“The Silicon Tower of Babel”
The over utilization of technology, its abuse, is unweaving humanity at the seams. Human health, sanity, and spirituality are under attack. The boom of accessibility over technology has increasingly subtracted from the frequency of face to face human interaction as well as human interaction with nature. The result is a declining emotional and psychological health and a ******* of spiritual values. Each individual who values holistic health should limit the time he or she spends using technology that isolates them to less than twenty-four hours in a week. They should make more purposeful efforts toward interacting with nature daily and for periods of at least an hour at a time. Lastly, these individuals should labor to replace reclusive technologies with modes of technology that encourage face to face and group social interaction such as movies, Skype, etc.
Self-limitation of the use of isolating technology will begin to correct the twisting of our spiritual values and the social and physiological damage that has been caused by the overuse and abuse of technology. In James T. Bradley’s review of Joel Garreau’s book discussion of radical evolution, called “Odysseans of the twenty first century”, Bradley quotes Garreau when he says that technology will result in human transcendence. In “Odysseans” it is said that “The nature of transcendence will depend upon the character of that which is being transcended—that is, human nature.”  James. T Bradley, scholar and author of this peer reviewed journal says that “When we’re talking about transhumanism, we’re talking about transcending human nature. . .  One notion of transcendence is that you touch the face of God. Another version of transcendence is that you become God.”  This is a very blatant ******* of the roles of God and man. When the created believes it can attain the greatness of its creator, and reach excellence and greatness on par with its God, it has completely reversed the essence of spirituality. This results in the ability to justify the “moral evolution of humankind” according to Odysseans. And this “moral evolution” often results in “holy wars”. In “Man in the age of technology” by Umberto Galimberti of Milan, Italy, written for the Journal of Analytical Psychology in 2009, technology is revealed to be “no longer merely a tool for man’s use but the environment in which man undergoes modifications.” Man is no longer using technology. Man is no longer affecting and manipulating technology to subdue our environments. Technology is using, affecting, and manipulating the populace; it is subduing humankind into an altered psychological and spiritual state.
Technology, in a sense, becomes the spirituality or the populace. It replaces nature and the pure, technologically undefiled creation as the medium by which the common man attempts to reach the creator. The common man begins to believe in himself as the effector of his Godliness. Here there is logical disconnect. People come to believe that what they create can connect them to the being that created nature. They put aside nature and forget that it is an extension of the artist that created it. Technology removes man from nature (which would otherwise force an undeniable belief in a creator) and becomes a spiritual bypass. “According to “The Only Way Out Is Through: The Peril of Spiritual Bypass” by Cashwell, Bentley, and Yarborough, in a January 2007 issue of Counseling and Values, a scholarly and peer reviewed psychology journal, “Spiritual bypass occurs when a person attempts to heal psychological wounds at the spiritual level only and avoids the important (albeit often difficult and painful) work at the other levels, including the cognitive, physical, emotional, and interpersonal. When this occurs, spiritual practice is not integrated into the practical realm of the psyche and, as a result, personal development is less sophisticated than the spiritual practice (Welwood, 2000). Although researchers have not yet determined the prevalence of spiritual bypass, it is considered to be a common problem among those pursuing a spiritual path (Cashwell, Myers, & Shurts, 2004; Welwood, 1983). Common problems emerging from spiritual bypass include compulsive goodness, repression of undesirable or painful emotions, spiritual narcissism, extreme external locus of control, spiritual obsession or addiction, blind faith in charismatic leaders, abdication of personal responsibility, and social isolation.”  Reverting back to frequent indulgence in nature can begin to remedy these detrimental spiritual, social, and physiological effects.  If people as individuals would choose to daily spend at least an hour alone in nature, they would be healthier individuals overall.
  Technology is often viewed as social because of its informative qualities, but this is not the case when technologies make the message itself, and not the person behind the message, the focus.  To be information oriented is to forsake or inhibit social interaction.  Overuse of technology is less of an issue to human health if it is being overused in its truly social forms. Truly social forms of technology such as Skype and movies viewed in public and group settings are beneficial to societal and personal health. According to a peer-reviewed study conducted by John B. Nezlek, the amount and quality of one’s social interactions has a direct relationship to how positively one feels about one’s self. Individual happiness is supported by social activity.
Abuse of technology is a problem because it results in spiritual *******.  It points humanity toward believing that it can, by its own power, become like God.  Abuse of technology inclines humanity to believe that human thoughts are just as high as the thoughts of God. It is the silicon equivalent of the Tower of Babel.  It builds humanity up unto itself to become idols. In extreme cases overuse of technology may lead to such megalomania that some of humanity may come to believe that humanity is God.  Technology is a spiritual bypass, a cop-out to dealing with human inability and depravity. The misuse of technology results in emotional and psychological damage. It desensitizes and untethers the mind from the self. It causes identity crises. Corruption of technology from its innately neutral state into something that negatively affects the human race results in hollow social interactions, reclusion, inappropriate social responses, and inability to understand social dynamics efficiently.
It may appear to some that technology cannot be the cause of a large-scale social interrupt because technology is largely social. However, the nature of technology as a whole is primarily two things: It is informational; it is for use of entertainment. Informational technology changes the focus of interaction from the messenger to the message. Entertainment technology is, as a majority, of a reclusive nature.
Readers may be inclined to believe that nature is not foundational to spirituality and has little effect on one’s spiritual journey, it is best to look through history. Religions since the beginning of time have either focused on nature or incorporated nature into their beliefs. Animists believe that everything in nature has a spirit. Native American Indians like the Cherokee believe that nature is to be used but respected. They believe that nature is a gift from the Great Spirit; that earth is the source of life and all life owes respect to the earth. Christians believe that it is the handiwork of God, and a gift, to be subdued and used to support the growth and multiplication, the prosperity and abundance of the human race.
In a society that has lost touch with its natural surroundings it is sure that some believe that nature has little effect on health, as plenty of people live lives surrounded by cities and skyscrapers, never to set foot in a forest or on red clay and claim perfect health. However, even in the states of the least contact possible with nature, nature has an effect on human health. The amount of sunlight one is exposed to is a direct factor in the production of vitamin D. Vitamin D deficiency has been determined to be linked to an increased likelihood of contracting heart disease, and is a dominant factor in the onset of clinical depression. Nature has such a drastic effect on human health that the lack of changing season and sunlight can drive individuals to not only depression, but also suicide. This is demonstrated clearly when Alaska residents, who spend half a year at a time with little to no sunlight demonstrate a rate of suicide and clinical depression diagnoses remarkably higher than the national average.
Dependence on technology is engrained in our society, and to some the proposed solution may not seem feasible. They find the idea of so drastically limiting technology use imposing. They do not feel that they can occupy their time instead with a daily hour of indulgence in nature. For these individuals, try limiting isolating technology use to 72 hours a week, and indulging in nature only three times a week for thirty minutes. Feel free to choose reclusive technology over social technologies sometimes, but do not let technology dominate your life. Make conscious efforts to engage in regular social interactions for extended periods of time instead of playing Skyrim or Minecraft. Watch a movie with your family or Skype your friends. Use technology responsibly.
To remedy the effects of the abuse of technology and the isolations of humanity from nature, individuals should limit their reclusive technology use to 24 hours in a week’s time, indulge in nature for an hour daily, and choose to prefer truly social technologies over reclusive technologies as often as possible. In doing so, individuals will foster their own holistic health. They will build and strengthen face-to-face relationships. They will, untwist, reconstruct and rejuvenate their spirituality. They will be less likely to contract emotional or social disorders and will treat those they may already struggle with.  So seek your own health and wellbeing. Live long and prosper.

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No justice nor equality
How to live without envy?

No money nor security
How to live without greed?

No motives nor prize
How to live without sloth?

No accessibility nor satisfaction
How to live without lust?

No pleasure nor satisfaction
How to live without gluttony?

No logic nor sense
How to live without wrath?

No compassion nor humbleness
How to live without pride?

Words of Harfouchism

Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.

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All manner of people can be found in train stations, there character betrayed by attire to the more observational at least. The hard pressed city worker, walking ever walking, phone at hand, ever scanning emails and ensuring accessibility always, to control is too maintain is too succeed. Those who's steps seemingly shorter and more though out, are either here on some grand tour or some exotic soire as if silently noting surroundings, as the pass beneath the ornate decorations of their location. There care free folly the main indicator of intentions.From time to time a transport police officer shall pass, stern faced, seemingly compelled by some unknown mission others stand stationary a deterrent to would be criminals. From time to time the most beautiful facet of humanity is likely to appear, in the adoring stares of young lovers. It's this or the hold and don't let go grip, young lovers and train stations have long associated (In my mind at least) the point of departure is a grey area. Where displays of public affection normally reserved for movies and poems, reach the realm of social acceptability. Long deep kisses and well thought out speeches describing the grievances of an ever bleeding heart. There is one group I have failed to mention, who in there own way are entirely distinct from any of groups fore mentioned. They are the watchers, found normally at some quite looking coffee shop across the street, however this is not to imply they can not be any of the above. All of the above mix intermittently with interesting results, I shall for as long as I live never forget the passionate embrace of an on duty police officer and his wife. His eyes bright with surprise, at ease staring upon the one he so adores. I leave the station and head toward the embankment,
All manner of people pass me on their way to unknown offices, some holding hands and staring deeply. The rumble of unseen locomotive reassures me now of course I'm drawing closer, the winter winds once faint now felt as the once green leaves now all manner of colour are pulled by unseen gusts. This city must surely be the greatest in the world, from the industrial chimneys distant to the rolling ocean. Dockers smoke cigarettes and exchange raucous  tales whilst foreign sailors stare intently. I always try my hardest to listen to as much as I could manage of these half spoken speeches.  Im rewarded instantly with an image far more detailed and planned than anything the most creative minds could conceive. The wild waves create orators, there thoughts distilled be evenings spent alone. I've always found myself drawn to transient people, I feel like I've spend forever dreaming of someplace else Greenland Egypt Canada, you name the place and I've seen it in my dreams at least. It took me a while longer than I care to admit to truly get a feel for the place, at first like some timid child I avoided it. From the age of thirteen I've been locked in a battle with wanderlust, my urge to leave it all is simply overwhelming. In all my darkest fantasies, I leave this place at some point on some old ocean liner to arrive at unknown port. Too share a meal with mountain air as my ashtray overflows. I warm myself with images of ancient explorers sailing distant oceans, guided by starlight. Some people just elude me. I'd call myself stubborn but certain people melt me, I the eternal romantic a victim of my own high hopes. I'd often find myself alone, staring across the river and wondering. I always sit upon the same old bench carved with all manner of messages declarations of undying love, names, dates all carved into immortality. The steady movement of approaching footsteps is eternal, beyond the customs house  solitary North Star shines, as if admiring its provincial estate. An unknown entity now serving as a subtle voice of reason in the darkness, occasionally couples pass, as if to cement my my longing. The starlight illuminates breaking waves, as boats sway easy ******* to subtle quayside. Ever reminded of my obligations I should really leave and go to sleep. However the pull of the darkness is tangible, that was something! oh something! Suddenly a gentle calm smothers all thought, as lights glimmer distant. Light! Oh  brother light, I the eternal castaway home bound at last. My expectations were entwined with food and wine, and the comfort of my own bed.

My legs carry me mindlessly through the white-washed walls of the intensive care unit. I am stuck in a labyrinth in which there is no end, there is merely alcoves on either side which take you even further into the maze. Nurses with faces as pale as their uniforms pass me like zombies, their minds calculating numbers on charts which directly correlate to a list of symptoms that equate to something less than diagnosable. I am nothing more than a distant shadow in their busied brains.
Unknowingly, I begin counting the rooms after I pass through the double doors, remembering that yours is the ninth on the right. My heart rate steadily increases, no longer in tune with the clicking monitors that surround me like locusts, calling out to those just as alive and lonely.
I rest my hand on the doorframe of room number ninety-four as I attempt to collect myself. Just as I inhale a deep breath, my vision blurs and every emotion I have (until now) successfully shoved into the deep recesses of my chest now rises up my stomach and into my mouth. I press my lips together, holding back the bile that has taken up unwanted residence on my tongue. Warm tears squeeze their way out from behind my eyes as I swallow it back down, suppressing it once more. I attempt another deep breath, and another, until I realize I am unable to procrastinate any longer.
I hear the rustling of stiff sheets and the slight give of a hard mattress. You're awake.
I clear my throat softly, wanting you to be aware of my presence, although I am certain that the heartbeat that reverberates my eardrums must have given me away miles ago.
A white curtain hangs from the tiled ceiling, held up by metal clamps looped around a pole for easy accessibility and I can't help but wonder if that pole would be strong enough to hold me. But just as I begin planning what sheet and what knot I would use around the pole, I step into view of you.
My hand is pulled to my lips like a magnetic force that is out of my control as I take in the sight of you. Your left eye, which once shone a more brilliant blue than the clear waters of the Caribbean, is now bloodshot and swollen. The left side of your head is bandaged and half of your pale blonde hair is shaved down to your bruised scalp. Your lips, which were once so thin and precious, are now bloodied and blown-up like red balloons. Your bones jut out from beneath your skin, as though your collarbone is rejecting you and begging to be freed. Down your arms I notice the scabs and scars and marks from unsuccessful attempts to hook you to an IV. But there is more than just one bag hanging beside you, and I realize that the other is Morphine.
I take a step closer to you, waiting for your eyes to flutter open like they did so many mornings when I'd wake you with your favorite breakfast (two plain pancakes and a cigarette). Your head tilts slightly to the right but your eyes remain closed. I take another small step, and another, until my waist is just inches from the seemingly disjointed hand hanging limply from the edge of the bed. I reach out and press my shaking fingertips to the hard palm that faces me, hoping for your hand to turn and clasp around mine, silently accepting my every apology.
But your hand remains stiff against my touch.
I memorize the new lines on your hand, the crescent-shaped bruises on your palm and the shallow scratches on the back of your hand where I pressed my lips more times than I could ever possibly count. I trace my way up your arm, my fingertips traveling over the hills of your veins, a familiar territory, and the streams of tubes filled with fluid, an uncharted area. Just as my hand begins the climb up your forearm and into the crease of your elbow, I feel your arm move. But rather than moving towards me, an invitation to venture even closer, it is pulled away from me, a protest.
I take a step back and inhale a deep breath, feeling the rush behind my eyes again, as I notice your right eye is now looking right at me, into me. I search the depths of your gaze in the hope that I will resurface with a strand of hope or affection that I can hold on to for the rest of the day, but I come up empty-handed. All that I can find in your eyes is a direct reflection of the pain that both your heart and body are enduring.  
"I'm so, so, so-"
But before I can even begin to utter my sincerest of apologies, your hand is held inches above the mattress, silencing me. I dive into your eyes again, deeper and deeper, realizing that if I can't find any form of redemption, then I'd rather just drown in them. But you **** me back to reality with only two words.
"Please leave."
I feel the tidal wave crash into my chest as I take another step back.
My worst fear has been realized - you don't want me here.
Suddenly every argument, every fight, every "I'm sorry," every "you don't mean that," every "I love you," every "don't say that," was another wave throwing my helpless body against the cliffs and coral reefs. I am lifeless, my body thrashed beyond recognition, my heart ripped to shreds.
Tears gather behind my eyes and burst through, falling upon my cheeks as though the depths that I have drowned in have finally consumed me.
I reach out once more, my shaking hand yearning for the touch of your skin.
But you pull your head from me, wanting nothing to do with me.
An earthquake shakes my chest and threatens to pull me in half as I backpedal out of the room, temporarily getting wrapped up in the white curtain that I had admired just minutes before.
The rush returns to my head and I can no longer see anything but frothy waves that continue to pull me under, and I can no longer hear anything but the sound of water filling my ears.
My shoulder connects with a sturdy boulder and I fall to the ground, collapsing into nothing more than a puddle, the aftermath of the hurricane that has wrecked my body, and you are no longer able or willing to save me.

When entering the realm of another
Try to connect by being receptive
Relate to appropriate space
Approachable pathways through
principled heart centred objectives
Display the routes to sincerity by
observing a faithful open perspective

Only the worst poets
spoon feed their readers.
The rest sing it out
and let the chips
splatter as they will.
No one writes
to be misunderstood.
Spout your words
like a fountain.
Perhaps a few drops
will fall into
thirsty mouths
and satisfy.
Then again,
                  maybe not.

I do believe all poets must not only read a lot of poetry but read a lot about poetry. Of my 50 favorite poets, there is not one who has not written about poetry, the philosophy of their work and of the craft. That in itself is fascinating- and difficult, like the depth you find in NY Review of Books. I do about 2/3 (poems) to 1/3 (being books about poetry) From the most philosophic works of archetypes by Northrop Frye to the most public and basic questions of Zupruders good seller "Why Poetry?" .
That last book opened up a new reality for me, to I ask myself all the time who am I writing for, in context to all this reading...I realized I was really trying to communicate the poetic truths of living, of my own small life in the world so full of beauty, horror, paradox and death. I realized to do this I had to make compromises, to not try to impress or amuse myself with poems that could only be understood by me. The craft and presentation became as important as the message. That is currently my direction, I'm writing "collections" of poems with themes so a reader could enjoy a concrete theme. (The last book I just read, a signed collection by Ferlinghetti ( nice and cheap in a used bookstore) was just that- the theme of light in "How to Paint Sunlight." Accessible and very full of several poems about light)
So you are stating two different issues:
I don't like being not understood, Having people throw up there hands perplexed, I'd rather be popular.... Its lonely
But I cant write for others because than it would be feeling like a commercial venture My motivation would be destroyed.
Id rather be desolated and write for those few who get the twinge...
Well, first of all, we poets are possibly lucky because we ain't making beans for our poems. Forgetaboutit. Even our most lauded poets end up teaching to get the health care and severance. I suppose there may be 3 poets in Amerika that make a living on just writing poetry....if that many. Who's buying? I didn't see much word "poetry" once in this weeks NY Times review of books. Only some letters crashing last weeks review of Leonard Cohen, who the critic called a wonderful lyricist and performer, but an awful poet. These dialogues are important to me, but really, quite a small audience. Either way, lyrics and song paid the rent, not Cohen's books of just poetry.
I'm sure there is no immediate cure for your paradox. If you want to be popular you have to make compromises. If you don't want to alter your vision, you can get the joy of a smaller readership and forget the rest. You have to manage expectations is a world that hardly notices our craft.
It's hard to be both, I suppose you should stay true to your motivation. And if readers like me don't get it, **** em. Let it suffice we acknowledge the craft, and that we will get closer to some poems more than others be enough. For me, accessibility, the ability to engage a reader into whatever poetic truth I am feeling, is more important than in any way hiding the meaning in the poem in which I alone can understand it.
I want people who never read poetry, which is most people, pick up a poem by me and feel the poetry power without feeling intimidation which is what most people feel when they read most poems published today. For me its that fine line between letting the imagination do the work, and the poem setting up the narrative to allow it by inviting a reader into it. I get great joy reading my poems to non poets who are scared by even the idea of it, and get them to feel something new, that wonderful way Aristotle put it- that poetry provides an ultimate truth that is found beyond the boundary of philosophy.
Best Mark
…………………...

Admittedly I have gone off the rails focusing on the meta or man as dreamer. Are we not dreamers first before descending into the material, deadening the faculty of imagination or as the I Ching says "a darkening of the light"
I want to bring the reader up and when I read I want to have the sensation of ascending I try to give what I like to receive which is to be brought into greater fluency and light
Have we abandoned our inner life to such an extent that when confronted with it we find our selves strangers to it; reinforcing and amplifying a kind of cognitive dissidence?
Are we in a sense a stranger to our selves having lost the lucidity of our magical youth
Do we see the world as vacant utilitarian stuff and other humans predictable lusterless cogs in a wheel like cued robots?
Witches Seers, Voodoons , Hermeticists, Kabbalists and Occultists of very stripe know and use objects as essential to their operations and craft because they have hidden meaning and power.
Has the life of fantastical creative cognition been sacrificed to inveterate congenital pragmatism?
"Beloved imagination, what I most like in you is your unsparing quality".
Andre Breton
To transgress is to process ones madness as opposed to the customary botched behaviors of repressive modalities we hide behind . It seems to me that poetry is a great ground for that exploration.
Perhaps Its a good thing for a reader to think about what the writer means, albeit a difficult pleasure as opposed to the instantaneous and facile modes of naming and claiming Reading towards the abstract can be a mystical experience Most people who read are shallow readers Shall I than aspire to be a shallow writer?
What surrealism (Detailed descriptive language unmoored from linear rationality) affords the writer like pure abstraction to the visual artist is a great opportunity to explore the musicality of language ie the musicality of form i.e. the energetic configurations of architypes.
Part of our craft that makes things crackle as you know well remains sound play ie the strategy of syllables ... Long vowels / short vowels...the length of words and sound of words in relationship to one another
As you know Mark to analyze the subtle abstraction of sounds i.e. words to the ear is just like music and like music although not wholly translatable has an undertow of non verbal meaning especially if exploited out side the linguistic necessity of linear prose like poems i.e. a device that most never use consciously and strategically or certainly to its fullest potential.
So when we say a poem is beautiful do we impart mean its those amazing tintinnabulating sounds that ****** with their musicality? Poems that do that well stand out to me.
Further I think we are in error when we confuse the realistic with the materialistic. It seems to me realism has magnitudinal underlying meta elements that need to be felt in poetry and to think other wise in my opinion would be a dull conceit
A good example is thought itself
When we speak our ideas thoughts impulses we have no real sense of where they emerge from The processes are so meta their incomprehensible even to neuro science and scientists have little if any understanding of consciousness or its meaning as far as I know
So perhaps the surrealist has a place of worth too; and that is to remind people of their inner life out side the cage of end product think and commodification. After all what is a life and what is a poem?
Best Z

Communication technology recognition

Reformation in monopoly contortions

Feel the attuned tunes from satellites

Setting light like an antenna televised

Usher prolific hologram vised in vision

Bid manipulation bye to new world neon’s

Motivation from free thought movement

Commendations cemented in another time-zone

Complement to comment for extra terrestrials

Electrical vibrations moving from wired modems  

Floating up above the skies, a heaven end  

All life become a past tense lie, come lie

A dead fantasy for the oars ain’t tacky

The most surreal reality, the stability, an ability

Congeniality, this is an alien evasion, adaptability

Figure a boxer on the ring, trenching victory

An agility the accessibility to the victorious flag

Tracing admissible tunes, planking in a cool challenge

The heroic and not hectic hologram check the angiogram

Its not a diagram, but a radiant heart an earthy soul

Am a do anything, buffing myself to do anything

Ain’t a deal rocking the crowd in crazy clouds

Breaking the underground like a Fujita F Scale tornado

Ronaldo tormenting the ball in a field with F clef societal

Social control and orders, tormenting the ****** to extraordinaire, an extradite

Streaming live make you believe like you can live for real

Stratifications, ****** classes and sewn mobility

Chasing dreams in the winds deeply wheeled in a well

Be well as we sink  so deep to seek and hold the dense

The essence of the whirlwind, it’s a seep through static

This rollercoaster an aspiration to inspire then perspire

Ever higher, from the root to crown charkra, a tantra

Annata,the ascending holographic magnetic hero

Tuning visions to dreamers and travellers

Hold my hand as we sink underneath the stratums

No sputum, just headphones.... a culture, it’s the new age soul

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Breaking down the barriers of exaltation after passion due to the fragmentations of the pointed Sarissas that rose from the dome of the monastery in an unknown vertical direction on the, as advocacy of propositional logic, to surpass the truth values on the crawling positions of the annelids and the alabaster elementals reformulating when detaching themselves from the monastery of Tsambika, as they engender contracted truth from the false truth that had been anticipated. Making from the tautological truth, going back all the memory and physics actions of the Hexagonal Progeny, deriving to atomic spaces, which are known to lock in the absolute truth of combinations of accessibility of exit and entered Patmos, as resulting from Omeganimias or links of spiritual polynomials that were dissipating to complement the departure to Patmos from Mandraki up to Skala, and on the other hand simultaneous Etréstles from Dekas; Kimolos for the remission of the Duoverse communion in the width of the celestial space. The tassels of the Vexillum of Vernarth and Saint John the Apostle, Eurydice, flamed, forming the triangle of the shape of Tsambika, with the triangle of the hexagonal that parliamentary of the stays, before heading to the navigation towards Patmos.
The Vexillum, carried by the wind itself Anemoi, was only carried by these golden gusts of earthworks towards the border of Rhodes, which until now was ancient Greece with its landmarks that the loyal spirits of Alexander the Great resisted accepting his death. Dazzling himself with this noble personification of the Anemoi, he re-establishes himself as part of Vernarth's prophetic and company to the island of the Apocalypse, which after the journey of Saint John the Apostle in Judah, the Cyclades, and the Dodecanese, would begin to relive the apocalypse. written under the mandate of the trinity, as a theological Tautology, running through the same originality and devotion of the heavenly mandate, but reencausing with the Hexagonal Progeny, as if it were rewriting it for the second Time, but from the Omega Point the completion of the Omega Temple on Patmos, to the areas of settlement of democracy and establishment of the Cycle of the Duoverse, as a transition to the rank of Hegemon of Patmos, to lead the spiritual military forces that raged, from the last vestiges from Pentecontecia in the Second Medical War in Plataea in 480 a. C., until the beginning of the Peloponnesian War in 433 a. C. towards the Athenian polis as a thread of their leadership of the nation, retracted by the reinforcement of their military supremacy, by the dominion of Spiritual Judaic, coming from the Hellenic existential inspiration, which spread with total expansion with the confederation of Alexander the Great, Vernarth and San Juan Apostle, as exclusivities that would increase the conclusive campaign of Tautological Omeganymy, shadow after shadow of the naval journey that awaited them with the Tracontero Eurydice, emerging from losses of democratic pacification, conventionally finite with the division and absolutist denial of Alexander the Great, reinstating itself in the Hexagonal Progeny, in accordance with the physiognomic materiality of the restructured Map of Cinnabar bound for Patmos.

The classicism of this operation will rise to the re-establishment of its Commander Hetairoi as the bearer of the Vexillum, under the acronym of IAV, meaning the Trinitarian Hellenistic-Vernarthian existentialism, for all Macedonian Christian children, servants of Jesus Christ, like the Mashiach. The reigns will rise to the last step and then they will fall into the crisis of entropic existentialism, with launching new languages beyond all known vocabulary, with speculative and adaptive pearls of wisdom of Hellenism that is reborn on Patmos, in the elaboration of the Temple of Omeganimia and the academicism of San Juan Apostle. Alexander the Great carries with him the upstart lines of the peripatetic school, walking through Phrygana, almost stepping on the low thicket and soft leaves and that, to the rhythm of the invaders' footsteps, reverberate them towards the dreaded ears of Vernarth, imaginary plant community in the Mediterranean forests, forests and shrubs that exist, but are lacking on Patmos, are only part of the creative imaginary, which are successful in limestone soils around the Mediterranean Basin, generally near the coast, where the climate is improved, but where the conditions annual drought in summer, suggestive of the resinous flavors of a scrub becoming a dressing for transplanted trees before they arrive to meet the Katapausis, the emblem of the Parables of Procorus.

Parables of Procorus

Petrobus the Pelican in one of his wanderings was distracted by some colonial migratory birds from Rhodes, while the Cinnabar was energized. He flew exceedingly, reaching the shores of Patmos, saving himself from returning to the ship with the others of the Birthright. Here he himself met Procorus, where after brushing against the Phrygana with his wings, he was inspired in praise of the Skalá sightings. Procorus in the understanding that he was inspired by this magical bird, I narrate to him from his cranial zone, the parables of his company as a servant bird of Raeder, together now with Procorus, to welcome the ship Eurydice that was already sailing to Patmos. This assertion by Petrobus was of the Hellenic existential time, therefore before they occurred it would reach real-time synchronization, after three hundred and sixty-nine oscillations of the Anemoi under its golden wings.

Parable of Phrygana: (says Procorus by vox from Petrobus)

On the banks of, lived some seeds that were admired by the lights of the cell of San Juan, feeling that it can only be a seed if it is not recognized by another that is the same. Knowing that it is not from the Phrygana genome, they will know that they will never be able to choose a larger size. For this reason, if a Kashmar could be a branch Daughter of Zeus and the titanic Metis: Athena (the Olive Tree) (Minerva). Aspiring to greater trees, greater than the skies of comparable to the wings of Petrobus brushing against the allegories of winter when Procorus becomes a seed that flows from the envelope of the thicket, turning from its own shadow into a monumental tree by day, but at night like Phrygana goblin.

Parable of the Alnus:

The consequence of the Alnus took them out of the oratory persistence towards the heights of a tree that begged its minorities. The raceme's inflorescence, with its leaf blades on a leaf blade, invited them to follow reactivation paths due to the axils of its largest branches. When a lost sheep was lost in the Alnus Glutinous, the smallest plants that decrease or expire would approach, ready for the twigs that are carried by the legs of the lost sheep. But not when winter arrived, still very green with the olive tree that is found again in the mountains of other glutinous that co-merge like lights that dazzle the lesser leagues of Alnus, losing itself in its habitat Alder, in mixed forests with green and black sheep, among Phrygana in God's soil with tame sheep and soil with poor nutrients, but full of green shadows.

Before these two parables, Prócoro says: “It must be maintained that each one speaks with its own language, and they never take long to amaze us, first of all, the color change from green to more green, if its shape, color, and corpulence as a species with the same shadow, regardless of the hue of the size of its species”

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Flowering in my hand
The godforsaken darkness of this bedroom
I stand for waves of consciousness
Although my only accessibility is to be seated
And to let the walls and the dry waves beneath us
Cushioning the air like newly wedded palm trees
All savory and nearly serine
Minus their little tatter tantrums,
Decide what is allowed to be easy on the ocean ears
And what is a blue-dusk silver shattering storm instead.

You jump in once
Your body all made of hands and feet
And the communal clatter of thanking God
Soaring your way down the only descend
After making allies with the butterflies
Making pockets in clouds
And does anyone know how to spell home
In embroidered lace pink
Or can we still go in head first?

Hearts sparse in this carpark,
the wind feeling rowdy, biting like a
small rabid animal with no collar
wandering the city alone at night.

The car is making me claustrophobic,
I've spent far too much time with the heat,
too many minutes burning cigarettes and
my hands near-numb from the caffeine.

Poems are less like action movies and
more like action paintings exploding
in suspended motion. I'm sure we all
remember when art felt new. I can't
recall when it didn't feel so lived-in.

(And of course this poem is merely
a memory of feelings, which is not much
of anything to me or you because the past
is dry and done and does not intrude.)

Lincoln, Nebraska is a livelier city
than one expects. It is like going to an
art exhibit expecting Rothko and getting
Basquiat, bombast and immediacy.

My favorite poet is Craig Morgan Teicher
because he and I may ramble but he is not
afraid to sacrifice accessibility for
feeling. He could find the beauty in the
image of Lincoln, Nebraska in January.

I will soon need to devise another way
to keep myself entertained so let us
say this CD spins one more time and
maybe I can go for a walk, clear my head.

I do not intend this to be wrought with
sentiment, but there are times I am not
as cold as this city. There are times
the mind must scream
so the heart stays safe.

She radiates brilliance based on fine features, good form and skillfully applied cosmetics.
He balances confidence and accessibility with an unerring certainty of success.
The universe is expanding, Inflation rampant,
Stretching everything more than any yoga instructor would allow.

Our planet is stuck in motion at hundreds of thousands kilometers per second.
I stock up on Dramamine and Ginger Ale.

She worries that she will never see him again.
He is lost in the business of the day.
These galaxies race away from us faster than the speed of light
And are accelerating more each trillionth of a second.

Some Alien out there has calculated that this is the last week to DVR an episode of the Game of Thrones before losing all contact.
Some Star Watcher is now stuck with a static picture of this faraway galaxy
from here on out.

She is not simply a set of particles:
                                she is moving very fast.
In relation to her changing position in space,
                                he is moving even faster.

This universe is not stable;
It strays too far from itself
Running away from a past that was too small.

This universe is accelerating
As if it has immunity from moving violations
Or has appropriately mounted a very good radar detector.

One day her particles and his
Will dance tumultuously in the debris encircling some infant sun
Or get pulled into a black hole.

She radiates,
He balances,
The universe inflates,
Stretching everything way beyond belief
And ultimately, slightly out of reach.

-- Zumwalt (copied from www.zumpoems.com)

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Existing, creating, remaining

In constant correspondence with

Fluorescent phantoms stalking
hypnogogic images of

Past selves spilled upon
A marble plane universe.

Fractals of shattered ether,

Taught not
to touch an all,

Indescribably content with systematically

Despairing hairs,
Rapidly engaging in disengagement.

Division of conscious accessibility,
Lately less than half.

Mundane introductions to despairs,

Rapidly devouring
   The residual stillness.

Folk compilations of concepts fabricating
Inquiries into legends of incentive for

Existing, creating, remaining.

A famous poet
A master
Of thirty (or more) years
Of teaching poetry
    (taught by Ginsberg I've been told)
Left a voicemail...a generous offer...to read my poetry
To give me instruction
At a downtown coffee shop
For fifty dollars an hour

Fifty dollars an hour?
Shouldn't he have an office?
Well, it's as close to a 1920s parisian dive around Boulder as one could find
I used to hang out there
And write before work

Eh
Perhaps it's not as weird as I think it is
Perhaps I can ascertain a love for language that couldn't be achieved outside of reading my Blake, Whitman, Hemingway, Lawrence, Dickerson...

He will read my poetry
And guide me towards accessibility, honesty, vulnerability, courage
I will be relatable (for once)
With beautiful imagery
That will open
    universes

I am suppose to text him back

Is this what I want?

What I want...thats something folks closest to me dare not ask

What has what I want have to do with anything in my life?

What I want, what I want, what I want

I want my voice to come forth effortlessly from my adventurous life, my song to echo expansive landscapes and treks, to learn intimate knowledge of plants and rocks, and laugh with the beautiful people that inhabit such places

I know tonight
Nothing matters
Until
I set an opportunistic sail to this change in the wind

I have already ventured deep into this life, I've not gone gently into the night, so why start now?

The time to shove off is soon

Like Whitman said...
"AFOOT and light-hearted, I take to the open road...
The long brown path before me, leading wherever I choose"

Hell ya, brother Walt

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You like me better when inebriated
You want me; flying high
Lost all sense of inhibitions
But with truth and sobriety
Comes silence and disregard
Misunderstood
Timeless lack of knowing
Always running circles
Around your silly empty head
Searching for some way out
To escape

I think you want to feel
But rather numbing simple accessibility
Trumps all other efforts of freedom
And of chance
To know how
To feel
To understand and to be understood
Flying high, blind in all sublime numbness

Terrified to love what is so painless
To accept as is
Never questioning purpose or potential
It is all lost; flying high

No love to lose
No chance to gain
No mind to cherish
No one else to blame

Silent nights
You think of another
But you end up the fool
No one will answer
Your words
Just flying high

strict obligations to mind technique -
a range of techniques to identify
a paced scribble done haphazardly
for the effect of unquestionable timing
as time itself question, settled
for lazy afternoons and volumes upon
volumes - well, the bore of schoolchildren
being taught the standard of communication
as grammar in all its guises and adding to
this the identifiers of poetics, shackle
them in metaphor conscious expression
and they'll excessively rhyme -
e.g. yeah mm, yeah, birches of the brood,
mm, yeah, wave to the navigator
and limousine driver, mm, yeah,
mm, yeah, ******* in the alley, poetry
the ultimate straitjacket of language
use, so many constraints, mm, yeah,
******* of rodeo doing disco with a hand
spare waiting for prompt of the **** salute -
mm, yeah, pottery and poetry are moulded
although pottery with the hands as one,
poetry by exchanging patterns of a tennis
statistics of serve depending on what's
more accessible via the index through to the thumb;
mm, yeah, birches in the hoodlum choir -
knuckle dusters and nail clippings among
broken skulls - already the constraints of grammar
we all yawned at, then came poetics
and the second tsunami of disgruntling -
father grammar, son poetry, the holy ghost
a multiplier of yawns among gradations from
a* through to f - like a musical scale -
now i realise i joined the abhorrent crowd of
artistic expression, i never knew could be so
**** unauthentic, maybe the missing orchestration,
the prophetic voice in the wilderness -
the lack of materialistic concern for bees' wax
to accumulate for envious purposes -
a hole with chlorine-cleansing chemicals
that's neither salt or sweet water and no wish -
a massive bathtub and a different form of ******* -
i know teaching grammar is like teaching poetry,
too many rules, too many rubrics, lists and lists
of things happening but not actually happening -
the faking of poetry on account of identifiers
as marked accessibility and respectability -
but never the essential coarse experience -
so some forgive the excruciating test of grammar -
they say 'if comprehensive therefore satiated' -
but then the anti-poetry with an army of instruments
uses only rhyme to akin itself as to why
B. Dylan's lyrics were debated in poetic circles -
i really did choose the wrong art -
or perhaps i'm only saying that because i can
create quarters for four agile limbs to comprehend -
let's say one celebrity had photo-sensitive
epilepsy - the stability of scarce lightning
against the lunar and solar cycles - but then
overexposed to a syringe of phosphorescent luminary
injections of insomnia -
the modern ailment summarised by insomnia
in all the totals asserted - the fear of death
entombed, now the fear of not ably falling asleep
or the fear of not sleeping at all;
indeed a heresy some might say -
but in Dante's theology i find purgatory as
a courtroom - the judgement necessarily passed -
depending on what duality you are a disciple of(: / i.e.)
hell (your own company)
                                             x
                                               heaven (the company of others)
or
    hell (the company of others)
                                                      x
 ­                                                        heaven
                                                          ­  (your own company);
indeed no chiral assertions,
                since both add up to a pitch-perfect coordinate
                with parallelism's coordination of (+,+);
                 neither subtracts the other's accumulation,
                perhaps in the interchange
                (+, x), (-, +), (-, x), (+, ÷) -
                after all there can be worded expressions
                of utilising pure mathematical
                symbols to understand political
                dynamism -
e.g. (by adding you multiply the chance)
        (by taking away you add to an understanding)
        (by taking away you multiply the chances
         of non-recurrence or recurrence)
         (by adding you end up dividing
          the chances of expressing the Σ);
all in all, a chaotic foundation approves to architectural
order tumbling down into prone attempts for
new truths stabilised by vogue of the times
and later dismembered and disavowed from practice
and admiration.

I.

Life is crazy
In the sense that we can find love over and over
In the sense that we lose life in a matter of seconds
We arguing about money we don’t really need
While others are suffering from a lack of accessibility
My teacher taught me with enough detail you can recreate the sensation of when you first sink into an apple and it’s juices burst from within.
Beautiful and sweet,
Sometimes when they’re so ripe you can feel it tingle in your cheeks.
Chunks of delicious fruit being minced by my teeth.
Just like back in the day,
sitting in class in front of fresh apple slices and a side of peanut butter.
It was so simple then,
but now we all feel a little weighed down by the pressure from life’s various complications.
Responsibilities passed down from our parents
meant intentionally or not.
Dangers of our environment,
brothers and sisters losing their ability to hold their mothers.
Worry some how much my children might see when I’m gone.
rainbows and sunshine
some things from my childhood that still enlightens me.
A rarity and reminder that the sun will shine again tomorrow.
Let me borrow your light when I’m lost in my dark spaces.
Tracing my fingertips against the rough rocky walls,
looking for a way out,
looking for signs of life.
A slight glimmer.
Look there in the distance how it glimmers.
Bring me back when I’ve lost my way.
Illuminate my eyes as if I’m being graced by the dawns first light.
My friends seem to guide me the same,
on days I hadn’t even realized I had been locked within my own temple too long,
scheming on the outcome of this trial.
Back and forth, pacing in haste as I worry in a perpetual way,
where the hell I belong in a world like this?

II.

Look me in my eyes.
Heavily brown
Welling up
Deep blue swimming pools.
I get lost in and forget how to swim
Head under water
Suffocating over thoughts of you.
I give too much to you.
All this love for you.
Unrequited
Or maybe just misunderstood
Her eyes just like mine
But darkened with time
Very rare that she smiles
Delicate calloused hands
Long days and longer nights
Working for everybody but the girl in the mirror
I know it may look like there’s no end in sight
But when you focus on you and only you
There’s no doubt in my mind you’ll find the joy you lost
Scary thing,
When money becomes the most important
And everything else is out of focus.
Just going thru the motions.
Wishing you could turn back the hands of time.
III.

It’s harder to believe in love once you grow up
Our perspectives change drastically depending upon what it is that we see.
Not many people have what we used to call “traditional” families
And yet end up having the most compassionate and caring of hearts.
I’ve always put so much into others,
My mother taught me that,
It’s scary to think how a like we are at times.
She also taught me that you must care for yourself
Because no one has the obligation to care for you.
Just love those who love you
Because they are a rare treasure.
Metaphorically tethered to each other’s hearts
Look how easily people become important parts of each other’s lives
Sadly we can just as easily watch as they fade
Life is complicated, we all come and go with the seasons
The same way we may meet a soul that may make an impact for whatever reason
Pick your encounters, and learn from them
Always strive to be a better you
And want to understand and love yourself better too
Because if you don’t who will?
I tell you for a fact that’s real!
It takes a “real one” to understand how I feel
But I’ve stopped looking, I’m just living and having fun
Just looking forward to more days like this basking in the sun
and writing stories in the moonlight
Occasionally taking my pencil as my pilot
Just to test the heights of how far my imagination could reach
Hot on my trail, follow me into infinity
I want you to see in clarity everything I can see
In the hopes I can relay this message perfectly
Give it your all
No shame if you fall
How can you stand tall?
If you don’t answer the call.

A sense of conquer
A feeling of attainment
A fallen anchor
A screech of independence

There is no vulnerability
There is no trance
There is accessibility
There is chance.  

We will whine
We will fail
We will draw the line
We will exhale

Racing to meet our fate
Racing to find any rate

The crimson velvet beauty sparks
Of the embroidered vast sky
The humming and muzzling callous barks
And the beautiful alerted glittering spies
Under the high canopy
The darkest shade showcases a true story
Story lacking tragedies
Story bearing mysteries
The anonymous heaven of devoted species
Out of accessibility
Away from the maddening world of technology
Where desires are the curse
Where humility is a practice
These bright souls roam
In their own heaven
Of self-sufficiency...

They loosed the moorings from Cala Cogone prematurely, when the tide seemed to be lifting over the separate lumps in the dews of the hailstorms, and on the head of the Cyclops distancing itself from its corporeal organism. On a lavish and romantic day, they went to Genoa, to continue with their travel logistics to Piacenza. During the displacement Etréstles was contemptuous in the prow under the Shemesh that seemed to be a fearsome specimen, before an embroidered intestinal being stirred in his own dream, perhaps more longed for than a dual itinerary. While they slept, at the helm Etréstles argued ringing dressed in his black cyclamen tunic, the comrades were also sleeping with their rhapsodic physiognomic dreams, coloring mutinous gestural jaspers, on some faded signs that were deteriorating.

A chimera of Etréstles: “His off-center memory of him ..., was still in Izzana, the capers rumbed through the pathetic clouds over the gray tulles, and the layers of the sky tried to stop being a reign emeritus for a prince without a crown. The paradisiacal layer "kyklámino stémma", was glimpsed melted in the scattered limestone Nuraxis, turning into sticky aeroliths agglutinated in the deployment of the Conjuration, laying the rye species in the jaws, and on the head of Vernarth himself. As they continued with their abstract journey, they remained to parade with the legal aid in his own mirage. He tells her that: "I see them beyond from where their ceremonies collide, they cross eroding the vanished reason of their itinerancy." They get up and take the ship's moorings and attach them to the neck. Then they all cooperate to walk along the edge of a tracontero's sooty ship, moving them all barefoot…, waking up at once! Vernarth, try to wake them up, shake them off, but they don't wake up. And when he tried to evade him from sleep, he saw that he had the ropes on his neck, along with two Unicorns who were escorting him and looking at the infinity of the uni-****** between them tied to infinity itself, supporting that Genoa was already coming in front of its antlers. The others began to wake up and ate reclined, almost without any desire to rasp the cover full of self-sliding and unctuous linen, which allowed them to pass each one their own aperitif from Apollo's head, surrounding them in their cohorts inclusively, being semi dissipated and rolling down the hatch cover. Etréstles transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead. At the foot of the homonymous promontory, 36 km from Genoa; Portofino could be seen, close to some spiral planks that floated in their hydro form, with Apollo's eyes narrowed and circumscribed in the radius of his orbital process, with submerged herrings that frolicked from Apollo's zygomatic, and in the regional natural garden of Portofino. They found different entrance gates through San Rocco, Portofino Vetta, and Nozaregoino, entering with the agaves on the way with different levels of accessibility and auriferous perspective escape. The path traveled from northwest to southwest on the same promontory that was hidden, communing with all beauty the Mediterranean vegetation, with its beautiful pine forests, and bluish scrubs in the waters of the Mediterranean, filling them with itching lungs, and especially in the offshoots of the Kardiá , silencing the peaceful companions by the suggestive Natural adonis in the indigo abyssal eyes.

Vernarth wraps himself in two linen cloaks and a spárgana for Etréstles, then intervenes, eclipsing each of the Unicorns from his uni-******. They frank him with their antlers on their pectoral, loving him with the subtle hint of attachment that is born from a primal genesis. His gesture softened the expectation that crowned the Empire of his cohort, with the impetus of Arbela, and in the semi-precious Onyx Crowns in chalcedony ..., lightening the gavels of the semi-precious sleep that awakened them before reaching the shores of Genoa. The land in Genoa, all descend in separate fractions and say goodbye, distantly gesturing their signs and making retro gestures with their hands dressed in the mineral encrusted with their rapacity. The ramblings showed on multiplex-rays at the levels of a growling aura, which instigated them to the enclave's inn among the algae that levitated on the ear tags of the ducks, and of some ruminant bluish unicorns, to reinsert themselves into the world of the adjacent daily chores of the cornucopia. The ship luridly hovered in the indigo bay, where it spurred on the Unicorns that were returning back to Sardinia, positioning itself in the bow bulb and in the stern the other to lighten the sails and return to Izzana.

The Scarabaeidae sing: “The Vernarthian tenor of Kaitelka carried them behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that turned on the backs of all the borer beetles, delimiting towards a dialectic, and paraphrase of a qualitative satirical, especially in the form of Vernarth's sub-mythological genre. The sacredness of the unicorns was the winner of all the dull fantasies, pretending to raise the rainbow over their senses, delegating them remnant spatiality from the growing infinity. To praise the hypothesis of this whale, she sang native arias and cephalization ultrasounds in Genova, where she continued to harmonize the media in her cranial cavity, and in the muzzles that reached the larger fins, transmitting waves of parapsychological regression towards Vernarth.