Submit your work, meet writers and drop the ads. Become a member
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
348

I dreaded that first Robin, so,
But He is mastered, now,
I’m accustomed to Him grown,
He hurts a little, though—

I thought If I could only live
Till that first Shout got by—
Not all Pianos in the Woods
Had power to mangle me—

I dared not meet the Daffodils—
For fear their Yellow Gown
Would pierce me with a fashion
So foreign to my own—

I wished the Grass would hurry—
So—when ’twas time to see—
He’d be too tall, the tallest one
Could stretch—to look at me—

I could not bear the Bees should come,
I wished they’d stay away
In those dim countries where they go,
What word had they, for me?

They’re here, though; not a creature failed—
No Blossom stayed away
In gentle deference to me—
The Queen of Calvary—

Each one salutes me, as he goes,
And I, my childish Plumes,
Lift, in bereaved acknowledgment
Of their unthinking Drums—
Don't ignore me
I'm standing right in front of you
My heart still beats
And yet you stare right through it
Like I'm not even there
I beg for your acknowledgment
Still you don't listen
I feel like I don't exist
Life becomes meaningless
And still
You ignore me
Mateuš Conrad Nov 2016
this will make sense in the end, or at least along the way... a modern version of the Ruben's judgement of Paris, although if you watch the debate, the mediator already insinuates the "confusion": to my left or to my right, ha ha, left to right, right to left, 1st 3rd 2nd... that's putting it mildly, if i were Paris i'd have given the apple of knowing to Hera, queen of the goddesses... naomi wolf... beauty is in the eye of the beholder... and your phallus in the hand of... mhmm... softer than the flesh of an oyster at the end of the day... they did say once in times just after Pericles: make my inner as beautiful as my outer, and my outer as beautiful as my inner... then take art as not representing images: or the "shallow" arguments... any man would have given the apple to the intellectual Aphrodite (karen straughan)... we all know that antigone darling is Athena: who speaks so little you start to equate wisdom to be a distant synonym of needing courage to engage with a plebiscite crowd... oh don't give that prize to her: she'll probably tongue-tie herself and will never be able to speak into a microphone, the intellectual Aphrodite knows all too well the conundrum... it's the cougar attired in crimson that fuels the whole debate... she doesn't need to have inner beauty, you phallus is already shouting 'sir! yes sir!' at the drill sergeant anyways... you take Aphrodite as a paradoxical beauty, namely that of long conversations and not long interludes of ******* and baking cookies... you'll leave Aphrodite confused... i once heard an English motto: don't take for a wife a woman that's too attractive... that wasn't intended to be within the bias of intellect, i mean a beautiful woman within the bias of being able to manage a harem of 72 male virgins... well **** yeah, artists leave clues, whether knowing or unknowing... they're working from triangles, poets end up writing from Δ, they obscure textures and antonyms of what appears to be monochromatic, we say: red, crimson, burgundy in x-ray confines... the point being: there's no intellectual debate to be had with someone representative metaphorically or not of Hera... you can't have a Parisian fashion week catwalk where you find dehydrated beauty on the outside and an anorexic ego on the inside... what you find in Hera is a volume (voluptuousness) on the inside, within which there's a leech libido that transgresses all demands for intellect... unless it's pistons-well-oiled orientated... please, read some Marquis... if you get an ******* having read a few of his works: you're qualified - or as i like to call it: neo-classical *******... ever masturbated over Bronzino's Venus, Cupid, Folly and Time? well, if you haven't i guess **** ******* and gang-banging is your outlet: mine are pictures of Aria Giovanni and Chloe Vevraire (googlewhack no. 3!): Chloe Vevrier... but if you're never done the Odysseus pokes fun at Polyphemus... yep: the ghost hand: nobody!


you know, you can cram a lot into a 30 hour "day",
which results in the complete erosion
for the capacity to dream afterwards,
to actually work from the unconscious and create
a subconscious medium vector that connects
to points of consciousness: 30+ hours awake,
however many hours asleep, and then awake again
for another 30+ "day" to digest...
the classical definition of the subconscious, in theory,
is that you get plenty of sleep,
and it's a bit like that schematic A x B (algebraic)
A knows x     and B knows x...
   something mutual acknowledgment
via the same schematic but
A knows x, B knows x,
A knows that B knows x,
A knows that B knows that A knows x,
   which is all very Aristotelian to be frank,
it's this hyperlogic of having to acquire
great technological feats and reduce such
complexities to cat-videos on the internet as
the Egyptian partake in the genius that actually
made it possible... the slogan goes
Moses, you fool! said Nefertiti...
    so B knows x and knows that A knows x
and knows that A knows that B knows x
and B knows it's not necessarily anywhere
alphabetically less, even though the French said
a, b, c... which was very imperial of them,
that's the imperial version of what the mathematical
imperialism proved with the English inches, miles
and furlongs... but in this French case of imperialism
it wasn't a e i o u, b c d f g h j...
            that's what 30 hours awake does to you,
you wouldn't think of alcohol as a party drink,
a social barrier deconstruct... after 30 hours
you're hoping to meet Vladimir Klitschko on your
way to bed... aye pleasing Cossack, give us a
smacker goodnight... one glove it filled with
whiskey, the other with naproxen and amitriptyline...
boom! k.o. snooze, baby:
you gotta love buddhist honesty...
at least you get to see the bright side of life...
  and if people start thinking that Kant was the harbinger
of ill fate... you obviously haven't met a necromancer...
it was only von Kleist for ****'s sake!
       and he had the American option of a suicide
pact with a terminally ill woman and a bullet from
a pistol in a ditch... you can't get more romantic than that...
and there i was, mid-afternoon, having done a few of
the household chores: the washing, the ironing and
cooking a two-course meal while my mother did
the taxes (seems only mothers understand their sons
these days... women my age?
   ever see David Attenborough describe Emperor
penguins? money was invented for women,
because it brokered the end of the brotherhood of man,
we became famished by feminine needs
and have reduced inherent sports in us (hunting)
to sledgehammer bashing entertainment...
i'm the "drunk" that would rather watch ten hours
worth of ping-pong that tennis...
    i don't know why they resurrect the Olympics
every four years, have a **** coverage of it anyway
and then go back to that Glaswegian diet
of deep-fried pizza and haggis... and i hope to never know,
maybe Sepp Blatter knows...
but that's 30 hours of being awake, and only not
able to relax, by writing...
                 you wouldn't see this sort of "abuse" of
alcohol anywhere in the world...
the Soviet sleep experiment is actually not that silly...
too much sleep can also make you feel the minutes
upon your wake as if you've been stung by a bee...
three of my all time favourite songs?
the stone roses'* i wanna be adored,
    chromatics' cherry,
and finally: i can be forgiven for having missed this,
i got into them seriously with the album aufheben
and didn't really move anywhere else,
the dandy warhol effect got me...
but this song out of obscurity, 20th century technology
translated into mp3 and then onto c.d. and then
back into mp3... a song from an album that doesn't
even appear on their discography...
the brian jonestown massacre's pol ***'s pleasure penthouse,
the song in question? fingertips.
so there's that three...
      but **** on me, i half expected android (2015)
to be like ex_machina (whatever year that was)...
same topic... what the difference between android
cyborg and robot?
                                  aren't robots the proper a.i.?
as in: in production, the thing that's not hand-crafted
is artificially crafted, because it is crafted to a large yield
of a product? isn't that so? i can't distinguish (as of yet)
the difference between android and cyborg, i guess
as a Latin man (a - z user) i have to condescend the Grecian
pompousness of demeaning Hebrews (original anti-semitism
originated in Greece, not Rome, the Romans gave
the Jews not elaborate architectural schemes to abide by
in honour of Octavian, but the supposed pride in Greek
thought, undermined what later science would provide
a Latin man with, given the translation of יחֵוָחֵ,
indeed variables... i once wrote a piece about
the two Adams... namely how אָ (alef)
and עַ (ayin) are prominent letters among consonants,
but no vowel kindred of Eve is equal...
or how Eve is covered in both mainstream Islam
and orthodox Judaism... and Christianity is
a Rastafarian dream for more jerky reggae reggae...
they never sing down with Rome, judgement upon
Rome... they always sing about Babylon...
well, polytheistic or poly-schismatic,
it's all Hindu from hereon in - apart from that
here's a very tiny heresy... is that yod he vav he
or is it yod he vav het?
         there is a difference, afterall:
he (ה)        and het (חֵ) obviously differ... oh!
xet!                   god this garden is a mess,
               i guess the fruit of knowing good from evil
was intended to say: till the land, deforest,
learn agriculture... that's good, the **** you do to each
other... well: that's hardly a tonne of grain...
but they so alike though, even when you apply a noun
to these two symbols!
  could have said he xet but instead it's known as he het:
no wonder the Hittites came along for a curious look...
mind you, had not a prominent Roman, a centurion,
asked for help... we'd be prudish in runic from the northern
invaders... so thankfully no one within the Roman confines
of encoding sounds didn't have the bright spark idea
of looking at the very tiny little island of Israel and that
four lettered word and how it became known
to say o = omicron, ε = epsilon and γ = gamma,
   and cutting those things apart leaving only letter
having done plastic surgery on the noun that denotes the
letter that's denoted by the symbol, rearranged it
and got the idea of εγo: ****** marvellous!
- this is not brian pallenberg's story about the pleasure
penthouse album...
but you know what really got me in those 30 hours:
day, night, day, night: a NHLF debate between
naomi wolf, karen straughan & antigone darling,
the part where karen makes the point that
once upon a time men who beat their wives
in Scotland were publicly whipped (dhaal,
straugan), and if they were beaten-up instead by
their wives, a plebiscite of good-wishers would turn up
at the house and apply the Freudian theory of
a castration to the man, bang pots and pans,
and then in public display him having to ride on a
donkey backwards, having to hold the donkey's tail
for stability...
     see that woman in red in that debate? a true political
man-eating beast of ***** readied in atom bomb
explosions... the one next to her isn't wearing any tights...
unconsciously you're thinking: i like her french freestyle
of not having shaved her legs... the smart one is wearing
jeans and she looks oh so desperate to get out...
    the discussion doesn't even enter the realm of ideas...
hen-picking is discussed... all poetry ascribed to language
is gone... is it politically correct to ascribe the sexuality
of female chickens with the word hen to women?
behind me in Blackpool stag-dos (dos? no does...
there isn't even a ******* spelling for that phrase...
hen-nights and the inflatable Juan)...
well obviously your mind is working out why you'd
**** the middle 'un right away... she doesn't say divorcee
which is so "unsexy" but say she's a mum twice,
a mum, a single mum... polly wants a *******...
her address is new york city? ******! i'm heading there,
right now! can a white guy use urban colloquial
in the suburbs on a piece of pixel paper, which he claims
is mere the cartesian extension of his thought
and disinterest in rhetorical skills? i hope so...
it's not like herr adolf wrote a disclaimer saying:
read this or a thousand volts up your ****!
that really was a constipated debate, plus the red was all
provocateur and peppered with "you know",
   and "i know absolutely nothing": there were no ideas
in the debate! whenever there was a chance to debate
ideas, the debate turned into a debated about words,
and what words to use: to simply brush aside any clinching
to a idea-debate... perhaps because feminism is
an ideology without any coherency of ideas, as stated
from the debate: a coherency of wording: and that better
be hen = an asexual chicken, rooster = an asexual chicken...
it's still a chicken kiev at the end of the day.
now? i might squeeze in another poem...
     but it would still be great to get any kind of analysis
comparing the movie android and ex_machina...
the only problem would be: both creators are men...
so that's gender-stereotyping already...
but hell! she gets to build a buggie that she directs with
a laser pen... so that's nice...
but i'd love a discussion on these two films,
given that the music in both films is very oomph!
thriller genre always had better music than horror...
horror music is too romantic... thriller music?
***** back-stabbing you whenever you think you're
going to get a comfortable 10 minute slot...
but it's there... aside from both robotic creators being male...
woman: ex_machina - out of the machinery of man
          ergo? deus, or woman as...
i actually have a problem with the word android...
the woman is a factor of playing the two men against
each other... the android actually find a mechanical
part of himself in the way the "human" talks to the woman,
while the "android" is prejudiced against the rigidity
of his ****** movement: unlike the "human" having
an intellectual rigidity... the woman plays the two against
each other... well, 30 hours no sleep...
  i'm doing the helter-skelter trying to throw ideas
by way of remembering the actual plot of the film...
this obviously adds nothing to the discussion:
meaning i probably gave away a "spoiler" -
but more the point, i need a refill and some fresh air
to breath, having farted into a leather chair for the past
hour.
1.

From our
safe windows,
we crane our necks,
rubbernecking
past the slow
motion wreckage
unfolding in Homs.

We remain
perfectly
perched
to marvel at
the elegant arc of
a mortar shell
framing tomorrows
deep horizon,
whistling through
the twilight to
find its fruitful
mark.

In the now
we keep
complicit time,
to the arrest
of beating hearts,
snapping fingers
to the pop
of rifle cracks,
swooning to
the delicious
intoxication of
curling smoke
lofting ever
upward;
yet
thankfully
remain
distant
enough to
recuse any
possibility
of an
intimate
nexus
with the
besieged.

2.

From our
safe windows,
we behold the
urgent arrivals of
The Friends of Syria
demanding
clean sheets
and 4 Star
room service at a
Tunisian Palace
recently cleaned
and under new
management
promising a
much needed
refurbishment.

The gathered,
a clique of
this epochs
movers and shakers,
a veritable
rouges gallery of
ambassadorial
prelates, Emirs and
state department
bureaucrats
summoned
with portfolio
from the
darkest corners
of the globe.

They are
eager to
sanctify
the misery
of Homs,
deflect and
lay blame
with realpolitik
rationalizations,
commencing
official commissions
of inquiry,
deliberating
grave considerations,
issuing indictments
of formal charges for
Crimes Against
Humanity
while
remaining
urgently
engrossed
in the fascination
of interviewing
potential
process servers
to deliver the bad news
to Bashar al-Assad
and his soulless
Baathist
confederates,
if papers
are to be
served.

Yes, the diplomats
are busy meeting
in closed rooms.

In hushed circles
they whisper
into aroused ears,
railing against
Russia’s
gun running
intransigence
and China’s
geopolitical
chess moves.

Statesmen
boast of the
intrepid justice
of tipping points
and the moving poetry
of self serving tales,
weighing the impact
of stern sanctions
amidst the historical
confusion of the
asymmetrical
symmetries
of civil war.

Caravans
of Arab League
envoys roll up
in silver Bentleys,
crossing deserts
of contradictory
obfuscations,
navigating the
endless dunes
with hand held
sextants of
hidden agendas.

The heroic
Bedouins are
eager to offload
their baggage
and share
on the ground
intelligence from
their recent soirées
across Syria.

They beg
a quick fix,
the triage of a
critical catharsis
to bleed their
brains dry
of heinous
recollections,
pleading
release from a
troubled conscience
victimized by
the unnerving paradox
of reconciling
discoveries of
perverse voyeurism
with the sanctioned
explanations
of their respective
ruling elites.

The bellies
of these
scopophiliacs
are distended;
grown queasy
from a steady diet
of malfeasance
an ulcerated
world parades
in continuous loop;
spewing the raw feeds
of real time misery;
forcibly fed
the grim
visions of
frantic
fathers
rushing
the mangled
carcases
of mortally
wounded
children
to crumpled
piles of smashed
concrete that were
once hospitals.

We despondently
ask how
much longer
must we
look into
the eyes
of starving
children
emaciated from
the wanton
indifference
of the world?


3.

From our
safe windows
we wonder
how much
longer can
the urgent
burning
ambivalence
continue
before it
consumes
our common
humanity in
a final
conflagration?

My hair already
singed by the
endless firestorms
sweeping the prairies
of the world.

How can we survive
the trampling hoards,
the marauding
plagues of acrimony
fed by a voracious
blood lust aspiring to
victimize the people
of Homs and a
thousand cities
like it?


4.

From my safe
window I stand in witness
to the state execution of
refugees fleeing the
living nightmare
of Baba Amr.

The ****** of innocents,
today's newly minted martyrs,
women and children
cornered, trapped
on treacherous roads,
mercilessly
slaughtered and
defiled in death
to mark the lesson
of a ruthless master
enthralled with the
power of his
sadistic fascist
lordship.

I cannot avert my eyes
marking sights
of pleading women
begging for the
lives of their children
in exchange for
the gratification
of a sadists
lust.

My heart
is impaled
on the sharp
spear of
outrage
beholding
careening
children mowed
down with the
serrated blades
protruding
from marauding
jeeps of laughing
soldiers.

I drop
to my knees
in lakes of
tears
reflecting
a grotesque
horror stricken
image of myself.

My eyes have
murdered my soul.

The ghastly images
of Homs have chased
away my Holy Ghost
to the safety of a child's
sandbox hidden away
in a long forgotten
revered memory.


5.

From my safe window
I seethe with anger
demanding vengeance,
debating how to rise
to meet the obscenity of
the Butcher of Damascus.

The sword of Damocles
dangles so tantalizingly close
to this tyrants throat.  

The covered women
of Homs scream prayers
“may Allah bring Bashar to ruin”

Dare I pray
that Allah trip the
horsehair trigger
that holds the
sword at bay?

Do I pick up
the sword
a wield it
as an
avenging
angel?

Am I the
John Brown
of our time?

Do I organize
a Lincoln Brigade
and join the growing
leagues of jihadists
amassing at the
Gates of Damascus?

Will my righteous
indignation fit well
in a confederacy
with Hamas and
al-Qaeda as my
comrades in arms?

Do I succumb to
the passion of hate
and become just
another murderous
partisan, or do I
commend the power
of love and marshal
truth to speak with
the force of
satyagraha?

I lift a fervent prayer
to claim the justice
of Allah’s ear,
“may the knowing one
lift the veil of foolishness
that covers my heart in
cloaks of resent, cure
my blindness that ignores
my raging disease of
plausible deniability
ravaging the body politic
of humanity.”

6.

Indeed,
physician heal thyself.

I run to embrace my
illness.

I pine to understand it.

I undertake the
difficult regimen
of a cure to eradicate
the terrible affliction.

This
pernicious
plague,
subverting
the notion
of a shared
humanness
is a cunning
sedition that
undermines
the unity of
the holy spirit.  

The bell from
the toppled steeples
still tolls, echoing
across the space of
continents and eons
of temporal time.

The faithful chimes
gently chides us
to remove the wedge
of perception that
separates, divides
and undermines.

Time has come
to liberally
apply the balm
that salves the
open wounds
so common to
our common
human condition.

The power of prayer
is the joining of hands
with others racked
with the common
affliction of humanness.

Allah,  
My eyes are wide open,
my sacred heart revealed,
my sleeves are rolled up,
my memory is stocked,
my soul filled with resolve,
my hand is lifted
extended to all
brothers and sisters.
Lift us,
gather us
into one
loving embrace.

Selah


7.

From the safe
windows of
our palaces
we live within
earshot of
the trilling
zaghroutas
of exasperation
flowing from
the besieged
city smouldering
under Bashar’s
symphony of terror.

Our nostrils
fill with the
acrid plumes
of unrequited
lamentations
lifting from the
the burning
destruction
of shelled
buildings.

Our eyes spark
from the night
tracers
of sleeking
snipers
flitting along
the city’s
rooftops.

The deadly jinn
indiscriminately
inject the
paralysis of
random fear
into the veins
of the city
with each
skillful
head shot.

These
ghoulish
assassins
lavish in their
macabre work;
like vultures
they eagerly
feast on the
corpses of their ****,
the stench of bloated
bodies drying in the
sun is the perfume
that fills their nostrils.


8.

From our
safe window
we discern the
silhouettes of militants
still boldly standing
amidst the
mounting rubble of an
unbowed Homs
shouting;

Allah Akbar!!!
Allah Akbar!!!
Allah Akbar!!!

raising pumped fists,
singing songs
of resistance,
dancing to
the revelation of
freedom,
refusing to
be coward by
the slashing
whips of a
butchers
terrible
sword.


9.

From my
safe window
my tongue laps
the pap
of infants
suckling from
the depleted
teats of mothers
who cannot cry
for their dying
children;
tears fail
to well from
the exhaustion
of dehydrated
pools.

10.

From my
safe window
my heart stirs
to the muezzin
calling the
desperate faithful
from the toppled
rubble of dashed
minarets.

We can
no longer
shut our ears
to the adhan
of screams
the silent
voices that echo
the blatant injustice
of a people under siege.


11.

From my
safe window,
I pay
Homage to Homs
and call brothers
and sisters to rise
with vigilant
insistence
that hostilities
cease and
humanity be
upheld,
respected and
protected.


12.

From my safe
window
I perceive
the zagroutas
of sorrow
manifest as a
whiling hum,
a sweeping
blue mist,
levitating
the coffins
from the rubble
of ravaged streets.

The swirling
chorus of
mourning
joins my
desperate
prayers;
rising in
concert
with the
black billows
of smoke
dancing
away
from the
flaming
embers
of scorched
neighborhoods.


13.

From my
safe window
I heed
the fluttering
wings
of avenging
angels
furiously
batting
as they
climb
the black
plumes,
lifting from
the scattered bricks
of the desecrated
city.

It is the
Jacob’s
Ladder
for our
time;
marking
a new
consecrated
place
where
a New Adam
is destined
to be formed
from the
pulverized
stones of
desolation.

14.

From our
safe windows
we peer into
resplendent
mirrors
beholding
the perfect image of
ourselves
eying
falling tears
dripping blood,
coloring death
onto the
blanched sheets
of disheveled beds.


15.

From our
safe windows
our voices are silenced,
our words mock urgency
our thoughts betray comprehension
our senses fail to illicit empathy
our action is the only worthy prayer


16.

From my
safe window
I hear the
mortar shells
walking toward
my little palace,
the crack
of a ******
shot
precedes
the wiz of a
passing bullet
whispering
its presence
into my
waxen
ear.


17.

From my
safe window,
my palms scoop
the rich soil
of the flower boxes
perched on my sill.
I anoint the tender
green shoots of  the
Arab Spring
with an incessant flow
of bittersweet tears.

Music selection:
John Coltrane
A Love Supreme
Acknowledgment

Oakland
2/28/12
jbm
Nick Kroger May 2014
simplicity is
an acknowledgment of love
in diminished light.
tloco Jun 2015
Coming to now, the story of life not as a practical lesson in wisdom as such in a parable or teaching only casual experience for individual. Experiencing this wisdom will change your knowledge gained through the events of becoming with the kingdom of heaven. Ways on the tree of life or paths which are ordained or divined in the Lords or spheres build your learned life knowledge. Adapting as a disciple on the natural skill of the soul shows a person whom, the individual is in a pure state of self and exponential in the ***** of the tree of life.
As a child of light I lived happily joined in the union of spirit, my young soul always with the Almighty Father and Creator in the Tenth heaven. From a dream of the past awaking as a watcher of an extremely large craft inside the entire vessel I could see animals each of them were named and had most important characteristics from the Father. From high aloft in Heaven to the boat a watch was taking place omnipotent over the last life within. Many hosts and angels spoke once I was inside the boat but wasn’t as a soul like a spirit invisible I saw and heard. Angels divine in accord to works of commands were at work in heaven whole groups of choirs known as orders were not ever interrupted by my watch. Trumpet sounded heard in the spirits from heaven to the sea and rush gate of the heaven’s upon the earth. The name of angel that sounded and captured fallen in the thirteenth month; Tebae-et, into the stellar order of gates or fallen paradise.
A child of light borne in spirit always with the hosts or different characters in life such as Chanokh (Enokh-Father of Melekhi-Tsedek order), but it was either in dream or warden amongst crowds of souls touring in celestial spheres with paths of light on the tree of life. Walking outside my house the morning after my dream, I felt as if I could float in the air body and soul light as a feather. Surrounding me was Topaz, chrysophrase, jasper, chalcedony, and amber gemstones still transparency like crystalloluminescence. Above me sapphire with alabaster and my soul looked down upon me with white eyes shining light out of them in a robe covered in my names brilliantly shone in gold light in the temple of my soul. My body was in euphoria and I stared into the future and realms of heaven, seeing into the seven seals as celestial wardens. The divine experience was wholesome pure enrichment to my soul each word I had in communion with the throne of supreme majesty firm with glory, order, and unconditional loving care. Differences in the Father; whom was a body of so many names and creations perfect in commands, recordings, gates, cycles of hosts myriads, elementals, migrations of stars, and firmament upon firmament.
The way of the most holy spirits as complete body of the Father the original tree of life, which is known completely in the true names it was created as. The spirits, angels, guardians or incessantly serving hosts help the Father governing of the kingdom of heaven in the four parts of man. The structure I remember is perfection with tongues that fill the heart with everlasting laughter, hope that cheerfully overcomes in a soul victory. The heavenly abode the height of the throne gives the soul countenance of wisdom to the word unto man. Upon a single walk with the Father had taken my body and spirited my being in soul countenance of wisdom so far through the future I had saw unto trumpets of revelation.
Melekhi-Tsedek order the true religion to be proclaimed unto man the creatures such as animals, fallen accursed, the plant life in, promise, orphans, and widows were watched over on the decree or divine ordination from heaven. Ascending up to the throne; I went through the knowledge of the complete day in heaven or paradise recorded then toured the solar spheres, through the knowledge of the spirits or holy hosts that did in accordance to the orders. The process was divined in the Father’s willpower over my essence I had knowledge to what was being experienced in a connection unto every living creation. Completely, opening the mind unto Ratsiel (secret of God), through the third-eye founding of my soul into mysteries of kingdom of heaven. Voices of many named angels were annunciating with pleasant tones and choirs voices of angels by the thousands. Recording archangels kept the things that were occurring in the kingdom of man, while also serving the obligated roles of their natural being as direct personification of God. Organized, synchronized, and in spirit of prophecy patterning so perfected without error moving about in every way structurally sound through commanded orders. Systems of planets were kept sealed in the seven hallways or wards that divide heaven’s celestial nether space from the foundation of firmaments of word and universe unto the highest Lords signs of zodiac places. Above Almighty Father can sit omnipotent as ascending angels, spirits, or orders can go the entire flight focused on the Father’s throne. The orders of body were eminence Seraphim, Cherubim, Wheels (Thrones), Dominions (Authorities), Virtues, Powers, Principalities, Archangel, and Angels. Although the kingdom in spirit was always changing and becoming according to the cycle of the sun’s orbital sphere into the gates of each day on a 28 year cycle and 7,000 year unto 7 days in heaven the Lord a light-giver and also Lord of completion, Sabbath day.
A fresh gust of wind and a light pure feel was a regular experience while awakening my mind I learned of the Elders of heaven whom had crazy stories like when Samson had the might to slay the lions or tore down the temple of Dagon. I knew the hosts and things that had become in the kingdom of heaven to allow the might shone as a show for the heaven, but also act of the devils in his life. This knowledge was in a book the scripted the entirety of all the acts that take place as a divine act, once a celestial being was in visitation in spirit. The seraph Ratsiel (secret of God) investigated the acts of the temptation of Adam by Chavah and the acts of the archangels in response to the threat. The accord to the acts of everything that exists in the accord to knowledge of the solar is obtainable through this book, the book of knowledge.
Later in another dream I met the minister of death in spirit which as within a myriad where thousands of spirits were at works performing the acts in which is their existence and adapted behavior as a role in realms. Being in one place while still seeing into a complete different world or plane of existence doing as is need or divined in nature. Black darkened pillars came down on me as this space ship shaped like a pyramid with the patterns of natural earth red and black like lava years after a volcano. Around me each pillar stood as a being in realm invisible to my eye except for one being on a throne centered in the myriad the throne of death. Fiery torment in flames along with brimstone flowed in two pooled lakes parallel from one another with a long path going from gate to the another gate leading to Sheol or Hades. A base foundation of the throne is a horizontal shadowed hallway with many smaller pillars which give no support to the throne, while the path is vertically centered. Two stairways go up to the platform of the throne one on each side of the platform decorated with images of Baaliyal in form of a torrent. Death sat upon the throne with darkness like the appearance of black smoke blowing from his mouth a complete skeleton. Skeletal body covered in black cloak with a screeching voice like a woman’s long fingernail’s scratching a chalkboard. Terrified I walk my being over the site of my soul-mate who is on my like side and here with me she is like a dream and become in multiple places at the same time. Beautiful she was consistently becoming in hosts of cherubim changing into many different forms of the adapting natural instincts of animal’s behavior for survival, she is tan Carmel skin color and flesh uncorrupted by any mans thoughts of lusting ruin. Passionate vivid dreams of a                maiden lying in an alien jungle full of plants most like a rainforest but yet close to the planet’s beaches, wearing a purple robe. Dark and warm humid with a damp feel to the observer of the smooth cover of the claylike terrain of the solar sphere. Again I dreamed of her while she was separated from me by the prince of Tyre or the cherub covering the mercy, she ran amongst different hallways while in the tower of Babel and giant nephlim watched with other gods in gold cursed trying to look down on things in spirit. I walked up the stairs and could see myself from outside of myself, seeing my form as a human being in appearance most like Michael or Melekhidael with breastplate of gold without a helmet. Death screeched out at me and I saw an ancient giant of hell also the spirit of Tanhumeth trying to send me into the past. Awakened into a new form I walked through the gate vertical in the chamber beneath death’s ministry. Sopheriael Yahweh took me into the spirit of a seraph Hadaneriael then, into the 10 archangels of punishment over the 10 nations of Babylon the great which took me into the depth to the ninth circle of punishment for a reign in gates of the Phul seal or in Phalek. My soul was the loosened stars of Kesil through Samuil the poisoned messenger a discernment spirit involved in the surfs of the accord of the kingdom of dark princes in paradise, the divine comedy Queen of Angels enchanted songs counted into paradise. Darkness in the kingdom of heaven, with the ability to paralyze minds with seraphim hosts of terror, I walked through the brazen gates of Hades seeing everything on fire but also thousands of thousands of different forms of creations each rarity seen with delightful insight to provoke interests into any living being. The life paths of a multitude of creations would come through Hades and become baptized through spirit’s fire of pure refinement spoken as worth in the golden city, precious daughter of the loom, here in accord to John the Baptist’s   prophecy.
At a young age of 6 years old I began to refuse the world or play directly into the kingdom of heaven which was a lonely elect of self in my family also in the church my family attended. Wicked spirits attacked the gates of my inner ear where and had began to tell me of things that would happen in future then, keep me from being with the Father completely in heaven. My memory started to fade in fear that I would only to struggle if I kept learning. Gradual disillusion way from the throne began while I was only a few years old, the devils were wise in deceit most from the tree of knowledge and future mistakes from which I saw rolling with wheels of heaven. Moments of times in the future I would soul determine things into happening from the spirit of prophecy it was something I kept special between the Father and mines relationship. Constantly I would hated life and wanted to die, feed into temptation, stole, and spoke accursedly cutting my relationship from the Father.
Was not until I was seventeen years of age when I felt an overwhelming feeling like I had just explained something about the firmament of heaven which usually gives me this same feeling like a gust of wind in my person with a prestigious self worth from outside of self comforting to my soul. Looking up into the pitch black night sky, I saw a strange and odd formed constellation of stars above me I raised my arm and pointed at three stars. As if on command or through a governing of the stars each was loosed and fell immediately after pointing to them. Excited as the skin of my body was stinging as hairs stood to the point of super natural acknowledgment of the world’s great mysteries finding depth in the human soul I watched the sky then turned to the east. About to use the marijuana I torched a bowl of green bud then thought in the medium mostly of the kingdom and Father in heaven. In the zephyr region of the sky I saw a light floating, soaring, flashing, and moving faster than anything I had ever seen in life but on movies scenes. Astonished again I watch the spirit jumping around in the sky with multiple purposes and clear intent to do for the Father most high. My only other witness to this was my black minx cat shadoe, whom I looked at and said “I going to have a vision tomorrow” then finished two more hits of the cannabis before leaving to my room in the basement of a two-story house.
Awakening to the day was full of feeling of mystery I didn’t tell any of my experience from the night before. On October eighteenth in the day I smoked some marijuana went to Crook County High School and a blood drive was setup, I planned to give a pint for my first time ever so I went to auditorium where the blood was taken from my arm. Feeling faint and in hope for a high opposed to school I left and was excused from classes. Arriving at the house I stopped my Suzuki Sidekick in front then went in and downstairs to the place after the last step knowing something amazing was about to happening I uttered the name Metatron. Linear thought was tremendous while spirit balanced on a pillar and the first seal Arathron had me in celestial hallway warding the ancient spirits from the night before. Sitting down in a lazyboy recliner chair I first start the satellite television turn it on with remote, the spirits are crazy making grandeur boosts of how I can control everything like that remote but from mind. Flipping through stations I begin to change the channel in accord to how I sense and feel the spirits. Crazy things start occurring watching until I was seeing a celestial vision. Hearing my mind from above it was intriguing and making my pride compulsive like no one living I was experiencing these sights. As a mode of characters in a set ordained function were becoming visible on the tree of life but each were in a different realm not visible to the other. Beautiful alien life most exquisite to the eyes in the planes of other worldly adobes just doing into a set way of commands rare without repetition. Nine characters panther, eagle, falcon, wolf, coyote, Siberian tiger, and one man with blonde hair came into view in a dense rainforest like jungle each was adapting to the environment but they were only one soul becoming the entire time. The forest was no longer and the upper places had new hosting since I had entered and changed things with my thoughts, I became the soul of the characters. Seeing upwardly was a flight to the top of the extreme heights of the Father’s presence through the third seal of Phalek. At the arrival of my being I saw the most adorned and absolutely marvelous splendor of white shine like that of the sun’s rays hitting snow filled fields. The Father’s presence so handsome and gorgeous I have never seen another beauty like it only his eyes were so bright shining when he created my being as a star to his left-hand above a white marble pedestal of wisdom. Father had most elegant white robe shining in purity and sat upon a throne center below seven pillars known as the tabernacle of creation or tabernacle of seven days. In the presence I was pulled back down I felt spirits by the millions entering me, fusing to the dawn star in me finding a place inside me. Possessively filled with spirits till an evil pride overtook me and I felt ever sinful or dark taint of the soul. Lightening fell on the seventh pillar in the tabernacle blue bolts streaked downward as I fell from the presence back to the sphere of Adam’s where I heard two voices speaking. Red clay-like surface with rough igneous and metaphoric rock on the solar planet were a tree had burned to charred pieces. Sin from the Tree of knowledge was present as a spirit she was a young apprentice of the ancient one or Athiquelis. Introducing herself with flaming hair of red orange flames, her eyes shone as big red gemstones of ruby and a body covered with a black dress that faded into the natural darkness of her nature. Waving and floating in the air seducing temptation in her words that spoke into my mind and not from the channel. Soothsaying feminist voice would move me to her place and origin beside a large eleven foot pillar of smooth dark bla
Amanda Stoddard Jul 2015
I got 99 problems but hip-hop ain't one.

"Poetry, that's a part of me, retardedly bop
I drop the ancient manifested hip-hop straight off the block"
Nas and Jigga beef was the first I heard of drama in the music industry-
fueled me as a youngin' crowned from my brother's love of it.
Fast forward to when the radio put me on-
in the garage, on my mongoose
I heard someone spitting through the stereo
didn't pay much mind until a high-pitched voice rang through.
"Through the wire-"
no "through the fire?"
I couldn't understand but this dude started rhyming
and speaking through the speakers at me
my hair raised up and I knew this was love-
smile on my face at first listen
never really heard anything like it.
I thought back to the first song like that I heard-
"Life's a ***** and then you die-"
knew that line all too well
resonation in my bones didn't feel so much like a stranger-
my young self started spitting around the older crowd
they looked down and smiled-
a sense of admiration.
Hip-hop was my way in my ticket to acknowledgment.
Started listening to Eminem before I was even 10.
5th grade on the bus rides to and from field trips
"Shut the **** up guys I'm trying to listen"
headphones in, finally found someone to relate
so many thoughts of suicide being taken away-
realized the radio wasn't really my thing
too much pop and not enough soul
the words they sang were nothing to me.
In the beginning hip-hop was just a facade I liked to play
so other people would notice and think I'm pretty cool
but somewhere along the line it took me over
bumping nas, em and pac through my stereo
mom looking in my room like
"where the **** did my daughter go?
she's listening to this ****, she's gotta get a grip-"
But when I hurt the music would listen
bass lines and samples running through my veins
didn't know much about hip-hop
except the way it made me feel..
Technology came abrupt and the computer was my safe haven
the runaway from the abuse I was experiencing
mommy and daddy fighting?
headphones in so I can't hear it.
crying through each verse
and then the chorus hits and I'm better
finally realized I wasn't alone in this hell hole.
Started up a myspace-
more room for discovery
Eazy-e some Biggie more Nas
and **** even some Jeezy.
Every word they spoke
became something that was apart of me.
"Poetry, that's a part of me, retardedly bop
I drop the ancient manifested hip-hop straight off the block."
Nas said it best-
old school rappers speaking to me before bed.
Then I discovered Cudi, more Kanye, andre 3k.  
thought about how I had to write like this
it was my destiny to manifest this passion
put it into my pen until I could learn to lavish
in the luxuries they could afford
not the riches but the rhyme schemes
and the way it helped me
again and again would listen until I got tired
notebooks full of rhymes
my life was on the line and it became wired
then came limewire and my mind blew up
there's an entire world of music I never knew-
download after download the music became me
so much more to go through
****** up my computer
virus to the hard drive
all my music's gone. ****.
Freaking out in my room at midnight
threw a chair, punched the wall
mom asking if i'm alright.
"*******, go away"
She thought the music was to blame
but without that **** is why it happened
never gave up on this **** called rappin'
wrote my first rhyme when I was in 5th grade
poetry turned to rhyme schemes
and samples I liked to play.
Passion turned to aggression
when everyone started spitting
thought this was me and no one elses
has to prove who I was to the masses.
High School came and I was
"The girl who rapped"
freestyle lunch sessions to secure it.
Voices from the crowd
"**** she murdered it".
Slipped up-
started on the pills
too many thoughts in my mind
too many demons to ****-
ran away from the hip-hop
turned that **** to heavy metal
pop-punk and punk rock.
Turned away my from my passion
and started writing poetry
stanzas, sibilance and sonnets
filled my insides.
I suffered without the classics
the dream began to fade away.
We moved-
became a recluse.
didn't eat for weeks
but this time money wasn't the issue.
Heard something bumpin' from the basement
my hair stood up when I heard that base hit
ran down like I was chasin' after my passion again
"what is this?"
my cousin laughed "Life Changes"
"who is it?"
"Wu-tang" he said to me
I bobbed my head and smiled once again
"Wu is indeed for the children"
he laughed and so did I.
Realized my love for hip-hop
would never actually die.
"Poetry, that's a part of me, retardedly bop
I drop the ancient manifested hip-hop straight off the block"
hip-hop you saved my life.
Kagey Sage May 2016
We do not pine for just one day
where the markets, morality, or technology
tune themselves in perfect harmony
We say the future's now
if we unite in just one way:
the acknowledgment that we have the will and machinery
to feed, clothe, house, and heal
every human being


Who cares if they find a wage
Let's "let anyone follow their dreams"
be the creed of Earthlings
I'll have much more a fun time
going to my neighbor's for beers
if they spent their days doing
what their inner child intended

Pipe dream, much?
Acknowledgment our task's a process
another must, even when we feel so close
What's your story
other than the idea that authority's some natural right?
The Government and the Propertied
Working together or against each other
forever in eternity
(the Capitalists are the biggest Marxist narrow minds
who refuse to hear Karlo's ending)
J R Cramer Nov 2018
I remember sitting
On the tiny porch
Of my dad’s home
Offended by the sun
That continued to sink and set
Without pausing to acknowledge
My dad’s passing.
Offended by the cars
That continued on the highway;
Callous indifference, it seemed to me.
Even the birds at their feeder
Greedily fed and failed to look up
To mark the loss of their benefactor.

I found myself
Silently demanding condolences
In every encounter.
Not for the sympathy,
Or worse, pity,
But for the acknowledgement
That he was here
And now he’s gone,
And something,
However infinitesimally small
In the scopeless universe,
Has changed.

I have two cousins.
The first called my dad
Every month.
His regular call came
During the last days.
The decline surprised him.
He took a deep breath
And asked for speakerphone
Near my dad.
He told my dad
How much my dad had
Influenced his life;
How as a child,
he anticipated a visit from my dad
Like kids stay up to see Santa;
How my dad made my cousin feel
Like he was the most important kid
In the wide world;

How my dad gave my cousin
The otherwise unavailable
Sustenance of heart
Young boys need;
How my cousin had strived to be
Like my dad
And how he hoped
His own children see in him
What he saw in my dad.

That was acknowledgement,
Profound acknowledgement.

My second cousin called
Shortly after the first.
He had heard
That my dad was dying.
He did not ask
To speak with my dad.
He wanted to tell me
To call him
As soon as memorial
Arrangements were made
So that he could purchase
Discounted airline tickets,
To include a subsequent visit
To his son who lives
In the southern part of the state.

My dad was still living.

That, too, acknowledged something,
And served to impel my pending decision.
So I opted for
A less conventional
Memorial ritual
That required neither
Plane tickets nor attendance
Nor a frozen smile reception.

I would not suffer
Insincere acknowledgement.

I am sure I scandalized
Many acquaintances of my dad
Who enjoyed the social conventions of
The anticipated gathering
If only to point out the deficiencies
Of the event and the host.

I am sure I offended
And frustrated
And embittered
One of my cousins.

The other cousin thought
My dad would have preferred
Sincerity
Over a pantomime.

I would suffer
The disfavor and distaste
Of the discontented
With no difficulty.
Path Humble Jul 2018
Poems on a Mirror

~for Glenn Currier~

you don’t know me
I don’t know you;
poems on a mirror I ken
truly well

poems on the mirror saved, and then,
comme the seasoning of leave-falling,
poems dropping and drained...the post-it glue loosened by
the daily heat of watery tears,
making a space for
this one, for you...

there are poems and they arrive with fresh arrogance,
each an arrow demanding your all as a target regardless  
of what the shooter really thinks or wants, other than
obedient acknowledgment and their self-loving flattery

but some render where no rendering should be allowed

those are the ones affixed - ones you chose to join the chosen,
slapped onto mirrors - so many that they almost
cover complete your image from presentation

almost only because these poems are yours, you,
they’re the truly accurate reflection even if not your words,
indeed especially because they’re not yours

but they start your day as a poem should
and in doing so,
become you

What a Hall of Fame, to be a poem on Glenn’s Hall of Mirrors

go pick the plums...
“Glenn Currier  to Valerie Burroughs

“So true. So beautifully put. This is one I will add to Poems on my Mirror. Literally. I am going to copy and paste it or just write it on a post-it note and put on my mirror as a reminder of what poetry should be. Thank you.”
Beneath the surface of our daily lives, we are always asking the question, “Who am I, really, and where is my true home?” The answer to this question is so utterly obvious, so beautiful, so ordinary, and yet so profound, that like the nose on our face, we have a hard time seeing it. Because of our own self-imposed limitations, the answer to this mystery can only be revealed little by little, as if a great veil were being lifted inch by inch, until the truth is completely exposed. Yet, we are destined to receive this knowledge.

Today-all around us: the electro-magnetic field is active and alive, whether we feel it or not. Imagine all the electromagnetic-digital devices surrounding us! Take a moment to think about their direct or indirect effect on our bodies. Global warming is by far the most serious manifestation of the “collision”—and Mother Nature is making the evidence ever more obvious. Our bodies are like little vessels of light reflecting our bright birth right. However these vessels constantly need nourishing and care. These are amazing times for us all but we must take care of our bodies inwardly and outwardly, else we are left at the mercies of the “spiraling” energies circumventing the universe. Both scientists and spiritualists have verily presented groundbreaking evidence about what is happening beyond what can be felt, seen or sensed by human sensory perception. At times-you may feel odd sensations or more anxiety than usual. Breathe in slowly and deeply. Take your time amidst the “rollercoaster of the city’s rush hours”. Remember to connect to the “higher frequencies” of a positive lifestyle in healthy ways. Exercise, Pray, Meditate, if you can- use flower essences everyday such as: Silversword, Shooting Star, Morning Glory, Sagebrush, Snap Dragon, Cosmos, White Magnolia. Growing a flower garden has its rich rewards too.
Nature’s healing effects are unquestionable, for within nature we come face to face with the Divine infinite source of All creation-as it was, as it is and as it will ever be.

Yogi Paramahansa Yogananda once quoted:

Harmony with nature will bring you a happiness known to few city dwellers. In the company of other truth seekers it will be easier for you to meditate and think of God.

There is a magic about periodically moving out of the “city’s confinements” to the richness of and around nature: forest walks, boat rides, mountain trekking and much more. The main essence is in feeling a refreshed aura around and within you-an indication that the city and all its toil on you have been left behind. We have to try to get rid of the notion of time. When we have an intense contact of unconditional love with nature or another human being, like a spark, then we can truly understand that there is no time and that everything is eternal.

Other simple ways of raising energy levels include: silence in isolation and more “interaction” within you inner spirit-your Higher-self. There are always two forces warring against each other within us and we can bring these forces to a balance during silent personal introspection.  In order to relate properly with and to your inner being, one must follow the “truth of imagination.” From the word-imagination, we find the word-image, which is the manifestation of our physical form and body identity.

As William Arthur Ward said:

If you can imagine it, you can create it. If you can dream it, you can become it.

More than ever before on our planet, there is now great need for interpersonal sharing and the acknowledgment that ups and downs are a vital part of our everyday life. This process is internal as well as external. The “key” is a flowing pattern that is beneficial to all concerned. Take good care of yourself, your relationships, and your health. Exercising both mind, body, and spirit can bring you the agility to incorporate balance, whether you are alone or with a partner. Life can seem like a seesaw existence, but you can still have a wonderful time if you maintain a playful attitude.

The “image” we carry of our self within our mind and heart carries the power to bridge our highest ideals into our everyday practical life. On the other hand, attachment to a poor image of self condemnation and suffering carries the potential to destroy our right to joy and abundance. Which do we choose? Practicing the laws of “visualization” is not unlike the practice of prayer or meditation, where the seeker opens oneself to channels of higher guidance and inspiration. Ideally, we are given the opportunity to walk through the gardens and forests of the earth with astute concentration and attunement, opening our opportunity to the light of healing and service, each and every day.

Whatever your tradition or practice, however you offer your skills to the world, trace your roots and find the center of stillness and peace within. Only from this grace-filled place can we restore the health and well being of ourselves and our planet. Become one who engages the full power of the mind, heart, and spirit in the interest of alleviating suffering and making our present world a true “Garden of Eden”

Remember to build the world around you in a practical manner. Is your spiritual, mental, emotional, and physical universe anchored in truth and wisdom? Follow the “call of the wild” and listen to your inner voice within that guides you to fulfill your higher destiny. Take time to make weighty decisions. Realize the implications of your acts for the future. Stop wasting your strength by criticizing others. Recall the ancient adage “Judge not, lest you be judged”.

Reinforce your positive, upbeat, and inherently good nature so that the dark elements of this world cannot break down your resolve and dedication. For those who have suffered emotional pain from all sorts of physical or spiritual abuse, If you are to walk the path of consciousness, enlightment and empowerment, you must go beyond your “old wounds” and accept this golden opportunity to metamorphose into a new “body of light” – one that rejoices with the understanding that all aspects of life are sacred and it is in the weaving of the dark and light within ourselves that we find our true wholeness. We heal ourselves and others by first contacting the inner nourishment or the "water fountain of life" within us which sustains our ability to create beautiful things in the world as well as to act from the depth of our hearts.

Imagine opening your arms to upward spirals of your divine existence like a beautiful chalice and ask that all love pour into the vessel of your heart. This love is abundant and rich, offering the fertile elixir of passion and creativity. These are exciting time and we must accept the challenges offered to humanity at this time; in it all: Unconditional Love, Peace and Unity is the answer. Change all bad habits-those that leave you with tingling bits of guilt. Cleanse your body and home and adore the “temple of beauty” that is your embodiment: your real reason for being!

The mystery of the universe is within and without us. Love the world...Love yourself...Love the change. Anticipate illuminating insights from places deep within you. Let the inner truth of your radiance come shining through. Most importantly, focus your attention and thoughts and blossom like the beautiful morning-glory. The yearning for our lost perfection, the urge to do and be that which is the noblest, the most beautiful of which we are capable, is the creative impulse of every high achievement. We strive for perfection here on mother Earth because we long to be restored to our true oneness with Almighty God.



Muhumuza Kenneth Ezra.
poetryaccident Sep 2018
The sad acknowledgment is for friends
still on this earth but gone from sight
by the twist of fate’s cruel hand
or the stress of facing life
they filled a space I thought firm
an anchor in tumult's space
now I consider what has changed
with a sorrow I must convey

sometimes ills confound the mind
then ask too much from in their time
a toil is taken to hold on
demanding hours in the day
the struggling soul in the drink
has no time for the bygone
strength conserved for the fight
is not available for past pals

to survive has its demands
travels far beyond this space
pursing jobs to make a buck
or properly loving family
social media may fill the gap
yet the echo falls quite short
electrons pale in substitute
for a person by my side

lastly life can be most cruel
when two paths meet a fork
they follow their firm beliefs
while I walk the alternate
the yokes become disparate
judgment ******* devotion’s lot
what is ordained must be met
even as mates are ripped apart

repetition was a false balm
always there until it’s not
I’ll shed a tear in my heart
wishing time could turn about
in the place of my friend
is an absence that I regret
while hoping all is well enough
I hope to see their face again.

© 2018. Sean Green. All Rights Reserved. 20180901.
The poem “Sad Acknowledgment” is about absent friends and the reasons that they are not present in our lives.
Keenan Akeem Jan 2013
Thinking, Pondering, Wondering
What’s wrong with me, am I too nice? Are my friend’s right?
For I heard this phrase for so long
Junior year to be exact.
Are you gay, you ****, bro are you straight?
(Is what I heard)
Are you crazy, **** them hoes
(Is what they said)
Go out and get that bread
It’s all coming back to me.
Too nice
Is what I’m characterized as
Never the one to go out and get it.
What you going to with it?
You gonna to hit that, tap that
Because if you don’t I surely will pull that cap back
In to reality
Snap, it’s all coming back to me.
See I’ve had my time of deception and deceit
For now I’m grown and just want to take a seat
Relax and think
Blind to see that special someone for me.
But, in this world there’s no room for that
All society wants you to do is have babies,
Be poor, struggling
Oh, that’s a class act.
But for me, I don’t belong
Others strung along like a puppeteer singing their favorite song
Bounce that ***, Twerk that
Is what our women are suppose to know
But, who is the one to show
All the beauty and potential they possess
Progress into women of success.
Too bad none of them will ever see that.
Most of them will be on their backs, thrusting
While the eyes of the Lord watching, as his child
Is no longer is his little girl.

Too Nice
Ponder at the fact that nice guys finish last
Where are the gentlemen, the ones that take women
Out on dates, but their afraid to actual settle down
Thinking I’ll look like a clown when my homies find out.
Sincerity and acknowledgment are things of the past.
Now days, saying ***** and *** is what’s going to get you past
In life, I learned that you can’t make everyone happy
But, if I can make most then that makes me happy.
Gratitude and simple thank you is all I ask
A little kerseys and small “how do” will do for I don’t ask for much

Friendship, Loyalty, and Respect
F.L.R.

But, how can that get you so far, because in this world no one cares about
Your feelings.
Phssst, what were you thinking?
I was thinking that for once, just once nice guys wouldn’t finish last.
Be glad while you have me for who know how long I’m a stay
TOO NICE
This poem reflects my personality and how I see the world through my eyes. I hope all that is reading this enjoys my work.

- thank you
Ryan A Flournoy Apr 2015
10:35 p.m.

Again the man ate too much for his own good. He could barely sit long enough in his car ride home without an involuntary bowel movement threatening to ruin the interior leather of his new convertible car. The same convertible he happened to clean earlier that day, and for the second time that week. Barley able to transition out of his car he wobbled his way to his front door and into his house away from the fascist eyes of his affluent neighbors. He plopped to the living room floor assuming the only position his body was capable of. As he lay spreadeagle on his back uncomfortable and slightly anxious he ripped his shirt off in fear of suffocation. The spinning fan above brought waves of nausea if he starred at it for too long. Rubbing his naked protruding belly seemed to be a brief fix for the brewing pain in his stomach, but then the pain turned for the worse. He felt the sidings of his stomach stretched and the food nearly about to overflow back out of his mouth. A small burp came from his abdomen and he could taste the food as it rose and steamed in the back of his throat. He questioned himself In agony, "Why?". Why would he continue to spoil the treat of dining out at his favorite restaurant in town just to come home in disgust and pain? Is it an inability to stop himself from ordering the biggest plates of food and forcing every single grain of it into his mouth? Or are the pictures that show the plates of food just too enticing for his self control? Is it that the price seems right, therefore it only seems logical to order the full plate and its copious amount of sides to choose from? Perhaps it is just because his finances allow him to and his lack of appreciation for what sparse living feels like, or even worse famine. With no real acknowledgment of the nonrefundable resources he so easily exhaust, not to mention the physical harm done to his body, he was doomed for failure. He winced as he rolled to his side. No burp could subdue the agony of each turn in his stomach. He feared at any second his dinner would decorate his luxurious new rug that he took so much pride in. So much pride it was not uncommon he would insist his guest to bend down and feel the plushness of it every time they stepped on it. Still the war raged in his abdomen. Focused on his breathing, he shut his eyes in hopes of a get away. Struggling to remain still he reassured himself to breath.

11:07 p.m.

Suddenly, like a light switch found in a dark room a life changing truth was revealed to him. One so beautifully powerful it was to change him for good. The awareness of this truth would put an end to his pain and suffering, his lies and imperfections. There was now an answer to the constant void in his stomach, his unquenched hunger, the glass half empty. No longer was he a prisoner of deception. There was an overwhelming fleeting of demons and a mountain of weight lifted. His vision was as clear and vivid as it could ever be. The bliss was not ignorance, not anymore...it was unfeigned truth. For the first time ever he could see life for what it really was. It felt like a lifetime of emotions in one moment. Simplicity surrounded him in every direction. He felt the joy of complete freedom. The weightlessness of eternal peace. He was to tell the world of this untapped truth brought to him. A new and better way to live. An actual sustainable lifestyle free of judgement.

Then without his consent, he abruptly stood up. Dazed and in a state of confusion, he glanced at the clock.

11:11 p.m.

He then looked down and saw what his life cleansing truth was. He had simply soiled himself while asleep, ruining his new living room rug.
Man longs for fulfillment but looks for it in material objects, false ideologies, pleasure and desires. We will continue to take from this Earth until one day there will be nothing left.
Stu Feb 2019
Who do you call when your brain is on fire?
When sunshine strips
begin to fade from the bed sheets,
And you find, yet again,
That you've allowed a day's worth of stability
To deconstruct itself.
For a while, a silhouette you will remain,
Chasing the origin of light,
Only to fall into the one thing blocking it.

What happens when a brain is burnt out?
Drawing out breaths that latch to the cold air,
When you stand with weary muscles,
A title wrapped around your forehead,
And a frustration festering.
Holding close to the last remaining memories,
Of security, of solidarity, of purity.
Losing yourself to yourself,
Costs less and less each time.

When do you decide a brain needs fixing?
When the ride home is full of regret,
And your legs cannot stop shaking.
A miserable night will be swept under the rug,
So dogear the scripture you spoke belligerently,
And the world will suddenly seem small.
A breakdown happens when most needed.
A breakthrough happens when least expected.

How do you fix a brain?
Probably, the day without questioning it all,
Will be the day you figure the most out.
If we can get a mixed up mind to settle,
Then the first thing to learn would
Be the acknowledgment of a new, better life.
We will all survive our demanding brains,
if only someone will show us the way,
Will someone please show us the way,
Before another brain is ignited?
For an old friend.
Conor Oberst Apr 2012
If you could change your days
Arranging them in some sweet new sequence
like any new arrangement is going to make a difference
because it is the moment that you are living in
and not the one that follows that makes the mess you are cleaning in your head
And time still drags you forward
although you keep resisting
because you know it is what  you leave behind
you will soon start missing, and the people you once counted on
say it's all depending on how you act and how you treat yourself
and that is not very well
So Baby when I call for you
I want you to come and explain yourself to everyone
You nod in an acknowledgment of your frequent mood swings
But what good is acknowledgment?
It still don't change things
We've tried all forms of encouragement
and it's still no better
You can't seem to fake or force a smile
Not even a little one
So Baby, when I call for you I want you to come
and lay it out for everyone
exactly how it was before any of this happened
and why you can't leave it behind
Don't just sit there when I call to you
I told you to come and lay it out for...
Don't feel awkward
Lay it out for everyone
I

What’s become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?

Who’d have guessed it from his lip,
Or his brow’s accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what’s-his-name’s, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!

He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who’s to blame
If your silence kept unbroken?
“True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe’er believed
In more to come!” But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o’erweening
Pride alone, puts forth such claims
O’er the day’s distinguished names.

Meantime, how much I loved him,
I find out now I’ve lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks’ raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr’-inform’-ingens-horrend-ous
Demoniaco-seraphic
Penman­’s latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E’en so, swimmingly appears,
Through one’s after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were… Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor’s grace and sweetness!
No! she heard in its completeness
Truth, for truth’s a weighty matter,
And, truth at issue, we can’t flatter!
Well, ’tis done with: she’s exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.


Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I’d fool him to his bent!
Feed, should not he, to heart’s content?
I’d say, “to only have conceived
Your great works, though they ne’er make progress,
Surpasses all we’ve yet achieved!”
I’d lie so, I should be believed.
I’d make such havoc of the claims
Of the day’s distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.

Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin’s pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take *****,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness’ self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no ****?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian’s fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, ’tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there’s slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret’s ceiling, walls and floor,
Up and down and o’er and o’er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
“Give me my so long promised son,
Let Waring end what I begun!”
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent ’tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God’s creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what’s to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet’s mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who’s alive?
Our men scarce seem in earnest now:
Distinguished names!—but ’tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!

II

“When I last saw Waring…”
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)

“…We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel’s side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o’er its planks, a shrill voice cried
(A neck as bronzed as a Lascar’s)
‘Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne’er so big,
They’ll never let you up the bay!
We natives should know best.’
I turned, and ‘just those fellows’ way,’
Our captain said, ‘The long-shore thieves
Are laughing at us in their sleeves.’

“In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!”—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
The mystifying howl is irksomely faint yet vividly heard,
Akin to orchestrated footsteps of the undetectable command
As the new dawn illuminates a smoldering fire beyond the horizon-
“A sign of human activity-but an awful omen to the warlord”
Legions called into action, and for every step they take, matter is drawn from the ether,
Waiting for the final caravan of conquest and conquer;
Do the militias now turn their swords into ploughshares to suffer?
When their enemies-without remorse-silently creep up on them in silence,
However the distant shuddery sound of their battle cry is harmless;
But is the shunned “death-valley” an inescapable companion anyway?
With strident herons flying high above the maze-like island…so forlorn!
These shameless war-warriors!
Heroes With-Out!
Villains With-In!
Unlike them-the countryman is truly so fortunate nonetheless;
He marvels at the innate splendor of the single showy tulip in the bucolic wilderness,
Although now the heathen intimidate his terrain amidst his recoil in resistance;

The characters of men and women under this impudent sentence
On the uniformity of fate, however gay were the earlier scenes…
This sense of the seasons and mortality-more tragic in great cities
With mortals forgetting it is superfluous to go in chase of nature’s thoughts;
She comes of her own free will in the passing shadows of the seasons!
The boastful soldier…
The learned doctor…
Footing out of the masses for the qualities they assume beyond the galaxies afar;
The qualities they assume are those that most men admire!
Their hypocrisy, bravery and ingenuity survives more
Even in times of turmoil and war-with satirized lies and rumors
“Giving praise to bloodshed?”
Since when has the sight of blood been a derisory affair?
What a horrific carnival of double standards of power;
No laughing matter!
Doubtless criticism-sinister in origin with a false swagger
Sharper now in the modest gestures preaching feminism
For if modern elegant ladies adorn their bravura torsos in red fashion
Why give acknowledgment to this same reddened “color of death!”

The new world is finally shedding off the aged navel scar
Releasing the “Mother-Principle” instinct to be mothered and to engender!
Are awakening sons of men along with their nations betokening universal grandeur?
These lions among ladies!
These foxes in the fight for freedom…
“The men of Marathon”
Ironists-commonly more “characters” than thinkers,
Irritated further by the hypocrisy than by the ideas of those they portray,
Blind to the verity that modern tolerance might seem to go further than that,
As vengeful souls vanquish and oppress their enemies by craft and deceit;
…if they thought it was a sin, they would not argue about such a mischievous plot.
Finally money has a power above
The stars and fate to manage love:
Whose arrows, Learned Poets hold,
That never miss, are tipped with Gold.
Christine Jun 2010
Mortality means that you can **** my body
With unlimited weapons.
Nature. Technology. Man.
All would end me
In minutes
In seconds.
Living is dangerous;
I can die just trying to survive
Without even recognizing my struggle.

In a sense, I am the least powerful thing in existence.
I am slowly rotting away as I write...

Nothing can stop it
And that is the beauty
And the cost
Of being human.
That is the beauty and the cost of being free.
Black Jewelz Jan 2016
There lives a woman who
Seems mystical, even mythical
--It is true--
Because she is biblical;
Rarer than a precious jewel.

She is virtuous
She is loyal
She is courteous...

She is royal.

She shines brilliantly, like a star cluster trapped inside a room.
She glistens like jubilant sun rays dancing atop the ocean.
The wind of her voice sets inspiration in motion,
Like a sonic boom.

She is powerful.

She is virtuous,
Who is worthy? Just
Wonder & coil
In a corner & toil
As you ponder this.
And honor this
Acknowledgment,

Because she is royal.

Don't dare compare her to the likes of
Nefertiti or Isis.
They are not so estimable,
You couldn't buy her even with a million zeros before the decimal,
Because...

She is priceless.

So the King adorned her,
Because the King adores her.

She is beautiful, so they say,
But such a meager word could not suffice,
Because her true charm emanates like waves
In the ardent expression of her practice of life.
And from her mind and her soul.
Her precious heart--more precious than gold--
Looks like a kaleidoscope of rare gems,
Darting dazzling colors; the spectrum in whole.

Diamonds die in comparison,
Hand her a diadem...

She is special
She is jovial
She is gentle

She is royal.

She is not haughty,
Nor does she flaunt like worldly wenches do.
She tells girls who've been told they're peasants they can be a princess too.
She is not naughty,
Nor does she taunt like wanton vixens do...

Because she is godly.

Yes, indeed there lives a woman who
Seems mystical, even mythical
--But it is true--

She is virtuous,

She is royal...

She is you.
Written for a woman I adore. Not my wife or girlfriend or anything like that. Just someone I knew.
Nat Lipstadt Jan 2018
I Am that I Am (אֶהְיֶה אֲשֶׁר אֶהְיֶה‬ ’ehyeh ’ăšer ’ehyeh)

for Eléa

the requests are assiduous, regularly arrivaling, some shy,  
some heinous demanding and denouncing,
inquisitors inquisiting this revelation,
as if it could be bought in a Five and Dime,
with a childlike whining insistence

just  exactly who are you?

this is not my name above,
but one of seventy the Father gave himself

He named me in a fit of efficacy and whimsy and in and from, a fit of a deep veined mystery

You Raise Me Up

all this on the ****** side of corny, and would not blame you
if you moved on…

so nominated in honor of my mission, to travel with you in
all the travails that ail,
to raise you up to raise me up and thus salve the universe's cracks,
fill the crevices and the ****** scars invisible,
with the precise refreshment that make my life,
a slave to your thankfulness

I am the wetness of a mother’s lips upon
a thin red tear on a child’s skin,
I am the the rock hard father’s shoulders grasped by a child’s arms, the child does yet understand that human is illusion,
human is human, however strong,
it is the allusion of human limitations
that is our magical

I am the present re-borning come with a morning glory,
the time when the Am and the Pm  future merge in a name
without tense,
past present and what I may be is simply what
I am

when the past is but another sky bright star, untouchable,
but winking at you, to you personally

I am the touch of the untouchable,
a messenger commissioned to remind you when
the reminders are too far apart,
or even too close
and thus make a breathing space
in between for the living and the missing

I am the
no difference
between a newborn’s soft skin cells
relentless multiplying,
that offers the same precise sensation of the
grandmother’s delightful wrinkling cells of smiles of her
relentless dying,
for all, one and the same,
the child in her is you, baby

I am the fall before the rise, the first that defines the last,
the standard, once obtained, nevermore unobtainable

I am the first fruit of the summer,
a tongue blossom, a burst of memory, always recalled,
always the same, that begs for forgiveness for there are no
new words to describe the profound finding of the
simple pleasures that sustains the blessing over all things new that
are recurring and truly
renewable (shehechayanu)

I am the crinkle in the eye, the one that hides in the fine lines
and upon the lips,
when you purchase the hope however fleeting of a
$2 Powerball ticket,
the very same hope preserved when you laugh when you lose,
for there is contentment in knowing one may hope spring eternal,
yet again in a finite
three more days for and too another lousy two bucks fantasia

I am the ruse of happy satisfaction of a man
in the dark of alone at home,
staring at his sizeable bank balance
and the happy knowledge that its loss  it will make it greater someday when it  happy converted to memories and photos that  are worth a thousand times its multiplicity
if only,
or when,
he knows how

I am that pain in the left side of your red sea-parted soul that cannot be dismissed but is religiously ignored,
that you alone know of
due to its persistent existence, and because it is just tolerable,
it is a sad but comforting pain,
an acknowledgment that a companion travels with you
and that in someway is ok and you exist

I am the water on the night table that extinguishes the dry throat of recurring visions in eyes that always end badly
and make the bed’s welcome a fearful thing,
which is a fearful thing for in good sleep is the
re-naissance and re-formation and the salvation
that was given to you as a gift inside thy mother’s womb,
and that
it is I,
whispering the hum of easy soft lambs,
soft breathing you
unto welcoming rest

I am the poem that must end because of our
frailties and impatience to live in
the reality of human touch,
that must be put aside for any novocaine of words

I am the one who can only be alive
when he raises you up and
you begin a new poem all your own,
and then exit it too, willingly,
to embrace the raising up of living

and that is the
who I am
that I am
raising us up
Kayden Fittini Apr 2015
Towards the surface remain my concerns.
The sun will shine on all my problems.
Entering my mind in a state of stillness.
As powerful as that might be.
Will it set my fidgeting free.
It's time to leave that all behind.
Searching to find the wondrous grape vine.
To eat with the acknowledgment of peace and happiness.
The water is in harmony to the song of the whales.
To sink deep naturally without any fails.
I wish I could hug it even though it flows around me.
From the cosmos I must shine through my enlightened chi.
Lifted from all the negativity.
I've found what rescues and saves.
The voices travel with the wind and aids the singing waves.
Hannah Draycott Oct 2015
Hail to my King
but only I bow the lowest.
Only is it, I, that bows the longest
and with all my faith, loyalty and love.

What do I get in return?
Maybe, perhaps, on his good days
a look of acknowledgment
for all my time of dedication.

Hail to my King
his brilliance will cast you under
his smile will have you hypnotized.
Alas, I still wait
pray
beg
for his attention.

Up there he stands
on the pedestal I made for him.
Basking in the glory I shower him with,
he has no idea.

Hail to my King
No. actually, don't.
He is my King.
My King with no crown
he is ordinary, like you and me.

Do not hail my King
he will love you, he will steal your heart.
Then, he will hurt you, ruthlessly.
Unknowingly.

And that, there...is the worst pain
and still I hail him.
I hail My King
with all my faith, loyalty and love.

Hail to my King
and to him I shall return.
This poem is dedicated "To My King" the apple of my eye.
Colette Williams Jan 2015
He empowers me
Has me feeling I can conquer anything
Do I love him?
No,
But a certain kind of respect
And a clear sign of acknowledgment
Must be given
When he speaks
And when he listens.
YieShawn Scutt Mar 2016
Can you see me?
Can you hear me?

It's like I scream on the daily
Crying out for a savior to save me
Deep down knowin they're carefree
Done acting like it doesn't faze me
Sometimes it hits me
Hits me so hard it knocks the wind straight out of me
Literally
But still my dreaming is continuing
Searching for hope
"maybe"


Can you see me?
Can you hear me?
Dissappeared as if a dark cloud decayed the body in a matter of miliseconds and disposed of it somewhere unknown.  Never did I see a single sign of being psychologically sick.  Not one piece of evidence to prove her existence. Multiple memories of her wither away slowly.  No discernment  to the delphian disappearance.  Very vague memories of her,  perhaps she was a vision.  Maybe,  just maybe my imagination  had gone too far with my mind. No! Her disappearance  was real;  but due to her irrelevance,   and exodus she was forgotten in the conscious  mind of others. Maybe its time that I finally forget about the phantom that haunts my memories, and makes me question my sanity.  Gone she is,  and gone she will be.  So the acknowledgment of her existence  is Irrelevant.  She is now,  and forever has and will be nonexistent. -V.H.
brian mclaughlin Sep 2015
Without acknowledgment
The warrior has no foe
His war remains within
The only casualty
His spirit
Don't Exist May 2014
People praise geniuses
like they praise trophies
after all that hard work
they are put in a shelf
where  they will dust until that shelf is destroy
or until they are needed for entertainment
being drain from their polish

The trophy has no identity
It is own by society
only to be use again and again.

Some trophies accept their fate
others glamour in the sunlight where they reflect all light
being seen in the world as special
while being treated as **** at the end
and for all it's genius an all it's glory
It wasn't smart enough to break free.

I guess what all geniuses and trophies are missing is
Acknowledgment of True Self
As a genius is just a human being and a trophy, a scrap a metal
both made from the same old atoms.
A simple poem
Logan Robertson Oct 2018
every so often
they threw the seal a fish
though it was only a small fish
the seal would jump for joy
he would wiggle his fins
his nose, his eyes
his space coming alive
and from his landing
he would dive into the water
with the youthfulness of a pup
diving after that little silver
like it was for the first time
his eyes wider than the moon
as he streaked across the pool
with pent up
exuberance
so graceful
and in rhythm
his back to the spectators
but not really
as his moon peeks through
the surface
back towards the smiles
the cheers, the applause
it meant the world to him
receiving
the acceptance
and acknowledgment
the likes, the love
the words from the butterflies
descending on his blooms
for
he sees and hears
feels their touches
his splashes of fate
leaving his face golden
and beholden
in the face of sorrow
he circles back to the surface
pockets of bubbles rising
like his love for the audience
that little silver
wiggles of his daily grace
now his sustenance
his nose, his eyes
his shrill coming alive
and now back at his landing
animated
and blessed
his moon shining at the spectators
and in all sincerity
he lets out an arf, arf, arf
intonations
and sublimity
dancing in the moonlight
thankyou

Logan Robertson

10/14/2018
The writer writes the correlation of how a seal relishes his rewards in the same manner as how a poet here looks at his.
Speaking for myself the similarities are uncanny
and are the light of my day, where I'd
be remiss not to give thanks,
wiggle my eyes, my nose
playfully
like a seal.
ghost queen Mar 2019
at what point in your life do you realize the futility of chasing the elusive

acknowledging all your past love stories are tragedies

stillborns, held briefly, remembered daily, for the rest of your life

to meet the paragon that matches your impossible list of requirements

the odds are against you, possible, just highly improbable

to find the unicorn on a merry-go-round of painted, wooden horses

mindlessly, repeating the cycle, searching for the one, in a universe of stars

how many times must you be pulverized in the online emotional meat grinder

craving the unconditional love, acknowledgment, validation of prince charming

to be kissed, caressed, cherished by the bad boy on the harley

romantic love is a dangerous illusion, a mirage in the desert, la fata morgana in your heart
#233 2019.04.15
tread Sep 2010
Men clad cleanly, polished boots and bowler hats,
Women wearing short skirts or long dress,
Boys no longer boys deny their old,
With rock and rap, skate shoes; how bold!

Indifferently they carry on,
I am you, and you are him,
She is fat and she is slim,
Registered in heads dead depth,
As we pretend to see no man who chokes on crystal ****.

Like the jaded sidewalkers,
Who cram these city streets;
A glance is but acknowledgment,
As all shuffle in quick feet.

To say the least, we will pay none,
To those who are not us;
To say the least, we think we've won,
Ignore the drunk mans fuss.

Like the jaded sidewalkers,
Who view in black-and-white;
No middle-ground perceives a frown,
As they sleep amid streetlights.

The morning rush and nightly blitz,
As people scurry too,
Destinations, dealing smiles;
Self-help books to start anew.

As talk through text, online, or phone,
Dominates the daze,
Indifferently, ignore eachother,
"Nothing need be said inside this maze."
The CEO, he acts as King,
With peasants treated well;
Their brains blunted to buried states,
"He's bad; but he'll get his due in hell."

Everyday they rise early,
To catch the mornings speed;
"I do this by the clock because,
A life, so rich, I'll lead."

"Conforming kills the mindless soul,
To fight off human urge;"
You're free, yet unaware of this,
So conforming, you won't purge.

Like the jaded sidewalkers,
Who, like zombies, follow sway,
A human hand on island sand,
'I saw him not,' or so I say.
Steven Fortune Apr 2014
High ground
I concede to you
in the disproportion of a time allotted to you
for the choice of robe to grace
a glorified cameo around your flesh
like a sheet designated for an overthrowing
in an honorary statue's unveiling

Liturgy is looming in the bathroom
already hot-boxed in the metal waterfall's
mist of moisture and the mountain range of bubbles
I have settled comfortably into in wait

High ground
awaits your hallowed prance
into the concealed languish of your man's
dangling imagination

I salute you with incentive
through a lowering of eyes made necessary
by your towering above my horizontal soak

I'm beseeching you to wield royal sway
over the humility of my reclined posture
with the hidden scepter of your body
fated to dictate the pace of my
anticipated knighting

The gentle thud of fabric on linoleum
incites a turning of my head to take in
the litany of parts available to my
frenetic feels and jumbled focus

Stationary in your naked smile of proximity
you extend to me excessive time to entertain options
as I coat myself in lukewarm opportunities
and rise to meet you for a bathing in my excess wetness

I accelerate my exit to negate the bubbled tribuataries
sliding to the floor to meet the remnants of your mystery

The wall is cold and you protrude
haplessly to meet the rapid chilling of my undried frame
Warmth is of the essence
Fingers split your hair in celebration
of our uniform heights and I feel you slouch
signalling our first hint of friction
and a twitch in my diviner of your cradle of essential warmth
Do you realize you now rescind creative license?
Or have you filled the snare of your intentions?
Now your balance shivers in the mercy
of my curled leg of leverage
and an coiled arm collecting your ambrosial attributes
like an ice cream scoop
Uniform heights allowing eye contact
makes optional the visual acknowledgment
of my elastic hunting in the smooth field of your breast
with a dancing thumb
I connect and latch onto what is now
our binding axis and shuffle eye contact
with the universal rhythm of a pelvic power ballad
03 26 14
Lyra Brown Jul 2013
timing is probably the most important thing
in the entire universe
when you really think about it -
it's like when a certain record comes out
and it defines that entire era
of your life
like the summer of 2001 when I was nine,
in the car with my dad on a hot summer day
and he stumbled upon "I'm Like A Bird" on one of the stations,
and we turned it up, rolled the windows down,
and we knew that that song would always be
ours.
and it's truly just so crucial to our existence,
the timing of things -
like when I met this beautiful person on the internet
who soon after became my best friend
and turned my whole life around. but the timing of it
was perfect and had i not met her right on that day of that month
of that year, i probably would not be remotely close
to who i am today.
and I already know that this summer is going to be associated
with Daft Punk's 'Random Access Memories', with "Get Lucky" blaring loud
on every stereo in the city,
it will remind me of Eisley's album, "Currents", and the song "On My Balcony"
by the band, Flunk.
Six months from now when I look back on the summer of 2013,
I will think of those songs and those records,
I will think of how hard I was trying to stay afloat and become
a better person, for nobody but myself,
and how good of a job I was doing with the action
of letting go of things that were toxic for me.
I will think of blonde hair and dancing in the rain, hot sweaty shifts
running around a crowded restaurant, being sad about how much time
I still have left until I get to see my favourite person again, and I will think of
boredom and sunburns and bad poems and love and hope and willingness
to overcome fear. And music. So much music.
This isn't really a poem but more of a very lengthy acknowledgment
regarding the importance of timing, especially perfect timing,
and how even bad timing is usually disguised as
perfect timing in the end.
These are the kind of thoughts that I feel like I need to swallow
because they're on a level of pathetic that I can't even admit to myself.
It's that level of pathetic that really makes a person naked.

The deep dark corners of a person.
It's the trigger of the first tear.
And it all boils down to you.

Your simple acknowledgment of self scares me.
Your self-awareness kills me because
it brings you closer to realizing
that you can do better than me.

*And then what do I do
with this epic love I feel for you?
Lyra Brown Nov 2012
I’m sorry I shut you out and blamed you for my own undoing,

You see I have this cloud that hangs above my head and I had begun

To call it home.

My thoughts and feelings got lost somewhere in the condensation phase,

And I trapped them there, only allowing occasional acknowledgment of the pain

I was in, doing as much as I could so as not to show if or how I had been affected by it,

For I am my own prisoner of sorts.

I let you in my cell to feed me water and gruel, but when you asked to spend the night

I immediately pushed you out and handcuffed myself to

The illusion of accomplishment, for lo and behold, I was there supposedly

Protecting myself, abandoning you before you could abandon me.

Over time, my pride turned to boredom which turned to anger which turned

To loneliness, and I had to place the blame upon someone’s shoulders.

There were no mirrors in my cell, so I chose to blame you

For I had forgotten that I even existed.

Your kindness cut into the unripe parts of me, the parts that were not ready

To be handled so gently, where breathing is slow,

Where each time you blink is like having a windshield wiper wash away the rain

From a car so clarity can enter your veins and visceral rearview mirrors.

I unraveled while you were away, I cried over my million losses while I counted

Your continual successes, I was envious of you,

Gradually falling silent to the truth of everything that had once surrounded me.

I was afraid you no longer loved me, for I no longer wished to be loved

Nor did I feel deserving of it.

That wish was strong and I fell down a long and narrow well

Where you were not waiting for me when I finally reached the bottom.

I stayed there awhile, beneath my cloud, locked in my cell,

With the murky water and unforgiving gruel.

You called down to me from the top, your voice

Your voice

Your voice

Oh but how could I possibly forget?

That voice.

It never left,

It never lied.

I can’t promise you I won’t fall down here again,

For my heart is stubborn and I still haven’t learned

The art of removing that which has been engraved

On this selfish mind.

But for now,

I wish to stay.
Mateuš Conrad Aug 2018
.pre-scriptum alternatives... either a bus-driver... or a garbage-man... ha ha... Leibniz... was a *******... librarian!

a zookeeper,
   a warden in a prison...
or some obscure,
   accolade role
   in an asylum...

i'm being pushed the role
of a chemistry teacher...

mind you... i know that the best
way to pet cats,
is to "ignore" them,
let them play their
solipsistic hide & seek game
with plain view of the target...

but i'm thinking of 3 dream jobs...
horticulture isn't an option...

must be the sort of man
with a floral pattern
rather than a sky-scraper
in my underwear
to provide gender
exclusive role play...

  whatever the hell the means...
but teaching children
chemistry?
   d'ah ****?!
    i want to be on the forefront...

a gorilla zookeeper,
a prison warden,
      an accolade
for what's the upper tier
of nursing,
namely, inside an asylum...
    
    but i won't ever get a chance
to prospect myself for such roles...
hence the poetry...
      
      given that i'm a chronic drunk
in England, but a sober
sparrow in Poland...

         come to think of it...
i'm ever only drunk,
when i start talking...
            alone, drinking?
        i can catch a judge
play-thing sober...
                
                  but those are my dream
jobs...
                and in all three instances...
none, are advertised for
potential applicants...

        like a safe pass into a business of
past, trans-generational funeral homes...
   just like they said:
it's not what you know,
      it's who you know -

unless of course there's a merger,
and you're thinking
about emperor Nero stabbing
himself in the neck...
    
     within the confines of a self
acknowledgment, "question".

— The End —