I was born a sickly, screeching baby, two months earlier than expected. The doctor and midwife did everything they could to keep my little limbs moving and to keep my tiny heart beating, fluttering like the wings of butterfly.
“Is it a boy?” my mother whispered through her pale lips, as they bathed my naked body in hot water.
“No, ma’am, it’s a girl” The midwife struggled to add on something that would make the wailing creature seem more desirable. “With exquisitely shaped feet, so perfectly miniature”
She let out a croak of conflicting emotions: the joy and pride of a newly-founded motherly love, the fear of presenting a girl as a first-born, the relief that the hours of agony in childbirth were over and the dread of facing her husband once he found out about me.

My mother was not healthy after my birth for a long time; and when I was only one and two months old she fell dangerously ill, and the house whispered footsteps running to her room late at night and muffled voices of different doctors. Mercifully, she survived but was left barren and forever unfertile.
I can not imagine my father’s fury. He believed in having sons to carry on his old last name of thirty-one generations; it was his religion and had I been a son, I would have been worshipped as a god. I can imagine how my mother prayed and thanked her ancestors that her dowry was of a large one.

He could barely tolerate being in the same room as me during my toddler years. Every time he entered a room I was playing in, nurse would sweep me to our garden out side; answering to my startled queries, “Be an obedient daughter, don’t bother your father and don’t ask questions”
My body had been born frail, but my natural spirit was as healthy as could be, full of inquiries, wonders of the world around me and everyday I would learn something new just wandering around the neighborhood observing things, with my nurse trailing with a worried eye behind me muttering, “Girls are not supposed to be exposed to this” she spoke the words as if they were sour, “you should be sitting at home and accompanying your mother.”

Every day at dinner, the two females of the house, me and my mother, were silent while my father ranted on and on. My appetite being very delicate, I often just sat there as still as I possibly could and listened to my father talking about politics, jobs, money. Things he called ‘men business’. I longed to ask questions about these ‘men business’, especially ‘university’ for I had an inquisitive sort-of nature but was refrained with a sharp, piercing look from my mother every time I opened my mouth and sometimes, she pinched me under the table leaving purple splotches which flashed, “Don’t question your father”
Sometimes, he would talk about the future he had decided for me, “You will marry off, sixteen at the latest, to some one rich and beneficial to our family. You will do as I say till I marry you off, and then you will do as your husband tells you.”
“Yes father, for I should repay everything you have done for me” I replied as sweetly as I could.
“Yes, you’re a good daughter. Bear lots of sons for him and your house will be one of happiness.”
I was proud that he had given me a compliment. “Yes father, for it will make you joyful as I always wish to make you so”
My childish heart did not understand why my mother turned her head down while her left eyebrow twitched, and why that night, as she tucked me into bed, I thought I saw a tear roll down her cheek and why as she kissed me that night she whispered, “Do not love me so; love your father. The men in your life are your gods.”

My physical health would constantly limit the desires of my free spirit. I could not to do what others who were as free of spirit as I was could do, and couldn’t socialize with them and the rest of the children in my neighborhood had their siblings to mingle with, causing me to become the pitiful outcast.
I saw children around my age, around seven or eight, climbing trees and wanted to do so as well, but my white feet did not have grip enough to grasp onto the fat branches.
Father caught me once trying to propel myself up a tree and his expression was both of a resigned anger and sadness before he turned him and his face away and back into the house without a word.
That night, mother told me not to climb trees ever again. I noticed a faint bruise on her cheek bone that had been covered with white powder.

When I was eleven or twelve, and was allowed to wander further out into the neighborhood with my nurse I saw the boys fishing in the nearby pond and wanted to do so as well. Starting that day, every week I pocketed the three coins mother gave me until I could buy the best fishing rod in the little store and ran as fast as my skinny, weak legs could carry me to the pond. I mimicked the way the boys flung the fishing rod out over the water but the metal pole was too heavy for my pale, shaking arms. I tried over and over again as my nurse watched, biting her lip in anxiety. I held the fishing rod with trembling sore arms till  I felt a bite; I pumped my small arms to reel it in, but they were so tired and I was far too slow, losing the fish I had spent half the day trying to catch. “Ah, just bad luck, don’t worry! It was a smart fish, I tell you!” nurse exclaimed, though her eyes flashed a look of pity and I knew she knew it wasn’t just bad luck or a smart fish.
In anger, I sold the fishing rod to one of the boys for two-thirds of the price I had bought it for. He was delighted with the bargain and I watched with a lump in my throat as he caught three fish with the tug of his healthy, muscular arm within fifteen minutes. “This is a beautiful rod, and the pond is just filled with fish today, Little Sister!”
Wanting to spend the money jingling inside my pocket, money that to me was just a reminder of a painful memory, I headed off to the collection of little shops close to my house where I was guaranteed distraction. Nurse, sweating and complaining of the heat, followed me.
An ageing man with a bunch of filthy hair working away on a piece of thick, rough paper with wondrous colors inside a shop caught my eye as I peered inside the window. He turned the picture upside down and continued blending in the dark colors of the shape to create a shadow along the curve of it. I entered the shop. “What is that?” I asked of him.
“A face” he replied back absentmindedly.
“Doesn’t look like one to me” I confessed with my honesty.
He looked up at me, “No, it does not to you, and maybe, neither will it at the end. To me, it looks like an angle of a faded face. But slowly, with time, it will become clearer and clearer, yet only to me, and as it does, I will be able to choose more colors to make it yet more beautiful. The outcome of this painting is entirely up to me.”
I felt my challenging self rising up. “But what if you imagined a certain color in your head but couldn’t find it or be able to mix it to your mind’s perfection?”
“Then I would create my own paint color.”
“You know how?”
“No, but if I could not find the paint color already made I would make it myself, and no matter what, would learn how to. So far I have always been able to compromise and mix different colors to please me.”
“You do an awful lot of shadowing light colors with dark colors”
“Why do you think I do so?” he questioned me this time, with bright eyes.
I pondered for a moment to give as good an answer as he had given me and then told him my answer.
He nodded with impress, “Yes, yes, absolutely right. I never thought I’d hear that from a child” and looked at me with his head cocked in curiosity.
“What would you like to buy from here, Little Sister?”
Still deeply interested in our conversation I pulled out the coins I had in my pocket. “How much stuff can I buy with all this money? I’d like those crayons, I’ve tried them once before and they are so creamy and smooth.”
“Oil pastels?” he asked, a little confusedly.
Feeling ashamed of my ignorance, I nodded. The tutor father hired evidently bent to father’s strict rules of what should be taught and what would not be taught. Father disapproved of women painting, and would’ve dismissed nurse had he known that instead of taking me out for a little walk to smell the blooming daffodils, she in fact let me explore the environment around me to the best of my ability even in disgruntle.
The man gave my red-patched cheeks and undeveloped translucent frame a sympathetic look and when he spoke, his voice was gentle. “Little Sister, I’ve a whole basket of oil paints that I’ve used but rarely and so are still in perfect condition. Would you like to carry the whole basket home for all the money you have in your pockets?”
I handed him all my golden coins, “But first I must see if I like it.”
“You won’t be disappointed” he chuckled and walked with an imbalanced limp to the back of the store. I noticed a wooden stump protruding from the bottom of his long, black pants. My heart throbbed achingly; he was ****** limited too. I turned to his painting and smiled from deep inside, a smile I rarely wore.
He came back tugging a huge brown basket filled to the brim with sticks of oil pastels, some longer or thicker than others. He lifted an orange one up and showed the tip of it to me, which was stained with a black mark. “Sometimes when you blend colors this will happen, but it’s easy to rid off. Just softly, and patiently rub it off on a cloth until it disappears.” He demonstrated upon his black pants.
“Thank you. It’s kind of you. But...I can’t carry this home myself. It’s heavy.”
I turned to nurse and smiled my best pleading smile.

The basket was toiled up as nurse undressed me from my shower and father and mother were otherwise occupied. That night, with my precious basket safely under my bed, I cleaned all the multi-colored oil pastels on an old shirt, and as soon as the house was ringing with silence, I locked my door and flicked on the lamp light, and started pressing the smooth colors into the paper to blend and make a picture of kissing colors on a relatively large piece of white paper. A thrill ran from my finger tips and along my arm, and made my palms tingle as I held the colorful sticks in my hand to the paper. I hid it underneath my bed just as a rosy sun was rising.
*
I was sixteen, and I was thought beautiful: for now, at this age, it was considered beautiful to be so pale of skin, so small of feet and hands, graceful to have tiny limbs and charming to have little strength for it was now considered ‘feminine’.
It was three weeks after I had turned sixteen and for dinner, father had brought over an ugly man with a bulging waist and shiny bald head who continually made ****** jokes at the dinner table while he believed I did not understand them. He was infamous for the two wives he had had (before they died from sickness), and how he not only hit them but kept other lovers too. Yet he was desirable for his vast richness. He leered at me obnoxiously, in an attempt to smile.
Father caught him looking at me, “She’s incredibly silent, never says a word of defiance and will be a most dutiful wife.”
“Yes, she is beautiful”
My heart froze and my brain was stimulated to work twice as fast. Him?! Him?! The man who’s wives were killed through an illness called ‘abuse, neglect and disloyalty?!’
I cast my eyelashes down in order to appear a calm, modest young lady while my heart hammered in fury, disgust and a rising hysterical panic. I shot a look at my mother whose left eyebrow was twitching as she stared down at her dinner plate, and I knew she was having the same thoughts as I.
“I would be glad to have you as my son-in-law. You would have no trouble with her, and would be embraced with open arms into our family.”
They continued this path of talk through dinner while he eyeballed me in a way that made me cringe. I felt his foot nudge mine under the table and in haste tucked it under the chair with a little gasp. His eyes glittered at my gasp and I was furious with myself for letting him feel a rotten triumph. Though I had always felt an extremely strong dislike towards him from what I knew of him and sometimes saw of him with an immoral lady, something pushed in the pit of my tummy, and I knew it was pure hatred.
When mother tucked me in she was being strange. On closing my door she whispered, “I love you… so I wish you to know… don’t ever contradict men”

As I was secretly drawing a picture as I did every night till dawn, I heard my father’s voice roar in the dead of the night. In a sudden, I shoved my portrait under the bed and threw all my oil pastels into the basket, hid it, and switched the light off. I heard his voice roar again, accompanied by a thud. I was wild with fear as I crept to my door and pressed my ear against it, barely even shocked at my own daringness as my instinct, love, took over- my instinct of must knowing what was happening to my mother.
“How dare you say I’m wrong!?” there was another thud, and this time I heard a soft whimper. “She is worthless to me, not a son. And I will marry her off to a rich man who can actually benefit this family.” He roared.
There was a whisper which I strained to hear, “He will **** her”
“From the moment she was born she wasn’t made to live!” he yelled.
A hiss escaped my tongue and I coiled like a serpent, flinching as a thud was heard yet again and an immediate cry of pain escaped from both my lips and my mothers’.
A fire awoke inside me, burning my temples and my whole body and my eyes stung with hot tears; tears that burned my face as they splashed down. My whole body was shaking and my tightly squeezed eyes were going through spasms. I was no longer wild with fear, but with anger.
I turned my light back on and tugged my basket of oil pastels out. I yanked my portrait off from a thick of pile of different pictures I had drawn.
My breath was coming in quick short breaths as I finished my portrait to the utmost perfection, using every oil pastel in the basket. Every time I heard a thud, I colored with more fiery… shadowing my jaw line with the fat black oil pastel, in the crook of my ear, the corner of my mouth… where the light shone upon my fore head, how it reflected in the color of my eye and glowed on my cheeks.
When I was finished, the house was deadly quiet again and dawn was breaking. I looked down upon it and realized something that changed my life.
In frenzy I swatted out all the things I had ever drawn and stared at them in an awakening.
The colors on them were the events of my life, the things that characterized it, the decisions. They were beautiful for they had been chosen and controlled by me … I had chosen the colors I wanted and thought best for my pictures; and spent thought over how to blend different colors to the color I wanted.
And everyday, as I worked into the drawings with time, they became clearer and clearer on what was the right thing to do, and how it should possibly look like in the next stage.
I leaned over and kissed the thin lips of my portrait that didn’t look exactly like me for not even the most skilled artists have complete control over what they draw.

Then I remembered what I had told the one-legged man in the shop a few years go:
“Lights not only illuminate, they also cast shadows. The contrast makes you able to appreciate the power of both.”
Now it was time to truly let the light illuminate my life, and let the shadows let me appreciate the light that shines upon me; I color my own life, and choose my own colors.

To pull out the colors underneath the darkness of my bed…
And spill it to the world outside.

sunflowers lean in the direction of the sun
although this sunflower leaned in the direction
of the warmth that came from the moon

the mysterious light that attracted the flower
not from what it was familiar with
a new experience and a new way to bend

--

although the moon sung with the flower,
pampered its petals with faraway words and
danced through shadows that felt so close

the moon was in the sky
the sunflower danced, lone
in its own lonely patch

the sunflower was the sun of its own
danced to its own tune, smiled, laughed
was so sure of the world and its offerings

but the moon had its own tune
a slow, cautious, steady, unsure
dance.

the sunflower thought to please the moon
whenever it could with its own light
to dance as the moon's stage and to love

but the sunflower could only dance
for so long, until a petal fell
from its yellow petal crown

the sunflower could not evaluate why
it danced for its love. it simply had
to keep dancing

although the sunflower knew that
its petals were falling off
and the sunflower had bent too far

the sunflower had its own frustrations
but the moon hurt wherever it shined
the moon's songs were so achingly
tearful

the sunflower hardly had any petals left










when the moon began to shine its light in another direction

She’s known as Riotous Rose.
Never has she wanted for company
in the intimate spaces between sheets.
His voice, it calls to her, guides her
down below to rapturous desire.
A carnal growl achingly echoes
inspiring ravenous teeth and hands
that ravage in the gentlest of ways.
****** roses blossom in her cheeks.
With nimble fingers she picks them
before offering them to her lover.

Can he cry
Knowing the winds won’t stop
Feeling his heart pulse achingly
Listening to the sounds in the other stalls
There are others crying with him
He still can’t cry

Can he cry
Knowing the failures will stick like duck tape
Felling his snot paint his sleeves white
Hugging himself in his time of fright
He still won’t cry

Can he cry
Knowing this is one out of too many
Feeling the burden settle so heavily
Breathing in timing to the tapping on his knee
The tears won’t come out

He can’t cry
Knowing it’ll always be the same
Feeling the drain on his psyche
Listening to the silence in the other stalls
He’s still the only one

And the winds still won’t stop
And the clouds will pass by

He told me that I'm achingly silent
That it torments him
He stares, he waits
But no answer
Just watered black eyes gazing back at him

I said
That's because we don't mean anything we say to each other, anymore

the whisper of failure hangs in the sky
her frantically beating chest pounds her breast achingly erratic & raw
they urge the *******
but life crashed & crushes as she screams her head barely above water
woman why should you feel this way they ask
this is your dream
a cry echoes through the cold languid air

I fell in love with a ghost
Upon whose grave I have committed great travesties
She was silent and seemed lost
And my feeble heart could not sustain her futile tragedies

The tragedies of millennia past, gasping in in-articulation
The suffocation of a future already always lost, without observation

I fell in love with loving a ghost
Who saw past my eyes into a formless ocean
Limitlessly there, she sunk and she rose
But alas was not of my wanting nor creation

She who is of minimal infinity
Taught me nought about nothing, nobody
I only recognize that it was her that never wants me
And I who longs achingly to be in her vicinity

I am fuming about the world I am so upset with people who think their beliefs entitles them to hurt innocent people or worse their children I am tired of people thinking they have some sort of right to tell us that it’s not love we are fighting we are fighting with all our might to transcend over 2000 miles while at the same time trying to keep hate from other people at bay we have been together almost two years we have learned and grown together we have battled distance and illness and tragedy we have committed to each other what more information do you need to know it’s love oh is it for one of us to have a ***** because here’s news for you I can get one of those online I can get one of those from a doctor because *** is merely a quirk of skin and chemicals and gender is all in our heads and if you would rather base love off of genitals than feelings I think you need to take a good long look at yourself and your god because if he is so shallow as to dictate love by X’s and Y’s then **** your god I am not going to try and please you I do not owe you to cater to your hurtful and hateful beliefs anymore

let me tell you it was taught by your messiah to keep your piety to yourself and to love everyone you can’t tell me that god made me this way and then turn around and claim oh no I am messed up that is hypocritical that is not a religion that I can respect and you are a shame to those who actually try and follow this faith, I can admit that much that there are those who do it right and I thank them but also keep in mind that religion is a human cultural construct and it has been separated from law for a reason because it is recognized that belief is individual and cannot be used to control masses since that causes empires to topple so why are we listening to the heretic fanatics claiming that my love is wrong when I don’t even believe in that god I don’t even believe he exists I don’t believe in heaven and hell and even if I did why the **** do you care so much about MY damnation if I am going to hell I honestly don’t give a single **** I would rather go to hell than spend my time here alive and breathing in misery without her what about that do you not understand

my life is more important than whatever afterlife there may be because I KNOW what’s happening now I know what it’s like to live and I won’t hinge my happiness on what YOU think is wrong and will happen to me my beliefs will dictate my outcome and I can tell you right now that you are wrong to think love could ever hurt anyone your hate is going to spawn your ticket to the hell you believe in while I revel in knowing that love is a universal truth and love is never wrong and I am not scared to love her because something that opened my soul so profoundly cannot be wrong I planned on being alone forever until I met her and your obsession with reproductive organs are not what I will make my choices off of

I think our similarities are so many blessings I love her curves I love her voice I love how our bodies match and our minds get it there are no barriers on gender there is only knowing there is only understanding my issues are her issues and that connects us on a fundamental level that I don’t know how I could ever be so comfortable with a man I have a deep deep reverence for women that resounds to my core and how you could think that is anything less than achingly beautiful is astounding but for all this I will not pine for the approval of a stranger if you do not know me than keep your ******* opinions to yourself and let me love her in peace and if you are someone we care for then the least you can do is love us and let us be and rejoice in our happiness we do not affect you in any form so why would you go out of your way to hurt us

I should not have to hold her while she cries about wishing she could hug her mother I have never wanted children yet I know more about unconditional love than that woman does or apparently her god does the fact is I would never scare her as much as they have I would never make her cry like I have seen her do all I want is to love her with all my heart but by a simple fact of nature my loving her rains down hate and all this is not something I should have to carry.

1.

A star-shaped
patch of snow,
achingly white,
rests against the base
of the little white
pine, wrapped
in glittering
golds and reds, gifts
for the Christ Child.

No claw or paw
or beak or wing
has touched the snow.
Only a hidden pitch
of grass pushes
it skyward.

It shirks
its shrinkage
north
of the pine.
It will not
winnow until
the bright star burns.

I pass the snow
and think of nothing.

2.

Lightning split
the hide
of the 80-year-old
oak that shaded
our little tan house
each summer.

Its bark ripped
apart like
wallpaper,
life leeching out
of its crooked limbs
in sap-soaked
streams of sorrow,
making room
for the little white pine
to thrive
in the dead of winter.

Nature is not
our friend.

3.

The pine prays to preserve
some piece of the oak
I used to love. Its needles,
like shark’s teeth,
fend off friend and foe
alike, granting it
the right to grow
wherever it likes,
even here,
at the foot of giants.

Dead, the pin oak loans
its beauty to no one,
boasts only of its hard,
straight wood,
an abiding abode
for birds and squirrels
and barking boys.

I climb to its top
each Christmas,
straining toward
the Epiphany star.

The tree sways, and
I think of nothing.

 4.

The burgeoning pine
pines for such power.
You cannot cut it
without exposing
its darkened knots,
like aging spots
on my hands
and face.

It rises bright with
anemone-like cones
dappled on its coat
of single color:
      evergreen,
      ever young.
      Ever gone,
my pilgrim oak.

I stretch toward the star
of Bethlehem,
dreaming my way
to Heaven, saying No
to the punishing
star of snow below.
Hanging high
above the Earth,
I sense the Christ Child
in my branches.

Wet, wild grasses
brush His cradle,
push me skyward,
His star my home.

Within the salty swirl of foamy loam
where depths collide with rushing tides
mystical creatures' hearts do roam
their secret desires, they so carefully hide

But one day among crystalline shadows of light
in shades of turquoise and emerald,
two beauties emerge from dark into bright,
and in their meeting a shared destiny heralds.

One with a voluptuous feminine grace,
swaying hips, fullness of ******* and velvet thighs
auburn-haired, with lips made of cherry
and her mellifluous voice her treasured prize.
The other a magical alchemy
of shapely woman and magnificent fish
her violet eyes and iridescent smile
would fulfill Poseidon's deepest wish.
With gemlike scales and long, lithe limbs
a glow lights up her mystic aura
yet behind it a sadness and longing for love
hide behind the coral reef's gentle flora.

Chancing upon each other,
at first hazy shadows
in the blue-green light
the Siren and the Mermaid
started to discover
that they shared a similar plight.

"Are my eyes really seeing what I think?"
breathed the Siren into the salt
"I've never seen a more beautiful creature,
I thought the chances would be nought"
"My name is Nerine," said the Mermaid. "For a sea nymph I truly am
who has roamed the oceans day and night
feeling more empty the harder she swam"
"And I, am Ula," declared the Siren, in a voice like crystals , fine-tuned
"They say that my voice is as clear and smooth as a sapphire
which is why I am called a 'sea jewel.'"
The two embraced and began to talk, speaking of their pasts,
their present and future
and both realized that they wished for spiritual and ****** mates
to mend their hearts that were achingly sutured
"Oh darling," said Ula
"Let us journey to the land of the forests
for surely as they day I was born
we may find our blessing a-waiting us
in the spell of the wondrous Unicorn"

And so a sacred pact was made
as they swore unto each other
that their vigour would not fade
until they found their one-horned lover
and with knowing eyes,
pressed palm to palm
the beauties made their choice
Nerine would give up her tail for legs
and Ula her singing voice

Foreheads together, arms raised in light
their prayer was spun to sky
and suddenly, the two enchantresses
found themselves on land, quite dry

Excited, giggling like nymphets
they jumped and twirled in delight
and set off for the forest green
For their hearts they were ready to fight

I feel their presence first
a Fey being knows another Fey being.
The magic of the Otherworld,
announcing arrival long before seeing.

Into view they came walking along the forest path,
fluid movements hinting at an elemental source.
Chitter-chattering, the same way that finches laugh,
feet strong, steady, never straying from their course.
Two carefree girls, making trails through my Green,
I feel a purpose brooding, so sound out a call.
They stop, gracious, as if surprised to be seen,
whispering these words as on their knees they fall.

“We are Sea-sisters of the ocean,
we are here to follow our notion.
Searching the forest in gentle kind,
for the Unicorn we wish to find”.

Hark! Hear your wild Lord speak,
listen as your mind he frees,
leading you on a fantasy journey,
through valleys and betwixt the trees.
His stories weave a forest dreamscape,
a sylvan land of purest Green,
leading you by a cautious hand,
he'll show you things you've never seen.
Twisted hazel and the mighty oaks,
meadows and glades of sweetest light.
Streams that catch the moons cool rays
and secrets held within the night.
But the Unicorn, a law unto himself,
is one thing this Lord cannot show,
a creature to be sought for alone,
so off through the forest you must go.

Following deer tracks and mystical ways,
strange paths that turn and twist.
Deep into the woods the wanderers stray,
yearning the fabled Unicorn to exist.

Then it happened, inclement weather,
rain soaked the bracken and heather.
So Nerine and Ula, a decision made,
took to shelter in a canopied glade.
The irony was, to them, quite plain,
creatures of the sea hiding from rain.
The forest floor did start to steam,
creating an eerie warm sylvan dream.

And the girls so excited hugged and kissed
as a mighty beast emerged from the mist.
Slowly coalescing and so taking its form,
the raw masculine power of the Unicorn.

I had felt their presence as soon as they touched land,
emerging from the foaming waves, crawling hand in hand.
I heard the echoes on the ether, as they made their Sacrifice,
the resonance throughout feydom as they gladly pay the price.
I knew their wandering had led them a merry crooked dance,
and now they shivered before me, they think as if by chance.
But I am a law unto myself, the Unicorn of the trees,
roaming at will in the forest, showing myself to whom I please.
So these Maidens come from the sea where they were born,
two adventurous girls' brave quest to find the Unicorn.
Nerine and Ula looking awestruck statues in my presence,
rooted to the spot, rigid liked scared and paralysed pheasants.
Their deepest wish fulfilled, they marvel at my existence,
and I in turn marvel at their resilience and raw persistance.
But the Sacrifice means that the sea is no longer home,
tied well to the land, destined now to forever roam.
And what of love, their desires and lust to find a mate?
Well, for Nerine there is no choice, feelings came so late.
Parting from the Forest Lord, latent attraction she had felt,
and knew she would return his way, in his arms to melt.
The Siren Ula was very quiet, looking frightened and forlorn,
her greatest dream had always been to follow the Unicorn.
So now we walk together through glades beneath the Moon,
my primal urge keeps calling for her to sing a tune.

Sacrifice made, quest fulfilled, to her Lord, Nerine has gone.
Ula happily rides me, never once missing her Sirens Song.
And here, for now, is where this story sadly ends,
Nerine and Ula Sacrificed their gifts, forever sister-friends.


© Pagan Paul & Lora Lee (25/09/17)

Penned on watermarked cotton paper
Cursive letters script the words
of a surrendering rhythmic rhyme.
The ardent sonata was written
by the light of a Blue Moon’s shine.

The blood red ink bled through
the white wrinkled cotton pages;
musical notes dried by the warmth
of glowing Moon Beams radiance
in the subtle pollination breeze...

The maestro Coyote’s howl cried out!

Instinctively rousing the stillness of the night;
       a feral essence echoed
       through the eerie silence
       of the distant horizon,
bringing helpless lovers to their knees.

The words to the Cabernet Sauvignon
       stained midnight  lullaby,
       were emotions quilled,
       blending an aura accenting
       organic warmth of tones...

       The native maple trees'
flowering canopies of Spring
released a dusty yellow pollen
onto the watermarked cotton sheets.

In a moment of rapturous intimacy,
       an elixir of intoxicating bliss
illumined the achingly euphoric moments.
A natural untamed wildness was exhaled;
       savored ecstasy released
       into a passionate song of love …

That poignant melody forever lingers,
       like hieroglyphics on the walls
of some long lost abandoned cave.

Engraved, etched, brushed and stroked
       onto the brattice canvas
       of a musical Minstrel’s
            melodic montage ...

       Watch the artiste’s fingers
       prancing graceful ballet
       Worn down catgut strings

                                *moan
          
     ­                  weep

              purr**

       crying out lustfully.
     as if it were
    enraptured lovers'
  breathless sighs

  the rhythm’s cadence
whispers a masterpiece
       in an infinite
       harmonious time...

       The tempo’s lines
                Phrasing…

                 ...hush...!

             ♪♫♪ ~ ♫  ♪♪

        Listen to the pictures flow...
Listen to the weeping guitar strings
      of the passionate troubadour
stroking the metaphorical canvas scene.

       The ebb and flow
       of the musical rhythm's throb
arouse the Blue Moon’s hypnotic  allure,
    throwing incandescent shadows
    that dance around Moonbeams.

Joyfully twirling, blissfully embracing
in the blossoming Forget-me-not fields;
            Bluebonnet Lupine
               swirl and tango
       with the moonlit breeze.

       Lilacs fragrant aroma drifts
with spring’s churning romantic haze;
rekindling this fleeting memories recital.
The Minstrel and the Minstrel’s song
         now yearn to be set free ~

      Timbre without reverberation …
The twilight serenade was never penned
  to be hidden from the Nightingale

A romantic moment’s sorrowful lament
to be abandoned like a broken dream;
   fading unnoticed into forevermore ―
      Unsung,  unsaid, unreleased,
                     unrequited
                through eternity…

              The maestro Coyote
       is a wilderness troubadour
       illumined under the gloaming
               full moon’s spell.

                Howling soulfully...
               wailing impulsively ~
              ... crying hopefully
             pleading mournfully
                     lamenting
the Minstrel’s breathless cadenza ...

A bitter sweet musical embryo of love
                 found and lost
                       below
           the full Blue Moon’s
               glistening light…



©  H.  Rivers ... 2012, 2013
           all rights reserved

I wrote a poem you'll never see –
a masterpiece; it took me weeks.
I love you and I wanted you to know.
I achingly described your lips
with tender, breathless craftsmanship;
it was a soulful, sinful epic wracked with lust.
Poetry herself, intrigued,
shook her head in disbelief;
no mortal girl could ever love so much –
and so, enamored by my words,
she decided to ****** you first.
I'm sorry, lover, but she had to go.

I am burdened with,
And consumed by,
Visual poetry.
When the surface is scratched,
Or even just lightly bruised,
My eyelids are stretched,
Far beyond their natural capacity,
In wonderment,
At the terrifying beauty,
That exists,
In the minutia,
Of the achingly ordinary.

•

Your love is as sweet as the sugar,
                   That  I've been addictively indulging,
             For so many years.



        Every piece of you,
                      Is just the most gratifying that I have tasted!




                                   But when together we've been drowned with tribulations,





                                    You just gave up rapidly...






And dissolved!




                                   Integrating and going with the flow,

                         Of those torments and allurements,




Now where are you?




You are now a part of those afflictions that drowned you,


                                            I can still taste your sweetness,


                      Every time I sip through the trials,
                                That we've face,
          Resulting to weaken your knees,
    And been defeated,




       I was totally in great pain,


        To know that your love,

Can be just greatly surmounted,

                            By miseries in life,



But what can I do?

                                            I fight, you relinquish,


And until then,

You just become a memory,

Of an achingly baleful chronicles of my life.


                      © Earl Jane
                         ♥ E.J.C.S.

My heart achingly yearns for a time which never was.

Falling,
Falling into the black.
I am encompassed by this darkeness.
It has dimmed the depths of my soul.
I have run,
and the further and further I go
I realize how I am achingly alone.
Fading away
Into the haze of bleakness.
Someone catch me!
I’m falling too fast.
I’m so afraid
That I’m not going to last.

With my windows tenderly open,
the moonlight, a pale marble phantom I admire
The dark light rests beside me,
unveiling a vivid urban gleam

A jet black silhouette transpires
He whispers in the dark
Porcelain lies, radiant yet feeble.
His words achingly deceive
the lights that disdain me;
belittling my affectionate delusion

Pitch dark silence, I weep as I grieve
My tears filling in everlasting secrecy of
this tragical devotion blurring out the stars

You speak with a passionless passion
Yet my world doesn't fall apart-
It makes the whole universe perish.

That night, the stars seemed to blemish.

The newborn shock and delight of a handlit firework stick
can dissipate in less than 3 seconds.

The patience in an hour standing in line for a 30 second thrilling roller coaster ride, is what everyone thinks living in the moment is.

But sometimes I don't mind the longing and emptiness that remains long after

because I want to be a splash of exurbance in people's lives, disappearing in a flash when love is finally settled.

I'd want people to miss me for eternity, but at the same time I'd escape eternities full of flaws and misunderstandings with them.

So if goodbye is what it takes to be remembered or longed for so achingly,

Capture the person's smile and all your favorite things before
letting go.

Dear  Elsa Angelica,
So I have read through your poetry.
If you were made out of five words
Bent and tied with ribbons to shape your soul
Those words would be
Inspiring
Kind
Talented
Beautiful
Strong

I don’t know you
Your story
Your secrets
Your pain

But
I know that your poetry inspires me
Really it does
You are a kind person with loving words to offer at any given moment
You are so poetically talented it is outrageous
You are so, so beautiful inside and out
Your soul is beautiful
Your words are beautiful
YOU are beautiful
You are strong
To have held up so many others who were crumbling
You are STRONG
To have held up yourself
And been strong enough to admit when you are weak
I have selected some of my favorite lines of yours and responded to them.
I want you to know
I think you are a speechless and precious type of beauty that doesn’t exist anywhere else
Please keep writing
Because your writing
Changed me inside
And it keeps me going
Alive, not just existing
And I want to thank you for that
For fueling my smile
~Love~
Ember

I want to be
Happy once and for
All.
But how do I start
-Elsa angelica

What a lovely wistful wish verbalized for the rest of us who all wonder that same question. Pretty words, but also so much more than just pretty, so glimmering with deep meaning every syllable. You are so gifted with the pen.

I did not mean to hurt you.
I am sorry I caused you pain.
-Elsa angelica
You are so brave and should be admired and acknowledged for your strength in admitting you are sorry for something and apologizing for pain you may have caused. I have such extreme and overwhelming respect for you, reading this. Putting kindness and goodness before pride. You are wonderful.

Love is love
-Elsa angelica
So poetic, so simple, so brilliant. I can’t even say anything else, the line speaks for itself. Your work speaks for how exceptional you really are a person, as a poet and as a soul.

In autumn...
the leaves fall
like slow
motion rain
-Elsa angelica

I know this is an entire poem but I couldn’t split up specific lines I liked I was just so in love with this entire poem your wrote. Powerful imagery WOW.

Good bye
Fake love.
-Elsa angelica

You are wise to recognize falseness in love. We all struggle with that and we all struggle even more with farewells. You are admired and applauded by me for these lines. Magnificent poetic phrase. I adore this.

I know I was not a pretty flower
I know a few thorns I had.
-Elsa angelica
Oh, but even a flower with thorns is beautiful. As my close personal friend and Hellopoetry Poet friend Ena Alysopriano so wisely once said to me when I was calling myself a ****: Don’t confuse wildflower with ****. Well now I say to you, don’t confuse thorns with being unbeautiful along those same lines. You are so pretty on the inside and outside. Your work, your spirit, the way you choose to live, how kind you are, what a difference you make. Nevertheless, this line in the poem you wrote is gloriously delightful. Seriously. I am amazed.  

Cuz fear is knocking on my door
-Elsa angelica

Such an excellent metaphor, so achingly relatable to basically everyone and so genius. Incredible write by such an incredible poet. You. Are. Phenomenal.

Elsa,
Thank you for writing.
I just want to express my appreciation and gratitude for what you bring to the art of poetry itself.
Stay beautiful.
I think you are remarkably exquiste.
<3
Love,
Your ever admiring Ember Evanescent


EVERYONE SHOULD CHECK OUT HER SPECTACULAR WORK!!

Poems about Leaves and Leave Taking (i.e., leaving friends and family, loss, death, parting, separation, divorce, etc.)


Leave Taking
by Michael R. Burch

Brilliant leaves abandon
battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees
lament the frolic of the leaves
and curse the bleak
November sky.

Now, as I watch the leaves'
high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say
"goodbye."

Published by The Lyric, Mindful of Poetry, There is Something in the Autumn (anthology). Keywords/Tags: autumn, leaves, fall, falling, wind, barren, trees, goodbye, leaving, farewell, separation, age, aging, mortality, death, mrbepi, mrbleave

This poem started out as a stanza in a much longer poem, "Jessamyn's Song," which dates to around age 14 or 15, or perhaps a bit later. But I worked on the poem several times over the years until it was largely finished in 1978. I am sure of the completion date because that year the poem was included in my first large poetry submission manuscript for a chapbook contest.



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.

Originally published by The Neovictorian/Cochlea, this poem has since been translated into Russian, Macedonian, Turkish, Arabic and Romanian.



Something

for the children of the Holocaust and the Nakba

Something inescapable is lost—
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone—
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past—
blown from a glimmer into nothingness, or less,
which finality swept into a corner... where it lies
in dust and cobwebs and silence.

Published by There is Something in the Autumn, The Eclectic Muse, Setu, FreeXpression, Life and Legends, Poetry Super Highway, Poet's Corner, Promosaik, Better Than Starbucks and The Chained Muse. Also translated into Romanian by Petru Dimofte, into Turkish by Nurgül Yayman, turned into a YouTube video by Lillian Y. Wong, and used by the Windsor Jewish Community Centre during a candle-lighting ceremony



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

"****** most foul! "
cried the mouse to the owl.

"Friend, I'm no sinner;
you're merely my dinner! "
the wise owl replied
as the tasty snack died.

Published by Lighten Upand in Potcake Chapbook #7



escape!

for anaïs vionet

to live among the daffodil folk...
slip down the rainslickened drainpipe...
suddenly pop out
the GARGANTUAN SPOUT...
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.

Published by Andwerve and Bewildering Stories



Love Has a Southern Flavor

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle's spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume...

Love's Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines...

Love cannot be contained, like Southern nights:
the constellations' dying mysteries,
the fireflies that hum to light, each tree's
resplendent autumn cape, a genteel sight...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.

Published by The Lyric, Contemporary Sonnet, The Eclectic Muse, Better Than Starbucks, The Chained Muse, Setu (India) , Victorian Violet Press and Trinacria



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave—
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees—
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem―where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
It will keep.
Before sleep,
let me read yours instead.

There's something like love
in the rhythms of night
―in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end―
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
words in red
truly bled
though they cannot reveal
whence they came,
who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
than a verse,
than a song,
than this chant of the blessed:
"If these words
be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!"
Write till sleep:
it’s the leap
only Talent allows.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Ordinary Love
by Michael R. Burch

Indescribable—our love—and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

Winner of the 2001 Algernon Charles Swinburne poetry contest; published by The Lyric, Romantics Quarterly, Mandrake Poetry Review, Carnelian, Poem Kingdom, Net Poetry and Art Competition, Famous Poets and Poems, FreeXpression, PW Review, Poetic Voices, Poetry Renewal and Poetry Life & Times



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?

Originally published as “Baring Pale Flesh” by Poetic License/Monumental Moments



At Tintagel
by Michael R. Burch

That night,
at Tintagel,
there was darkness such as man had never seen...
darkness and treachery,
and the unholy thundering of the sea...

In his arms,
who is to say how much she knew?
And if he whispered her name...
"Ygraine"
could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh,...
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?

Originally published by Songs of Innocence, then subsequently by Celtic Twilight, Fables, Fickle Muses and Poetry Life & Times



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold
and you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

Originally published by The Raintown Review



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels' tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Originally published by Celtic Twilight, then by Celtic Lifestyles and Auldwicce



Morgause's Song
by Michael R. Burch

Before he was my brother,
he was my lover,
though certainly not the best.

I found no joy
in that addled boy,
nor he at my breast.

Why him? Why him?
The years grow dim.
Now it's harder and harder to say...

Perhaps girls and boys
are the god's toys
when the skies are gray.

Originally published by Celtic Twilight as "The First Time"



Pellinore's Fancy
by Michael R. Burch

What do you do when your wife is a nag
and has sworn you to hunt neither fish, fowl, nor stag?
When the land is at peace, but at home you have none,
Is that, perchance, when... the Questing Beasts run?



The Last Enchantment
by Michael R. Burch

Oh, Lancelot, my truest friend,
how time has thinned your ragged mane
and pinched your features; still you seem
though, much, much changed—somehow unchanged.

Your sword hand is, as ever, ready,
although the time for swords has passed.
Your eyes are fierce, and yet so steady
meeting mine... you must not ask.

The time is not, nor ever shall be.
Merlyn's words were only words;
and now his last enchantment wanes,
and we must put aside our swords...



Northern Flight: Lancelot's Last Love Letter to Guinevere
by Michael R. Burch

"Get thee to a nunnery..."

Now that the days have lengthened, I assume
the shadows also lengthen where you pause
to watch the sun and comprehend its laws,
or just to shiver in the deepening gloom.

But nothing in your antiquarian eyes
nor anything beyond your failing vision
repeals the night. Religion's circumcision
has left us worlds apart, but who's more wise?

I think I know you better now than then—
and love you all the more, because you are
... so distant. I can love you from afar,
forgiving your flight north, far from brute men,
because your fear's well-founded: God, forbid,
was bound to fail you here, as mortals did.

Originally published by Rotary Dial



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Truces
by Michael R. Burch

We must sometimes wonder if all the fighting related to King Arthur and his knights was really necessary. In particular, it seems that Lancelot fought and either captured or killed a fairly large percentage of the population of England. Could it be that Arthur preferred to fight than stay at home and do domestic chores? And, honestly now, if he and his knights were such incredible warriors, who would have been silly enough to do battle with them? Wygar was the name of Arthur's hauberk, or armored tunic, which was supposedly fashioned by one Witege or Widia, quite possibly the son of Wayland Smith. The legends suggest that Excalibur was forged upon the anvil of the smith-god Wayland, who was also known as Volund, which sounds suspiciously like Vulcan...

Artur took Cabal, his hound,
and Carwennan, his knife,
    and his sword forged by Wayland
    and Merlyn, his falcon,
and, saying goodbye to his sons and his wife,
he strode to the Table Rounde.

"Here is my spear, Rhongomyniad,
and here is Wygar that I wear,
    and ready for war,
    an oath I foreswore
to fight for all that is righteous and fair
from Wales to the towers of Gilead."

But none could be found to contest him,
for Lancelot had slewn them, forsooth,
so he hastened back home, for to rest him,
till his wife bade him, "Thatch up the roof! "

Originally published by Neovictorian/Cochlea, then by Celtic Twilight



Midsummer-Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term "banshee") and, eventually, to the druids? One might assume that with the passing of Merlyn, Morgause and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil's
fen...

if nevermore again.

Originally published by Penny Dreadful



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



The Kiss of Ceridwen
by Michael R. Burch

The kiss of Ceridwen
I have felt upon my brow,
and the past and the future
have appeared, as though a vapor,
mingling with the here and now.

And Morrigan, the Raven,
the messenger, has come,
to tell me that the gods, unsung,
will not last long
when the druids' harps grow dumb.



Merlyn, on His Birth
by Michael R. Burch

Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin was an albino, which might have led to claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name ("Artos" or "Artur") means "bear." Morydd is another possible ancestor of Merlin's. In Welsh names "dd" is pronounced "th."

I was born in Gwynedd,
or not born, as some men claim,
and the Zephyr of Caer Myrrdin
gave me my name.

My father was Madog Morfeyn
but our eyes were never the same,
nor our skin, nor our hair;
for his were dark, dark
—as our people's are—
and mine were fairer than fair.

The night of my birth, the Zephyr
carved of white stone a rune;
and the ringed stars of Ursa Major
outshone the cool pale moon;
and my grandfather, Morydd, the seer
saw wheeling, a-gyre in the sky,
a falcon with terrible yellow-gold eyes
when falcons never fly.



Merlyn's First Prophecy
by Michael R. Burch

Vortigern commanded a tower to be built upon Snowden,
but the earth would churn and within an hour its walls would cave in.

Then his druid said only the virginal blood of a fatherless son,
recently shed, would ever hold the foundation.

"There is, in Caer Myrrdin, a faery lad, a son with no father;
his name is Merlyn, and with his blood you would have your tower."

So Vortigern had them bring the boy, the child of the demon,
and, taciturn and without joy, looked out over Snowden.

"To **** a child brings little praise, but many tears."
Then the mountain slopes rang with the brays of Merlyn's jeers.

"Pure poppycock! You fumble and bumble and heed a fool.
At the base of the rock the foundations crumble into a pool! "

When they drained the pool, two dragons arose, one white and one red,
and since the old druid was blowing his nose, young Merlyn said:

"Vortigern is the white, Ambrosius the red; now, watch, indeed."
Then the former died as the latter fed and Vortigern peed.

Published by Celtic Twilight



It Is Not the Sword!
by Michael R. Burch

This poem illustrates the strong correlation between the names that appear in Welsh and Irish mythology. Much of this lore predates the Arthurian legends, and was assimilated as Arthur's fame (and hyperbole)grew. Caladbolg is the name of a mythical Irish sword, while Caladvwlch is its Welsh equivalent. Caliburn and Excalibur are later variants.

"It is not the sword,
but the man, "
said Merlyn.
But the people demanded a sign—
the sword of Macsen Wledig,
Caladbolg, the "lightning-shard."

"It is not the sword,
but the words men follow."
Still, he set it in the stone
—Caladvwlch, the sword of kings—
and many a man did strive, and swore,
and many a man did moan.

But none could budge it from the stone.

"It is not the sword
or the strength, "
said Merlyn,
"that makes a man a king,
but the truth and the conviction
that ring in his iron word."

"It is NOT the sword! "
cried Merlyn,
crowd-jostled, marveling
as Arthur drew forth Caliburn
with never a gasp,
with never a word,

and so became their king.



Uther's Last Battle
by Michael R. Burch

When Uther, the High King,
unable to walk, borne upon a litter
went to fight Colgrim, the Saxon King,
his legs were weak, and his visage bitter.
"Where is Merlyn, the sage?
For today I truly feel my age."

All day long the battle raged
and the dragon banner was sorely pressed,
but the courage of Uther never waned
till the sun hung low upon the west.
"Oh, where is Merlyn to speak my doom,
for truly I feel the chill of the tomb."

Then, with the battle almost lost
and the king besieged on every side,
a prince appeared, clad all in white,
and threw himself against the tide.
"Oh, where is Merlyn, who stole my son?
For, truly, now my life is done."

Then Merlyn came unto the king
as the Saxons fled before a sword
that flashed like lightning in the hand
of a prince that day become a lord.
"Oh, Merlyn, speak not, for I see
my son has truly come to me.

And today I need no prophecy
to see how bright his days will be."
So Uther, then, the valiant king
met his son, and kissed him twice—
the one, the first, the one, the last—
and smiled, and then his time was past.



Small Tales
by Michael R. Burch

According to legend, Arthur and Kay grew up together in Ector's court, Kay being a few years older than Arthur. Borrowing from Mary Stewart, I am assuming that Bedwyr (later Anglicized to Bedivere)might have befriended Arthur at an early age. By some accounts, Bedwyr was the original Lancelot. In any case, imagine the adventures these young heroes might have pursued (or dreamed up, to excuse tardiness or "lost" homework assignments). Manawydan and Llyr were ancient Welsh gods. Cath Pulag was a monstrous, clawing cat. ("Sorry teach! My theme paper on Homer was torn up by a cat bigger than a dragon! And meaner, too! ")Pen Palach is more or less a mystery, or perhaps just another old drinking buddy with a few good beery-bleary tales of his own. This poem assumes that many of the more outlandish Arthurian legends began more or less as "small tales, " little white lies which simply got larger and larger with each retelling. It also assumes that most of these tales came about just as the lads reached that age when boys fancy themselves men, and spend most of their free time drinking and puking...

When Artur and Cai and Bedwyr
were but scrawny lads
they had many a ***** adventure
in the still glades
of Gwynedd.
When the sun beat down like an oven
upon the kiln-hot hills
and the scorched shores of Carmarthen,
they went searching
and found Manawydan, the son of Llyr.
They fought a day and a night
with Cath Pulag (or a screeching kitten),
rousted Pen Palach, then drank a beer
and told quite a talltale or two,
till thems wasn't so shore which'un's tails wus true.

And these have been passed down to me, and to you.



The Song of Amergin
by Michael R. Burch

Amergin is, in the words of Morgan Llywelyn, "the oldest known western European poet." Robert Graves said: "English poetic education should, really, begin not with The Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." Amergin was one of the Milesians, or sons of Mil: Gaels who invaded Ireland and defeated the mysterious Tuatha De Danann, thereby establishing a Celtic beachhead, not only on the shores of the Emerald Isle, but also in the annals of Time and Poetry.

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs...

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne—green, brooding—nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
... and Time here also spumes, careers...

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



Stonehenge
by Michael R. Burch

Here where the wind imbues life within stone,
I once stood
and watched as the tempest made monuments groan
as though blood
boiled within them.

Here where the Druids stood charting the stars
I can tell
they longed for the heavens... perhaps because
hell
boiled beneath them?



The Celtic Cross at Île Grosse
by Michael R. Burch

"I actually visited the island and walked across those mass graves of 30, 000 Irish men, women and children, and I played a little tune on me whistle. I found it very peaceful, and there was relief there." - Paddy Maloney of The Chieftans

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese...

There was relief there,
without remorse
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.
And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God gave them hope, a sense of peace.

These were proud men with only their lives to owe,
who sought the liberation of a strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



At Cædmon's Grave
by Michael R. Burch

"Cædmon's Hymn, " composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon's verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker's ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon's ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



faith(less), a coronavirus poem
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 14-15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Insurrection
by Michael R. Burch

She has become as the night—listening
for rumors of dawn—while the dew, glistening,
reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights—flickering
in the distance—till memories old and troubling
rise up again and demand remembering ...
like peasants rebelling against a mad king.

Originally published by The Chained Muse



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us―the first great success they achieve.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



The People Loved What They Had Loved Before
by Michael R. Burch

We did not worship at the shrine of tears;
we knew not to believe, not to confess.
And so, ahemming victors, to false cheers,
we wrote off love, we gave a stern address
to things that we disapproved of, things of yore.
And the people loved what they had loved before.

We did not build stone monuments to stand
six hundred years and grow more strong and arch
like bridges from the people to the Land
beyond their reach. Instead, we played a march,
pale Neros, sparking flames from door to door.
And the people loved what they had loved before.

We could not pipe of cheer, or even woe.
We played a minor air of Ire (in E).
The sheep chose to ignore us, even though,
long destitute, we plied our songs for free.
We wrote, rewrote and warbled one same score.
And the people loved what they had loved before.

At last outlandish wailing, we confess,
ensued, because no listeners were left.
We built a shrine to tears: our goddess less
divine than man, and, like us, long bereft.
We stooped to love too late, too Learned to *****.
And the people loved what they had loved before.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



Premonition
by Michael R. Burch

Now the evening has come to a close and the party is over ...
we stand in the doorway and watch as they go—
each stranger, each acquaintance, each unembraceable lover.

They walk to their cars and they laugh as they go,
though we know their forced laughter’s the wine ...
then they pause at the road where the dark asphalt flows
endlessly on toward Zion ...

and they kiss one another as though they were friends,
and they promise to meet again “soon” ...
but the rivers of Jordan roll on without end,
and the mockingbird calls to the moon ...

and the katydids climb up the cropped hanging vines,
and the crickets chirp on out of tune ...
and their shadows, defined by the cryptic starlight,
seem spirits torn loose from their tombs.

And I know their brief lives are just eddies in time,
that their hearts are unreadable runes
to be wiped clean, like slate, by the Eraser, Fate,
when their corpses lie ravaged and ruined ...

You take my clenched fist and you give it a kiss
as though it were something you loved,
and the tears fill your eyes, brimming with the soft light
of the stars winking sagely above ...

Then you whisper, "It's time that we went back inside;
if you'd like, we can sit and just talk for a while."
And the hope in your eyes burns too deep, so I lie
and I say, "Yes, I would," to your small, troubled smile.

I vividly remember writing this poem after an office party the year I co-oped with AT&T (at that time the largest company in the world, with presumably a lot of office parties). This would have been after my sophomore year in college, making me around 20 years old. The poem is “true” except that I was not the host because the party was at the house of one of the upper-level managers. Nor was I dating anyone seriously at the time. Keywords/Tags: premonition, office, party, parting, eve, evening, stranger, strangers, wine, laughter, moon, shadows



Survivors
by Michael R. Burch

for the victims and survivors of 9/11 and their families

In truth, we do not feel the horror
of the survivors,
but what passes for horror:

a shiver of “empathy.”

We too are “survivors,”
if to survive is to snap back
from the sight of death

like a turtle retracting its neck.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm ― I hope you hear it.

Much love I bring ― I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.



Tremble
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.



Day, and Night
by Michael R. Burch

The moon exposes pockmarked scars of craters;
her visage, veiled by willows, palely looms.
And we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue―
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise―
adagio, the music she now hears;
and we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars’ bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Komm, Du ("Come, You")
by Rainer Maria Rilke
loose translation by Michael R. Burch

This was Rilke’s last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.

This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.

Completely free, no longer future’s pawn,
I clambered up this crazy pyre of pain,
certain I’d never return—my heart’s reserves gone—
to become death’s nameless victim, purged by flame.

Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I’m lost. Nobody knows me here.



This is my translation of the first of Rilke’s Duino Elegies. Rilke began the first Duino Elegy in 1912, as a guest of Princess Marie von Thurn und Taxis, at Duino Castle, near Trieste on the Adriatic Sea.

First Elegy
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Who, if I objected, would hear me among the angelic orders?
For if the least One pressed me intimately against its breast,
I would be lost in its infinite Immensity!
Because beauty, which we mortals can barely endure, is the beginning of terror;
we stand awed when it benignly declines to annihilate us.
Every Angel is terrifying!

And so I restrain myself, swallowing the sound of my pitiful sobbing.
For whom may we turn to, in our desire?
Not to Angels, nor to men, and already the sentient animals are aware
that we are all aliens in this metaphorical existence.
Perhaps some tree still stands on a hillside, which we can study with our ordinary vision.
Perhaps the commonplace street still remains amid man’s fealty to materiality—
the concrete items that never destabilize.
Oh, and of course there is the night: her dark currents caress our faces ...

But whom, then, do we live for?
That longed-for but mildly disappointing presence the lonely heart so desperately desires?
Is life any less difficult for lovers?
They only use each other to avoid their appointed fates!
How can you fail to comprehend?
Fling your arms’ emptiness into this space we occupy and inhale:
may birds fill the expanded air with more intimate flying!

Yes, the springtime still requires you.
Perpetually a star waits for you to recognize it.
A wave recedes toward you from the distant past,
or as you walk beneath an open window, a violin yields virginally to your ears.
All this was preordained. But how can you incorporate it? ...
Weren't you always distracted by expectations, as if every event presaged some new beloved?
(Where can you harbor, when all these enormous strange thoughts surging within you keep
you up all night, restlessly rising and falling?)

When you are full of yearning, sing of loving women, because their passions are finite;
sing of forsaken women (and how you almost envy them)
because they could love you more purely than the ones you left gratified.

Resume the unattainable exaltation; remember: the hero survives;
even his demise was merely a stepping stone toward his latest rebirth.

But spent and exhausted Nature withdraws lovers back into herself,
as if lacking the energy to recreate them.
Have you remembered Gaspara Stampa with sufficient focus—
how any abandoned girl might be inspired by her fierce example
and might ask herself, "How can I be like her?"

Shouldn't these ancient sufferings become fruitful for us?

Shouldn’t we free ourselves from the beloved,
quivering, as the arrow endures the bowstring's tension,
so that in the snap of release it soars beyond itself?
For there is nowhere else where we can remain.

Voices! Voices!

Listen, heart, as levitating saints once listened,
until the elevating call soared them heavenward;
and yet they continued kneeling, unaware, so complete was their concentration.

Not that you could endure God's voice—far from it!

But heed the wind’s voice and the ceaseless formless message of silence:
It murmurs now of the martyred young.

Whenever you attended a church in Naples or Rome,
didn't they come quietly to address you?
And didn’t an exalted inscription impress its mission upon you
recently, on the plaque in Santa Maria Formosa?
What they require of me is that I gently remove any appearance of injustice—
which at times slightly hinders their souls from advancing.

Of course, it is endlessly strange to no longer inhabit the earth;
to relinquish customs one barely had the time to acquire;
not to see in roses and other tokens a hopeful human future;
no longer to be oneself, cradled in infinitely caring hands;
to set aside even one's own name,
forgotten as easily as a child’s broken plaything.

How strange to no longer desire one's desires!
How strange to see meanings no longer cohere, drifting off into space.
Dying is difficult and requires retrieval before one can gradually decipher eternity.

The living all err in believing the too-sharp distinctions they create themselves.

Angels (men say) don't know whether they move among the living or the dead.
The eternal current merges all ages in its maelstrom
until the voices of both realms are drowned out in its thunderous roar.

In the end, the early-departed no longer need us:
they are weaned gently from earth's agonies and ecstasies,
as children outgrow their mothers’ *******.

But we, who need such immense mysteries,
and for whom grief is so often the source of our spirit's progress—
how can we exist without them?

Is the legend of the lament for Linos meaningless—
the daring first notes of the song pierce our apathy;
then, in the interlude, when the youth, lovely as a god, has suddenly departed forever,
we experience the emptiness of the Void for the first time—
that harmony which now enraptures and comforts and aids us?



Precipice
by Michael R. Burch

for Jeremy

They will teach you to scoff at love
from the highest, windiest precipice of reason.

Do not believe them.

There is no place safe for you to fall
save into the arms of love.
save into the arms of love.



Love’s Extreme Unction
by Michael R. Burch

Lines composed during Jeremy’s first Nashville Christian football game (he played tuba), while I watched Beth watch him.

Within the intimate chapels of her eyes—
devotions, meditations, reverence.
I find in them Love’s very residence
and hearing the ardent rapture of her sighs
I prophesy beatitudes to come,
when Love like hers commands us, “All be One!”



Keywords/Tags: Rilke, elegy, elegies, angels, beauty, terror, terrifying, desire, vision, reality, heart, love, lovers, beloved, rose, saints, spirits, souls, ghosts, voices, torso, Apollo, Rodin, panther, autumn, beggar

Published as the collection "Leave Taking"

Allegiance

Hot biscuit of cheesy pleasure
come hither
I shall greet you with parted lips,
lust apparent in every cell.
don't shy away-
for you are mine alone
to savor ,
this  achingly empty basket
soon awaits my
lonely countenance.
****************­**
Laine G and I   shared a common love  of   Red Lobster cheese  biscuits   ,  after a visit to the doctor  ,  my   friend was told her cholesterol was too high, and she would have to  cut way back  - I  wrote this for  her  :
****************­********
Sworn Enemy

Cheese- riddled biscuit denial
discs from Hell
demand my unwavering allegiance
no more
for only in my dreams
are you innocent.

Dear Maggie Grace,



I find you to be a phenomenal poet. I want to recognize, acknowledge, and express my admiration, for all of your marvelous work, you are a beautiful part of this site and I have selected some of my favorite lines from your work. It is all really spectacular, and I have put my interpretations and thoughts below each poetic phrase you wrote:






Drinking my cold chai tea,
Tears falling endlessly.
-Maggie Grace

This is so vivid and genuine. The reality and physicality captured by these lines is fascinating and incredible. The description of the sensory so simply yet brilliantly put. I love your style of poetry. Also, chai tea is amazing. ;P




“Yes, I’m fine,”
And people believe me,
-Maggie Grace

You bring to focus such an achingly relatable topic. To be so indescribably not fine, but to say it anyway and to have people believe you, it is a unique and unpretty type of pain.




Weaving their web of lies,
Their pain they hide.
Don’t say hurtful things,
-Maggie Grace

I love, love LOVE these lines “weaving their web of lies” such magnificent imagery WOW! And the message you convey is such a vital one. To fight against hurtful words.




Save the teenage girl,
she needs her life,
she needs her everything,
stop bullying.
-Maggie Grace

Bullying is such a global, agonizing problem and you have truly snared the essence of the anguish of being bullied. You are an excellent poet.




I like to wander in the snow, and think about things, like you.
-Maggie Grace

You paint a picture with words here, and so many of us can really connect with that sort of feeling, a pensive mood, pondering another soul in this world. The setting you provide is lovely. “To wander in the snow” how delicate and beautiful.





Maggie Grace,

Thank you for blessing Hello Poetry with your presence. I am proud to call you a fellow poet, I could really feel your soul in the poetic pieces you compose and you have a beautiful soul from what I can tell. Keep writing, because you are a credit to the art of writing. :)

Love Ember Evanescent

Preponderance gifts so weighty costly in this regard the truly hard part to step forth and be
Truly you because others are so important you give beyond price achingly so their glory is
Bestowing in them the undertow real life crushing all pretense gone triviality what airiness
Weightless worthless what times when compassion diligence of thought buys unheard of
Pasture lands fields black soil you stir up the deepest regard you exhaustively search your soul
And find seeds that are worthy for the planting it will flourish golden grain that is beholding
They will lift their eyes see the swaying harvest an all knowing concentration will grip them I
Have left the common the austere will cause a shaking a piercing knowing this is an open heart
Speaking giving how we yearn for such times here is the opportunity to sink our most tender
Thoughts deep the entanglements every twisted destruction that puts on the show and claims
Such rewards that only prove to be more disappointments bow you bow inwardly hard clay like
Soil is passed and all the choking devices are over powered you feel a new surging it explodes in
All directions falsehood in all of it disguises wither under this purity of emotion commitment I
Detest the former existence I called living from now on my words my life will touch you reach
You at the hurting points you will receive health beyond what a physician can give I will speak
With fire yes divine that is never at a loss it knows everything it evokes joy peace and triumphs
In the hardest places of the heart your tears that in some cases are a history of years of sorrow
These seeds that are going to be sowed eradicate they are pure and healthy to the point they
**** the poison seeds planted by enemies whole time periods of your life will be renewed some
Will for the first time in many years see how beautiful the sun really is darkness and gloom will
Be driven from your life you fought valiantly but it was only in your power you didn’t die but
You have only survived as a wounded tormented one a golden life will replace the tarnished
One we all have even brought accusations against ourselves creating more feebleness we have
Lived in the most apprehensible circumstances there is no escape from this prison when you by
Loyalty to falsehood think you are doing right but every decision cast you deeper into the pit
The Key I found that is the seed I speak of that provides and gives all freedom is profound but
Simple as blind but now I see an antidote talk of sometime by many and by others ignored
Almost completely but open all you are to the greatest power we can and are at different
Degrees snarled over time one trouble sets it in motion wrong reaction kills our defense in this
World that is most dangerous and deadly everything about this season distils down to this fact
Every malady every life ending hope can and will be restored in this gracious copious fact He is
The embodiment of all virtue I don’t have to live a life of disappointment and failure never
Reaching the hurting the potential for glories’ living is yours and mine it all rest in just this act
You must decide I could say don’t be deceived by all the lies and misconceptions I have to give
Up all the things I love this is not true this word of truth will set you free the things I once loved
I now hate the things of God I hated now I love this is the real truth and value of Christmas
While hear enable yourself to bless and truly love others here lately I have struggled with so
Many public and private people dying I wanted an answer I wanted to see the real continuance
Of those that I love I found it this piece gives revelatory exact true expression look around we
Need a provision an escape from what’s coming I will not look at you in judgment with tears
And say you just weren’t worth it your worth everything you don’t need to know but I know I
Will continue in the fire of affliction and I will through him reach more as the word says pluck
Them from the very burning

Hundreds, no thousands
Regardless, a crowd
Pulsating, flowing
So achingly loud
Ripples against me
So close to my skin
Coming apart now
I’m screaming within
Obviously many
I’m never alone
So very lonely
It chills to the bone
Speak, hearing echoes
Reflect from white walls
Stretch to forever
Like long empty halls
Mouth may be moving
I know I’ve made sound
Nobody hears me
There’s no one around.

Flawless frequency
How can you conceive thee?
Dripping into each piece
Sweet moonlight cry
Fluid honeycomb high
Sensational pulsating glow
Genuine in each
Subtle divine reach
Each way unknowingly perfect
Unexpectedly urgent
Long lost and forever found
Soulfully free and heart achingly bound
Blissful blues
I found you
Flawless frequency
You move thee

.
Within the salty swirl of foamy loam
where depths collide with rushing tides
mystical creatures' hearts do roam
their secret desires, they so carefully hide

But one day among crystalline shadows of light
in shades of turquoise and emerald,
two beauties emerge from dark into bright,
and in their meeting a shared destiny heralds.

One with a voluptuous feminine grace,
swaying hips, fullness of ******* and velvet thighs
auburn-haired, with lips made of cherry
and her mellifluous voice her treasured prize.
The other a magical alchemy
of shapely woman and magnificent fish
her violet eyes and iridescent smile
would fulfil Poseidon's deepest wish.
With gemlike scales and long, lithe limbs
a glow lights up her mystic aura
yet behind it a sadness and longing for love
hide behind the coral reef's gentle flora.

Chancing upon each other,
at first hazy shadows
in the blue-green light
the Siren and the Mermaid
started to discover
that they shared a similar plight.

"Are my eyes really seeing what I think?"
breathed the Siren into the salt
"I've never seen a more beautiful creature,
I thought the chances would be nought"
"My name is Nerine," said the Mermaid. "For a sea Nymph I truly am
who has roamed the oceans day and night
feeling more empty the harder she swam"
"And I, am Ula," declared the Siren, in a voice like crystals , fine-tuned
"They say that my voice is as clear and smooth as a sapphire
which is why I am called a 'sea jewel.'"
The two embraced and began to talk, speaking of their pasts,
their present and future
and both realized that they wished for spiritual and ****** mates
to mend their hearts that were achingly sutured
"Oh darling," said Ula
"Let us journey to the land of the forests
for surely as they day I was born
we may find our blessing a-waiting us
in the spell of the wondrous Unicorn"

And so a sacred pact was made
as they swore unto each other
that their vigour would not fade
until they found their one-horned lover
and with knowing eyes,
pressed palm to palm
the beauties made their choice
Nerine would give up her tail for legs
and Ula her singing voice

Foreheads together, arms raised in light
their prayer was spun to sky
and suddenly, the two enchantresses
found themselves on land, quite dry

Excited, giggling like nymphets
they jumped and twirled in delight
and set off for the forest green
For their hearts they were ready to fight

I feel their presence first
a Fey being knows another Fey being.
The magic of the Otherworld,
announcing arrival long before seeing.

Into view they came walking along the forest path,
fluid movements hinting at an elemental source.
Chitter-chattering, the same way that finches laugh,
feet strong, steady, never straying from their course.
Two carefree girls, making trails through my Green,
I feel a purpose brooding, so sound out a call.
They stop, gracious, as if surprised to be seen,
whispering these words as on their knees they fall.

“We are Sea-sisters of the ocean,
we are here to follow our notion.
Searching the forest in gentle kind,
for the Unicorn we wish to find”.

Hark! Hear your wild Lord speak,
listen as your mind he frees,
leading you on a fantasy journey,
through valleys and betwixt the trees.
His stories weave a forest dreamscape,
a sylvan land of purest Green,
leading you by a cautious hand,
he'll show you things you've never seen.
Twisted hazel and the mighty oaks,
meadows and glades of sweetest light.
Streams that catch the moons cool rays
and secrets held within the night.
But the Unicorn, a law unto himself,
is one thing this Lord cannot show,
a creature to be sought for alone,
so off through the forest you must go.

Following deer tracks and mystical ways,
strange paths that turn and twist.
Deep into the woods the wanderers stray,
yearning the fabled Unicorn to exist.

Then it happened, inclement weather,
rain soaked the bracken and heather.
So Nerine and Ula, a decision made,
took to shelter in a canopied glade.
The irony was, to them, quite plain,
creatures of the sea hiding from rain.
The forest floor did start to steam,
creating an eerie warm sylvan dream.

And the girls so excited hugged and kissed
as a mighty beast emerged from the mist.
Slowly coalescing and so taking its form,
the raw masculine power of the Unicorn.

I had felt their presence as soon as they touched land,
emerging from the foaming waves, crawling hand in hand.
I heard the echoes on the ether, as they made their Sacrifice,
the resonance throughout feydom as they gladly pay the price.
I knew their wandering had led them a merry crooked dance,
and now they shivered before me, they think as if by chance.
But I am a law unto myself, the Unicorn of the trees,
roaming at will in the forest, showing myself to whom I please.
So these Maidens come from the sea where they were born,
two adventurous girls' brave quest to find the Unicorn.
Nerine and Ula looking awestruck statues in my presence,
rooted to the spot, rigid liked scared and paralysed pheasants.
Their deepest wish fulfilled, they marvel at my existence,
and I in turn marvel at their resilience and raw persistance.
But the Sacrifice means that the sea is no longer home,
tied well to the land, destined now to forever roam.
And what of love, their desires and lust to find a mate?
Well, for Nerine there is no choice, feelings came so late.
Parting from the Forest Lord, latent attraction she had felt,
and knew she would return his way, in his arms to melt.
The Siren Ula was very quiet, looking frightened and forlorn,
her greatest dream had always been to follow the Unicorn.
So now we walk together through glades beneath the Moon,
my primal urge keeps calling for her to sing a tune.

Sacrifice made, quest fulfilled, to her Lord, Nerine has gone.
Ula happily rides me, never once missing her Sirens Song.
And here, for now, is where this story sadly ends,
Nerine and Ula Sacrificed their gifts, forever sister-friends.


© Pagan Paul & Lora Lee (25/09/17)

Why do we sentient beings,
We intelligent masses of flesh and bone
Feel an inclination to wonder?
To admire and collect and ****** beautiful things?
To pluck a flower from a forbidden garden,
And to taste  lethal meat?
To see and feel and smell
And hear and taste
Until our synapses overload
And we experience nothing more
Than an achingly painful
And powerfully unsurpassable joy?
Maybe this is what it means to be human...

I’m not me anymore. I can’t move, can’t breathe, can’t do, can’t be. I am still, and silent, and sad. So achingly, horrifyingly sad. Everything hurts, but nothing hurts at all, because I’m absolutely numb. I curl up and try to keep all of everything inside of me from falling apart. I don’t even want to open my eyes.

Why is winter my kryptonite?

The cloud settles over the moor.
Scottish peaks and thistle
darkened to shadow;
voids within voids.

A sheet, a film
of papyrus copper
plays reality.
It approaches the single paned window,
the abandoned outhouse.

It is deserted here;
one-and-a-half living souls
‘cross the entire landscape.

The story is in the air,
the tension toiling my innards,
scaling my arms to gooseflesh
and my mind to trepidation.

She’s here.

She is here and at the window.

Please, I hope, please
let it be a billowing of plastic
caught in the wind, movements
stifled by a telegraph pole
or some other cursed sign of company.

Occluding mass, she hesitates
by the window, I daren’t look,
but she is there all the same,
wailing achingly silent for reprieve.

I know why she is here.
I see it:

Thick rope. Crude, unrelenting knots,
I feel them press, cut with friction
into my wrists, twine like snakes,
devoiding me of life

one eternal day after another.
He prowls the door from time to time,
I fear it but it’s all that I have
save for the songs of the Tree Sparrows
that warm the winter.

He comes in to shed light to the room,
brings bread and milk, sometimes fruit.
More often than not he brings just himself,
presses me to the cold floor,

tries to make me feel something real,
demands my artificial praise.
He climaxes quickly, fills me with life, he says,
clutches my ***** hair, wracked with lice
and pregnant with the renewed hope

of his mercy.

None coming, I’m returned to my holster,
a stool upon an opened barrel,
I leave my messes behind,
the stench rising between my legs

and surrounding my senses,
until all of my life is nothing more
than excrement. Recycled, lived once
and then forevermore.

I live in my mind. Only the single-paned
window in this outhouse
offering an alternative;
most usually slate grey skies
and a barrage of hail upon the tin roof.

Outside of the window, I know
that life is something else. No books,
no words, no love, no music;
yet the weak Scottish light still
pierces the glass,

light always finds a way.

And then one day or one passage of time,
it matters not,
my hero, my villain, my father,
came to me no more.

I rejoiced. I rejoiced in my starvation,
the waste of my muscle,
the overflow of the toilet bowl,
skin reddened and bruised and eaten.

No one would come, if indeed there was anyone at all,
I knew that.

So I waited for death,
as death had waited for me.
We greeted each other as friends,
archaic pen-pals, acquainted at last,

I embraced his touch,
felt more life in death than life
had ever cared to bestow.

I kissed death on the lips,
told him of my long-sought desire for him.
He turned, a glint of silver,

and I found myself
on the other side of the single paned window.

Looking in, I saw only my regret.
The stool, the barrel, the waste
that had strewn the floor,
had surmised my life.

It was a sight unfit to un-see,
and so I stood in my perfect sanctuary,
never turned to look and face the light,
and instead stayed only to lament.

And so now I look into the old outhouse,
decades of decay improve its sight.
Old moss gathers over the fingernail marks
that I had carved so desperately
into the flooring.

Forevermore I stare upon my regrets,
forevermore I opaque myself
in half-existent smoke,
tapping on the window.

Upon this I look, a deep plunge of horror;
my heart freezes in frame,
upon a young woman’s face,
no more than fourteen years.

It is locked in a scream, a sense of despair,
eternal and rite, forever in shame.
A life lived in terror, naught but a tirade
of brutish **** and desperate privation.

We lock eyes for a moment,
enough proof thus,
that there is life beyond misery,
if one cares to look.