Joseph Childress

Absence makes the heart grow
Fonder for most
Somber for some
Odd of others

The presence of love
Is the foremost force
In the divorce
Of reason

Attachments
Magnets
Victims of attraction
Repel
Then make tractions
That keep the world
Moving

Rebels revel
In revolution
Worshipping
The great changing
Like crescent moons
Before the new

Each phase
Relays the latest trend
As love, hate and sin
Blends in a cocktail
Of delusion

Drunkards play martyr
In the extremist
Conditions
Relentless systems of belief
That leaves relief
For the reliving of death

The children witness it all
Imitating
And coming up shorter
Than expectations
With each generation
Alternating ideas
For alternatives
Altering native ways of thinking

Beings battle for correction
In facilities
As others rights
Squander
In the quelling of dissent
Fighting fear
Is dear
To the hearts of trendsetters
Setting the standard
For the new age
New way of thinking

Off to Walden’s Lake
For the Great Disappearance
Dissing appearance
For the sake of absence
As absentmindedness
Watches from afar
Don’t worry
I’ll return with enough
Civil disobedience
The laws will have to change
In our honor

My limbs've caught fire.
Senseless, I no longer know pain
from passion from energy
from subconscious,
all are smoldering in my chest,
and my mind has vacancies
and that burning blackened lightness
flows as heaviness
through my fevered arms
and into my hands
and one of which,
palm up and hand cupped,
stretches out with fingertips starred
for the faucet in the bathtub.

Grasp, twist,
return-turn wrist.
Grasp, twist.

Toes bargained with Feet
and, upon agreement, conspired with Legs
for, what I can only hope was, a hefty price
to absently stumble and stew this body,
raw, in a basin too small for my meat,
and the cast-iron bathtub
will soon boil like a tea kettle
without a screaming spout
and I will steep my mate
without metal mesh and bombilla.
Too hot, for too long, with too little,
but I'll sip it, silently, as it bubbles.
Not a wince,
even if blood spills out my sockets
I won't close these eyes.
Watch them drink of life
as flesh drips down my lips
and reddened cave lights
emerge from the depths
and fill my eyes.

My movements were never aimless:
a body took advantage of my absentmindedness.

You drive yourself to the edge of insanity trying to rid the world of injustice
And the world keeps turning
People keep living
They overlook the crazyness of their every day existence

They learn to accept the world
They become complacent
They die

The restless soul labeled Mental illness
what they call an illness of the mind
Absolutely collected in his thoughts

Anything you put out is a cry for help
Every plea ignored
You learn to live with the absentmindedness

The cold stare of another person
Trying to open their heart to you
They try to collect the carefully scattered pieces
They undo your organization
You're left hold the bag
When they leave

Take my hand and you’ll be well,
I cannot tell you how I dwell on the absentmindedness of your sell.
You ask me have I come here for pleasure,
I sigh in despair and leave a great lingering glare,
This is preposterous, I am not monstrous.
Only for your hand, do I come, my lovely crumb.

Your subjectless Objects of capital, the agency bereft GDP drones, O! America,
They are spilled on the pavement, an upturned ice cream cone of discontent
puddled and lackadaisical, they fester beside the hydrant.
Your news agencies and malls, the damp dishrags of industry,
snagged on the nail of defenselessness and exploitation, only infect the wound.
Each mess of a person, walks through the sugary malaise of your suffering
dragging it on to the next in communal forbearing; its contagion, its disease
is so many cysts on the mind of those syrupy vacuoles for capital; the private,
malignant caverns of dewy-eyed trust in humanity, insipidly drawing the rancor to a boil,
without understanding a thing.
You pride yourself on much, without eyes for the condition of your people,
O! America.
People, shackled in your jails, are so many ideas bubbling as to the cruelty of your nature
punctured by the ignorance outside.
Draped in your obnoxious flag, the cites are as malicious as the countryside, toward life, toward knowledge.
You prop-up the price of their crops, the know-not-whys, who plunder the earth to prolong population growth and consciousness-decline.
America, you eradicate discontent with cattle cars, filled with questioning life forms, gasing our minds and burning our bodies with your arrogance.
Like a popcorn bag steaming in the microwave; you have been left alone too long, and have developed a flame-- an inextinguishable flame of reason.
You have been disavowed too LITTLE.
You must not be allowed to expand any further, lest the impoverished bag of flesh which is mankind will burst.
But still you stagnate, until your violence curdles with drones and bombs patrolling our synapses.
Our brains digest your violence against us and **** it out with an abused dialect of greed and hate.
Then you ask us only that we eat from your refuse heap of burnt kernels from the “truth” of market economy.
You taste like cancer. You rot the mouth of competent men, and satiate the anxieties of those who would turn against you-- with a refreshing ice cream cone of absentmindedness
dropped on the ground and melting.
But the stains you made will always taint the sidewalk of man.

……………………………………………………………………………………
           The figures stood still, a blank expression to fill. Their waxed complexion holding dust, soulless cages immune to rust. Light bulbs flash in rhythmic delirium, contrived joy running at a premium.
           Flocks of herds came to take notice of this brand new attraction, one designated worthy by an overriding faction. Social conscience had said its peace, and passed on its opinions in a shifty lease. Word had spread as fast as it could, regardless of whether it necessarily should.
           “T. Elsey Wax Museum” was the hottest ticket in the city. Vouched for by an annual subcommittee, composed of men of no esteem, and opposed to views deemed too extreme. Every vacant mind had jumped on board, its entrance fee was small enough to afford.
……………………………………………………………………………………
Prosperity renewed, discord unglued. The walls of Briar Field, seem to leave much concealed. It’s owner, a Mr. Holden Reeve, is a vain little creature beyond reprieve. He sees no value in an altruistic life, and seems to anguish in his everyday strife.
His facility has been thrashed in print, and regarded as no more than a publicity stint. Still, if true, his machine would be a marvel, something verging on plausibly being artful. Its said Mr. Reeve has tapped into the human soul, and made monetary gain his lonesome goal.
The patents of Mr. Reeve lay out the plan for an odd looking device, but it’s purpose isn’t made overly concise. According to speculation, the machine can resurrect an individual’s ideals, but I can’t tell you how worrisome that makes this reporter feel. Mr. Reeve is toying with the work of God, something he should know to be intrinsically unflawed.
……………………………………………………………………………………
Eliot Tern was standing in a ridiculously long line, it ran four blocks down to a street named Woodbine. Elliot had been there since midday, though he had begun contemplating whether or not he should stay. Looking back there was a hectic crowd, pushing and shoving in a manor quite loud.
Eliot had dragged his friend Henry along with him, though that boy thought their odds of getting in were pretty grim. Henry stood casually, kicking stones, outside the front of BMC Savings and Loans. A woman in front told him to knock it off, Henry called her a ****, but masked it with a cough.
It was two in the afternoon by the time the two boys were about halfway, a nearby baby cried as it spat up apple puree. Some of the sauce found its way onto a man’s face, he told the mother that her parenting skills were a complete disgrace. The woman slapped the man in vicious spite, though to speak truthfully she had every right.
The man screamed and pouted for a minute or two, then he calmed down, and began to clean up the child’s spew. He glanced around to see if anyone was glaring, and poor Henry was noticed hesitantly staring. The man pointed to Henry and began to call him a coward; he spoke with the type of veracity that made it quite apparent that he felt empowered.
Henry stood calm for only a moment, and then began to stare at the man like he was no more than an opponent. The boy picked up a large rock from a graveled path, and hurled it at the man with the feeling of contempt and wrath. The stone struck the man just bellow the eye, and for a moment it looked as though he would cry.
Then the man screamed with a furious hate, it became quite clear that he was now irate. Henry took off; leaving Eliot on his own, it wasn’t exactly a measure the boy could postpone. The man had begun pushing through the crowd trying to get to the boy; his face reflected no hint of joy.
Henry ran for about 10 minutes, he had pushed himself to no new limits. The man had given up the chase after leaving the line; he tried to reclaim his spot shouting, “*******! It’s mine!” The crowd booed the man as angry mobs do, and he had to walk his way to the back to calmly stew.
……………………………………………………………………………………
               Henry was only 12 when he walked in through the rusted doors of Briar Field, it’s hinges shrieked as though inadvertently sealed. A reception desk stood before a large, arched entrance, and there sat the owner’s, under-skilled, apprentice. The man spoke in a seemingly mocking tone, as though Henry was standing in a restricted zone.
         The boy, feeling mocked, turned towards the exit, the man ran up, in a manor quite hectic. He told Henry that he was only joking, just doing a bit of nonsensical provoking. He said to Henry that his name was Fredrick Barnes, grew up, quite happily, on several local farms.
           Fredrick, or Fred as he liked to be called, began explaining the nature of how he went bald. He told Henry that he had developed an addiction to charity, making his true nature no more than a parody. Lived for years with his ego at bay, and gave every dollar he earned away.
            It took its toll in rather short time; though to live vicariously makes it all seem fine. Fred ignored his dreams for far too long, believing God to be king making him just a pawn. Then one day, he told Henry, “I was caught in a storm”, he said, “The falling rain against the wind seemed so pleasantly warm.”
             Then a man came by, begging for some change. Fred had no issue giving up his entire measly, well-earned wage. His Christian nature told him he was no better, then this hungry man in a beat up old sweater.
            Fred handed over 1,200 dollars, a mere hours work for some uneducated scholars. The beggar began to smile, showing all of his teeth, there was a yellow glow from a plaque-ridden sheath. He then turned to Fred, with a more sinister grin, and Fred noticed then, that the man stunk of gin.
             He asked Fred if he had any money, timid, Fred responded, “This really isn’t funny.” The beggar pulled out a small caliber pistol, and said that, “one has a responsibility to be fiscal.” Skin peeled off of Fred’s wrist, as the beggar pulled at a watch through clenched fist.
              In the end, the beggar took all but Fred’s clothing, and left with a bang, as to not to seem imposing. He had only shot the man just bellow the knee, but blood loss had made it hard for Fred to see. He crawled and clawed his way towards a distant street lamp, but movements were elongated by the weight of his clothes, which, obviously, were quite damp.
              Fred laid hopelessly on the cold, wet cement, with the rain mocking him in its relentless dissent. The beacon he had crawled towards turned out to be a dead-end, the severity for which was hard for the man to comprehend. There in the stillness of the night, Fredrick Barnes became aware of the true nature of his plight.
              Holden Reeve had found Fred while the man was riddled with a complex terror, spouting off nonsense about living his life in error. Holden took the young man in through the doors of Briar Field, a museum, which, to the public, had yet to be revealed. It didn’t take long for Fred to fully recover; eventually he began to look at Holden as a brother.
             Fred turned to Henry and told the boy that was the end of his story, and now, it was time for the moment of glory. He opened the two doors hidden under the arched entrance, and Henry walked into the room, followed by Holden’s apprentice.
             When they entered the room Henry immediately asked, “Where’s Mr. Reeve? ...I’m sorry if he’s passed.” Fred laughed and told the boy Holden was most certainly not dead; in fact, the two of them were standing in the middle of his homestead. Then the boy noticed the nature of the room, and how cobwebs gave it the foreboding feeling of doom.
             There was another set of doors at the end of the room, but Fred turned and knocked on a bare wall with the backside of a broom. A panel slipped open and retracted into the wall, and out stepped a noble looking man, though, truthfully, quite small. There were no visible features on the man at first, so initially Henry was expecting the worst.
              Fred acknowledged him as Mr. Reeve, so Henry stood tall, and tried to make his back as flat as the wall. It wasn’t so much that the boy was often courteous, in fact, with regards to that sentiment, the boy was usually impervious. He just felt that in this particular situation, there was going to be no recapitulation.
              This was clearly a man who only spoke with the most precise of words, those capable of collecting and massacring mass herds. Though Holden Barnes would never speak to such a crowd, his absentmindedness for them would be hard to shroud. The man was indifferent to any collective thought, and his principles were to firm to ever be bought.
              Holden spoke to Fred in brief manor, those unheard of in the print of “The Banner”. He asked if Henry seemed like a reasonable boy, or if he was merely some shady companies plotted decoy. Fred vouched for Henry, who he didn’t know; playing a bluff, and hoping it wouldn’t show.
               Holden nodded and shook his friends hand, and spun to the boy, as though his motion had been a cautious ploy. “Who are you?”, and “Why should I care?”, Mr. Reeve asked Henry, the response for which seemed to be lost in the boys memory.

“If you can’t speak to me I don’t know if you should be here, I’m not the one in the room who you should naively fear. My greatest achievement lies just behind those doors over there, but if your this timid, you could get quite the scare. I’ve constructed a testament to the human soul, and it’s designed for any man to control.”

“Though to put it in such terms is hardly fair, it’s just not something that easy to compare. I’ve gotten to where I am, if you’ll dare me to say, through myself and am not one to decline the pay.  My invention just doesn’t seem to arouse much attention, in the press Fred says I haven’t even stirred up a mention.”

“I tell you this though, it’s been their mistake, for what I’ve created here is no preposterous fake. I’ve created a method of speaking with many various forms of reason, though to them it’s some form of religious treason. They seem to think I have resurrected the soul, ghostly figures ripped out of a black hole.”

“But that simply isn’t true, as you’ll come to see, now Fred tells me your name is Henry. You have to choose now before your walk through those doors, if your ready to dance on such hallowed floors. The mystery my seem quite vague to you, but understand this offer has been made to but a few.”

“I don’t understand, what should I say?”

“To ask such a question, here I thought you were a stray? An opinion, like ego is something to treasure, not cast off at someone else’s pleasure. This decision is yours and yours alone, you can use no alchemy from the philosopher’s stone.”

Henry was caught up in an odd predicament, one with no true equivalent. He had no real idea what he was choosing between, but he knew that he couldn’t let that fear be seen. So Henry said yes, without further discussion, and hoped along the way there would be no major repercussion.
At the end of the hall there stood an entrance, Fred stood by acting as apprentice. He told Henry to try and open the door, as Henry pushed his feet slid across the floor. Fred laughed and said that it was locked, and could only be opened one way, Holden kicked a loose rock imbedded in the wall, and soon, the door moved, quick to obey.
The room was not nearly as large as Henry had pictured, and distant light bulbs scornfully flickered. There was only one object in the center of the space, here Henry began walking with a quickened pace. It looked as though it was just a large computer monitor, but its framework seemed composed by an ancient astrologer.
Objects spun about with contact precision, and small fractures of light seemed to meet through collision. The spectacle was truly something to behold, though Henry still had no idea what was about to unfold. Mr. Reeve walked up to the machine and began to touch its screen, and all the lights stopped, and then seemed to reconvene.

“Alright Henry, I suppose it’s time I explained the true nature of this device, but somehow I only now realize you got in here free of price. No matter, it’s been a while since it’s seen someone new, I’m curious what some of these people are going to say to you.”

“What you are looking at now is a labor of scientific process, but believe me when I say there is no need to be cautious. There is no black magic at work here, though many have said so without coming near. This machine I’ve created does what some say to be impossible, like Nemo’s creation, just far less nautical.”

“This machine collects and records all forms of the written word, sweeps them in like collecting some massive herd. It organizes and sorts data of all different norms, and emits it in a conversational form.”

“You see this creation has given man a chance to talk to those of the past, allowing for a legacy only time can outlast.”

Henry stopped and stared at the man for quite a long period of time, and tried to figure out why Mr. Reeve looked so perfectly sublime. Henry now thought he understood the nature of the device, in fact Holden had made it all seem so concise. The machine would allow Henry to talk to anyone from the past, as long as there had been enough information amassed.

“Who do you want to talk to first? I’d suggest Ayn Rand, if you’re okay with being coerced.”

Henry had no idea concept of Mrs. Rand, so the concept to him didn’t seem overly grand. He lingered on the thought for a second or two, not wanting to pick an individual who could be considered taboo. Then, it came to Henry like a sudden case of dysentery, he saw this man as more than a visionary.

“Is it possible for me to speak to someone who didn’t actually exist?”

“I can see what I can do if that’s what you insist?”
……………………………………………………………………………………
Eliot was furious as he saw Henry; the boy had been gone so long it had slipped from his memory. He stood and waited for Henry to ask to step back into line, and then he would make it clear that everything was not fine. Eliot was now standing at the front, to just let Henry in would be a great affront.

“I’m going home.” Henry said as he let his eyes roam.

Eliot felt sick as Henry walked away, then he became curious how he had spent the last three hours of the day. “No matter” thought Eliot as he waited patiently, he’d have his victory soon enough, and he would take it graciously. Very suddenly a woman opened up the front doors of the institution, and thanked everybody for their “contribution”.

“It’s time to say goodnight. The museum will be open at 9 o’clock tomorrow, during daylight.”

The woman very casually walked away, as Eliot was in complete dismay. Then he had a calming thought, none of the creations were going to rot. All he would have to do is come back the next day, everything, he thought, will be okay.
……………………………………………………………………………………

(tw; family dysfunction)

That's the word you use, isn't it? 
"Did you remember to call the vet?"
"Oh, no, my bad, I was a little preoccupied."
"What about the trash company? We haven't gotten our bins yet."
"Shoot, I completely forgot."
"We still have to get our internet set up, remember?"
"I did say I was going to do that, didn't I?"

Yes, you did.

You did say that.

And every day,
I have to remind you again,
like a parent pestering their child
about cleaning that pigsty of a room,
and every day,
that growing pile of promises remains untouched,
unfulfilled, and increasingly funny-smelling.

Being preoccupied has practically become your job,
so it's no wonder that absentmindedness is sometimes known
as preoccupation.

All jokes aside, there is a fine line between forgetfulness
and prioritization of him over us,
a line you've made a point of crossing
at every opportunity that has arisen.

But maybe I'm unfairly assigning blame. 

Maybe we're both at fault. 

Because, you see, I lied. 

Those words never left your lips, but even fabricated excuses,
however exasperating they would have been to truly hear,
are still better than the reality.

With each reminder, I was met with an ever-so-slight
narrowing of the eyes that so closely resemble my own,
a sigh of "yes, I know,"
and even more empty promises. 

And yet, I continue to persist. 

Why? Because it's important to me. To us. 

I'm beginning to wonder if it's worth it,
waiting for something that will never come.

Maybe I'm overreacting. 

Now that I think about it, it does seem trivial,
insignificant in the grand scheme of things,
but it's those little trivialities that
you were supposed to be responsible for.
​​​​​
You preach to me about the importance of family,
and admonish me when I take that family for granted,
and yet you disregard your own,
not even bothering to ask us how we feel
about this unfamiliar, near-constant presence in our home.

He can never fill in what is missing,
can never make up for what has been absent for years,
but I may have grown to like him, had he not be forced upon me.

I have been given no choice but to interact, to tolerate. 

I have no say whatsoever because my voice has been stifled
by your unwillingness to listen,
your apathy regarding what I may have to say.

Maybe you're afraid. 

Afraid of what we think of him. 

Afraid of disappointment. 

But the more distance you put between yourself and us,
the more time of ours you take and fill with him,
the clearer your message becomes.

We don't matter. 

We aren't important enough.

Our thoughts, our feelings,
they are absolutely and unequivocally irrelevant.

You don't care. 

How did this happen? 
Was it him? Did he do this? Or was it something else?

Did we do something? Did I do something?

There has to be a reason, a rational explanation.
Of course there is, why wouldn't there be?

There's a valid reason, isn't there? 

​​​​​​I can fix this.
Tell me how to fix this.
There has to be a way to fix it.  

What did I do wrong? 

Sorry, did you say something? I was preoccupied.

Watt's Woolgatherings



woolgathering ~indulgence in idle fancies and in daydreaming; absentmindedness


Watt? Watt you say?

these words of yours,
they are mine own,
but in uterine conceived by you,
yet, birthed canal'd in my mouth,
when spoken aloud

call them the shared
jubilatio of the alleluia,
drink them as gospel bittersweet,
cups of AM coffee,
after midnight dregs

you know that coffee, where

love lies quiet
within the mute caresses
of skin to skin embrace.
the smile of a satisfied lover
and the smell of coffee brewing

for me.

so many of us birth poems in their java,
but only you taste

hints at the totality,
experiencing, rarified, extracted,
dramatic, lofty, brief insights
of being born every morning

with first day's breath,
by dawn's first light hints are provided,
thereafter, homebound, o yeah, mine now,
anew, renewed, kept reheated inside me

Watt? Watt you say?

beware those
the warts, bruises,
pus filled excretions,
(the chamber music accompaniments)
of a complete life?

always the spoilt milk,
reminders of the condition human,
have you not me charged
be thy union
am I not good enough to be
at least this,
at least a confederate,
guardian of your magnificent solitude?

but you are not always alone,
sleep with Jesus, kick him out of bed,
early coffee for him,
he needs to be alert,
finding the next day's
Mary Magdelene...

There are times when you jump a gust flings you into weightlessness and you float in the moment, forgetting about the fall. We all live for those moments; yearn for weightlessness when our souls don’t feel the captured form of our brief, earthbound existence.

Everyone bounces, right?

I chose to jump.
Again.

Watt, please take my small hand,
I want to jump,
fall and rise up,
be resurrected by the holiness of your words,
that you cannot see, self-blinded,
only the-needy-for-saving can

Like children
every poem is unique
I don't choose favorites.

but I am a sinner,
another amputated elephant
forced to choose,
I choose my poets carefully,
particularly the visionaries
in sidewalk cafés, notebook scribblers

Why Watt, Watt you remind me why

I will never be as goodly a poet as you,
but I will try, my birth's condition,
a man needing your permission to be
Resurrected, reimagined, because,

God as ocean deep
takes all, gives all,
caresses the fevered forehead
of brand new earth.

God as dark distance between
holds the lamp in the doorway
providing hope of a return home

God as the fragrant fecund flower
waits in innocent attraction
giving pollen to all who would receive.

God as woman born
took care to adorn the alter in pleasing raiment
exposed enough of the hidden treats
Enticements for the restless wanderer
to stay awhile and tend the hearth
raising a blazing fire.

God as woman born
endured the fear, the pain, the eternal longing helpless wait
mercifully forgotten at the first suckling sound.

God as woman born
slew Cain not
nor the others ever after.

God as woman born
removed the fruit from the soil with a tenderness
that wrung a universal sob
from the heart of creation.

so if woman must be,
resurrected as son of a woman poet,
let it be so,
beside you, you shear
wooly words,
from and for us,
gathering, gathering

~~~~~~~~~~~

This poem is dedicated to, inspired by the compositions here of Harriet Tecumsah Watt
She is one of the best writer and poets on this site, vastly under-appreciated. I proudly accept the title of her follower.  Read her and be infatuated, angry, enthralled and challenged. The words in italics are excerpts from her poems and messages.

how much has been burnt
the lips of the aalpanaa
by the heat of the blue letters

the absentmindedness  
that can penetrate this flavour  
gets hullo-cut
coming to the wedding-relation

do fly oh bird
yet you flow with faster steps
in the deep of the wave
with a long hanging bag on your shoulder

let more horse-carts be composed
for the clouds

let the gate adorned with a figure of lion
be immersed for some time more
in deep-meditation

he who is fallen from the wings of the deer
has a chest of 42 and a half inch

you should look it
coming how much nearer to the talisman
that serpentine lane and that tasty loose-hair
becomes totally blank


you should also see
reaching to what kissing-point
the glacier of the versification
can vanish
without leaving any trace

The many perplexities that form within the most important membrane of the human body can be unbearable.
It leads Anxiety, panic, worry, sorrow, anger, love and many more emotions that take over the body in an endless fluctuant ride.
Therefore comes the regret and neglecting of feelings which portrays as betrayal and absentmindedness towards beings who are significant within an individuals life
This results in solitude. Also, where the baffled pondering continues. Up until the point where the cycle reaches it's peak. Waiting for every precious thing to collapse in a forgotten hope.

Chapter One — In the Woods

For all I know, I could be in a dream right now, no beginnings, no once upon a time, no long long ago; and perhaps no endings, no happily ever after, no the-end, and no non-arbitrary answer to the question. Of course, no one wants to read that, no one wants to be told that all they’ve ever believed in is a lie, what it is in the end, is what it was in the beginning, hopeless.

Everything is trivial, at least at the moment, at least that’s what I feel, well, I am who I am, is that not correct, or am I suppose to be someone else, or feel like someone else, the other I do not understand, the other I do not care for or about, the other I would never want to be, or the other that embodies, mimics, and mocks, all the sources and ends to my yielding to the scorns of life. No, I am only ME. That’s all I will be. Except, at the moment, and as abruptly as it may seem, at the moment- I do not know who I am.

Chapter Two — The Girl

Sitting in the subway, taking a stroll around the lake, all that time away from actually writing, your entire purpose of existence will-not rush to your mind-but simply all make sense.
Whether or not that is actually constructive is again, trivial at the moment. Whether or not the fact that the absentmindedness afterwards undermines all that insightfulness that had came before it makes the entire conversation unworthy of being discussed by its entirety, is not important, or just not interesting enough for me to ignore the fact that I am, at this very moment, running through a endless territory of barely anything other than stripes of forests away from the occasional darkness that most would call night.
If there were anything beyond the soft grip of the crisp emerald fields of molds and fungus, the soft shower of the gleaming silver moonlight, the tanning hides of the shading elms, an occasional joy of a little wilder beast, and the deadly silence, it is not within my sight, and I must be heading towards it. Yes, there must be something else.
Something beyond this stillness, this stock-still, never fleeting moment in time; there must be an end that is not an end for all this seeking of the seeker. There must be a meaning in all the seemingly meaningless continuation of a standstill.
There must be a gift, a present, well just a difference, to be the spark in the storyline, but what is it? I could guess, but that’s expectation.
Expectation, the tail of the tale you will be chasing after that exists not, because, all that you would have believed in only exist within your mind.
Anyway,

The Tree

One of my branches caught beneath the cape, and scratched at her ankle. I shook, and she did too, but only so slightly. Perhaps it was the wind, well, for me, but for her, I would rather, it was the instinct sensing of pain, or may be just a itch. Whatever it was, it was to be felt; she felt it, and so did I.
She did not, however, respond in anyway, and quietly she passed on. This is a disappointment to me, sadly. Actually, it was more than that, I felt a downing of emotions, from the curiosity of a child to the most slight, yet the most intimate pinch at the heart, a sharp pain.
What did I expect, was she to stop and grant me a part in her story, in the flight of the has-been worldly, and leave everything behind.
Have I forgotten, once more, that I am a tree, the ultimate metaphor for permanence? Even at that, the fact that I cannot move is not the question, what should be asked is what more could be there for a tree; yes, will I always remain, when all have passed on, the response as always, is probably yes.
What is there then, to all this, why do I still remain? As a tree, where did I get a hope that there is a hope, and what exactly is this hope. Perhaps I just always tell myself to wait and see, yes, maybe that is it. I’ll wait and see.
I turn around, or I just turns my attention back around, expecting to see her vanishing into the distance, however, she had not yet passed me. This time, one of my other branches caught at the cape, threatening to tear off the shield, I tried to stop them, but again, I cannot move. As she defends, the instrument of disguise, also known as the mask, almost yields, and unveils the mystery.
She quickly stations it back in place, nonetheless, although my appearance is as still as stillness can be, with my quick wits, I stole a look beneath the golden disguise, and I was surprised, yet not so much as I was delighted.
She was gifted with a natural pureness in her features, plain, yet, upright, proud, and inherently, and elegantly innocent. The nobleness draws the most fear, shame, and sorrow.
If I could, I would, lower down my gaze, and the crown-how ironic-of my tree, not in admiration, but in shame, the despicable, inevitable taunts of my conscience.
It is only now, that I have noticed as she had passed my way, that there is another player in this game, another character in this story. On her shoulder, sits the stereotypical shape of a petite and bright star. The light, lights my veiled blush of humiliation; she seems even more innocent, even more careless and naive, even more happy.
What is it, what is she smiling about; what is she thinking about?
YES, WHAT IS SHE THINKING ABOUT?

The Star

Well, I am her, so I would, or just, I should know.
The dreadful thing is, her identity is still a mystery; it doesn’t matter how close you gets to her, whether or not she is a princess, a ordinary farm girl, a boring city child, a dangerous assassin, or whatever she is, doesn’t just suddenly hop out in the clear for you. However, you can still sense from the baseline of our so called humanity, the little insanity our souls call intuition, an indecipherable comfort of our inner most consciousness, and subconsciousness.
I can see my own reflection from the back of her mask, funny how I can’t still see Her. Does it matter if I see myself, if all that’s ever going to change is my consciousness. Perhaps not, perhaps all I need was a sense of being, a sense of existence, to feel that extra undecipherable sense of bliss by mere proximity, I am with her, feels her existence, and that is all I needed.

i just want to forget you
the way flower petals forget the flower
once they've been plucked
by the hand of
absentmindedness

i just need someone to take me, put me in an empty room
and slap me till i'm blue in the face
till all recollection falls out of  me
and into
the abyss of eternal oblivion
i just need someone to hate me
because i know better than to believe i deserve
anything more than that.

so take me, hit me, hate me, leave me, don't trust me
when i say it hurts
because no one could hurt me more than i hurt myself
so don't trust me
when i smile in response to your compliments
you don't know me, and you probably never will
you don't love me either
even if you think you do
it's all a lie
everything is a lie
so slap me until i forget how
to cry

because i bet you anything even by then,
i still won't feel a thing.

Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.

Sometimes the kitchen is on fire before you even turn on the stove.
and maybe it's a small fire,
one you never saw coming.
maybe your absentmindedness caught up with you again and you put foil in the microwave.
maybe no one was there to remind you that sometimes looks are deceiving.
maybe you got used to holding the knife wrong.
which would explain why you found it in your back so many times when all you were trying to do was cut the fat off of his steak.
you just wanted to cut off the parts he never liked.
maybe you weren't holding a knife at all.
maybe that's why his lips bled every time he spat out "I love you too" after a fight.
maybe that was your first mistake.
or maybe your first mistake was trying to use the stove in the first place.
they're dangerous,
and your mom never liked you to do unnecessarily dangerous things.
but where is the line for things that have become necessarily dangerous?
and when did you cross it?
This isn't a metaphor.
I really am afraid of being burned.
I never go out into the sun for too long.
I keep my curling iron on the lowest setting.
it wasn't until you came along that I got in the habit of forgetting such fears.  
Now I have these reckless tendencies.
I'm no longer satisfied with my tan until I can feel the sun poisoning boiling in my skin.
Suddenly my hair no longer curls on the lowest setting, only at 450 degrees.
and I never bother turning it off.
It has an automatic setting.
or maybe you became the automatic setting
when I stopped loving myself to love you
and maybe now that you're gone it doesn't bother me that this setting is gone.
maybe it doesn't bother me if my house goes up in flames.
maybe I'm not afraid of being burned
because the fire never burned me
as bad as you did.
and I just can't seem to remember what is real
and what is simply a figment of you.
I can remember the way the flames felt as they brushed my face,
but never your fingers.
So maybe that is the line where playing with fire becomes necessarily dangerous.
Tell my mom I crossed it years ago.

I had been, through much of my youth,
Under the care and tutelage of my Uncle Virgil,
He being the sole remainder of my father and his brothers,
The rest taken by life’s wind and wuthering,
Anzio and clogged arteries, sneak attacks and suicides.
The final remnant of my patrimony
(But an anomaly among them,
Squat and blocky where his brothers had been all willowy height,
Bestowed a high reedy voice among a half-dozen baritones)
The one entrusted, due to attrition as well as temperament,
With the shepherding of the family farm
Through another generation
(The original design involved my father taking the reins,
But, though he came to the plowed rows, scrubby old apple trees
And lumpy moguls of the place with the hopes and misigivings
Of a soon-to-be- jilted suitor,
He was a dreamer, a man of little to no pragmatism,
Ill-suited to the grinding and unromantic nature
Of cutting dead cows from stanchions
And bringing order to barbed wire,
The mantle then falling to the youngest brother,
But he proved too easily enveloped in life’s minutiae,
And he departed with a locked garage door and idling engine,
The official version being terminal absentmindedness
While giving his antiquarian Buick a tune-up.)

I had come over to help out with the haying,
Its timing, even by small-farm standards,
Subject to Nature’s whims and caprices,
Process needing to be completed in narrow windows of time
When the tall grasses were just-so dry enough to cut,
Requiring marshaling the forces for attack
At a feverish pace before the next thunderstorm
Marched over the hills and ancient glacial moraines,
Leaving ill-timed efforts all for naught
(My contributions to the cause a hit-and-miss thing,
I being my father’s son after all.)
We’d finished up with some daylight to spare,
A thing to be celebrated,
My uncle and I repairing to the porch for beer and small talk.
In the course of ruminations upon things great and small,
I’d mentioned how I’d changed my considerations
On the ostensibly unchanging hillsides,
How they were once foreboding, claustrophobic things,
Walls to be surmounted like some pine-topped Maginot Line,
But now comforting, benign things,
Cradling me gently, almost imperceptibly yet lovingly.
Uncle Virg took a pull from the bottle and slowly shook his head,
What those hills are, boy, is dirt, just a bunch of **** rock
Ground up by the big ice, and it would have been nice
If they’d made a better job of it,
Not that they gave a tinker’s **** about us then or now.
Son, I listen to you talk, and I despair of you.
Why, what would your father say?
He took another drink, then laughed softly.
Oh, hell, never mind. I know what your father would have said,
We drank more or less in silence after that,
The sun making various sherbert pastels
Of reds and oranges and purples,
Though I thought it perhaps for the best
Not to comment upon that particular phenomenon.