation/interpretation by Michael R. Burch

Do not ask, my love, for the love that we shared before:
You existed, I told myself, so existence shone.
For a moment the only light that I knew, alone,
was yours; worldly griefs remained dark, distant, afar.

Spring shone, as revealed in your face, but what did I know?
Beyond your bright eyes, what delights could the sad world hold?
Had I won you, cruel Fate would have ceded, no longer bold.
Yet all this was not to be, though I wished it so.

The world knows sorrows beyond love’s brief dreams betrayed,
and pleasures beyond all sweet, idle ideals of romance:
the dread dark spell of countless centuries and chance
is woven with silk and satin and gold brocade.

Bodies are sold everywhere for a pittance—it’s true!
Besmeared with dirt and bathed in bright oceans of blood,
Crawling from infested ovens, a gory cud.
My gaze returns to you: what else can I do?

Your beauty haunts me still, and will to the last.
But the world is burdened by sorrows beyond those of love,
By pleasures beyond romance.
So please do not demand a love that is over, and past.



O God!
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Torture my heart, O God!
If you so desire, leave me a madman, O God!

Have I asked for the moon and stars?
Enlighten my heart and give my eyes sight, O God!

We have all seen this disk called the sun,
Now give us a real dawn, O God!

Either relieve our pains here on this earth
Or make my heart granite, O God!



Hereafter
by Qateel Shifai
loose translation/interpretation by Michael R. Burch

Since we met and parted, how can we sleep hereafter?
Lost in each others' remembrance, must we not weep hereafter?

Deluges of our tears will keep us awake all night:
Our eyelashes strung with strands of pearls, hereafter!

Thoughts of our separation will sear our grieving hearts
Unless we immerse them in the cooling moonlight, hereafter!

If the storm also deceives us, crying Qateel!,
We will scuttle our boats near forsaken shores, hereafter.



Picnic
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

My friends laugh elsewhere on the beach
while I sit here, alone, counting the waves,
writing and rewriting your name in the sand ...



Confession
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Your image overwhelmed my vision.
As the long nights passed, I became obsessed with your visage.
Then came the moment when I quietly placed my lips to your picture ...



Rain
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

Why shiver alone in the rain, maiden?
Embrace the one in whose warming love your body and mind would be drenched!
There are no rains higher than the rains of Love,
after which the bright rainbows of separation will glow with the mysteries of hues.



My Body's Moods
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

I long for the day when you'll be obsessed with me,
when, forgetting the world, you'll miss me with a passion
and stop complaining about my reticence!
Then I may forget all other transactions and liabilities
to realize my world in your arms,
letting my body's moods guide me.
In that moment beyond boundaries and limitations
as we defy the conventions of veil and turban,
let's try our luck and steal a taste of the forbidden fruit!



Moon
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

All of us passengers,
we share the same fate.
And yet I'm alone here on earth,
and she alone there in the sky!



Vanity
by Parveen Shakir
loose translation/interpretation by Michael R. Burch

His world is so simple, so very different from mine.
So distinct—his dreams and desires.
He speaks rarely.
This morning he wrote: "I saw some lovely flowers and thought of you."
Ha! I know my aging face is no orchid ...
but how I wish I could believe whatever he says, however momentarily!



Come
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Come, even with anguish, even to torture my heart;
Come, even if only to abandon me to torment again.

Come, if not for our past commerce,
Then to faithfully fulfill the ancient barbaric rituals.

Who else can recite the reasons for our separation?
Come, despite your reluctance, to continue the litanies, the ceremony.

Respect, even if only a little, the depth of my love for you;
Come, someday, to offer me consolation as well.

Too long you have deprived me of the pathos of longing;
Come again, my love, if only to make me weep.

Till now, my heart still suffers some slight expectation;
So come, ***** out even the last flickering torch of hope!



I Cannot Remember
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

I once was a poet too (you gave life to my words), but now I cannot remember
Since I have forgotten you (my love!), my art too I cannot remember

Yesterday consulting my heart, I learned
that your hair, lips, mouth, I cannot remember

In the city of the intellect insanity is silence
But now your sweet, spontaneous voice, its fluidity, I cannot remember

Once I was unfamiliar with wrecking ***** and ruins
But now the cultivation of gardens, I cannot remember

Now everyone shops at the store selling arrows and quivers
But neglects his own body, the client he cannot remember

Since time has brought me to a desert of such arid forgetfulness
Even your name may perish; I cannot remember

In this narrow state of being, lacking a country,
even the abandonment of my fellow countrymen, I cannot remember



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when blindness falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Step Carefully!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Step carefully Ghalib―this world is merciless!
Here people will "adore" you to win your respect ... or your downfall.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart bleed before it expires?

There are more English translations of poems by Mirza Ghalib later on this page.



No Explanation! (I)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how deeply it hurt!
Her sun shone so bright, even the shadows were burning!



No Explanation! (II)
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Please don't ask me how it happened!
She didn't bind me, nor did I free myself.



Alone
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Why are you sad that she goes on alone, Faraz?
After all, you said yourself that she was unique!



Separation
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

Faraz, if it were easy to be apart,
would Angels have to separate body from soul?



Time
by Ahmad Faraz
loose translation/interpretation by Michael R. Burch

What if my face has more wrinkles than yours?
I am merely well-worn by Time!



Miraji Epigrams

I'm obsessed with this thought:
does God possess mercy?
―Miraji, loose translation/interpretation by Michael R. Burch

Come, see this dance, the immaculate dance of the devadasi!
―Miraji, loose translation/interpretation by Michael R. Burch



Excerpts from “Going, Going ...”
by Miraji
loose translation/interpretation by Michael R. Burch

Each unfolding vista,
each companion’s kindnesses,
every woman’s subtle sorceries,
everything that transiently lies within our power
quickly dissolves
and we are left with only a cupped flame, flickering ...
Should we call that “passion”?

The moon scrapes the horizon
and who can measure a star’s breadth?

The time allotted a life, if we calculate it,
is really only a fleeting breath ...



1.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
on the breeze of some future spring
will chase after my songs
like dandelions.
—Miraji, translation by Michael R. Burch

2.
Echoes of an ancient prophecy:
after my life has come and gone,
perhaps someone
hearing my voice drifting
through some distant future spring
will pluck my songs
like dandelions.
—Miraji, translation by Michael R. Burch

3.
Echoes of an ancient prophecy:
when my life has come and gone,
and when I’m dead and done,
perhaps someone
hearing me sing
in a distant spring
will echo my songs
the whole world over.
—Miraji, translation by Michael R. Burch

If I understand things correctly, Miraji wrote the lines above after translating a verse by Sappho in which she said that her poems would be remembered in the future. I suspect both poets and both prophecies were correct!




Every Day and in Every Direction
by Nida Fazli
loose translation/interpretation by Michael R. Burch

Everywhere and in every direction we see innumerable people:
each man a victim of his own loneliness, reticence and silences.
From dawn to dusk men carry enormous burdens:
all preparing graves for their soon-to-be corpses.
Each day a man lives, the same day he dies.
Each new day requires the same old patience.
In every direction there are roads for him to roam,
but in every direction, men victimize men.
Every day a man dies many deaths only to resurrect from his ashes.
Each new day presents new challenges.
Life's destiny is not fixed, but a series of journeys:
thus, till his last breath, a man remains restless.



Couplets
by Nida Fazli
loose translation/interpretation by Michael R. Burch

It was my fate to entangle and sink myself
because I am a boat and my ocean lies within.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

You were impossible to forget once you were gone:
hell, I remembered you most when I tried to forget you!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Don't squander these pearls:
such baubles may ornament sleepless nights!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

The world is like a deck of cards on a gambling table:
some of us are bound to loose while others cash in.
―Nida Fazli, loose translation/interpretation by Michael R. Burch

There is a proper protocol for everything in this world:
when visiting gardens never force butterflies to vacate their flowers!
―Nida Fazli, loose translation/interpretation by Michael R. Burch

Since I lack the courage to commit suicide,
I have elected to bother people with my life a bit longer.
―Nida Fazli, loose translation/interpretation by Michael R. Burch



Changing Seasons
by Noshi Gillani
loose translation/interpretation by Michael R. Burch

Each changing season
reveals something
concealed by her fears:
an escape route from this island
illuminated by her tears.



Dust
by Bahadur Shah Zafar or Muztar Khairabadi
loose translation/interpretation by Michael R. Burch

Unable to light anyone's eye
or to comfort anyone's heart ...
I am nothing but a handful of dust.



Piercings
by Firaq Gorakhpuri
loose translation/interpretation by Michael R. Burch

No one ever belonged to anyone else for a lifetime.
We cannot own another's soul.
The beauty we see and the love we feel are only illusions.
All my life I tried to save myself from the piercings of your eyes ...
But I failed and the daggers ripped right through me.



Salvation
Mohammad Ibrahim Zauq
loose translation/interpretation by Michael R. Burch

Anxious and fatigued, I consider the salvation of death ...
But if there is no peace in the grave,
where can I go to be saved?



Child of the Century
by Abdellatif Laâbi (a Moroccan poet)
loose translation/interpretation by Michael R. Burch

I’m a child of this dreary century, a child who never grew up.
Doubts that ignited my tongue singed my wings.
I learned to walk, then I unlearned progress.
I grew weary of oases and camels infatuated with ruins.
My head inclined East only to occupy the middle of the road
as I awaited the insane caravans.



Nostalgia
by Abdulla Pashew (a Kurdish poet)
loose translation/interpretation by Michael R. Burch

How I desire the heavens!
Each solitary star lights the way to a tryst.

How I desire the sky!
Standing alone, remote, the sky is as vast as any ocean.

How I desire love's heavenly scent!
When each enticing blossom releases its essence.



Oblivion
by Al-Saddiq Al-Raddi (an African poet who writes in Arabic)
loose translation/interpretation by Michael R. Burch

Discard your pen
before you start reading;
consider the ink,
how it encompasses bleeding.

Learn from the horizon
through eyes' narrowed slits
the limitations of vision
and hands' treacherous writs.

Do not blame me,
nor indeed anyone,
if you expire before
your reading is done.



In Medias Res
by Shaad Azimabadi
loose translation/interpretation by Michael R. Burch

When I heard the story of my life recounted,
I caught only the middle of the tale.
I remain unaware of the beginning or end.



Debt Relief
by Piyush Mishra
loose translation/interpretation by Michael R. Burch

We save Sundays for our loved ones ...
all other days we slave to repay debts.



Reoccurrence
by Amrita Bharati (a Hindi poet)
loose translation/interpretation by Michael R. Burch

It was a woman's heart speaking,
that had been speaking for eons ...

It was a woman's heart silenced,
that had been silenced for centuries ...

And between them loomed a mountain
that a man or a rat gnawed at, even in times of amity ...
gnawing at the screaming voice,
at the silent tongue,
from the primeval day.



Don't Approach Me
by Arif Farhad
loose translation/interpretation by Michael R. Burch

Don't approach me here by the river of time
where I flop like a fish in a net!



Intoxicants
by Amrut Ghayal (a Gujarati poet)
translation by Kanu V. Prajapati and Michael R. Burch

O, my contrary mind!
You're such a fool, afraid to drink the fruit of the vine!
But show me anything universe-designed
that doesn't intoxicate, like wine.



I’m like a commodity being priced in the market-place:
every eye ogles me like a buyer’s.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

If you insist, I’ll continue playing my songs,
forever piping the flute of my heart.
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch

The moon has risen once again, yet you are not here.
My heart is a blazing pyre; what do I do?
—Majrooh Sultanpuri, loose translation/interpretation by Michael R. Burch



Drunk on Love
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me that God belongs to no man!

Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.

To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Dementedly, I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.



How strange has life become:
Our evenings drag out, yet our years keep flashing by!
―original poet unknown, loose translation/interpretation by Michael R. Burch



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When you are your own destiny?

Keywords/Tags: Urdu, translation, love poetry, desire, passion, longing, romance, romantic, God, heaven, mrburdu
Mateuš Conrad Sep 2016
an atypical journalistic interview sessions only lasts a few minutes: you know, you know, you knows... mostly arranged by eager liars and boxing-ring butchers of the chop & jabbed jobless... or as i like to call it to their faces when they recuperate at rock concerts with their slaughterhouse day-jobs: head-banging meat-heads; you know, one of the lads, yeah man, you know - can i start speaking sing-language from now on? i swear they're speaking sign-language already, i understand them in the boxing ring... outside of the boxing ring... huh?!

the same with modern music, it just loves
Bach or Chopin accents / diacritics / samples...
Salmonella Dub's song *problems
,
i don't know why it acquires the said critique,
moby's porcelain...
these are accents of once world know narratives,
the narratives are gone, but the
accents remain... once we had Chopin's piano,
now we have transition pieces
akin to Thomas Newman's 18 from the American
Beauty soundtrack... now the Emperors say:
too few notes... cos it's a real tear-jerking masterpiece...
finally people of all professional categorisation learned
punctuation and the assembling of data,
the point of shelving things... of
not keeping thought for the purpose of simplified
narration, but as a way to escape into idea identifying
post-narrative ensured dynamos...
what remains of classical music, is but
a sense of diacritical marks not applied to language,
what is left as a wasteland...
the modern version of classical music is but an accent
of what classical music used to be: the alphabet,
the narrative, the narrative arrangement...
we're left with accents... the piano is an accent...
something Mozart used to touch...
when Mozart wrote the a b c,
                   Thomas Newman just wrote the acute
                           above the c...
    because classical music is so scarce, so rare
that it requires an elephant and a poacher,
but hardly the egg...
                                       so when Mozart wrote
a b c... modern licks of the piano
                   wrote a jingle... licks...
              modern resurrection of the classical
narrative, when Mozart wrote his bit,
Charlie Harper wrote the acute sign above something
resembling a character named C to make him into
chimney, thus the scalpel ', yes, that's the linguistic
scalpel         '                      , which isn't a comma,
to dissect words...             play me a ******* Irish medley
you ****!                        
                           sophism says: all punctuation marks
              revolve around securing emphasis.
tell that to a twelve year old, and in telling them that:
how to create an ontology to differentiate them from
politicians and establishing them as
                                          eager hands that became
                 the roots of modern China, and the principle:
         family, root, family, root,
                             or your granny with far more to worried
about than you standing over her grave, meaning
she ******* herself in a care home and you were like:
     but my life!
                                  i moved my great-grandmother into
my grandmother's house... they sarcastically called me
a beneficiary at her funeral, you know how family is...
they're always ******* cannibal, they want you to have
three arms so they can chew one of them off
and instigate the lazy option: Satellite Plato TV in
their homes... to lazy to even have a decent thought:
forget thought leading to morality,
let's just keep it French enlightenment: thought
precipitating into existence... which is hardly any sort
of triangular or rhombus square definition of
behavioural patterns of macaques.
for ****'s sake: when Chopin wrote c, modern
music sampled the same piano as the acute sign above
c, i.e. ć, dissection: Moby's Porcelain is Chopin i.e. c,
the two together are ć... which is read
by dissecting the words itch cheese chi chee and
putting them back together like some sort of Frankenstein
in order to just get the acute sense of stressed c...
CTRL... C and P... then it's either just African drumming
as in excess rhythmic when it was once woodwind
sections... so Chopin without Moby's Porcelain would
just be c... with Porcelain we get ć... it's not a representation
of an itch, or a twitch... it's just ticklish, mind you,
the two are inseparable: and the rest i just like
to call ambience, or anything you could never claim to
make an onomatopoeia out of - if only it was
that simple: i'd call the practice of onomatopoeia the
craft of carpentry or stone-masonry -
knock on wood: get a whale's mating call in the deep blue...
******* magic in the desert of pampered journalism...
pampered journalism... i like that, i like it like
the idea of defending Saddam Hussein... pampered
journalism... here's a fake... oh, and another...
here's another fake... mascara drool here... and another
one here... **** me, a miniature golf course of ideas...
hard not to be pruning the delusional idea of
"this is Utopia" by western media's *******
into a handkerchief that's designed into fishnets of *****
than that of tearful sympathies with:
well the animal stories always sum things up, don't they?
queue
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With ideas in her head,
she acquires ingredients from creation.
She picks up some bread,
some meats and some crustacean.

With purchases in her hands,
she assembles them into her curation.
Each ingredient has a plan,
that's all part of her preparation.

She cook in her pots and pans,
dishes of her imagination.
Juggling flavours and textures,
from experience and experimentation.

She host her friends regularly,
not any one group particularly.
With smiles, laughter and her kitchen art,
everyone sense the generosity from her heart.

She is the artist,
the scientist,
the chef,
the friend
and my wife.
Midway upon the journey of our life
I found myself within a forest dark,
For the straightforward pathway had been lost.

Ah me! how hard a thing it is to say
What was this forest savage, rough, and stern,
Which in the very thought renews the fear.

So bitter is it, death is little more;
But of the good to treat, which there I found,
Speak will I of the other things I saw there.

I cannot well repeat how there I entered,
So full was I of slumber at the moment
In which I had abandoned the true way.

But after I had reached a mountain's foot,
At that point where the valley terminated,
Which had with consternation pierced my heart,

Upward I looked, and I beheld its shoulders,
Vested already with that planet's rays
Which leadeth others right by every road.

Then was the fear a little quieted
That in my heart's lake had endured throughout
The night, which I had passed so piteously.

And even as he, who, with distressful breath,
Forth issued from the sea upon the shore,
Turns to the water perilous and gazes;

So did my soul, that still was fleeing onward,
Turn itself back to re-behold the pass
Which never yet a living person left.

After my weary body I had rested,
The way resumed I on the desert *****,
So that the firm foot ever was the lower.

And lo! almost where the ascent began,
A panther light and swift exceedingly,
Which with a spotted skin was covered o'er!

And never moved she from before my face,
Nay, rather did impede so much my way,
That many times I to return had turned.

The time was the beginning of the morning,
And up the sun was mounting with those stars
That with him were, what time the Love Divine

At first in motion set those beauteous things;
So were to me occasion of good hope,
The variegated skin of that wild beast,

The hour of time, and the delicious season;
But not so much, that did not give me fear
A lion's aspect which appeared to me.

He seemed as if against me he were coming
With head uplifted, and with ravenous hunger,
So that it seemed the air was afraid of him;

And a she-wolf, that with all hungerings
Seemed to be laden in her meagreness,
And many folk has caused to live forlorn!

She brought upon me so much heaviness,
With the affright that from her aspect came,
That I the hope relinquished of the height.

And as he is who willingly acquires,
And the time comes that causes him to lose,
Who weeps in all his thoughts and is despondent,

E'en such made me that beast withouten peace,
Which, coming on against me by degrees
****** me back thither where the sun is silent.

While I was rushing downward to the lowland,
Before mine eyes did one present himself,
Who seemed from long-continued silence hoarse.

When I beheld him in the desert vast,
'Have pity on me, ' unto him I cried,
'Whiche'er thou art, or shade or real man! '

He answered me: 'Not man; man once I was,
And both my parents were of Lombardy,
And Mantuans by country both of them.

'Sub Julio' was I born, though it was late,
And lived at Rome under the good Augustus,
During the time of false and lying gods.

A poet was I, and I sang that just
Son of Anchises, who came forth from Troy,
After that Ilion the superb was burned.

But thou, why goest thou back to such annoyance?
Why climb'st thou not the Mount Delectable,
Which is the source and cause of every joy? '

'Now, art thou that Virgilius and that fountain
Which spreads abroad so wide a river of speech? '
I made response to him with bashful forehead.

'O, of the other poets honour and light,
Avail me the long study and great love
That have impelled me to explore thy volume!

Thou art my master, and my author thou,
Thou art alone the one from whom I took
The beautiful style that has done honour to me.

Behold the beast, for which I have turned back;
Do thou protect me from her, famous Sage,
For she doth make my veins and pulses tremble.'

'Thee it behoves to take another road, '
Responded he, when he beheld me weeping,
'If from this savage place thou wouldst escape;

Because this beast, at which thou criest out,
Suffers not any one to pass her way,
But so doth harass him, that she destroys him;

And has a nature so malign and ruthless,
That never doth she glut her greedy will,
And after food is hungrier than before.

Many the animals with whom she weds,
And more they shall be still, until the Greyhound
Comes, who shall make her perish in her pain.

He shall not feed on either earth or pelf,
But upon wisdom, and on love and virtue;
'Twixt Feltro and Feltro shall his nation be;

Of that low Italy shall he be the saviour,
On whose account the maid Camilla died,
Euryalus, Turnus, Nisus, of their wounds;

Through every city shall he hunt her down,
Until he shall have driven her back to Hell,
There from whence envy first did let her loose.

Therefore I think and judge it for thy best
Thou follow me, and I will be thy guide,
And lead thee hence through the eternal place,

Where thou shalt hear the desperate lamentations,
Shalt see the ancient spirits disconsolate,
Who cry out each one for the second death;

And thou shalt see those who contented are
Within the fire, because they hope to come,
Whene'er it may be, to the blessed people;

To whom, then, if thou wishest to ascend,
A soul shall be for that than I more worthy;
With her at my departure I will leave thee;

Because that Emperor, who reigns above,
In that I was rebellious to his law,
Wills that through me none come into his city.

He governs everywhere, and there he reigns;
There is his city and his lofty throne;
O happy he whom thereto he elects! '

And I to him: 'Poet, I thee entreat,
By that same God whom thou didst never know,
So that I may escape this woe and worse,

Thou wouldst conduct me there where thou hast said,
That I may see the portal of Saint Peter,
And those thou makest so disconsolate.'

Then he moved on, and I behind him followed.
In the face of war
Loudly our fears drum.

The lioness ready for a feast
I heard Lucifer is angry against God
Battling to get Him to His kneels.

Blood is reigning
The blood sucker awaken
In pieces the sky has fallen
The moon now a commoner  
And the sun a drunk wanderer.

Where are the innocence
The black cloud acquires,
Vultures need the flesh of the angels
Their bone the dogs also desire.

The dragon has been unleashed to flood the world,
This time, no one is right enough not to be wrong,
Yes, No saints, No Noah,
No ark to sail to a new world.
Death our creditor, we the borrower
The covenant can't be erased not even a word.
See what we have done to ourselves fighting our creator
See how we successfully drive ourselves to our destructions.

If God finally conquer the Armageddon
In the recreation of a new kingdom
I will want to be the Adam without eve
Dying to see what difference that will make indeed
Because this world is such a complicated trip
The returnees will hate to repeat.
K Balachandran Apr 2014
1
*In the masquerade of a poet
he acquires secret wings,
becomes equal parts real and unreal,
treading the twilight zone.
He still is an apprentice
with the conjurer,
incomparable wizard
who never stops amazing
being the anarch of slight of hand,
the illusionist grand,
we in the flow who swim or drown
in the river, known  as life
that none ever defined the way it really is.
2
Inside his cubicle
transformed to a scribe by a curse
when he coveted it, was a boon
he is real, all  his magical powers robbed
by the day light, realities of life
he is grappling with news
that make  his heart grow weak.
He is now a sobbing poet within,
firmly  handcuffed to a pact strict,
only to write reports, that's his might
anything of beauty he couldn't  escape,
its all pain in forms unimaginable
most of it man made, even famine.

A life swinging between a hope
to come in terms with
the uncertainties of the ebb and flow
that breaks his heart bit by bit,
and facing realities stark that drives a knife
has become the rut, he wouldn't escape.

Dawn peeps through the window blind
he has lost meaning for day and night  long time back
when this double life, has trapped him in this pen
I hear a whisper on a spirits curve

In vast isolation's of exaggerated stresses

Become touched with fire

My mind adrift with a beautiful squandering

Of inclusion which acquires an uncanny capacity

To breed, to reproduce to have floatations

Such flotillas of words that sail across my horizon

An armada of silent sound for such as is their rebirth

These whispered words that dot my waves

And leave my lashes blinking at their boldness

For they are the words, they are, they are the words
Bunhead17 Nov 2013
Overcome the devils with a thing called love.
- Bob Marley

Judge not, before you judge yourself. Judge not, if you’re not ready for judgement.
- Bob Marley

Live for yourself and you will live in vain. Live for others and you will live again.
- Bob Marley

The biggest coward is a man who awakens a woman’s love with no intention of loving her.
- Bob Marley

The greatness of a man is not in how much wealth he acquires, but in his integrity and his ability to affect those around him positively.
- Bob Marley

I, only have one ambition, you know? I only have one thing I really like to see happen. I like to see mankind live together – black, white, Chinese, everyone – that’s all.
- Bob Marley

Though the road’s been rocky, it sure feels good to me.
- Bob Marley

When asked how he could perform 2 days after being shot: The people who were trying to make this world worse are not taking the day off. Why should I? Light up the darkness.
- Bob Marley

Every man gotta right to decide his own destiny.
- Bob Marley

Some people feel the rain. Others just get wet.
- Bob Marley

My future is righteousness.
- Bob Marley

Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for.
- Bob Marley

Love the life you live. Live the life you love.
- Bob Marley

One good thing about music — when it hits you, you feel no pain.
- Bob Marley

Who are you to judge the life I live?. I know I’m not perfect and I don’t live to be. But before you start pointing fingers, make sure your hands are clean.
- Bob Marley

The good times of today are the sad thoughts of tomorrow.
- Bob Marley

Love would never leave us alone.
- Bob Marley

When the race gets hard to run, it means you just can’t take the pace.
- Bob Marley

Don’t forget your history, nor your destiny.
- Bob Marley

Don’t worry about a thing, every little thing is gonna be alright.
- Bob Marley
I love Bob Marley... he only wanted to change the world!!! (random)>Fun Fact:Bob Marley's dad was white and he's mom was black!!! :D lol
Impeccable how the World moves at tremendous speed. The speed of how fast light can travel thru the erigna of the human eye. Mesmerized and contemplating to move forward submerged in endless possibilities of existance of its self refined to your taste character ****** and ****** attributes the human body has let alone a female human persona. For example I see a demonic world inside the rotten but beautifully corrupted shell the body the flesh the muscleskeletal system the neurapathic system the capabilities that person has what's its name and what type of things it has to do with being an alive force propelling not only capability to be kind or aggressive but yet passive and peaceful, but not only that the ANIMA a persona hidden within each human specimen I have come across peoples of all walks of Life's. Some characters as we Narraradors Of Doom predict the ANIMA of the Anti-Christ lives enshelled in a Human body is able to have capacities of a God-Like being yet deep within the destructive force that corrupts them is a Persona who will make you Shriek and Shriver in horror. The ANIMA is a shrift in parallelism complexes maximus which is a stellar system in the Whole Multi-Cosmos we live in. Constructed by a DeusMaxCyberAlienTechnology or what GOD in human society is known as nameless names and many names such as The Almighty God Immanuel, Jehovah, Allah, Creator, Maker of The Immortal Light Being The One Most Powerful One...Omnipotent, Omnipresent, One & Everything at Once where a HyperbolicChamber was constructed to Disquise it as a HorribleMonster in Governmental Sciences & Modern 21rst Century technologies cannot comprehend about this being is that he came from the Celestial Place In Heaven Called the MajesticAstralPlane where Kai's Come to Earth to put to shame the political/economical/social/cultural/bondaries is suppose to end all here. This is to oppressed people of the World... I am a person a lone human seeking the one understandable explanatory reason of why do we sometimes get mad at each other to the point of Killing one Another. Now many reasons coexist in a platora of time and continuous continum of time never stopping the flow of endless thoughts that can come to a person's head when you can contemplate of what the endless galaxies universes and existances come to an end. What you figure is a galaxic or perhaps an AstroProjection like feeling your body acquires in deep REM sleep and you seem to have like died but not yet dead. Your body possesses the ability to transgress from dimension to an ultimate-dimension where the soul of the human ANIMA can go to the 9th Plane Of Existance where the Kai's the World Protectors Of Each Planet that fits requirement of intelligence and intelligent beings being trapped in a Nexus Realm of existance what you may perceive as real is not real to me and I see bigger and better possibility of where you can do in a maacro-organism where species of all places characters and people can coo-exist in a human like society where people in itself live for 80-130 yes old in some societies.

The Fallen Angelic Armada That fell into planet Earth are beings able to blend into a macro-organic societicital standpoint and tell you the psyoananomy of any human specimen you put into an operating table. Not only that I know special points of weakness and interest in your Persona and ANIMA what hue what color of Aura befell upon thy head legions of spiritual locusts are slowly sweeping the planet with UltraSecretAgenda something so hideous so terrible a piece of information lost in time a hidden scroll I have been trying to acquire from a certain individual a person and an idea intellectual illicit and fancy something like a cyber/pathological/dd/svx13<>silent.virusx13 a code hacktivists groups Illuminati the alien races coo-existing with humans the hyper-dimension super/alter/personality personas where I a KingOfIllusion KingOfPerdition KingOfGrandFantasy exist this realm of reality in a parralium of existances all 8 of them colliding with each other where in one reality you could be a fly huge in size about the size of a normal human 175 pounds 6'0 ft IQ of a 113. In another dimension a human being in another a tiger with two tiger heads and hermaphrodite *** organs male and female alike. Yet in another dimension a elephant with 3 tails a bull with 3 eyes and 3 tails in another yet another a spider with 12 legs and another dimension a butterfly with 4 wings huge weighing in 100 to 120 pounds max able to fly highly intelligent creature of many colors textures and sizes. Another dimension a Seraphim with 4 Angellic Wings and a spiritual sword made of Ethereal Flames their colors Amber Red with Blue hues to it. The other the final dimension a Kishin a DemonLord who befell to planet Zarus to conquer its society and people with manipulation techniques so impeccable he was long dead before anyone found out he was the one causing Governments to fall and Wars to be wedged among people and its living habitats. THE DEMONIC AGENDAS are in place to create a New World Order where the key 13 players run the World in the Milky Way a small young Planet known as Earth the 3rd World away from the Sun it has a Collective ANIMA where people are being prompted for the slaughter the III World War is coming soon everything is going according to the plan enlined with the NWO and the Luciferian Movements going around the World today pushing the Gay Pride, Transexual/Transgender/Bisexuals/Heterosexual Agenda slowly transforming the young minds of children thru the Educational Systems Placed On Earth Centuries Ago. Slowly defecating and inventing a new armament of evil inventions to take over Planet Earth. The point to all this Madness is to crash World Markets and Invent False Sense Of Peace when the World is truly in turmoil. The Black Pope Argurus Galaxus is slowly formulating the perfect formula to take over this **** and all this little puppets in the Government working in those Magical/Demonic/Astral/Ethereal Planes and making information available to the masses. Thru the Internet or (World Wide Web) many people still seek fame, fortune, fortune telling, future seeking,******* and marrige. People are lost to the lies and ideals to a False Sense Of Grandiosity and Higher Power problem is that the Higher Power you seek is within YOU don't ever underestimate the power of a Human/DemonKing/Born of Light & Darkness both at the same time a GOD in many senses and a DEMON GOD attributes all at the same time...I am a Warmonger, Witch Doctor, Voodoist, Shaman, Connected to Alter and Hyper realities YOU DO NOT SEE
But yet I see them perfectly and is an Spiritual Warfare every day where Angels fight Demons and the Dead become Angel's and some become Demons some become Vampires, some Zombies some become Bat like Humanoids some other become Sorcerers others Witches and yet others come from a lianage of Nephelims and some come from the Lianage of Arch-Angels like Michael and Gabriel. Some are illumaned with prophecy some are illuminating the entity of Secret Luciferian Movement Societies that make sure everything goes according to plan.

After the 2nd Angellic War in Heaven the Arch-Angel from the Southside Of Heaven Azaziel had *** with a Succubus Queen named Aema FireBrand he was cast to the Lake Of Fire and Brimstone or Hell as humans call it hence he performed a dark ritual to allow Aema to come to the 3rd Dimension on the Milky Way Planet Earth (the 3rd Planet of our Solar System) and Possess a young Womans body and cast half of her being inside her body as a Generational Curse her name is Marlene Ruiz from the Land Of Mountains and Volcanoes Nicaragua.  Back in the summer of 1988 in Jinotega Nicaragua in the Neighboorhood 19 de Julio by Max Senqui Colegio para Niños (Max Senqui College for Kids where I went as a young boy to get knowledge about the basic Mathematics, English, Spanish and all other study of sciences of knowledge) my Mother got together with a man well above her years and had ******* with him and got impregnated by him and had me...my Father was possessed by Azaziel's Angel the Night they created me.

The Illuminati's the EYE OF THE DEVIL or if you see the symbolic symbology they have uncovered their true purpose thanks to the Necromancers Of the East and the Hacktivist Group ANONYMOUS are attacking Pentagon and the White House for their Evil Demonic Secrets. The Blue Code ~☆☆☆☆☆☆~ The 6 Dark Star Agenda where the Earth is seeking a new agenda to cover itself with World Peace Going Green & Creating New Ideologies and New Ways To **** All Human Beings playing with Fire I am here to tell you the truth about the Spiritual World Astral World Dream World and what is happening World Wide Today.  In the Deep Web there are files and video surveillance footage showing the Alien Technologies and Ancient Mysteries Being Uncovered by regular people guys wake UP and smell the coffee see there is a HUGE picture to all this I see the HUGE picture crystal clear ... the point is to keep you calm chill cool and collected but slowly implement their corrupted agendas like viruses to our Human Society. I am saying all this because for the idiots that don't believe that the World is NOT CONTROLLED BY LUCIFER is a fool in its truest form. Lucifer the Demon-King from the 9th Circle Of Hell is a Light Bearing Angel able to talk to God and also to humans at the same time it's TRUE intentions are not purely evil as everyone thinks he is actually fighting for this False Sense Of World Peace we ALL are seeking in Society TODAY. The Plan of the Illuminati is to enlighten and illuminate the Darkened History Of The Earth itself there is actually 33 books missing in the Bible. The Holy (yet corrupted and tainted Bible you PEOPLE READ) the Quo-ran the Book Sage of Ages and the Mallus Maleficarum are books of interest to many people that want to get informed about what does it all mean ...the 72 Keys Of Solomon and the Pagan Books recipes to Love Incantations & Enchantments and other things such as Alchemy and Dark Sorcery. Witches and Sorcerers ailments and Generational Curses that instead what they where originally placed in those certain peoples as Curse Mark's became their Highest Blessings a Holy Kiss from the Maker Of Souls. So in other Words I am saying is am a manufactoration of a Arch-Angel & a Queen Of Devils and don't need a GUN to assassinate you all I have to do is speak something into existence and it's good as DONE
So I can say this when I say your cursed you are INDEED cursed and when I say you BLESSED you are BLESSED indeed for I talk to GOD Arch-Angels and Seraphyms And Guardian Angels... yet I know how to summon Demonic Forces and Plagues Of Minion Armadas Spiritual Armadas that Control so much $$$ Gold & Diamonds in other Galaxies. I am a Black Diamond a KING a Pharaoh a GOD on Earth and in Heaven for if you truly believe you don't need a Savior you are built to SAVE YOURSELF. I control legions of a 1000 Angel's and a 1000 Demons at the same time a power so complex so profound and amazing I cannot yet truly comprehend it all at once. I been speaking to this 2000 entities living within my body ever since I was 6 years old when my Arch-Angel Father Azaziel and Mother Aema showed themselves to me... and told me what I must do with such power from that day on everything changed is as if I had unlocked the keys to the Multi-Verse which in a sense is true. However with Great Power comes Great Responsibility. I remember faces for a life time but forget easily directions and female vibes are too complex for me to sometimes grasp. Anyway everyone has the potential to unlock invisible force and chakras points of ethereal energy in power that manifest themselves from Light to Dark hues. How I can read AURAS and AURORAS and the SKY, EARTH, ROCKS, WOOD, ANIMALS, INSECTS, POINTS OF PERCEPTION, ENERGY LVS and DESTINY TRAILS & INTERPRET DREAMS FORM OR DISINTEGRATE DRAMA & FUSE ILLUSION WITH REALITY SO EASILY & ITS FLOW REMAINS CONSTANT NON STOPPED AND SO SUBTLE THAT IS PRACTICALLY IMPOSSIBLE TO NOTICE WHAT I MAY BE PONDERING ON INSIDE MY MIND AND INTELLECT OR ANIMA My ANIMA Is highly difficult and impossible to comprehend fully for I cannot be created or destroyed I am similar to time, space, water, fire, air, real & fake all at the same time. I am here I am everywhere I want to be I create I destroy I have the power to give Life yet take it away if I choose to. Nevertheless, the truth we must all poets must work together to put an end to this tyrannical evil demonic & what seems like an indestructible Governmental Outer/Inter Infrastructure and bring more people all the "What if this...what if that's and endless arrays of possible words and mumbo jumbo you can conglomerate together to sound good ....am NOT HERE TO SOUND GOOD Am here to  tell you the One you know As GOD is here on Earth and his identity is secret for now but soon you will all be bowing DOWN to the NEW KING OF JERUSALEM. I'll talk more about all this...time for bed...Good Night Inspiring Young & Old Alike Man or Female Poets reading this MAY GOD Save you in the day of reckoning. Thank You Lord for saving a wretched fool like me. I am a prisoner in Christ that is certain. God bless Humanity.


To Be Continued...        

Franko The Christian Poet
Copy-written 2019 All Rights Reserved.
#Mission #God-King #Demon-King #Modern Pharaoh
Comes a scented melancholy rolling into love before the call
Never doubting your presence or mine
Idle talk acquires air which comes before a fall
Fading soon into the rapid hum
Of your departing spine

A resting phrase kissed half blind tears from scented wings
Burning them into our memories
Yet there was no sorrow, in or about anything
Or fear felt when you faded
Into the breeze

Ancient wisdom came to us, making us serenely aware
Of all the ripples rolling into our midst
We merely held on to the sweetness we shared
Knowing, those ripples would fade
No longer exist

Comes a scented cheerfulness rolling into our present
Never doubting your presence or mine
Those ripples have faded into love’s astonishment
Forever sending the sweetest chills
Up and down our spines
Copyright *Neva Flores @2010
Corpus Mortalis in the Greek, Hellenic, and Egyptian pantheons, in the vaults they were filled with marble by all the gangs that tried to find them, because it would soon be the longest night in the Aegean world, where it was propitious to indicate places where to spend the night because the Corpus mingled with the Souls of Trouvere in the Apennines, Ghosts of Shiraz from Jaffa, Almas Christi from Leros with the Gerakis, and finally the souls of the Necropolis of Helenikká to support all believing proselytes of the Hexagonal Birthright. They were attracted to the theorization of fragmented intelligence in every being that fears their own, without the opinion of those who leave them alone and hostages in their isolation, and of a corpus characterized by persuasion in the first objects of twilight, which only left distinguish the moons of the nails and not that of the firmament, the intelligence became lethargic and closed itself in its own object of ideology, of the individual and of the gods who administered everything without a Corpus Mortalis, rather they challenged three-quarters of the day, and three-quarters of their spiritual acuity, to resist the siege of space that disrupts the pause in the hour that excludes all gadgets, to counteract the detonated and not rescued exception of the challenge. The voices of the Moiras were tuned in with Circe, under Zefian's ordering principle, who was already delivering the ergonomic ****** of the fourth arrow, to leave it in the carelessness of Vernarth and Saint John already revived, encompassing and assuming three-quarters of the day they glossed to attract them the threshold that behaved in immovable demiurgic, where men stopped being men with intelligence, rather they dialogued about initiations of the cosmos, but without human centrism that acquires it for a dialogue of Timaeus, wherever they may be. the non-existent things, where he splatters her with nuances of science would bring serious stenches of his erudition. The saga was made of the Ekev of causality that explores from an understood cause already issued, but of the Samaritan philanthropist who shone more at this time, than anyone who closes his eyes so as not to open it after the eternal Aegean night. The philanthropic sense was sensitized with reason in the hands of Zefian, after delivering the Saetas knowing that his personality trilled from the Timaeus, not to disagree with it from a human conscience, but from bilocation of the Beit Hamikdash, attributing his conception with low resources of whoever restrains him by rationalizing, but is under the clinical resource of the one who is recovered from his stuttering and dyslalia.

The Argive constructor Tecton already came with his builders, while the Corpus Mortalis hit who or who would hammer from the plexus, or who or what would be the first network of his linear for the Vóreios de Zefian, adjusting to the beginning of a Corpus Mortalis when it began the constructive principle of the Argivo tecton. The arches were deconfigured in irrational measures, which with their sixth sense they could foresee from the trace of the Platonic Philebus, as he nodded with a refined tiresome bustle, but he appropriated it in presupposition, going to settle where everyone goes together to pick the berries of the field frank, next to the Mataki who was already putting an end and closing the Phaedo that was encircling, with the feverish organization of the trembling desire of the philosophical den, not determining to die like Corpus Mortalis in the breviaries of the ellipsis, where everything remains in nothingness or in the outcast of the one who treasures it with more contingents of memory, and of the same one who is reborn from the slags, having had an insight that remains empty in the cliffs, under the figure of a marked man who revives in the lightning bolts that enabled royal wisdom, while his Corpus Mortalis was leaving with his soul that was embracing vast fields of his thesis. Where what he removes when he pulses from the heart, he adds what the dying person adds, although it is not known where he is going, it will summarize his ontology more than a prison inhabitant who poses free on his profane neighbor from the rhetoric that manifests position in his trajectory who will remember him and will not locate him in the next scene of the challenge of a new life. The Phaedo is on the ex-Voto of him with two institutionalized powers, he will have to know who will dare to cure him of his sieges and his demons that resurrect him but not make him his captive. The spell already inaugurated that knowing or deciding in the nomenclatures of a Platonic Demiurge, who from all past life made it ulterior, but not processed from the Seventh Heaven, between both coincidences from an astral magistracy that will take him through the lawsuit of self-exorcism, wild for the greatest mountains that protect him when he wants to warn, that beyond them he will come umpteenth more monumental than themselves, but with his, Phaedo contained in his soul written and rewritten by him and by his Corpus Mortalis.
Corpus Mortalis
John F McCullagh Feb 2012
The dikasts had cast their votes,
and their votes had sealed my fate.
I serve as scapegoat for my city,
which has been in decline of late.

Banishment would have been death,
a lingering one for me.
So I managed to persuade them
to vote for the death penalty.

So now friends I become
a Hemlock connoisseur.
Others favor wines and liquors
but my poison is more sure .

To be sure, the juice was bitter,
and I drained it down in haste.
It is not the sort of beverage
for which one acquires taste.

I am, in truth, no Democrat
and My gods were not their gods.
My constant questioning annoyed them
which is why we were at odds.

The chill has reached my *****
and soon now I will sleep.
but one thing on my mind
requires that I speak:.

“Crito, we owe a ****,
to Asclepius,.
Make sure it is paid
please do not neglect it.”

I cover my face over
as my heart slows and stops.
A mystic fog envelopes me
as the boatman’s ship departs.
The death of Socrates, written in the first person. The quoted passage is from Plato's apology.  My interpretation of motive follows I.F. Stone's famous modern retelling.
calion Apr 2014
I.
you begin growing flowers
in a little garden,
in a *** on the kitchen windowsill,
in your hands,
in his veins,
in his heart,
in his head,
because you want him
only to think pretty little perfect thoughts.
you say that the garden
gives you something to do,
but I know that’s all he is to you.
just something to do.
just someone to make perfect.
you want to sit by
his bed and make sure that he gets
the perfect amount of
sun and
light and
water and
soil and
love and
nourishment and
I don’t know why
you and he don’t
break up; why he hasn’t
broken up with you
yet. you just want
to fix him.
that is not love

II.

you start
drinking coffee
more and
more and the little blue and pink striped coffee mug you use acquires
more and
more stains as you stay up past midnight
more and
more and “oh just one
more hour, I’ll go to bed.”
but that is
a lie.
it’s all a lie
my dear.
you say that the
coffee gives you energy,
but you said that about him
and you aren’t getting drunk on him
at 1 in the morning. you’ve been obsessing over him
and pretending that you do care, that you really love him.
you don’t love him,
you never have loved him.
you’re only using him
for your own selfish needs and you treat him
like the keurig you keep in your small apartment.
you’re with him because he
makes you feel young, he gives energy.
that is not love.

III.

you begin making hats
for your friends and
for your family and
for your colleagues and
for the **** addict two doors away and
for the homeless man you pass every day.
you say the hats occupy you,
but that's what you use him for.
you sit there with your
knitting needles
at his side fixing up his
"loose ends"
and then you give him away
to the world.
he is not a hat.
you cannot pick which perfect parts show
and make sure he is fixed before the world
sees him. he is
not a project to keep
you busy.
you only keep him so
you can make him perfect.
that is not love.

IV.

i begin telling you
that you are toxic for him,
you're ruining him,
you're making him
believe that since brokenness courses through him
he needs help. you cannot make him
hate him-
self even more than he does. you will ruin him
for everyone. i know you try to fix him
but you are breaking him.
he is naïve and he thinks there is something wrong with him
because you want to help him.
you make him
feel inferior by treating him
as such.
he is not a garden that you can nourish.
he is not a cup of coffee that you can use.
he is not a hat that you can make perfect.
he is a human.
treat him as such.
man, if i were lucky enough to be his,
he would not be treated inanimately.
he is a person.
love is not the same as fixing someone.
a romantic is not the same as a repairman.
your kind of love is not the same as my kind of love.
YOU DON’T LOVE HIM!!!
we all see how toxic you are
we all know what this love is doing to him.
you are so flawed in thinking
that you are actually helping him
live a better life. you are
not helping this boy
one bit.
you are harmful.
but we all knew this from the beginning.
you did this to me.
i was like a candle that
you decided
you could light whenever it benefitted
you. whenever
you needed me to be lit,
you would give me a fire, give me a spark. but as soon as
you were done with me,
you would put me out.
you cannot treat people the way
you do.
you cannot make them feel as worthless as
you do.
this love between you and he
is very toxic. you need
to fix yourself
and stop trying to fix him.
you’ve hurt dozens by
seeing them as
objects
and not as
people.
wrote this for an english assignment.
K Balachandran Dec 2013
An oracle possessed by a spirit disquieted,
                                   he contains a world unknown even to himself,
a poem gets written by itself, within himself,
                                     organizing material eclectically on its own
from roots to crust, essence of experiences,
                                    mingle with hopes, fears and yearnings,
creating alloys of emotions, welding words to mean different,
                                     fixing formations and evocative images,
when he stops contended, unfinished yet, many parts in dark still,
                               then the readers get themselves invited in to the thickets,
disentangle the vines, make way through the foliage thick,
                 hanging  branches and twigs,  light falls in the darkened corners,
the poet and creator, the oracle himself, sits looking at the flowers and fruits
                                 bathed in a new light, on what the subconscious spoke,
when he listens,  the singing of the birds acquires new meaning,
                                  sound of the running brook has a rhythm not familiar,
that take him to the sea, where all end in a swim, like in a dream
A poet many a time understands own creation better when a reader's exploration brings the hidden to light.
Juliet Escobar May 2014
In depths of my unfathomable psyche
Submerged I find myself floating around in the ‘shallow’ societal sea of our world.
Oh but it is not ‘shallow’ you’ll see
It is a deep blue ocean that withholds great mystery;
& those who see it as ‘shallow’
Are only those who stand in clouds of constant oblivion; Ceasing the inhale of beauty, intellect, and individuality.
In the depths of my unfathomable psyche
Throughout every passing day
I observe, I listen, and I take into account the things that are done and said by every individual person I come across.
Now here I sit, in the complete abduction of the beautiful, yet merciless monster called insomnia, without fail of corse accompanied by her sister solitude;
& I reflect.
In the depths of my unfathomable psyche
I realize that in order to best express the realization of my reflection…
I must let my walls down; so I will.
And now that I have…
The word to describe the feeling that takes over ‘me’ in this very moment is one that acquires the ability to depict ones exact feelings in a way I do not obtain.
In the depths of my unfathomable psyche
I feel lonely because I know that the odds of me meeting someone as insane as me are slight; yet I feel appreciative because I couldn’t imagine possessing such an ugly, close minded, and indifferent insight.
I feel a type of sadness that could only emerge from a person that fears never getting to experience the comfort that comes from acceptance; yet i feel overwhelming excitement and longing in the midst of my hopeless romantic type daydream of the possibility that I will find my somebody that does not seek to comprehend or figure me out but will accept ever corner and color I currently am and everything I have yet to become
I feel pitty for the average;
Yes I am not sane
Yes I am not average
And yes the depths of my true thoughts I have not learned to control; but my insanity is and will always be the fuel to my potential.
Mateuš Conrad Oct 2016
only today i learned ø denotes
        an encoding of diameter,
and it's Scandinavian,
                     or how the globe is
past the equator,
         and the lob-sided earth,
winters in Australia in the Summer months
in Europe.

    high philosophy begins with Beijing
dialectical highs,
    but take the route of lower philosophy
and encounter diacritics rather than dialectics,
because that matters, too,
        θought, a moral ought,
   and φilosoφy - and missing ought -
          and the two being irreversibly twins
in said... or θought an immoral ought,
                 sure, tubes, mistook ø74 for something
akin to φ...
    high philosophy never acquires a diacritical
dilemma...
                  or why local don't do anything
but actuate automatic application
   and those immigrant, or bilingual troops question...
    ø = diameter, not to be confused with the θ;
             higher philosophy begins with dialectical
beginnings,
               "lower" philosophy also begins with
dialectics, but it ends with diacritical application,
rather than utopian: nowhere from nothing.

what am i going to say next? *machado de assis's

philosopher or dog? introduction.

          ........................................­..................................
..............................­......................................................
..........­.................................................................­.........
.......................................................­.............................
...................................­.................................................
...............­.................................................................­....
............................................................­...........
(or a paragraph on the pleasure of drinking,
    or how to save you an optometrist appointment,
or how to take an interlude,
   to do the opposite of the Andy Warhol stipend
for making enough buggers hearing your
opinion, unchallenged,
                    but never having a diacritic concern).
hence the pending, or what everyone seems to
desire these days, circa 100 years later,
     how to provoke an interlude, how to hunger
for interludes rather than fame,
           i also drew a sketch before starting,
       shat -
                  and hey presto!
           ****!
                   yuck in orange in florescent.
yellow (florescent), F, pretty pretty pretty,
          in pink the bit about diameters and phi,
           again in yuck orange: swigs and the wiggle...
a paged concern for graffiti.
                  again, pending, yet to be hottie
and poster boy of a poem,
        again the impromptu break worth of fame that
actually isn't fame, but a chance to compare
                   how much whiskey makes up for the
Niagara continuum.
        again, (pending):
............................................... (how the hell do you
write pending ~15 minutes later?!)

the concept of Monday is greatly undermined
by Darwinism,
    as is Tuesday through to Sunday,
generally the function-able week desists the idea
of an Iron Age, as does the pantomime
of all that's worth celebrating -
generally speaking Darwinism is anti-history,
theology has nothing to ask of Darwinism
to argue against,
                             theology isn't a history,
but Darwinism is the purest variation
of history, variance of how we define logic
and its applicability, whether it's
i + think            /             1 + 1
    and have the moral attraction toward a 2
         or variate a moral action into a 3:
cos Radiohead simply sang 2 + 2 = 5 in a song:
cheat! matchstick principle regarding counting!
machado de assis? Darwinism is peppered with
overt imagery than salted with:
you get to sneeze a lot...
             a writer's voice: irony, mockery,
         consolidating the lessened counter-productiveness...
Flaubert, Dickens, Zola, Balzac, etc.,
                    homie, rap that **** out, condense it,
i thought Brazil was half the way America should have
endeared you? i had problems with Prussia
Austria and Russia... guess i was wrong how thuggish
i had to be with the Orpheus *******...
       cos the lyre was dumbo blunt deaf and therefore
cacka...
     higher philosophy begins with dialectics,
"lower" philosophy begins with diacritics -
     a return to the source, a debate with Ivory scales
concerning the Rosetta - a neo-formatting of
what's quiete
                           right: Sophia: hence anew: Rosetta.
and all for the pear that's woman and whether Satan
chose the fruit prudently according to Milton.
or the progress of a drunk:
centipedes and Fitzgeralds, Hemingways,
lust and last said...
                           the cf. of every apparent transitory
made to provoke the quasi and quack,
              ducking the Donald and the *****,
in agreement,
                     a happiness toward the tiresome
encrusting of what's worth being stated,
and then the deviatory,
                              as marketed a deviation
from a Louis Napoleon -
                                    because no Belarus was
to be chequered by an impeding force...
                      hence the cha cha cha...
                                    and hence the stanzas of
Argentinian tango...
              juicy and later the cruelty choking
of what some might make of Macbeath's habitual thinking
                                       worthy of a classroom
                audience; and that too is
exposable in return for being disposable.
higher philosophy is regarded as such with
dialectics,
                        but "lower" philosophy is
yet to be regarded as such with diacritics -
     not a case of what's to be said, and thus bedded,
but a case of how's something said,
                                and thus given a freedom
of: bedded, wedded, pimped, or whimpered into
                                     surviving writing a poem about;
also achieved by Humphrey and that chuckle of
revising Casablanca for an unnecessary quote dynamic /
diatribe when Hiroshima said
                 much more than the above certified:
boom! 1 million ******* dead.
       that's an overt-quote that gropes the many
amens among the citations of Marilyn, and still gets away
with                     a memory of J.F.K.,
           because that ****-honing masterpiece
was needing my memory rather
                                   than a b. b. q.    scewing.
          i find people rather forgetting:
jeopardy battered boundless gym orientational
                     thoughtless two shots of tequilas
            and three paraphrases of sours in biting a lemon
to upkeep a trough of a suntan with the H-He:
boom boom, higher tier laughter,
             ingesting that inflation of prop
                    boom boom, v bomber,
                     squeeze...
                    lob-side lo & behold,
                                       'n'        - squiggly extra thus born.
K Balachandran Oct 2013
Black
is dripping from
the clouds.
White,
storks are
painted black.
Red
rain lashes
raising alarm.
Green
fields are turning grey
before our naked eyes.
Blue
skies are
beyond eyeshot
always.
Yellow
leaves
fall all through
the year.
The globe
acquires a
new wardrobe
beware!
Mateuš Conrad Jul 2018
/ and there's me, sitting silently, fiddling with my beard, attempting to craft a trumpet by twisting the tip of it into a "zenith"... i'm sure there are many more useful things i could be doing... but then again: having subverted any interest in the world cup can keep you guessing... please please: can the croats lose, so i can see the english and french rekindle their 100 year war "friendship"?

there's always a first,
    notably with a message

   this video is unavailable
with Restricted Mode enabled.
    to view this video,
you will need to disable
Restrcited Mode
,

   why would i even bother
enabling a Restricted Mode
concerning
   a video like

    loose canon: mystique
by lindsay ellis?

   i like the sound of her voice -
i mean -
     ****, better than watching
*******...
  
this is probably the first video
i've encountered
   that i: i didn't even enable
Restricted Mode

                             to begin with!

how do i disable,
   what i didn't, in the first place,
                                enable?!

it's a chick talking for crying
out-loud!
           what's wrong with a girl
talking (wait, what?
  girl is not a sexist slur because
i might "think"
    she's not mature?
                       can i just use
                           it to imply: cute?)

apparently no...
              brick's a brick type of scenario,
i have to somehow
succumb to the niqab curtain
                of "western" values?

thanks for allowing me a peek...
                        ******* tantalißing!

to also add:
       can't get any better than listening
to an anthropologist
            like ayidin paladin talk...

but even i know that my use of
the youtube algorithm
                     has, of lately, succumbed
to an exhaustion of
my "predictability":

                     so many fewer
connecting avenues of a music allowance...

mind you...
   i spotted a future harmonia
(pump *****) would be player
    on a warsaw tram...
     who wasn't a prof. gypsy stereotype...

i have to samsung appliances,
a dated laptop and a tablet...
internet connectivity
  "problems": the tablet acquires it,
the laptop doesn't...

i go to the box room and check
the reuter: three green lights...
   so this is a meta-problem?
pick up the she-cat
   and take to using scissors,
cutting out botanical
                      attaché-sez
    from the furr...

       the internet connection problem
solves itself....
    
  róże europy -
  kości czerwone, kości czarne


plays in the background:
i remember why i didn't take up
martial arts,
   instead taking to cycling
after being
kicked in the testicles
  and no one was invested
into making authentic law
obligations...

   apparently there are some,
who don't mind paying charon:
instead wrestling with
                 cerberus...
that limited comparison with a hydra...

really?
   that's why i spent bewildered by
schizophrenic internet connections of
a samsung products deviating from
the "grid"?
  making snippets of furr from
a she-cat silently infuriated by
botanical insurrections of:
                "passing on the seeds"?
why reconnecting my laptop access
to the grid?
           giving the router a 20 second
nap away from over-heating?

   there actually is a:
                   in between narrative...
fiddling with a belt buckle
(already detached from the actual
belt)
   with a pair of scissors
                unscrewing two bolts...
1st attempt: into the base
of the metal,
  2nd attempt:
     out of the sleeve...

              and then...
  coming from a parental construct
of exercising metallurgy:
  not having inherited it
  (due to a dying town) -

   that scent of iron, or any
kind of metal (for, "that" reason)
   rubbed off onto me...

i already made the leather into
something more than
lizard-boots,
      "arming" myself in
the pretty-piglet abstract
                 of a boxing glove,
   of the belt wrapped like a tefillin...

but the buckle "closure"?
   had to fiddle with the screws
in it
   with a pair of scissors,
intimidating
                         a screwdriver!

philosophy with a hammer,
genesis-circa nietzsche?
               hammer and the nail...
there's the second "face"
of the hammer...
   the face that easily pulls out
the nail...
          
find me a screwdriver as
synonym of scissors
                           to confess to a *****?
K Balachandran Sep 2015
At the peak his roar is in the words of mountain winds,
a rare sweetness it brings out,a flow natural from his self,
she acquires then the lilt of a song bird,flying in an open cloudless sky,
a song bird that has sweetly pecked her aggressive mate to submit,
something she couldn't believe,that astonishment becomes her croon.

They soar, the illusion of wings make them both lose bearing,wobble,
going up, up to dizzy heights,above the caressing silver white clouds,
then slowly tumbling down on earth,they feel like feathers entwined.

The wind whistles a tune,eyes widely closed they jive, time stands still,
that sweet exhaustion,prods for one more dance above the clouds.
Lin Cava Oct 2010
Beating of drums and the midnight fires;
heroes and children shed blood in the sand
waging war for political liars.

Do what the situation requires.
through strikes of panic in a foreign land -
beating of drums and the midnight fires.

Desert beauty, a thing that inspires,
won’t save child martyrs, dead by their own hand,
waging war for political liars.

Sacrifice all, for Allah admires
a strong willed martyr to play as they can;
beating of drums and the midnight fires.

Light up the night for wasted desires.
Mother will love you as part of the plan;
waging war for political liars.

Heroes or children, each of them tires -
forfeit of future; all he acquires;
beating of drums and the midnight fires;
waging war for political liars.

Lin Cava©

A Villanelle has some very specific rules for the form.  The repetition sets up a cadence; a particular rhythm.  This is one of my first of the form.
Creative Commons Copyright
Chineze Oct 2015
The emergence of a new born is announced by her cries in the cold
That very moment she leaves the warmth in which she was mould
But in reassuring arms,
She is comforted and grows calm.
Soon she realises there's more to life than candy and sweets,
And someday she would have to stand alone on her feet.
Was she prepared to face the world?
No, there were countless times she ran back in, and cried out to her Lord!
Her innocence and optimism
Is challenged by the world's depravity and pessimism
Every now and then, she's under pressure
To disregard virtues she's always treasured.
She knows she ought to be patient and ought not to worry
But that's really difficult in a world where everyone is in a hurry.
Eventually, she loses her peace
For the things her eyes sees.
Fearing she may be lagging behind
She adopts schemes that are truly not refined
Sadly, the more she craves and acquires
The more the vacuum in her heart requires
Her emptiness reveals her deeper need for something more than things
Regrettably, her lust has made her lose her love and regard for beings.
Oh No! this is not the sweet girl has parents had raised,
And the streets in which she grew praised.
George Krokos Nov 2010
If you somehow find or see the way,
be firm in your resolve come what may.
The way for you is that which reveals
Your real nature within hidden seals;
being those which we have all constructed,
over the years left with, now are obstructed.

To say only that whatever did happen
was ****** upon us, we were mistaken
is due to lack of discrimination right from the start
considering, the choice was ours, we played the part.
We became entangled in an invisible net
of our own creation and so fell into debt.

We looked for that which never existed
outside of ourselves and became twisted.
Finding out painfully things just did not last
as we expected them to, remember the past?....

Perhaps one who has recognised this and with detachment,
some reflection acquires dispassion, sees their attachment,
will find the right keys, with a little grace unlock the seals
fastened within their mind and heart, so remove the veils.
Revealing the inner light gradually brighter
by the virtue of purity and thus get lighter,
feeling our natural essence being unalloyed bliss;
ecstatic joy, unmistakable and unable to dismiss
as something other than coming from within,
sustaining, fulfilling, and definitely free of sin.

Projected from inside as a screen seemingly outside where
it manifested as tangible objects appearing to be out there.
This is part of a grand design to lure us all from the source
by a world of duality being apparently an adversary force.

Creating so many illusions and making us believe
we haven't the things with which it tries to deceive.
Eventually becoming involved in an unreal mesh
of the five objects through the doors of our flesh.
And using five limbs we get seduced even more,
caught in a desperate struggle to hold and score
all that we can hope to get by not realising that
everything has come out of our own mind's hat,
that we have all created to experience the extent
of our Infinite Being which was really the intent.

We are only One Being apart from it all
eternally free, playing the game we just saw
of hide and seek making all the right choices
within its own dream and thus finally rejoices.
When finding Itself as all, nothing has remained
left to be known; all has in Itself been ascertained.

Awakened at last and knowing ourselves as one motion
of existence indivisible beyond certainty a shoreless ocean
of light self effulgent and forever complete,
only Itself, all pervading, can actually meet.
Infinity of existence, omniscient, formless; nowhere bound,
endless and immutable being Itself without a second around.
Awesome, incomprehensible, beyond mind's ability to grasp
except after final annihilation of all limitations in its clasp.

Everything and nothing have merged as before
into that place where they will be forevermore.
For a moment only that Existence of Being is Now
and am by myself so reverently to That must bow.
From unpublished book "The Seeds Of Life" - compiled in 1996
Why can't my liver filter thoughts like it does with alcohol?

It would save me the trouble of all the money I've spent to free myself of bad decisions,

There is so much formality within a sober moment, while my drunkenness speaks freely,

My brain doesn't erase moments like alcohol does, yet my liver puts up a fight reminding me to think,

Fantasizing over an image created by theses slurred and blurred overzealous eyes,

I am attracted to bars like teachers are to mls style, and to this day I'm still not sure which one has been more beneficial.

Looking down the road of allowing glass, I measured my state of mind to pick my poison,

Tequila adds a flower to a withering soul, ***** snuffs out the light where it gets to bold, whiskey fakes the fight with its bros, while gin loosens the bones and wine your emotions, at last we have beer a truth serum more powerful than love,

What they all take is feeling, a small price to learning what we see in the refection is really something we refuse to collude with.

My liver is always amazed, the amount of control I give to it, whilst the hand with a drink in it stays steady,

The other acquires shame, controlled by a freedom of released inhibitions,

If I could escape the safety of the dinner lights for the missing love that I thought drive me here,

My liver is alone, in the battle, like one soldier who's realized that their command center threw them into a death trap and their enemies are mindless zombies of fallen memories,

My toast is not alone, followed by smiles and condolences, significant enough to convince everyone, maybe one more.
All the lines in this poem were written while I was intoxicated throughout last year and while sober I formed then into this piece, thanks for reading
Kaylee D Mackey Nov 2010
She’s beautiful.
But not stunning.
She wishes she had more than she does.
But she could survive with less.
(It would probably make her better).
She’s good at settling for less and wearing a mask.

They’ve all “loved” her, for they were too low to realize she wasn’t the best.
However, she has never lied to any of them.
Except one.
Its simple, really; all she had to do was make them believe she lived en amore.
Once she got inside, she talked a good game, for a long while.

Knock, knock.
The sheer look of perpetual amazement overcame all of their faces.
They always let her in.
Chit-chat to her was simply that.
To them: “She talked to me about the weather!”
Excitement.
(Which doesn’t make sense to me, because if anyone else tried to converse about the weather they wouldn’t have it.)

She and they were always “big”; you know, the small-town girl always with people that she is unexpected to be with.
She always let them down.
Hard.
(They fall like dominos.)
She let something silly and casual evolve into something they thought was the biggest and best thing in the world, and she played it off as if she believed that as well.
And then she pulled the rug out from every single one of them, said her choice words, and disappeared.

She’s not touchy-feely, clingy, or insecure.
Independence controls her life.
Everything is organized to a T and while she has few friends, they are real.
Or are they?

She’s not a fence-sitter.
She knows what she wants and she always acquires it.

But in this particular case, she seems to believe that it will be grandiose.
She’ll carry through and carry out.
After she psychoanalyzes the benefits and risks.
Or maybe spontaneity will rule this situation.
She knows it will work, so why not do it?
He’ll fall.
Just like all the rest.
08.26.2010
Sarita Crandall Nov 2012
He seems obvious to the note passing,
To the eyes spying and the paper ***** flying.
He sits at his desk with a meek expression upon his face,
Not quite staring into space, but a place.
I can tell by this clean features and his put-together attire,
That he acquires to be in a position higher with such desire.
That he's dreaming of a place that doesn't require baby-sitting hormonally deranged teenagers,
It's a place where maybe he's a manager or somewhere fighting potential danger,
The bell rings above his head which shakes him back to the present time,
He adjusts his jacket and looks around like he committed a crime, then he smiles goodbye to his students like they were piles of grime.
I creep up to his desk and tell him,
It's not that grim, remember, the glass is full to the brim.
Day Oct 2011
curious to distinguish that which resides within us; defined so greatly by our flesh and the colour of our fingernails and what’s underneath our blouses or the size of his



wallet.
but to figure out yourself is to figure out the universe.

curious as our species is, our species yearns to advance
(quickly!)
and in that acquires indolence.

                                                     ­                            [one home
                                                            ­                      one source
                                                          ­                        one try]

like black molasses, poison gases;
curious as to which race our race is running.
but to figure out the meaning is to figure out yourself.


the blueprints left of thou are hidden in plain sight;
the blueprints left of thou are hidden in the planes (see it)
are hidden in the mountains,
are hidden in the trees.
o’ rotten heavens, fill our souls with waste but veil the orders that you’ve written:

what happens when we renounce?
*to figure out the universe is to figure out the meaning.
The vision of a loud sleep
Howling in a  evolution spirit
As the corner of wars acquires a silent danger
Society of concealed disdain, succumbs when  freedom disappears
Where mindless premonitions shriek
Erupting with desperation
Dreams jars full of color
Decomposing perceptions with shreds of fate
The map of my introspective is a harrowing walk
Twisted in a weave of deceit
Trying to stifle the air of depression
SøułSurvivør Oct 2014
~~~



this
ribcage
of
resonance
and reason
has no
resemblace
to the
real

being
busted and broken
bearing
bruised
body
by
brusque
brutality

but

LISTEN­

life

loquacious
liquid
longing

acquires
artifacts
of
abst­ract

ART


SoulSurvivor
Catherine Jarvis
Some ramblings...
My-broken-heart Jan 2016
What will happen if I stop trying,
When I give up and start crying
Will there be someone who feels the same way,
Who will understand things I can’t say?

What will happen if I stop caring,
When I lose all hope and stop daring
Will someone help me pull myself together,
And tell me I can’t be like this forever?

What will happen if I stop feeling,
When emotions float through the ceiling
Will there be someone with a gentle touch,
Who reminds me that without love, I am not much?

What will happen if I stop breathing,
When life itself acquires its meaning
Will there be someone who remembers me,
Who feels my presence in places others can’t see?

What will happen when I stop being so pessimistic,
When I lock up all this negativity and become realistic
When I appreciate the beauty around me everyday,
And realise life shouldn’t be lived any other way.

What will happen when I start smiling,
When I understand that every cloud has a silver lining
When I don’t need someone to tell me who I am,
When I can be independent and not be defined by a man.

This will happen when I start living,
When I stop blaming myself and start forgiving
When I will finally be able to see
What happens when I am different, when I am me.
Louise Jul 2014
I think I might be evil
or a wicked witch maybe
each time my spouse is annoying
he acquires a curious injury!

It's not really a conscious thought
that goes through my mind
although it really seems to work
in my favour, I find!

He'll try to be sarcastic
and think he's really funny
he may be brave enough to mention
that I don't earn all the money

but when he begins to stand
and maybe try walking
he'll almost trip over
and feel that he's suffering

He joked about my weight one day
then tried to run and flee
I just sat there 'glaring' at him
hearing a shocking 'crack' from his knee

So maybe I am a witch
It really makes me wonder
while he's writhing in pain by my feet
I'll just sit here and ponder

; )
Aubrey Feb 2011
Oh, my love, it seems we
...are at an impasse.
How has love been everything,
And, now,  not nearly enough?

I am worn thin
bracing the waves of your tepid ire.
I fear the hardened heart anger’s object often acquires
But I do not doubt it.

Where are we now
But blundering with half- baked intentions
And no concrete decisions?
The whole of my childhood dreams
Has mildewed and molded
And is rotting in my throat
While yours are atrophying around your arm bones.
This is the price of age.
(This is the punishment for destructive decisions.)

The wood of our bones my be distressed,
But our ship is strong.
There is always a way.

We have only to follow it.
4/16/10
George Krokos Oct 2011
Prologue:

To the majority of people who seem to have lost touch
this is presented as a declaration to be treated as such.
And just for the world's deteriorating natural environment
of which we're all a contributing cause by our embodiment.
We hardly ever stop and consider how wasteful a life we lead
but continue on for the sake of progress despite our real need.

**

O mankind of this planet called Earth!
What is the purpose of Human birth?
You are here only for just a short time,
why not make the most of your prime?
You turn hither and thither all over the place
away from yourselves and thus fall from grace.
You're always looking for treasure out there
yet, most of the time, you end up in despair.
You usually hold on to the things that pass away
and short lasting values are the order of the day.
You create and get involved in all sorts of strife,
complicating an otherwise beautiful simple life.
You want easily to know all of life's secrets
and go about seemingly without any regrets.
You crowd your own heart with many selfish desires
and go vying for the things the other person acquires.
You do seldom ever stop and reflect on your past
nor consider how much longer the present will last.
You deem everything to be unchanging and real
and think that life is a mysterious one way deal.
You're always the one who either gains or loses
one thing or another depending on who chooses.
You esteem progress of the economical and material
and go hankering madly after the status of the imperial.
You generally prefer to receive than to give or share
and take delight in sense pleasures without much care.
You are very skeptical about the worth of any spiritual ideals
and often reject or ignore what another person sees and feels.
You **** your own kind with or without much reason
and the weather you unknowingly put out of season.
You tend to think there's nothing more than what can be seen
and rely much on the senses for most of that which you glean.
You find it hard to acknowledge a power higher than your own
and in the entire universe somehow believe that you are alone.
You have desecrated and laid waste vast areas of land
and made extinct many of the creatures by your hand.
You have carelessly polluted a lot of the water, land and air
and now wonder why it's no longer the same place out there.
You have strangled the earth; strapped it down with cement and mortar
cut down and burnt most of the trees that were giving food and shelter.
You celebrate your own birth or death with much pomp and show
yet beyond this present life very little are you ever willing to know.
You know well the term "from dust we came and to dust we return"
but what you are really, or can become, will apparently never learn.
You think only that you are made of bones, flesh and blood,
wondering how on earth you could get wiped out by a flood.
You do not fathom the effects or results of your actions
assuming what you get away with has no repercussions.
                  
***
Epilogue:

You must realise that you live in a huge world of duality
and don't have to endure the pairs of opposites infinitely;
pleasure and pain, joy and sorrow, love and hate, good and bad,
friend and foe, day and night, heat and cold, rich and poor it's sad
the list does go on and on indefinitely it seems
even beyond that we experience in our dreams.
We should avoid going to the extremes of these
then we can get to rise above them and so please
our True Self which is the inner witness of our existence
remaining forever unchanging not showing any resistance.
But usually coming through as the voice of conscience sometimes
like the law of justice towards the severity of small or great crimes.

----------------------------------------------
This the first ode written back in 1987 or thereabouts. From unpublished book "The Seeds Of Life" compiled in 1996.
murari sinha Sep 2010
1
from the utterance of the clouds I can understand now
there is no particular season which may be called as rainy

in any time those weak-days may be drenched
the water-mark of the candles may exist after the sun rises

now whether it was a wrong way or a wrong going
that debate is still on  

2
you put the age over my shoulders
but I can’t roar so much why
my anger is then no more a child

if the yellow colour means the disappearance of whiteness
from the locked-teeth then the bird will fly
with its beaks getting experienced

when all one around here
wants to be the seed of the intellectual grass
how much relevant is such a mute lamp-post

3
the morning of the clouds awakes
touching the line of rains
another giant night keeps waiting
in the darkness of the other
that delta rises in the secret water of the river
where with the songs of the birds
the hot coffee acquires the lips  
the hands are as if like very known creepers
the tree is in search for a brown body
to which if a marriage could be organised
the thought of the disturbed walls also disappears

4
I am sitting here in this shadow-hell
unfurling a paper on the strong storm
before night comes keep your face up
from the silky letter
and let me see you
I would not go to that fabrics again
of late I have turned into stone by heavy rain-fall
now heat is required in equal measure
for which I shall have to become loser in every game
afterwards with my dusts
this paper will fly away
you recreate me with a new fever
Kerli Tulva Oct 2014
One night when being in a dream so sweet,
I heard my mind to call me visit,
I opened the door of my deep subconscious,
To catch the hidden love and beauty.
Oh what I saw and what I heard,
The masterpieces and lovely words,
They stood there sparkling, crystallised
Like pure diamonds on the door of Paradise.
So stunned and proud I digged more deep
Wordless beauty and shining rooms,
It came to me and astounded I was,
Oh, this precious Paradise lives in my senses.
There is so much unknown in the depth of life,
And yet every creature acquires that art in mind.
Do find the hidden treasures of love and beauty,
They will be there behind the valued door,
Waiting on the quiet till you reach the entrance,
And create a masterpiece which will live in history.
Megan Foukes Mar 2013
The tiny fire
Is symbolic as to what is left
To the once great warrior.
A wounded heart
Can not feel the passion
That a small fire can.
Inside the tiny fire,
Are tiny sparks.
They arise from the fire,
And suddenly disappear.
Underneath the burning wood
There are ashes.
Dark tiny particles these are,
They are the insignificance
Of the tiny fire.
It's amazing,
How a tiny fire
Can feel more
Than the warrior of our times.
No one questions,
No one answers,
It’s left a mystery.
A terrifying
Yet sorrowful mystery.
That tiny fire
Continues to increase in size.
The warrior of our days
Will refuse to put it out,
Because not of warmth
That the tiny fire acquires,
But of the symbolism
It conceals.
blushing prince Jun 2017
A boy wearing a yellow raincoat ***** a silver plastic gun in one hand
and grips the inside of a melted chocolate with the other.
His stance is firm
and poised rendering the expressions of his heroes-or rather his fathers’ figures on the
wall of a studio apartment he visits once a week. All four corners memorized.
He stares now from the bottom of a street.  
He chews bubblegum, the color of his grandmother’s blush or a slapped wrist.
“It takes heart to be mean” he’s told.
For all we know he wants to be the saint and the antagonist but it doesn’t show,
it’s not registered between smirks and spits.
He’s been frozen-food fed since he was weaned off his mother’s milk
and affection.
Sometimes he plays with the snakes in the backyard of the girl he’s in love with
They give him a cigarette and call him lonesome cowboy bill
So the wounds heal and the days grow shorter
The siren of the ice cream truck become a wake-up call
as they turn into the screams of men in blue uniforms
the sugar melts between the warm asphalt and
no one notices a child go missing when the bus drives away
in the kid’s place lies a keychain and a school lunch bag
hope comes in the shape of a old taxi with a skeleton in the driver seat
snakes becoming criminals in the shadows
There’s a ticket for the crossroads but he ends up in Nevada, our charlatan warrior
his girl-child neighbor loses a tooth in the dark and the zipper of her favorite jeans
he doesn’t call and she doesn’t answer
he changes his name and grows scars on his knuckles, he wants to be like the man
in the car commercials, he wants to rid himself of his accent
instead he acquires a taste for cheap alcohol, an asphyxiating penchant for
street powders and scrapes up enough money for soft leather boots that
make a clacking sound when he walks quickly  
He stares now from the bottom of a street and walks up to a payphone. I want to go home; he whispers this into
his wallet. But there’s nothing in there except for phone numbers he doesn’t
recognize and worn midnight shakes.
His hands tremble.
A man wearing a red suede jacket ***** a silver pistol in his hands.
He’s gone back home but it’s different now
the studio apartment has turned into a new casino complex
and his father lives in the cemetery. He brings roses.
He doesn’t feel quite natural in the urgencies of life, this goon hero of ours
His childhood sweetheart wears lacquered nails and has grown a beer belly
he wades in her backyard for a bit,
the ****** in his palms for leaving, for drifting when he could have stayed still
he spits and it evaporates
the snakes are nothing to the
the devil in his eyes
A man wearing a red suede jacket ***** a silver pistol in his hands
and fires
there’s a moment of silence
a bird chirps in the distance
the heat lingers
there’s confusion
and then
just a man
in the corner of a street
with an open mouth
and a crooked
sincerity for
all the things
you have to do
to be lonesome
cowboy
bill
anna veronica Mar 2015
Pain endures life,
Love acquires lies,
Plucking and satisfying,
all the wicked ties..
Tammy Cusick Jul 2016
As she drips down into her fluorescent mess,
She acquires these thoughts she's always addressed.
Full of love, hate, and distress,
Ninety to nothing,
she bleeds out her chest,
Wiping off the carnage from her hurtful gown,
The sailine  trickling into her paralyzed frown,
Shes looked up too much to be this far down,
The powder on the brim of her hand,
Left her in dispear to regret her unsettling hidden hand.
What's up her sleeve,
What's down her gown,
The scars of today floating around.

Her bones so brittle,
Petite to the touch,
Crumble in her body,
And back into her crutch.
She takes the sand brittling away,
Engulfs it in her belittling tray.

One,
Two,
Three,
Four,
Her nails are dug into the mildewed floor,
Hardening into the stained pain,
To sustain and embroider into this hardwood groove,
She's an fein for love and a harp for sloon,
A foreign word seeps to her room.

Spinning around spurting words across the walls,
The dead words she's spoken begin to echo down the halls,
A dark passenger aboard this drip,
In a gown with revenge in her pick,
She slides the mirror into her deathly grip.

Cutting into her callused  hands,
She inhales the pain into her nasal stands,
So apprehend and pretend it's all in a dream,
Because nothing is ever what it used to seem.

Uproar into a standing ovation,
The death of herself is her dismayed creation,
In this bitter distraught heart is her ****** salvation,
Dampened into her picklines calbration,
The fifty round shot of morphines  delayed sin,
Unto her face and into her impermeable grin.

— The End —